Tag: design

  • Tech expert shares insight on driving innovation, product design

    Tech expert shares insight on driving innovation, product design

    Okafor Terrence, Lead Product Designer at Waza, a start-up brand, has disclosed the imperative of product design and the impact of his expertise to the company which recently announced raising $8m in seed funds.

    In a recent media statement, Terrence while sharing his journey in product design explained that it has been a progression of increasing responsibility and complexity. 

    He disclosed in the interview that it all began with handling freelance projects, which provided a foundation in diverse design challenges.

    He stated, “As my experience grew, I transitioned to more structured roles within technology companies. The opportunity to join Waza as lead product designer was particularly appealing due to the company’s mission to revolutionize cross-border payments for businesses.

    As the lead product designer at Waza, Terrence’s primary responsibilities involve shaping the company’s brand identity and creating digital products and features. 

    He explained that Waza is a technology company revolutionizing cross-border payments for businesses and a significant focus has been on developing an interface that simplifies complex financial transactions for our users, says Terrence.

    “We strive to balance functionality with user-friendliness, ensuring our platform is intuitive, easy to use  and accessible.” 

    Terrence further emphasized the importance of driving innovation in the design industry saying innovation in the design industry is multifaceted. Collaboration and diversity are crucial drivers. He noted. 

    We need to create more opportunities for designers from varied backgrounds to convene and exchange ideas.” In addition to his work at Waza, he disclosed that he volunteers as a mentor on ADPList, working with entry-level designers globally.

    “Mentorship is vital for the industry’s growth. It’s not merely about imparting technical skills; it’s about providing guidance, sharing experiences, and fostering a supportive community.”

    To maintain innovation in his own work, the expert emphasizes the importance of continuous learning and staying informed about emerging trends. 

    “True innovation lies not just in creating novel features, but in addressing genuine problems with meaningful solutions,” he said.

  • Rukkies decor unveils floral artistry, design in Lagos

    Rukkies decor unveils floral artistry, design in Lagos

    Rukkies Decor, a leading name in interior design, has unveiled West Africa’s premier Floral Artistry and Design Centre in the vibrant heart of Victoria Island, Lagos.

     This innovative space is set to redefine creative expression and youth empowerment in the region.

    Under the leadership of CEO and Founder, Promise Kenneth-Odum, Rukkies Decor has been renowned for crafting bespoke design masterpieces.

     The Floral Artistry and Design Centre expands this commitment by offering a curated selection of high-quality artificial plants, figurines, and flowers, catering to diverse tastes.

    Kenneth-Odum states: “This project showcases our dedication to pushing the boundaries of creativity and innovation in interior decor. Our goal is to provide individuals and businesses access to unparalleled design elements that breathe life into their surroundings, inspiring and uplifting.”

    Central to Rukkies Decor’s ethos is the inauguration of RAFAD – Rukkies Academy for Floral Artistry and Design. This initiative aims to equip youth across West Africa with skills in floral artistry and design, providing a gateway to opportunity and self-fulfillment.

    Read Also: First Lady, Fagbemi, Marwa advise states on drug use prevention, treatment

    “RAFAD is more than a training academy; it’s a gateway to opportunity and self-fulfillment,” says Kenneth-Odum. “We are committed to nurturing and honing the talents of aspiring designers, providing them with the tools and knowledge needed to excel in this dynamic industry.”

    RAFAD will offer hands-on instruction covering the intricacies of crafting and utilizing artificial plants and floral pieces, focusing on practical skills and creative expression. Participants will emerge equipped to leave their mark on the world of interior decor.

    Kenneth-Odum envisions RAFAD as “a hub of creativity and inspiration, where individuals from diverse backgrounds come together to learn, innovate, and create beauty. By investing in our youth, we enrich their lives and contribute to the vibrant cultural tapestry of our communities.”

    As Rukkies Decor unveils its groundbreaking Floral Artistry and Design Centre, it invites individuals and businesses to embark on a journey of discovery and transformation. With a commitment to excellence, innovation, and youth empowerment, Rukkies Decor aims to leave an indelible mark on the landscape of interior design in West Africa and beyond.

  • ‘Nigerian oil firms can execute 80% of engineering design’

    ‘Nigerian oil firms can execute 80% of engineering design’

    • NCDMB shifts focus to R&D for advancement

    Nigerian oil and gas service firms have the capacity to execute over 80 per cent engineering designs in-country, Executive Secretary, Nigerian Content Development and Monitoring Board (NCDMB), Simbi Wabote, has said.

    He said this while delivering the keynote address at the just-concluded maiden edition of the Nigeria Oil and Gas Industry Research and Development Fair and Conference. It was organised by NCDMB in Lagos.

    According to Wabote, the forum formed part of the Board’s initiative to re-energise the research and development aspect of the local content practice. He listed five key parameters for sustainable local content practice.

