Tag: Kemi Adetiba

  • I took ‘crazy’ risk on ‘To Kill A Monkey’ movie – Kemi Adetiba

    I took ‘crazy’ risk on ‘To Kill A Monkey’ movie – Kemi Adetiba

    Filmmaker Kemi Adetiba has expressed deep gratitude to her audience for the overwhelming support and positive reviews of her latest movie, To Kill A Monkey (TKAM), revealing the emotional and creative risks she took to bring the project to life.

    In a heartfelt statement, Adetiba said she is still searching for the right words to fully convey her appreciation, describing TKAM as one of her most daring projects yet.

    According to her, the film dives into raw, unfiltered human stories, exploring the emotional and moral complexities of what it takes to push a principled person to the breaking point—and the consequences that follow.

    She noted that the characters in TKAM make difficult, often morally ambiguous choices, but stay true to their personal realities.

    Adetiba thanked her audience for embracing the film, saying their validation was a powerful force behind the project’s success and calling their response key to turning the film into a “monster hit.”

    “Thank You. I’ve been searching for the words to describe how I feel… To describe the deep gratitude in my SOUL. And honestly, I’m still coming up short. All I can say is… Thank you. Thank you from the bottom-box of my heart!

    TKAM is unlike anything I’ve ever done. It was a crazy risk to take, but it was a story! strongly felt I needed to tell – no gloss, no theatrics, no grandiose characters to hide behind. Just a raw, human story about real people, with real struggles, trying to navigate impossible choices. Everyone thinks they know what they’d do when faced with a moral crossroad. But the truth? That answer often comes from a place of comfort and privilege. It’s easy to speak of principles when you’re not staring down hunger or desperation.

    Read Also: Kemi Adetiba announces release date for “King of Boys 3”

    “I wanted to explore what could make a good, principled man snap. How much pressure it would take for him to break. And how would the ripple effect be for everyone around him. The characters move uncomfortably, but true to themselves. They don’t always make the “right” decisions. They do only what they know to do-be human. And then, they have to live with the consequences.

    “And then, they have to live with the consequences. The biggest question TKAM asks is: Does the end justify the means? That question, I shall leave for you to answer. But here’s an answer that I do have: You all turned tkam into a monster hit!! Your word-of-mouth, your shares, your conversations, they crashed in like a tsunami and took over the entire space. You guys have power!!! And most importantly…You validated this story. You validated every actor, every character, every crew member, every long night and hard decision that went into building this project. You validated me! And I will never forget this feeling. So, on behalf of the entire TKAM team-thank you. For watching. For talking. For caring. For showing up in the most powerful way possible. We’re humbled… We’re overwhelmed by the love… We’re grateful beyond words”.

  • Kemi Adetiba announces release date for “King of Boys 3”

    Kemi Adetiba announces release date for “King of Boys 3”

    Director Kemi Adetiba has revealed that the highly anticipated third instalment of “King of Boys” will premiere in December 2025.

    Adetiba shared the exciting news with her fans on Instagram on her birthday.

    “KOB Army… ARISE!!! It’s time… We move. Signed: Your General. #KOB3 #TheBeginningOfTheEnd #DettyDecember25 #KAV25,” she announced.

    Read Also: King of boys season 3 sets for release – Kemi Adetiba

    “King of Boys” is a series that follows the story of Alhaja Eniola Salami, a powerful businesswoman and philanthropist played by Sola Sobowale. The first film was released in 2018 to widespread acclaim, and its sequel, “King of Boys: The Return of the King,” premiered on Netflix in 2021.

    The upcoming instalment, subtitled “The Beginning of the End,” promises another gripping narrative with the introduction of new characters and the return of familiar faces.

    Fans can expect stellar performances from the ensemble cast, including notable actors such as Nse Ikpe-Etim, Jide Kosoko, Adesua Etomi, and Richard Mofe-Damijo.

  • Toni Tones: I am living the life of my dreams

    Gbemi Anthonia Adefuye, known with the sobriquet Toni Tones, is an actress who has featured in movies like Kemi Adetiba’s King of Boys and The Royal Hibiscus Hotel. She is also into singing and photography. In this interview with Yetunde Oladeinde, she talks about the things that make her tick, her memorable moments and future plans.

