Tag: Dike Chukwumerije

  • If a harbinger is one that pioneers or initiates a major change, then Victor Attah is the harbinger of ‘Doctrine of Necessity’

    Architect Victor Attah, revered nationalist and leader of thought has just turned eighty. Attah, a former Governor of Akwa Ibom State and former President of the Nigerian Institute of Architects is one man born into a wealthy home but who, like many a prince has looked beyond personal comfort to also seek the interest of the people.

    Attah has received many awards and chieftaincy titles over the years including being made the Fiwagboye of Egbaland. He is a member of several professional bodies and was a participant in the 2014 National Conference in Abuja.

    Above all this though, Attah is a promoter of Justice, Equity and Liberty.

    Dike Chukwumerije, poet and son of Late Senator Uche Chukwumerije said, “If there are laws they should set us free”. Sadly in this nation, some of those we elect to lead us make laws precisely for the opposite reason. Eight years ago, after Victor Attah had left office as Governor of Akwa Ibom State, a certain former Minister decided to run for Governorship of that state. Senator “J.J” Udoedehe’s legitimate ambition landed him straight into prison. The then Governor of the state made a law which was enacted and passed with lighting speed, giving the executive arm the power to detain certain individuals for up to fourteen days without trial.

    Senator Udoedehe knew he was the target of the law, but damning the consequences he went ahead with his campaign. To the chagrin and annoyance of the sitting Governor, Udoedehe was found to be “running things” even from his prison cell! Furious the incumbent then had him (Udoedehe) flown in chains and from Uyo to Lagos and finally to Abuja. The photographs of Senator ‘J.J’ in chains were splashed all over the media at the time. Senator ‘J.J’ was held, not even in the DSS holding cell but he was thrown into jail by the police, this time on purely trumped up charges. Victor Attah was never a man to sit back and wring his hands in despair. Attah swung into action immediately; he intimated a certain National Security Adviser on the matter, and a meeting was arranged with Nigeria’s Number One man in the Police Force.

    Attah called the then Inspector-General of Police (IGP) to release Udoedehe at once, insisting the man was innocent; was only being framed for political reasons. When this (the release) was not happening, Attah then demanded that he (Attah) be detained along with the innocent Udoedehe!

    The IGP at that point got up and bowed low before the men. He admitted that he knew the man in question was innocent; investigations had shown that he had been framed of the charges against him. But he admitted that he (IGP) was acting, in the Nigerian parlance, on “orders from above”.

    This incident is brought out here to reveal just how much of a lover of liberty and justice that the man Victor is. From state level to the national level, Attah’s position remains the same. At a certain time in the not too distant past of the nation’s history, Nigeria was faced with the national dilemma of an absentee president. Had the nation’s Number One Citizen been an army officer, at that time he would have been declared AWOL: Absent without Leave.

    Umaru Musa Yar’Adua was Nigeria’s (ailing) President at the time. President Yar’Adua suffered from a terminal condition, but this was kept top secret to all but a couple of close people. The Nigerian nation was definitely kept in the dark. But some illnesses are pretty difficult to conceal when at the centre stage, certainly nobody who was President could possibly hide all the symptoms. Therefore Nigerians knew he was quite ill, only that people did not know just how far gone he actually was.

    He suffered one of his crises again in November, 2009 and was immediately flown out to meet his regular doctor in Saudi Arabia. Nigerians were fed with a statement after the event that he had travelled to Saudi for the “Lesser Hajj”. This was in November, a fortuitous coincidence for the official untruths.

    The problem was, the Hajj later ended but long after, Yar’Adua was not forthcoming. Worse, he had left, as usual with no official communication of transmission of power to anyone. To absolutely concretize matters, President Yar’Adua was also incommunicado. Here is a sample of the oath of office of the President of the United State used here as an example because Nigerian practices the American Presidential System-

    “I _____ do solemnly swear that I will faithfully execute the office of the President of the United States, and will to the best of my ability, preserve, protect and defend the constitution of the United States”.

    Clearly President Yar’Adua was not in, on any of the counts. The man was simply too ill!

    Add so the country, which previously had come to a veritable standstill, began to literally roll backwards. Although Nigeria is said to be practicing a democracy, with separation of powers between all tiers of government; in reality the President of the Federal Republic of Nigeria wields enormous powers while on seat, and Yar’Adua’s absence brought this truth to the fore like never before in Nigeria.

    Nigerians started asking serious questions and after all the bogus tape recordings of, and “official visits” to Yar’Adua in Saudi Arabia the questions turned to demands for the person of a leader.

    Victor Attah dived straight into fray. He announced that, going by the constitution, in the absence of the President, the Vice President is to sit in, in acting capacity. Dr. Goodluck Jonathan was the Vice President at the time-practically in name only. Even his wife had made a retort to reporters then that: wasn’t it only reading newspaper that you people sent him to the office to sit and do?

    Well, Patience Jonathan’s rhetorical question was in fact the sum of the job description of the Vice President, as applicable at the time!

    However, Attah’s proclamation became a livewire to the comatose country. Many other individuals and pressure groups started speaking up loud and hard after him. This writer is one of those people. Let it be on record that Architect Victor Attah was the first Nigerian of prominence to declare that the right thing to be done in line with the constitution was to make the Vice President, the Acting President.