    He said:“There are five key parameters for sustainable local content practice.  First is an enabling regulatory framework backed with the appropriate legislation is key rather than use of directives or policies that are subject to speculations or compliance on ‘best endeavour’ basis.  In Nigeria, we have the NOGICD Act 2010 in place. It is no longer optional or debatable whether to comply. The Act established NCDMB as the sole agency for local content implementation in the oil and gas industry and has set minimum targets in 278 services across oil and gas value chain to enhance local capacity development

    “The second parameter is capacity building. Structured capacity building intervention is essential to spur domiciliation of capabilities in-country. This is not limited only to local manufacturing and infrastructural development, but also includes need for human capacity development. Our capacity building interventions in NCDMB have increased the in-country value retention from less than five per cent before the NOGICD Act to the current 26 per cent.

    “Since the Act came into effect, we have developed two world class pipe-mills and five pipeline coating plants, grown fabrication capability to over 60,000 metric tonnes per year, and we now have the capacity to carry out over 80 per cent of engineering design in-country. We have created over 30,000 direct jobs, delivered over six million training man-hours, witnessed the award of over 90 per cent of contacts to Nigerians, witnessed the growth of successful indigenous operators, put in place facility for floating production, storage and offloading (FPSO) integration, among others.

    “The third parameter is gap analysis. Periodic gap analysis is essential to determine gaps that needed to be closed in the areas of skills, facilities and infrastructure. The oil and gas industry is a very dynamic one. Regular reviews of local content targets reveal where capacities have been met and where there is over-capacity to guide deployment of resources and investment decisions. Periodic internal gap analysis is also important as we have done with our internal process reviews and development of a 10-year strategic blueprint to position the Board in effective delivery of its mandate

    “The fourth parameter is the provision of funding and incentives.  Fiscal and monetary incentives are essential to attract new investments and keep existing businesses afloat where required. In partnership with Bank of Industry, we recently launched a $200 million intervention fund for our Nigerian oil and gas service providers that are contributors to the Nigerian Content Development Fund. The intervention fund has all-in single digit interest rate of eight per cent for loans extended to Nigerian oil and gas Service providers and all-in single digit interest rate of five per cent for loans extended to community contractors.

    “The last but not the least of the parameters for sustainable local content practice is Research and Development. Local content thrives where there is robust research and development (R&D) guideline to drive development of home-grown technology.”

    Wabote described R&D as the bedrock of innovation. “It is essentially an investment in technology and future capabilities, which is transformed into new products, processes and services.  History teaches us that such investment, and such commitment to discovery, lead to prosperity.”

    According to him, some countries have done very well in these two aspects of R&D.  Countries such as South Africa, China, India, United States, South Korea and Singapore, he said, are examples of countries that have developed a world-class R&D capacity. Governments in these countries directly support scientific and technical research.

    “For example, in recent years, spending on R&D has increased sharply in Brazil. R&D expenditure of Brazil increased from one per cent in 2004 to 1.2 per cent in 2013. In 2016, Brazil spent 1.4 per cent of its GDP on R&D that is about $25 billion in a year,”he said..

  • The Content: When luxury designs meet art, carol

    The age-long affinity between luxury design items and fine art (paintings, sculptures), wine tasting as well as season’s carol will be celebrated by collectors and enthusiasts at the second outing of The Content (Harmattan) exhibition opening on October 15 at Adam & Eve, GRA, Ikeja Lagos

    Leading the pack of exhibiting artists is Dr. Bruce Onobrakpeya, alongside Kolade Oshinowo and Lekan Onabanjo(curator of the exhibition) who are featuring as guest artists.

    The group exhibition, which will run till December 15, according to CEO Adam & Eve Mrs Modupe Ogunlesi is to continue the new concept of widening the appreciation of creativity across luxury design item, art and tastes.

    The event, she said, include a Festival of Carol, a yearly programme of Adam&Eve designed to celebrate lovers of luxury items.

    “Festival of Carol is what we do every year,” Ogunlesi enthuses. But this time we want to have 6 lessons, in shorter form for the Carol, which starts on November 12, as it flags off our Christmas activities. The festival of carols is a one day event on November 12 to flag off the Christmas season,” she said.

    On the carols, she said: ’’Carol as in years past, we plan an adaptation of the shorter version ‘Carols from Kings’ to give more time to mingle.’

    Renowned actress Joke Silva is among poetry readers selected to perform at the opening.

    Apart from the guest artists, seven artists will features their works and they include Francis Uduh, Juliet Ezenwa, DamolaAdepoju, Olumide Oresegun, Emmanuel Stanley Dudu, IbeAnanaba and Josh Nmesirionye’s and Lekan Onabanjo.

