Tag: Chimamanda

  • Preservation of mother tongues leads to development – Chimamanda Adichie

    My father is from Aba in Nchikoka Local Government Area and my mother from Munachi in Dunukofia Local Government Area, both in Anambra and I grew up in Nsukka in Enugu state. All of those towns are important in my sense of Identity and so I am thrilled to be here speaking in Igbo land.

    I am proud to be a product of Igbo land; Igbo land produced that great political and cultural colossus, Nnamdi Azikwe.

    Igboland produced that mathematics genius, Professor James Esielo, Nkem Dora Akuyili (RIP), Igbo land produced Nigeria’s first professor of statistics, a man I also happen to call daddy, Professor James Adichie. Igbo land produced the first woman to be the registrar of the University of Nigeria, Nsukka, a woman I also happened to call mummy.

    Igboland produced great writers, if Chinua Achebe, Flora Nwapa and Chi Emecheta and Chukwuemeka Nkem had not written the books they did, when and how they did, I would not have had the emotional courage to write my own books and so today I honor them and I stand respectfully in their shadow.

    I also stand in great pride in the shadow of so many other daughters and sons of Igbo land. We have much to be proud of in Igbo Land, we have many from whom we can take inspiration so I want to start today with a message for all the young people here.

    MESSAGE TO THE YOUNG PEOPLE

    ‘Consider yourself a life-long student never stop learning’ I have a post graduate degree but I consider myself a student, a person who will always be eager to learn. I want to ask you to get much formal education you can and also I want to say to you; stay in school.

    Even if you want to start a business you will be a better businessman or woman if you are literate, if you can think critically and these are all things one gets from education and I say this, particularly because there are many of us in Igbo land that thinks that what matters is business.

    And then education is not just what somebody teaches you in school, education is also about the effort you make. Reading is essential and not just reading for school exams, I mean reading outside what you are asked to.

    When I was growing up I read everything I could find, and of course, I grew up at a time when the internet was not at its ubiquitous presence as it is now. I know that the internet is here to stay, and I think the internet can be good or bad depending on how we use it.

    So, you can use the internet to waste your time, read stupid gossips online and you can get into meaningless arguments on Facebook or you can use your data to educate yourself. You can read quality newspapers online, watch a video that teaches you something. The internet is full of free classes that you can access easily. Learn; think of each new day as an opportunity to learn something new.

    One of my interests is Pre-Colonial Africa, I am very curious about whom and what we were before colonialism came. Now, most of recorded history about Igbo people and about many other ethnic groups in Africa came from foreigners.

    Men and women who did not speak the language and do not understand the nuances of the culture which means we have to read everything they write with a certain level of skepticism but what is consistent about all of the books I have read about Pre-Colonial Igbo land is that the Igbo people valued integrity, they were known to be frank, known to be people who do not pretend and people who valued open communication between the old and the young, parents and their children and to be people who believed in individual achievements but also felt that consensus is the best way to govern a community.

    VALUE OF THE IGBO PEOPLE

    Thinking about communication as a value of the Igbo people, I thought about a young woman I know in Lagos. She is twenty-five years old and she’s from Anambra state and she said to me that she did not want to come back to her home town for Christmas. When I asked why? She said she is under so much pressure from her parents to get married and she said they don’t just want me to marry; they want me to marry a rich man.

    Recently as two years ago, she said, if she mentioned a boy’s name to her parents they will shout at her because she wasn’t supposed to have a boyfriend. And of course one wonders how she’s supposed to meet the man that will be her husband today. Most of all, what touched me while talking to her was when she said; I cannot talk to my parents.

    MESSAGE TO PARENTS

    So I want to ask parents here today, particularly parents of teenagers. Please keep communication open between you and your children. Many parents today teach their children how to fear them but not to respect them. Fear is not respect, you can beat fear into a child but respect is what a parent earns.

    Don’t shut your children up, listen to them. Give them advice without shouting. Actually, if you don’t shout they are likely to hear you better and as you give advice, remember the fallings of your own youth, nobody is perfect.

