Sequel to his first thriller, ‘The Man Who Knew Too Much,’ gifted storyteller Jack Oswald’s second thriller, ‘The Wrath of the Madam’, took head on social issues around single motherhood.
Elevated or derided in today’s parlance as ‘Baby Mama’ status, it is rarely discussed. Oswald wove such a delicate matter around a hard core of data privacy.
Layering the plot with politics, statecraft, international conspiracy, and an action pack of firefights, the story is an original new take that adds to the women/girl power, the deep dark web of organised electronic crime stretching from Pakistan, to the Potomac River, from Afikpo Prisons to Paris, and from North Korea through India in a fictitious country called South Oceania.
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Oswald argues in his book, ‘The Wrath of the Madame’, that a chain reaction of very ugly events could be triggered by improper handling of data. Breaches in today’s digital age underscore the need for data protection and the rights of individuals to their privacy.
From a young age and through his professional career in broadcasting, advertising, e-commerce, financial services, and international business, Oswald’s passion for writing has only grown.
Tapping from his drawing and painting skills, high school essays, Oswald has been inspired by everyday occurrences and news stories unfolding even to episodical levels. These are a bottomless trove of material for his works.