  • MTN UNVEILS TOP MUSICALS, VISUAL ART FESTIVAL

    In its continued support for Nigerian arts and culture, MTN Foundation, on Thursday, announced its sponsorship of six critically acclaimed arts initiatives, including five musicals and a visual arts festival, due to be staged across the country in the 4th quarter of 2018.

    The shows include ‘Fela and the Kalakuta Queens’,  produced by Bolanle Austen Peters; Legends, produced by Gbenga Yusuf and Ayo Ajayi; Our Son, the Minister, produced by Bikiya Graham-Douglas; Simply Poetry by Dike Chukwumerije; Oba Esugbayi, produced by Joseph Edgar and Life in My City Art Festival taking place in Enugu.

    The sponsorships are as part of the Arts and Culture initiative of the MTN Foundation.

    Executive Secretary of the Foundation, Nonny Ugboma said at the press conference and project unveiling that “These productions represent the very best of Nigerian theatre, and we are humbled by their willingness to partner with us. Our sponsorships are guided by three key objectives – to re-tell Nigerian/African stories to our people; to promote our values and finally to empower skilled professionals to showcase their talent before a wider audience.”

    The producers expressed their appreciation to the ICT brand for the partnership.

    According to Kevin, who is the producer of Life in my City arts festival, “Our event is unique in that it is pan-Nigerian and targets artists under the age of 35 and has been going on for twelve years. You can imagine our relief that MTN noticed our blood, toil and sweat in trying to empower young Nigerians to attain the height of their creative expression.”

    Also speaking, Joseph Edgar, Producer of Oba Esugbeyi said that “When we were working on the show, it was clear to us that for MTN to lend its support, it must be of great quality and have a wide impact on the larger society.  MTN has been very supportive in this regard and we are looking forward to a successful show run.”

    In the words of Ayo Ajayi, one of the producers of Legends the musical, which will be showing at MUSON Centre, “MTN is everywhere you go when it comes to Arts & Culture in Nigeria and I sincerely appreciate their support and sponsorship.”

    Fela and the Kalakuta Queens, which was the first of the productions, took place on October 14 as part of the Felabration celebrations. Other supported productions are billed to take place at various dates in October, November and December 2018.

    The Foundation had, early in the year, supported the public performance of world class theatre productions such as Saro and Wakaa the Musical, as well as the Eko Theatre Carnival.

  • Dike Chukwumerije’s ‘Made in Nigeria’ heads to Jos

    Following two successful outings in Maiduguri on February 24 and Yola on April 7, Simply Poetry Ltd is slated to perform its staged poetry and theatre production headlined by Dike Chukwumerije again before a Jos audience in Plateau State on April 28, 2018.

    The 18-member cast and crew of the ‘Made in Nigeria’ show are billed to perform at Mees Palace Rayfield Jos by 5pm.

    The show is poetry for stage production that tells 102 years of Nigeria’s journey from amalgamation to present day using poetry, song, dance and drama.

    So far, the show has been to seven cities across Nigeria, reaching close to 10,000 people with a message of empathy, love and tolerance on the journey to nationhood and the recent sponsored stop-overs at Maiduguri and Yola were part of a larger effort to encourage peace-building through developing alternative non-violent channels for the venting of grievances.

    The underlying message of the show, according to its creator, Dike Chukwumerije, is that ‘though tribe and tongue may differ, there is indeed a shared brotherhood, and sisterhood, rooted in the years we have shared as Nigerians and the many points of convergence this has given us.’

    The ‘Made in Nigeria Show’ is a live performance poetry production company that fuses poetry with other art forms to deliver unforgettable experiences. The show was first unveiled at the Merit House, Maitama, Abuja on the 30th of September, 2016.

    The show has already been to cities like Lagos, Benin, Enugu, Ile-Ife and Abuja before catching the eye of a donor who sponsored the staging of the show at the University of Maiduguri on February 24, 2018 and again in Yola on April 7, 2018.

  • Dike Chukwumerije to excite Abuja with ‘Made in Nigeria’

    Dike Chukwumerije to excite Abuja with ‘Made in Nigeria’

    Performance poet, Dike Chuwkumerije is set to excite Abuja audiences with ‘Made In Nigeria’ this Saturday, February 11, at the Transcorp Hilton, Abuja.

    The show which is an artfully woven collection of 20 poems capturing 103 years of Nigerian history in 120 minutes was first performed in Abuja in September 2016 and then in Lagos at the MUSON Centre in December of the same year.

    “Made in Nigeria is a fusion of different art forms into one performance,” said the poet.

    “We are bringing to life, the history of Nigeria from the Amalgamation to the current day using poetry, dance and drama. Part of our aims is to re-awaken national consciousness as well as to bring intellectualism into poetry.”

    More than a chronicle, ‘Made in Nigeria’ is a collection of human stories. Two lovers caught in the political crisis of the mid ’60s, a couple in the ‘70s facing their parents’ aversion to inter-tribal relationships, a soldier’s wife anxious for her husband, a mother guiding her son through recession, two teenagers finding love on a beach  in the ‘90s. Weaving these stories together, ‘Made in Nigeria’ re-creates the rich tapestry of Nigeria’s socio-cultural and political life.

    Dike won the Abuja Literary Society Poetry Slam 2011 and the National Poetry Slam 2012. He has three successful Performance Poetry videos, a bi-annual live Poetry show now in its 5th year and the theatre production, Made in Nigeria, that has been staged successfully twice in Abuja and Lagos between September and December 2016.