Tag: entertainment industry

  • Five effective ways to build strong connections in entertainment industry

    Five effective ways to build strong connections in entertainment industry

    Establishing a strong network of connections is essential for success in the entertainment industry. Building relationships with industry professionals, collaborating with fellow artists, and staying informed about trends can open doors to opportunities and keep you ahead of the curve.

    Here are five practical ways to foster meaningful relationships:

    1. Attend Industry Events: Industry events like concerts, film festivals, and award shows provide opportunities to meet people in the field. These gatherings allow for face-to-face interactions, which can lead to lasting connections.

    2. Collaborate with Other Artists: Collaborating on projects with other artists, producers, or directors can foster strong relationships. By working together, you can build trust and expand your professional network.

    3. Use Social Media: Social media platforms like LinkedIn, Twitter, TikTok and Instagram can be powerful tools for connecting with industry professionals. Share your work, engage with others, and participate in online discussions to build your presence.

    Read Also: BBNaija and the evolution of Nigeria’s entertainment industry

    4. Join Online Communities: Online forums and groups dedicated to the entertainment industry can provide valuable connections. These communities allow you to interact with like-minded individuals, share ideas, and stay informed about industry trends.

    5. Network Strategically: Strategic networking involves identifying key individuals and events that can help you achieve your goals. By attending networking events, introducing yourself to industry professionals, and following up with new contacts, you can build a strong network that supports your career.

    By leveraging these strategies, you can build a robust network of connections in the entertainment space, opening doors to new opportunities and enhancing your career prospects.

  • Arts, entertainment industry veritable platform to grow GDP, says Ambode

    Lagos State Governor Akinwunmi Ambode has reiterated the commitment of his administration to continue to play up the Arts and Entertainment industry to grow the economy and positively engage the youth.

    The governor said the sector remains a veritable platform to improve the Gross Domestic Product (GDP) of the state and Nigeria.

    Ambode spoke at the performance of a stage play, titled: Oba Esugbayi, at MUSON Centre in Lagos.

    The governor recalled that since the inception of his administration, he had made conscious efforts to invest in the Arts and Entertainment sector due to its strategic importance to the country, if the potential was properly harnessed.

    Describing the sector as the future of the state, Ambode said the investment so far made in it was geared towards using the industry as a springboard to plan for the burgeoning youth population in the state.

    He said: “Obviously, I am a lover of arts; as a government, we have invested so much in culture, entertainment and so on. The real GDP of Lagos is in entertainment and arts because that is where the future is.

    “The population dynamics of Lagos is like 65 per cent below the age of 35 and you have to start to find somewhere to actually fill in that gap to grow the GDP of Lagos. That is why we have decided that we would promote a lot of things in arts, culture and entertainment. That is just the right way to go.”

  • “Entertainment  industry  can be  used to revive  our economy”

    “Entertainment industry can be used to revive our economy”

    Tee Mac Omatsola is of mixed parentage of a Swiss father who was an ambassador in Nigeria before he was assassinated in 1961 and Itsekiri mother from Delta State, Nigeria.  He is one of the founding members of the Musical Society of Nigeria (MUSON), and former President, Performing Musicians Association of Nigeria (PMAN). He told Omolara Akintoye how his good plans for PMAN was aborted by Dele Abiodun and how the entertainment industry can be used to revive Nigerian economy, among others

    Is it true that Nigerian musicians cannot pay their bills through music?

    The entertainment industry is a reflection of the health and wealth of a nation.  When the economy is in shambles or going backwards the first is entertainment industry. There are very few musicians that are making some money at the moment and the majority can hardly survive. But the entertainment industry could be an engine to revive economy of a country. The entertainment industry is the number two business in most countries on this earth. And in Nigeria, we are working very hard to bring the entertainment industry back to the position in regulating the incomes and the royalties, and we are trying to work together to regularise the aspect of CDs being sold without artistes or producers reaping benefits. Piracy has been curtailed now. You have to register and go through the proper channel; you have to prove that you are the owner of the material. So, the boot legging has now moved to the backyards of stocks of CD players, which is a very little amount that they can produce. The biggest problem is that the younger artistes go with their products to the boot legers. So we have to educate them that this is dangerous for the industry.

    How many albums have you released so far?

