Tag: Mama

  • Musing over 2face’s  ‘defeat’ to Flavour

    Musing over 2face’s ‘defeat’ to Flavour

    IT still beats my ken how new highlife artiste, Flavour, could have defeated Hip hop giant, 2face, in a stage show, going by the result of the MTV Africa Music Awards (MAMA), which took place in Durban, South Africa, last Saturday. Not that I am less a fan of Flavour N’abania, a contemporary act who continues to assuage my thirst for highlife music, I am more concerned about why the ‘younger’ act could have defeated 2face in the Best Live Act category.

    Last year, while doing a compilation of the most popular Nigerian artistes, 2face, I remember, gave me a hell of a problem, plotting him across a graph that had so many aspects of popularity contest. He is one of the oldest among the trending acts, given the number of years he has been in the music business. Most of his peers have fallen along the way; yet, he is not as loud, noisy, publicity-seeking and, perhaps, excessively ambitious as most artistes around.

    2face has been an exemplary live performer, especially in the Nigerian entertainment space, where most young artistes do nothing on stage but playbacks. The musician, I dare say, need no erotic dancers to complement his stage act. The guy is as amiable, humorous and entertaining on stage as he is in real life situations. Given a movie situation, Flavour could be regarded as stereotypical character and 2face a flexible, nay round character.

    But is it a case of comfort zone that he is not so popular in Africa, to say the least, like the other boys who just sprang up yesterday? Or better still, is it a matter of vogue? Whatever the definition of vogue, 2face has remained constant as the proverbial Northern sun. But on my finger tips, I can count new artistes such as Davido, Iyanya, Wizkid, Kcee and Flavour who have sure votes from fans in South Africa, Kenya, Congo, Ghana etcetera.

    Winning awards, most of the time, is a systemic adventure, which does not only rely on the brilliance and unique artistry of a singer is, but also how he is able to capture people of other different cultures through visibility, collaborations and other forms of popular engagements.

    Now, I tend to think that the international collaborations which 2face had done merely fell on his laps. Indeed, for example, he had one with T-pain in Rainbow and he is going to perform it before a world-class audience in Texas. No doubt, he will also perform with T-Pain on his (T-Pain) new single, If I Got It, which also has Senegalese-American artiste, Akon. But I think the guy is exploring less of his potentials. He and his management need to knock themselves harder.

    On the other hand, it is heartwarming that, among the young artistes in Nigeria, Flavour’s win at the MAMAs points to the fact that there is a gradual paradigm shift; and in no time, the mentorship level for live shows may be on the rise. With the dearth of live artistes in Nigeria, it is worrisome that a grooming platform like the Star Quest reality show had to stop, no thanks to Nigerian Breweries, the organisers of the show, who decided to stop it. But like they say, ‘The show must go on’.

    Listening to live music is one of the most pleasurable things you can do during leisure. This is because it is somehow engaging and interactive. It tickles the listener uniquely with familiar songs and brings to the fore the creative prowess of the artiste. It also offers a memorable experience when compared to a videotaped clip.

    Live performance is music itself; it is what differentiates a musician from a singer.

    Tubaba, as 2face is sometimes called, is one of the most decorated and successful Hip pop artistes in Africa, who have been accepted by the old crops, owing to his ingenuity as a live performer. Perhaps too, he is the artiste with the highest number of collaborations in Nigeria. But 2face’s alliance with a veteran such as Victor Olaiya in a duet is a testimony to his unparallelled gift.

    I remember Victor Olaiya saying: “I had, for some time, refused to collaborate with any individual. I wasn’t able to measure the degree of what they could contribute to my music. Most of my numbers, over the years, have been hit numbers. I couldn’t imagine anybody could come and make it ‘hiter’ or better… The chap (Tuface) is very talented. He is respectful and respectable and highly gifted… Tuface is gifted. I adore him, I admire him and I love him. He has most of the qualities I would expect of a young lad like him.”

