Tag: film industry

  • Ecobank Foundation supports film industry

    The Ecobank Foundation has honoured the African film portraying the most positive image of the continent at the prestigious 2019 Festival Panafricain du Cinéma et de la Télévision Ougadougou (FESPACO).

    The 2019 FESPACO festival runs from February 23 to March 2, in Ougadougou, Burkina Faso.

    The festival holds every two years and celebrates its 50th anniversary this year. Organised by Burkina Faso government, FESPACO is regarded as the most important film and cultural event on the African continent.

    “It is a real honour for the Ecobank Foundation to sponsor such an important prize at this stellar film festival in Ougadougou,” said Carl Manlan, Chief Operating Officer of the Ecobank Foundation.

    “Africa’s film industry is enjoying ever increasing global attention and acclaim, and we place great importance in providing public recognition to the film which best portrays the positivity of Africa.”

     

  • Film industry: SON advises stakeholders on quality culture

    Film industry: SON advises stakeholders on quality culture

    The Standards Organisation of Nigeria (SON) has urged film producers to adhere to standards to drive the industry.

    ItsDirector-General,Osita Aboloma, made the call at a stakeholders’ meeting with the legends of Nollywood industry, in Lagos, during the week.

    The theme of the meeting was: “Empowering the Nigerian film Industry-issues and prospects.”

    Aboloma, who was represented by the Head, Customer Feedback and Collaboration Unit, SON, Mrs. Mosunmola Samuel, said adherence to quality products and services would ensure inclusive growth.

    Noting that everything in the world is about standards, Abaloma maintained that the agency would continue to work tirelessly in educating Nigerians to be abreast of global trends.

    He noted that the agency was throwing its weight behind the  film industry to ensure that whatever instruments used conformed to the Nigerian Industrial Standard (NIS).

    “We are poised to use every opportunity to educate Nigerians on quality issues,’’ he said, adding that consumer protection could only be achieved through standards hence, the film industry needed to combat faking and counterfeiting through standards.

    “We are here to throw our support to the film industry to support their legends. We are also here to educate them and the physically challenged that are legends. They have contributed one way or the other to the success story of Nigeria.

    “We want to assure them that when they buy made-in-Nigeria certified products, they are buying safety. We want to also educate them on how to identify certified and quality products. If you look at the film industry today, all the products they use are brought into the country and we have a SONCAP scheme that ensures that these products conform to standards,” Abaloma said.

    He added that the SON moved to educate them to look beyond the aesthetic beauty and watch out for the specifications.

    “We are here to support them that through quality the film industry will remain sustainable,” he declared, assuring that SON will continue to use every medium to educate and sensitize the Nigerian consumers.

    In every forum, we discuss standards the safety aspect is taken care of using standards. We talk about every day to day activity. Everything in the world is about standards and we will continue to educate them about the importance of standards”.

    The convener, Mr. Paul Obazele, commended the agency for its fight against fake and substandard goods in the country.

    “SON has helped the film industry by ensuring that only instruments that meet global best standards are used in film production.

    “We are highly grateful for the support and encouragement of the SON. The agency has continued to fight relentlessly to safeguard every sector of the economy against the influx of fake and substandard goods in the country. This is the way to protect the local industries from unfair competition,” Obazele said.

  • ‘Nigeria can realise $5b yearly from film industry’

    The film industry is worth about $5 billion(about N1.523 trillion) yearly. This makes it a potential goldmine to explore and pull the economy out of recession, the Group Managing Director/Chief Executive Officer, Filmhouse Cinemas, Mr. KeneMkparu, has said.

    He said this could happen if the government industry operators (film makers) and the private sector come together and fight the over 90 per cent piracy penetration in the industry.

    “Nigeria’s over 90 per cent piracy penetration is detrimental to the film industry,” he lamented.

    Mkparu blamed the country’s high piracy rate on inadequate formal distribution outlets such as cinemas or video shops. “Piracy is big in Nigeria because of the lack of formal distribution outlet. Nigeria needs more screens or cinemas to fully benefit from the opportunities in the industry worth about $5billion annually,” he said.