    Honestly, I can’t remember because I have collections of classical album. My first album in Nigeria titled ‘Party Fever’ was released on Scala Records of Chief Aboderin of Punch in 1976. And later I did ‘Mixed Grill’. I went to do an album with Swedish piano super star called Blind Date. And ever since I have been releasing albums. In fact, toward the end of last year, I released an album called ‘Just like a Dream’. I still have about ten unreleased philharmonic music in my studio in my house. I still release occasionally.

    What was your mission as president of the Performing Musical Association of Nigeria (PMAN)?

    Well, my mission as PMAN president was to make the union robust. The reason is if we are united, we are a power force.  Most people don’t realise that PMAN is the largest Black musicians’ union in the world.  When I joined the International Federation of the Musicians Union, I realised the respect we are getting as the giant of Africa. Unfortunately, PMAN had a diversion created during the Charly boy’s time. And one Dele Abiodun claimed that he won the election and was supported by one Fred Abache, it was totally illegally irrelevant. So during my time as PMAN president, I have always liked to fight the fraction groups. When Dele Abiodun stormed PMAN office, they illegally took it over because they heard that the Lagos State government was sponsoring the Musicians Union of Africa. They were coming to Lagos because they wanted to build an art village in Badagry, which I had applied to the Commonwealth. So they stormed the PMAN office, they thought there was money there.

    I said that was enough, and had to go to court. From there, PMAN had gone from one fraction to another. Now we have a committee inaugurated by the Minister of Labour and Productivity, the Trade Union Secretary, and I am in that committee.  The election has come and gone, I’m happy that Pretty Okafor won and I wish him all the best.

     Could you say, at your time, you were able to achieve some of your plans for PMAN?

    We had entered into an agreement with the Lagos State government that tax should be paid by all foreign artistes coming to Nigeria,  just as it is done everywhere in the world. Secondly, we achieved the fact that all foreign artistes coming to Nigeria must have temporary work permission; as it is applicable to us and for me playing internationally.  Thirdly, we achieved the insurance scheme. We were just on the right track moving the union forward internationally, but PMAN experienced a major distraction caused by Dele Abiodun and his faction. It was very hard for me to rule PMAN correctly and with my whole team to manage the affairs of the musicians.

    Apart from the crisis between you and Dele Abiodun, what other challenges did you encounter?

    The main challenge I had was the one from Dele Abiodun and his faction. How he gave false information to the media, tying me down in court cases.  In the meantime, we have formed the entertainment foundation of Nigeria, which I am the chairman, the new umbrella organisation for all the associations to raise funds for the development of the entertainment industry and Nollywood. We have also formed the Entertainment Cooperative Multi-purpose Society which lends money to the participants of the entertainment industry. We have formed entertainment data base collecting data from the foreign investors and foreign promoters, so we are moving the industry forward not as PMAN president, but as chairman of the Entertainment Foundation of Nigeria.

    What mode did you adopt in the selection of PMAN president?

    You must be a card-carrying member for at least two years. You must be well known in the industry with a good reputation and with basic education; you cannot be an

  • I will remarry if Holy Spirit leads me to – Ebenezer Obey

    I will remarry if Holy Spirit leads me to – Ebenezer Obey

    The unassuming and self effacing Juju Superstar turned Evangelist, Ebenezer Obey-Fabiyi  talks to Jane Kolade about his road to success, his rustic beginnings, the place of grace in his life, and lots more. Excerpts;

    •  How I met Fatai Rolling Dollar
    • Why I Never smoke, drink, or womanize – Obey

    So, how did it all begin?

    It all began in my early years growing up in the town of Idogo. I grew up in church as my mother was a devout Christian; always taking me to church, and can say I was influenced to music in church. I was in the church choir, and the school band. And it has been an ongoing thing for me ever since.

     

    Parents often did not want their children to go into entertainment, was your case any different.

    Growing up, both in church and school we had drama and music groups, and I was a good actor. My mother was happy with that. At some point, Idogo; the town I grew up in had a Boys and Girls club, and it had a drama group. My talent was obvious such that I became a star.

    At school, people would shout my name whenever I came into school in the morning. I was so popular at some point that my mother did not like it as she did not want me to become an entertainer. She wanted me to become a doctor or lawyer. She would show up during rehearsals, and tell me, “I don’t want you to do drama. I want you to be a successful person in life.

