Tag: Gabriel Okara

  • Gabriel Okara (1921 – 2019)

    Two years before he died on March 25 at the age of 97, Gabriel Okara participated in a celebration of his literary celebrity.  The Institute of Arts and Culture of the University of Port Harcourt, Rivers State, organized the Gabriel Okara Literary Festival to mark the giant’s birthday.  The four-day event, held in April 2017, was testimony to Okara’s recognition.

    Introducing the event, the institute’s director, Prof Julie Okoh, said: ”We strongly believe that we should not only celebrate our heroes when they are dead, but that they should also be part of that heroic celebration… Gabriel Okara will feature prominently in all the programmes of activities of Gabriel Okara Literary Festival. He will read, sing and dance as much as his health and strength will permit.” The festival’s theme was “Nigerian Literature since Gabriel Okara: Continuities and Departures.”

    Okara, a literary pioneer, attracted attention with his poem “The Call of the River Nun,” which won a prize at the Nigerian Festival of Arts in 1953. The poem was adjudged the “Best All-Round Entry in Poetry.” By 1960, he had gained recognition for his poetry, some of which had been published in the literary magazine, Black Orpheus, and his poetry had been translated into several languages. He was among the prominent African writers who attended the historic African Writers Conference, held in June 1962 at Makerere University College in Kampala, Uganda.

    There was no doubt about Okara’s poetic power.  His collection, The Fisherman’s Invocation, won the Commonwealth Poetry Prize in 1979. In 2005, Okara’s The Dreamer, His Vision, won Nigeria’s biggest literary prize, the NLNG Prize for Literature.

    Okara also wrote fiction. Indeed, his linguistically experimental novel,   The Voice (1964), is a tour de force in which he ”translated directly from the Ijo (Ijaw) language, imposing Ijo syntax onto English in order to give literal expression to African ideas and imagery.”  He wrote juvenile literature as well, notably Little Snake and Little Frog (1981) and An Adventure to Juju Island (1992).

    His poetry and prose were vehicles for his unapologetic Africanism. His works explored the clash of cultures arising from Africa’s experience under European colonialism and colonization. The question of African cultural identity was a leitmotif in his creative works. He was described as “the Nigerian Negritudist,” which reflected his Africanist perspective.

    Born in Bumoundi in Yenagoa, Bayelsa State, Okara attended Government College, Umuahia, and Yaba Higher College. He started writing during his stint as a printer and bookbinder in colonial Nigeria’s government-run publishing company in the 1940s. In the beginning, he translated poetry from Ijaw into English and wrote radio scripts. He later studied journalism at Northwestern University, United States, in 1949.

    He was Information Officer for the Eastern Nigerian Government Service before the outbreak of the Nigerian Civil War in 1967, and was roving ambassador for secessionist Biafra during the war, which ended in 1970. It is said that many of his unpublished manuscripts were destroyed during the war.  After the war, Okara was director of the Rivers State Publishing House in Port Harcourt from 1972 to 1980.

    Interestingly, a 2017 book, Gabriel Okara, situates the writer in the context of African literature. The book, a compilation of symposium essays on Okara’s body of work, according to its editor, Prof Chidi Maduka, addressed Okara’s “place in African literature and the fact that he has not been given his full due in African literature.”

    Okara’s well-anthologised poems, including “Piano and Drums” and “You Laughed and Laughed and Laughed,” carried his name far and wide. His place as a literator, and a significant voice in the evolution of African literature, is beyond question.

     

     

  • APC chief mourns Gabriel Okara

    A founding member of the All Progressives Congress (APC) in Bayelsa State, Prince Preye Aganaba, has described the death of a literary icon, Pa Gabriel Okara as a big blow to Africa

    Aganaba said the late octogenarian was an inspiration to many people and an asset to the Ijaw nation.

    He, however, said Okara’s passing was a transition to glory and a higher call destined for only those whose sojourn on earth left behind ever green memories not faded even by the relentless passage of time.

