Tag: experiment

  • Fasuyi’s 35-year-old experiment returns in Egun Nla

    IN 1983, former Arts Adviser to the Federal Government and founder TAFAS Art Gallery, Lagos, Chief Timothy Adebanjo Fasuyi, did an experiment that explored the use of local materials, such as calabash and painting, for a three-dimension work.

    That experiment was inspired by the desire to produce unique art works for his solo art exhibition in Paris, France, which was sold out.

    Thirty-five years after, the artist and educationist, who will turn 83 tomorrow, is revisiting the experiment to enrich his collection, particularly sculptures. Among the new sculptures for the exhibition are Family unit, Eyo masquerade, Herdsmen, Nigeria’s Unity Not Negotiable, Unknown Soldier, Hostility, Onidodo, Nigeria’s Restructuring Negotiable and others.

    Speaking as a guest on Artist Roundtable, organised by the Arts and Culture Writers Association of Nigeria (ACWAN) in Lagos, Fasuyi recalled that before the intervention of foremost art scholars like him and his colleagues, art was regarded as an inferior vocation that added no value to the nation’s development.

    He noted: ‘’What is considered modern sculpture in European art is an offshoot of traditional African art, while painting is entirely a European concept and practice exported to Nigeria through art education.’’

    He said he is known more as a painter and an educationist but that his solo exhibition Egun Nla (Big masquerade), which is more of sculptures, is meant to tell his admirers and followers that he is still active in the art circuit.

    “I am exploring a new medium of expression (sculpture), using locally sourced materials. I started the experiment in 1983 while preparing to hold my solo art exhibition in Paris France. I asked myself then, what would interest the Paris audience apart from painting? I knew development of modern painting more in France than any other country In Europe. So, I decided to do something different and I chose sculpture.

    ‘’I went there with sculpture and to my surprise of the 20 works I exhibited in Paris only two returned to Lagos.

    “Some of the paintings I thought would be bought were returned. This time around, I am trying to revive the same sculpture pieces. I want to enrich my collection and gallery. I have gone into extensive research. The two works that I brought back were rejected because they were broken. But now, I am going to strengthen the calabash with Pop to avoid easy breakage,” he said.

    About 20 sculptural works in three categories namely Calabario (works made from calabash), Plastic, and Plasticocalabario (works made from combination of plastic, calabash and local materials such as PoP) will be exhibited. To him, he believes strongly the sculptural works will sell because they are unique. He added that for a change he may want to sell some of his paintings at the exhibition. He disclosed that he is setting up a hall of fame in honour of those who have contributed to the art sand artists.

    Egun Nla will open simultaneously at three venues: TAFAS Gallery, Ikeja, Lagos, Quintessence, Ikoyi and Yemoja Gallery, Surulere on April 21. The week-long birthday celebration will start tomorrow with a church service/song of praise and a youth drama presentation while an evening get-together will hold after the exhibition at The Resource Place, Badagry Street, Adeniyi Jones, Ikeja on Saturday, April 21.

    Also, on Saturday, National Gallery of Art, Abuja will present a book on Chief Fasuyi. The presentation will be done by former Director-General National Gallery of Art, Dr. Paul Dike, while Dr. Bruce Onobrakpeya will give keynote address.

    The event will be chaired by Omooba Yemisi Shyllon. Chairman Board National Gallery Art Ambassador Umaru Azores Suleiman is chief host. The book Timothy Adebanjo Fasuyi: A Renowned Artist and Educationist, is a documentary on his work and life.

    The get-together will feature Fasuyi art award presentation to individuals who contribute to the growth of art and artists, especially his last year’s birthday celebration. The recipients, he said, would include collectors, curators, critics, art writers and six student artists.

    At his last year’s birthday, he gave some of his artworks as awards to seven Nigerians that included Princ Shyllon, Dr. Onobrakpeya, Mrs Melinda Akinlami of Channels Television, Dr. Kunle Adeyemi, Mr. Jerome Elaiho, Nike Okundaiye, Wale Fasuyi and Fred Udoaka in appreciation of their contributions to art and artists.