    Face your studies, study to become a doctor or lawyer; that is success. But playing music or acting in dramas all over the place, no!” She would wake me up at midnight to talk to me, and I would promise to stop, but the next day, as soon as I heard my friends playing, my mind would go back there.

    The game continued until I asked her why she was unwilling to let me follow my passion. She replied that musicians lived reckless lives; drinking, smoking cigarettes, and weed, she did not want her son living such a life. So I told her, “I will go into music, but I will not do those things you mentioned. I will be a good example.”

    That was how she stopped following me around. I became a star and a well known artiste. Thank God I did not do all those things. Everything my mother told me helped me during my journey, I met smokers and all sorts of people on my journey, but I decided never to do all those things. My mother was so happy and proud of me because everything a lawyer and doctor could achieve, I achieved.

     

    How was growing up like for you?

    My mother was a disciplinarian. As such, we did not have the kind of freedom today’s children have. A glance from my mother had a meaning, and I knew it. As a matter of fact, if we found money on the road and told her when we got home, she would insist on going there with us, and ask us to return the money.

    She believed that the owner would retrace his/her steps in search of the money, and find it. We got so used to it that we never picked up missing money. All that discipline helped me in my life. My mum was a very caring mother. As matter of fact, she came to this world to take care of her children, never allowing us to suffer.

     

    How many are you?

    Three, I have an elder sister, and younger brother.

     

    At what point did you realise that you wanted to pursue music as a career?

    Music was a hobby for me; I never thought that it would be my profession, especially with my mother’s warnings. But, we had a band in Idogo called the Ifelodun Mambo Orchestra during school holidays, but it wasn’t for money. Anytime we went out to perform, I would feature, and they wouldn’t want me to leave. But the day I assisted two men to get amplifiers for rent, at they gave me two pounds the end of the day, at a time when I was on three pounds a month. It was that singular event that opened my eyes, and changed my perception of music from a hobby to a profession. After that I met Fatai Rolling Dollar, our friendship led to the formation of a band. He was the bandleader, and I was next to him. The first day I met Rolling Dollar on the way from Mushin to Itire road. For every chord he struck I would make a composition, at some point he said, “Bobo yi, ti e po o!”Which means, “Guy you are too much!”

     

    Which year did you realise you could live off music?

    1. I had a band in Idogo called the Royal Mambo Orchestra, apart from the Ifelodun Mambo Orchestra. I left Rolling Dollar in 1959.

     

    If you were not into music, what would you have been doing?

    I would probably have been a businessman.

     

    You were already an established secular musician when you went into gospel music, how did that come about?

    My Christian background played a dominant role in my life and music, and is obvious in my music. This may be why all my records are prayerful songs. Some people often tell me that all the while they have been buying my records; they had seen the traits of one who is close to God in my music. I love God. He gave me success in music; taking my music all over the world, becoming internationally known in the process. It was in all of that God called me into the ministry. Even though at the beginning I struggled with him, I did not want to surrender but finally could no longer resist. Almost a year later, on my fiftieth birthday, I made my call known, and went into ministry, using music as a medium to pass the message. People love music, and anytime they see me they still want to listen to me. I thank God that He who gave me success has used me in ministry. After seventeen years in ministry, the Lord led me to holding special appearances as an outreach, to Christians and non-Christians alike. I do that to tell people of the love of God, and it has worked fine. By the grace of God, we have Ebenezer Obey Evangelistic Ministry, and Decross Ministries, which is the church arm of the ministry. Ebenezer Obey Ministries organizes crusades, revivals and so on. And I thank God that he has given me success.

     

    In your heyday, some homes were preserved because wives wanted to attend functions that you were to perform at, as such they would maintain the peace. That was the power of music and your brand, and the effect it had on the society. The kind of music played today makes one wonder if musicians today realise the power they possess, and why they are not using it?