    He recalled some of his great works sucj as “the Fisherman’s Invocation (1978), the Dreamer, His Vision (2005), and his early novel, The Voice (1964) and the poem, The Call of River Nun, saying they remained the forerunner of African modernist poetry.

    Aganaba who prayed comfort for his family and loved ones, urged them to seek solace in the fact that the playwright, poet and novelist, lived a rich and fulfilled life.

    Aganaba said the most memorable words of the late poet was still very fresh in his memory  when he was asked in  a 2014 interview with The Nation to describe the  critically acclaimed poem  “The Call Of River Nun”.

    Aganaba said: “When the question was thrown to him Pa Okara said, ‘The Call of River Nun, may be described as a poem of remembrances, a desire to live freely without any fear, without any enemy’.”

    “Those words should be the template of the human race, to make the world a better place for all, irrespective of gender, religion or ethnicity”.

    Also Vice Presidential Candidate of the People’s Democratic Party (PDP) in the February 23, 2019 election, Mr. Peter Obi, on Tuesday mourned the passage of renowned poet, writer and administrator, Dr. Gabriel Okara, describing it as the loss of an African literary giant.

    “Gabriel Okara was not just a celebrated poet but, indeed, one of the greatest writers ever to come out of Africa. With his death, the continent has lost a literary giant,” Obi said in a statement issued by his media office.

    He described Dr. Okara, who died on Sunday in Yenagoa, Bayelsa State, at the age of 97as a rare breed. “Pa Okara was not just a poet and writer but also an accomplished administrator of men and resources. As Life Patron of the Association of Nigerian Authors (ANA), he played a critical role in molding the present and future generations of Nigerian writers,” Obi said.

    He also praised the late Okara’s exemplary life of contentment and incorruptibility, noting that these are qualities needed to be imbibed by the present generation of Nigerians to get Nigeria out of the doldrums.

    The former Anambra State Governor condoled Okara’s family, the Bayelsa State Government, the Ijaw nation and the Nigerian literary community, urging them to take solace in his rich legacies of hard work, excellence and probity.

     

  • APC chief mourns Gabriel Okara

    A founding member of the All Progressives Congress (APC) in Bayelsa State, Prince Preye Aganaba, has described the death of a literary icon, Pa Gabriel Okara as a big blow to Africa

    Aganaba said the late octogenarian was an inspiration to many people and an asset to the Ijaw nation.

    He, however, said Okara’s passing was a transition to glory and a higher call destined for only those whose sojourn on earth left behind evergreen memories not faded even by the relentless passage of time.

    He recalled some of his great works such as “the Fisherman’s Invocation (1978), the Dreamer, His Vision(2005), and his early novel, The Voice (1964) and the poem, The Call Of River Nun, saying they remained the forerunner of African modernist poetry.

    Aganaba who prayed comfort for his family and loved one’s, urged them to seek solace in the fact that the playwright, poet and novelist, lived a rich and fulfilled life.

    Aganaba said the most memorable words of the late poet was still very fresh in his memory when he was asked in a 2014 interview with The Nation to describe the critically acclaimed poem “The Call Of River Nun”.

    Aganaba said: “When the question was thrown to him Pa Okara said, ‘The Call of River Nun, may be described as a poem of remembrances, a desire to live freely without any fear, without any enemy’. ”

    “Those words should be the template of the human race, to make the world a better place for all,irrespective of gender,religion or ethnicity”.

  • Literary icon Gabriel Okara dies at 97

    PRESIDENT Muhammadu Buhari yesterday mourned literary icon Gabriel Imomotimi Gbaingbain Okara, who passed on few weeks to his 98th birthday.

    A source close to the family said the celebrated poet and novelist died yesterday in his sleep at his residence at Okaka Estate, Yenagoa, the Bayelsa State capital.

    Mourning the passage of Okara, the President, in a statement by his Special Adviser on Media and Publicity, Femi Adesina, commiserated with the deceased immediate family and the people of Bayelsa State.

