Tag: Chimamanda Ngozi Adichie

  • Gateways to graveyards

    Gateways to graveyards

    The social media space in Nigeria last week took a breather from the political fireworks characteristic of some of the platforms, buzzing with tales of how hospitals designed to save lives have turned into graveyards with the negligence and avarice of some medical doctors. The sad narratives followed the death of Nkanu, a 21-month-old son of renowned Nigerian author, Chimamanda Ngozi Adichie. The unsavoury development was compounded by a disturbing report on how a mother of five died in Kano after a surgery in which a surgeon forgot scissors in her body. There are concerns that these ugly developments could spike medical tourism abroad and skyrocket demands for foreign exchange, INNOCENT DURU reports.

    • Tragic tales of doctors’ negligence turning hospitals into morgues

    • Fashion entrepreneur Toyin Lawani narrates ordeal at hospital where Chimamanda’s son died

    • ‘How doctors made wrong diagnosis, forced us to have surgeries’  

    The world stood still for Nigerian author Chimamanda Ngozi Adichie last week. Not for her literary ingenuity but the loss of her son, which many believe will remain indelible in her heart. Sadly, Chimamanda expressed doubts over her ability to survive the unfortunate incident.

    In a message chronicling how her son died, the Anambra born author said she had come to Lagos for Christmas when  Nkanu had “what we first thought was just a cold but soon turned into a very serious infection, and he was admitted to Atlantis Hospital.”

    According to her, Nkanu was to travel to the US the next day (January 7), accompanied by travelling doctors.

    She said: “A team at John Hopkins was waiting to receive him in Baltimore. The Hopkins team had asked for a lumbar puncture test and an MRI. The Nigerian team had also decided to put in a ‘central line’ (used to administer iv medications) in preparation for Nkanu’s flight.

    “Atlantis Hospital referred us to Euracare Hospital, which was said to be the best place to have the procedures done.”

    In the morning of the 6th, she said, “we left Atlantis Hospital for Euracare, Nkanu carried in his father’s arms.

    “We were told he would need to be sedated to prevent him from moving during the MRI and the ‘central line’ procedure.

    “I was waiting just outside the theater. I saw people, including Dr M, rushing into the theater, and immediately knew something had happened.”

    She said a short time later, a medical official she referred to as Dr M came out and “told me Nkanu had been given too much propofol by the anesthesiologist, had become unresponsive and was quickly resuscitated.

    “But suddenly, Nkanu was on a ventilator. He was intubated and placed in the ICU.

    “The next thing I heard was that he had seizures. Cardiac arrest.

    “All these had never happened before.

    “Some hours later, Nkanu was gone

     “It turns out that Nkanu was NEVER monitored after being given too much propofol.

    “The anesthesiologist had just casually carried Nkanu on his shoulder to the theater, so nobody knows when exactly Nkanu became unresponsive.

    “How can you sedate a sick child and neglect to monitor him?, she asked rhetorically, adding 

    “Later, after the ‘central line’ procedure, the anesthesiologist casually switched off Nkanu’s oxygen and again decided to carry him on his shoulder to the ICU!

    “The anesthesiologist was criminalky negligent. He was fatally casual and careless with the precious life of a child.

    “No proper protocol was followed.”

    In a tone laced with palpable emotions,Chimamanda said: “We brought in a child who was unwell but stable and scheduled to travel the next day. We came to conduct basic procedures. And suddenly, our beautiful little boy was gone forever.

    “It is like living your worst nightmare. I will never survive the loss of my child.

    “We have now heard about two previous cases of this same anesthesiologist overdosing children. Why did Euracare allow him to keep working?

    “This must never happen to another child.”

    READ ALSO: FULL LIST: Fully funded scholarships for Nigerian students in 2026

    Nkanu’s death stirred a lot of reactions and counter reactions from the bereaved, the hospital, medical profession, legal practitioners and disturbed members of the society.

    Following Chimamanda’s loss, celebrity fashion entrepreneur, Toyin Lawani has also revealed that her medical ordeal began with a spine surgery implant at the Euracare Hospital. In an Instagram post, Lawani recounted severe medical negligence that left her with long-term, life-altering health complications.

    She said: “Every time I say that if you have health issues in Nigeria and you make it out alive, just thank your stars, people feel the comment is meant to berate Nigerian hospitals.

    “I saw one foolish person saying trash about me last week, all because I was speaking from experience. I just ignored it. You spend close to ₦100 million on hospital bills and they still mismanage your health.

    “They thought I was joking when I said I was going to sue, but I said they should just wait until I am stronger.

    “Most of these hospitals just put on a front with white staff, and the aftercare is terrible. I am still suffering the consequences of Euracare right now.

    “One issue takes you there, and another issue sends you home.

    “I kept asking myself why I did my spine surgery implant in Nigeria. Till today, I still cannot speak well or walk well. I had complications and started bleeding in my lungs.

    “I had to be taken back into the theatre the next day to be re-operated on.”

    Describing a night when her heart “ceased” after being given injections, requiring urgent intervention, she said that despite undergoing three back-to-back surgeries at Euracare, her condition deteriorated, with severe lung infections and breathing difficulties.

    She said the situation became so dire that she was airlifted to the United Kingdom for emergency care. UK doctors, she said, discovered a significant lung infection and performed another surgery immediately.

    “Before I knew it, I stopped breathing. They had to puncture my lungs, and they damaged my vocal cords,” she said.

    “I remember a night when I was given two injections and my heart seized. I could not breathe. @Prettydammy2 and @Segun_Wealth witnessed it; her husband had to threaten them.

    “The trauma I faced in that hospital for months is something I still cannot get over till date. I am still in and out of the hospital till now because of this.

    “They do not even care if there is mismanagement; you will still pay. I lost the use of my two legs after I was sent home and ended up back in that hospital again.

    “I had to call the ENT doctor in the UK. He then told them to operate for the third time to remove the tracheotomy tube from my lungs and see if I could breathe on my own without it.

    “After that surgery, I was on the next flight to the UK with my family the following day.

    “When I got here. The doctors told me I had to undergo another surgery and said I had an infection in my lungs.

    “When they showed me the large lumps they removed afterward, I was in shock.

    “After three back-to-back surgeries in the same hospital, I still had to undergo another one when I got to the UK. It is just so shameful.

    “This statement is not said enough: if you have health issues in Nigeria and you have the money, run.”

    In another post, she said: “Part 2 of what my eyes saw at Euracare. I spent two months there in total and another month in a rehabilitation centre because I lost the use of my hands and legs.

    “I also developed bedsores. I had to relearn how to walk, speak, and bathe myself. I am still undergoing speech therapy till today.”

    She added: “When I tell people I am dealing with trauma, they do not understand me at all.

