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  • Mohammed, Uzodimma, Fintiri, Yusuf, Ododo sign 2026 budgets into law

    Mohammed, Uzodimma, Fintiri, Yusuf, Ododo sign 2026 budgets into law

    • Bauchi to spend N877b, Imo N1.4tr, Adamawa N583b, Kano N1.47tr, Kogi N826.9b

    • Benue Assembly passes N695b budget for Alia’s assent

    Five governors – Bala Mohammed (Bauchi), Hope Uzodimma (Imo), Ahmadu Fintiri (Adamawa), Abba Kabir Yusuf (Kano), and Ahmed Usman Ododo (Kogi) – yesterday signed this year’s budgets of their states into law, preparatory to implementation.

    In Benue State, the House of Assembly passed the N695 billion budget for Governor Hyacinth Alia to assent to.

    Bauchi State Governor Mohammed’s assent to the N877 billion budget followed its passage by the House of Assembly.

    The governor had presented a N878.15 billion Appropriation Bill to the House of Assembly on November 27.

    Following the lawmakers’ scrutiny, the proposed budget was scaled down by N1.1 billion.

    Mohammed hailed the lawmakers for what he called a robust, objective, and non-partisan review process.

    The governor stated that the reduction was achieved through modest adjustments in recurrent expenditures without affecting capital allocations.

    According to him, the exercise underscored fiscal discipline, institutional independence and the shared resolve of both arms of government to safeguard public interest while prioritising effective service delivery.

    Mohammed expressed appreciation for the sustained cooperation between the Executive and Legislature since 2019, praising opposition lawmakers for placing constructive engagement and commitment to governance over partisan interests.

    The governor said the 2026 budget, named “Budget of Consolidation and Sustainability,” builds on the administration’s achievements over the past six years, including expanded access to social services, improved infrastructure, and reforms aimed at enhancing efficiency, accountability and citizens’ quality of life.

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    He stated that about 79 per cent of the 2025 budget had been implemented, describing the performance as one of the highest in the country.

    Mohammed assured Bauchi State residents that this year’s fiscal plan would sustain investments in critical sectors, including infrastructure, education, healthcare, agriculture, commerce, security, and social services, while ensuring balanced development across the state.

    Describing the budget as the final full-cycle appropriation of his two-term administration, the governor directed members of the State Executive Council (Exco) and all Ministries, Departments and Agencies (MDAs) to ensure its full, faithful, and timely implementation.

    Speaker Abubakar Sulaiman said the 2026 Appropriation Law emanated from an inclusive and transparent process that involved defence sessions, stakeholder engagements and rigorous committee oversight.

    He said the lawmakers reviewed revenue projections as well as recurrent and capital expenditures, giving priority to key sectors, including transportation, security, infrastructure and social welfare.

    The Speaker noted that concerns over the realism of internally generated revenue (IGR) projections, particularly in light of anticipated federal tax reforms, necessitated the slight downward adjustment of the budget size.

    In Imo State, Governor Uzodimma signed the 2026 Appropriation Bill into law at the Government House Annexe in Eziachi, Orlu.

    The governor said the budget, called the “Budget of Economic Breakthrough,” reflected effective democratic governance.

    He acknowledged the collaboration between the executive and legislative arms of government.

     Uzodimma hailed members of the House of Assembly for their diligence and swift handling of matters of public importance.

    The governor explained that the ₦1.4 trillion budget was designed to stimulate economic growth and improve the standard of living of Imo residents.

    He said there is a need for prudence and revenue generation to ensure effective implementation of the budget.

    According to him, the administration “remains committed to completing ongoing infrastructure projects across the state, particularly road construction and public facilities, before the end of his tenure”.

    Uzodimma noted that infrastructure development was driven by public utility rather than ownership, emphasising inclusiveness in governance.

    The governor also lauded the fiscal reforms of President Bola Ahmed Tinubu’s administration, which he said have created opportunities for states to enhance revenue generation. “We must acknowledge that the states have more money to spend now on infrastructural development than previously,”  he said.

    Uzodimma assured the people of Imo State of his continued dedication to responsible governance and service delivery in the coming year.

    Highlighting the importance of visible impact, the governor said improvements in electricity supply, healthcare services, and other social amenities would reinforce public confidence in government spending, adding that citizen satisfaction remains a key measure of success for his administration.

    He stressed that this year’s budget is expected to support small and medium-scale enterprises, attract local and foreign investment, and strengthen revenue-generating agencies, all with the aim of boosting economic development.

    He said improved security across the state has created an environment that has become more conducive for business and investment.

    “I have decided to sign this budget into law here in Orlu to prove that the security challenge in the state is a thing of the past,” Uzodimma stated.

    The Clerk of the House, Chinelo Emeghara, confirmed that the budget was passed after undergoing due legislative scrutiny to ensure alignment with the state’s development priorities.