    The statement reads: “On behalf of the Federal Executive Council (FEC), the President extends heartfelt commiserations to the Okara family, the government and people of Bayelsa State, the literary community and all who drank from the writer’s fountain of knowledge.

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    “As a dedicated and well-published writer in all the literary genres, President Buhari, believes Okara, who was deservedly known as the ‘founder of Modern African literature’ will be fondly remembered for his immense contributions to the development of African literature, drawing on experience from his native Ijaw language.

    “The President extolled the great story-teller whose powerful use of imagery and symbolism in his literary writings helped the world to appreciate and understand the richness, complexities and uniqueness of the African heritage and culture.”

    Born on 24 April, 1921, in Bumoundi in Yenagoa, the prize-winning poet had verse in his works translated into several languages in the early 1960s.

    As an elder statesman of Nigerian literature, the late Okara was the first modernist poet of Anglophone, who literary career spanned six decades.

    After leaving school, the late Okara wrote plays and features on radio programmes. In 1953, his poem: “The Call of the River Nun” won an award at the Nigerian Festival of Arts.

    Some of his poetry works were published in the literary magazine Black Orpheus, and by 1960, he had won recognition as an accomplished literary craftsman.

    In April 2017, the Gabriel Okara Literary Festival was held at the University of Port Harcourt in his honour.

    In both his poems and his prose, Okara draws on African thought, religion, folklore and imagery, and he has been called “the Nigerian Negritudist”.

    Some of his works include: “The Voice (1964)”; his award-winning poetry, published in “The Fisherman’s Invocation (1978)”; “The Dreamer” and “His Vision (2005)” among others.

  • Buhari mourns Literary Icon, Gabriel Okara

    President Muhammadu Buhari has mourned the passage of the renowned poet, novelist and playwright, Gabriel Okara, aged 97.

    On behalf of the Federal Executive Council, the President extended heartfelt commiserations to the Okara family, the government and people of Bayelsa State, the literary community and all who drank from the writer’s fountain of knowledge.

    As a dedicated and well-published writer in all the literary genres, President Buhari, in a statement by the Special Adviser on Media and publicity, Femi Adesina, believed Okara, who was deservedly known as the ‘‘founder of Modern African literature’’ will be fondly remembered for his immense contributions to the development of African literature, drawing on experience from his native Ijaw language.

    The President extolled the great story-teller whose powerful use of imagery and symbolism in his literary writings helped the world to appreciate and understand the richness, complexities and uniqueness of the African heritage and culture.

    President Buhari prayed Almighty God to grant the soul of the departed writer peaceful repose and comfort all who mourn.

  • Bayelsa mourns as literary icon, Okara, dies at 97

    Bayelsa State has been thrown into mourning following the death of a prominent literary icon, Dr. Gabriel Imomotimi Okara. He died at 97.

    It was gathered Okara, who is from Boumadi, Bayelsa State, died at Federal Medical Center (FMC) in Yenagoa on Sunday evening.

    The legendary writer was said to be a lifelong Patron of the Association of Nigerian Authors (ANA).

    A family member who pleaded spoke in confidence said Pa Okara was relaxing at his Yenagoa residence when he slump at about 4pm on Sunday.

    He said the head of the Okara family had convened an emergency meeting, and the family would issue a formal statement afterwards.

    Governor Seriake Dickson described the death of the famous poet and novelist, as a great loss to the state and Nigeria.

    Dickson stated as a mark of honour, his government had declared a three-day mourning for the late Okara beginning from Monday to Wednesday this week with all flags to fly at half -mast.

    The Commissioner for Information and Orientation, Daniel Iworiso-Markson quoted the governor to have made the remark in a statement on Monday.

    He said Okara, who passed on at the age of 98, made a remarkable mark in the African literary industry, churning out great works such as The Call of the River Nun, the Fisherman’s Invocation, Piano and Drums, You Laughed and Laughed and Laughed and many others that helped shaped the continent.

    Dickson said that Okara was held in high esteem as a pride to the Niger Delta and the Africa noting that it was in appreciation of his exploits that the Government decided to name the State Cultural Centre in Yenagoa after him.

