Tag: Chocolate

  • Experts urge investment to unlock chocolate potential

    Experts urge investment to unlock chocolate potential

    With Nigeria and the rest of Africa producing more than 70 per cent of the world’s cocoa, yet accounting for less than one per cent of global chocolate production, international expert and Chief Executive, ethical chocolate brand Beyond Good, Tim McCollum, has called on global and local investors to change that narrative and unlock billions in untapped potential by building chocolate manufacturing capacity on the continent. 

    McCollum, whose company introduced an innovative farm-to-factory model in Madagascar, believes it is time to replicate this success in West Africa – starting with cocoa giants in Nigeria, Ghana, and Côte d’Ivoire and the rest of Africa.

    His message is clear: The future of chocolate lies in Africa, and Nigerian investors can help shape it.

    “Cocoa is one of Africa’s most valuable crops, but most of the value is lost once the raw beans leave the continent,” McCollum noted, “We’ve shown in Madagascar that you can not only grow world-class cocao, but also produce high-quality chocolate bars—all within Africa.

    ‘‘Now we want to bring this model to West Africa.” Originally founded as Madécasse and renamed Beyond Good, McCollum’s company has built a vertically integrated chocolate production facility in Madagascar. By sourcing directly from farmers and processing cacao locally, Beyond Good bypasses the traditional extractive supply chain that transports raw beans to factories in Europe or North America. The result? A thriving local industry and better conditions for farmers. In 2024 alone, Beyond Good produced 2.8 million chocolate bars in Madagascar. At the same time, the company increased farmers’ incomes, created new manufacturing jobs, and retained more value in local communities. 

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    McCollum believes this approach is not only ethical but also extremely profitable. “Our model eliminates five to six middlemen,” he explained.  According to McCollum, the Madagascar project proves that chocolate production in Africa is not just an idealistic dream — it’s commercially viable. He’s confident the same success can be scaled across Nigeria and other West African countries.  “When we started, people told us it couldn’t be done — that you couldn’t make chocolate in Africa at scale,” he said. “But last year, we made 2.8 million bars. That’s not just proof of concept. That’s proof of potential.”The move also carries implications for sustainability and traceability, two areas where Beyond Good has made major strides.

    With its direct sourcing model, the company maintains full transparency over its supply chain — something increasingly valued by global consumers.“We know exactly where every bean comes from,” McCollum noted. “That kind of traceability is only possible when you build relationships directly with farmers — and when you make the chocolate close to the source.” As McCollum pushes to expand into other parts of Africa, he is urging investors to look beyond short-term commodity trading, and toward long-term value creation. “The real money is not in raw cocoa,” he says. “It’s in chocolate — and in keeping the value where the cocoa grows.” To make that happen, he believes it’s time to rethink the role Africa plays in the global chocolate industry — not just as a supplier of beans, but as a producer of finished products.

    In his contribution, Senior Advisor, Africa Mighty Earth, Amourlaye Touré noted that West African cocoa farmers face a confluence of critical challenges, primarily driven by climate change and governance issues within the sector.

    These challenges,according to hjim,  are exacerbated by new regulations  such the European Union Deforestation Regulation (EUDR), raising serious concerns about farmer livelihoods and the persistent issue of child labour. “The biggest challenges for growers are climate change and the governance of their sector,” Touré stated. “This, in turn, raises crucial issues such as the EUDR, decent incomes for growers and deforestation.”  The EUDR, aimed at preventing deforestation associated with products sold in the EU, poses a significant threat to vulnerable smallholder farmers who dominate cocoa production in the region. Touré warned that the regulation could “hit growers hard if nothing is done to prepare them for it.” He highlighted the lack of adequate education and preparation initiatives on the ground, questioning how farmers can be expected to comply with complex regulations without support.

    Addressing the sensitive issue of child labour, Touré stated that the EUDR does not necessarily have to lead to higher rates, “if implementation is done in a participatory way with accompanying measures.” He stressed that a “collective approach is needed, involving a wide range of players such as the governments of producing countries and the major companies, in the forefront, but also local players (cooperatives, NGOs, community leaders.”

    Touré pointed to positive trends in Côte d’Ivoire and Ghana, where child labour has “fallen considerably in recent years” due to concerted action. However, he cautioned that the issue remains complex, influenced by factors like sub-regional security dynamics and terrorism in the Sahel, which can displace populations and increase vulnerability to child labour.

    European consumers have a vital role to play in supporting West African farmers, according to Touré. “European consumers can do more to support the implementation of a strong, not truncated, EUDR that takes account of the interests of small-scale producers.”

    He highlighted the importance of the “chocolate scorecard,” which allows consumers to “find out what is happening on the ground and in the lives of these growers in developing countries who do the hardest work and receive only an insignificant share of the revenue generated each year by the chocolate industry.” Touré noted that the scorecard’s analysis, based on criteria including child labour and living income, encourages influential industry players to take action, ultimately benefiting farmers. “This year, we heard from multiple companies that the Scorecard is being used to evaluate suppliers. Cocoa suppliers that score poorly are starting to see it affect their actual sales/business,” Touré revealed, indicating the growing influence of the scorecard. He also highlighted the high level of trust in the scorecard, with a significant majority of large companies sharing their full child labour data.Touré highlighted the varying trends in farm wages across the region, influenced by different marketing systems. While some countries like Cameroon, Liberia, and Guinea are seeing benefits from rising cocoa prices, Côte d’Ivoire’s price stabilisation system keeps prices lower for its farmers.Looking ahead, Touré painted a concerning picture for the West African cocoa sector. “The cocoa crisis is already underway, with harvests down and prices on international markets at historic lows.” He attributed this crisis primarily to climate change, exacerbated by “uncontrolled deforestation,” which has seen Ghana and Côte d’Ivoire lose a staggering “between 80 and 90% of their forest cover in less than a century.”

