Tag: Bob Marley]

  • Coming in from the cold

    The atmosphere in the restaurant was calm. Bob Marley’s song, ‘In this life, we’re coming in from the cold,’playing in the background, reminding all of the good old days, made the setting very attractive as the small crowd mimed and swayed to the rhythm of the song.

    Two lovebirds walked into the restaurant to the admiration of all. Love made in heaven?  They look really good together and everyone agreed that they are a great pair. They sat next to yours truly after getting their orders and in a few minutes you realised that even though they looked like a fantastic pair, things had indeed fallen apart.

    On his part, the Romeo looked really calm and you probably would not know that their affair was on the edge. However, the babe at the centre of it all just could not hide her feelings; she kept asking questions, questions that were not answered.

    “Why do you tell so much lies? Why did you bring me into this relationship when you knew that you are entangled with the other lady? Why did you lie the first time I saw her letter in your room? Why did you insist that it was over with her, when I confronted you with the things that I was hearing from the rumour mills?”

    Questions and more questions. It was obvious that the babe was at the receiving end here. She was deeply in love with a guy who appeared to be having a ball in another relationship. Guilty? Yes, it was obvious from all the outbursts and somehow he remained unfretted. Perhaps, it was a game from the onset but this romantic babe just did not see it coming. The crux of the matter is that it is better to make use of your instinct in the emotional arena, check for vital signs to avoid falling helplessly like this babe.

    In addition, experts advise that things work better when you think through all aspects of your relationship. These include your feelings, thoughts, the other person’s feelings and thoughts, as well as the external context.

    Your ability to decode the thing happening around you goes a long way to determine how active you are in the relationship. When things are going wrong, try as much as possible to address the issues instead of pretending that all is well.

    For instance, if you observe that you are avoiding a certain aspect of reality in your relationship, this may not be a good idea at all. As a matter of fact, experts warn that this is the time to double your focus and really get at the truth before it is too late.

    Interestingly, the things a lot of people run away from at the beginning or midway into their relationships are likely to be the ones that will most undermine their relationship in the future, if care is not taken.

    One of the biggest dangers in close relationships is assuming the other person is exactly the same as you in their feelings and thoughts, and thus failing at their mind intention. This is something that’s so easy to flinch away from, as our emotional self just doesn’t want to accept that the person we’re so close to is actually different from us—sometimes very different. I know I made this mistake, and it cost me dearly in the past.

    For those who have conquered the emotional terrain, they would tell you that good communication skills play a great role in all this. It is better to talk about it as soon as you notice something you don’t like. Once it is discussed, the other person knows where they stand in the relationship. Talking with one another about dos and don’ts making the love arena, peaceful, jovial and love grows better this way.

    As you communicate nicely with each other, it is important to go a step further because some people may not tell you how they feel about something, no matter how hard you try.

    It therefore helps when we listen more attentively to what the other person is saying; also listen to the emotions underneath the words. This way you would appreciate the person’s mood and know whether the other person is stressed, frazzled, sad, frustrated, confused or satisfied.

    If you don’t pay attention to these details, you may be just be sitting on an emotional bomb, that may just explode when you think you have found the heart you desire so much. So, it is better to get a true picture of what is going on within, first by paying attention to the tone of the voice, body language, and what is not being said. In addition, these hidden emotional facts can be found in the content of the words and occasional outbursts.

  • UNESCO declares reggae music an International treasure to be preserved

    United Nations Educational, Scientific and Cultural Organization (UNESCO) has declared reggae music as an international treasure that must be safeguarded. The music, which is known for its advocacy for social justice, peace and love, was declared a treasure after Jamaica applied for its inclusion on the list in 2018. Singer Bob Marley was among the legendary musicians who developed and grew the music to where it is today.

    In the United Nations (UN) meeting that was held on the island of Mauritius, there were about 40 proposals under consideration. “Its contribution to international discourse on issues of injustice, resistance, love and humanity underscores the dynamics of the element as being at once cerebral, socio-political, sensual and spiritual,” UNESCO said in a statement. Reggae was competing for inclusion alongside Bahamian strawcraft, South Korean wrestling, Irish hurling and perfume making in the southern French city of Grasse.

