Tag: Kongi

  • Timeless Memories VIII honours Kongi

    Timeless Memories VIII honours Kongi

    As Nobel Laureate Prof Wole Soyinka marks his 91st birthday last Sunday, the 8th edition of the acclaimed Timeless Memories: Elastic Effects of Wole Soyinka project stands as a celebratory tribute to his extraordinary life, courage, and intellect. It will be part of activities at this year’s the Lagos Book and Art Festival (LABAF), holding between November 10 to 16, at Kongi’s Harvest Hall, Freedom Park, Lagos. This year’s edition bears the compelling theme: State Repression and Intellectual Defiance: Soyinka’s Struggle Against the  Abacha Regime (1993–1998).

    Between 1993 and 1998, Nigeria was gripped by the iron rule of General Sani Abacha—a regime notorious for its suppression of civil liberties and violent crackdown on dissent. In this period of political darkness, Soyinka emerged as an unwavering symbol of resistance, risking exile, assassination, and constant surveillance in his outspoken fight for democracy and justice.

    Read Also: Kongi at 90

    Timeless Memories VIII documents this era through an immersive, multi-layered experience that reinterprets Soyinka’s courage and commitment to truth. It features a powerful documentary, Shadow and Silence: Soyinka vs Abacha, with exclusive interviews, dramatized reconstructions, and rare archival footage. The exhibition includes evocative installations such as “The Safe House,” “Wanted Wall,” interactive escape route maps, an “Assassination Diary,” and a “Resistance Radio” audio experience. A graphic art book, The Man Who Wouldn’t Bow, illustrated by Nigerian artists, will make Soyinka’s story accessible to a new generation.

    This edition is curated by Dr.Oludamola Adebowale, the renowned archivist and curator who began the Timeless Memories project eight years ago as his unique tribute to Soyinka. Through immersive exhibitions and installations, he has explored the vast body of Soyinka’s work, documenting his legacy with curatorial depth and innovation. With each edition, Dr. Adebowale has reimagined the “Wole Soyinka” narrative, preserving it as a living archive of resilience and brilliance.

    Timeless Memories VIII is not just an exhibition—it is a powerful homage to a towering figure at 91 whose voice still echoes with urgency. It reminds us that ideas outlive bullets, and that the spirit of resistance, once ignited, never dies.

  • Kongi at 90

    Kongi at 90

    • Louis Odion

    Yes, take a glimpse at this photograph. You would probably imagine, momentarily, a model among the bevy paraded by, say, the popular ritzy GQ magazine.

    If so, well, you just fell for a disguise.

    Now, take a closer look. Strip that bucket hat and you will behold, in its luxuriant bloom, that familiar hoary mane complemented by no less immaculate goatee to which folks around the world have long grown accustomed as evocative of no other than Kongi in any gathering, anywhere.

    Today, it took more than “yabis” (teasing) to extract a few seconds from Professor Akinwande Oluwole Soyinka and get him to shed his accustomed stern mien and momentarily act a model, one hand fashionably in the pocket, on a North African soil. But without the usual preening or sashaying of the runway.

    That fleeting GQ moment was, by the way, captured in Fes (Morocco) in June 2023 by this writer with a camera phone as an emergency “paparazzi”, after sidestepping a bit to get a perfect angle for the lens against blinding lights by the elementary law of photography. Amid sustained volleys of “yabis” by an old disciple, Sir K (Kunle Ajibade) alongside Mrs Rakiya Dhikru-Yagboyaju and Ahmed Garba-Gombe who formed Kongi’s entourage while guests of King Mohammed VI of Morocco as part of activities to mark Morocco’s 28th Book Fair last year.

    The location was the vast lounge of Nejjarine Ensemble, ornate with its Oriental mosaic and sculptures, perhaps the most remarkable among the kaleidoscope of historical monuments and buildings long classified by UNESCO as world heritage sites in Fes. Outside this sprawling palace (built in 1711 by Sultan Moulay Ismail), history cast a rather long, sepulchral shadow on the forecourt under the mild pre-summer sun.

    Indeed, hours earlier in faraway Rabat, no sooner had Prof materialised in a rare white linen shirt from the elevator into a waiting party of his entourage (from Nigeria) and Moroccan officials at the lobby of the exquisite Sofitel Hotel than Sir K lobbed the first “yabis” by joking if Prof was already considering career switch from literature to modelling.

    Of course, an inexhaustible bag of humour himself, Prof absorbed as much as he dispensed withering ripostes that sometimes left us breathless with tearful laughter. Sometimes, his humour was self-deprecatory. Like his recall of once being made to repeat a passage — and again — through the scanner at an international airport abroad, until a further meticulous search by apprehensive security agents revealed that the trigger of the persistently treacherous alarm bell was not more than the phial of granulated native African pepper Prof habitually carries around to spice his meals at Oyinbo restaurants.

    Even more extraordinary was Kongi’s undiminished agility and razor-sharp sense of recall at such an advanced age. Eager to show off their abundant tourism treasures, the Moroccan officials had taken us to many high and low locations. Not once did Kongi, barely a month short of his 89th birthday then, appear to have missed a single breath or betray the slightest hint of weariness over an otherwise loaded itinerary.

    Indeed, something seemed to have moved a day earlier in Rabat (Morocco’s political capital) when news circulated that the literary eagle had landed in Casablanca (the commercial nerve centre), straight from the U.S. (We had flown from Lagos and arrived in Rabat hours before Kongi).

    For the four days we spent in Morocco, there was always a scramble by local folks to see or come near the first black Nobel laureate in Literature who, according to the Swedish Academy, “with poetic overtones, fashioned the drama of existence.” The one who, with the sheer power of the written word, had achieved world celebrity. The one whose voice forever instils mortal fear in the hearts of tyrants and bigots everywhere.

    Words also reached our mercurial Emir Sanusi Lamido Sanusi, a bosom friend of the King of Morocco, who was also in Rabat around the same time. The Nigerian ambassador to Morocco, Mansur Nuhu Bamali (now late), brought His Royal Majesty to see Kongi on arrival at Sofitel. Both had a lengthy private chat on the plum couch in the lounge.