    “This traumatic experience completely changed my entire life—how I see things and even people.

    “I appreciate life more now and tend to let go of so many things, because your life can change in a second.

    “Nigeria’s healthcare system needs regulation. Anybody from abroad can come with money, open a hospital in Nigeria as a business, and do as they wish.

    “They use international standards to lure clients.

    “I have proof that I came out of surgery without a hole in my lungs, and if Segun_Wealth had not raised the alarm about my swollen neck, they still would not have noticed.

    “It was after that I realised I was having difficulty breathing. Till today, I still need a walking stick to support myself.

    “The story of that hospital is long. I first had to save my life.

    “I promised them that when I am well and sound, they will hear from me.

    “Seeing @chimamanda_adichie’s story today triggered me to speak up so that many people can be saved.

    “When I said almost ₦100 million, I was not joking. I still have my receipts from Euracare.

    “Euracare is like a business center. Most of the doctors there are not even permanent staff; they come to perform surgeries and then leave.”

    Meanwhile, Euracare has not been pronounced guilty by any court or committee since the allegations were made.  The hospital has commiserated with the bereaved family and also absolved its officials of negligence in carrying out their duties.

    The hospital had also yet to react to allegations made by Toyin Lawani. 

    Chimamanda Adichie serves hospital legal notice over son’s death

    Smarting from the pain caused by the irreparable loss, Chimamanda served a formal legal notice on Euracare Multi-Specialist Hospital, Lagos, alleging medical negligence and professional impropriety in connection with the death of her son.

    The development came asovernor State Governor Babajide Sanwo-Olu ordered an official probe into the circumstances surrounding the child’s death, following widespread public concern over the incident.

    While the management of the hospital made frantic efforts to deny any complicity in the death of the boy, former President of the Nigerian Bar Association (NBA) and Head of Medical Malpractice, Dr. Olisa Agbakoba (SAN), said the ordeal faced by Chimamanda and her family represents only a tip of a much larger crisis of medical negligence affecting countless Nigerian families.

    The brickbats had yet to settle when the news broke of a mother of five who died from complications arising from a doctor leaving a pair of scissors in her body after surgery.

    The fresh incident rubbished whatever defence people were trying to make for medical practice in the country and raised questions about the training of doctors, expertise of the practitioners and quality of equipment used. 

    The incidents evoked sad memories, forcing  people both online and offline to recount death and near-death experiences at the hands of medical practitioners in the country, especially the private hospitals which they accused of putting money above the lives of patients.

    Woman dies after surgery

    Less than one week after the demise of Chimamanda’s son, came the news of one Aishatu Umar, who died four months after surgeons left a pair of scissors inside her stomach during a surgical procedure at the Abubakar Imam Urology Center, a government-owned health facility in Kano State.

    The mother of five passed away on Sunday, January 11, 2026 during a corrective surgery to remove the scissors.

    A relative of the deceased, Abubakar Mohammed, said Aishatu died after enduring months of severe abdominal pain following a surgical procedure carried out at the hospital about four months ago.

    According to Mohammed, the surgery was performed in September, after which Aishatu reportedly began experiencing persistent and worsening abdominal pain.

    He alleged that despite repeated visits to the hospital, she was only given pain-relief medication without further investigations.

    He explained that medical tests and scans were eventually conducted just days ago, revealing that a pair of scissors had allegedly been left inside her body during the initial surgery.

    “She underwent surgery at the Abubakar Imam Urology Centre in September. After that, she complained of severe abdominal pain for months.

    “Each time she returned to the hospital, she was given painkillers,” Mohammed said.

    “It was only two days ago that scans were carried out, and that was when doctors discovered that scissors had been forgotten inside her body.

    “Plans were made for another surgery, but she passed away before it could be done,” he added.

    Mohammed described the incident as a clear case of negligence and called on the Kano State Government and relevant health regulatory authorities to investigate the matter thoroughly and ensure justice for the deceased.

    “How can medical professionals forget a pair of scissors inside a patient’s body?

    “This is unacceptable and damages the integrity of the health sector,” he said.

    Reacting to the incident, the Kano State Hospitals Management Board said it had ordered an immediate and comprehensive investigation into the allegation to establish the facts and circumstances surrounding Aishatu’s death.

    The Kano State Hospitals Management Board has, however, confirmed that the death of Aishatu Umar, a mother of five, was linked to medical negligence at the Abubakar Imam Urology Centre, a government-owned health facility in Kano.

    In a statement, the Board’s Public Relations Officer, Samira Suleiman, said a preliminary investigation ordered by the Executive Secretary, Dr Mansur Mudi Nagoda, revealed that surgical scissors were inadvertently left inside the patient’s body following a surgical procedure.

    Following the findings, the Board announced the immediate suspension of three medical personnel directly involved in the case from clinical duties.

    Prior to the above incidents, we had reported about how a young pregnant mother died in a controversial situation undergoing surgical operations to give birth to her first child. 

    The report revealed how the hospital where the deceased, Anita Nathaniel was admitted insisted she must give birth through CS in spite of a scan showing all was well with her showing the ability to deliver naturally. Nathaniel, Anita’s husband also refused, stressing that he and his wife wanted her to have a normal vaginal delivery.

    After much pressure, the husband caved in, and paid N150,000 of a N300,000 surgical bill.

    “After making the payment, I was assured that the surgeon would join them shortly. But my wife had to wait for well over eight hours before the surgeon arrived,” said Nathaniel.

    The caesarean section (CS) was eventually done and Anita was gone afterwards.   

    Medical experts argued that the anaesthesia failed to maintain the necessary depth of unconsciousness, thus causing Anita to wake and feel intense pain as the surgeon cut into her abdomen and manipulated her internal organs.

    Her body’s natural response to such extreme pain, argued a consultant clinical anesthesiologist, Olumide Francis, was to “activate the fight or flight mechanism, increasing her heart rate, blood pressure, and stress hormone levels.

    “However, in a patient weakened by childbirth, this physiological response can be dangerous.”

    Netizens relive ordeal with doctors

    The death of Chimamanda’s son triggered chains of reactions on social media, particularly on X (formerly Twitter) as netizens took turns to relive their ordeal at the hands of hospitals and doctors who made wrong prescriptions and insisted on surgeries that were at the end of the day found to be needless.

    Narrating his experience, Dr Joe Abbah said: “A private hospital in Abuja said I needed surgery and was trying to pressure me to do it with them immediately.

    “I wasn’t sure and my family wasn’t comfortable. My Madam reminded me that in the UK, there is a mandatory cooling off period of 14 days between when you are told that you need surgery and when you actually have it, unless it’s a life-threatening emergency.

    “The cooling off period enables you to decide whether you want to go ahead with it or not.