    In recognition of his musical ingenuity , 2face has received one MTV Europe Music Award, one World Music Award, five Headies Awards (Hip-hop award), four Channel O Music Video Awards, one BET award, four MTV Africa Music Awards, one MOBO award and one KORA award, apart from numerous nominations. But he could have won more, if he put his mind to it.

    Nevertheless, anyone who has listened to Flavour’s repertoires will agree that, given his enchanting lyrics and powerful vocals, he will continue to remain a delight to music buffs all over the world.

  • I didn’t know  I’d be accepted  in Nigeria—BURNA BOY

    I didn’t know I’d be accepted in Nigeria—BURNA BOY

    With Yawa Dey, hunky music artiste, Burna Boy, brought back the ‘Galala’ music and dance style, a genre associated with singers from Ajegunle, a Lagos suburb. The song, among others, has just fetched him a nomination in the New African Act category of the MTV Africa Music Awards (MAMA). He speaks with VICTOR AKANDE on this feat and his perceived controversial personality.

    WITH your seeming larger than life carriage, don’t you feel slighted by your nomination in the New African Act category?

    They have an excuse that they haven’t done the awards in four years and I am only two years old. So, I guess that is new.

    So, for you, is there going to be a keen competition in that category?

    Not at all! I would have said Uhuru, but a da won mo nbi nau (They are not popular around here).

    What about Phyno?

    (Hesitates) Phyno is my man. But right now, we are on a world zone. Besides, Phyno na Igbo, so na only Igbo people go vote for am (Laughs). Me, I’m universal; I’ve done shows in America, Jamaica etc.

    Your music reminds us of the Ajegunle brands; so, how well are you representing the ghetto people, as that area of Lagos is often referred to?

    I am still representing.

    What happened to the other guys before you? I mean why does it seem like they fizzled out?

    Actually, it is all about time. So, it is not as if any of them stopped doing music. The Nigerian music evolved into a different sound and a different stage that were accepted.

    In essence, it is not as if that style of music is out of vogue…

    It isn’t the style, obviously. When something is hot for some minutes, when something is the trend, it will fade and something else will replace it. And then, if it now comes back after that, it’s going to be bigger. It’s the circle of the world.

    I’m sure none of you lives in Ajegunle any more.

    (Laughs) We do, in a way mehn! For example, you can’t take Daddy Showkey away from Ajegunle-he is the boss.

    As a grandson of Chief Benson Idonijie, how much influence does he have on your career?

    One hundred percent; he is the reason I am doing this right now. He made me understand I could do well in music. I didn’t think that if I came back to Nigeria, I would be accepted. Even though Nigerian music is reigning, I didn’t think they would understand me. But he made me understand that I am African.

    How about your mum?

    I’m getting equal support from my mum. As a matter of fact, I made her my first manager; she has been great.

    You have been linked with one controversy and another, including the one being with Tonto Dikeh. How are you two getting on now as colleagues?

    To be honest, it makes me laugh. It entertains me and makes me understand that people care about you. I’ve never really met her. Till today, I have no clue of what happened. I just read stuff sometimes and I don’t understand what I am reading.

    Were you just being yourself when you made that statement about her music?

    You see, if I don’t like something, I’ll tell you straight. That is why I don’t go out much and I am always alone because I am very outspoken. To be honest, I didn’t even know that she also sings. I just knew her as an actor. And that day, I’d seen a video of someone (a male). I saw that video and I was so pissed; so, I tweeted that some people just need to get it right. And then, the next thing, people just started talking about me attacking Tonto Dikeh. So, I was like, excuse me? And then, I tried to make it clear that I hadn’t even heard this song. But I guess it’s all about entertainment.

    Also, during the last ‘Felabration’ show, you came under attack for performing in pants. People believed you represented Fela wrongly by that act.

    Who said? Name the people that said so.

    Seun Kuti was one of them…

    (Laughs) Okay, now, I don’t want to spark any controversy. I am just an honest person. At that 2013 ‘Felabration’ show, whose performance did they talk about? Whose performance was the highlight of the day? Who did his job properly at the end of the day? I don’t hear anybody talking about Seun Kuti (Laughs). All these things are not really important; so, let’s leave it.