    I want to suggest today that we all take up the name, ‘ekweme’. Let us not only talk but let’s also act and let us do as we say. Some years ago, I ran into a woman in Enugu, a woman who is an old family friend. She was with her little son, I said Kedu to the boy and the woman said very quickly no he doesn’t speak Igbo, he speaks only English. What struck me was not just that this child does not speak Igbo but the mother said it with so much pride. She was proud that her child did not speak Igbo, why I asked her and her reply was that speaking Igbo will confuse him and I want him to learn to speak English well.

    So later when we mentioned her son’s school, she mentioned that he was taking piano lessons and French lesson. And so I asked her if learning Igbo will confuse him would learning French also confuse him? The woman’s reason that two languages will confuse her child sounds reasonable on the surface but is it true? It is simply not true.

    We know children have the ability to learn different languages, and in fact, we know being bi-lingual or multi-lingual help children in areas outside languages. I don’t really need to read studies about this, I am proof. I grew up speaking Igbo and English at the same time and considered them both as my first languages and I can assure you in my forty-one years on earth I am yet to be confused by that.

    I’m actually learning to improve my French and learn Swahili and Hausa maybe then I would be confused. My sister, my parent’s first child was born in the US when my father was a doctoral student. My parents made the decision to speak only Igbo to her because they knew she would learn English, they were determined that she would speak Igbo and they did and I can assure you that my sister is also not confused.

    When I had my daughter three years ago, my husband and I decided we would only speak Igbo to her. She now speaks Igbo and people are always shocked particularly the Igbo people when they hear her speak.

    I deeply love both Igbo and English; English for me is the language of literature and philosophy. But Igbo is the language of emotions, humor, and laughter. Igbo is the enduring link to my past, it is the language in which my great-grandmothers sang.

    Sometimes when I hear the old people speak Igbo in my hometown, Aba I found myself wishing that my own Igbo were not so Anglo-sized. I am full of admiration of the complexity of their language and the proverbs that they used and I am in awe of the culture that produced this poetry because that is what the Igbo language is when it is spoken well – it is poetry.

    And so to deprive our children of the gift of this language at a time in their lives when they can easily absorb it is an unnecessary loss. We now have all over Igbo land grandparents who cannot talk to their grandchildren because they have an imperial barrier between them.

    Even when the grandparent speaks English there is often an awkwardness in the conversation and the losses made worst by imagining what it could have been, the stories that could have been told, wisdom and history that might have been passed down to their grandchildren and most of all the sense of identity that comes with knowing one’s language.

    Language is not just about communication it’s about word feel. Some people argued that language is the only thing that makes a culture but I disagree. I think identity is much more complex, I think that culture is really a way of looking at the world and so there are Igbo people who do not speak the language but that does not necessarily make them any less Igbo.

    In fact, I think for the young people today who do not speak Igbo we cannot hold them responsible. It is their parents that we must hold responsible.

    The great Ghanaian writer, Ammah Attetuh ask a question in her novel Changes; “Why have we insisted on speaking about ourselves in the same condescending tone that others have used to speak of us?” There are other Igbo and Igbo parents who don’t necessarily think Igbo would confuse their children, they just think that Igbo is not just that important after all its small language spoken only in South-Eastern Nigeria and it is not important to the newly globalized world.

    So as one parent said to me, it is indeed true that the world is increasingly global but to succeed in this global world does not mean giving up on who we are. It means keeping what we are and adding to it.

    I remember being very impressed when I went to Iceland by the effort the people of Iceland put towards preserving their language. Iceland is a tiny country with a population less than that of Igbo land. Many people there speak English but speaking Icelandic is very important to them and it is not because Iceland is the next China.

    Nobody is learning Icelandic as people are learning Mandarin. It is instead because the people of Iceland value their language. They know it is a small language that does not generate any economic power but they do not say ‘kede be di e che’ because they understand there are other values that language has beyond the material and economic.

    Language is the constructs of culture, the end of language marks the beginning of the end of culture. And this I think is giving value to who we are and to our culture

    To value something is to believe that that thing matters and also to act that you believe that it matters. The knowledge of Igbo can lead to an innate self-confidence that will, in fact, be essential for success in any job interview and confidence comes from knowing who you are.

    I am today considered a global citizen which I think means I am comfortable anywhere in the world, but I know this is primarily because of the pride that I received being raised by parents who were academics and very much rooted in the Igbo culture.