    As for the occasional bucket hat, those who know will reveal a darker story. In the 90s, it served Kongi abroad as a disguise against Abacha’s paid killers after being publicly charged with treasonable felony in Nigeria on account of his pivotal role in the pro-democracy struggle after the June 12 annulment at grave personal risk. Indeed, throughout Nigeria’s postcolonial history, only a few — if any — could be said to have been as invested in pursuing the common purpose as Kongi. (A fact now lost on some of our millennials and Gen Z utterly bereft of a sense of history and quickly recruited as online trolls for puerile graffiti).

    But in the latter years, that bucket hat has evolved into a civil utility: either as a prop to sneak into a targeted tavern undetected or simply evade a never-ending stream of autograph hunters and hustlers for photo ops.

    Two Mercedes limousines were provided for the journey to Fes. But before take-off, Kongi asked I “abandon Kunle and others” in the second car and keep him company in his.

    For the about two-hour trip, it felt invigorating to sit next to and converse non-stop with arguably one of the world’s greatest minds in the last century, the monarch of the language himself, famously described as “the conscience of the African continent.”

    Indeed, as Prof enters the nonagenarian club this week, there is no doubt that what obsesses him remains a fierce commitment to the values of tolerance, justice, good governance and compassion for the vulnerable in Nigeria and everywhere. Plus, an advocacy for youth empowerment in the political economy where gerontocrats seem reluctant to let go.

    Read Also: Interrogating good governance, nation building at Kongi’s feast

    The said linen shirt he “premiered” in Morocco was, in fact, a gift from a young Nigerian fashion designer. He chose to “launch” it before a foreign audience to help promote Nigerian talent.

    To the far younger ones like yours sincerely, Prof’s father-figure stature naturally makes him a guardian. But despite the vast age difference, Kongi also relates to you as a friend with uncommon solidarity and loyalty.

    That spirit was on display when this writer turned 50 in March 2023. He was not in the country when “OPEC President” (Tunji Bello) hosted a dinner in my honour in Lagos, attended by the likes of Aremo Segun Osoba, Pa Julius Adelusi-Adeluyi, Dr. Yemi Ogunbiyi and several media heavyweights.

    On returning to Nigeria two weeks later, Kongi chose to host a lavish luncheon for his younger disciple at one exclusive “hideout” in Ikeja GRA. T.B. was excused because of Muslim Ramadan. But the “gang” (Sam Omatseye, Kayode Komolafe, Azu Ishiekwene and Andrew Odion) had a swell time feasting. Of course, wine flowed freely.

    Azu won the additional lottery of a bottle of vintage wine as a “takeaway” from Kongi’s famous cellar for a tribute he wrote earlier on me which Prof found interesting.

    Eventually, when the waiter brought the invoice, I tried to play smart.

    In the hoary years, the mammal, according to African wisecrack, should suckle her brood instead by a reversed law of nature. I thought being hosted by a Nobel laureate alone was already a significant honour and, as a cultured Bini man, I should not allow that to leave a hole in the old man’s pocket.

    But on sighting my ATM card and conspiratorial whisper to the waiter on the side, Kongi preempted me. With a vehemence, he insisted on picking up the bill himself and thrust forward his credit card. Overwhelmed, I knelt in gratitude, to which he frowned, jocularly waving me to stand up “And stop embarrassing me in the public.”

    That’s the essential Prof.

    On his 80th birthday in 2014, I wrote a tribute for Kongi. Ten years later, nothing has changed to persuade me to rethink or regret my words. I crave readers’ indulgence to bring the following extracts from that essay:

    “What truly makes Soyinka great is not so much for the monumentality of a talent that spews pithy poetry, gripping prose and transcendental drama. His greatness lies more in the courage and character he brings to bear on creativity.  At an age when no territory seems restricted any more, when many of yesterday’s heroes and heroines have been exposed to be counterfeits, and when more and more of the surviving statesmen would instead trade away their honour for temporary gains, Kongi remains an exemplar.

    “His fiery pen and caustic tongue notwithstanding, Kongi remains tender at heart, one who may disagree with you in principle but never holds back in the fellowship of humanity or be detained by bitterness over the past. Only that could explain the complicated relationship he has had over the years with his relative, ex-President Olusegun Obasanjo.  Feisty OBJ had decided to veer from the political turf as sitting president in 2005 to engage Soyinka in an epistolary joust. In a signed statement, he took a swipe at Kongi for criticising his policies.

    “But discerning observers who read the open letter could not but raise their hands in panic immediately, fearful of the approaching literary wrath on the proverbial errant native doctor who carries his ritual offering past a mosque. While it was readily conceded that OBJ was fussy by nature, many had expected that his fabled native intelligence would have served him well by dissuading him from venturing into a square rope against Kongi in a literary duel.

    “Their worst fears were soon proved right. Soyinka’s response was an atomic bomb. OBJ’s presidential garment was torn beyond recognition by the time the smoke cleared. For once, the Ota chicken farmer became tongue-tied. Months later, the hatred that open ‘roforofo’ (dirty fight) had generated would not prevent Kongi from showing up at the funeral of OBJ’s spouse, Stella, who died suddenly following complications arising from a medical procedure in Spain.

    “When OBJ finally met with Kongi face to face on the aisle outside the funeral parlour, the story is told of how the president exploded in a playful rage, ‘Wole, iwo! (Wole, you!)’, raising an arm in mock threat. Defiant Kongi fired back, “Segun, Ori e!” thumping his head in a supreme Yoruba gesture of contempt.  More embarrassed than amused by such audacity, the guards around the President cleverly looked away.

    “Again, when Chief Emeka Ojukwu qualified the victory he achieved in the sham elections arranged by the Abacha junta to select delegates for the 1994 Constitutional Conference as conferring on him a mandate ‘superior to June 12’,  vintage Soyinka gave expression to popular thinking in the country then by simply dismissing the ex-Biafran secessionist as ‘an expired warlord’.  That critical riposte would not prevent Kongi from attending Ojukwu’s burial (in 2012) to pay last respects to a personal friend.