    The argument was that Fela never really performed on stage in pants…

    The point is that I expected everybody that was there in that hall to be old and wise enough to understand certain things, which is the fact that I am not trying to say he did it on stage. I am saying this is an image; one of the images that we have about Fela. It is a crazy image and it will entertain you. So, I did it. And I expected everyone to understand.

    Are you looking forward to any collaboration soon?

    I just did a collaboration work with a South African rapper called AKA. There is a bunch of other collaborations. Of course, my last single was a collaboration work with D’banj. I have done one with Wande Coal. I can’t think of anyone right now in the future. But when I see someone who my spirit can connect with, I’ll do it.

  • Nigerian acts  join Miguel  at MAMA

    Nigerian acts join Miguel at MAMA

    MTV Base, organisers of the MTV Africa Music Awards (MAMA), has revealed that R&B superstar Miguel will join the star-studded line-up of performers at the 2014 edition of the awards.

    Miguel will be performing at the global celebration of African creativity, talent and youth culture on June 7, at the ICC in Durban, KwaZulu-Natal, South Africa.

    Also, Nigerian sensational singers, Flavour and Tiwa Savage, will be performing at the event, while urban hit makers Uhuru, Oskido and Professor will be flying the flag for South Africa.

    They will, therefore, join previously announced African artistes, including Davido (Nigeria) and Mafikizolo (South Africa) at the music event.

    On his involvement in the MAMA, Miguel said: “What I love most about Africa is the people and the spirit there.  What makes me most proud to be involved in the MAMA is the feeling that my music has reached further than I imagined it could. It is inspiring.”

    This year’s edition of MAMA will feature performances from African and international artistes. Part of the activities on the day will be the awards’ collaborations between artistes of different genres and cultures.

  • Clarence Peters gets MAMA nominations

    Clarence Peters gets MAMA nominations

    Organisers of the MTV Africa Music Awards (MAMA), MTV Base, have revealed the nominees for the Best Video for this year’s awards show.

    Popular Nigerian music video director, Clarence Peters, is nominated twice for Yung L’s SOS and Burna Boy’s Run My Race.

    The unveil, which was done at the KwaZulu-Natal and supported by Absolut & The City of Durban, sees Peters competing against the likes of Amr Singh for Heaven, Kyle Lewis for Sleepwalker and Khuli Chana and Terence Neale for Ragga Bomb.

    According to the organisers, MAMA 2014 will feature performances from African and international artistes, including the awards’ signature collaborations between artistes of different genres and cultures.

    The winner for Best Video will be chosen by MTV Base. Other Nigerian nominees include Tuface Idibia, Davido, Don Jazzy, Flavour, Burna Boy, Chidinma, Dr Sid, Ice Prince, P Square, Olamide, Phyno, May D, Tiwa Savage, Wizkid and Kcee.

    Recently, Clarence made headline news when South African rapper, Tumi Molekane, accused him of lifting key visual elements off his own Asinamal video, which was released a couple of years ago.

    According to Tumi, the Eminado video directed by Clarence Peters was a remake of his.

    However, this is not the first time the video director has been accused of intellectual property theft. It will be recalled that he also been accused of copying scenes for Ice Prince’s VIP music video released in June 2013 from the US-based rap group, Slaughterhouse’s video.

     

  • APC chieftain: Mama was a big support to us

    A chieftain of the All Progressives Congress (APC), Alhaji Ali Wakili, yesterday described the late Alhaja Abibatu Mogaji, mother of the National Leader of the Action Congress of Nigeria (ACN), Asiwaju Bola Ahmed Tinubu, as a pillar of support worthy of emulation.

    The retired Comptroller of Customs recalled his days in Lagos as a Customs officer. He said the deceased ensured that traders in the state did not engage in smuggling of prohibited goods, especially textile materials and turkey.

    “She would be remembered as a crusader, who waged war against smuggling in Lagos.

    “She was a mother to all, irrespective of one’s ethnic group or religious belief,” Alhaji Wakili said.