    Deputy Speaker Amara Iwuanyanwu, who led other legislators, said the Assembly carefully examined the budget to ensure it would address key sectors, including education, healthcare, infrastructure, agriculture, digital development, and rural growth.

    In Adamawa State, Governor Fintiri signed the state’s N583b budget into law at the Government House in Yola.

    The governor said his administration was committed to providing tighter security for the people.

    During the brief ceremony, he announced the cancellation of a planned crossover concert, following security concerns.

    The cancellation, Fintiri said, was regrettable as famous musicians from across the country had been invited for the event.

    The governor said nothing could be too much to assure the security of life and assets of the people.

    He reiterated that his administration would be doing a lot more towards ensuring that the people are safe wherever they may be.

    The Nation recalls that the governor presented the 2026 Appropriation Bill of N583,331,380,496 to the House of Assembly on December 18 for the lawmakers to scrutinise and pass.

    Fintiri said 64.07 per cent of the budget is for capital expenditure, amounting to N373,690,964,682, and the rest for recurrent expenditures.

    The House of Assembly passed the budget on December 29, setting the stage for yesterday’s signing by the governor.

    In Kano, Governor Yusuf signed the N1.47 trillion 2026 budget into law during the State Executive Council (SEC) meeting at the Government House.

    The governor said the move would boost development and improve the living standards among the residents.

    Speaker Ismail Falgore described the budget as the first in northern Nigeria’s history to exceed N1 trillion.

    He expressed the hope that it would support ongoing projects and enhance citizens’ welfare.

    The House of Assembly passed the budget last week for his assent.

    Yusuf had presented the Appropriation Bill named: “Budget of Infrastructure, Inclusive Growth and Sustainable Development,” form the lawmakers’ scrutiny and passage.

    The governor reaffirmed his administration’s commitment to prudent resource management and effective budget implementation by prioritising infrastructure, education, healthcare, and social welfare.

    In Lokoja, the Kogi State capital, Governor Ododo assented to the ₦820,490,585,443 billion budget into law at the Government House.

    The governor said the budget was designed to meet the “yearning and aspirations” of Kogi residents and usher in a new era of development with a strong focus on infrastructure and public welfare.

    The budget has ₦365.43  billion for recurrent spending and ₦455.46  billion for capital projects.

    Ododo had presented N820.5 billion as the 2026 budget estimate to the House of Assembly.

    The governor said the budget estimate was N215,961,592,725 or 35.7 per cent higher than the N604,528,992,718 revised budget of 2025.

    He said it aimed to, among others, enhance revenue mobilisation, enforce expenditure discipline, and deepen strategic investments in growth sectors.

    Ododo said other aims of the budget estimate were to aggressively repay Federal Government debts, strengthen the investment climate, and block revenue leakages.

    The governor said this year’s budget estimates has a total estimated Recurrent Revenue of N470,008,482,693, comprising the following sources: Internally Generated (IGR) of N43,985,216,392; Statutory Allocation: N70,000,000,000; Value Added Tax (VAT) N90,000,000,000; and the NLNG Dividend: N160,336,270,062.

    He described the budget as more than a financial statement but a roadmap for inclusive growth, economic diversification and shared prosperity.

    Speaker Umar Aliyu assured the governor of speedy and careful review of the estimate with a view to coming up with an approved budget that will be beneficial to the state and residents.

    He said: “The presentation of the 2026 budget estimates provides the legislature with the opportunity to carefully evaluate the performance of Year 2025 budget and assess the priorities of government for the coming year and ensure they truly reflect the aspirations of our people.

    “As always, this Honourable House remains committed to a budget review process that is thorough, transparent, people-centred and development-driven. We assure Your Excellency of our readiness to give the budget accelerated, yet, diligent consideration, consistent with global best legislative practices.

    “I call on the Political Heads and Accounting Officers of the Ministries, Departments and Agencies (MDAs) of government in the state to honour the invitations of our standing committees for budget appraisal and defence, thereby enabling the House to consider and deliberate on the Appropriation Bill for the Year 2026 in an efficient and timely manner.”

  • Mohammed vows Tornadoes will bounce back against Remo Stars

    Mohammed vows Tornadoes will bounce back against Remo Stars

    Niger Tornadoes Technical Adviser, Majin Mohammed, has assured fans that his side will respond positively this weekend when they host Remo Stars, following their narrow defeat to Rangers International in Enugu last weekend.

    The Ikon Allah Boys were edged 1–0 by the Flying Antelopes after substitute Kenechukwu Agu struck a decisive 70th-minute free kick at the Nnamdi Azikiwe Stadium in the NPFL Matchday 14 clash. It was the only goal of the match, despite Tornadoes’ disciplined tactical approach.

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    Majin admitted the result was disappointing but insisted his team must quickly turn their attention to the next task. “We came with a game plan and it nearly worked, but that’s football — you win, draw, or lose,” he said after the match. “We will put this defeat behind us, return home, and plan how to secure our own three points.”