    “The same generosity of spirit is evident in his warm relationship with General Yakubu Gowon today.  At the presentation of a memoir by the Oba of Benin early (in 2014), Soyinka continually poked good-natured jokes at Gowon while giving a keynote address to the audience’s admiration. It was hard to believe that it was the same Gowon who had clamped him into the gulag during the Nigerian Civil War. His 28-month solitary confinement birthed the book, ‘The Man Died’.

    “When it was his turn to speak, the former head of state threw the crowd into a fresh bout of laughter by cautioning Kongi to watch his tongue: ‘You should remember that it was because of the same sharp tongue of yours that I sent you to prison in the 60s.’

    “Being the first black man to win the Nobel Prize in Literature, Soyinka’s life sends an enduring message: the infinite possibilities of the black race.”

  • Interrogating good governance, nation building at Kongi’s feast

    Interrogating good governance, nation building at Kongi’s feast

    Art communities in Nigeria and the UK will have a harvest of feasts to mark the Nobel Laureate, Prof Wole Soyinka’s 90th birthday. Expectedly, the celebrations will explore ideas on national interest, good governance, and nation-building. Beginning from July 11 to 27, the annual Wole Soyinka International Cultural Exchange (WSICE), in partnership with other agencies, will host the events at various locations, Assistant Editor (Arts) OZOLUA UHAKHEME reports

    Organisers of the annual Wole Soyinka International Cultural Exchange (WSICE), have disclosed that the 15th edition of the programme will hold in two tranches:  July 13 to 16 (virtual and onsite) in Nigeria; and July 19 to July 27 in London.

    Its Executive Producer, Dr. Teju Kareem, who spoke on the theme of this year’s edition: Engaging National Interest on Good Governance, Understanding and Nation-Building (E.N.I.O.G.U.N), said: “Prof. Soyinka has pursued the betterment of society through his support for freedom and the common good of all irrespective of age, class, gender, religious or political persuasions — making his work a global service to humanity. His career spanning academia, literature, and activism exemplifies a profound commitment to creating a just and equitable world, thus encapsulating the essence of E.N.I.O.G.U.N as both a personal and a universal pursuit.”

    Organised in collaboration with partners located in Nigeria and overseas, the edition is coinciding with the 90th birthday anniversary (July 13) of the Nobel laureate, Prof Oluwole Akinwande Soyinka, whose exceptional life story and as well illustrious career as a quintessential artist and global humanist, inspired the birth of the project in 2010.

    The general theme is premised on the general condition of humanity, but specifically for this milestone edition, it is focused on Nigeria, Soyinka’s land of birth to which he has devoted his life-long career as a multi-talented/skilled artist, public intellectual and as well, human/civil rights activist. Specifically, this year’s theme is a summation of the over seven decades commitment and struggles of Soyinka as a nationalist, patriot, and humanist — as can be gleaned from his voluptuous creative works and consistent public engagement.

    In particular, the theme E.N.I.O.G.U.N is to sum up his life-long commitment to the cause of nation building through his relentless fight for the national interest that would ensure good governance for the wellbeing of the general citizenry. While the theme domiciles appreciation of Soyinka’s commitment to his birth country, Nigeria, it is by extension an appreciation of his global service to humanity in general, which has seen him advocating for justice, freedom and respect for the rights and freedom of citizens all over the world. The theme will be the focus of all the programme items of the edition.

    The celebration will include Essay Writing, Advocacy, Do Your Own Thing and Performances. The programme is designed to celebrate the values and virtues of Soyinka all grounded in his struggles to ensure social and cultural justice, freedom from all forms of shackles and, respect for the fundamental human and civil rights of all.

    The youth section of the edition will focus on the central motif of the project: mentoring and grooming the new generation of thinkers and eventual leaders who would work for the overall national interest of lifting their country and their society to greater heights of human and material development.

    On July 13, at Ijegba Forestage, Abeokuta, Ogun State, there will be students essay writing and excerpts from previous winners’ essays; youth creative expression (Do Your Own Thing) and culture house reception.  For this edition, 90 students will write the essay in the full glare of the public, including their parents/guardians, teachers as well as other members of the public.

    In its 15th year, the annual WSICE essay competition has garnered over 10,000 essays written by students, mostly the Senior Secondary Students (SSS) cadre in the age range 12-17 years old. It has also conferred over 90 prizes on winners in at least 23 states of Nigeria, as well as 30 winners from five linguistics zones of the world. These students would be drawn from around Nigeria writing on the theme: The many lives of an irresistible patriot, humanist, and rights activist. The objective is to deepen their understanding of the dynamics of nation building, especially to think through the examples already established through Wole Soyinka’s personal life and intervention in public discourses and engagements. Winners of the essay writing competitions will be unveiled on July 13, the actual birthday of the patron saint of the project.  The entries in English language will be 800 words minimum in text volume.

    Read Also: Omowunmi Dada: It’s an honour to portray Wole Soyinka’s mum

    After the reception for the winners, over 1000 youths will converge at the WSICE theatre site in Soyinka’s backyard, to engage in a hybrid Do-Your-Own-Thing open-air creative expressions. The event will be live televised and streamed via various social media platforms. This will be followed by an evening of sight & sound designed in creative performances — music, drama, dance, poetry and spoken words, fashion parade, craft displays and film screening, among others.

    There will also be a presentation of The Noble Warrior – ENI OGUN, at June 12 Cultural Centre, Abeokuta on July 13. A theatrical masterpiece, written by Aiyeko-ooto Onadele, and produced by Adubiifa Network Company in collaboration with WSICE, which explores themes of bravery, struggle, and the human spirit, resonating deeply with Soyinka’s literary legacy. But, in Lagos, Soyinka’s classic, The Lion and the Jewel will be on stage by Live Theatre Lagos from July 12 to14, and July 19 to 21 at RadissonBlu Anchorage, Victoria Island Lagos and Nigerian Law School, Victoria Island, Lagos.

    The advocacy session of this year’s edition will hold in collaboration with the Nigeria Academy of Letters, (NAL), on July 11.  The session will be followed by a dinner reception for guests.