    Born in the late 1960s in Kingston Jamaica, reggae was known for its unique style that was synonymous with the struggles of the low class people in society. Later in the years the music advanced with famous legends like Bob Marley with his hit song No Woman No Cry and Burning Spear with his Slavery Days of 1975. The music grew and spread across the world mostly resonating with the lower class members of society.

  • Bob Marley, 37 years after: Segun Arinze tasks reggae artists

    As the world mark 37 years of Bob Marley death, Nollywood veteran, Segun Arinze has called on reggae musicians in Nigeria to continue to use the genre to spread conscious and positive messages to correct the ills in the society.

    Marley is one of the most influential musicians of the 20th century and one whose impact endures across generations of music fans around the world.

    The reggae legend with 42 official releases, countless photos and videos of him captured both on and off the stage is the most celebrated reggae artist in the world.

    Arinze, a.k.a “Black Arrow’’ said this in a telephone with the News Agency of Nigeria (NAN) on Friday in Abuja.

    The Onitsha born actor and graduate of Dramatic Art from Obafemi Awolowo University, Ife also said that reggae had become a culture.

    “Today is Marley Day; I called on Reggae musicians in Nigeria to continue to use the genre to send conscious and positive messages to correct the ills in the society like Bob Marley, Mandators, Andy Showman, Ras Kimono and others.

    “However, the music industry is dynamic and changing; there are new styles and beat to reggae, so you need to adopt it but maintain the messages that are philosophical and endearing to the heart.

    “Even though Marley is gone, his music lives on; Reggae artists across the country should continue to spread the message,’’ Arinze said.

    The talented actor with several endorsements also said that Marley’s legacies remained relevant in the 21st century, 37 years after his death.

    According to Arinze, Marley’s songs are prevalent today adding that everything he sang about is still happening today.

    “He is like a prophet; his songs inspire people up till today. I even listened to his songs yesterday.

    “I just prayed and hope that his family carry on with the legacy he left behind and continue to impact on the people and society.

    “But unfortunately, he died at a very young age; he did not make it up to 40 years. I pray his soul continue to rest in peace and wish the world Happy Marley Day,’’ Arinze said.

    His lyrics of timeless protest songs such as “Redemption Song” “War” “Get Up, Stand Up” and “Crazy Baldhead,” have fired up social and political movements.

    Marley was born on Feb. 6, 1945 to a British Naval Captain, Norman and Cedella Marley.

    Marley was posted to the Western Indies during the second War World when he met Cedella. She gave birth to young Marley when she was 18.

    The reggae legend early life was spent in rural mountainous terrain of the Parish of St. Ann community of Nine Miles in Jamaica.

    The residents of the community have preserved many customs derived from their African ancestry especially the art of storytelling as a means of sharing the past and time-tested traditions.

    In the late 1950, he left St. Ann and returned to Kingston, the Jamaica’s capital.

    The `One Love’ crooner had little Western education, but dropped out of school at 14 to learn welding.

    After meeting and teaming up with a Reggae artist, Peter Touch, he quit welding and they jointly released a single titled, `Simmer Down’ which enjoyed airplay on the local radio.

    Based on the success of the single, their relationship blossomed and in 1964, Marley and Tosh formed the `Wailing Wailers’ together with Bunny Livingstone Wailer, Junior Braithwaite, and Beverly Kelso.

    Other members of the group were Rita Anderson (who later became Rita Marley in 1966), Judy Mowatt, and Marcia Griffith.

    The musical group was popular in Jamaica as it performed in many shows across the country.

    The group gained wider acceptance and in 1972 it was signed on by Chris Blackwell’s Island Records.

    In 1973, they released their debut album titled “Catch A Fire’’ which launched them into super stardom.

    With a successful music album, the group embarked on musical tour in Britain which was successful but turned out to be the turning point of the Jamaican based Reggae group.

    After a successful tour, they came back to Jamaica and the group split with Peter Tosh and Bonny Walter opting out after alleging Marley’s domineering role while on tour.