    What or who inspired you to go into acting, singing and photography? 

    Ever since I was eight years old, I have wanted to be an actor and a musician. I was always the one who would put together elaborate plays and musicals for Christmas, Easter and New Year. I would automatically declare myself creative director and make my siblings and cousins take part. I would decide who would play what roles. Everyone got used to it and it became part of our family tradition.

    My cousins would literally come to me before Christmas and say, “so what do you have planned for us this year?” I was exposed to music at a young age. My brother was a musician. He was part of a music group in the late nineties called ‘Oxygen,’ a group that included Paul IK Dairo and two other members. My brother discovered I had a talent for music, and would take me to the studio to record and sing backup for some of his songs. He would act as my vocal coach. I was about eight years old and from then on, I knew I wanted to be a musician.

    Regarding photography, I have always loved taking pictures ever since I can remember. I have loved being both in front of the camera and behind it.

    Which of the three would you describe as your best?

    I love them all! They are gifts from God that He has blessed me with. So, I am extremely grateful for all of them.

    What was it like at the beginning? 

    I started my career as a photographer and because of that, it was quite a challenge getting people to take me seriously as an artist and as an actor, at first. At some point, I began to wish I had never started with photography at all, because then I wouldn’t have to fight the tough battle of gaining acceptance, I would just have been able to go straight to building a fan base.  Some OAPs simply wouldn’t play my music because they didn’t take me seriously. It took a lot of hard work, persistence and determination before I was finally accepted in the industry. There were times that I wanted to give up but I am exceedingly happy I didn’t.

    Let’s talk about your role as young Eniola in Kemi Adetiba’s movie titled King of Boys that’s trending at the moment. What were the steps you took to get ready for this role?

    As an actor, I always try to give above and beyond what is required of me. I prefer to do too much to avoid the risk of doing too little. Putting in the work to make every character as authentic as possible is key for me.

    Playing the ‘Young Eniola Salami’ (Young Sola Sobowale) in ‘King of Boys’ was quite challenging for me. It’s easier to create a character from scratch; you get to make it your own. But when you’re playing the younger version of someone, there’s already a blueprint set out for you that you have to follow. You have to move, look and sound like the person.

    You have to convince your audience as much as possible that you really are the younger version of who you are playing. I made the decision to put on weight for the role. I put on roughly 15kg to play young Eniola. Aunty Sola was probably much slimmer as a young girl, but we don’t know that ‘Sola Sobowale.’ We know the Sola Sobowale of today, so it was my job to convince the audience that I was the younger version of the Sola Sobowale we all know today.

    So putting on weight was one of the steps I took. Not exactly the same size as Aunty Sola, but a size that makes her more easily recognisable and more easily conceivable that I could have morphed into her present size at her current age.  I also strained and lost my voice on purpose to try to attain the husky tone that Aunty Sola has. I figured if I could get that same hoarse tone her voice has and learn to modulate like she does, while also learning her gesticulations and mannerisms, I might just be able to pull off a younger Eniola to a level that most people were not used to in Nollywood.

    It was also very important to me to make Kemi Adetiba proud of her decision to cast me in that role. I was very grateful to not have been typecast, so I was determined to go the extra mile.

    I am glad all the work paid off. I spent over two months doing nothing else but studying Sola Sobowale. I refused other work so I wouldn’t have to go out of character and stay focused. The audience and industry’s reaction to my ‘Young Eniola’ makes all that work one of the most rewarding things I’ve ever done as it has brought me critical acclaim.

    You’ve gotten so many rave reviews for your role in King of Boys. Were you expecting such feedback?

    I put in a lot of work for the role, and I had hoped that people would appreciate it but nothing prepared me for the level of people’s reaction and appreciation of my performance. It completely blew my mind! It was on a level I never saw coming.

    Tell us about other roles that you have taken that motivate you 

    Every single role I take on as an actress motivates me, because, in general, acting challenges one to be dynamic, as you play a different character each time. So I am constantly motivated to put in my best with every role I play.

    Shall we talk about some memorable moments in your life and career?