    LAGOS – LONDON CELEBRATION

    Crafted on the theme, Nine Season of KONGI, and to be hosted by the famous The Africa Centre, this is an international event rooted in the concept of charity-begins-at-home, the event will feature a multi-podal programme content, including: African I-D-E-N-T-I-T-Y (AI) – at the prestigious Main Auditorium, University of Lagos, Akoka, a   visionary exhibition project, curated under the Vision of the Child (VoTC) umbrella, to promote creativity, education, and social transformation across the continent. Dotting on the theme Redefining African Identity through Integrity (In celebration of Wole Soyinka at 90), the exhibition, The African I-D-E-N-T-I-T-Y initiative, is conceived from the themes of the 2013 and 2014 editions of VoTC:  “Good Governance and Democracy in Nigeria” and “One Thousand and One Faces of Corruption” – which were themes conceived  by Soyinka himself while serving as project supervision and grand patron for the VoTC and the Lagos Black Heritage Festival, LBHF,  the annual project promoted by the Lagos State Government under the then Governor Babatunde Raji Fashola. With a focus on promoting good governance and democracy amidst the challenges of corruption, AI encapsulates the essence of Africa through the principles of diversity, economic development, nationhood, trade, innovation, talent, and youthfulness. Also, WS: A LIFE IN FULL, an exhibition of portraits of the laureate from childhood through adulthood, a collection of drawings and paintings by different artists of varying ages and persuasions will be exhibited. The works are sourced from personal collections of Soyinka as well as the WSICE Art Gallery located in Abeokuta, Ogun State. 

    The UK leg of the celebration will feature the London premiere of THE MAN DIED, the feature film inspired by Soyinka’s classic prison memoir of same title. Featuring top bills in Nigerian film industry, including Wale Ojo, Sam Dede, Nobert Young, Francis Onwochei, Abraham Amkpa, and others, the film is directed by Awam Amkpa, Soyinka’s former student and professor of Theatre, Media and Cultural Aesthetics at the New York University, Abu-Dhabi, where he is currently Dean of Humanities and Deputy Provost.

  • ‘Dining’ with Kongi

    To be mentioned in the same breath as immortal Prof Wole Soyinka is, to me, enough honour, let alone having one’s writing featured in his latest book entitled, “Green Cards and Green Gods”, as well.

    My bewilderment could, therefore, only be imagined last week when I received a correspondence from the book’s publishers announcing that, on Kongi’s insistence, a generous portion of his royalty from the book will be paid to me for even my little effort in the book unveiled in December 2017.

    As a writer, material reward is never one’s primary motivations. Rather, it is more about questing for that inner peace kindled only by the consciousness of truth or the defence of its province.

    To now be compensated by the Nobel laureate on top is gratifying indeed. The cheque’s size is beside the point; much more invaluable, in my view, is the very spirit behind the gesture – the willingness to share and the sense of accountability.

    From my interaction with Kongi and learning at huge feet over the years, I can almost swear his thunderous aversion to publicity of this nature. But I’m willing to risk his wrath, if only for an opportunity to bear testimony to his uncommon generosity of not just spirit, but in material terms as well.

    Members of my generation grew up hearing stories of how Kongi quietly gave away most of the cash of the Nobel Prize in Literature he won in 1986 to the needy. And when unable to meet excessive material demands from those who have access to him even till date, he would sometimes pass on invitation to lucrative speaking engagements as another form of “donation”.

    Well, on a jovial note, having thus made full disclosure, here is earnestly hoping prospective freeloaders and scavengers milling the nation’s space won’t now suddenly consider me a goldmine or easy target of 419 schemes, even before the cheque is cashed.

  • Kongi, herdsmen and specialists

    You may be excused if you haven’t read or have not even heard about the book or play, Madmen and Specialists. But if you didn’t know who is fondly called Kongi in Nigeria, then you may have no business reading this column. This 47-year old play is one of Wole Soyinka’s arcane works which does not yield easily to simple minds. But we have taken liberty on the title in this moment of Fulani herdsmen torment and indeed ferment.

    Herdsmen who had been with us since creation (of Nigeria) seem to have earned more impetus recently after the ascendancy of President Muhammadu Buhari two years ago; gaining in impunity and derring-do. And their latest victim is Professor Soyinka, who lamented over the weekend that he returned from a trip abroad to find his sanctuary in Abeokuta, Ogun State violated – again.

    “… this time, the herders not only went through my abode, but took their cows to my door step.” He noted that the herdsmen in the country were going about with conqueror mentality, suggesting there is a movement to enslave the entire nation.

    The situation may well be an uncanny replay of the Nobel laureate’s Madmen and Specialists. In a fresh rush of blood-thirstiness, no fewer than 3,000 Nigerians may have been killed by these itinerant cattle-rearers in the two years of PMB’s government. Many of the people killed in their abode or farmlands; many of them accompanied by the maniacal fury of night raids and conflagrations that sometimes razed entire communities.

    They started with poor farmers and decrepit communities, then they got brazen and broke all bounds, picking on anything in sight. Chief Olu Falae, monarchs and community heads were all trampled.

    Kongi in his play wrote about the abusers, the abused and a wacky Doctor Bero deeply engrossed in his sinister experimentations. Has art embraced life in the ongoing Kongi and the herdsmen saga? If our comatose presidency and gamboling governors are the abusers, then Kongi and thousands of Nigerians caught up in the herdsmen deathly impunity must be the abused?

    Before our eyes; including kongi’s eyes: We all have watched this gory drama play out in the last two years; just a few scenes would suffice here: according to report, on March 15, 2015, about 100 worshippers were murdered in cold blood in St. Joseph’s Catholic Church, Egba, Agatu LGA of Benue State. The victims were mainly women and children. After the well planned gruesome bloodfest, the church was set ablaze apparently to incinerate the evidence.

    Eleven months later, on February 26, 2016, Fulani herdsmen struck again in Agatu, to commit what is to date, the mother of all murders in Nigeria’s peace time history. In a dawn raid, herdsmen ransacked about seven villages killing no fewer than 400 people. The community was razed and about 7,000 people displaced.

    A few weeks after Agatu, (April 25, 2016) the herdsmen struck in Ukpabi-Nimbo in Uzo-Uwani LGA of Enugu State. They left about 48 dead and 56 injured. Sixty houses were razed in a dawn raid that displaced most of the community. It didn’t help that security agencies had prior intelligence of the attack. In fact, the attackers were said to have out-gunned a combined force of soldiers and policemen drafted to quell the mayhem.