    Not perturbed by the split, Marley went ahead and got married to Alpharita Constantia “Rita’’ Anderson in Kingston, Jamaica, on Feb. 10, 1966.

    Marley had many children: three with his wife Rita, two adopted from her previous relationships, and several others with different women. The Bob Marley official website acknowledges eleven children.http://nan.ng

  • Fans celebrate late Bob Marley at 73

    Fans celebrate late Bob Marley at 73

    It was a beehive of activity at the Bob Marley Museum, in Jamaica, as thousands packed the venue for the annual event to celebrate the life of late reggae legend, Bob Marley.

    Marley, known as The Gong, would have celebrated his 73rd birthday on Tuesday and his international reach was shown in the audience, with the a blend of people from all over the globe.

    The posthumous birthday celebration of music legend kicked off in Jamaica in a concert, tagged ‘SoulRebel73’, and was witnessed by a crowd of Marley fans and streamed live on YouTube for viewers all over the world.

    It featured performances of Marley’s hit songs ‘No woman, No cry’, ‘Redemption song’, ‘One Love’ amongst others by his son Ziggy Marley and other singing groups, including children.

    Fans all over the world are celebrating the Jamaican legend, almost four decades after his death.

    Announcements of other shows organised by fans to commemorate his birthday week, are trending on Instagram with the hash tag #bobmarley.

    Marley, who was born on February 6, 1945, is credited with popularising reggae music around the world and served as a global symbol of freedom, love, unity; Jamaican culture and identity.

    He died of skin cancer in 1981 at the age of 36, with thirteen studio albums and two live albums to his name.

    Marley started his music career in 1963 with the group ‘The Wailers’, forging a distinctive songwriting and vocal style that would later resonate with audiences worldwide.

    His first solo album ‘Exodus’ released in 1977, established his worldwide reputation and elevated his status as one of the world’s best-selling artists of all time , with sales of more than 75 million records.

    ‘Exodus’ included four hit singles: ‘One Love’, ‘Exodus’, ‘Waiting in Vain’ and ‘Jamming’.

    His greatest hits album, ‘Legend’, was released in 1984, three years after his death. It subsequently became the best-selling reggae album of all time.

    Marley supported independence of African countries from European domination and saw it as a victory for all those in the African diaspora.

    He expressed his support for Africa in several songs including the hit songs ‘Africa Unite’ and ‘Zimbabwe’.

    NAN

  • Mugabe and Bob Marley’s prophesy 

    Mugabe and Bob Marley’s prophesy 

    As distraught Zimbabweans suffered the misfortune of viewing the political funeral of Robert Mugabe in slow motion in Harare in the past few days, older compatriots must have been haunted by the ghost of his iconic and far more illustrious namesake – Bob (Robert) Marley.

    It was in the same Harare (then Salisbury) that the Raggae immortal  stood in 1980 as a star guest at Mugabe’s inauguration as first leader of independent Zimbabwe and, amid the stirring percussion of guitar, horn and cymbal, rendered a freshly composed number with eponymous title to a deliriously ecstatic crowd and extravagantly expectant nation.

    “Every man has got his right to decide own destiny,” he begins “And in his judgement, there’s no partiality…”

    Alas, thirty-seven years later, Marley would have wept at the sorry sight Zimbabwe had become and the epic betrayal of the promise of 1980.

    Moments after his party ZANU-PF formally disowned him on Sunday and served 24-hour impeachment notice having declared his psychedelic wife persona non grata, Mugabe appeared in a televised national broadcast flanked by the cartel of avenging generals.

    Looking spent but defiant, the old fox from Kutama continued to cling tenaciously onto the presidential stool, even as political vultures circled overhead.

    Meanwhile, the Harare streets were throbbing with placard-bearing citizens marching in solidarity with the military intervention of last Wednesday.

    But in what must have filled the uniformed enforcers surrounding him with amusement, Mugabe ended his rambling speech by taking liberty to announce official itinerary stretching to next month. The dinosaur was seeking to preserve the sitting order in a sunk Titanic.