    I believe that they do know, because they are reaching out to their generation. They know that youths follow popular artistes, and that is how it has always been. But there is need to watch it, if only because their fans will follow whatever they do. It is now up to them to find a way to use music to communicate good tiding and teach good values, and also use it for nation building. For instance, in 1966 during the Civil War, I recorded a song for Soldiers at the warfront. It cooled the nerves of their parents. I also recorded Keep Right when the country moved from the left to right hand drive. The record was to educate people on how to avoid road accidents. I also did a song about the Operation Feed the Nation program, and also when the country changed currencies, from using Pounds to the Naira. I have always used my songs to educate the masses. And it always helped a great deal to reach them. This buttresses the fact that music has the power for great positive or negative change in society.

     

    Looking back, what are the things in your background responsible for your success?

    In everything in life, God is number one. And good parents who were always after whatever I was doing. Never leaving me to do what I liked. Telling me what I could, and could not do. The discipline helped me a lot. I was taught the way to follow, what to do and not do, things that could get me into trouble and so on. Knowing that, I chose my lifestyle.

     

    If a young man just starting out in music were to come to you for counsel, what would you advise him to do, and not do?

    God guided me in everything I did, and saw me through. There is no way a man can live his life without making mistakes, but I thank God that my successes outweigh my failures. Having said that, I must say that failure does not exist in my dictionary, as I believe that there is nothing a man cannot achieve if he desires it. Once you can conceive it, you can achieve it, as long as you set a goal, and commit it to God’s hands. You will see it happen.

    The only thing I can say about music is that you are loves by everybody, so if you don’t watch it, when one is young; women would go to any length to get close to you, and show you love. If you are not careful, that is the area any musician must be careful not to fall to temptation. God has actually taken care of me and led me to live a good life. There is no way one can live without making mistakes, but all in all, being close to God helps.

     

    Can you cast your mind back and tell us the qualities you saw in your late wife that attracted you to her?

    Her gentleness, I was looking for someone I believed I could spend the rest of my life with, and I knew those qualities the person must have. I was looking out for those qualities, and found them in her. For instance, she believed in me and I in her. And I am the Head of State of the house. We talked together in harmony, sharing thoughts. She always wanted to know more. She knew my ways, and they became hers. She never gave me any trouble, and we understood each other.

     

    With her passing, do you have any thoughts of remarrying?

    This question comes up all the time. In the past, I said I would not remarry. But now I will say that I will remarry if the Holy Spirit leads me to. As for now, the children are taking good care of me.

  • ‘Piracy’s threat to entertainment industry’

    ‘Piracy’s threat to entertainment industry’

    The Managing Director, Damjay Film and Record Studio Production, Alhaji Tajudeen Babalola Ojora (aka Telemon), has appealed to the Federal Government to assist in protecting the intellectual property rights of individuals. This, he said, it could do by evolving strong policies against piracy which, he said, has been the major challenge facing the entertainment industry, saying that the worst hit segment of the entertainment industry are music, film, technology, book publishing and television production.

    He pointed out that since the industry plays major role in the nation’s economic growth, it needed supports from the government in order to protect intellectual property from being stolen by pirates.

    Alhaji Ojora spoke while inaugurating a multi-million Damjay Studio branch at Ikeja, Lagos. He said piracy has affected many film/music producers’ ability to expand the industry.

    He said: “Many actors who suffered to produce movies and music had been frustrated out of business because of the activities of pirates who peddle stolen works on the streets.

    “The music industry has also been hard hit as a result of illegal downloads of the works, which makes it impossible for entertainers to survive.”

    The Damjay Studio boss appealed to President Muhammadu Buhari to come out with a strong policy against piracy in Nigeria. He also urged the government to ensure that any pirate caught should be treated as a hardened criminal to serve as a deterrent to others who may indulge in piracy.

    “It is unfair for a person to invest millions of Naira to produce a movie and before it comes out officially, the music/movie would be on sale by the roadsides,” he added.

    Alhaji Ojora appealed to all sectors within the entertainment industry to be united, adding that it is through love and unity that they could collaborate with the government to save the film and music producers from the nefarious activities of pirates.

    He also appealed to marketers and studio operators to always guide and secure the master tapes/projects of their customers from ordinary workers. This, he said, would not allow the master tapes to be exposed to the pirates.

    The Imam, Opeloyeru Onaopepo Mosque, Abeokuta, Alhaji Hakeem Afolabi Onaopepo, who led the prayer session, appealed to leaders to always put God first and have His fear in everything they do, noting that God is the giver and taker of every wealth.