    Let’s start with photography. While I was still in London in my early days as a budding photographer, the producers of D’banj’s reality show ‘Koko Mansion’, a show that had the same format as ‘Big brother’ but with only female contestants, reached out to me about doing a photo shoot for the girls in the house.

    They brought me to Nigeria to do their photo shoot. I got to do the shoot on national TV, broadcast to millions of viewers who were heavily invested in the show. This brought me instant popularity as a photographer. Afterwards, I bought every magazine I could find, contacted them and showed them my photography portfolio.

    Eventually, I started shooting for ace publications like Genevieve magazine, TW magazine, Allure magazine, Elan magazine, Soundcity, Made magazine and so on. Numerous artists also started seeking me out to photograph them. I got to work with artists such as Wizkid, Don Jazzy, Tiwa Savage, Nneka, Waje, M.I, to name a few.

    The most memorable moment in my acting career would have to be everything that is happening now with the release of ‘King of Boys’. Nollywood has come to recognise my level of craftmanship as an actor. The movie has brought me critical acclaim and I will be forever grateful.

    What are some of the challenges you have encountered?

    It was tough being accepted as an actor because people knew me as a photographer and after then, a musician. Hearing that I was an actor as well, I think it was hard for them to take me seriously initially. A lot of people probably assumed I was just playing around as opposed to chasing my dreams. It seemed like having more than one career was looked upon as a bit of a crime; people tend to put you in a box. They know you for one thing and that is what they choose to be comfortable with and when you try to break out of that box, there’s a lot of opposition. But I am not here to make anybody comfortable, I am here to achieve every single goal that my heart desires and achieve I will.

    How do you cope with them?

    I was determined not to be put in a box. I was determined to excel at every single passion I had chosen to pursue. Sometimes, I would ask God why He didn’t just give me one passion so it would have been easier, but I remember praying one day and hearing a voice within me say, “if God has given you many skills, it is meant as a blessing, not a curse.” That put things in perspective for me.  I made a vow never to relent, to give everything I had, to show God I appreciated every skill he had gifted me and I would honour Him by using them. Successful or not, at least I would know I tried. Being able to actually do the things I love is already success to me, because for so long I was afraid to even try. I am glad I never gave up, otherwise I would not be living such a fulfilled life now.

    Who or what do you consider as the greatest influence in your life and career?

    My mother. She is the kindest, most hard working, and God-fearing person I know; and these are three traits that I try to embody.  For music, it’s Beyoncé; her work ethic and dedication to her craft is undeniable.   Acting, it’s Meryl Streep and Viola Davis; their level of talent inspires me.  Also, Viola Davis continues to break barriers for black women in Hollywood and in turn black female actors all over the world. I also love how she embraces her natural hair and her beautiful ebony skin. There was an episode of ‘How to get away with murder’ where she stripped off all her makeup, lashes and wig to reveal herself and hair in its kinky natural state. That was a huge moment for black females everywhere in my opinion. She inspired all of us to embrace our beauty and not the ideology that the world around us has sold to us as beauty. We are beautiful just the way we are.

    Let’s compare when you started and now, what has changed?

    Back then, I was just a dreamer. Now I’m living the life of my dreams. I never take this for granted.

    In what ways has it changed your lifestyle? 

    As there is always work to be done, I do not have enough time to spend with family and friends as I would like and this always breaks my heart. This is why whenever I am not working, I make sure to spend quality time with my family and loved ones.

    Are there changes that you would like to see in the sector?

    I would love to see more training academies for the arts in Nigeria. People shouldn’t need to travel abroad to attend New York Film Academy and the likes, just to get the training they need to be better at their craft. I believe we have the talent, resources, and knowledge-base needed to be able to establish these institutions here in Nigeria.

    What are some of the lessons that you have learnt? 

    I have learnt that persistence and consistency are key in everything you do. If you keep at your purpose diligently; whether or not it seems to be going well or not, with time, the universe will align in your favour.

    How do you define style?

    Style to me is self expression. How you look is the first thing people see and it’s a way of telling people a bit of who you are without using words.

