Tag: Ikeogu Oke

  • For Ikeogu: In search of 51 poems

    The Association of Nigerian Authors (ANA), has called for submission of poems to be published in honour of Ikeogu Oke, one of its members who died last month.

    In a joint statement by the President of the Association Denja Abdullahi and General Secretary Ofonime Inyang, it said the publication of the 51 poems was to mark his year of sojourn. Oke died at 51.

    The statement said, “Oke, poet, literary troubadour and winner of the 2017 NLNG Literature Prize Prize (Poetry) was notably vibrant in life and vocation as a writer.  A jolly good fellow, humanist and unapologetic defender of African culture, Mr. Oke brought a unique finesse to the art of writing, especially in poetry, lacing his lines with music and suiting the rhythm and tempo of words to its operatic foundations. In doing this, he created a new sort of poetry placed on the wings of performance yet retaining the candour and piquancy of this elevated of all arts. His was a concatenation of poesy in union with performance as he also created words with the enigma of art that enthrals and thrills. The author of The Heresiad, that won him the NLNG Prize and many other works spread across anthologies and other publication outlets, Ikeogu Oke, was a visible signpost of an emergent trope of writing though traditional yet uniquely different and effusive in its acceleration and positioning a new credo of creativity.”

    It added, that the submitted poems would be in a book that will be released in the first quarter of 2019.  It will be essentially a collection of poems strictly on him and his art or related to poetry and mortality or immortality. Contributors should immediately send in one or not more than two poems of which one may be selected on or before the deadline of December 31, 2018. All submissions with not more than one hundred word biodata should be forwarded to nwspublishers2016@gmail.com.

  • An ode to Ikeogu Oke

    Here lies a man who love virtue and art and gave to both his fortunes and his heart – Ikeogu Oke (1967-2018)

    Death is truly the only end that closes everything.

    It is final and cannot be reversed. It was a Sunday afternoon and after my usual lunch I slouched on a couch, listening to my favourite afternoon radio programme. It had been a fulfilling lunch and I just wanted to enjoy the remaining part of the day and visit my daughter in school later.

    I decided to pick up my phone, check mails and see if there was anything of importance there. There was none. I then switched to Facebook to catch up on the usual fun and fury of this hard-to-ignore social media. What hit me was unexpected. It was at the top. It was by the man we all call ‘The god of Poetry’, Uzor Maxim Uzoatu. It was straight to the point. He narrated how he had to last year forgo his autographed copy of Ikeogu Oke’s award-winning poetry collection The Heresiad, when the poet called and asked him to help submit his copy to the NLNG. He then dropped the clincher about the death of Oke.

    Maxim is not a flippant or careless man who just drops anything on the social media. I shouted and my eyes were immediately full of mist. I wasn’t sure whether it was tears that were welling up or it was my eyes that were not seeing well. I removed my glasses and wiped it with a piece of tissue paper. I read Maxim’s post again and it sank. I immediately shutdown the Facebook, and scrolled to search for Maxim’s number. Desperately, I dialled his number to confirm what I’ve read. The phones rang out and he didn’t pick. I tried again. It was the same.

    At this juncture, I returned to Facebook to see if anyone would post counter news and say that perhaps Oke only fell into a coma and was back or that it was another person that died! I was disappointed. Scrolling through the postings on the social media, my worst fear was confirmed. I began to see postings from those who should know, confirming that indeed the poet laureate was really dead!! What a life.

    I was devastated. Our paths crossed a few years ago at the NEXT newspapers where we worked together. He was such a talented and fastidious writer. Yes, he was a writer who found himself in journalism. As his then immediate boss, Gbemiga Ogunleye, confirmed in his own post on Facebook, “One complaint against Ikeogu then was that he was too meticulous! He spent too much time cleaning out copies than our production time would allow. Each time I raised my voice to complain, he would disarm me with his smile and a genuine apology.” However, you can be sure that when any story he edited pops up on your screen it would be clean and ready for the press. The newsroom does not have the patience of a writer who writes and rewrites endlessly. It is the first (rough) draft of history, as they say.