    He noted the late Okara would be greatly missed by all lovers of literature and intellectualism especially the young and upcoming writers.

    The governor pointed out Okara, who is reported to be the first renowned English Language black African poet, was very supportive of his administration’s educational policies and took time to attend some state events alongside other literary icons.

    The governor assured his government would support the deceased family to give the first African modernist writer who hails from the state a befitting burial.

  • Second edition of Dickson football tournament begins

    The Local Organizing Committee of the Governor Seriake Dickson Football Tournament has commenced the second edition of the competition with official draws and distribution of jerseys.

    The tournament’s Media Director, Daniel Alabrah, in a statement, said the draws for the Restoration Cup earlier scheduled for April 19 would hold on April 18 at the Dr. Gabriel Okara Cultural Centre in Yenagoa.

    The Restoration Cup is a grassroots, community-based football competition to foster unity and peaceful coexistence among communities in the state.

    Alabrah said Governor Seriake Dickson, whom he described as a sports loving governor, is the special guest of honour while his Deputy Rear Admiral John Jonah (rtd) is the guest of honour.

    He named the chairman of the occasion as the Nigeria’s Confederation of African Football (CAF) committee member, Dr. Peter Singabele, and the chief host as the Bayelsa State Commissioner for Sports, Hon. Perekiye Buruboyefe.

    Dignitaries expected at the event are the Chief Executive Officer of Century Group, one of the major sponsors, Mr. Ken Etete, Executive Chairman, Bayelsa State Eco-Industrial City Limited, Arch. Amagbe Kentebe, corporate organisations such as Sterling Bank, A & K Construction, commissioners, local government caretaker committee chairmen, special advisers and other top government functionaries.

    He further said the secretaries and captains of all the registered community football teams in the state, sports journalists and officials of the Bayelsa Football Association would be in attendance.

    Others are members of the state referees association, coaches and football stakeholders.

    Alabrah said teams from no fewer than 100 communities in the state registered to participate in the tournament that would run for six weeks.

    The competition, he said would hold in 14 venues across the state.

  • Environment lecture

    The 5th Annual Public Lecture/Environmental Awards of The Environment Outreach Magazine will hold tomorrow at the Gabriel Okara Cultural Centre, Yenagoa, the Bayelsa State capital.

    The lecture with the theme:  “Climate Change and its effect on the coastal communities in Nigeria”, will be chaired by Prof. Oladapo Afolabi, former Head of Service of the Federation; Surveyor-General of the Federation, Prof. Peter Chidozie Nwilo isthe guest lecturer.

    In a statement in Lagos yesterday, the Publisher/CEO of the magazine, Chief Noble Akenge, said the event would feature the presentation of special environmental awards to deserving individuals and institutions.

    Akenge said Bayelsa State Governor Seriake Dickson would be  the Special Guest of Honour; the  Guest of Honour is the Minister of Environment, Mrs. Laurentia Laraba Mallam.  King Godwin G. Igodo, the Ebenibe of Atissa kingdom and Chairman, Bayelsa State Council of Traditional Rulers is the Royal Father of the Day.

  • AMAA holds May 24

    AMAA holds May 24

    The Bayelsa State Tourism Development Agency has concluded arrangements to host the 10th edition of the African Movie Academy Awards (AMAA) in Yenagoa on May 24, at the newly refurbished Dr. Gabriel Okara Cultural Centre.

    The AMAA awards ceremony is the most authentic and widely acclaimed awards ceremony Africa, as it brings together movie producers and other practitioners from across the globe to interface and share ideas, while celebrating excellence in filmmaking annually.

    Mrs. Ebizi Ndiomu Brown, the Director- General of the Bayelsa State Tourism Development Agency, said: “AMAA awards, this year, is going to be unique and special in several ways. This is because we intend to use the occasion to showcase our rich cultural heritage and promote the tourism and investment opportunities in the state. This is the 10th year Bayelsa State is hosting AMAA, so we will go the extra mile to ensure that we put together a grand ceremony, which will remain a reference point in the entertainment industry in Nigeria.”