    I would describe my sense of style as chic and timeless. I rarely follow trends. I just wear what I like, whether it’s in style or not. I can dress like a tom boy today, a power woman tomorrow or a young starlet; it really depends on my mood but I definitely like to play with fashion, like with everything else in my life. I don’t like to be boxed in.

    I prefer for my style to transcend time. 50 years from now, my looks should still be relevant and be recreated by the young starlets of that era.

    What are those things that you treasure most in life?

    God, my family, my friends, my career and my camera.

    How do you relax?

    My job requires me to be up on my feet a lot, therefore I tend to get a lot of pain and aches in my legs. I go to spas a lot to get massages to keep the pain as minimal as possible. I love swimming or just relaxing in the water. Watching my favourite TV shows relaxes me as well.

     Which principles do you hold on to?

    Honesty and integrity at all times.

    Dream big, it’s free.

    Never let anyone who doesn’t have the power to tell you ‘Yes’ tell you ‘No’. Be kind. Believe in yourself, you can achieve anything you put your mind to. There are no failures, only lessons.

    If you had to advise young people, what would you tell them?

    Be fearless. Never stop learning, you can ALWAYS be better. When it comes to the pursuit of your happiness and achieving your dreams, make it a no retreat no surrender situation.

    On your journey called life, you will encounter setbacks; this is inevitable but DON’T ever give up. Your breakthrough is just around the corner.

    Life is tough, but always remember you’re tougher. There are no failures only lessons.

    Your reputation will always precede you; integrity is key. Pray.

  • KING OF BOYS

    A tale of the rich, the strong and the mighty. King of Boys is a total story. It is indeed a unique piece, directed by Kemi Adetiba, whose earlier work got everyone in the country running down to the cinemas.  As this movie was premiered, it definitely created a lot of buzz, as the popular musician Reminisce was brought into film. It is safe to say that this was one of the factors that got the many Afro Pop music fans running down to the cinema to see what ‘Ibile’, as he is called could do on the movie screen. We in the hood, the Crithood went to see how this one unfolds as well. As usual, we were delayed for about an hour by the cinema house, and as usual no one complained, but this time we came prepared.

    The movie began. Cliché as it seems these days that every major movie always starts with a large societal party, we are of the opinion that script writers should start getting creative. Honestly, there are a thousand other ways, a movie could begin. Nevertheless, the movie King of Boys, takes you into a Jungle where only the strong survives. However, unique to this story is the fact that it tells an actual Nigerian story, far off from fantasies and illusions, nemesis becomes a controlling factor that propels the plot of the story into a tragedy to a large extent. Indeed, a king of boys as the king always rules, as it eventually appears to be.

    The movie is a promising piece, but has some lapses here and there. At some point, it becomes confusing what genre the director is trying to achieve. However, commendable is the use of the indigenous Nigerian languages and tongues. Truthfully, one can tell that the director aimed at being highly realistic, with the story telling. But this falters, when characters as Inspector Nuru, cannot keep up with a particular accent, therefore this brings about a certain level of confusion. More so, is the case of older and younger Eniola, and the difference in the skin complexion. This definitely causes a break in the willing suspense of disbelief. Moreover, the movie is too long! Although, it is a lovely story that cleverly tries to break the illusion of time, as this technique is brilliantly used to connect events of the past and present, still there are ways to modify a movie so it does not get excessively long. The camera angles and shots were not definite. The technicality could have been better.  It seemed as though the director’s vision was not properly understood by the technical team. It wasn’t quite there for us.

    This our verdict: A powerful and honest story, not a perfect picture. Average acting in total, great vision on the path of the director, but could be better executed. Definitely mind blowing and highly realistic to an average spectator, but with a number of loopholes here and there. Some commendable techniques, a number of indefinite techniques. All in all, a great attempt with plenty room for improvement. Recommended but to a selected few.

  • Fans applaud Kemi Adetiba’s ‘King of Boys’

    KEMI Adetiba’s King of Boys, may be towing the success path of her debut movie, The Wedding Party, a box office hit.

    Some movie-lovers who feel impressed by the movie which is currently in cinema, took to the social media to shower accolades on the producer.

    A fan,Victor Iweanya, with handle @iweanyav, said, “Sola Sobowale is a mind-blowing actress. She bodied the role in King of Boys. @kemiadetiba The movie was extremely captivating and the actors were very impressive.

