The Olukere of Ikere Ekiti, Oba Ganiyu Obasoyin, has faulted claims by Olugbo of Ugbo Oba Obateru Akinruntan that Moremi was a traitor.
Speaking with reporters in Ado-Ekiti yesterday, Obasoyin said Olugbo’s comments was coming at a time Ooni of Ife Oba Adeyeye Ogunwusi was trying to ensure unity and peaceful co-existence among monarchs.
He said: “The Olugbo is a respected and revered Oba, but it was unfortunate he could bring up such issue at this time, trying to disrupt the peace process Ooni has started.
“I can categorically tell you that the Olugbo was wrong on Moremi and about the stool of Ooni of Ife.
“Oduduwa is our father and we originated from Ile-Ife, so any Oba who says he’s superior to the Ooni, is on the wrong side of history.”
The Olukere advocated the resuscitation of History as a subject in schools to avoid what he called “the change of authentic history of our fathers and land by anyone”.
According to him the neglect of the subject is making it difficult for most primary and secondary schools pupils to know the history of some ancient cities and towns.
Tag: Moremi
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Moremi: Olugbo wrong, says Ekiti monarch
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As Ooni, Olugbo feud over Moremi
When two of the most revered custodians of the Yoruba heritage engage in a public spat reminiscent of vengeful tribal wars of bygone eras, whose side is one to take? This is the question on the lips of social observers in the South West as the Ooni of Ife and Olugbo of Ugbo engage in a bitter media fight.
The two respected Yoruba monarchs appear to be engaged in a verbal war over the status of Moremi Ajasoro, one of the most revered female figures in Yoruba history. While the Ooni of Ife, Oba Adeyeye Ogunwusi, regards Moremi is a heroine who deserves to be revered for saving her people, the Olugbo of Ugbo, Oba Obateru Akinruntan, believes that she was a traitor who betrayed her people.
While the two monarchs appear poised to go for each other’s jugular, influential men and women are trying to settle the dispute before it escalates. But immediate reconciliation does not look likely as the two monarchs’ positions are based on differing interpretations of history.
Historically, the Ooni and the Olugbos are known to always be at loggerheads over who between them has the rightful claim to Ile-Ife, among other matters. The current disagreement began when the Ooni built a 42-foot statue in Moremi’s honour; a development that saw the Olugbo accusing him of misrepresenting on history.
Expectedly, however, Oba Ogunwusi received the backing of two highly respected Yoruba leaders, former President Olusegun Obasanjo and Nobel Laureate, Prof. Wole Soyinka. Speaking on Wednesday at a book launch, one of the activities lined up to mark the Ooni’s first coronation anniversary, both leaders believed the place of Moremi in Yoruba history was not in doubt and advised Oba Ogunwusi to ignore any disparaging remarks against her from any quarters.
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Ooni berates Olugbo for comments on Moremi
The Ooni of Ife, Oba Adeyeye Enitan Ogunwusi, has expressed disappointment in a statement credited to the Olugbo of Ugbo in Ondo State, Oba Fredrick Obateru Akinruntan, describing the Yoruba heroine, Moremi, as a traitor.
Oba Ogunwusi, in a statement by his media aide, Moses Olafare, wondered why a Yoruba monarch would refer to Moremi as a traitor because she liberated her people from incessant invasions.
The Olugbo reportedly said: “Our forefathers descended from heaven that is why we are called ‘Ugbo Atorunwo.
“To set the record straight, Moremi remains a traitor. She was a slave captured by Ugbo warriors during one of their many raids on Ile-Ife.
“She became the wife of Osangangan Obamakin, the son of Oranfe, who was the paramount ruler of over 13 aboriginal communities of ancient Ugbomokun, which later came to be called Ile-Ife.
“Oduduwa came to Ugbomokun as a stranger and was welcomed in Ilero, the aboriginal palace of Osangangan Obamakin, which is still in existence in present-day Iremo in Ile Ife.
“During the dynastic struggles, Osangangan Obamakin was directed by the oracles (Ifa and Osanyin) to leave Ile-Ife. Moremi betrayed her husband’s trust when she exposed the secret of the Ugbo warriors’ gallantry.”
