Tag: Nigerian film industry

  • Nigerian film industry: co-production agreements underway

    Following discussions which started last year, plans to sign a film co-production agreement between Nigeria, France, Norway, Morocco and other countries have reached an advanced stage. In a statement from Nigerian Film Corporation (NFC), the Agency, last year, had meetings with film development counterpart agencies from other countries.

    The Agency said NFC should have signed an agreement with France’s CNC before French president arrived Nigeria but bureaucratic delays forced the signing date to September this year.

    “The co-production agreement between Nigeria and France is long overdue,” the statement signed by Brian Etuk, NFC’s Head, Public Affairs & Intergovernmental Affairs, said.

    “Whereas, both nations have robust film industries, with their filmmakers exchanging their film trade/profession over the years, such however, have not been under a formalized bilateral arrangement. This meant denying themselves the full benefits derivable thereof if a formalized co-production agreement had been in place. The agreement between Nigeria and France will result in the expansion of our film, television, video production and distribution. Directly linked to this, is the development of cultural and economic exchanges that will engender financial and economic benefits for both nations. This will be actualized through the use of local locations for film projects, expansion of markets and the development of skills. The significant and most important aspect of the agreement is the derivable impact and benefits to film practitioners. This relationship will bind both countries film practitioners who are expected to bring their creative skills, experience and other perspectives to bear on the co-production process. Furthermore, the agreement document is expected to fit into the UNESCO convention of 2005 on the protection and promotion of the diversity cultural expressions to which Nigeria and France are signatories.

    “For film distributor and exhibition, the cheering news is the reciprocal participation and exhibition of cinematographic works at national film festivals and other film events organised in Nigeria and in France. Ultimately, the objective is to facilitate theatrical reach and distribution markets of international and global appeal.”

    The agreement, according to NFC, would address ‘Film heritage, film literacy, artistic cooperation, institutional exchanges, distribution and exhibition’ between France and Nigeria and both parties ‘are expected to formally create the necessary environment to enable their film practitioners bring their expertise and experience to bear in the conservation, cataloguing, restoration and digitalization of classic and vintage films.’

    NFC also said that: “The proposed co-production agreement between Nigeria and France, having shared some similarities and commonalities in the worlds audio visual space, will further signpost Nigeria’s creative industry for more investment inflow, along with other capabilities. Skills upgrade and maximization, wider audience creation, development of content, capacity building, training, marketing, distribution and exhibition and several others opportunities obviously await Nigerian film makers.”

    The statement also lamented the lack of co-production agreements with other countries.

    “As at the last count, the closest Nigeria came to signing a co-production agreement was some three years ago with South Africa,” it said.“

     

     

     

     

  • TORONTO AS NOLLYWOOD’S  EMERGING NIGHT MARKET

    TORONTO AS NOLLYWOOD’S EMERGING NIGHT MARKET

    AFTER the privilege of showcasing eight Nollywood films at the Toronto International Film Festival (TIFF) in 2016, the Nigerian film industry may have found a more conducive market to display its wares. This year, the phenomenal film industry tries to bridge the gap, returning with one Romcom (Royal Hibiscus Hotel); a family drama (Still Water Runs Deep); and short film on the extremist Boko Haram sect (Waiting for Hassana). These three are in the official selection.

    To understand how last year’s outing opened the eyes of Nollywood stakeholders to this new opportunity, a new initiative – Nollywood Travel Film Festival – made its debut in Toronto as an independent showcase that has attracted the African community in the North American country to see some of the new releases from Nigeria, while also savouring celebrity appearances of artistes like Richard Mofe-Damijo, OC Ukeje, and Oris Erhuero (Sometimes in April, Road to Yesterday) among others.