    “I fully intend to drive down to Lagos on my next free day (whenever that is) just so I can see King of Boys again. It’s so good,” @RinsolaAbiola tweeted.

    Another fan, @dopeBiniBoi tweet reads: King of boys is the best Naija movie I’ve watched in years… Great storytelling, acting, and videography. I’m beyond blown away.

    “King of Boys is a story that would look familiar but that is all the ‘expectancy’ you would get from this movie. What it would do after, would shock you, shake you, tickle you and make you marvel at the amazing performances its cast gives. It would also make you begin to appreciate Kemi Adetiba’s work as a Director who knows her craft,” said a movie expert.

    The film dabbles in scenes filled with intense dialogue, thought-provoking decisions by the main characters, and a portrayal of the lead protagonist in a way we are yet to see in Nigerian cinema.

    King of Boys follows the story of Eniola Salami (Sola Sobowale), a timid little girl, molested until she runs away from her parents’ toxic marriage, into the welcoming hands of a brothel owner.

    Eniola does not find life easy and ends up as a commercial sex worker. As a baby call girl, she is forced into a life of strife. She, however, uses her street-smarts to become a fearsome ruler of the Lagos underworld.

    The movie also marks the acting debut of veteran hip-hop artist, Reminisce, who puts in a performance that will shock many. He, alongside Ill Bliss, display impressive acting prowess to brilliantly complement the movie’s A-list cast.

    Notable actors in the movie include Sola Sobowale, Jide Kosoko, Paul Sambo, Adesua Etomi, Toni Tones, Sharon Ooja, Ademola Adedoyin, Lanre Hasan (Iya Awero), Osas Ighodaro, Funlola Aofiyebi, Sani Mu’azu, Paul Sambo and a host of others. KEMI Adetiba’s King of Boys, may be towing the success path of her debut movie, The Wedding Party, a box office hit.

    Some movie-lovers who feel impressed by the movie which is currently in cinema, took to the social media to shower accolades on the producer.

    A fan,Victor Iweanya, with handle @iweanyav, said, “Sola Sobowale is a mind-blowing actress. She bodied the role in King of Boys. @kemiadetiba The movie was extremely captivating and the actors were very impressive.

    “I fully intend to drive down to Lagos on my next free day (whenever that is) just so I can see King of Boys again. It’s so good,” @RinsolaAbiola tweeted.

    Another fan, @dopeBiniBoi tweet reads: King of boys is the best Naija movie I’ve watched in years… Great storytelling, acting, and videography. I’m beyond blown away.

    “King of Boys is a story that would look familiar but that is all the ‘expectancy’ you would get from this movie. What it would do after, would shock you, shake you, tickle you and make you marvel at the amazing performances its cast gives. It would also make you begin to appreciate Kemi Adetiba’s work as a Director who knows her craft,” said a movie expert.

    The film dabbles in scenes filled with intense dialogue, thought-provoking decisions by the main characters, and a portrayal of the lead protagonist in a way we are yet to see in Nigerian cinema.

    King of Boys follows the story of Eniola Salami (Sola Sobowale), a timid little girl, molested until she runs away from her parents’ toxic marriage, into the welcoming hands of a brothel owner.

    Eniola does not find life easy and ends up as a commercial sex worker. As a baby call girl, she is forced into a life of strife. She, however, uses her street-smarts to become a fearsome ruler of the Lagos underworld.

    The movie also marks the acting debut of veteran hip-hop artist, Reminisce, who puts in a performance that will shock many. He, alongside Ill Bliss, display impressive acting prowess to brilliantly complement the movie’s A-list cast.

    Notable actors in the movie include Sola Sobowale, Jide Kosoko, Paul Sambo, Adesua Etomi, Toni Tones, Sharon Ooja, Ademola Adedoyin, Lanre Hasan (Iya Awero), Osas Ighodaro, Funlola Aofiyebi, Sani Mu’azu, Paul Sambo and a host of others.