In his reaction, Oba Ogunwusi said: “The attention of ILE-OODUA has been drawn to a statement credited to Oba Frederick Akinruntan through the Olugbo-in-Council berating the people of Ile-Ife for celebrating Moremi Ajasoro as a heroine and goddess of liberty.
“Olugbo’s outburst can only be viewed as a pitiable act of absurdity that doesn’t deserve serious attention by serious minded people.”
The Ooni said the Yoruba “remain very proud of the great queen Moremi Ajasoro, a brave woman who sacrificed her only son Oluorogbo for the victory of her people over the faceless terrorists who raided Ife markets.
“We will not dignify this rascality of royalty with an expected response as we are not ready for any useless supremacy battle incapable of taking Yoruba to a greater height.
“Most paramount on my mind as Ooni with the unflinching support of Baba Alaafin, Baba Awujale, Baba Alake, Baba Orangun, Baba Deji, Baba Ewi, Baba Osemawe, Baba Olubadan, Oba of Lagos and other relevant peace loving monarchs in Yorubaland and in other parts of the country is and remains the much needed progress of Yoruba nation.
“This can only be catalysed by peace and unity. This has necessitated my unimaginable barrier-breaking unity visits I have been taking around not only in Yorubaland but also across Nigeria and internationally.
“These activities in the last one year are enough to attest to my personality as a king of peace.
“It is a pity that at this time when everybody is tired of retrogressive royal discord generally agreed to have colossally hindered our pace of progress as a people of common heritage politically and socio-economically, the Olugbo, who claims to be the chairman of Yoruba Obas Committee on Peace and Reconciliation, has suddenly, without a deep knowledge of Yoruba history, woken up to see royal controversy as the only tool for cheap publicity.
“As Ooni, I am not interested in joining issues with Oba Akinruntan or anyone on any matter that can jeopardise our peace and unity project which is already making impact in so many sectors, including youth development, women empowerment, cultural tourism, agricultural revolution, unification of our elders and traditional rulers, to mention but a few.
“We, therefore, urge every lover of peace and unity in Africa to ignore any reckless statement capable of further dividing us.
“They should rather see the author of such statement as a person who poses a danger to our peaceful coexistence.
“Yoruba must remain united, Nigeria must remain united, Africa must remain united and the entire black worldwide must remain united because we are one before the Almighty God.”
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Moremi reenacts tragedy of love on Muson stage
The true test of love has been showcased in Wole Oguntokun’s premiere of Legend of Moremi Ajaasori at the Muson Centre, Lagos.
It was held in conjunction with the Musical Society of Nigeria (MUSON).
Set in the ancient kingdom of Ile-Ife, the play narrates the brave sacrifice of a young woman’s undying love for her husband and his people. Originally from Offa, Moremi’s heart easily warmed to the people of Ile-Ife. The play is plotted on the tragedy that befell Moremi after she discovered the secrets of the Ugbo people who raided and terrorised the people of Ile-Ife. The revelation of their secret weaponry by Moremi led to their defeat. Though warned by her beloved husband, Oranmiyan not to carry out her espionage plans, Moremi sought the help of the gods with a promise to make a costly sacrifice if victorious.
She allowed herself to be captured by the Ugbo warriors during one of their raids and would later be the wife of the king of Ugbo. After the people of Ile-Ife conquered their longtime enemies, Moremi returned to the Esimirin shrine to fulfill her promise to the gods. It never occurred to her that the gods would demand for her only son, Ela. Thus, till date, Edi festival is celebrated in Ile-Ife as a hopeful wish that Ela, the son of Moremi would return someday to reap the fruits of her labour.
Shown at the MUSON centre recently, Renegade theatre’s efforts to celebrate one of the festival deities in Yoruba kingdom was not a complete waste as the play lived up to its expectations. The stage was appropriately set in a traditional design, setting the mood for the audience to travel back in time and relive the sacrifices made by a courageous woman. The transition from each scene was seamless carrying the audience along in its crescendo pace.
Starting off with the rabble rouser played by Precious Anyanwu who bickered endlessly to the annoyance of his fellow soldiers, was a bit lengthy and could have been boring if not for the quick switch to the narration by Sunkanmi Adebayo accompanied by mournful citizens of Ile-Ife. Onwards, the play transcends to a flashback where the audience captured the beginning of the love tale.