    With that, it became evident that Mugabe, like all deluded tyrants in history, had completely lost touch with reality. He seemed incapable of realizing that the game was up; that his captors were now directly scripting the power-play pre-determined to completely strip him bare, beginning with his defenestration at ZANU-PF’s emergency caucus.

    Overall, the Mugabe tragedy is yet another reminder of the often limited shelf-life of political heroism in Africa and should renew the old debate about the propriety or otherwise of allowing the blood-tainted hands that liberate to also rule. (The reason why Charles Taylor, who led a bloody rebellion in Liberia against despotic Samuel Doe in the 80s, ended up in 2006 worse than the former Sergeant.)

    We hear the message subliminally in another line in that same song by Marley: “Soon we’ll find out who is real revolutionary. I don’t want my people to be tricked by mercenary…”

    Obviously, Mugabe stayed too long in power for his own tragic flaws not to be exposed. Perhaps, on account of his lead role in an atrocious guerrilla war, he was psychologically ill-equipped to administer a post-war nation requiring true reconciliation and exemplary statesmanship.

    In retrospect, what could be termed the only great moments in Zimbabwe were in the first decade of independence. It witnessed the quantum leap in literacy ratio. Its status as the food basket of the Southern African sub-region was consolidated, making it one of the most prosperous countries with enviable GDP.

    Instructively, these great advances happened when the governance template was relatively inclusive.

    Soon, Mugabe forgot another profound line in Marley’s evocative Zimbabwe: “Divide and rule will only tear us apart…”

    Only that would explain the maniacal venom he went about the land reforms, invariably perpetrating on industrial scale the racism he and fellow guerrilla fighters had accused Ian Smith of decades earlier.

    After Smith’s unilateral declaration of the independence of Rhodesia (as Zimbabwe was originally called) in 1965, his white minority clan sought to perpetuate the control of more than 70 percent of Zimbabwe’ land in the hands of a white caste accounting for less than one percent of the population.

    While such arrangement was obviously unsustainable and provocative, Mugabe’s abrasive handling of the historically emotive issue worsened things. The country would probably have been better for it had he imbibed even a quarter of Nelson Mandela’s political dexterity and conciliatory spirit that helped minimize racial tension and eruption in the early years of post-Apartheid South Africa.

    Even during the relatively “stable” 80s, he nevertheless had zero tolerance for dissent. Sustained brutal crackdown on political opposition that decade left thousands dead, aided and abetted by compromised leadership of the armed forces.

    So, at the approach of the new millennium in 2000, it was clear the Zimbabwean strongman had run out of fresh ideas to govern. As the asphyxiating effects of economic blockade imposed by western countries kicked in, Mugabe, like the trickster Marley muses about, easily resorted to the bogey of “land reforms” to rally the dominant black population behind him and his party.

    But the big tragedy was that the black provincials who inherited the big farms from the white lords soon discover they lacked the expertise to manage such enterprise, thus doubling Zimbabwe’s economic woes.

    Of course, Gucci Grace or disGrace (as Mugabe’s erstwhile-secretary-turned-wife is contemptuously called) was the temptress. She had sneaked into power through the back door first as Mugabe’s mistress as his much beloved first wife lay terminally ill.

    In the second half of Mugabe’s reign, she acted Shakespeare’s darkly calculating Lady Macbeth and the vain Imelda Marco of 20th century the Philippines rolled into one.

    It is a reflection of her cantankerous nature that diplomatic immunity had to be invoked twice for her to escape trial for criminal charges on foreign soil, the latest being alleged physical assault on her son’s girlfriend in a South African hotel suite.

    At home, it is a measure of the life of debauchery she seduced old Mugabe into that, just last month, she also got embroiled in a litigation involving a $1.3m wedding anniversary ring. The Lebanese she paid the fortune to supply a 100-carat diamond band, as the story goes, attempted to swindle her by supplying a counterfeit worth not more than $30,000. What was meant to be a secret deal eventually exploded in court with the First Lady unashamed to own up to coveting such prohibitive vanity at a time most Zimbabweans are unsure of their next meal.