  • Reminisce, ill Bliss show stuff in Kemi Adetiba’s sophomore

    KEMI Adetiba’s second film as a director, ‘King of Boys’, unlike her debut, ‘The Wedding Party’ and many others is a departure from romcoms.

    The film dabbles in scenes filled with intense dialogue, thought-provoking decisions by the main characters, and a portrayal of the lead protagonist in a different way.

    The movie follows the story of Eniola Salami (Sola Sobowale), a timid little girl, molested until she runs away from her parents’ toxic marriage, into the welcoming hands of a questionably enthused brothel owner.

    Eniola does not find life easy as expected, in fact, as audiences would predict, she finds her ‘job’ as a local prostitute hard and difficult to do. As a baby prostitute, she is forced into alive of strive, she, however, uses her are street smarts to become a fearsome ruler of the Lagos underworld.

    Yet, she is soon to find out that the more you seem prepared for what life throws at you, the more it’s likely to serve you a dish of unpredictable twists and turns, garnished with intense blows.

    Some that may even have you tested to your very core.

    The movie also marks the acting debut of veteran hip-hop artiste, Reminisce who puts in a performance that will shock many. He alongside ill Bliss showed their impressive acting prowess and brilliantly complemented the other A-list cast.

  • Kemi Adetiba, Toyin Abraham, others reign  at ELOY Awards 2017

    Kemi Adetiba, Toyin Abraham, others reign at ELOY Awards 2017

    Created to celebrate women of excellence, the 2017 ELOY Awards, which held last Sunday at the Intercontinental Hotel, Victoria Island, Lagos, had top aspiring women from different walks of life going home with different categories of awards.

    One of the recipients of the night was crossover actress, Toyin Abraham, who won the ‘Artist of the Year’ category.

    In her acceptance speech, the comic actress dedicated the award to her creator, late father and fans. She also emphasised the importance of not giving up and the decision to change everything around her.

    Another screen goddess, Kemi Adetiba, won awards in two categories although she was unable to attend the event. Adetiba, however, took to social media to appreciate the organisers as well as her fans.

    “Woke up this morning with my heart full of thanks and gratitude,” she wrote.

    “Apparently, over the weekend I won two awards, but because of situations totally outside my control, I was unable to be present to pick up neither personally.

    “First, Thank you to the amazing ELOYS whose very foundation is a narrative I live for and will die for – Celebrating women!! Thank you for finding me worthy of celebration too @eloyawards. To say I am grateful and humbled is an understatement. And thank you to the NEA awards as well. I also found out I won ‘Best Picture Director’. I’m super grateful and wish I could have been there to share the moment with you all in my second home, New York City.”

    Others who won were, Bisola Adeniyi, CEO of Lady Bida (‘Fashion Entrepreneur of the Year’), Abimbola Craig (‘TV Actress of the Year’; Online and Terrestrial), Chiamaka Obuekwe, (‘Tourism Of The Year’) and a host of others.

    Among those present at the event were Lilian Esoro, Tosin Odunfa, and Kiki Omeli.

  • TWP: Table turns for Kemi Adetiba

    If, like others are saying, she was asking for a ‘whistle blower’s’ kind of share from the proceeds of the Part 1, I agree she may be asking for too much based on the strength of her relative naiveté. After all, a directorial input didn’t sell the movie. If truly the producers were not impressed with her, as the D.O.P was said to have done more of the directing…

    There are several wedding party stories around the place, and comedy has not got those stringent rules that see imperfections with the ‘welder eyeglasses’. ‘The Wedding Party’ is about bits and pieces of happenstances that one can easily relate with and with the kind of actors in the Part 1

    JUST as Kemi Adetiba was about stepping into the euphoria of being the director of the highest Nollywood Box Office earner, ‘The Wedding Party’, the dance rug was pulled from her feet.

    The movie, which is in its second installment, has another director – Niyi Akinmolayan.

    Fans of Adetiba think this is a dangerous thread to bring another director aboard a sequel, who may have to struggle with the fluidity of the story, and I ask; what story? What fluidity?