    “The surgeon asked me whether I was afraid of him and I said no, it’s the anaesthetist I am afraid of. He asked why and I said that I had heard too many stories.

    “To the obvious disappointment of his clinic manager who had already started to process HMO approvals, I decided to get other opinions.

    “Getting a second opinion elsewhere and a third opinion abroad, it turned out that I didn’t need any surgery at all.”

    Reacting to Abbah’s post, Ijeoma Ekenechukwu @MappingReveals, said:  “Hmm! I hope it is not the same doctor we have used. Had similar experience in Abuja, got a second opinion in Lagos and they say nothing.

    “The Abuja kept pressuring me with text and emails to operate, and this was linked to a job role. I kept giving excuses to delay him, travelled to UK, had another opinion and nothing again for surgery.

    “Thinking back, this is how they would have operated for nothing.”

    Also recounting a friend’s experience, Stress Manager @eakpe said: “One hospital in Abuja told a friend that he needed to undergo heart surgery and was pressuring him to do it immediately or it could be too late.

    “He wasn’t comfortable with the whole thing, so he decided to see his doctor in the UK, only to be told that he had an ulcer and that the chest pain he was feeling was from acid reflux.

    “He returned to the hospital in anger and showed them his diagnosis from the UK, and they began to beg him.

    “I have said this several times that most private hospitals are more concerned with profit than with the welfare of the patient.”

    On his part, Musa Jidda said:  “Sometime in 2011, one woman battled a mysterious illness for months. Local hospital here in Nigeria prescribed meds that only made it worse.

    She flew to Egypt for a second opinion. The doctor shocked her: “it’s just a reaction to the drugs you’ve been taking.” He simply told her to STOP everything.

    In just one week, she began recovering. Today? She’s completely healed!

    The crue1est sc@m in Nigerian healthcare: Some private hospitals know a patient is dying… yet they invent rare diseases you’ve never heard of, push expensive, useless drugs, and even force needless surgeries, all to milk every last kobo from grieving families.”

    Also sharing a friend’s experience, Jerry P @Markusjerryp, said: “This happened to a friend of mine. He was diagnosed with a kidney-related issue and he called me for help. I went to the hospital that night.

    “The doctor insisted on an MRI scan, which I paid for at about ₦155,000, and prescribed antibiotics costing ₦93,000, which I also paid for.

    “After reviewing the MRI results, the doctor insisted that my friend needed surgery within 24 hours, at a cost of ₦3.5 million.

    “At that point, common sense kicked in. I forwarded the MRI results to three doctors, two consultants in Nigeria and one in the United States. All of them reviewed the report and said it showed only minor kidney stones.

    “They advised that he should drink plenty of water. They also said the antibiotics prescribed were unnecessarily strong and recommended stopping them and using a much cheaper alternative.

    “I advised my friend to leave the hospital and focus on drinking plenty of water as advised. Two years later, he is perfectly fine.”

    A netizen who goes by the name The Adeyemi @DrYemiOvGynea said: “Truth is a lot of unnecessary surgeries happen in private hospitals in Nigeria. Doing surgeries pay more and that’s how they get money to stay afloat.

    “These even happen in the posh ones. There have been reports of people still having their appendices intact then they have in fact had appendicectomies done in private hospitals. These things go unchecked.

    “Regarding the UK you mentioned, you wouldn’t even have the surgery done in weeks or months so far it is elective, giving you opportunity to re-consider your options.

    “Most cases in medicine have got more than one options if not emergencies.”

    Nigerians, according to a report by Nairametrics, spend between $1.6 billion and $2 billion each year on medical treatment abroad, putting pressure on the economy and exposing gaps in the local health system, according to data from healthcare investment agencies.

    For decades, the report said, the search for medical treatment abroad placed a heavy burden on Nigeria’s economy and exposed long-standing weaknesses in its local healthcare infrastructure.

    The disturbing ordeal of the citizens, which are clear loss of trust in the country’s healthcare, could worsen the quest for medical treatment abroad and consequently pile more pressure on the economy.

    Chimamanda’s lawyers file suit against hospital

    In a legal notice dated January 10, 2026, and issued by a law firm led by Professor Kemi Pinheiro, SAN, Adichie and her partner, Dr. Ivara Esege, accused the hospital, its anaesthesiologist, and other attending medical personnel of breaching the duty of care owed to their son, who died in the early hours of January 7, 2026.

    According to the notice, the child, born on March 25, 2024, was referred to Euracare on January 6, 2026, from Atlantis Pediatric Hospital for diagnostic and preparatory procedures ahead of an emergency medical evacuation to the United States, where a specialist medical team was reportedly on standby.

    The procedures carried out at Euracare reportedly included an echocardiogram, brain MRI, insertion of a peripherally inserted central catheter (PICC line) and a lumbar puncture, during which intravenous sedation using propofol was administered.

    The parents alleged that the child developed sudden and severe complications while being transported to the cardiac catheterisation laboratory after the MRI.

    The notice claimed that despite being under sedation, the child was moved between clinical areas under conditions that raised serious concerns about compliance with patient safety and paediatric anaesthesia protocols.

    The legal notice outlined several alleged lapses, including concerns about the cumulative dosing of propofol in a critically ill child, inadequate airway protection during deep sedation, failure to ensure continuous physiological monitoring, and transfer without supplemental oxygen, adequate monitoring, or sufficient accompanying medical personnel.

    Further allegations included the unavailability of basic resuscitation equipment, delayed recognition and management of respiratory or cardiovascular distress, and failure to comply with established paediatric anaesthesia, patient-transfer, and safety standards.

    The parents also accused the hospital of failing to adequately disclose the risks and potential side effects of propofol and other anaesthetic agents, thereby undermining the requirement for informed consent.

    The solicitors stated that these alleged lapses constitute prima facie breaches of duty of care, rendering the hospital and involved medical personnel liable for medical negligence resulting in the child’s death.

    As part of their demands, the parents requested certified copies of all medical records relating to their son’s treatment within seven days. These include admission notes, consent forms, pre-anaesthetic assessments, anaesthetic charts, drug administration records, monitoring logs, nursing observations, ICU records, incident reports, and the identities of all medical staff involved.

    They also demanded internal reviews, safety logs from the MRI suite, and all documentation related to the child’s care. Euracare was formally instructed to preserve all physical and electronic evidence, including CCTV footage, electronic monitoring data, pharmacy records, emergency equipment logs, internal communications, and morbidity and mortality reviews.

    The solicitors warned that any destruction or alteration of evidence after receipt of the notice would be treated as obstruction of justice and could attract legal consequences.

    They further stated that failure to comply with the demands would leave the parents with no option but to pursue all available legal, regulatory, and judicial remedies.