    Having confidence in your culture does not mean you have to be ethnocentric or you feel your culture is better than others, what it means is that you are satisfied with what is yours. And so there will be no need to dehumanize others.

    I am very proudly Igbo, Nigerian, and African and I am very curious about other African Culture.

    I am not trying to romanticize Igbo culture, Igbo culture is not perfect. I quarrel strongly with a number of things in Igbo Culture, quarrel with the patriarchy and quarrel with the argument that uses culture to silent descent.

    I quarrel with the people who say whenever a woman tries to assert her full autonomy that it is not our culture. Well, driving cars is not also our culture but we all drive cars because car driving benefits as a community. So if indeed it is not our culture that women are considered full and equal members of the society then we must make it our culture. We must make inequality our culture because it benefits all of us. Unless we can tap into the potential of every single human being whether male or female we would not fully succeed as a society.

    We can begin today by saying yes to integrity and no to mediocrity. I will like to end with another message for young people. I will like to ask to; please do not judge leadership by the amount of money a leader has or can share or the amount of noise he or she can make. Judge leadership with the amount of testimony by ordinary people and how that leadership has changed their lives.

    I want to ask you always to be courageous; courage is not the absence of fear. Courage means you have fear but despite your fear, you still try. Always try

    Finally, to the young people don’t be entitled. Do not feel anybody owes you anything and work hard. Say yes to integrity and say no to mediocrity.

    Thank you.

    Being excerpts of Chimamanda Adichie’s speech at the just held Face of Okija thought leadership and beauty pageant in Anambra, where she talked on different issues like the need to be proud of our mother tongue in communication, preserving our languages for growth, the benefits of getting further education by the Igbos and other salient topics.

  • FG congratulates Mo, Chimamanda and Omotola

    The Federal Government has congratulated Mo Abudu, Chimamanda Adichie and Omotola Jalade-Ekeinde, on the honours recently bestowed on them on the global stage, describing them as iconic women in the creative industry.

    In a statement issued in Abuja on Sunday, the Minister of Information and Culture, Alhaji Lai Mohammed, described the three women as great ambassadors of Nigeria.

    Mohammed said that they had brought great honour not only to themselves, their families and their industry, but also to the country.

    He described as “well deserved’’, the listing of Mo Abudu, the Chief Executive Officer (CEO) of EbonyLife TV, and Nollywood star Omotola Jalade-Ekeinde among the top 50 women doing extraordinary things on the worldwide stage.

    They were listed by Variety magazine, a weekly American entertainment magazine.
    The minister said the already well-adorned cap of Chimamanda Adichie had been further festooned.

    He noted that her novel, Americanah, was listed in the New York Times’ list of 15 remarkable books by women that are ”shaping the way we read and write fiction in the 21st century”.

    The minister said the women were role models whose achievements would inspire a generation of young Nigerians to also do extraordinary things.

    “Of more importance is the fact that these women’s achievements have transcended gender, nationality or race, placing them on the profound class of global, timeless achievers,” the Minister said.

    He said the great honours bestowed on the women would further focus world attention on the nation’s burgeoning creative industry, thus placing it on the right pedestal to take the world by storm. (NAN)

  • Attahiru Jega, Chimamanda  elected to American academy

    Attahiru Jega, Chimamanda elected to American academy

    Four Nigerians, including iconic novelist Chimamanda Ngozi Adichie and former Independent National Electoral Commission (INEC) Chairman, Professor Attahiru Jega, are among new members elected into the American Academy of Arts and Sciences for 2017.
    The other two are eminent historian, Professor Akin Mabogunje and corporate czar Aigboje Aig-Imoukhuede.
    They made it to the list of 228 American and international scholars, artists, philanthropists and business leaders elected to the 237th class of the prestigious body.
    Members of the 2017 class include winners of the Pulitzer Prize and the Wolf Prize; MacArthur Fellows; Fields Medalists; Presidential Medal of Freedom and National Medal of Arts recipients; as well as Academy Award, Grammy Award, Emmy Award and Tony Award winners.
    The former INEC chair was elected Foreign Honorary Member in the Public Affairs and Policy section of the Academy; Chimamanda in Fiction, Poetry, Short Stories, Non-Fiction, Playwriting, Screenwriting and Translation section; Mabogunje of the University of Ibadan in History section; and Aig-Imoukhuede, President of the Nigerian Stock Exchange (NSE), in the Business, Corporate and Philanthropic leadership section.
    It is a new feather in the studded cap of Chimamanda, who was in March elected into the American Academy of Arts and Letters.
    The 40 Foreign Honorary Members elected for 2017 are drawn from 19 countries including Australia, China, India, Nigeria, Japan and Uganda.
    The new class will be inducted at a ceremony on October 7, in Cambridge, Massachusetts.