    He said India and Russia, for instance, faced the piracy challenge before they reduced it to the barest minimum. “India has piracy; Russia has piracy. In fact, in 1995, Russia had only eight screens or cinemas, and piracy was 100 per cent penetration.

    “But Russia kept building cinemas because the government enacted the enabling laws. By year 2000, Russia had 1000 screens. Today, they have between 4000 and 5000 cinemas. They are still fighting piracy, but at least film makers are making money from the industry,” he said.

    He also said when a good Indian film is released in cinemas in that country, the maker realises $20 million in the opening weekend alone, because India has plenty of cinemas.

    “Pirates are still doing their thing, but those countries are still fighting them; at least they have enough cinemas unlike in Nigeria where we don’t have enough formal distribution outlets like cinemas or video shops,” he said, adding that only a few of the about 2000 films churned out yearly go to the cinemas while the bulk go to Compact Disks (CDs).

    He said some financial initiations, such as NEXIM, Heritage Bank, Access Bank as well as Bank of Industry (BoI) are funding the film industry, but stressed the need for more private sector players to come in. “What we need are more business people to get involved,” he said.

    According to him, operators require between N300 million and N400 million to set up one cinema in one location hence, the need for government and the private sector to support the industry considering the recession that has slowed down of growth rate.

    Mkparu said though his group had been working with the government to deal with the challenge of piracy, having successfully opened 12 cinemas in three and half years, the problem would be solved within the next five years “if we can get more companies and other people to open 12 cinemas in three and half years”.

    He canvassed the building of community cinemas for the lower rung of the ladder, with ticket price of between N200 and N300 with emphasis on local films.

    He expressed optimism that if the government could inject N1billion fund in the industry, the problems holding it down would be solved within the next three years.

  • At AFRIFF, Minister reiterates govt support for film industry

    At AFRIFF, Minister reiterates govt support for film industry

    There was so much to look forward to, as the much publicised Africa International Film Festival, AFRIFF, opened in Lagos, Sunday night, making debut with Nate Parker’s Oscar hopeful, The Birth of a Nation, a film produced by American studio, 20th Century Fox.

    Based on a true life story, The Birth of a Nation, follows Nat Turner, played by Nate Parker, a literate slave and preacher whose financially strained owner accepts an offer to use Nat’s preaching to subdue unruly slaves. But as he witnesses countless atrocities – against himself, his wife and fellow slaves – Nat orchestrated an uprising in the hopes of leading his people to freedom.

    The film opened the floodgate to about 150 other flicks that are currently screening at the festival which would end with ’76, an Izu Ojukwu’s film on the Nigeria’s first military coup, and a Globe Award at the weekend.

    The opening of AFRIFF at the newly commissioned Filmhouse-IMAX theatres, Lekki, was a milestone, going by the IMAX experience, a larger than life screen format that is first in Africa.

    Filmmakers, actors, movie buffs, the media and dignitaries from all walks of life turned out for the event, which started with a red carpet session at 5pm. AFRIFF ambassador, Rita Dominic, her colleagues; Kate Henshaw, Richard Mofe-Damijo, Kunle Afolayan, OC Ukeje, Hilda Dokubo and Mary Remy Njoku were some of the stars spotted in their glam.

    The film show began with a welcome message from AFRIFF’s patron, Mr. Herbert Wigwe, MD/CEO of Access Bank, who was represented by the bank’s Executive Director, Titi Osuntoki. Wigwe pledged continuous support for the film industry through the bank’s intervention schemes for the creative sector. He emphasised the need to preserve Africa’s legacies through film and urged everyone to get involved in their own different ways.

    Minister of Information and Culture, Alhaji Lai Mohammed in his message to the filmmakers at the ceremony, reiterated government’s interest and support for Nollywood. The Minister noted that as the nation weans itself off its dependence on oil, it has to look inwards for industries that have the potential of giving Nigeria an alternative source of income generation.