The stage manager, Anike Alli-Hakeem made good effects of its lighting by dimming the lights during mournful scenes and lighting up the stage in stronger scenes. The costumes used were mostly traditional attire peculiar to the Yoruba tribe. A fog effect was also used to signify the presence of Esimirin, the god of Ile-Ife.
The play’s director, Wole Oguntokun really scouted for the best cast to bring action into this drama. Ajike, Moremi’s best friend which was played by Barbara Babarinsa stole the show away with her funny antics and undying devotion to her friend. Though quite a talker, she was admirable in her acts, and knew when to portray the expected character.
The lead character Moremi, which was played by Jumoke Ladi Bello, was also a strong one. Described as a brave young woman, one would expect the contemporary outright stubborn nature attached to bravery but in this case, Moremi was a blend of gentility, bravery and wisdom. For instance, she cleverly deceived her best friend Ajike and escaped into the battle field where she could easily be captured by the invisible Ugbo raiders. The audience was left to their imagination on how the Ugbo raiders defeated the people of Ile-Ife as only cries of defeat and victory could be heard, accompanied by vibrant dancing or mournful singing.
Oranmiyan (Rotimi Fakunle), Moremi’s husband on the other hand was a gentle warrior. Though very loving, he was highly strict and exudes this when he reprimanded Ajike for allowing his queen to leave the palace unguarded. He was a loving husband to his wife and a fearless commander in the battle field.
However, a weaker character in the cast was the king of Ugbo played by Austine Onuoha. As a terror to the people of Ile-Ife, one expected a very callous being or intimidating character. Despite this, he was still able to play his part well in his gentle manner.
The play drew themes from friendship, loyalty, sacrifice and ignorance as well. The people of Ile-Ife were mystified by the mask wearing of the Ugbo people, assuming that they were spirits who could not be defeated, not until Moremi returned with the secrets of the Ugbo marauders. This clearly depicts the fearful nature of mankind caused by naivety sometimes.
Ajike’s demise in the play was a very touchy one and rendered justice to the subject matter: love and sacrifice. In an attempt to save her friend from being caught by the Ugbo soldiers, Ajike had to stay back in the palace, pretending to be Moremi while her friend escaped with the night to her beloved land, Ile-Ife.
Another interesting feature of the cast is the Ile-Ife citizens. The synergy exuded by these characters was simply impeccable. They really executed the traditional approach of the director through their protestations and victory chanting. The music and dance performances by these characters were entertaining to say the least.
As the cumulative scenes reached its peak with the defeat of the Ugbo raiders after Moremi’s return to Ile-Ife, the narrator quickly snatched this feeling of happily -ever-after by announcing Moremi’s promise to Esimirin. A gleeful Moremi is seen dancing excitedly in the shrine as she presents gifts to the gods in appreciation of her victory only to be reminded of the demand of Esimirin of something very dear to her through a playback if she returns successfully from her sojourn. A heartbroken Moremi is consoled by her fellow women as she watched painfully as her only son, Ela, is being kidnapped by the servant of death to Esimirin. This provoked a feeling of compassion and pity from the audience, and served as a wicked reminder of the wishes of mankind and the costly price they have to pay.
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Adieu Moremi Ekiti
In a way, the Book of Revelation, in its apocalyptic Chapter 7: 9, must have had the late Mrs Funmilayo Adunni Olayinka, in view when it says: ‘after these things I looked, and behold, a great multitude which no one can number, of all nations (states), tribes, peoples and tongues standing before the throne …’
Callers at the Ekiti State House, at her family house or at the Olayinka’s in Osborne, Lagos we can count but there is hardly anybody that is somebody in the public life of this country that has not visited, personally, or sent an emissary, to pay his/her last respects to the departed Ekiti State Deputy Governor as well as commiserate with the families she left behind. It has been a complete outpouring of love and emotions for a woman that lived a dedicated life of service and in her very short stay left her mark on the sands of time.
William Shakespeare could not have been more apt when he wrote in MACBETH:
“Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more’.