  • Chimamanda  gets Grammy  nomination

    Chimamanda gets Grammy nomination

    YOU may be wondering what the Nigerian novelist’s business is with music, let alone an American award scheme, but knowing that no music is independent of lyrics, Chimamanda Adichie, through one of her works, becomes a stakeholder.

    Following her TEDx talk on why “We Should All Be Feminists,” American singer, Beyonce Knowles, incorporated the writer’s essay into her single, which further brought more life to her craft. Thus, the award-winning writer, whose works such as Half of a Yellow Sun and Americanah are being adapted for the cinema, gave verve to Beyonce’s 2013 track, Flawless, which has been nominated for the Grammy.

    The nomination for “Album of the Year”, alongside Beyonce, who is described as her fellow feminist, is just yet another achievement for the writer.

    Adichie, whose work has been translated into thirty languages, has also appeared in various publications, including The New Yorker, Granta, The O. Henry Prize Stories, the Financial Times, and Zoetrope.

    Some of the awards received by the writer include the Orange Broadband Prize for Fiction in 2007 and a MacArthur Foundation Fellowship in 2008.

  • An evening with creative writers

    An evening with creative writers

    Creative writing, unlike other forms of writing, is anchored on the creative exploitation of imaginative resources to tell a story. The key ingredient in this type of writing is creativity. While the ordinary writer may go straight to the point he intends making, the creative writer, on the other hand, builds a world and designs that world with colourful materials in order to give the story an appealing, pleasant, attractive and endearing outcome that will enable the reader to enter the world of the writer. Creative writing therefore is literary writing that emerges in the form of poetry, prose, compositions and drama. These genres have a distinguishing feature, which makes them appealing to emotion, and they also function to entertain, educate, inform and build the intellect.

    So when I got an invitation letter from renowned author, Chimamanda Adichie, Creative Director of Farafina Trust to witness this year’s edition of the literary evening – a 10-day yearly creative writing workshop sponsored by Nigerian Breweries Plc – I honoured it and what an exciting evening it turned out to be in the midst of young creative writers. It was indeed one of those rare moments when the challenges of the education sector was far from my mind as I witnessed young men and women in their creative best, happy for who they are and what contributions they could make for their country. It was also heartwarming to see Chemical Engineers and others in the Sciences turning out beautiful creative works. Just when one may be tempted to think whether this nation can move forward at all, one would come across a group like this that will rekindle one’s dying hope.

    In the past four years, Chimamanda has engaged some of the best young creative writers this country can boast of in an annual workshop under a non-profit foundation, Farafina Trust and her Nigerian publisher Muhtar Bakare to promote literacy and literary in the country. The aim is to improve the craft of writers and to encourage published and unpublished writers by bringing different perspective to the art of storytelling. As she mentioned that evening, it was made possible by Nigerian Breweries Plc, who’s Managing Director, Mr. Nicolaas Vervelde she described as “a lover of books”. This may surprise some because the company may be noted for Star, Maltina, Gulder and other brands in its kitty, but what they may not know is the fact that the company is at the forefront intervening in the education sector. This started in 1994 when it established an education trust fund of N100 million to take part in more funding of educational and research facilities in higher institutions, all in an effort to provide and encourage academic excellence in Nigeria. This is in addition to sponsorship of National Art Competition, in partnership with the African Artists’ Foundation and others.

    One of the lessons I learnt that night was that there are different types of Nigerians: Those that leave the shores of the country because of the “challenges” and never looked back or think of the country again; they are those I call the lost Nigerians. There is the second group who left Nigeria to either go further their education or engage in business ventures but Nigeria is always on their mind as they explore every means available to make positive impact. Chimamanda falls within the second category.