    On January 5, 2016, a Delta State monarch, HRM Akaeze Edward Ofulue 111 of Ubulu-Uku, was abducted by Fulani herdsmen. His decomposing remains were found under a tree in a bush in Umunede about three weeks later.

    Three more monarchs have fallen to the herdsmen after Ofulue. In May 2016, Bala Madaki, the traditional ruler of Fadan Karshi district in Sanga LGA of Kaduna, was killed in cold blood with his nephew, Emmanuel Tanko. Ironically, it was Madaki who received former Governor Mukthar Yero when he visited Fadan Karshi in 2014 and the women of the community bared their bodies in protest over the scale of herdsmen killings at the time.

    Two months later (July), a first-class traditional ruler in Plateau State, the Sat Ron Kulere, Sir Lazarus Agai, who was chairman of Bokkos Council of Traditional Rulers, was murdered in his home village, Sha, by suspected Fulani herdsmen.

    He was reportedly killed with his driver and police orderly as he returned from his farm in Sha.

    And last March, yet another traditional ruler was killed in Buruku LGA of Benue State  with about a dozen of his subjects in yet another night raid by suspected herdsmen. According to reports, about 12 villages were attacked and destroyed as the marauders were said to have left nothing in sight.

    These are just a few cases in a harrowing litany of madness by the so-called Fulani herdsmen. Apart from the case involving Chief Falae, hardly in any other situation were culprits apprehended nor were investigations carried out. The specialists in the form of the police and other security agencies were only adept at downplaying the extent of casualties and making vague promises about getting to the bottom of the matter. But most of the incidents have gone unquestioned.

    Specialists in the guise of  governors have watched over this insanity with characteristic idiocy and confounding ineptitude. Now they say the herdsmen are foreigners, and at another time, they rationalise why they have to kill fellow compatriots because they value their cows more than humans.

    Governor Nasir el Rufai has presented himself as the most supporter and encourager of this beastliness.

    The presidency, the chief specialists has carried on in benumbing lethargy if not tacit support. Where you would expect a declaration of emergency and a shoring up of the rule of law, you get a tepid condemnation and a lecture on the psychology of the Fulani herdsman.

    If the governments at all levels do not suffer mental block, they would have long realised that this is simply a case of a business model that has become out-moded and now inimical even to the very survival of the country unless it is urgently changed. The state simply needs to encourage cattle owners to build ranches and grazing grounds. As farms and built up areas expand, the itinerant pastoralists must learn to be more in situ in doing their business.

    And since the herdsmen’s commodities are in demand all across the country, state governments must encourage business people to invest in ranches and grazing grounds which the herdsmen can hire or lease. Instead of the stupidity of taking grazing grounds by fiat, business owners can be encouraged to see the benefits of developing ranches.

    There is no running away from restructuring our archaic mode of animal husbandry. Well, now that Kongi’s sanctuary has been breached, perhaps we may want to call for a national conference to rethink this huge business of beef, milk and leather.

     

    Much ado about Obi’s watch

    Just as they say with the now wretched cliché about corruption fighting back, this column would want to tweak that a little to say that: bad governance is fighting back! It has become common knowledge that Mr. Peter Obi, the former governor of Anambra State, was a model of prudence and fiscal responsibility during his time in governance.

    This must explain why twice in just about six months, he has been brought to the Platform series of the Covenant Christian Centre to speak on responsible management of public office. The first was on October 1, 2016 and the second this last May Day.

    Both lectures were huge for those who seek wisdom and who love rectitude in governance. But instead of his nuggets of advice trending, some detractors have found joy in trying to prove that Obi does not own only one wristwatch as he claimed. What pettiness and what a pity?

    For a man who was already a wealthy businessman before he got to office; a man who never borrowed a kobo all his eight years in office as governor and one who left about N75 billion in the kitty for his predecessor, wristwatches would be like toy stories to him, wouldn’t they?

    Let’s not miss the lesson; Nigeria needs men like Obi now more than ever.

     

  • 82 masquerades for Kongi

    82 masquerades for Kongi

    The Ijegba forest in Abeokuta was full of theatricals last week when Professor Wole Soyinka celebrated his 82nd birthday, with assortment of egungun in attendance to salute this iconoclastic artiste, Edozie Udeze reports.

    Ijegba forest in Abeokuta, Ogun State, is not synonymous with the famous evil forests recounted in most renowned literary narratives in Yoruba tradition.  It is a place where literature thrives; where live theatre meets the people to assuage their nerves.  When last week, people from all walks of life gathered in the forest to watch an assortment of plays and songs and drummings, it was basically to celebrate Professor Wole Soyinka who turned 82 on July 13.

    Apart from celebrating Soyinka who has undoubtedly become an enigma not only because of his literary acumen and numerous contributions to world literature, but due to his love for what is unique and different, the amphitheatre which he built inside the thick forest of Ijegba has come to symbolize an irony of A Dance of the forest.  And that is the real reason why the place is symbolic.  The love of theatre can best be represented in a noiseless environment where humanity, and nature converge to satisfy the yearnings of man; the curiosity of his soul.

    What impressed most people while the plays and drummings and chants went on that night in the forest of Ijegba, was the presence of masquerades.  With over one hundred of them surrounding the arena, it was clear that both the organizers of the show and Soyinka himself were in  agreement to showcase the importance of masquerades in the annals of Yoruba traditions.

    According to Allhaji Teju Kareem of Z-mirage who handled the stage lightning of the show, the 82 masquerades in the arena represented the number of years Soyinka has spent on mother earth.  “The masquerades showed his own love for what is out of the ordinary.  If you are celebrating such a big theatre figure; if you have to be different; then you have to include all sorts of razzmatazz to depict a man who lives on theatre more or less.  This was why the aspect of the masquerades came in to prove the place of Soyinka as a world-renowned theatre guru.”

    And so it was.  From the beginning of the amphitheatre to the extreme end of it, overlooking the theatre itself, masquerades hovered and prattled.  They came in different sizes – small, medium, big, with some so imposing that they really invoked the spirits of ancestors.  They chanted in the bizzare strange voices of the ancestral spirits meant only for the initiated.  As the programme went on well into the night, they moved from stage to stage, stirring the audience and ensuring there was no dull moment.