    There are several wedding party stories around the place, and comedy has not got those stringent rules that see imperfections with the ‘welder eyeglasses’. ‘The Wedding Party’ is about bits and pieces of happenstances that one can easily relate with and with the kind of actors in the Part 1, the actors can jolly well play themselves. If Akinmolayan happens to ‘call’ it like Adetiba, then we may have a repeat of some of the gaffes, because it takes a director who is worth their nerves to ‘cut’ the shot when Ali Baba decides to overstretch his wits.

    God knows that what I saw in ‘The Wedding Party’ was a hazy directorial input by Adetiba who experimented with that film as a first time feature length film director.

    I have heard of warnings against changing a winning formula, but this could apply to the marketing strategy deplored for the film and not of its artistry.

    ‘The Wedding Party’ is our best commercial pride, no doubt, but it remains, in my assessment, a creative opportunity that rode on great business idea.

    However, if the producers decide to take this sequel a notch higher, it won’t remove anything from a great business template. It can only add up. If Adetiba’s shortfall is one of the reasons she is being shortchanged, then, Akinmolayan needs to prove a point. Yes, because even though he has some ‘good’ serious dramas to his credit, this is all about romantic comedy.

    If, like others are saying, she was asking for a ‘whistle blower’s’ kind of share from the proceeds of the Part 1, I agree she may be asking for too much based on the strength of her relative naiveté. After all, a directorial input didn’t sell the movie.

    If truly the producers were not impressed with her, as the D.O.P was said to have done more of the directing, while an EP was said to have directed on the last few days of shoot, why would they want to pay her more?

    Although the issue of contract levity came to mind, this may not be the case, as the director couldn’t have predicted that the movie will turn a hit, and eventually earn a second installment.

    However, because I love gist of this nature, I’ll rather put my speculations on hold, in the hope that very soon, Adetiba would have the courage to tell us the real reason her journey with the series has to end abruptly; especially now that the real marriage between lead actors; Banky W and Adesua Etomi might earn the producers a stocked bullion van.

    She told LIB, “there’s really nothing to it, I’m still very good friends with the house, I speak to them every day. I don’t want to make a statement right now; I’m still very close to Mo Abudu there’s no phony business going on. A statement will be out soon though.”

    While we wait for Adetiba’s reaction, let’s take a look at Akinmolayan, and how he is about to boost his profile with a movie associated with commercial accomplishment.

    Akinmolayan’s directorial debut film, Kajola, an action/sci-fi was a disaster but a very courageous attempt. The director himself recounted how he could have committed suicide from the loss and attendant shame. His ally described his resurrection ordeal, saying, “After Kajola, perhaps Nollywood’s most infamous cinema outing, he came out of a suicidal spell and kept pushing.”

    He has so far done ‘Make That Move’, ‘Falling’, ‘Out Of Luck’ and ‘Arbitration’. But none of them is a hit.

    If you’ve seen all these films, you’d find the guy likes to experiment, as they are not run-of-the-mill.

    For Akinmolayan, it is a career on the move, and one wonders if this new experience won’t change his orientation forever. In the case of ‘The Wedding Party,’ I am looking forward to a romance of art and commercial. He might just be that Midas touch, if words by his promoter are anything to go by.

    He said: “Niyi is such a freaking nerd, soaking in info about every aspect of filmmaking. He’s one of the few filmmakers I’ve heard eloquently talk about story & sound & lights & symbolism, et al because he’s always researching, watching video tutorials & taking courses.”

  • Five Nigerian movies listed for 2017 Nollywood Week Paris awards

    Five Nigerian movies have been listed to compete  for the  “People’s Choice Award” at the 2017 edition of  Nollywood Week Paris Film Festival.

    According to the organisers, the movies include award winning ‘76’ directed by  Izu Ojukwu, ‘The Wedding Party’ directed by Kemi Adetiba and ‘Dinner’, a movie directed by Jay -Franklyn Jituboh.

    Others are ‘Gidi Blues’ and ‘Green White Green’ which were directed by Femi Odugbemi and  Abba Makama.

    The prestigious ‘People’s Choice Award’ is sponsored by Angénieux, a leading manufacturers of high quality optic cinema lenses for the broadcast and film industries.

    “Angénieux will gracefully put its optics at the disposal of the winner of the People’s Choice Award, giving them a chance to combine their creativity with French technical know-how during their next shoot.”