Above is how the bard of Stratford-upon-Avon described the illusory nature of life; here today, gone tomorrow; but all thanks to our Lord Jesus Christ, death has, forever, lost its sting. And so, like Goke Omidiran, in a poem specially crafted for the occasion, we can mock death and enthuse:
‘DEATH, WHERE ART THY STING?
If you can take a beauty out in a flash
And able to cause pain untold here to a living soul
But failed to stop the joy in heaven of a child come home
A darling daughter standing in the warm embrace of her king
Then death where art thy sting?”
Rather than mourn therefore, we have been celebrating the life of this God’s special gift to us all, emboldened by the cocksureness of Apostle Paul when he said in 1 Cor.15: 12- 22:”
12. Now if Christ be preached that he rose from the dead, how say some among you that there is no resurrection of the dead? 13. But if there be no resurrection of the dead, then is Christ not risen. 14. And if Christ be not risen, then is our preaching vain and your faith is also vain. . 15.Yea and we are found false witnesses of God; because we have testified of God that He raised up Christ whom He raised not up; if so be that the dead rise not. 16. For if the dead rise not, and then is Christ not raised. 17.And if Christ be not raised, your faith is vain, ye are yet in sins. 18. Then they also which are fallen asleep in Christ are perished. 19. If in this life only we have hope in Christ, we are of all men most miserable. 20. But now is Christ risen from the dead and become the firstfruits of them that slept. 21. For since by man came death, by man also came the resurrection of the dead. 22. For as in Adam all die, even so in Christ shall all be made alive?”
It has been tributes galore and overwhelming crowd at all the activities lined up for her rites of passage. For instance, the wake keep event in Lagos was slated for 5 pm at the huge THE HAVEN Events Centre, Ikeja, but an hour before commencement, it had become near impossible to find a parking space on the humongous parking lot.
Of the hundreds of tributes to our dearly departed, space will permit us touch on only two: the first, by an old man on the line to receive her remains: “I believe this woman was great. I doubt if anyone has ever been this honoured in the state. I have been here since 1.30 pm”.
The second is the 2,269 -word tribute by her boss and Ekiti State Governor, Dr Kayode Fayemi which I will try my utmost to compress into about 500 words. Wrote the man with whom she spared nothing in the effort to make poverty history in Ekiti:
‘I was already seated when she walked into the busy Chinese restaurant in Ikeja that fateful evening end of January 2007. We had spoken on the phone twice but never met. I instinctively stood up and beckoned her to my table – ‘Mrs Olayinka’, I called out. She was that recognisable in the crowd. ‘Good evening, you must be Dr Fayemi.’ I answered in the affirmative and we greeted warmly. The meeting was to explore the possibility of her joining my ticket as the Deputy Governorship candidate of the Action Congress in Ekiti State and my friend, Femi Ojudu and our Leader, Otunba Niyi Adebayo, had broached the subject matter with her already but the feedback from them was: sceptical but not out-rightly negative.
“She asked pointed questions based on her Google search of my name, wanted to know about the campaign agenda and was worried about political violence, given what she knew of the recent past. She had also read about my wife and was keen to know more about her work. I too asked about her experience in the corporate world, her family and her worldview. It became clear that she was bold, driven, deeply religious, and very concerned about entrenching good governance in her home state as elsewhere. Her earlier discussion with Femi Ojudu and Otunba Adebayo had clearly helped but she was still not ready to commit.
“To my relief, she phoned few days later to say she had given it extensive thought, prayed about it and consulted widely and was ready to give it a shot. Thus began a journey that I could only describe as God-ordained until the cold claws of death snatched her away from us on April 6, 2013.
“And was the journey rough and tough!
“Had she been faint-hearted, she would’ve thrown in the towel when she arrived Ewi’s palace in Ado-Ekiti shortly after to all manner of unimaginable expletives. But her steely resolve manifested early as she simply waved off the incident promising to win over the nay-sayers , which she did.
“Fortunately, Bisi and Funmi got on very well from the minute they met. And the relationship grew from strength to strength despite the common tendency of people to try to generate conflict between two strong, principled women. Indeed, in many ways, they became inseparable – till the end.
