Tag: Calling

  • Razzy drops new track, ‘Calling’

    Weeks after joining DTD Spartaz Entertainment, Nigerian rapper, Adewale Benjamin, better known as Razzy, has demonstrated has hit the ground running with the release of his debut single titled ‘Calling’.

    An urban mid-tempo track, the song carpets materialistic tendencies common with young Nigerians, especially, ladies in today’s world as regards love and relationships.

    According to the artiste, ‘Calling’ is one song that has the capacity to last in the minds of listeners. Featuring label mate, Taller FerrariBoss, the song premiered about two weeks ago on radio stations across the country.

    Recall that the Ekiti-born rapper was admitted into the hip hop group, Spartaz sometime in May.? The expansion ?of the group comes after two successful hit singles in 2016? and in a bid to build a squad and set a new agenda in the industry, according to its management.

    It is no coincidence that all four members are proud sons of Ekiti State as well as the team’s manager, Oguntuase Olusola and in-house music producer, Olatoye Olawale aka Diano.

  • ORA: when I.E. came calling

    ORA is a Lagos community — Okota Residents Association, Zone A — which covers the unmetered tracks of Ikeja Electric, IE’s Okota, Lagos household electricity market.  The area seethes with fury, over what the residents call I.E. “crazy bills” — which indeed they are.

    So, on Saturday, May 12, at the compound of Mount Zion Acadamy, a private school in the community, two I.E. top staff came calling to explain the billing imbroglio: Aderonke Edet Udoh, the Okota Undertaking Manager for I.E. and Chukwuma, Energy Safe Supervisor, whose job is more closely connected with billing and disconnection of erring customers.

    Mrs Edet Udoh, cool, collected and articulate, tried her best to explain I.E. wasn’t fiddling the bill it sends its irate customers, since those bills were automated, and based on some rigorous parameters.

    Automation is neither here nor there.  What comes out of the computer is as good as what was fed into it — remember the old garbage-in, garbage-out computer quip?  But the parameters, which Mrs Edet Udoh insisted was Nigerian Electricity Regulatory Commission (NERC)-sanctioned, had a more logical ring.

    Mr. Chukwuma, on his own side, participated only as a side-kick, with Mrs. Edet Udoh doing most of the explanation.  Still, you could see, in the two, a schizophrenic I.E: one  (Edet Udoh) trying to adapt to customer-savvy service ethos (as every private company should do) and the other (Chukwuma) with the body language (even if benign) of the all-mighty, all-crushing, all-notorious NEPA of old, with the arrogance of federal might.  Over all, however, the pair pulled off a decent show.

    But even from their explanations, it was clear there was little fairness in I.E. billing.  The company claims it meters transformers to determine the level of power consumed.  That it now shares, by simple average, to all customer households, as their respective consumptions.  That clearly is over-billing some customers for power not consumed and under-billing others for excessive power consumed.  That cannot meet the muster of fairness.

    The solution, of course, would be pre-paid metering.  But according to Mrs Edet Udoh, it would come though she didn’t know when.  Still, she assured the area was already 70 per cent metered, leading to the cynical riposte, from her pissed audience, that the un-metered customers were I.E’s fraudulent cash cows!

    The gathering parted but the billing problem was unresolved.  Indeed, the meeting parted hardly on a cordial note; and since then, the ORA social media platform has been ablaze with anger, at a perceived I.E, that renders little service but harvests illicit bills, on the pains of arbitrary disconnection.

    O, the perceived notoriety of the area’s marketer, one Emmanuella, was echoed by almost everyone present.  As arrogant and insensitive as they come, the gathering accused her of always gruffly telling complainants she had a revenue target to meet.  But pray, what about the service that earns that revenue?

    Let I.E look into its billing technique again, to achieve fairer billing.  It should also fast-track its metering programme, for in that lies the ultimate solution.

    If it doesn’t, it risks a serious blow-out with its furious market.  Both I.E’s Alausa, Ikeja head office should take note; and so should NERC, and even its supervising Ministry of Works, Power and Housing.

    A stitch in time saves nine.

     

     

  • …AND CAMERON CAME CALLING

    FAR from the ‘fantastically corrupt’ pronouncement by outgoing Prime Minister of UK, David Cameron, and his recent resignation over Brexit, you must have heard of plans to showcase eight Nigerian films at this year’s edition of Toronto International Film Festival (TIFF) for which one Cameron Bailey has come to Nigeria; the crux for me is to say that it is no time to dance yet.

    Yes, Cameron Bailey, the Artistic Director of TIFF was in Lagos this week, where he was introduced at a press conference organised by Lagos State government to announce Toronto’s readiness for Lagos and Nollywood filmmakers during the 10-day film event holding in September. However, before we hit town with songs of victory for Nollywood – about how one of the leading film festivals in the world has come down from their high horses to ‘scout’ for Nollywood films, it is pertinent to understand that this is a privilege given to Nollywood to prove our worth to the world.