    The News Agency of Nigeria (NAN) reports that the Nollywood Week Paris Film Festival, which started in 2013, is organised by Okada Media, an organisation based in Paris, France.

    It showcases the best of the Nigerian film industry with the aim of finding a larger audience and more sustainable distribution system for quality films.

    The festival offers festival-goers a chance to discover a dozen movies selected by a jury of professionals.

    Nigerian filmmakers are encouraged to submit short films, feature films, animations and Nigerian television series for consideration.

    Musical performances as well as seminars and workshops dedicated to the African cinema industry have been lined up to enrich the annual event.

    The Festival ends with the traditional presentation of the Nollywood Week People’s Choice Award, which rewards some of the best talents of African cinema.

    The festival is scheduled to hold from Thursday May 11 to Sunday May 14 at Cinema l’Arlequin in Paris, France.

  • Google’s Women Techmakers to train 300 females

    Google’s Women Techmakers to train 300 females

    Ms Britt Deyan, the People Operations Diversity Lead, Google on Friday said that Google will train 300 females in technology.

    Deyan told a news conference in Lagos that the training was part of Google’s Women Techmakers summit, to be held on April 8, 2017 aimed at celebrating women in technology.

    She said that Google Nigeria was hosting one of 19 global Women Techmakers summits (and the only one in Africa), which recognise and celebrate the achievements of women in the technology space.

    According to her, through these events, Google aims to encourage diversity and inspire more women to take active roles in the technology space.

    “The event has attracted three times as many women in technology as the first event, held in 2016, an indicator of the level of demand from the women in technology community for opportunities to engage, network and learn with, and from, each other.

    “The theme for the Saturday event is ‘Tell your story’ and attendees will have a chance to listen to leading women in the technology sector, including Google Nigeria country director, Mrs. Juliet Ehimuan-Chiazor.

    “The attendees will attend hands-on workshops for both a technical and non-technical audience, including a technical TensorFlow Workshop and a Develop Your Story Workshop, featuring improved coaches from the US.

    “Other attractions on the lineup include a Fireside Chat with Kemi Adetiba, Music Video Director, moderated by Honey Ogundeyi, Founder and CEO at Fashpa.com,’’ she said.

    Deyan said that 700 applications were received for the summit but 300 were selected.

    Ms Mich Atagana, the Communications & Public Affairs Manager, Southern Africa, Google said that the Women Techmakers summit 2016 was an eye-opener.

    Atagana said that technical skills were becoming more critical, hence, the female folks should acquire them.

    She said that a lot of the female folks do not have technological role models in Africa, thereby finding it difficult to take up careers in technology.

    The Google Nigeria Director said that Techmakers was Google’s global programme for women and it provided visibility, community and resources for women in technology to drive innovation and participation in the field.

    Ehimuan-Chiazor said that Google achieved this by hosting events, launching resources and piloting new initiatives with communities and partners around the world, to ensure women were supported and empowered in the industry.

    She said that Techmakers was one of a number of initiatives that Google was running in Africa, with the aim of developing the local ecosystem.

    According to her, others initiatives included the Digital Skills initiative, which saw Google train one million African youths in digital skills between April 2016 and March 2017, which is expanding this year.

    “Another is Google Launchpad – Google’s mentorship-driven global startup programme, with the goal of driving real success for startups.

    “Launchpad comprises three phases – Build, Start and Accelerator. Applications for Launchpad Accelerator class 4 are now open – and for the first time, the programme will be accepting applications from Kenya, Nigeria and South Africa.

    “Google is serious about Nigeria and our strategy is to continue to help get users online by developing an accessible, relevant and sustainable internet ecosystem.

    “As part of that strategy, we are helping to strengthen the developer community in Africa and empowering the next generation of developers,” she said.

    The News Agency of Nigeria (NAN) reports that the Pan Atlantic University’s Lagos Business School is partnering with Google to host the summit.

    The Dean of Lagos Business School, Dr Enase Okonedo, said that it was essential to recognise the need for more women in technology and leadership roles in the continent.

    Okonedo said that the event presented a unique opportunity to demonstrate the school’s commitment to developing responsible leaders for Africa.