  • ‘The CEO’ is a Pan African  experiment, says Kunle Afolayan

    ‘The CEO’ is a Pan African experiment, says Kunle Afolayan

    NOLLYWOOD actor/producer Kunle Afolayan, who was one of the panelists at the ongoing Africa International Film Festival, AFRIFF, said at the Silverbird Galleria, Tuesday, while speaking on the topic How To Bring Value To African Cinema, that his latest work, The CEO, is an experiment carried out in the hope that the film will cut across all African countries; as a Pan African movie.

    “The CEO, as an experiment to develop value for Africa cinema, is something that I am very passionate about. This all started as a kid, every time I see the pictures of my father and his contemporaries at film festivals.

    “It became a concern as I have not seen any film from neighbouring African countries brought to Nigeria for screening; hence there is a gap between Pan African countries. The CEO is an experiment that I hope will do the magic. The original cast was Nigeria, Togo, Ghana and one Francophone cast. But after my trip to Egypt, it became an eye opener after meeting with colleagues, where we had a co-production meeting,” he added.

    He said further that “with close to 500 cinemas in South Africa, if my films could screen in 200 cinemas, it would be great, as this is what cinema distribution can do to the success of a filmmaker. If we can lock down Africa, then we do not need Hollywood.

    “We also need to work hard to push ourselves. There is Afrinolly; it is a platform for alternate distribution. I am not promoting them, but it is also a place to show your work to the world.

  • Toronto’s futuristic experiment

    The North American city doesn’t get more multicultural than Toronto, Canada’s largest urban agglomeration of over six million people. Despite the socio-cultural challenges of metropolitan development, the city projected its reputation as a melting pot on a recent visit.

    About half of the population is foreign-born, spawning immigrant communities that colour the city’s interwoven fabric. Through a series of summer-time festivals highlighted by free Panamania concerts and shows attending the 2015 Pan-American Games, there emerged a deliberate attempt to keep the ethnically diverse people happy.

    The service seemed to work, as a wave of excitement caused by the official first day of summer on June 21 and trending social events motivated locals and converted the cynical tourist in record time.

    For the Nigerian visitor, however, the standout event would be the Underground Freedom Train Ride. In its third year, the subway ride commemorating Harriet Tubman’s clandestine cum heroic 19th century venture of leading African slaves from an oppressive American south to a free north has steadily gathered participants. Five hundred participants turned up for the inaugural event in 2013 while 800 graced the occasion last year.

    One thousand three hundred people (thirteen hundred to North Americans) undertook the symbolic ride on the Toronto Transport Company (TTC)-run subway from Union Station in the south of Toronto before midnight on July 31 to arrive in the northern terminus of Downsview Station on August 1 (Emancipation Day in Toronto and parts of the Caribbean).

    Touted as one of the three most significant events of the summer, the freedom ride confirmed top billing for exceptional ambience as much as diversity. Led by Osaze Dolabaille, originally from Trinidad and Tobago, drummers of mostly African extraction transformed a cold underground platform in the recesses of North America to a pulsating, rhythmic African heartland before a black, white and mixed-race congregation.

    Afterwards, poems, hymns and songs including Reggae legend Bob Marley’s Redemption Song succeeded a moment of silence and ringing of bells on the subway train provided by TTC in the spirit of the season.

    The organiser, Itah Sadu, hoped the ride would spur black consciousness. Impressed by the turnout, City Councillor Josh Cole anticipated a subsequent event bigger than one train could handle. “Toronto is an experiment,” he said. “And I’m proud to be part of that experiment.”

    Councillor Cole echoed popular sentiment. The cultural collage produced by immigrant communities across Toronto hint at a futuristic society of racial harmony. Established ethnic neighbourhoods include Chinatown, Greektown, Koreatown, Little Portugal, Little India, Little Italy and Little Jamaica. African communities exist mostly north of the city.

    Beyond language and mannerism, members of the communities tend to display objects of original loyalty as miniature flags and totems even if they and their offspring are second or third generation Canadians. Seeing the various neighbourhoods dovetail into one another on the hunt for food and entertainment only enhanced the city’s allure.

    For evidence of cultural interplay, by the way, look towards interracial relationships. You would see, on any given day, romantic pairings sure to tug at your heartstrings. In twos they move unmolested: the Black man on an evening stroll with his Indian woman, the White guy on a restaurant date with his Chinese girl, the Brazilian male at a show with his Japanese partner and, conversely, the White with the Japanese, Black with Chinese and Brazilian with Indian.