    In 2014, she considered then lady Vice President a threat. She bad-mouthed her publicly. Soon, her husband granted her desire by booting Mujuri out of office. When Mugabe later sacked Mnangagwa as Vice President a fortnight ago, only a few were left in doubt that the last hurdle had been cleared on Grace’s path to succeeding her nonagenarian hubby as president.

    But hitherto power-hungry Grace has not been sighted since the armoured tanks cordoned off the presidential palace last week.

    Bob Marley must be turning in revulsion in his Kingston grave this moment.

    Okorocha’s commercial monumentalism

     

    The most recognizable symptoms of clinical delusion is usually an obsession with inanities. Bizarre developments in Imo lately should then be enough to so classify Rochas Okorocha. It explains why a man owing workers salary arrears and whose cheques to pensioners bounced and bounced, did not consider it shameful to instead splurge hundreds of millions of naira on the erection of bogus statues.

    What now complicates things is the apparent misreading of the dialectics of history by the Imo governor by the reasons cited for his decision and crass exhibition of a lack of sophistication in seeking to pass off a purely personal commercial transaction at the expense of Imo taxpayers as something done to profit the public.

    Outgoing Liberian president, Madam Ellen Johnson Sirleaf, is the latest foreign leader to have a statue unveiled in her honour in Owerri after a lavish state reception capped with bestowal of a local chieftaincy. Before her was Jacob Zuma, the sleaze-prone president of South Africa.

    Worse still, Okorocha has threatened to unveil more of such gaudy statues in the times ahead.

    Incumbent Ghanaian president Nana Akufo-Addo’s statue is rumoured to be next to be unveiled in Owerri. Presumably, Okorocha is also hoping to spread his business tentacles there. But in terms of historical impact and monumentality, one would have thought Jerry Rawlings towers above the incumbent.

    His acute delusion shows in the fallacious argument that his monuments are to perpetuate the memories of those he considers heroes and heroines..

    All told, it is, however, debatable if Okorocha’s own yardstick can truly stand the rigor of any ethical test administered by those who subscribe to values higher than easy cash and idol-worshipping.

    Without taking anything away from the healing and reconciliatory spirit radiated by Madam Sirleaf as post-civil war leader of Liberia, let it however be recognized that true immortality – the durable type – lies in the immaterial.

    History reminds us that material things are perishable. Only fondness rooted in public memory is eternal. So, in case Okorocha doesn’t know, Sirleaf’s best assurance of immortalization is ultimately how much of her good deeds would get winnowed into folklore to be told from generation to generation. Not by the golden cenotaph in Owerri contracted out presumably at inflated costs.

    Then, the real ethical incongruity. On both occasions, no attempt was made officially to conceal that the visitations by Zuma and Sirleaf had direct linkage with a school foundation run by Okorocha as a private business.

    In the case of the former, the Imo emperor and his courtiers were so shameless enough to even admit publicly that the foundation hopes to move into the door of opportunities already opened by Zuma’s visit. Using public funds to make way for your private business is, in itself, corruption.

    Alas, such sleazy hands are the very ones now seeking to erect in Owerri monuments to virtuous leadership and inspire generations yet unborn.

    As someone recently put it, little wonder then that Imo, once glorious, is now truly calcifying from state to statue..

  • Charly Boy, AGN eulogize Fela 20 years after his death

    Charly Boy, AGN eulogize Fela 20 years after his death

    Entertainment maverick Charly boy and the Actors Guild of Nigeria (AGN), on Wednesday eulogised late Afrobeat legend, Fela Anikulapo Kuti, exactly two decades after his demise.

    Charly Boy described the late Fela as “unequalled legend who preached against corruption, injustice and other societal ills.

    “The truth is Fela never dies; he lives on with his music.

    “What Fela stood against across Africa, and Nigeria in particular, that made many to call him a mad man, are still very much our problems today.

    “He talked about suffering and smiling, corruption, and fear of death that made people keep quiet or indifferent to bad governance.