    The travel festival opened at the Innis Town Hall Theatre at the University of Toronto with Kada River, while featuring not less than 12 other films, including Kunle Afolayan’s Roti, Ayo Makun’s 10 Days in Sun City, and Rogers Ofime’s Oloibiri. Others are Unveil, Catcher, Mansoor, Lost in London, Esohe, Slow Country, Lotanna, and Alter Ego.

    Indeed, Canada seems to be a more assuring ground for the Nollywood ‘night’ market to fester; only when compared to the subtle protest against the indisposition of Cannes International Film Festival to, especially Anglophone African films, leading to the birth of an annual showcase called Nollywood Week Paris few years back.

    I say this of Canada for several reasons, including the fact that two television stations – AfroGlobal and Feva TV – have emerged to meet the demand for Nigerian entertainment contents among the Blacks in Canada.

    There is also a determination to continue a Nollywood film fiesta during the annual TIFF season.

    Meanwhile, there are other glimpses of Nigeria at TIFF this year that tends to support my understanding of Toronto as the emerging Nollywood annual destination – the inclusion of Nigeria’s Omoni Oboli among six promising female storytellers in a ‘Share Her Journey’ initiative, and a Nigerian pavilion acquired by Nigeria’s National Film and Video Censors Board (NFVCB).

    A night market is an African tradition. It does have different meaning. But it is safe to say that it is opportunistic, flexible, convenient and faced less rules.

  • FG to restructure N3bn Nollywood grant

    FG to restructure N3bn Nollywood grant

    The N3billion Federal Government’s grant for the Nigerian Film industry known as Nollywood is being restructured to make it serve the purpose for which it was created, the Ministry of Finance said Friday.

    A talk shop to work out the strategy is scheduled for July 1, the ministry said in a statement.

    Expected at the workshop are key stakeholders in the industry including the Federal Ministry of Information and Culture, the leadership of Nollywood, the Actors Guild, Film and Videos Censors Board, The Nigerian Film Corporation and the Nigerian Copyright Commission.

    Finance Minister, Kemi Adeosun who is convening the workshop explained that  ideas generated  during the workshop would form the basis  for reinvigorating  the Project ACT Nollywood and ensuring  its sustainability.

    To date, the Project ACT Nollywood has implemented specialist training programmes in Nigeria and abroad in which 247 practitioners have been trained to improve their technical and professional capacities in the entertainment industry.

    Similarly, 113 film projects, employing 2,436 people, have been co-financed through grants from the fund at a cost of N799 million, while the Innovative Film Distribution Programme has been designed to support viable solutions in film distribution.

    The Innovative Film Distribution Scheme is also aimed at checking piracy.

    The World Bank estimates that for each copy of a Nigerian film sold, nine pirated copies aresold.

    The National Bureau for Statistics (NBS), reckons the Nigerian Film industry as contributing  1.4 per cent to the country’s Gross Domestic Product in 2013 and 2014, and employing  an estimated 250,000 people directly.

     

  • Kosoko promises continued support to Nollywood

    Kosoko promises continued support to Nollywood

    A veteran actor, Jide Kosoko, on Wednesday promised to continue to produce quality movies to move the Nollywood industry forward.

    Kosoko told the News Agency of Nigeria (NAN) in Lagos that complementary support from government, stakeholders and individuals would also assist to move the industry forward.

    He urged the Federal Government to continue to support the industry and monitor funds disbursed to it to ensure judicious usage.

    According to him, the Nollywood industry can generate huge revenue if properly funded and monitored by government, corporate bodies and spirited individuals.

    Kosoko described the industry as a multi-million naira industry with huge prospects, adding that the industry had the capacity to contribute meaningfully to the development of the country.

    “The industry is capable of generating millions of naira in revenue if well-funded.

    “The industry has lots of prospects and potential that can be used to boost its revenue.

    “The opportunities in the industry can fetch government huge revenues, “ he said.

    Kosoko also urged the three tiers of government as well as well-meaning individuals to support the film industry and intensify the fight against piracy.

    According to him, piracy is drawing the industry back.