    With defending champions Remo Stars visiting Minna for a crucial Matchday 15 fixture, Majin emphasized that the focus is now fully on returning to winning ways. He expressed confidence that Tornadoes have what it takes to bounce back strongly in front of their supporters.

  • ‘Mohammed remains ASCSN President’

    ‘Mohammed remains ASCSN President’

    The Association of Senior Civil Servants of Nigeria (ASCSN) has reaffirmed its support to its National President, Comrade Shehu Mohammed.

    In a satement by ASCSN Secretary-General, Comrade Joshua Apebo, the union noted that Comrade Mohammed was elected the National President on Monday 12th August 2024 with other members of the Central Working Committee (CWC) during the 5th Quadrennial National Delegates Conference of the Association held at Airport Hotel, Ikeja, Lagos.

    He said the conference was attended by the Registrar of Trade Unions who represented the Minister of Labour and Employment as well as the President and Secretary General of Trade Union Congress of Nigeria (TUC).

    The GS explained that this followed the expiration of tenure of the former members of the CWC on 29th July 2024 having been elected on 29th July 2020 during the 4th Quadrennial National Delegates Conference of the Union at NAF Conference Centre, Abuja.

    He recalled that on 9th July 2024, the National Industrial Court of Nigeria (NICN) while delivering judgment in Suit No. NICN/ABJ/214/2022 held that Innocent Bola-Audu should complete his tenure by 29th July 2024 having been elected as National President of the Union on 29th July 2020 and that he should be compensated with N3 million for his legal expenses.

    According to the statement, it is in consideration of this Court Judgment which clearly stated that Bola Innocent Audu’s tenure ended on 29th July, 2024 and having elected a new leadership of the Association led by Comrade Mohammed who have been authenticated by the Federal Ministry of Labour and Employment and the National Leadership of the TUC that the association has decided to withdraw the cases at both NICN and the Appeal Court as it was no longer necessary to continue with the matters.

    The union restated that withdrawal of the cases in court should not be in any way interpreted to mean that Bola Innocent Audu is recognised as the President of the association.

    It, therefore, urged its members to keep faith in the leadership of the National President of the Union, Comrade Mohammed, the Secretary-General, Comrade Joshua Apebo, and other members of the CWC and disregard any disinformation from detractors about the association.

  • Stay off Rivers, group tells Mohammed, other PDP Govs

    Stay off Rivers, group tells Mohammed, other PDP Govs

    The Niger Delta Reform Agenda (NDRA) has raised concerns about the involvement of Governor Bala Mohammed and other northern PDP Governors in Rivers politics.

    In a statement by its President, Sergeant Danielson, the group alleged that their sudden interest is driven by ulterior motives, primarily their 2027 political ambitions.

    Danielson claimed Governor Mohammed’s actions are a calculated move to exploit Rivers resources rather than a genuine concern for the people.

    The Niger Delta Reform Agenda condemned this development and called for immediate action to protect the state’s interests.

    The group also slammed Rivers Governor Siminalayi Fubara for allowing these external forces to interfere in the State’s affairs.

    It described Fubara’s actions as a betrayal of the trust placed in him by the people and a grave injustice to the state.

    “Governor Bala Mohammed, who has recently taken on the mantle of an activist among his peers, has shown an unusual and unsettling interest in the affairs of Rivers State while abdicating his role as Bauchi State governor,” Danielson said.

    “This unhealthy interest is not born out of genuine concern for the people of Rivers State but rather a calculated move to exploit the state’s resources for his political gain.

    “Unfortunately, Siminalayi Fubara, the Governor of Rivers State, is the one who opened the floodgates, allowing political opportunists to feast on the state’s resources. It is disheartening to see how the resources meant for the development and welfare of the people of Rivers State are being squandered by individuals who have no stake in the state’s future.

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    “The people of Rivers State deserve leaders who are committed to their welfare, not those who will sell the people of the state out for their political ambitions. Governor Bala Mohammed’s actions confirm his desperation to secure a foothold in Rivers State ahead of the 2027 elections.

    “His attempts to ingratiate himself with the people of Rivers State are nothing but a facade, designed to mask his true intentions. The Niger Delta Reform Agenda urges the people of Rivers State to see through this charade and reject any attempts to manipulate them for political gain.”

    The Niger Delta Reform Agenda demands accountability and transparency in the management of the State’s resources and urged the people of Rivers to remain vigilant and resist any efforts to undermine their sovereignty.

    Danielson added: “We urge the people of Rivers State to remain vigilant and resist any efforts to undermine their sovereignty. The state’s resources are meant for the development and prosperity of its people, not for the enrichment of a select few. The Niger Delta Reform Agenda calls on all well-meaning citizens to join us in this fight to protect our state’s resources.

    “Governor Fubara’s willingness to allow northern politicians to exploit Rivers State is a betrayal of the highest order. His actions have not only compromised the state’s resources but also its dignity.