    The match-up is by no means restricted to both sexes. Canada recognises and protects the right to sexual orientation including those of Lesbian, gay, bisexual, and transgender (LGBT) persons. Speaking or acting against the group’s sexual orientation borders on infringement of rights, therefore.

    As a conduit for the freedom of expression, the annual Gay Pride Parade in Toronto is well organised and received. Crowds lined Yonge Street to watch this year’s parade – the 35th – which ended with speeches and music in defiance of the cold, rainy conditions of early summer.

    While houses of religious devotion are less pronounced in Toronto compared to Nigerian society, the multiplicity of religious adherence is not discouraged. And if African-Canadians do not adopt and worship the traditional gods of African religion as Afro-Brazilians do, they are no less taken with their roots.

    Lacking the latter-day connection of Brazilians to the continent, they stay true to the African beat, honing their drumming skills on the djembe, conga, bata and other drums constantly imported from Africa. From the pioneering efforts of ace drummers Muhtadi and Saikou Saho – both originally from Trinidad and Gambia – drumming classes are held across the city with students and teachers criss-crossing the racial divide.

    African dance classes are frequently advertised and it is only a matter of time before language classes and traditional religions gain momentum, after the Brazilian fashion. Whether African faith in a ‘western God’ is misplaced as suggested by some African-Canadians is another matter.

    What matters, to many, is striking a balance in an atmosphere of safety and freedom secured by community policing. Usually on the receiving end of the culture of selective police interrogation and recording referred to as ‘carding’, the black community railed against the policy until the backlash forced the authorities to soft-pedal.

    A similar easing on marijuana use is open to debate. While not entirely legalised, sale and consumption of the drug are allowed for medicinal purposes. But citizens and denizens light up for recreational reasons as well, with the offensive odour produced sometimes assailing the system in parks and public places.

    Mental health is also an issue. Some ascribe the incidence of disturbed individuals to the negative effect of a clockwork society, one that demands everyone puts in a hard, honest and, sometimes, long shift. Despite the criticism, many acknowledge a society where politeness and political correctness in part constitute an unwritten code of public conduct.

    Canada may just have stolen a march on the rest of the world in the pursuit of happiness. Hardly foolproof, the Toronto experiment remains an advanced model compared to the biggest cities of the world. The summer of 2015 attests to that.

  • Lobi’s experiment failed against Wikki, says Dominic Iorfa

    Lobi’s experiment failed against Wikki, says Dominic Iorfa

    Lobi Stars’ Technical Director Dominic Iorfa has admitted that his decision to field newly signed players backfired on Wednesday in a Week 20 Glo Premier League clash against Wikki Tourists in Bauchi.

    Lobi lost 0-4 at the Abubakar Tafawa Balewa Stadium (ATBS) and shortly after their return from Bauchi, Iorfa told SportingLife that the new players lost steam when it mattered most.

    He charged fans of the Makurdi-based side not to press the panic button as the squad would be re-jigged for the cracker with Bayelsa United at the Emmanuel Atongo Stadium, Katsina Ala on Sunday.

    “We tried new things against Wikki Tourists but it backfired. I must just be candid at least on this one.

    “We brought in new players who showed they were ready for Premier League action based on their output during training. They, however, fell short of expectations during a competitive game.

    “Our fans should still be patient with us. We shall get there. We have planned to change one or two things and, by the time we play against Bayelsa United on Sunday, our fans will get the sense of what I am saying,” Iorfa explained to SportingLife.

    The same view was shared by Lobi Stars’ media aide, Jack Moses Ekwe Ekwe, who was optimistic that the club would recover from the Wikki defeat.

    Ekwe said that although Lobi stuttered against their northern neighbours, they would take the positives from that loss.

    In a statement made available to the media after the Bauchi misadventure, Ekwe Ekwe declared: “The Bauchi episode is history. We lost a battle not the war that goes through 18 marathon matches more.

    “We deliberately do not want to offer excuses for our defeat because we are going through transformation and restructuring.

    “Expectedly, there must be mixed fortunes en-route a glorious ending at the close of shop.”

    Wednesday’s defeat meant Lobi slid four places to 16th on the log with 26 points from 20 matches.