    When The Content debuted in June, the exhibition featured works of Onobrakpeya, Oshinowo, Raqib Bashorun, Tola Wewe, Onabanjo, Duke Asidere Zinno Orara, Alex Nwokolo and Fidelis Odogwu.  Curator of the exhibition, Onabanjo said the choice of the title is to give The Content a generic name, hence the Harmattan edition rather than make it in numerical series like 1, 2, 3. The event also offers lovers of wine to take a look into a century-old port’s trajectory. The art and science of port tasting, Ogunlesi assured would be part of the event.

    With the increasing interest of young Nigerians in art, Ogunlesi predicted that “art may just be like the ongoing enthusiasm in music. Young Nigerian artists, she said, have what it takes to be in the fore front of increasing art appreciation. Her thoughts apparently inform the dominance of The Content-Harmattan edition by young artists.’

    Last June, Adam&Eve created a fresh energy in culture economy with a show titled: The Content that brought lovers of luxury design items and art enthusiasts from Lagos/Victoria Islands and other axis of Mainland for the maiden edition.

  • Heineken funds Lagos Fashion, Design Week

    Heineken funds Lagos Fashion, Design Week

    The Heineken Lagos Fashion and Design Week (Heineken LFDW) has held its inaugural Autumn/Winter (AW17) presentations with premium beer brand, Heineken, deepening its role as sponsor of the globally-acclaimed fashion event.

    At an exclusive party to launch the event, Senior Brand Manager, Heineken, Ngozi Nkwoji, said: “Heineken, as a premium brand, seeks to bring premium experiences to its consumers. Using the LFDW platform, Heineken has created more awareness about Nigerian fashion and its commercial possibilities.”

    Nkwoji further noted that Heineken has successfully showcased the growing number of talents within the fashion industry while promoting fashion-related commerce, hence reaffirming Heineken’s continued support for the thriving sector. She further affirmed that Heineken LFDW AW17 will set an unprecedented standard in African fashion and design industry.

    Heineken LFDW AW17 presentations, a three-day event, saw top Nigerian designers exhibit their designs in an installation format.

    The AW17 presentation is aimed at bringing Heineken LFDW in line with the global fashion calendar while giving fashion designers an opportunity to showcase their work.

  • Italy Footwear Design institute graduates five

    Fifteen students sponsored by the Delta State Government for a two-week training on Footwear Design and Technology have graduated from the prestigious Moda Pelle Academy, Milano, Italy.

    The state also has signed a Memorandum of Understanding (MoU) with the United Nations Industrial Development Organisation (UNIDO) for the building and equipping of a leatherworks factory in Delta State.

    Under the agreement, UNIDO will, apart from part funding the factory, also help the state develop skills in shoe design to a level that will enable them compete with the best in the world.

    The training and setting up of a leather works factory is part of Project Cooperation Agreements between the Delta State Government and UNIDO under which agro processing capacities will be developed in the state.

    The project aims at improving the quality of life of rural population of Delta State by setting up efficient farmer-owned small scale agro processing units for palm oil milling and fish drying linking them effectively with primary producers and domestic buyers.

    The agreement also seeks to build creative industries for women in rural Delta, especially the traditional Akwaocha fabric to provide technical support for the development of the local fabric.

    Ogeah said it is the next level in the consolidation of Dr. Emmanuel Uduaghan’s action plan of building enduring institutional frameworks for the development of requisite skills to boost human capacity, create jobs and boost production and export of quality non-oil products.

    At the graduation were the Delta State Attorney-General and Commissioner for Justice, Mr. Charles Ajuyah (SAN); Chike C. Ogeah, Commissioner for Information and Dr. Antonia Ashiedu, Commissioner for Poverty Alleviation.

  • Explore  the world  of pleats

    Explore the world of pleats

    If you are thinking of a new design, then there are so many options available. On the list of choices are the pleats and they can be really exciting as you explore their world. You can make use of the pleats to enhance the neckline, the sleeves, the edge of the blouse, skirts or a dress. While they can be used to dramatise a very simple outfit you can also make use of the pleats to create a special effect on a simple outfit.

  • Deficiency in design, standards cause delays in approvals

    Deficiency in design, standards cause delays in approvals

    Having been in the private sector for that long, I’m sureas a town planner you had periods of frustration with some government agencies in a bid to obtain approval for a client?

    One of the things I learnt here is the marked difference between the public and private sector.  In the private sector, processes are usually faster, goals are faster accomplished not because it is necessarily more organised, but because there is focus and you deal with less bureaucracy.

    In some cases the private sector does not have a wide spectrum of personnel that public sector has but within the limited resources they have, they are focused, they are goal oriented and as such they are faster. In the public sector, I discovered that we have a wide spectrum of human resources and that probably is a plus for the public service, but there is also the bureaucracy and the hierarchy of positions where files must pass through the subordinate, to the superior officer and it goes on like that probably until you get to the governor. It makes it slower than the private sector.