    “The Niger Delta Reform Agenda demands accountability and transparency in the management of the state’s resources. We will not stand idly by while our state’s wealth is siphoned off by those without regard for our future.”

  • Mohammed Idris: One year of leading with passion and purpose

    Mohammed Idris: One year of leading with passion and purpose

    By Gidado Shuaib

    Reflecting on Honourable Minister Mohammed Idris’s first year in office, it is impossible to overlook the significant impact he has had on Nigeria’s media landscape and national orientation. My personal connection with the Minister dates back to his tenure as Chairman of Blueprint Newspaper, offering me a unique perspective on the man behind the title—a leader who has consistently inspired young journalists and PR practitioners and demonstrated an unwavering commitment to the media and public relations industries.

    Whenever we meet, Alhaji Mohammed Idris never fails to inquire about my well-being, often with a lighthearted joke: “Ango, Ina Amarya?”—despite my being married for some time. His legendary work ethic is the hallmark of his career. Since his days at Blueprint Newspaper, operating from Maitama, Abuja, I have admired his charismatic presence and dedication to his craft.

    My relationship with the Honourable Minister deepened through frequent visits to his office and residence, often accompanying my boss, Mallam Jibrin Baba Ndace, who was then his Personal Assistant/Special Adviser and is now the Director General of Voice of Nigeria. These encounters afforded me firsthand insights into the Minister’s exceptional leadership qualities. His ability to merge media expertise with a grounded and empathetic approach distinguishes him as a respected figure in both media and public relations.

    It is no surprise that the Blueprint Impact Series/Awards became a landmark event in the media industry, underscoring Alhaji Mohammed Idris’s attention to detail and commitment to excellence. As the publisher of Blueprint and chairman of Kings Broadcasting Limited, owners of WE 106.5 FM Abuja, his influence extends well beyond journalism. His leadership has focused on building platforms that not only inform the public but also contribute meaningfully to national development.

    An accomplished media entrepreneur, Mohammed Idris is a Fellow of the Nigerian Institute of Public Relations (NIPR). His influence on Nigeria’s media landscape is profound, bolstered by his participation in numerous local and international workshops and conferences on media entrepreneurship, leadership, and public relations.

    Among his notable achievements is the strategic communication guidance he has provided to various public and private organizations, as well as political brands. His roles as Chairman of the Nigerian Institute of Public Relations, Kaduna State Chapter, and Vice Chairman of the Public Relations Consultative Association of Nigeria (PRCAN) further reflect his distinguished career.

    Following in the footsteps of media professionals who ventured into politics, such as Chief Lateef Jakande, former governor of Lagos State, and Chief Segun Osoba, former governor of Ogun State, Alhaji Mohammed Idris (Malagi) decided in 2019 to not only take an active interest in politics but also seek political office. From his early political engagements, he gradually earned the trust and admiration of his people in Niger State by advocating non-violent, issue-based politics. While other political actors and their social media proxies often resorted to divisive tactics, Alhaji Mohammed Idris consistently promoted messages of hope, unity, and a brighter, more prosperous Niger State.

    His dedication to public service is evident in the revitalization of agencies under his ministry, such as the Nigerian Press Council and the Advertising Regulatory Council of Nigeria, which were restored to budgetary allocations after years of exclusion. His ability to unify agency heads, the national communication team, and private media organizations toward a common goal—restoring public trust in Nigerian media—has been commendable. A key achievement is President Bola Ahmed Tinubu’s directive to the Federal Ministry of Industry, Trade, and Investment, through the Bank of Industry, to provide single-digit interest-rate financing to media organizations.

    Additionally, under his leadership, the Federal Government, through the National Council on Establishments (NCE), approved the redesignation of the Information Officer Cadre to Information and Public Relations Officer Cadre (GL08 to 17) and Executive Officer (Information and Public Relations) (GL06 to 14).

    Moreover, the Federal Government has commenced a major rehabilitation of the 14-floor Radio House Complex in Abuja—its first significant renovation in 33 years. This iconic building, once a symbol of national pride, is being restored to its former glory—an achievement that resonates deeply with many who remember its earlier stature in the nation’s history.

    Upon his appointment as Honourable Minister of Information and National Orientation on August 21, 2023, I had no doubt that Nigeria had gained a leader committed to service and progress. Honourable Minister Mohammed Idris has exceeded expectations with his five-pillar agenda to revitalize Nigeria’s information sector. This agenda, aligned with President Tinubu’s Renewed Hope vision, focuses on rebuilding public trust, amplifying government policies, reshaping national values, modernizing technology, and fostering a conducive environment for media growth.

    His Ministerial Press Briefing Series has become a vital platform for transparency and accountability, offering the public direct access to government information. Honourable Minister Idris’s communication strategy goes beyond the mere dissemination of information—it actively engages citizens, builds trust, and ensures that government actions are transparent and supported by the people.