    She also emphasized that the coming awards show is being bankrolled by the public sector and some public-spirited individuals who share in the vision of Gov. Henry Seriake Dickson in transforming Bayelsa State into the tourism haven in Africa.

    According to her, AMAA had provided a veritable platform to train Nigerian youths in various departments of filmmaking in line with the capacity building and empowerment programme of Governor Dickson.

    “This year, about 500 youths will again be trained as cinematographers, producers, cameramen, vision mixers, makeup artists, script writers, directors, actors and many more.

    “The essence of the training aspect of AMAA is to provide Bayelsa youths the opportunity to participate in the production of movies in Nigeria, thereby reducing the burden on government as the sole employer of labour in the state,” she added.

     

  • ‘Our first  encounter with Things Fall Apart’

    ‘Our first encounter with Things Fall Apart’

    Prominent writers and critics recount their first encounter with the late Prof. Chinua Achebe’s first novel, Things Fall Apart, to Evelyn Osagie

     

    It means different things to various people. To some, it is the ultimate African novel. To others, it is a pioneer novel that should be judged based on the time it was published.

    The late Prof. Chinua Achebe’s Things Fall Apart has proved to be a novel, which has surpassed the writer and the publisher’s dream for it.

    Writing it was an experiment; publishing it was also an experiment, but it is one experiment that the world will never forget.

    Prominent Nigerian authors and critics share their first encounter with the book that has been translated into over 50 languages, including Igbo and Yoruba (Igbesi Aye Okonkwo):

    Gabriel Okara, author

    I can’t remember exactly when I first read Things Fall Apart. I think it was in the 60s. And I’ll tell you this, I was really impressed because of how he brought out the frustration and problem that Africans were faced with at the time with the Europeans, particularly the missionaries. I found it interesting because here is a book written in a way I would have liked to write. I was happy that someone had done what I was trying to do in writing our African experience using the English man’s language to explain the African experience. And I appreciated the skills with which he did it.

    Prof. Niyi Osundare, poet

     1965 was when I first read Things Fall Apart. I was in secondary school then. Things Fall Apart came at the right time. It was at a time the WAEC syllabus was being Africanised. We were lucky our set had Things Fall Apart in our WAEC syllabus as the text for prose. We had had texts from African poets like Prof. Wole Soyinka, Gabriel Okara, J.P. Clark, Lenrie Peters (Gambia), Kofi Awoonor (Ghana) and so on. Before Things Fall Apart were terrible books, which were written by Europeans, who portrayed Africans as fools, buffoons, sorcerers, witches, violent and blood-thirsty people. And we as Africans were made to read these books as written by these racists. So Things Fall Apart came as a refreshing alternative. It was the first time we read a novel written by an African that portrays our lives.

    We all loved it. Soon after, we took nicknames from characters in the books. For instance, one of our class mates was called Okonkwo because he was the man of anger. Above all that, those of us from the west found that there were a lot of correspondences between Igbo culture and that of Yoruba, such as proverbs, the role of masquerades, etc. The novel was not just an Igbo novel but one that portrays the traditional African society, which every African can identify with.

    My favourite of his novels is Things Fall Apart. I have taught for over 35 years now. It represents Achebe’s literary essence because of its delicate simplicity.

    Hafsat Abdul, novelist

    I came across Things Fall Apart over 20 years ago. Since then I have read almost all of Achebe’s works. I admired him for writing about his culture and he was the first that wrote such a great book. It was well arranged and Achebe deserves the recognition.

     

    Elechi Amadi, author

    The first time I read Things Fall Apart was in 1958/59 after the excitement of Jagua Nana in 1954 by Cyprian Ekwensi and then the avalanche of the novel started.