    “I congratulate the organisers of AFRIFF for what promises to be another successful event. I want everyone to help me celebrate their commitment to the industry and their laudable investment in Nigeria, year after year. This is the sixth one and I’m here to assure us, the practitioners in the industry and the ever-growing customer base of this industry that the best days are here. Before now, maybe the Nigerian government did not really need the film industry and so threw crumbs at it, in terms of infrastructure and human capital investment. However, with failed oil prices, and a steady growth in the population, we have no choice than to turn to the creative industry. This current government is putting diversification for economy on the front burner and we make sure we don’t ever depend only on Hollywood movies again as a nation going forward.”

    The Minister noted that the film industry has proven itself to be not just a good employer of labour, especially for young people, but also a potentially high foreign exchange earner because of its international appeal and demand. “As the ministry charged with film industry and its sister ones like television, culture, advertising and tourism, we are taking the bull by the horn. When we trusted the almighty oil, we built refineries, pipelines, petrol marketing companies, petrol stations etc. Since we’re now rightly shifting our focus to this sector, we must now take necessary investments in the infrastructure that will grow the film industry,’ he said.

    He caught the emotions of filmmakers when he said, “You have all done a fantastic job without pre-requisite government support and partnership; you should have benefited of the largesse of the oil sector. We need professional studio facilities in every state of the federation; you should also have power to avoid travelling abroad for post-production.”

    He however assured that “Mr. President has shown his weight in the creative industry and has promised to do everything that’ll make it possible to transit from a creative industry to a creative economy. To this end, we are already in talks with the state governments and investors to build us studio facilities that equal those in Mexico, India and the U.S, to make filmmaking easier and increase the quality of our films.”

    AFRIFF is a week-long programme that runs from November 13 to 19, showcasing about 155 world-standard features, short and documentary films. Its schedule also encompasses talent development classes, industry workshops and creative discussions.

     

  • Nigerian film industry is corrupt

    Nigerian film industry is corrupt

     Joy Amata, born and bred in Lagos State, is a rising actress who grew up in the popular slum, Ajegunle. In this interview with DUPE AYINLA-OLASUNKANMI, she talks about her refusal to let her environment take hold of her future, and other issues relating to her acting career. 

    TELL us about yourself?

    I grew up in Ajegunle , a Lagos slum,. But when I tell people, they hardly believe me. It took much time, and grooming for my environment not to have a negative impact on me. I read many books, and watched foreign movies, which sparked my interest in the make-believe world.

    Eucharia Anuobi, is one actress who  impressed me. She speaks very good English. And in my area, you could hardly hear people speak good English; speaking more of pidgin and Yoruba. But I had to learn, which comes with a dictionary, and frequent visits to the café, which was how I learnt to separate myself from my environment.

    I am a graduate of Social Studies from the Delta State University. But I was not satisfied, due to my love for movies, so I went to a film school in Delta state, to obtain a Diploma in Film and Television Production.

    How did you get into acting?

    It is my surname. Though I am not related to the Amata’s, the name has opened doors for me, right from when I was in school, where I was always being asked about the welfare of Uncle Fred and Zack. And I would just smile and say they are fine. And then I brag with the name, but then that was how it began.

    I have an elder sister who used to act, but is now into gospel music. I would beg to go with her whenever she had a shoot,. One day I went with her, and while they were shooting, I felt like jumping on set. That was when it clicked. Prior to that I had been approached several times by people who believed that I looked like an actress. That further pushed me to pursue my dream to become an actress. A friend once called me to ask if I was already acting, as she had seen it in her dream. All this came at a particular time. And because I also loved it, it made it easier for me, even if it is a difficult industry to work in.

    My first acting gig, was through the film school, where I met Zeb Ejiro. He introduced me to some people in the industry. I also sing, though not professionally. That was the first time I met Fred Amata. After the performance he insisted on meeting me. He has introduced me to people as his talented sister from another mother ever since . I have thereafter attended auditions and taken roles. But the challenge is sometimes you don’t have what the producers are looking for; like height, body, face and other factors.