    “Nigeria will forever miss this great social activist and advocate of justice and equity,” he said.

    Charly boy, who was a past President of Performing Musicians Association of Nigeria (PMAN)added that Fela was a pride to Nigeria, by taking the African musical genre to the global stage.

    On his part, Mr Agility Onwura, Chairman, FCT chapter of the Actors Guild of Nigeria (AGN), described the late afrobeat superstar as a “philosopher and a voice to the voiceless.

    “Fela was an advocate to the common man, who believed in equity and fairness.

    “His death was not just a lost to Nigerians, but to the global music industry.

    “He belonged to the class of Bob Marley, Martin Luther King (Jnr) and other preachers of human freedom.”

    Onwurah added that Fela was a multi-talented instrumentalist and singer who believed in his brand without any sense of competition.

    He urged young artistes to emulate Fela’s  doggedness, passion and consistency that made his music remain timeless and inspiring, even 20 years after his demise.

    NAN reports that Fela Anikulapo Kuti, who died on Aug. 2, 1997 at 59, was a Nigerian  musician, pioneer of the Afrobeat music genre, human rights activist, and political maverick.

    The “Abami Eda”, as he was also known, was often hailed as one of Africa’s most bold and charismatic music performers.

    Fela made the decision to sing in Pidgin English so that his music could be enjoyed by individuals all over Africa, where the local languages spoken are very diverse and numerous.

    As popular as Fela’s music had become in Nigeria and elsewhere, it was also very unpopular with the ruling government, and raids on his popular shrine, Kalakuta Republic were frequent.

    Some of his popular songs include ‘Shakara’, ‘Zombie’,’Gentleman’ and ‘Suffering and ‘Smiling’

  • Runtown shoots new video in Los Angeles

    Runtown shoots new video in Los Angeles

    Fast-rising singer, Douglas Jack Agwu, aka Runtown, who recently won the award for the Best Collaboration at the Nigerian Entertainment Awards (NEA) in New York, has just shot the video of his latest song, Baby Answer, in Los Angeles, USA.

    The video, according to reports, was shot at several locations by award-winning cinematographer, Sesan.

    It is expected to hit the airwaves before the end of the month.

    After he released his first single, Runtown, In 2007, there was some kind of hiatus in his career. He, however, staged a comeback in 2010 with a single titled Forever, whosevideo was directed by Ivan Edd Films. He followed it up with Activity Pikin.

    Runtown, whose music is a fusion of Hip Hop, R&B and Rap, is influenced by artistes such as Sean Kingston, Bob Marley, Kanye West, Lupe Fiasco and Drake.

    He, together with Phyno, featured on J Martins’ Elevated album on the sixth track titled Tonight. He has also collaborated with top Nigerian artistes, including Timaya.

  • Star the Winner goes live nationwide

    Star the Winner goes live nationwide

    STAR The Winner Is, a reality TV singing competition, has ushered in its first season with a premiere aired on TV stations nationwide.

    It featured six contestants showcasing their vocal prowess for a spot in the semi-finals and grand finale. Twenty-three-year-old freelance musician, Sonia Ebhota; Joy Siakpere, who sings in restaurants for a living, and Augustine Owviri, who dreams of being a fashion icon, were among those partook in the premiere.

    There was also a friendly school teacher, Shapeera Makepeace, Henry McJohn,  a background singer, and Philip Otuya, who had his first music recording in 2006, battling it out on the exquisite stage.

    Otuya charmed the audience with his rendition of The Way You Make Me Feel by Michael Jackson, made the ladies scream with his outstanding performance of Unchained Melody by The Righteous Brothers and emerged the audience’s favourite with Bob Marley’s No Woman No Cry earning himself a spot in the semi-finals. Star The Winner Is, which is hosted by actor and model, Uti Nwachukwu, is a singing contest, where an unusual 101 jury, consisting of music enthusiasts and specialists, votes for the best performer.

    The contestants must test their nerves by resisting a cash offer from the host to leave the game for good or wait for the jury’s votes to see if they have made it to the next round and one step closer to the life-changing grand prize of N10million and a brand new car.