    Since the death of the dream called NEXT, I know he moved to Abuja and worked briefly with a minister and we connected again after he won the NLNG poetry prize last year. Until last Sunday when I read about his demise, I never knew he was ill and that was perhaps responsible for the shock of reading about it. Being ill and knowing the type of ailment would perhaps have prepared one for the worst. Death is a rude interloper that interrupts the fun of life. Why should Ikeogu Oke die at this time? At a time when his star was beginning to shine and blossom? We are all mortals and this journey of life is like being in a bus; we all disembark when we get to our various bus stops. Unfortunately, he got to his own too soon.

    It was the poem of John Donne that echoed in my mind when I read about Oke’s death and I would have used it to open this piece. However, Oke himself had in his characteristic creative manner written his own epitaph before his death. All the same, I close this tribute to our poet laureate with Donne’s words that “Any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.”

    Oke, rest well in the bosom of our Lord. If there is poetry in heaven or anywhere dead people go, I know you’ll not be left behind.

  • NLNG presents $200,000 to winners

    NLNG presents $200,000 to winners

    Nigeria LNG (NLNG) Limited has formally presented The Nigeria Prize for Literature and The Nigeria Prize for Science to winning entries that emerged from the 2017 edition. A cash prize of $100,000 went to each winner.

    First prize winner and author The Heresiad, Ikeogu Oke, was awarded a $100, 000 cheque while joint science prize winners Ikeoluwapo Ajayi, Ayodele Jegede, Bidemi Yusuf, Olugbenga Mokuolu and Chukwuma Agubata were awarded the Nigeria Prize for Science, with a cash prize of $100,000, split evenly. The prizes were presented in Lagos on Wednesday.

    The science prize sought to find solutions to malaria through its theme for 2017, Innovations in Malaria Control. The joint winning entries for the science prize were “Improving Home and Community Management of Malaria: Providing the Evidence Base” by Ikeoluwapo Ajayi, Ayodele Jegede & Bidemi Yusuf; “Multifaceted Efforts at Malaria Control in Research: Management of Malaria of Various Grades and Mapping Artemisinin Resistance” by Olugbenga Mokuolu; and “Novel lipid microparticles for effective delivery of Artemether antimalarial drug using a locally-sourced Irvingia fat from nuts of Irvingia gabonensis var excelsa (ogbono)” by Chukwuma Agubata. The 2017 cycle of the science prize ended a seven-year drought of winners. There had been no winner since 2010.

    Guests who were present at the high profile event include the Executive Governor of Lagos State, Akinwunmi Ambode, represented by the Commissioner for Special Duties, Oluseye Adedeji; the Honourable Minister for Science and Technology, Dr. Ogbonnaya Onu, represented by Dr (Mrs) Julie Momah; Minister of Education, Adamu Adamu, represented by Mrs Elizabeth Ibezim; the Obi of Onitsha HRH Nnaemeka Achebe; Egbere Emere Okori 1 Eleme, His Royal Highness Appolus Chu; Paramount Ruler of Ondo Kingdom, Oba Dr Victor Adesimbo Kiladejo Jilo III; members of the NLNG Board of Directors; members of the diplomatic corps; members of the Advisory Board for Literature and Science and members of the panel of judges for both prizes.

    Managing Director and Chief Executive Officer of NLNG Tony Attah said “The question is often asked, why Nigeria LNG Limited chose to honour writers and scientists despite its huge basket of Corporate Social Responsibility programmes that include the provision of roads, light, water and wide-ranging education intervention scholarship schemes.

    “Our answer is very simple. No business can exist in isolation and be sustainable. Just like the adage says, “If you want to go fast, go alone, but if you want to go far, go together”. And for Nigeria LNG Limited, as a company, we have chosen to walk together with Nigeria.

    “In Nigeria, we have the intellectual capability, we also have the resources; what we need is the will, and together we can all continue to progress the reputation of Nigeria in these spaces,” he added.