    Described by James Copnall in his piece “Steak Knife”, published in The Times Literary Supplement of December 16, 2011 as “the most prominent” of a “procession of critically acclaimed young Anglophone authors (that) is succeeding in attracting a new generation of readers to African literature”, she is one of those shining light that is ready to share and impart her knowledge and experience to another generation. This experience started with the publication of her first novel, Purple Hibiscus in 2003, which received wide critical acclaim; it was shortlisted for the Orange Prize for Fiction in 2004 and was awarded the Commonwealth Writers’ Prize for Best First Book in 2005. Her second novel, Half of a Yellow Sun, named after the flag of Biafra, is set before and during the Biafra War. It was awarded the 2007 Orange Prize for Fiction and has already been shot as a movie which would soon be released. Her third book, The Thing Around Your Neck (2009), is a collection of short stories.

    In 2010 she was listed among the authors of The New Yorker’s “20 Under 40” Fiction Issue. In 2013 she published her third novel, Americanah, which was awarded the 2013 Chicago Tribune Heartland Prize for fiction. The Heartland Prize is a literary prize created in 1988 by the Chicago Tribune Newspaper.

    Nigeria as a country is a notable breeding ground for widely acclaimed literary works. Many of the country’s writer’s, right from the first generation to the current one, all have worked hard enough to attract recognition, pride of place and substance for creative writing in the country. Names such as Esiaba Irobi, Chris Abani, Helon Habila, Sefi Atah, Martin Akpan, Chris Egharevba, Joe Ushie, Uche Umez, Chiedu Ezeana, Ogaga Ifowodo, Nnimmo Bassey, and Iboro Nelson amongst others hold the ace in contemporary literary writing.

    Perhaps I need to point out here that, creative writing is a core developmental enterprise. It exists to explore the diversity of the human capacity to communicate and build a society of understanding and peaceful coexistence. Archibald Mccliesh had a good understanding of this role when he observed that societies are judged in the perspective of history by the way it handles the arts and creative vocation and its practitioners. No society survives without the contribution of its creative personalities. They constitute the leading lights, the statesmen, the philosophers and thinkers and the builders of that society. Even in its most vibrant and intelligent adumbrations, science and technology does not build society the way the arts and writing does. Arts and writing engages the human mind and intellect and always takes man back to a state of reflection and contemplation on the beauties of the natural environment, the necessity for dialogue, understanding, harmony and peaceful coexistence.

    From a spiritual standpoint, writing always draws man closer and closer to God, his maker and this is why it is possible for life to still exist on earth till today. Beyond this random assessment, it must be noted that the creative potentials of writing also aids intellectual development, public confidence building, educational and human capital development and communicational development which enhancing interaction in the society by picturing the happenings in the society and calling the attention of everyone to the true image of the society and the people.

    Many literary compositions like poems, plays and even novels expose the frailties in many societies and points the way to the path of morality and reason. This was captured by the rendition of a lovely poem that night titled “History is” by Efe Paul. In just five minutes Paul gave a holistic view of Nigeria’s history from the colonial period to date. Another case in point is Ayi Kwei Amah’s novel “The Beautiful ones are not yet Born” which is a graphic reference material on the inane view of contemporary Ghanaian Society and by extension the African continent. The characters in this novel consolidated the viability of Amah’s conclusion that leadership wise, “The beautiful ones are not yet born”. The same can be attributed to Chinua Achebe’s “The Problem with Nigeria” and “A Man of the People”.

    It is therefore not surprising that the intellectual engine room of every society is powered by writing, especially creative writing. Civilised and development conscious nations prioritise the development of creative writing more than new weapons of war. The understanding is that, the most dangerous warfare takes place in the intellectual realm. The human mind must be developed and engaged otherwise it has the tendency of being devious; armed robbery, ritual killings, Al Qaeda, Boko Haram etc are good examples. Creative writers can therefore be at the forefront in fighting the poverty of the intellect. It has been shown time without number that young people who are encouraged to engage in reading books often come out better developed and highly responsible.