    His efforts to advance intellectual property rights are equally commendable. He champions fair compensation for content creators, aiming to spur creativity and innovation in the industry. At the National Conference of the Society of Nigerian Broadcasters, he emphasized the importance of adapting to the rapidly evolving media landscape, particularly with the rise of digital platforms such as social media, streaming services, and podcasts.

    As we celebrate his first year in office, Honourable Minister Mohammed Idris stands out as a visionary leader, laying the groundwork for a more informed, united, and progressive Nigeria. His leadership embodies integrity, innovation, and a deep commitment to national development. In an era where public trust in institutions is often fragile, Honourable Minister Idris shines as a beacon of credibility and hope. Under his stewardship, Nigeria’s information sector is being revitalized and positioned to meet future challenges.

    Reflecting on this past year, it is easy to appreciate the shared vision he has for Nigeria and the invaluable lessons learned from his dedication. Honourable Minister Mohammed Idris’s inaugural year is a testament to what can be achieved with vision, hard work, and an unwavering commitment to serving the people. As we look to the future, there is no doubt that he will continue to lead with passion and purpose, inspiring a new generation of leaders to follow in his footsteps.

    Gidado Yushau Shuaib is the Special Assistant to the Director General, Voice of Nigeria (VON). He can be reached at giddyshuaib@gmail.com.

  • Nigeria’s creative industry goldmine, fast-growing, Ex-Minister Mohammed woos global investors

    Nigeria’s creative industry goldmine, fast-growing, Ex-Minister Mohammed woos global investors

    Former Minister of Information and Culture Lai Mohammed has praised Nigeria’s creative industry, calling it a “goldmine” and a “fast-growing” sector. 

    He highlighted the industry’s vast potential for business opportunities, employment, earnings, and entertainment, noting its impressive growth trajectory and significant contributions to the nation’s economy.

     He further stated that the country’s creative industry is contributing immensely to its Gross Domestic Product (GDP). 

    The former Minister, who stated this at a forum tagged “Giessen Meets The World” organised by the IHK Giessen-Friedberg Chambers of Commerce and Industry in Germany, on Thursday, highlighted that Nigeria’s creative sector spans 24 diverse segments, including fashion, music, film, literature, visual arts, among others.

    Mohammed, who is the Managing Partner of Bruit Costaud, a policy advisory firm, cited research from Jobberman, noting that the creative sector is Nigeria’s second-largest employer, with the potential to create an additional 2.7 million jobs by 2025. 

    He elaborated on the sector’s expansive value chain, which encompasses production, distribution, and marketing, thereby supporting diverse employment opportunities. 

    “The creative sector serves as a powerful engine for economic growth, contributing substantially to Nigeria’s GDP through the production and distribution of creative goods and services,” Mohammed said. 

    He emphasized how the industry’s value chain creates numerous job opportunities, ranging from artists and performers to technicians, marketers, and administrative personnel.

    Mohammed also spoke on the profound digital transformation within the industry, saying: “The rise of online platforms, streaming services, and digital distribution channels has democratized content creation and distribution, making Nollywood films, music, fashion shows, and art exhibitions accessible to a global audience.”

    He highlighted the increasing prevalence of global collaborations and cross-cultural influences, which have expanded the global footprint of Nigerian content. 

    “International collaborations in music, film productions, and fashion events have elevated the industry’s global standing,” he noted.

    Speaking further, he cited state-of-the-art film studios, cutting-edge recording facilities, and digital art spaces as key developments that have enhanced production quality and fostered innovation.

    He pointed to Nigeria’s youthful demography, with about 70% of the population being young people, as a driving force behind the industry’s growth. 

    “The youth’s engagement with and consumption of creative content continue to drive the industry’s growth,” Mohammed said.

    He pointed out that the sector’s viability and rapid growth are evidenced by high sales records, such as the 2023 success of the film “The Tribe Called Judah,” which according to him, grossed over 1 billion naira in less than three months. 

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    Mohammed attributed this success to supportive government policies and reforms, including grants, tax incentives, and the establishment of creative hubs that encourage entrepreneurship and investment.

    Mohammed outlined several lucrative investment opportunities within the Nigerian creative industry, saying: “Nollywood, the world’s second-largest film industry by output, presents opportunities in film production, distribution, and infrastructure development. Public-Private Partnerships can address the industry’s infrastructure needs.

    “With the globalization of music consumption and digital platforms, the Nigerian music scene offers investment prospects in production, distribution, and live events. 

    “The Nigerian fashion industry is ripe for investment in design, manufacturing, retail, and global export, especially with the growing international focus on African fashion.”

  • Ex-Minister Mohammed congratulates new APRA executives

    Ex-Minister Mohammed congratulates new APRA executives

    Former Minister of Information and Culture, Alhaji Lai Mohammed, has extended congratulations to the newly elected executives of the African Public Relations Association (APRA).

    In a statement, Mohammed praised the emergence of Mr. Arik Karani as President, Dr. Michele Mekeme as Vice President and Dr. Omoniyi Ibietan as Secretary-General, describing it as a significant milestone for the association and the public relations industry across Africa.