    Soyinka sat briefly in company of Professor Femi Osofisan (who later went on to the stage) and watched quietly as events unfolded in the arena.  He did not stir; neither did he utter a word.  He was mesmerized by the depth of honour being heaped on him.  The presence of the masquerades further accentuated the mood of the people.  Mostly impressed were secondary school students from different schools in Ogun State who were seeing such large number of masquerades for the first time in their lives.  For them, Soyinka represented literature.  His love for humanity is indescribable.  One of them by name, Funke, said, “This is my closest contact with Prof.  The way he writes and speaks about the Nigerian society make me love him.  I love his ways.  Even though this forest scares me a bit; I have not seen theatre shown like this before.”

    This was why also in his response on plays, players and pall bearers, Professor Segun Ojewuyi described plays as bills of dreams woven in purple portions of life submerged in chaos.  However, dreams themselves are dangerously seductive life sentences, evidently abusive peddlers of hope.  And now, how does Soyinka, the Noble Laureate, couch all these to produce his works?  “Yes, plays take you on a joy ride, fueling your hope like a ripened red and swollen watermelon, hiding within its juicy promise a band of twirling maggots,” so said Ojewuyi, while delivering his speech at the occasion.  His speech was to convey the hidden Soyinka.

    “So it should no longer be a secret that when we celebrate Soyinka we are celebrating the most subversive voice in ourselves.  Therefore our collective mission is to keep our arts flourishing, to nurture our collective defiance of rote and logic” Ojewuyi the artistic director of the celebration noted.

    If the voice of Soyinka is the voice of the ancestors, then the symbolism of those ancestral spirits conformed with the epoch event.  In Yoruba tradition, the egungun masquerades represent the religion and the belief of the people.  Their presence in most arenas depict the importance of the personality in question.  The egungun as the spirit of the living-dead does not come out for nothing.

    This was what their presence demonstrated in Ijegba forest, an arena where the meeting of masked ancestors and the living showed an uncommon symbiotic relationship.  They showed that the dead are in constant touch with the living invoking the spirits of the ancestors on behalf of humanity.

    As the drums beat constantly and the masquerades prattled about, they were possessed by the spirits of the inner-world.  Adorned in multi-coloured regalia, they danced to register their presence.  It was believed that their presence fostered unity in the community and that the people were properly protected.  This was why they couldn’t wait for too long to take over the stage in diverse forms as soon as proceedings ended.

    As the effigy representing corruption in Nigeria burnt out in the background, the masquerades danced joyfully to announce that peace now reigned supreme both in the world beyond and the society.  A new life had indeed set in.

  • An encounter with Kongi

    An encounter with Kongi

    Founder, Rainbow Book Club and Project Director, Port Harcourt UNESCO World Book Capital 2014, Mrs Koko Kalango recalls her encouter with Prof Wole Soyinka

    From my vantage point on the balcony of the theatre, I could see the speaker clearly.  The Hall in East London was full on that cold evening in January 1999. I had left my office on Brompton Road earlier than usual to get to the venue well before the doors opened at 7pm. The seat I had secured afforded me a good view of the event’s proceedings. A Nigerian band, Tamayan, played highlife, just before the writer took to the centre of the stage.  The light from the ceiling made his bushy white head of hair appear silver. His beard remained grey. Wole Soyinka was casually dressed in a grey, sleeveless jacket with a white band around its arm, over a black jumper and a pair of black trousers. He began to speak, but there seemed to be a problem with the microphone. He muttered something which I did not quite catch. I don’t think anyone else in the audience did either. We all burst into spontaneous applause anyway!

    I had travelled across town to attend The London Festival of Literature where three literary legends would be under one roof, on one night. I was not about to miss this lifetime opportunity to see, hear, and perhaps even meet, Wole Soyinka, Chinua Achebe and Derek Walcott.

    After Soyinka gave his Lecture, Alastair Niven, then Director of Literature at The British Council, had an interview with Achebe and, following an interlude, Walcott read some of his poems.

    At the end of the programme I joined the queue to get Soyinka’s autograph. In anticipation of this meeting I had purchased a copy of his 1972 memoir The Man Died: Prison Notes of Wole Soyinka. I shuffled patiently in the line, every step inched me closer to meeting the man. After about 20 minutes, I came face to face with Wole Soyinka. In the little time I had, I managed to get my book autographed and to take a picture with the author.

    Seven years later, I found myself seated in a four-wheel drive beside Prof. Soyinka, riding from the Port Harcourt International Airport to the British Council office. We were going to meet with over 100 eager young students who had studied  Ake: Soyinka’s childhood memoire, and were waiting to interact with the writer, as part of the Rainbow Book Club’s 2006 ‘Get Nigeria Reading again!’ campaign. Soyinka had turned 70 a couple of years before and his latest memoire You Must Set Forth at Dawn was being launched at this time.  As we made plans for the second Rainbow Book Club national reading campaign, Africa’s first Nobel Laureate for literature was our natural choice for guest writer.

    When I met WS at the Airport, he was obviously very tired; he had, only the day before, come in from Finland. In spite of his fatigue, the Professor came across as easy going, warm and kind. During the 70 minutes ride into the Garden City, I could not help noticing how the faces of people we passed lit up when they recognised the man with the trademark bushy grey afro.

    In the car, I intimated WS of the programme for the day and informed him that I would be interviewing him before the audience at the dinner that evening. “You?” he asked, surprised.  I looked him straight in the eye and replied “Yes, me”.

    Someone had warned me:  ‘you don’t just get up and interview Soyinka. You have to do a lot of study and preparation. He could get irritated if he senses that you have not done your homework.’  I was not initially billed to interview him and had approached a couple of literature scholars to conduct the interview; each of them turned down the invitation. I suspect that they dreaded the thought of confronting this literary lion, who had a reputation of taking his prey apart, effortlessly. As the organisation of this event rested largely on my shoulder, and I could not find anyone with the courage to face Wole Soyinka, I had no option but to take on the giant myself. I must confess that when the hour did come I really felt like a David before a Goliath.  But it was too late for me to back out… without thinking too deeply, I shut my eyes and took a leap of faith!