    The Deputy Managing Director, Sadeeq Mai-Bornu, also remarked: “The Science and Literature prizes have come this far because stakeholders, especially the advisory boards, the panel of judges and our very distinguished guests have shown rare commitment towards making the prizes a success and one of the most prestigious initiatives of its kind in Africa.

    “It is important to highlight here that Nigerian Scientists have continued to demonstrate that they can defend their space against the best anywhere in the world.

  • Ikeogu Oke wins NLNG ‘s $100, 000 Prize

    Ikeogu Oke wins NLNG ‘s $100, 000 Prize

    THE Advisory Board of the Nigeria Prize for Literature and Nigeria LNG Limited (NLNG) has announced Ikeogu Oke as the winner of the 2017 edition.

    The NLNG award goes with a cash prize of $100, 000.

    The announcement was made by the Chairman of the Advisory Board for the prize, Emeritus Prof. Ayo Banjo, at a news conference in Lagos.

    Ikeogu Oke’s collection of poems, The Heresiad, emerged winner from among 184 entries received for the competition.

    According to Prof. Banjo, “Poetry competition for the prize is always very fierce and very interesting. We couldn’t have been more reassured about the process because the panel of judges did a painstakingly thorough job in selecting the best from the final shortlist of three entries.

    Chairman of the Panel of Judges, Prof. Ernest N. Emenyonu said: “The seriousness with which the NLNG literary prize is received by the teeming population of writers in Nigeria is a sign that the expectations of writers swing beyond the prize itself to that of portraying their creativity.

    “The prestige, associated with the prize saw the 184 entries of collections of poetry in various sizes and of diverse themes and set the stage for the stiff competition. At the beginning, the initial weeding was carried out following one of the primary criteria; quality and validity of publication year.

    “Oke’s poetry collection reveals a conscious/deliberate manipulation of language and philosophy in the style that reminds us of the writings of great Greek writers of Homeric and Hellenistic periods,” he added.

    General Manager, External Relations at NLNG, Kudo Eresia-Eke, said: “We at NLNG are proud of this additional achievement. National and international interest in both the prize and process are increasing and this is good for the prize and for Nigeria. We are pleased with the judges’ verdict and Mr. Ikeogu Oke has demonstrated that he is a fine poet and Nigerians need to rally around and celebrate him. We must begin to build cultural icons, the likes of Professor Wole Soyinka and Professor Chinua Achebe, and this prize is the leading project doing this right now,” he said.

    The number of entries for the 2017 edition exceeded the 2013 numbers in the same category, showing a six per cent increase in the number of entries received and increasing interest in one of the biggest literary prizes in the world. This has been the trend since 2005, the first time Poetry was in focus, and for which only 13 entries were received. The next four years would see an exponential growth in the number of entries with 160 entries in 2009 and 174 in 2013.”

    The Nigeria Prize for Literature rotates yearly among four literary genres: prose fiction, poetry, drama and children’s literature.

  • ‘Writing relieves me of tension’

    ‘Writing relieves me of tension’

    Ikeogu Oke is an Abuja-based poet, author, and writer who is not afraid to ask questions in his lyrics. Writing a foreword to his latest work, In the Wings of Waiting, South African Nobel Laureate Nadine Gordimer noted that Oke is one of the best poets of his generation. In 2010, his work, Salutes Without Guns, won the Times Literary Supplement Book of the year. In this encounter with Edozie Udeze, he recounts how his journey as a writer began and why he finds it much easier writing poetry

    When you write, what is the primary motivating factor?

    I try, as a matter speaking to empty my heart, my whole self into what I do. Which means that I am a writer driven by passion for sincerity. So, it is a lot more about character and also about the character that I write about. I wish I can always make all my writings crispy and then create a better world than we find ourselves currently.

    When you write, what really inspires you?

    Emm… Well, I am always open to whatever goes on around me. As a poet, I am close to nature. I love nature and explore nature to my own advantage. I believe that nature helps to inspire and stimulate a poet and then fire his imagination. This helps him to produce quality and engaging poetry. I try also to reflect the society, to point out the ills of the country.