    He also urged Nigerians to be patient and supportive of the Buhari-led administration with prayers for him to succeed.

     

  • Jonathan pledges more funds for entertainment industry if re-elected

    Jonathan pledges more funds for entertainment industry if re-elected

    Sequel to the initial N3bn Project ACT-Nollywood grant given movie practitioners by the Federal Government, the sector can expect further boom, should President Goodluck Jonathan-led administration be voted back into power.

    That was the situation when in what was largely a campaign move, the president held an interactive session with stakeholders in the showbiz sector on Sunday, at the Eko Hotel, Lagos.

    Hosted by Richard Mofe-Damijo, the event tagged ‘The Showbiz Interactive’ had President Jonathan dialogue with entertainment stakeholders on the way forward.

    Fielding a question on whether the Federal Government intends to add more fund to the N3bn sovereign fund to the entertainment industry, Jonathan responded: “Definitely, if we must make the industry big, and of course, I’ve seen the potential in it. We’re talking about contributing 1.45 per cent to the GDP. Before, it was zero. So, we know there are potentials in the industry. The first three billion (Naira) was experimental. Now, we feel that it is quite successful. But, surely, we’ll do better.”

    During the session, the issue of piracy and how the government could curb it came up. And a vocal voice amongst those who preferred that rather than dole out money to practitioners, government should put in a place, structure where artistes could benefit from their works, was foremost comedian, Ali Baba.

    “I think a lot of our artistes believe that it is sovereign fund that is the only thing that is holding us back,” said Ali Baba. “It is not sovereign fund. What is holding us back is the dynamics and the machineries that will help us to create money for ourselves.”

    According to the comedian, while piracy is a big issue, the absence of a proper distribution channel was a greater problem.

    What we need is a proper structure that can make us earn money from the films we put in the market,” he told the President. “The question I want to ask you now, I’m asking on behalf of Amaka Igwe. And she has asked this question in this forum before when you talked with us the last time. We asked this same question here: How are we going to deal with pirates so that we can put our products in the market and make money from it? Because if you give us five billion dollars to put a product out in the market, as soon as it is in the market and the pirates get one, it is over.”

    However, a flustered Jonathan could not promise a potent formula to combatting piracy.

    Responding, Jonathan, who views the entertainment industry as ‘a unifying factor’ just like sports, said: “In terms of combating the piracy which is just like armed robbery… armed robbers are being shot but people are still committing robbery.

    Advocating the “continuance of security efforts,” the president said, “it will be difficult to say we have a magic wand to wave to wipe out piracy but we can continue to suppress it and make other avenues of showing the films.

    “We need the private sector to get involved,” Jonathan said. “This time around, luckily, with your support, I’m going to win election and immediately we get back… we’ll set a small technical committee to strengthen the department of government and we’ll continue to fight it (piracy) until we reduce it to the barest minimal. At the same time, we’re exploiting other opportunities that could enhance the earnings of creative artistes.”

    Other people who asked questions at the parley include actor Adeniyi Johnson and former president of Performing Musicians Association of Nigeria (PMAN), T-Mac Omatsola.

    Johnson had asked the possibility of moving the entertainment industry from the Ministry of Information to the Ministry of Tourism, Culture and National Orientation to which Jonathan replied in the affirmative, saying, if it was the wishes of “this family”, referring to the entertainment industry.

    Despite romancing players in the entertainment industry, all has not been well with the sector which has been bedevilled by piracy and absence of proper distribution framework.

    “In the last thirty years, record companies and labels have gone under, what plans do you have to save the music industry because of piracy?” asked T-Mac.

    Accepting this situation poses a problem to the artiste, society and the government, Jonathan could, however, only offer a feeble way out.

    “If people must be in the industry and be creative, then, definitely, they should benefit,” Jonathan said.

    “While we have the copyright commission and other institutions that is supposed to control it, I think the criminals are always trying to beat us. We would work together.  I promised the industry before this time that we would strengthen our laws in the first place… First of all, we have to review the laws to make sure that the sanctions are commensurate to their offences. The punishments are quite light and we must take it very seriously.”

    Nigerian entertainment industry has seen tumultuous times, especially with the activities of pirates. However, not much success has been realised in tackling the menace.