    My impression of the book then was that I felt it was well-written. The language was “rock-solid’. He handled the English language competently. In my opinion, compared to his other novels, Things Fall Apart is his best. It was the first novel written by a Nigerian or an African to attain world recognition. And because of that, he became an inspiration to those who wrote after. He galvanised us into action to write books of quality as he had done. Achebe was an inspiration. Achebe was my prefect at Niger House at Government College, Umuahia. We knew each other personally. He was dutiful and dedicated. He always carried a novel at that time. He was always with Thomas Hardy’s novels while strolling around. I feel Achebe ought to have won a Nobel Prize.

    Ahmed Yerima, playwright

    The first time I read the novel was in 1973 when I was in Form Three. I found it captivating and descriptive and it made me feel I was in the village. One thing reading the novel did was to inspire me to desire to write. I marvelled at the lucid use of language. It made me see what I had never been before. At that time it was a boost that challenged contemporary writers. The book has put Nigeria in the literary limelight of the world. I have seen the book in many languages. I have seen Things Fall Apart in India. I remember I met a young man holding a translated copy in India. When I asked him if he had read it, he said the first time he read he borrowed the book from a friend of his and later proceeded to buy his own copy.

    Prof. Ernest Emenyonu,

    author and critic

    My first contact with Things Fall Apart was in the mid 60s. I was a student then. I read it in 1958 in Teacher Training school. My intellectual contact was in 1964/65. I had done a small book on Things Fall Apart meant for teachers and secondary school students who would teach and read it. And when I came to University of Nigeria, Nsukka, in 1965/66, I read it again.

    The first time I read the book, I read it because everybody was reading it. The second time was as a student. My first contact with the book was an exciting one; I enjoyed it. It reminded us of home. By the writing of the book, Achebe opened the door for contemporary African writers of the 21st century and, by his success, he had given them the boldness to write the story of their land, focusing on the traditional African culture, with the use of proverbs as part of its narrative texture. While exalting the strength of the African culture, he condemned the weakness inherent therein like the killing of twins.

    Prof. Akachi Ezeigbo, novelist

    Even though I had heard about it before the war, I read it as an undergraduate in the 70s. It was a big surprise because it was very different from anything I had read in my life. I attended a missionary school and they made us read books written by European authors, like Charles Dickens. I was amazed that literature could be written from the point of view of the African, telling our own story, bringing in proverbs and so on. Before then, all other African writers, like Peter Abrahams, wrote in English but none carried the kind of African colouring that Achebe’s book had, like proverbs, folklores and all. Chinua Achebe reflected the Africaness in his writings.

    Odia Ofeimum, poet

    I actually read No longer at Ease before reading Things Fall Apart.I read Things Fall Apart when I was 13 years old. One funny thing is that the part that stuck to my head in the whole of the book was the evil forest. This may be because there were folklores about it around me. The book wasn’t as effective then, as it is now. In my opinion, Things Fall Apart is not a model African novel but a pioneer novel that needed to be celebrated. It is not my favourite of Achebe’s books; my favourite is Arrow of God. Things Fall Apart made it seem as if fighting for the right things was wrong with the death of Okonkwo. I say it was a good fight. We needed the spirit of Okonkwo to confront evil.

    Dr. Ifeoma Nwoye, author

    I read Things Fall Apart when I was in secondary school in the 70s. At that time, because of the vivid nature with which the story was told I became a participant, especially when the story was from one village to the other. It was so close home and I understood the terrain. And any time one hears others talk about Things Fall Apart, one is moved and becomes a sort of participant.

    My impression of the book at that time because I was young, after reading the book I hated everybody involved in the killing of Ikemefuna: I didn’t like Okonkwo and the men who went with him; I hated the elders for killing Ikemefuna eventually. I didn’t like Chinua Achebe allowing Ikemefuna to be killed. I wondered: why did Ikemefuna have to die? But as I grew older, especially when I became a writer, and today, I look at him differently. As a writer, to make the story real, it must not end the way the readers want or expect. Apart from that, I was at home with the novel; it presented the traditional African society in a vivid manner that every African can identify with.

    •Parts of this report were first published in The Nation during the 50th anniversary of Things Fall Apart.