    When I also write features or short fiction, I try to put in a lot of imagination into it in order to let the world know what is happening. In all these, you cannot run away from the things you’ve also experienced in life. That too helps to bring out the issues that bother you as a writer.

    When the inspiration comes and you are in transit, what do you do?

    Yes, I have written quite a few things in transit, especially poetry. There was a time when I used to write a lot while in transit. But when I have a lot of ideas now running in my brain, I try to jot them down. Sometimes too, when I am busy pursuing some projects, I move around with some writing materials. That way it makes it easier for me to note whatever comes into my mind and then develop it later.

    At what point in your life did you decide to become a writer?

    Well, it was shortly after I left secondary school. There was this period when I taught briefly. It was then it struck me to be a writer, even though my father had wanted me to be a medical doctor. But then I was deeply involved in a lot of poems written by both African and foreign poets. Most of them were my father’s books and professional magazines.

    At a point it struck me that I could write my own stories to replicate some of those issues that I’d read. Apparently, I had this natural flair for poetry and I went on to explore that. So I remember writing my first poetry around 1987 and I sent it and it was considered a good one. So I have been writing since then.

    Who are your favourite authors?

    Hmm, there’re quite a number of them. I enjoy writings by Plato, philosophers who have touched humanity greatly. I love the writings of Professor Wole Soyinka. I have a league of authors who have touched and inspired me tremendously. It is a large number and I will be doing them a lot of discredit if I mentain some and leave some out.

    Then, if you met any of them, what will you say to him or her?

    Emm…well, I will first ask him what is behind the magic wand? How do you conjure your words? when you write, what are the issues that bother you? When you write what are the things to be done? And much more.

    Why did you choose to be a poet?

    I didn’t really choose that. I think it was poetry that chose me; that discovered me, so to say! This is so because my first encounter with poetry, well, I was not really a literature student in secondary school. So, when I left secondary school I wasn’t really sure what to do with myself. Therefore, I started reading whatever I could lay my hands on. It was some of those magazines which contained a lot of poems that did the magic. Well, the articles weren’t for literature, but the poems were. Then I realised that I have the right kind of imaginative orientation that could produce poetry.

    So my preference for poetry began from that point. I also felt poetry is the heart of literature and much more impressive than all other genres of literature. It has therefore become the most natural thing for me to do as a writer.

    What character or characters in all the books you have read that struck you most?

    There are many. But one of the most outstanding is Okonkwo. This is for all his weaknesses, all his negative threats. In all these, he is also positive because he laid the background for creating a realistic and more historic situation in Africa. Through the efforts of the author who created him, we could see an icon who stood up for what he believed in; a character who symbolised the African spirit of his time and even for today.

    Chinua Achebe created that character to prove the brevity and boldness of the African person when faced with issues that somewhat pose as a dilemma to him.

    How do you arrange your library?

    I have had some books over the years and I have packed them up some place in my house. But when I buy new ones, I keep them in my bedroom. It is easier to have access to them to read when they are closer to me like that. I can go back to the old ones from time to time if need be.

    Are you a re-reader?

    Well, I am a kind of a re-reader. But once in a while when I have a poem I so much like, I go back to it. When I am struck with it, I go back to get the full gist one more time.

    There’re other things I read and I realised that I didn’t fully get it, then later I go back to get it right. That helps me also to write better and clearer when I am set to do so. But above all, in creative works, the more you read a particular book, the more you understand it. The more you read, the more you appreciate how others have done their own works, how they have been able to chronicle their stories convincingly.

    If you have your way again will you still want to be a writer?

    Always, yes. That’s what I’ll always want to be, a writer, recreating the world, making people happy, seeing the world as it really is. Writing, to me, is a sanitiser. It is a mirror of some sort. In fact, I don’t know how I could have managed my life without the impact of literature on my life. I have had experiences that possibly could have destroyed my mind. In those instances I found writing as a sort of relief, a sanitiser of sorts. Writing has helped me on many occasions to quell tensions inside of me and with that, I have been able to manage my life very well. Writing is something I wouldn’t like to part with in this life. It is a good tonic for me, often positive, at other times negative. But it is worth it.