    Mohammed, who is also the Managing Partner at Bruit Costaud, commended the elected executives, particularly Dr. Ibietan, for their outstanding commitment and expertise in public relations, communications, and management. 

    He expressed confidence in their ability to lead APRA towards excellence, upholding professional standards, innovation, and ethical practices.

    The former Minister wished the new leaders success in their tenure, emphasizing the importance of their vision and dedication in navigating challenges and opportunities ahead. 

    He encouraged them to leave a lasting impact on the profession and the continent through significant achievements and transformative initiatives.

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    He said: “The distinguished professionals elected to lead APRA particularly, Dr. Ibietan, have consistently demonstrated outstanding commitment and expertise in the field of public relations, communications and management. They will be bringing their collective wealth of experience and capability to steer the association towards new heights of excellence. 

    “I am confident that under their leadership, APRA will continue to be a beacon of professional standards, innovation, and ethical practices in public relations.

    “As these new leaders embark on their tenure, I offer my best wishes for their success. Their vision and dedication are vital in navigating the challenges and opportunities ahead, ensuring that the African public relations landscape thrives and evolves in line with global standards.”

  • African writers must embrace indigenous languages to reclaim history — Mohammed 

    African writers must embrace indigenous languages to reclaim history — Mohammed 

    FORMER Minister of Information and Culture, Lai Mohammed, has urged African writers to embrace indigenous languages in order to reclaim their history and cultural identity.

    Mohammed, who is also the Managing Partner of a leading strategic policy communications and government affairs firm, Bruit Costaud, made the call as the chairman of one of the panel sessions at the ongoing World Organisation of Writers Congress, on Thursday in Abuja 

    He emphasised that language is not only a means of communication, but also a reflection of a people’s heritage and values.

    Mohammed pointed out that the dominance of foreign languages in African literature has led to the neglect of indigenous languages, causing a loss of cultural identity and historical knowledge. 

    Furthermore, he highlighted the role of literature in shaping the narrative of Africa and challenging stereotypes and misconceptions about the continent. 

    He called on African writers to be bold and innovative in their storytelling, using indigenous languages to connect with their audience and educate them about their history and traditions.

    His words: “Africa, with its rich tapestry of languages, cultures, and traditions, has long been a source of inspiration for writers around the world. From the ancient oral traditions passed down through generations to the contemporary voices shaping the literary landscape, African literature continues to captivate and enthrall audiences with its depth, diversity, and resonance.

    “Today, as we convene to explore the intersections of African literature with the global literary community, we embark on a journey of discovery, dialogue, and mutual enrichment. Through panel discussions, readings, and the question and answer session, we will delve into the myriad themes, narratives, and experiences that define the African literary landscape and its interconnectedness with the wider world.

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    “May I use this occasion to urge our writers, particularly those from Africa, to embrace and champion the rich tapestry of indigenous languages that weave through our world. In a global landscape dominated by dominant languages, the voices of indigenous communities often go unheard, their stories left untold.

    “As writers, you have a unique opportunity and responsibility to amplify these voices, to breathe life into languages that are at risk of fading into obscurity. Our pens, our keyboards – they are not just tools of expression; they are instruments of preservation and empowerment.

    “When we write in indigenous languages, we are not just creating literature; we are reclaiming history, honouring tradition, and empowering communities. We are also giving voice to those who have been silenced. 

    “From available statistic, about 90% of those who won the coveted Nobel Prize in Literature, especially from the non-English-speaking countries, wrote their books in indigenous languages. This statistic underscores the richness and depth of indigenous languages in shaping global literary landscapes. It highlights the importance of preserving and promoting linguistic diversity, as well as the invaluable contributions of indigenous writers to the world of literature

    “Let us seize this opportunity to amplify diverse voices, challenge prevailing narratives, and champion the transformative power of literature to shape hearts and minds.”

    He commended notable literary giants for putting Nigeria on the global map of literature such as Nobel Laureate Prof. Wole Soyinka, Chinua Achebe, Chimamanda Ngozi Adichie, Buchi Emecheta, Ben Okri, Abubakar Gimba, among others.

    He welcomed host writers from Nigeria and other African countries and parts of the world, who read from their works and explained the meanings of the work to the audience in a panel discussion. 

    “Of course, we all know that there is always a meaning behind any literary work – either fictional or non-fictional,” he said.

  • Another Mohammed at Information ministry

    Another Mohammed at Information ministry

    After Alhaji Lai Mohammed’s eight years in the saddle now is Mohammed Idris Malagi at the Federal Ministry of Information and National Orientation. Under Lai, the ministry encompassed culture and tourism. It is now broken into three.  Arts Culture and Creative Economy is now under Hanatu Musawa while Tourism is headed by Lola Ade John, both women. With information under Malagi, is National Orientation, in other words, the National Orientation Agency (NOA).