    The child’s aunt, Dr. Anthea Esege Nwandu, a dual board-certified internal medicine physician with over 30 years of clinical experience in Nigeria and the United States, has challenged Euracare’s public statement on January 10, 2026.

    In a rebuttal, Nwandu questioned the hospital’s claim that there were inaccuracies in the family’s account of events and alleged that the hospital’s statement contained significant falsehoods.

    She disputed Euracare’s assertion that the child had received care at two paediatric centres prior to admission, stating that he was treated at only one hospital before being referred to Euracare for the procedures.

    Nwandu further alleged that internationally accepted medical standards were not followed, insisting that a sedated child on oxygen requires continuous oxygen therapy and monitoring of oxygen saturation, pulse, and respiration.

    She also claimed that proper resuscitation equipment, such as an ambu bag, was not provided during the child’s transfer within the hospital.

    Hospital condoles with family, denies negligence allegations

    Euracare Multispecialist Hospital has commiserated with Chimamanda and her family describing the loss as profound and heartbreaking.

    In a statement issued by its management, the hospital conveyed its heartfelt condolences to the parents and extended family, noting that the death of a child is an unimaginable tragedy that goes beyond words.

    While empathising with the family’s grief, the hospital also addressed what it described as inaccuracies in some reports circulating about the circumstances surrounding the child’s care. Euracare emphasised that it is a reputable medical facility specialising in complex care and staffed by an internationally trained and experienced clinical team.

    The statement reads: “We extend our deepest sympathies to Chimamanda Adichie and family on the demise of their son and acknowledge the profound and unimaginable loss they are experiencing during this deeply distressing time. The loss of a child is beyond words, and we offer our most heartfelt condolences to his parents and the entire family.

    “We find it necessary, for the record, to clarify that some of the reports currently being circulated contain inaccuracies.

    “Our facility is a reputable centre for complex medical care, led by an internationally trained and experienced clinical team.

    “The patient, who was critically ill, was referred to our facility for specific diagnostic procedures after receiving treatment for a period of time at two paediatric centres.

    “Upon arrival, our medical team immediately provided care in line with established clinical protocols and internationally accepted medical standards, including the administration of sedation where clinically indicated.

    “In the course of his care, we worked collaboratively with external medical teams as recommended by his family and ensured that all necessary clinical support was provided.

    “Despite these concerted efforts, the patient sadly passed away less than 24 hours after presenting at our facility.

    “We have commenced a detailed investigation consistent with our clinical governance standards and best practices.

    “We remain committed to engaging transparently and responsibly with all clinical and regulatory processes.

    “We recognise that the family is grieving an irreplaceable loss and we shall continue to support them in any way that may bring comfort during this devastating period.

    “As medical professionals, we carry the weight of this loss deeply. Our priority remains compassion, patient safety, and the responsible handling of this matter, while respecting the family’s privacy and allowing due process to take its course.

    “We continue to hold the family in our thoughts and prayers.”

    Agbakoba calls for comprehensive overhaul of health sector

    Former President of the Nigerian Bar Association (NBA) and Head of Medical Malpractice, Dr. Olisa Agbakoba (SAN), has said the ordeal faced by the family of renowned author Chimamanda Ngozi Adichie represents only the tip of a much larger crisis of medical negligence affecting countless Nigerian families.

    In a statement calling for a comprehensive overhaul of Nigeria’s healthcare system, Agbakoba said the sector has become dangerously overcentralised under the Federal Ministry of Health, leaving states lax in oversight and regulation.

    According to him, the recent tragic loss of Nkanu Nnamdi, one of the twin sons of Chimamanda Ngozi Adichie and her husband, Dr. Ivara Esege, has once again drawn national attention to the deep-rooted problems in the country’s health system.

    “As my professional focus over the past 20 years has been medical malpractice, during which I have handled over 50 cases, this unfortunate incident is yet another example of the unacceptable level of incompetence in some Nigerian hospitals,” he said.

    Agbakoba noted that he was not surprised that a routine procedure at a well-regarded hospital reportedly ended in tragedy.

    “Propofol, which was reportedly administered to Nkanu, requires exceptional care because of its potential to cause cardio-respiratory failure.

    “An overdose can be fatal, and there appears to be a strong possibility of overdose in this case,” he stated.

    He commended the Lagos State Government for its swift move to investigate the incident and Euracare for agreeing to cooperate with investigators, but stressed that the probe must be genuinely independent and transparent.

    Sharing personal experiences, Agbakoba disclosed that he was once misdiagnosed with a condition that could have had serious consequences, while his brother nearly lost his life following an operation performed by a doctor who falsely presented himself as a surgeon.

    According to him, the root cause of these recurring tragedies lies in the collapse of Nigeria’s legal and regulatory framework for healthcare delivery.

    “In the past, the health system operated under a strong supervisory structure. Chief Medical Officers and Health Inspectors oversaw critical care, ensured compliance with standards and held practitioners accountable.

    “The last Chief Medical Officer of Nigeria was Dr. Samuel Layinka Manuwa,” he said.

  • Chimamanda, Akindele, others to headline event

    Chimamanda, Akindele, others to headline event

    The upcoming #WithChude Live! show, set for Sunday, April 27, 2025, at the Palms Mall, Oniru, is poised to deliver a groundbreaking blend of emotional storytelling and soul-stirring insight.

    Expected at the event are some of Nigeria’s most celebrated figures, including literary icon Chimamanda Ngozi Adichie, award-winning actress and filmmaker Funke Akindele, spiritual leader Pastor Jerry Eze, music activist and rapper Folarin Falana (Falz), and comedian Abovi Ugboma (Bovi).

    Speaking ahead of the event during a press conference in Lagos, Chude Jideonwo, celebrated media entrepreneur, CEO of Joy Inc., and co founder, RED | for Africa, said :“For the longest time, I have dreamed of creating something like #WithChude Live!”

    The press conference was hosted ahead of the first-ever live edition of the WithChude interview series, and was attended   Jennifer Mairo, Chief Operating Officer of Joy Inc., Alhaja Detoro, founder of The Stacked Company, and Brukeme Dickson, Chief Operating Officer of Red Media Africa. Each speaker shared movi ng reflections on the purpose behind With Chude Live!

    Read Also: Global investors back Nigeria’s economic reforms at Nasdaq forum

    “#WithChude is not just another event, it is an emotional, full-circle moment for me. For the longest time, I have dreamed of creating something like this—a space where the power of truth, vulnerability, and story can come alive in real-time” said Jideonwo. “WithChude Live is an answer to that, a beautiful day for the mind, heart and spirit, where people can feel seen, heard, and deeply moved. This is the moment I’ve been waiting for, and I’m honoured to be able to finally share it with the world.”