    What can you say has kept you going as a young actor despite the challenges?

    Though it can sometimes be frustrating, my love for acting, and the many people that believe in me, have kept me going. So many people have encouraged me over the years. The fact is that I have never been to any audition and failed to impress. I have also performed on stage, receiving many compliments. That is what keeps me going.

    So which movie would you say gave you your big break?

    In my opinion, I am yet to break through as I am yet to get to play a lead role, but I get sub leads with notable actors. But I do more of stage performances, which hardly sells people in this country. People hardly go to the theatre to watch plays. So I am still hoping for that big break. I was meant to get one recently, but the lead character was swapped. But I know it is coming soon.

    Why haven’t you taken the same steps as your other upcoming colleagues?

    I don’t really like assuming, but I believe it is luck and timing. I have a lot of faith and I am waiting for that time. And maybe I don’t have the body like others that can sell movies; like a busty front, or an attractive backside. I can’t sleep my way to fame, despite the strong temptations to grab the opportunity given to climb the ladder of fame in the “easiest’ manner”, by sleeping around, I have chosen to stay focused and let success come at the right time.

    I have been approached by many, including popular actors and producers. They all believe that once you have made up your mind to be in the movie world, the best way you can be known is to dance to their tune. But that has made me stronger.

    I have been around for a while now, and see the way things are done. Once you agree to sleep with one of them, you will get tossed around. I don’t want that for my career, which may be why I don’t get called like the others. I was recently at an audition for a popular production company, where I was selected to play the role of a Warri babe. The role went to someone else, because the director wanted his own person to play that role. That is how the whole thing goes , which is why talented actors and actresses are yet to have a break. The industry is corrupt, and talent is seen to be secondary.

    I have seen cases where talented people are marked down, and friends put in their place. That is where favouritism comes in.

    You mentioned Zeb Ejiro and Fred Amata, should’nt those names have opened doors for you?

    I ask myself the same question sometimes. But it does not work that way. The industry has grown, leading to an influx of new directors and producers, who dish out good movies. The ones I mentioned were part of the starters of Nollywood, but they are no longer as strong as they used to be. They really can’t do much, and can only offer encouragement. The industry is more challenging than it used to be, financially and creatively.

    The clique thing is another factor, it means that  you have to belong to a particular set of people to gain recognition. If you have noticed, in Emem Isong movies, you will see a certain set of people. And when you see a new face, the person must have a strong link to them. The producer has a film school, but I have never seen her feature any of her students. Is she saying, she has not seen any talented student in her school? Even her students complain; she doesn’t use them, she goes for her friends to shoot her movies. They don’t really give talents a chance. Making it hard for new talents to rise.

    How do you balance your corporate work with acting?

    You have to work to look good and well packaged in order to make an impression when going for auditions. But if you don’t work, it means you will have to do some rough stuffs. But right now I have resigned from the corporate world, because it didn’t work. I am running a personal business, selling imported ladies stuff. I also manage a hotel for a friend, giving me enough time to go for auditions and casting. But I pick auditions too, because there are people who only want to play with your time.

    At this age, are you not considering settling own?

    I am really taking my time. I have married sisters, and marriage is scary to me. Though I have seen some encouraging ones that will make you want to go into marriage, at the same time, I have seen marriages that involve lot of things; money, wanting to leave your parents house, and other factors. Those pressures make people marry, and later on have problems. When I marry, I don’t want to regret it, I want my first marriage to be my last. I want it to be almost perfect, though I know that no marriage is perfect. But I want to get married to my friend, because I don’t have the heart; I am very emotional. There is no space for pains in my heart. There is someone though.

    Is he cool with your ambition to become a full time actor?

    He says, he is cool with it. But I see some signs; like ‘you know acting is part time?’ so I think somewhere in his heart, he is not really sure. That is why I am taking my time, because I can’t sacrifice my career for any man.