    Malagi a public relations practitioner is Blueprint newspaper publisher  and proprietor of a radio station WE 106.5 FM Abuja. He was the general secretary of the Newspapers Proprietors Association of Nigeria (NPAN), which makes him eminently qualified for the job.

    At the maiden meeting with heads and management staff of the agencies and departments under the ministry at the Radio House, in Abuja, the minister, who said he was familiar with the information industry, pledged that dissemination of credible information would be his watchword. “Mr President did not tell me to come and lie and this is a covenant I am going to have with you and Nigerians.

    “Mr President is somebody who is a stickler for honesty, truth, and transparency. He has directed that we own up where there are mistakes, own up where we err, and we should not be shy to say ‘look, this is wrong, we are going to correct it’.

    “National Orientation will also be at the core of this ministry, in addition to the job of information dissemination as we know it,’’ he said.

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    The minister is obviously still studying the files. He has started slowly and will need to be steady as he gets off the block and hit the ground running. The earlier he did that, the better. The government’s information machinery needs to move at the same frenetic pace the activities of governance are moving under the Bola Ahmed Tinubu’s leadership.

    Malagi’s response to Edo State Governor Godwin Obaseki’s tirade on Federal Government over palliatives distribution, his visit to the family of the late Pa Taiwo Akinwunmi, the designer of the national flag and his weekend’s visit to his home Niger State, are the only ‘noticeable’ actions from him since he took office.

    How about revitalising the NOA? This is an all-important government agency, with offices in all the 774 local government councils and states capital. The revving up of NOA can go a long way in information dissemination and giving Nigerians the needed nationalism orientation, which is very much desirable at this time. What of the NTA, the National Television which lags behind in its output, compared to it private sector owned competitors?

    The last time an attempt was made to retool and reform the NTA was when Ben Murray-Bruce was its Director-General.

    And the FRCN? This is the real galvaniser of the grassroots, especially in the North. Malagi’s job is cut out for him. He needs not waste time at all.

    The biggest challenge for him is yet ahead because the opposition has its dagger always drawn to stab the government in the heart. Will Malagi be able to rise up to the testy time ahead? And for the newspaper, which is going through economic crisis, succor will come if the price of the most important component of publishing, the newsprint, can become more affordable.

    While the long term goal will be when this consumable is produced locally, the short and medium term action should be the assistance from the government to facilitate the classification of newsprint as an education material.

    This done, newsprint will be imported duty-free. This way its cost will go down. Newspapers can then breathe and keep the cover price as low as it is to get more Nigerians reading and getting correct information at this time of prevalent fake news.

  • Biochemist Mohammed finds expression in visual arts

    Biochemist Mohammed finds expression in visual arts

    Dauda Mohammed is a graduate of Bio-chemistry from the University of Ilorin, Kwara State. But today, he has turned his attention to visual arts. A self-taught artist, Mohammed is embarking on a solo exhibition at the Signature Beyond Gallery Lagos, with the theme: Toys for Troys. He speaks to Edozie Udeze on a number of issues pertaining to the theme, what pushed him to switch over from Science to Arts.

    Dauda Mohammed is a Fine Artist, well-versed in pointillism, application screw, Mosaic, acrylic and paints. You might as well regard him as an experimentalist, multi-talented visual artist. But that is not the main story. The main story is that Mohammed is a self-taught artist. A graduate of Bio-chemistry from the University of Ilorin, Kwara State, he switched over to fine arts years after graduation. Having spent a number of years undergoing self-tutelage, Mohammed, in 2015, abandoned his work as a banker to go into full time studio art practice. It is indeed amazing to see how pure Science and core Art have merged or fused together in the professional career life of Dauda Mohammed.

    It amazing also that Mohammed’s art  works are expressive and impressionistic, dwelling upon the core essence of acrylic on board, a medium that juxtaposes pointillism to produce very daring effusive visual pieces. Now as his solo exhibition holds at the famous Signature Gallery, Ikoyi, Lagos, noted for its high regards for quality art pieces, Mohammed even shows a theme that is more confounding than ever. It is titled Toys for Troys, a theme that is a recourse into time; into history. The exhibition is thrilling, the works are enthralling and totally in consonance with the historical tenets it choses to explore.

    In an interview, Mohammed held nothing back. “Yes I am a studio artist based in Lagos”. At Omole and Arepo areas of the city where he has his two studios his works speak for him. “I am from Kogi State, Okun speaking Yoruba by origin. The craze I have for automobile in my works is deliberate. Like the theme Toys for Troys, it is for the war of Troys in Europe in those days. The Troys fought many wars in Europe. These are the types of automobiles they used to prosecute their wars. It was the type of transport system of the time. So I went into a research to find out more about the working of those automobiles some of which I have now turned into art”.