    Adding to the experience will be a powerful live panel session featuring Ebuka Obi-Uchendu, Veekee James, Hauwa Lawal, entertainer Kiekie, Moses Bliss and Taaooma. Together, they will explore timely themes through the lens of personal stories, courage, and authenticity. Tickets for the main event are already available.

  • Issues in ‘Dream Count’

    Issues in ‘Dream Count’

    A novel is never just about one thing. Chimamanda Ngozi Adichie’s latest work, ‘Dream Count’, embodies this truth vividly.

    This novel follows the lives of four women—Chiamaka, Omelogor, Zikora, and Kadiatou—while tackling a wide range of pressing issues: the devastating effects of mining in Guinea, Pentecostal Christianity, the Coronavirus pandemic, pornography, Female Genital Mutilation, the French government’s role in crippling Guinea’s economy, rape, male ego, the flaws of the media, the obsession with male children, the elite’s fascination with foreign medical check-ups, the dark side of the modeling industry, and the tragic plight of Nigerian pensioners—many of whom collapse and die while queuing to verify their identities.

    The novel also offers a piercing critique of America—a nation obsessed with toilet paper, where the police “shoot more than they run,” where Amadou Diallo was gunned down, where maternal mortality rates are starkly divided along racial lines, and where spectacle is often mistaken for substance. We see the America where decisions that engender peace and war have been taken and are still being taken; where fates are sealed and destinies overturned; the America with phases and faces, the America that shows you what it wants you to see. The America that is like Esu odara; its cap has red on one side and black on the other, and the side you are facing determines what you see and what you get. We see the America that if you are in its good books, goodness and mercy shall follow you all the days of your lives, and if you are in its bad books, woes betide you. It exposes the illusion of the American dream, revealing a country that thrives on the labour of immigrants yet falls far short of the paradise it is often portrayed to be.

    Adichie paints a picture of Abuja, Nigeria’s Federal Capital Territory (FCT), where learning to speak Hausa provides a distinct advantage. It is a city where seemingly innocent men and women indulge in hard drugs, with Loud, Codeine, and more as their substances of choice. Corruption, far from being subtle, strides boldly—not just on two legs, but on four.

    Read Also: The burdens of democracy in Nigeria

    The book tells us “shisha is ten times worse than normal cigarettes. We’re killing ourselves”.

    Brazilian Butt Enlargement (BBL) receives attention with the deaths of clients in the hands of quacks emphasized, mocking “the longing for big buttocks that makes you agree to go under anesthesia in a darkish room with peeling paint”.

    In the book, we are reminded that those who rape are of different variants: handsome men, rich men, successful men. Their victims even include babies and the elderly. The women they rape can be ugly or beautiful. What is important is that she is a woman through and through. Beauty or class is immaterial to these men described as “wild animals”.

    The novel isn’t modelling-friendly; it describes it as “that sea of glimmering sadness, a profession in which joylessness is prized. How edited the pleasures seem, with nothing sensual or real”. It sees models as “those bony square-shouldered sylphs, clavicles jut-ting out like knuckles, and always morose, blandly morose, the same kind of morose for all of them, because even personality has become unfashionable”.

    The author also revives our memory of Nafissatou Diallo, the hotel worker in Washington whose ugly encounter with tenth International Monetary Fund (IMF) managing director, Dominique Strauss-Kahn, sparked an international scandal. Through its narrative, the book not only recalls the power dynamics and controversy surrounding the case but also compels us to reflect on broader themes of justice, privilege, and the vulnerability of marginalised individuals in the face of institutional power.

    The novel unravels the weight of tradition in a world that often equates a woman’s worth with her ability to create a family. It explores the relentless urgency imposed on women of advanced age to either find a partner or pursue parenthood through any means available—whether through adoption, IVF, or surrogacy. Through this, we see the slippery nature of moralities, which sees them adjusting depending on time and circumstances.

    Omelogor’s website, where she posts regularly, provides a platform for the author to tackle important issues, particularly those related to the way the female mind is wired. Through her posts, she explores topics such as abortion, the need for unconditional apologies, clearly defining relationships with women, the classification of women as gold-diggers, self-control, the many ways to be a man, and more.

    One issue that the novel gives extensive space and gladdens my heart is the rot in the banking sector. Through the lens of Omelogor, the novel delves into the deceptions woven into the fabric of the banking world. It exposes the staggering profits amassed from foreign exchange deals, the reckless approval of unqualified clients for loans—granted not on merit but in exchange for a hidden cut—and the insidious rise of massive non-performing loans, where fortunes vanish with the mere stroke of a pen. The narrative also lays bare the audacity of the wealthy, those who borrow with no intention of repayment, knowing full well that the system is designed to absorb their debt, quietly shifting the burden onto the books as just another line in a profit and loss statement. In this world, financial institutions become complicit, not only enabling but profiting from the very frauds that should unravel them.

    The novel, with its exploration of corruption, remnants of colonialism, mediocrity, inept political class, the hassle of traveling with a Nigerian passport and other pressing issues, serves as a reflection on Nigeria—where the rain is hitting us and bad. It offers glimpses of the tensions between Christians and Muslims, as well as the persistent North-South divide. The narrative also touches on the Igbo question in Nigeria, exemplified by Jideofor’s decision to shorten his name to Jide in order to secure a job for which he was previously rejected. He, too, turned it down because he sees the hiring team as Igbophobic. We also see a snippet of the tensions between the majority and the minority tribes in our dear country.

    My final take: Life is a stage and we are all playing our parts. No gender has the monopoly of being bad. No nation is without its unpleasant side, and no one’s life will be without low and high moments.

    Adichie has given us a remarkable novel that is as messy as life itself and she leaves us to reach whatever conclusion pleases us.

  • Chimamanda’s ‘Dream Count’ isn’t innocent

    Chimamanda’s ‘Dream Count’ isn’t innocent

    We’ve always heard of body count, that phrase referring to the number of sexual partners a person has—often used to judge women more harshly than men. But in ‘Dream Count’, Chimamanda Ngozi Adichie flips the coin, shifting the conversation from physical encounters to something far more elusive: the dreams we hold dear and the weight of their loss. This is her first novel in almost twelve years, and it tells the stories of four women whose aspirations, in different ways, are dashed.

    Three of these women—Chiamaka, Zikora, and Omelogor—are Nigerian, while the fourth, Kadiatou, is Guinean. Theirs are tales of exile—of being caught between places, cultures, and the expectations of others.

    Chiamaka is the daughter of a millionaire businessman and a travel writer living in the Maryland suburbs. Zikora works for a Washington, DC law firm. Omelogor is Chiamaka’s closest cousin and a former banker. And Kadiatou, the one they all come together to help. Call it women supporting women.