    That event would mark the beginning of the association between WS and me. Now an honourary member of the Rainbow Book Club, Prof. Soyinka has not held back on his goodwill, personal participation or counsel whenever we have reached out to him. At our instance he has read to children, taught aspiring writers, taken part in various interactive sessions and ofcourse he delivered the keynote address at the historic occasion of Port Harcourt’s assumption of the prestigious title of World Book Capital 2014!

    When we put in the bid to UNESCO for a city in Nigeria to be World Book Capital, Prof. was not very optimistic but he encouraged me all the same. When UNESCO contacted me to say Port Harcourt had been nominated World Book Capital 2014, beating cities like Oxford, Lyon, Sharjah and Moscow, I was ecstatic. Naturally, Prof. was one of the first people I informed. Prof. threw his weight behind our preparations and even came all the way to Port Harcourt to make his input and offer his assistance.

    Today, a decade and a half since my first meeting with Prof. and almost a decade since we first hosted him in Port Harcourt, Prof. has become, easily, one of my favourite people. I enjoy chatting with him as we often have during the long rides to or from the Port Harcourt International Airport or the University of Port Harcourt. Over the years, in the course of my work, i have related with many people but Prof. has stood out tall amongst others. I recall that when we invited him to the maiden edition of the Garden City Literary Festival (now the Port Harcourt Book Festival), in 2008, I inquired what honorarium I should give him. Prof. never responded to my emails. I went ahead to propose a sum that was a real sacrifice to Rainbow but nothing near what he would usually accept. I waited in anxious anticipation for his feedback, not sure if he would feel I was taking his goodwill for granted. Rather, Prof. reverted to say what I was offering him was ‘too much’ and that he did not want ‘to empty the coffers of the Rainbow Book Club’. That is vintage Prof., ever ready to go the extra mile for a cause he believes in!  Prof. belongs to the endangered specie that is the de-tribalised Nigerian. His tribe is any tribe in trouble. Like a chameleon he takes on the colour of the oppressed and when their problem is solved he assumes the pigmentation of the victimised.

    A man of courage, Soyinka remains  a voice for the voiceless. A typical example is the now world famous Bring Back the Girls campaign which grew out of a passionate plea he made at the opening ceremonies of the Port Harcourt World Book Capital programme on World Book Day (April 23rd) this year. I quote him “Today, we shall not even be so demanding as to resurrect the slogan BRING BACK THE BOOK – leave that to us. It will be quite sufficient to see a demonstrable dedication that answers the agonising cry of BRING BACK THE PUPILS!”

    As I write, my mind still goes back to that evening, in 2006, when I took the stage in an interview with Wole Soyinka, at the Hotel Presidential, Port Harcourt. I survived the encounter and the audience seemed to have enjoyed it as much as I did, even if, at the beginning, I had felt like David and, in my eyes, Soyinka was like Goliath. Unlike the biblical Goliath, however, Soyinka did not fall down. Infact, at 80, he still stands tall.

    In my few years of relating with WS, I have found this giant to be gentle, young-at-heart, giving, fearlessly loyal and fiercely intelligent. My prayer for Professor Wole Soyinka, on his 80th birthday, is a promise God has made in Psalm 91 verse 16, ‘with long life will I satisfy him and show him my salvation’.

     

    •This article is a revised edition of an article written by Mrs Kalango and published in WS A LIFE IN FULL (Bookcraft.)  Mrs. Kalango is the founder of the Rainbow Book Club and the Project Director of the Port Harcourt UNESCO World Book Capital 2014 programme.

  • As Kongi grows riper

    As Kongi grows riper

    Soyinka consistently writes and acts in a way to show that he does not separate the words he uses from the actions he takes with respect to accountable governance

    It was Pablo Picasso that once said that a person grows riper rather than older. As the world celebrates Wole Soyinka’s 80th birthday for different reasons, all of which pertain to the sterling contributions he had made to human civilisation in general principally through his literary genius, some readers of this column have emailed to find out what I think Professor Soyinka means to the average Nigerian, as distinct from the impact he has made on the intelligentsia through his high art. There is no better way to answer this query than to summarise the significance of the acts of secular humanism of Nigeria’s 80-year-old Nobel laureate to the project of transforming post-colonial Africa in general and Nigeria in particular, from a world of fear and failure to one of faith in freedom and justice for all.

    Although I have many other things I would have liked to say about Kongi in this column on this special occasion of his 80th birthday, despite my belief that he does not really like being talked about in any tone that is reminiscent of praise poetry. But I will focus today’s piece on the simplest and yet profound of the three requests I received from my readers: “how has Prof Soyinka made his high-brow literature and living relevant to the experience of the masses of our people?”

    Soyinka has consistently in the past 60 years made his writings and his actions speak to the experience of the masses, not only in Nigeria or Africa, but all over the world. On account of space, we will focus on how he has made efforts to improve the dignity of the average person. But first, his literature—now referring just to his fiction, drama, and poetry— is not all high-brow. There is nothing elitist in The Trials of Brother Jero, The Lion and the Jewel, The Swamp Dwellers, From Zia with Love, and King Baabu, to name a few.Of course, there are many others written in less accessible language than those mentioned above: Madmen and Specialists, A Dance of the Forests, The Road, Death and the King’s Horseman. But every piece in his corpus responds to the complexity of the subject or idea at issue. As various communities across the globe celebrate Kongi for what they see as the Nobel laureate’s contribution to their understanding of life, let us focus here on how his writings and actions have addressed the masses of our people.

    Starting philosophically as he does from the principle that every person deserves that his or her human dignity is enhanced in private and in public at all times, he promotes one recurrent theme in all his writings: the non-negotiability of the freedom of every individual and the need to join or lead in the resistance of any form of injustice that threatens individual freedom and dignity. Of course, Soyinka consistently writes and acts in a way to show that he does not separate the words he uses from the actions he takes with respect to accountable governance. Even long before becoming an international celebrity, he is on record as intervening in a bold way to challenge election rigging in Western Nigeria in the mid-sixties. By disabling announcement of a radio message from a government with democratic deficit and enabling one that calls for honesty in electoral democracy, Soyinka acted out in Ibadan a theme that has become second nature in all his writings and speeches: recognition of a contest between power and freedom as an abiding aspect of the human society and the duty of the man or woman of conscience to be on the side of freedom and against any form of power that threatens freedom.