    So having turned them into toys, the inspiration blossomed into bigger dreams. “The king of Troy was prominent in the world. Helen of Troy herself was a Spartan in Greece. But she was the queen of Troy. The bottom line of the war was because of Helen, a wonderful woman. Yes, I prefer wood nails on board because I like working from the intangible to the tangible. I use computer first to do photo shoot before translating on to the board. I break it down to have a low resolution. If I make it so big it might not even be able to enter the gallery. But this way, I still bring out the beauty. When I then apply acrylic and paints, I still achieve the same desired purpose, the same result and effect”.

    This way, Mohammed’s board canvases are large, always very expressive by which he applies limited colours. These colours help to define his medium. With assorted painted nails carefully and artistically screwed to the works, you can hardly diffuse the works unless you get closer to the board.  He explains thus: “I use mostly primary colours. Most often I apply black colour to the background. For instance, this work here, if you step far off you may not be able to see it well. But when you step closer, it becomes clear. You can then see and appreciate more colours apllied to the work. This method is deliberate. The primary colours are used to produce secondary colours for total artistic effect”.

    Limited colours thus applied give Mohammed’s works their peculiarity in terms of medium, form and signature. His type of works can hardly be imitated or copied. Each work takes serious time and efforts to produce. This sort of painstaking effort is usually employed by an experimentalist artist. The boldness of his canvases speak and appeal to lovers of visuals. You are quickly aroused as soon as you set your eyes on them. Take it or leave it, here you have a committed self-taught artisan, someone whose devotion to the art is euphoric, far beyond the ordinary. And having the privilege of being a scientist, helps to make his works empirically correct; somewhat believable and indeed convincing.

    Mohammed throws more light: “I want the works to be seen better when you step closer. This is my idea. My choice of colours as well is deliberate. You can see that the primary colours are verbose. We have so many colours, but limiting it to only five colour helps me to achieve the purpose of this type of work. When you see the object by being closer you will see what I have been able to do and what the art piece is saying or conveying. Each work has its own peculiar nails. I try to get the nails to be uniform. By using the computer to do the first stage of my work, it then becomes easier to dissect and go on. I will then know where the red or black or yellow colours will be applied on the nails. For me therefore this is like a template. Then thereafter I mark it and nail it to the board. That way I totally achieve the effect I set to achieve. It looks a bit protracted or clumsy but in the end the result is exactly what you have set out to achieve. After I have nailed it on the board, I then begin to paint. In some others however I paint before I nail”.

    As an artist he seems to be a carpenter as well. The level of craftsmanship he displays in his works proves how much dexterity he manifests. Hear him: “I do this to make the nails uniform as you can see. This way, you will never know these are nails until you get closer. I do not use black nails because the board is already painted black. Colour impressionism to me, helps to juxtapose all colours in one to bring out the essence of what I set out to do, in other words what I set out to achieve”.

    Somehow, you might feel that there is a contrast between nails and automobiles. What is the meeting point here for an artist whose love for both as a form of combination achieve in the realm of the visual? These are fast moving vespa motorcycles otherwise known as piaggio more popularly used during the time of the Troys wars. For instance the work titled fast furious by the artist also appear furious in outlook. Even though most of the automobiles have no riders on them, a few that have, according to Mohammed, are done on purpose. They show how the soldiers and fighters mounted those automobiles to achieve successes in the war front. Some of them are known as Harley Davidson bikes, quick and fast while in motion. From the outlook of the ten works mounted for the exhibition, you could see the aura they achieved inside the gallery and inside the minds of viewers.

    While visitors move from one piece to the next. There was this glow on their faces. It was clear that Mohammed who is doing his first solo show has captured the attention of the public. For in these works, you encounter unique displays of colours, you feel like touching the vespas and embracing them because of the level of collective nail paints on acrylic. They actually looked highly irresistible and attractive. Mohammed likes his colours to show depth and some sort of peculiarity. They show true reflections and seriousness. “If you look at this black colour here in the background, it shows depth”, he explains, pointing. Where you have yellow, blue and milk colours all put into one; the feel you get is that of love and coolness. As an artist, Mohammed knows how to apply impressionistic combinations to bring out the exceptional desires of his works.

    So where you have people on bike, where you have wood nails or large boards, acrylic and paints all in conformity with Troys serving as toys to bring out the old memories of yesteryears, what you quickly recollect is an artist whose level of seriousness towards art is purely to make a statement. This is a statement that is billed to come in series and in different stages which all the same distinguishes him from the rest. This is why Mohammed whose earlier dream to read medicine was truncated has chosen to emboss his therapeutic aura on large boards and canvases.

    More so, his colours are healers. His works beckon. His ideas embody health. There is also this love to use colours to heal and to embrace and to welcome people. So Toys for Troys comes to heal the wounded of the past, asking queen Helen of Troy to chill. Besides, he has done lots of works with sands. The effect is that he moves from one medium to the next.  He’s still on the course of movement from one experiment to the other. His love for sand works is indescribable. It gives him a deeper feeling when he reduces the size of sand for the desired impact. When sand is applied, it gives him a smaller space to place in his studios. “I have love for pointillism and one of the works here as you can see is on pointillism”.