    Of all the loosely intertwined novellas that make up the novel, Kadiatou’s story resonated with me the most. She can easily emerge the most memorable. Perhaps it is because of the sheer force of her resilience, the way she clings to hope even when it is fraying at the edges. Or, perhaps because Kadiatou isn’t fully fictitious. Adichie models her after Nafissatou Diallo, a hotel worker, involved in the scandal that ‘castrated’ former IMF boss Dominique Strauss-Kahn. The choice of her last name is some sort of memorial to Amadou Diallo, an immigrant America police shot and killed extra-judicially.

    The multi-points-of-view novel re-imagines Kadiatou’s life in Guinea before she comes to America. We see how her father dies in a mining pit. We see how a man she is betrothed to marries another. We see how a man she wishes to marry disappears to America for years. And we see how he eventually comes back to get her to America. But, a lot of water has passed under the bridge before his return. She has had a child for a man, who like her father, died at a mining factory. And the respite she thinks America will offer is shattered by a powerful man whose brain is twisted by his phallus. When she takes up a job in a hotel, she is assigned a room to clean and the big man in the room forces her to perform oral sex on him and leaves sperm dripping down her mouth. An investigation reveals the man’s identity and Chiamaka, Omelogor and Zikora team up to get her justice from one of the ‘mad’ men roaming our world.

    In the case of Chiamaka, one man after the other tests her patience and, in the long run, crushes her dreams. Of course, she isn’t without her flaws.

    Read Also: NSIA, partners launch $500mn fund for distributed renewable energy in Nigeria

    Through Kadiatou, Adichie deals with the issue of Female Genital Mutilation and punctures the myth that uncircumcised women are not marriageable.

    At the time Adichie plunges us into Zikora’s story, she is in the hospital about to deliver her first child. Her mother, who she has had a ‘comci-comca’ relationship with, is there with her, but the father of the child, Kwame, is nowhere to be found. He begins to ghost her the day she told him she was pregnant. This is a man who has sex with her knowing she has stopped birth control pills. This is a man who has visited her parents in Enugu, who befriended her father and asked questions that suggest marriage is the final destination for their relationship. He has also taken her to his parents and nothing forewarned her of her present situation of having a baby whose father doesn’t want to be bothered. Through her story, particularly the part about her father taking a second wife, we see how men take the issue of male children. We also see in a revelation from her mother how guileful some women can be.

    We also meet Omelogor, who once ran a secret initiative in her Nigeria discreetly funneling small business grants to women under the alias “Robyn Hood.” The fund is ‘sourced’ from corrupt Nigerians. Now, she’s enrolled in an American graduate program, researching pornography as a societal ill while offering unfiltered advice on her website, For Men Only. One of her blunt truths: “I get that you’re against abortion, but if you really want to reduce it, start by taking responsibility for where your male bodily fluids go.”

    The book also critiques America, portraying it as a nation preoccupied with toilet paper, where the police “shoot more than they run,” where they shot Amadou Diallo, where maternal mortality rates are starkly divided by race, and a nation that has used razzmatazz to bamboozle us.

    Omelogor told Kadiatou: “America is not that wonderful. And you are not here for free; you’re working and you’re part of what makes America America.”

    The novel also reminds us of the evil Charles De Gaule did to the Guinean economy all to frustrate the country’s quest to end imperialism.

    My final take: Adichie doesn’t write innocent novels. Like her polemics, her fiction tackles issues, especially man-woman dynamics and comes across as didactic. Her latest novel isn’t innocent. In ‘Dream Count’, men who make women’s dreams fail are her victims and she doesn’t just slap them, she rains punches on them like a boxer. The men in this work vary from decent yet dull to charming rogues, and from outright sexist plunderers to emotionally distant figures.

    The book is particularly, and justifiably so, harsh on men who violate women. Curses are even raining on these men identified as “wild animals”.

    But, not all the men in ‘Dream Count’ are mad. Despite Amadou’s flaws, his love for Kadiatou isn’t in doubt. He identifies with her in her time of trouble. Chiamaka’s father and Elhadji Ibrahima also come off as not insane.

  • Chimamanda designs “Freedom of Expression” Medallion for Foundrae

    A popular Nigerian writer, Chimamanda Ngozi Adichie has designed a “Freedom of Expression” medallion in collaboration with Foundrae.

    Foundrae is a collection that is autobiographical, a modern heirloom that allows the wearer to express something of herself to the world.

    The writer tells ‘Vanity Fair’ in a chat that proceeds from the sales of the neck pieces that would go to PEN America, whose mission is to protect worldwide free expression.

    Adichie in her explanation of the meaning of the design created by her, she emphasised on some significant things that are very essential.

    “I was thinking about what I wanted to remember of this time. We’re living in a time where I feel a sense of urgency because—and it’s not just America—I think the Western world is moving to the right.

    READ ALSO: Preservation of mother tongues leads to development – Chimamanda Adichie

    ‘‘I sometimes wonder if this [is] what 1937 was like, where people in Europe felt this sense of a shift. The reason that I find it really troubling is that the idea of dehumanising your fellow human beings has become almost acceptable and casual.

    “The crossed arrows represent the idea of living passionately and living knowing that our time here is short and that we need to make the most of it.

    “I feel that every morning, actually. Every time I look at the pendant I want to think about this urgency—and that one must live in a way that is meaningful.

    ”I grew up thinking of America as a place where certain things would never happen, politically.

    ”I no longer think that because all of the things that happened in Nigeria when I was growing up, which was a military dictatorship, are happening here. You can just sense it, there really isn’t the rule of law.

    “You get the sense that institutions are not as strong and resilient as you thought, you even get the sense that the president can just bring in anybody from his family to become part of [the] government in a way that makes no sense,” she wrote.

    She said: “that is classic in many African countries, I am mourning an idea of America that I used to hold very close”.

    Adichie won the ‘O Henry Prize’ for the short story ‘The American Embassy’ in 2003 and ‘Commonwealth Writers’ Prize: Best First Book’ for her novel ‘Purple Hibiscus’ in 2005.

    She won the ‘Reader’s Digest’Author of the Year in 2008 and the National Book Critics Circle Award Fiction Category for her book in July 20, 2017.

    NAN

  • Chimamanda Adichie fetes writers

    Internationally acclaimed novelist, Chimamanda Ngozi Adichie has concluded this year’s Purple Hibiscus Trust Creative Writing Workshop with a get-together literary evening feast that includes her students, family and fans. The event which was organised in partnership with Trace TV and Venator Partners Ltd was held at Oriental Hotel, Victoria Island, Lagos.

    At the event, Adichie who appreciated her guest writers, workshop participants and partners said it has been really heart-warming to watch them evolve in just 10 days, “There’s nothing more humanizing and there’s nothing more stereotype-challenging than to meet actual people from parts of the country that you don’t really know very much about. It challenges you to hear their stories and to realize that their stories are nothing like the stereotypes you are carrying in your head. I feel very grateful for this workshop for educating me,” she said.