“I cannot now recall the exact date she gave me the worrisome news about the lump she had felt in her breast but it was after the re-run election in 2009. She kept me in the picture from that moment – right from the first wrong diagnosis that gave an all clear to the second diagnosis later in the year that confirmed there was a problem – leading to surgery in the United Kingdom, late 2009. To our great relief, from now till early 2011 when another check indicated that the cells had metastasized to another part of the body the cancer was in remission following chemotherapy and radiotherapy as well as regular checks in the UK and at home in Nigeria. And so she renewed the battle with the dreaded disease with some of the world’s most renowned oncologists in Nigeria, America, Canada and the UK. All through, Bisi was at hand with her in the UK from September 2009 till her last visit in February 2013. We did everything and refused to accept that the situation could not be saved. Funmi was also a source of inspiration. She never gave up on recovery from cancer. She kept hope alive and refused to stay off work – no matter my admonition.
“Funmi Olayinka was indeed the Moremi Ekiti. In the true tradition of the legendary Moremi, she gave her all in defence of our people. Indeed, there are bound to be many people who will insist that had she stayed away from politics and Ekiti, she probably would be alive today. But not Funmi who, as a devout Christian, believed we all have an appointed time with our Maker. She was never given to regrets. Pleasant in disposition, Funmi was always business-like. With extra-ordinary dedication, she was focused on our goal of bringing succour to our people in Ekiti and at no point, whatever, did I have a reason to doubt her commitment, loyalty or integrity. She was stellar in the performance of the tasks assigned to her and she was clearly central to the success of our administration to date.” Fayemi concluded: ‘your family is now my family. Bisi and I will forever remain grateful to you for being part of the Collective Rescue Mission and you’d remain my sister, my friend even in death.”
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Moremi, bye for now
In the beginning, it started like a speculation. One of those myriad gossips on the social media. At the end, Olufunmilayo Adunni Olayinka added another prefix to her name— the late. And the smile, the beauty and the brain have become history.
Never again shall we see her glow, her flow and her show! The show has stopped. The music is gone too. And what is left is a frightening rhythm, which calls for nothing but macabre dance. The thanksgiving she was looking forward to organising after beating cancer can only hold in dreamland.
Never again shall we see this woman of grace show what stuff she was made of! She now belonged to another realm. A realm strange to us and inaccessible.
What a waste! The training, the upbringing, the strive and the struggle have all gone down, flushed into the reservoir of history by cancer. Never again will we reap the benefit of her sound training, which made her a technocrat of uncommaon hue.
Born June 20, 1960, her days as Olayinka Famuagun were days of promises, which later manifested for all to see, but were not fully realised. She gave educaton her best.
At the Holy Trinity Grammar School, Ibadan where she obtained her first school leaving certificate, she did it stunningly, with a distinction. Her record at the Olivet Baptist High School, Oyo State, where she obtained her Higher School Certificate (HSC) was not less sparkling.
Her quest for further knowledge saw her obtaining a Masters Degree in Public Administration in 1983. That was after she earned a Bachelor of Business Administration (Marketing) from Central State University, Edmond, Oklahoma, United States in 1981, where she was three times winner of the Dean’s Honour roll.
A Marketing Analyst & Strategist, she started her career in banking with First Bank of Nigeria Plc in 1986. She later was Relationship Manager for Corporate Accounts in Access Bank, the now defunct Merchant Banking Corporation (MBC) and United Bank for Africa (UBA) Plc.
By August 2002, she took up a new challenge in Corporate Communications when she became Head, Corporate Affairs Division, UBA. She later became Head, Brand Management & Corporate Affairs and led the team responsible for the re-branding of the United Bank for Africa. She co-chaired the Branding Sub-Committee during the merger of UBA and Standard Trust Bank. She later became Head of Corporate Services, Ecobank Transatlantic Inc, the job she was doing before Dr. Kayode Fayemi, through Senator Babafemi Ojudu, made her his running mate for the 2007 governorship race on the platform of the then Action Congress (AC) .
She stood by Fayemi all through the struggle, which ended in October 2010 when the Appeal Court removed Segun Oni, paving the way for Fayemi and the late Mrs. Olayinka to be sworn into offices.
The man who made her drop Famuagun for Olayinka, Lanre, her three children and parents, can only be consoled by God.
Like many, they would have given anything for cancer not to end her beautiful life on April 6.
Adieu, the great woman many loved to call Moremi.