    So, I find the public sector not totally inefficient. Its efficiency is just slow. All that needs to be done really is to increase some speed and that will bring me to what I have now done as a private sector person. I’ll tell you the way I work here. I’ve been in the commissioner’s office before I got here and I know the loads of file that you are likely to see in their registry that makes members of the public look for an easy way out and get their files to the attention of the commissioner.

     

    What have you done differently in terms of time saving to stop people from short cuts?

    I have a principle which works for me; files don’t sleep in my office except there is a particular reason to keep a file or is waiting for one activity to be completed somewhere, I treat files within 24 hours. The files I’m about treating today should have been treated yesterday, but because I was away to Abuja, that is why those files are there. Ordinarily, they would have been out, so there isn’t that opportunity for anyone to come to my office to request that their file be brought from bottom to the top.

    When I don’t finish my files, I take them home; by the time I’m coming tomorrow they are done. So, that gives me the courage to ask any officer, what are those files doing in your office? With that I have been able to increase speed. Unfortunately, as a consultant it took me five years to get approval six floor building.

    But under my watch, we’ve been able to process a 15 floor approval in three months.

     

    What is the solution to obtaining quick approvals for building construction?

    One of the major steps we are  taking is the pre-submission screening process. What that intends to achieve for us is to remove bottle neck before they become bottle neck. Applications have been stored in our office for reasons of non-tax compliance,  deficiency in design,  non compliance with some design standard. We take those applications in and it is only when they have started the process that we now begin to write the comment; go and correct it. And you know it is like when you are driving along an express with other vehicles  and you have a malfunction in your vehicle  by the time you park either to check your vehicle or you want to ease yourself and you get back to the road, you may never catch them again because by the time you now get back to the road there may now be some blockages, hindrances, there may just be a reason you can’t attain the speed on which you were before. It’s the same thing, when somebody has started a process and then you now run a comment on it when he goes back, he may not come back with the same zeal which he brought in.

    So what the prescreening does is that, we won’t allow you to bring it in if it is not likely to get approved so from the initial stage we check all of your drawing, if you are not okay we tell you not to come in. At that point we have not asked you to pay.

    We are also saying go and fulfill all your statutory obligations ensure your taxes are paid, you have your titled document. So when you have all them ready, you now come to us.

     

    Have you been able to achieve the 30-day approval plan target?

    The 30-day target was set a long time ago; now people get their approval within two weeks in this ministry on my watch. We have made available relevant information on our website to make the process less cumbersome, we are moving on to e-planning submission where you don’t need to see us physically.

    Why is there so much change of use of buildings in the state?

    I want to let you know that there is no processing of papers for change of use anymore but we must understand the dynamics of a settlement. Settlement is like a living organism and it needs to be understood and planned for.

    Ikorodu Road, for instance, was designated residential when the population of Lagos was less than four million but now that is designed as a 10-lane road it is unreasonable  to still call it a residential area because it has been built up  as a business area. By the time an area become  dual carriage roads you have increased the speed of traffic and have turned it into a high street. The idea is that we must be ready to accommodate growth.  But even at that uses are not changed without permission.

     

    But you can’t say that about Ikeja GRA as there are many change of use and they claim to have permission from you?

    Before Ikeja GRA became what it is today, commercial vehicles were not allowed to drive into the area. The only vehicles that went into GRA in those days were either private cars or taxis, but with increase in population, especially with the Secretariat, a demand for regular transportation became imminent. As we develop as megacity, land value is also increasing. When Ikeja GRA was created, nobody envisaged that Lagos would become this large. Now, it makes little sense what the plots of land were then because many of the houses were built on an acre (Six plots) and there were bungalows.

    Land values have changed and become more expensive when people acquired it. You can’t expect them not to make gain from it by turning it into a commercial outfit. No doubt that at some point land value in those places increased to a non-reasonable level such that for an investor when you eventually buy a parcel of land, you are not thinking of just one limited development but multiple structures. For instance, if an investor purchased 1,000 square metres of land in Ikoyi for N1.6billion, what kind of building do you expect him to put up? Definitely, it can be a bungalow, but high-rise that would give him return on investment. Realistically, we are trying to work on reviewing quite a no of our schemes because land values have gone up.

    That is why we are working on a number of model master plans for certain areas because the government is embarking on providing massive infrastructure in the newly planned schemes. For us in the state government, real estate is important because the bulk of our Internally Generated Revenue (IGR) is from there and we want to give the best of it.

    On the heels of the new model plans what is the new height approval for Ikoyi, Victoria Island and Lekki buildings?

    We are approving 15 floors maximally for Ikoyi, Lekki and Victoria Island. We are proposing 10 floors but they are still under review.