    Managing Director, Trace TV and Venator Partners Ltd, Mr Sam Onyemelukwe said that the organisation is very pleased to partner with Chimamanda for changing the narratives about Nigeria and Africa in the mainstream media as well as the stereotypes associated with women and writing as a profession.  He added that Trace’s core mission to entertain, enlighten, and educate youths, informed their partnership with the writer.

    The event was hosted by Ozzy Agu, Oreka Godis and featured panellists such as; American novelist, David Eggers, Lola Shoneyin and Dr Eghosa Imasuen all of whom were coaches at the workshop.

    The graduating class were awarded certificates with Chimamanda Adichie sharing her personal experiences at the workshop with each of them. Also present at the event were Chimamanda’s husband Ivara Esege her mother, Mrs Grace Ifeoma Adichie, and sister. Rappers Phyno and Zoro also gave exciting performances at the event.

    The workshop which was previously called The Farafina Trust, has spanned a decade, producing over 200 alumni; many of whom have become published writers and editors. Notably, Yewande Omotoso, South African based writer whose work was nominated for the Bailey’s Women’s Prize for Fiction in 2017 and shortlisted for the 2018 International Dublin Literary Award. Mona Opubor, the editor of Lost in Lagos magazine, Chika Oduah, Nigerian-American journalist who was awarded a CNN Multichoice African Journalist Award in 2016 among others.

  • World’s Largest Book Fair opens in Frankfurt

    The World’s Largest Trade Fair for the Publishing Industry, the Frankfurt Book Fair, launches on Tuesday with 7,000 Exhibitors from 105 countries.

    Organisers say the event continues to grow, with 3 per cent more exhibitors in 2018 compared to 2017.

    In 2017, more than a quarter of a million people visited the book fair.

    Read Also: Foreign firms for Nigerian book fair

    Nigerian author Chimamanda Ngozi Adichie is due to speak at the opening press conference on Tuesday, and in the evening the European Union’s foreign policy chief, Frederica Mogherini, is scheduled to address the opening ceremony.

    This year’s guest country is Georgia, which is featured in its own pavilion. Georgian Prime Minister Mamuka Bakhtadze is expected at the evening’s launch ceremony.

    The 70th annual Frankfurt Book Fair is scheduled to run from Wednesday until Sunday, with the first few days open to professionals and the weekend open to the general public.

    The programme lists some 3,700 events over the course of the fair, with 9,800 reporters accredited to cover the fair.

    Ahead of the opening of the fair, Berlin author Inger-Maria Mahlke was awarded the German Book Prize for her novel “Archipel’’ (Archipelago) by the German Publishers’ and Booksellers’ Association.

    The jury that awarded Mahlke the prize, which is worth 28,500 dollars, described her novel as an “impressive event’’ in German literature.

    “This is where colonial history and the history of European dictatorships in the 20th century coalesce,’’ the jury said of the book, which tells the story of three families from different social classes in Franco-era Spain

  • Stories from the Northeast

    Many stories matter. Stories have been used to dispossess and to malign, but stories can also be used to empower and to humanise. Stories can break the dignity of a people, but stories can also repair that broken dignity – Chimamanda Ngozi Adichie

    More than a decade and a half after the Boko Haram terror seized the peace of the country and most especially the Northeast; there are signs in the horizon that the horror would not escape the scrutiny of our chroniclers of history and human experience.

    Journalism is said to be history in a hurry or the rough draft of it, and after journalists have done their drafts, other chroniclers of our collective experiences would settle down and take a sober and largely dispassionate look at what had been written and take sides or make their own intervention to help us understand the events better or interpret it the way they understand them or the way they want us to understand or appreciate the events.

    It is to help us chart our ways and shape our understanding of the Boko Haram phenomenon that I see the efforts recently embarked upon by Abubakar Adam Ibrahim, journalist and award-winning author; and Richard Ali, lawyer and writer, who recently facilitated a workshop on creative writing in the Northeast. The result of the workshop was last week presented to the public and titled Ordinary Saviour: New Stories from Nigeria’s Northeast, which was organised under the Northeast Regional Initiative. The duo coordinated the workshop and edited an anthology of new short stories from the region.

    As of the time of writing this piece, I have not set my eyes on the collection. However, I am ready to bet that based on the reputation of the duo of Ibrahim and Ali, that they must have done a damn good job.

    We have tons and tons of fiction and non-fiction about that unfortunate and tragic phase of our national life – the internecine civil war – that lasted three years. The almost two-decade Boko Haram terror should not be allowed to go undocumented and I am happy that we are already having this documented by our own people who witnessed the terror and are determined to let the world know about it through their fictionalised accounts.

    Although those who don’t understand may be tempted to ask: what has fiction got to do with it? My reply: a lot. Fiction has a way with human life and existence. Many may not have the patience to sit down to read memoirs or newspapers! But fiction, because of its power and the drama it adds to life and experiences, has a way of commanding our attention and making us want to know what is buried underneath. The sheer doggedness and determination of existence and drama that go on at the numerous internally displaced persons camps (IDPC) across the Northeast, I am sure are captured in this collection.

    We must continue to tell our stories, not only because they are ours, but because we are involved and voices must be given to our people. Some years back, a collection of short stories from the north was published and we were able to have a glimpse of what the writers from that part of our country could do.

    Writers from the north are many and with strong voices to lend to our national malaise and how to heal it. Some of these voices are not entirely new because some have been writing in Hausa language, but are mostly not known to many because they are not translated into English. The same way we have writers who are writing in other indigenous languages but are unknown to those who only read in English. This is because we have all neglected our indigenous languages and are promoting English. The Hausa language is however at a better advantage today because of the popularity of what is called the Soyaya publications which are read with frenzy in Kano, Kaduna and other core northern states. What has happened to all our translation departments in universities and ministries?

    Thanks to these curators who are letting us know about ‘the danger of the single story’.

  • Adichie’s thrilling collection

    In my book, Chimamanda Ngozi Adichie is the quintessential global voice in this day and age. She transcends literature to dominate multi-dimensional universal discourse. For instance, her recent encounter with Hillary Rodham Clinton on priming “wife” over all her intimidating achievements nearly overwhelmed the elastic space of the worldwide web. It’s thanks to Adichie’s gumption that Mrs. Clinton promptly readjusted her Twitter handle!

    Beyond all the hoopla it’s crucial to keep reminding the world that she belongs to the printed word. Her novels and essays are the founts of the repute. It was indeed a moment of giddy celebration for me to lay hands on a complete collection of Adichie’s works published by the new publishing phenomenon in Nigeria, Narrative Landscape Press. The deftly designed books displaying images of VLISCO fabrics were wrapped together for me by the personable promoter of the publishing concern, the novelist Eghosa Imasuen, alongside his charming partner Anwuli Ojogwu, in a colourful paper band bearing the legend: The Adichie Collection.