    It is the preoccupation with freedom and justice that was evident in the activities of Soyinka during the civil war. For visiting the Biafran leader, Odumegwu Ojuku, and for writing to call for a cease fire, he was incarcerated for 27 months, after which he went into his first exile. His famous quote in The Man Died, one of two literary products that resulted from months of total confinement: “The Man dies in all who keep silent in the face of tyranny” captures what Soyinka sees as one of the central goals of the human intellect.He puts the same principle differently when he says that “the greatest threat to freedom is the absence of criticism.”

    During Soyinka’s second exile at the instance of Gen Abacha’s rule of terror and after Soyinka had been sentenced to death for treason in absentia by Abacha, a highly-placed female chairman of a federal bank was sent from Nigeria through its embassy in Washington to meet some of us in the NALICON-NADECO-Abroad group. After a mendacious assessment of efforts by Yoruba in diaspora “in support of Egbon Abiola’s presidential mandate,” the honey-voiced woman asked if we could help to assist her to meet Prof. Soyinka and General Akinrinade. We acted as if we did not know her pedigree and that if there was any of the three of us in the room who should have direct access to Soyinka that she should be the person. We asked her why anyone would want to talk to Soyinka on behalf of a government that had already sentenced him to death, she replied: “Forget about death sentence that is neither here nor there. Prof. Soyinka’s criticism of government is distracting the leader from governing properly.” We reminded her of the most famous quote from The Man Died. Of course, she had not read the book, and the rest is history.

    Still on the Abacha-induced exile, Soyinka put his money where his mouth was during the NALICON-NADECO struggle. He himself would not acknowledge this in his own writings, as it would smack of self-celebration. But not only did he use his social capital in different parts of the world to source for funds to keep the secretariat and activities going, he also donated resources from earnings from his writings and speeches to the pro-democracy movement. I still recall one day when he was going over some layman’s accounting that I took to him at the Washington airport on his way to Europe. He flipped through the papers and ran his eyes from left to right of each page and vice versa. He looked up at me and said, “RS, I cannot see anything for wine or hospitality in your account.” I looked straight into his eyes and said “Prof, there was no hospitality done.” He smiled and said that it is not that wine itself is a bad thing but these are hard times that almost make drinking wine too much luxury and assured me that there would be plenty of time for wine. I insisted that he should order for one bottle for us to share before his flight, considering my long trip from Pennsylvania to Washington. He laughed, ordered what was asked for and told me to go and file the financial report with the Department of Justice, as required by law.  The point of this digression is that it was not only words and actions that Soyinka gave to the cause of justice and freedom, he also gave his own resources, thus illustrating the principle in another statement by him: “I think that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.”

    Most of our local politicians also, like the informal ambassador plenipotentiary of Abacha referred to earlier, fail to take advantage of Soyinka’s writings and speeches that are not designed for intellectual elites. Otherwise, the many meetings about what position the Yoruba should take to Jonathan’s national conference would have been unnecessary, if Yoruba delegates had paid attention to a speech Soyinka gave to South-South Economic Summit:

    “Let each regional grouping with compatible ideas of the ultimate mission—the future of the humanity for which they are responsible—begin to call the shots, and relegate the centre to its rightful dimensions in any functioning federated democracy…. Each regional grouping should by its policies, declare an uncompromising developmental autonomy—I repeat Autonomy—leaving the centre only with its competence provenance—foreign policy, national security, and inter-state affairs—including peace advocacy but minus its propensity for inflicting heart seizure on productive human concourse.”

    This column wishes Kongi, the man who believes that no government or individuals should create fear for another human being at any time and for any reason diminish the freedom of each person, more happy years of ripening.

  • Honour for Kongi at 79

    Honour for Kongi at 79

    From Lagos to Abeokuta and Osogbo, the celebration train of Nobel laureate Prof Wole Soyinka will on Saturday berth in London. A compilation of selected essays as well as the winning essays from WS76 to WS78 essay competitions, entitled That The Future May Live will be presented in London as part of the Prof Wole Soyinka’s 79th birthday celebration. The Nobel laureate will also flag off the WS80 essay competition to students in Diaspora, reports Assistant Editor (Arts) OZOLUA UHAKHEME.

    Governor Ibikunle Amosun of Ogun State has described Nobel Laureate Prof Wole Soyinka as a man of great intellectual prowess. The literary giant, Amosun said, has consistently provided literary ingenuity through his works which are devoted to developing the society. In a tribute to Prof Soyinka, Governor Amosun said: “On this 79th year of his birth, we have noted an undiminished fervor in him as he continues to pressure our leaders to strive for the best for our nation particularly and humanity in general. His ultimate goal being the restoration of man’s dignity.”

    He said the revolutionary investment in quality education, which is the core reason why Ogun State is first among equals in the country and which has helped to produce the likes of Soyinka is one of the areas his administration has excelled.

    “It is our hope to produce new generation of Soyinkas from our public schools in Ogun State. As this exchange programme also focuses on education and mentoring of youths, we cannot but applaud it because our state is dedicated to providing qualitative education that will in future produce more Nobel Laureates in all fields of endeavours.

    Last Saturday in Lagos, no fewer than 79 students drawn from schools in 25 states of the federation took part in the essay competition at the Freedom Park, Broad Street, Lagos. The topic of the essay was Memoirs for our future followed by Do your thing, featuring debate, reading, spelling bee and drama performances. Later in the night, two plays, Children international and The Trial of Brother Jero were presented at the Terra Kulture, Victoria Island, Lagos. The essay competition adjudicators included Ropo Ewenla, Marcel Mbamalu and Razinatu Mohammed.

    At the Ogun State Cultural Centre, Abeokuta, the 79 students were held to a reception by Prof Soyinka led by her Excellency, wife of Governor Amosun, while at Osogbbo, the students undertook a mentoring tour and reception led by deputy governor of Osun State, Otunba Laoye Tomori.