After three years of waiting and palpable uncertainty about its fate, Cordelia, the latest filmic signature of ace filmmaker, Tunde Kelani (aka TK), is now ready for public release. The film will hit the cinema on July 18, according to the foremost filmmaker. Cordelia, an adaptation of Femi Osofisan’s novella of the same title, is a period drama set in Nigeria in the early 90s during the years of military rule.
“After three years of hard work, resilience, and faith, Cordelia is finally ready for cinema audiences. This is not just the release of a film—it is the celebration of a journey; a journey that began with a powerful story on the page and comes alive on nationwide cinema distribution by FilmOne from July 18,” Kelani said.
Adapted from the novella of same title by the famous playwright, Femi Osofisan, Cordelia’s screen play is written by Bunmi Ajiboye, and di-rected and produced by Kelani, while Tayo Oladimeji and Kunle Adebiyi are executive producers.
Continuing, Kelani added: “Cordelia is a film about silence. About the unspoken damage of power, and the quiet suffering of those who live in the shadows of history. It is a political story, yes — but it is also deeply personal. It holds a mirror to the fractures in our society and the fragility within the family when truth is suppressed.”
The film stars a coterie of super performers in the Nigeria film circuit, such as: Omowunmi Dada (Cordelia) William Benson (Adekunle) Yvonne Jegede (Remi) Keppy Ekpeyong (Colonel Nwanze) Kelechi Udegbe (Major Kawale), and others.
Top on the crew list are: Femi Osofisan (Writer) Bunmi Ajiboye (Screenplay) Adekunle Adejuyigbe (Director of Photograph) Bola Belo {Head of Production) Tunde Kelani (Producer/Director) Jide Bello (As-sociate Producer) Seun Alli (Associate Producer). Kunle Adebiyi and Tayo Oladimeji are Executive Producers.
Giving the logline of the film in an earlier promo sheet for the project, Kelani wrote: “Amid the chaos of a violent campus uprising and a de-ceptive military coup, a disillusioned university professor shelters a wounded student—unaware she is the daughter of a wrongly accused coup puppet. As danger closes in, personal and national truths unravel, forcing him to choose between safety, justice, and his conscience.
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When a military coup shakes Nigeria’s fragile democracy, university students erupt in protest— and Cordelia Nwanze-Peters, daughter of the man believed to have led the coup, is violently attacked. Rescued by her friend Stella, she finds refuge with Professor Adekunle Benson, a weary academic trapped in a loveless marriage. As tensions rise, Adekunle pro-tects Cordelia — unaware that the real coup was orchestrated by Major Kawale, who used Cordelia’s father, Colonel Nwanze, as a puppet. When the truth comes out, Nwanze escapes captivity and foils the coup, but Cordelia remains a target. Hunted by soldiers and betrayed by those closest to him, Adekunle must risk everything to shield Cordelia. In a powerful climax, Cordelia bravely faces her persecutor, and justice is re-stored. Cordelia is a gripping tale of courage, conscience, and redemp-tion set against a nation in turmoil.
At a recent media parley, Kelani, also director and producer of such eminent films as Saworoide, Thunderbolt, Agogo Ewo, White Handkerchief, Maami, Kosegbe, Sidi Ilujinle and others, stated: “At the heart of Cor-delia is a literary work by one of our greatest writers, Prof Femi Osofisan. His novel provided the foundation— a layered, compelling narrative that we were honoured to adapt for cinema. This is a reminder of the critical bond between African literature and African film.
“Our written stories — alongside oral traditions, folklore, and lived ex-periences — are part of our intangible heritage. When we adapt them to film, we are not just entertaining — we are preserving, interpreting, and passing on culture. This is what makes our cinema deeply authentic, and what sets African storytelling apart.
“…when power changes hands by force — when there is a military coup or a natural disaster caused by years of neglect — it is not the powerful who suffer first. It is the innocent. Ordinary families are torn apart. Children are displaced. Parents are silenced or disappeared. The people caught in the crossfire are those simply trying to live, to raise their families, and to survive. Cordelia gives voice to those quiet victims—the ones history books often forget.
“And one of the most moving aspects of this film—what binds it emo-tionally—is the music.
“The original score was composed by the talented Michael Ogunlade. But it reached new creative heights through a unique collaboration: the Music Department of the University of Delaware in the USA, under the leadership of Professor Anderson, arranged, orchestrated, and scored the film in a project titled Cultural Fusion.
On the context of the film as a template for cultural understanding, Kelani offers: “This collaboration between continents, between cultures, between traditions and techniques — represents exactly what Cordelia stands for. It is a creative dialogue. A meeting point between African stories and global craftsmanship. And it shows what is possible when we open our doors to collaboration while staying true to our roots.”
“For me, Cordelia is not the end, but a new beginning—marking the start of a fresh chapter filled with entertaining, thought-provoking, and culturally grounded films that will continue to complement my decades-long journey in African cinema.”