    The books in the order of the year of publication are: the first novel Purple Hibiscus (2009), the second novel Half Of A Yellow Sun (2006), the short story collection The Thing Around Your Neck (2009), the third novel Americanah (2013), the essay We Should All Be Feminists (2014), and the essay Dear Ijeawele (2017). All the books were reissued by Narrative Landscape Press in 2018.

    Adichie made a memorable mark on the literary world with the opening words of her debut novel Purple Hibiscus: “Things started to fall apart at home when my brother, Jaja, did not go to communion and Papa flung his heavy missal across the room and broke the figurines on the etagere.” The mention of things falling apart put Adichie from the very beginning in the frame of the legendary Chinua Achebe. Little wonder The Washington Post Book World dubbed Adichie as “the 21st century daughter of that other great Igbo novelist, Chinua Achebe.” The coming-of-age story of Kambili against the background of dictatorial national politics and problematic familial Catholicism won for Adichie the coveted Commonwealth Writers Prize, and the Hurston/Wright Legacy Award. A writer of great promise had arrived on the world stage, and her next work was awaited with bated breath.

    The release of Adichie’s universally acclaimed masterpiece Half Of A Yellow Sun in 2006 obviously fulfilled all the promise. Chinua Achebe’s commendation of Chimamanda demands reiteration: “She is fearless, or she would not have taken on the intimidating horror of Nigeria’s civil war. Adichie came almost fully made.” The novel that can be also titled “love in the time of war” tenderly renders the intertwined lives of the rustic houseboy Ugwu, his university professor Master, the twin sisters Olanna and Kainene, and the English writer Richard within the ambit of the vicious contradictions of the Biafra war. It is Ugwu’s story writ large as per the last line of the book: “Ugwu writes his dedication last: For Master, my good man.” The theme of the book thunders: “The World Was Silent When We died.” Half Of A Yellow Sun deservedly won the Orange Prize for Fiction.

    Adichie’s 12 short stories are collected in the 2009 book The Thing Around Your Neck. These stories had earlier appeared in esteemed magazines and journals such as Granta, Iowa Review, The New Yorker, Virginia Quarterly Review etc. The title story “The Thing Around Your Neck” is set in America and is entirely told in the second person personal pronoun, “You”, thusly: “At night, something would wrap itself around your neck, something that very nearly choked you before you fell asleep.” The story “Jumping Monkey Hill” strikes as the shenanigans inveigling Western writing workshops for African writers. My daughter whilst in secondary school wanted to meet Adichie to ask the relationship of between the first story in the collection “Cell One” and her debut novel Purple Hibiscus! As you can see, Adichie touches all lives, young and old.

    Adichie’s hip and contemporary third novel Americanah was released in 2013 and won the National Book Critics Circle Award in the United States. Teenage Nigerian lovers Ifemelu and Obinze are separated when Ifemelu travels to the USA. Obinze cannot make it to America, and so ends up in London. Fleeing from a Nigeria of the NTA advert of “Andrew Checking Out” does not always guaranty any greener pasture overseas and there are racial issues to deal with. Obinze as wealthy man on his return some 13 years after and the renowned blogger Ifemelu serve up a very intriguing love knot.

    Adichie speaks well, much like James Baldwin who also writes well and speaks well. When she gave a talk entitled “The Danger of the Single Story” the internet could not have enough of her. She does not quiver in the face of controversy, whence her December 2012 TEDxEuston talk titled “We Should All Be Feminists” which has since garnered some two million YouTube viewings. The modified version of the book has been published as a book of 50 or so pages. Adichie tells personal stories like when a primary school teacher promised to make a class monitor of a pupil who took first position in a test – she came first but the boy who placed second was chosen! She quotes the Kenyan Nobel Peace Prize winner Wangari Maathai: “The higher you go, the fewer women there are.” She first heard the word “Feminist” at age 14 from her late mourned friend Okoloma, and she had to look it up in the dictionary thus: “Feminist: a person who believes in the social, political and economic equality of the sexes.”

    In her 2017 47-page essay-book, Dear Ijeawele, subtitled “Or A Feminist Manifesto in Fifteen Suggestions”, she writes so long a letter to her friend who “asked me to tell her how to raise her baby girl a feminist.” It is akin to reading James Baldwin’s essay My Dungeon Shook: Letter To My Nephew On The One Hundredth Anniversary of The Emancipation, published in The Fire Next Time, which begins with these words: “Dear James: I have begun this letter five times and torn it up five times.” Like Baldwin, Adichie tackles the morally urgent questions. Her first premise is: “I matter equally. Full stop.” She illustrates this with her being: “The truth is that I have not kept my name because I am successful. Had I not had the good fortune to be published and widely read, I would still have kept my name. I have kept my name because it is my name. I have kept my name because I like my name.”

    It’s such a thrill having to read Adichie all over again. This grand initiative of her Nigerian publishers Narrative Landscape Press is indeed splendid. Putting the books together on the shelf is a sight to behold. All lovers of books deserve to have theirs, and should not come to borrow mine!

  • Chimamanda Adichie wins 10th PEN Pinter Prize

    Nigerian author, Chimamanda Ngozi Adichie has been awarded the PEN Pinter Prize, a prize in honour of late Nobel laureate Harold Pinter.

    The prize is awarded to a writer from Britain, the Republic of Ireland or the Commonwealth, who casts an “unflinching, unswerving” gaze upon the world, and shows a “fierce intellectual determination … to define the real truth of our lives and our societies.”

    The judges of the prize described Adichie’s understanding of gender, race and global inequality as “sophisticated beyond measure.”

    “In this age of the privatized, marketised self, Chimamanda Ngozi Adichie is the exception who defies the rule,” they said.

    Read Also: Chimamanda Adichie makes top 50 world leaders list

    Adichie, speaking on the prize, said:

    `I admired Harold Pinter’s talent, his courage, his lucid dedication to telling his truth, and I am honoured to be given an award in his name.’’

    She will be presented with the prize on October 9.

    She will also, on that date, announced her co-winner, the winner of the “International Writer of Courage,” a prize given to a writer “who is active in defence of freedom of expression, often at great risk to their own safety and liberty.”

    The award is given by English PEN, and is supported by the Blavatnik Family Foundation, Ruth Maxted, and the Thompson Family Charitable Trust.

    It’s of course named after the late Harold Pinter, the master playwright (1930-2008), who was a vice-president of English PEN and a tireless crusader for human rights and, particularly, for an end to torture.

    NAN