    Nigeria renewed its politics of ‘attention seeking’ from international film festivals more than 15 years ago, and seems to have the ear of TIFF because, somehow, Bailey, as a person, shares the aspiration of Nollywood. Amongst Afolabi Adesanya, former MD of Nigerian Film Corporation; Peace Anyiam-Osigwe, CEO of Africa Movie Academy Awards (AMAA) and Steve Ayorinde, Commissioner of Information and Strategy, Lagos State, there had long existed a tie with Bailey who has also visited Nigeria several times in the past.

    Although it has been difficult to get a Nigerian film into the festival’s mainstream as a journalist rightly observed at the press conference, one could imagine how Bailey must have tried to let this happen. One of such chances for Nollywood was a documentary called ‘Peace Mission’ showcased at the festival in 2008. If we expected this to soften the grounds for us, it did not work out because years after, those who curate African films for TIFF hardly find a Nigerian film for their line-ups. And when in 2013, Biyi Bandele’s “Half of a Yellow Sun” got official premiere at the festival; one could safely say that it earned that little space on the strength of the British Film Institute (BFI) which gave 30 percent sponsorship to the film and the lead actor of the film, Chiwetel Ejiofor, who incidentally featured in another film (12 Years A Slave) selected by the festival that same year.

    Here we are again, with Bailey pulling another stunt for Nollywood. Indeed, to have Nigeria on the number 8 slot, after cities such as Istanbul, Buenos Aires, Mumbai, Athens, Seoul, Tel Aviv and London, and the first to be profiled from Africa whereby South Africa has consistently made the line-up in the TIFF mainstream, couldn’t be short of playing our politics well. Thus, we just must create a good impression, not only on the organisers of the festival but on filmmakers and distributors world over, who will be attending the festival.

    Again, we develop so much gluttony for government largesse when the issue concerns film, and when that is not forthcoming, we speak blackmail because we think that by the cultural export nature of motion picture, we are doing the government a favour. This is why a filmmaker who claimed robust knowledge of Lagos and the Yoruba language wants the state government to bankroll a film project he thinks should be selected for the TIFF’s City-to-City showcase. I have said it several times that filmmaking is the filmmaker’s business just as farming is the farmer’s business and source of livelihood. If farmers don’t blackmail government by claiming that they feed the nation, then our filmmakers must have a rethink. All that government owes any sector of the economy is an enabling environment and intervention funds which may even come in form of loans. A commercial filmmaker who is waiting for government’s grant is just yet to define his purpose.

    Meanwhile, the City-to-City showcase is not about some propaganda films about Lagos, and Lagos is not looking for new films to take to TIFF, as there are more than enough productions and filmmakers whose works naturally have the flavour and colour of Lagos, a city which no one can afford to ignore in Nigeria, a former Federal Capital Territory, commercial nerve of West Africa and home of Nigeria’s creative industry.

    Interestingly, Bailey described Lagos as “the city of Fela Kuti’s music which has also given birth to one of the world’s most vibrant film industries.” Continuing, he said: “The 1,000 low-budget features ‘Nollywood’ produces each year generate about $1-billion in box office. Now, from that commercial hotbed, a new generation of filmmakers is emerging to both advance and challenge Nollywood. Bigger budgets, greater artistic ambition – the new cinema of Lagos is bold, exciting, and ready to take its place on the international stage. We’re excited to share the creativity of this remarkable city’s filmmakers with TIFF audiences in September.”

    Above is the synopsis of what TIFF is looking for, and I like the part that talks about the new cinema in Lagos and greater artistic ambition. We still have this quality even among the old crops in Nollywood, so, let’s pitch our works before August and stop cajoling government to fund our livelihood in the name of film.

  • Calling on Ibadan Poly

    SIR: I wish to use your reputable medium to appeal to the Federal Government to order the authorities at The Polytechnic, Ibadan to release the remuneration to students that underwent the compulsory four months Students’ Industrial Work Experience Scheme (SIWES) programme from November 2009 to February 2010.

    Before the students proceeded on the programme, they were asked to drop their account numbers and bank sort codes and that immediately after the completion of the programme, the money will be deposited into their account but this has not been fulfilled by the school authorities.

    After much pressure from the students, they were told that the money has not been released from Industrial Training Fund (ITF) and that immediately it is released, their accounts will be credited but unfortunately nothing has been heard from the school authorities.

    From the look of things, it is evident that the authority at The Polytechnic, Ibadan is playing pranks with the students hence reason for the appeal to the Federal Government to come to the rescue of the students so as not to let their sweat be in vain as the payment is long overdue.

     

    • Adedamola Kazeem,

    Ring-Road, Ibadan.