    Finally, writers, especially creative writers are icons of development and therefore constitute the image making and public confidence building resources of where they come from. A Nigerian visiting a foreign country is often referred by the identity of their notable writers such as Wole Soyinka, Chinua Achebe, JP Clarke and lately Chimamanda. Many nations and international bodies deal with countries though their output in the creative field. There are many educational development opportunities that come to Nigeria for example because of the image of these and other outstanding writers. I urge our graduates and undergraduates to be part of this and other ventures aimed at capacity building.

  • ‘My dream is to outshine Chimamanda’

    ‘My dream is to outshine Chimamanda’

    When did you discover that you can write?

    I cannot really remember because writing is a passion that I have been nursing since I was in primary school, even though the environment I found myself did not encourage me then. I remember when I was in Primary 6, I cut cardboard papers into different sizes and started drawing pictures on them; I used that creatively to design the cover-pages for my books. With this memory being the earliest and freshest, I will say that was when I discovered that I could write because I could do so many things back then.

    Which was your first book?

    My first book was Tackle Your Obstacle.

    What prompted you into writing the book?

    I will say my passion gave birth to the book. In fact, when I was a freshman in my department, I realised that creativity was going into extinction and there was little or no student-writer. This and my strong desire to be an author prompted me to write and to tackle every obstacle that stood on my way to publishing my first book.

    What informed the theme of the book?

    It is a motivational and inspirational book that deals with the major facets of life, success, failure, greatness, friendship and others. Many people can do so many things but because they see some barriers before them, they may think their dream is not achievable. This book is written to give such people inspiration to achieve their hearts’ desires.

    What can you tell us about Sunset At Mid-day?

    It is an anthropology of Nigerian poets, which I co-authored with three other young writers. It is a poetry collection that preaches hope, relief, calmness and coolness to the worried youths and elders in the midst of political instability, religious strife and kidnapping in the country.

    How did you get sponsors for your book?

    It was God that helped me in that aspect. He opened the doors without which sponsors would not have come in. Also my church helped in no small measure. In fact, my publisher is from my church and that made it a lot easier for me as a young writer. My parents, Mr and Mrs Kingsley Nwanne, also played a very crucial role in sponsoring the work.

    Who is your role model?

    My role model is the late Prof Chinua Achebe. Since his death, Chimamanda Adichie has taken his place simply because her style of writing, majorly her power of description, inspires me to think that Achebe is still alive. I intend to take over from Chimamanda in years to come.

    What are your plans after graduation?

    I intend to go into full-time writing and public speaking. I will attend seminars and conferences to promote the art of writing and creativity.

    Who are the target audience of your works?

    There is no particular target audience for the books because they deal with problems facing people in life generally. As far as you are part of this planet, the book is mainly for you. But I must say that Sunset At Mid-day is particularly for those who appreciate and understand the language of poetry.

    What is your advice to budding writers like you?

    I want them to know that with God, all things are possible.

  • Freedom; Chimamanda’s Americanah; CBN’s MPR and the rest of us

    Thank God for the successful efforts to secure the release of the Rhodes Vivours. We must thank God even as we pray earnestly for the release of all other kidnap victims and a final full stop to this evil method of extortion.

    The wars against the Boko Haram, indigenes in Plateau and farmers on the North-South cattle route go on even as the rest of Nigeria goes on. I read Chimamanda Adichie’s Americanah. It is a long good read, covering a wide range of incidents and sites. I was on the Third Mainland Bridge when it came up in the book. Perhaps you will find yourself ‘live action’ in places and scenes mentioned including Obalende, my old haunt. The book discusses race, confirming it is a non-issue in Nigeria, and love- that worldwide problem engaging every reader in one scenario or another. You will find a lot of ‘been-there-done-that’ as my daughter taught me to say.

    It is amazing in love the same action can be so contrastingly cruel and kind, common and individual and cause so much gain and pain, but we all know that anyway. That is not a reason not to read the book. It is nice knowing you are not alone in your gains and pains from love. And you will learn a lot about women’s hair, beautiful and otherwise. In my clinic I tell my patients that small cysts seen on ultrasound are normal signs of womanhood and that without those cysts the women would be men. They immediately cheer-up. Not one of them has wanted to be a man in spite of the dedicated hours regularly spent weave-on-ing. Amazing. This book answers the unasked question ‘why weave-on?’ and many more ‘whys’.