    While temporary improvements in harvests are possible, Touré emphasised that “any lasting solution will require strong, concerted measures, including forest restoration and protection initiatives, agroforestry projects, changes to improve the current production system, and improved local governance.”

    The coming months will be critical for the West African cocoa sector, demanding urgent and collaborative action from governments, companies, and consumers to address the intertwined challenges of climate change, regulatory compliance, fair incomes, and the persistent fight against child labour.

  • Chocolate City signs on Dice Ailes

    Chocolate City signs on Dice Ailes

    Chocolate City, one of the top Nigerian recording companies, has recently signed on a new act, Shasha  Damilola Alesh, alias Dice Ailes, to its label.

    Dice Ailes, a Canada-based Nigerian act plays contemporary Afro pop.

    According to the record label, Dice Ailes, who is currently an undergraduate student in Canada, has always had a strong passion for music from his younger years. At 15, he paid for his first studio session. While in Canada, he met young entrepreneur, Tee Tash, who influenced him musically and also signed him up.

    “We believe his sound will in its own way play its own part in shaping the fast- growing Nigerian music. The young act met up with label vice president, M.I, sometimes in 2013 and fostered a relationship which eventually led to his current signing.”

    In addition, the young act’s first official single, Fantasy, under Chocolate City, is said to be creatively composed and delivered in the Afro funk fashion, thereby offering a peep into his ingenuity.  It will be recalled that Chocolate City in 2013 lost two of its artistes, Jesse Jagz and vocalist Brymo.

  • Chocolate City  opens shop in  Kenya

    Chocolate City opens shop in Kenya

    ONE of Nigeria’s leading recording and entertainment companies, Chocolate City, has announced the commencement of operations in Kenya, one of the key markets for music and entertainment in Africa as part of recent pan-continental expansion.

    Chocolate City Vice President M.I made the announcement in Lagos, saying the Kenya launch will happen this weekend.

    ‘The official launch of Chocolate City Kenya label – a part of the Chocolate City Group -will be coming up at the prestigious Museum Hill in Nairobi, Kenya,’ M.I said.

    ‘Our aim is to create a platform for the growth and expansion of East African music and foster more mutually beneficial collaborations with other African sub-regions,’ he added.

    The label has already signed Kenyan act Victoria Kimani who features M.I on her sophomore single Oya.

    “Victoria Kimani is amazing, she’s got a great vibe and ready to work, she’s very hard working and she’s just good,” the label VP says of CC’s first Kenyan act.

    The label’s Kenya launch will also see the official unveiling of a partnership between Chocolate City and Adrenalive – the organisers of The Mingle which will feature the birth of new music festivals, concerts, and art culture in East Africa. The inaugural event from the series of concerts dubbed Boobaataa Festival will be in July.

    Billed to perform at the event are M.I and Victoria Kimani who will be supported by some of the hottest talents in Kenya. Top Chocolate City executives will also be in attendance.

  • Why I left Chocolate  City -Jesse Jagz

    Why I left Chocolate City -Jesse Jagz

    THE fact that he feels his music career has not been given the needed attention has led to the surprising exit of Chocolate City’s rapper, Jesse Jagz. The talented rapper released a statement days ago, stating he has left his erstwhile record label.

    There have been reports of the rapper having issues with his label but no one expected him to go public about his intention to quit Chocolate City. His move which caught everyone at the label off guard, including his brother, MI (Vice President Chocolate City), has left so many fans reeling on the shocking exit of the rapper.

    The rappers press statement reads thus;

    To whom it may concern:

    I, Jesse Garba Abaga (also known as Jesse Jagz), an artiste formerly signed to Chocolate City Music label, hereby wish to notify my fans and the general public about my voluntary exit from the label.

    After my initial two years’ contractual agreement with Chocolate City, I do not wish to renew my contract with them and as such have proceeded to continue my music career with my new team at Jesse Jagz Nation.

    I still maintain a cordial relationship with the management of Chocolate City and my former label mates and I wish them the best in all their future endeavours. Any further information will be passed across through my publicist, but until then, have a good day. Look out for my sophomore album JagZNation Vol. 1 coming out in July. It is all for the best, Jesse Jagz.

  • Chocolate City signs Kenyan artiste

    Chocolate City signs Kenyan artiste

    CHOCOLATE City’s CEO, Audu Makori, has announced the signing of another talented artiste named Victoria Kimani on Chocolate City stable. Makori made the revelation at the unveil of the record label’s new Lekki office recently, an event which also served as the album listening of Brymo’s new album, Son of a Carpenter.

    Explaining the nature of the deal, Makori said Chocolate City, as a label, has a branch in Kenya. It is that branch to which she is signed.

    Kimani started writing, recording and performing at 16. She lived in Nigeria during her formative years and moved back to Nairobi, Kenya at 17. Since then, she has been back and forth, between LA, ATL, NY and London. In 2009 she joined a duo called Club Embassy and released a mixtape called Diplomatic Immunity hosted by 50 cent’s DJ Whoo Kid, it got over 250,000 downloads. In mid 2010 the duo split and began working on solo projects.

    Victoria has done collaborations with international artistes like Ron Browz, Maino, Jadakiss, , Busta Rhymes, Mario Winans, Cassie, Lloyd, A.I, Chris Brown and Timbaland, among others.