    Meanwhile the inter-bank interest rate MPR, has been kept by the award winning CBN at 12% making bank loans 21-25% to ‘fight inflation’. What inflation? The one in the pockets of millions of Nigerians or the banks statistics caused by corruption? The commercial banks could cut their own additional 10-15% interest even if CBN insists on 12% but they will not –greed. Meanwhile they make billions! How? Who are they doing business with? They screw us out of our money with COT, cheque, ATM and a myriad of other financial burdens invented in the boardrooms by financial wiz kids seeking bonuses. What do Nigerian banks pay as bankers bonuses? The trouble with being a Nigerian when so many are stealing so much is that the average person suffers so much to service the bankers’ greed. In spite of our oil, Nigerians have the highest interest rates loans in the world and the highest energy costs from generators and fuel from imports while government demonstrated a pathological failure to fix refineries –Corruption, Incompetence, Negligence and Selfishness-CINS.

    Most middle class Nigerians could have afforded to buy a new car annually from what they are forced to spend on power substitution at home and in the office during the last 25 years. So the prohibitive cost of doing business through loans, supplying power and corruption are key problems facing every business and entrepreneur. Today we face political whirlwinds among governors seeking dominance at the Governors’ Forum. Who does not know that 19 is democratically more than 16? We face Presidential pronouncements on incumbency and lack of vacancies in Aso Rock made by proxy through political attack dogs and self-appointed ‘Ministers for Presidential Defence’. We face ex-presidents who for many observers were mega-failures in areas of job creation infrastructure like power, road and rail networks, bringing interest rates down, improving the naira value and in human rights particularly during elections and odiously in Odi. Why did the naira fall further even after the dark days of Buhari, Babangida Abacha when it ended at N88 to $1 under Abacha? These pontificating ex-presidents, including ‘civilian/military’ presidents like Obasanjo with eight years of failed hope and disappointing prosperity under their agbadas, are talking boldly of the failings of an incumbent president who appears to be struggling through a multiple minefield laid by the same past governments’ failures in power, political and electric and economic and social responsibility.

    Why did they, our ‘Failed Past Presidents’, not improve education to make Nigerian students them fully employable with easy access to business advice and normal worldwide acceptable interest rates on loans? The problems today were problems created deliberately, ignorantly or negligently for years.  The Nigerian adult now knows that there was money to service education but it was government policy to starve education –exposed by an unappreciated ASUU.  Parents and students preferred a ‘Let My Children Go Ignorantly Into The Future’ policy to supporting ASUU’s fight for better conditions. For years government has manipulated the education situation to make it appear that ASUU was the cause of the poor education situation, when ASUU was fighting for quality-a losing battle against ‘Acada-hating politicians in power’. Ask Jubril Aminu’s opinion. Has he published his memoirs of ‘A Minister of Education in an Ignorant State’ yet?

    On Sunday we followed Pope Francis’s request to all 1+billion Catholics to join him at 5pm to pray among other things for the poor. A person born poor is at an unfair disadvantage but has ignored rights to make demands on government to cross the poverty line- $1 or $2 a day. Government has a failed responsibility to rescue the poor who are getting wiser and more violent.

  • Glo/CNN African Voices features writer Chimamanda

    Glo/CNN African Voices features writer Chimamanda

    This week’s edition of Globacom-sponsored African Voices on CNN International will feature Nigerian novelist, Chimamanda Ngozi Adichie.

    The 30-minute magazine programme will be broadcast on Friday at 8.30am with repeat broadcasts on Saturday, at 3.30pm and on Sunday, at 9am and 6.30pm. There will be further repeats at 10.30am and 5.30pm on Monday and at 5.30am on Tuesday.

    CNN African Voices highlights Africa’s most engaging personalities who are shaping the African continent in different areas of life. It is for this reason the multiple award-winning writer is being brought to viewers as a special guest on the programme.

    Known for her thought-provoking and inspirational writing, Adichie was thrust into limelight by Purple Hibiscus, which she published in 2003. She followed it up with another sensational novel, Half of a Yellow Sun, in 2006, and The Thing Around Your Neck, in 2009. She recently released another book, Americanah.