Tag: Nollywood

  • WHY I’M TOO BLUNT- NOLLYWOOD ACTRESS IJEOMA IMOH

    WHY I’M TOO BLUNT- NOLLYWOOD ACTRESS IJEOMA IMOH

    Rising actress, Ijeoma Imoh, maintains that she is still very active in the make-believe world. Currently working on her very first movie as a producer, the jovial actress in this interview with DUPE AYINLA-OLASUNKANMI, speaks on her person, projects and other issues

    HY have you been off the scene?

    I have been trying to revive my movie career and make things happen. I have not gone anywhere. I am still very active; I don’t know why people have been asking me this same question on why I have been hiding. If you come to where I hang out, you will see more of me. Maybe that is why they have been saying I am hiding.

    Being a very jovial person, have you considered comedy too?

    I am considering comedy, to show another part of my acting skills. I’m working on my own personal movie, which I am trying to take time to produce. To give something that will be a hit. Because people will be seeing another me, where I will be playing a comic role this time around, since people always say I am funny; I’m giving it a try.

    Where are you now with your personal projects; the car wash and lounge?

    The projects are still on, but they are not something I can just rush off. It is a car wash that will have ladies doing the washing; but while that is going on, you need a place to relax. That is where the lounge comes in. I will also be floating a mini eatery and a car wash, hopefully, very soon on the island. All the services will be handled by ladies, including the washing of customers’ cars.

    Why ladies?

    It is my own unique way of making it different from the other car wash centres we have all over the place. These ladies are well trained and will only be rendering services to customers. There is no personal attachment to what they are doing. And that is the reason I said they are trained.

    You were at the Fidau of the late Zainab Bukky Ajayi. What was your relationship with her?

    Mama was somebody that related well with everyone while she was alive. I slept at her place on several occasions. And it was nice experiencing her being, not just as an actor, but also as a mother.  And her son being my colleague, I just had to make time.

    Why do you always appear casual?

    This is Nigeria where it is always hot. I don’t have that strength to always keep the makeup on. I end up licking my lipstick. But when we meet on a red carpet, you will see all the necessary things put in place. It also depends on the mood. Sometimes you do not know where that person is coming from, or going to. But for me, I already know where I would be going today. Which means I already know what I will be wearing, and I also love looking simple. I just love being free.

    You seem to relate well with people.

    This me; I am a very blunt person and this is who I am. And if you know me very well, you will know that I do not mix business with pleasure. Regardless of whoever you are, I’m very blunt, I just say my thing, whether I am an artiste or not.

    Being the playful kind, do people take advantage you?

    That is something that is not new. I don’t think this has to do with being a celebrity. They keep doing it, but in my own case, I see, I feel, and I hear. And once I notice such a thing, I call you to order.

    Going into movie production is a huge step for any actor. How prepared are you?

    I believe in God, because I know what it takes. But I also have friends and family that I know will be ready to help when the time comes.

    What is the movie about?

    I can’t go into that now; the reason is that some people do not have ideas, but are looking for other people’s idea to work on. So I won’t want to make that mistake. You want make them print movie jacket before the movie comes out? (Laughs).

    How did you find yourself in the make-believe world?

    I don’t like office jobs; I have always loved entertainment. But unfortunately, I cannot sing. So acting, showbiz and all the paparazzi were the options open to me.

    How often do you get roles?

    I am working so hard to get these jobs. But everyday, people are born wanting to do this same job. There is competition out there. Besides, many of the old faces seem not to be shifting. And you also have people coming after you for this same job. So, you need to work extra hard to see if it has to come your way.

    How do you survive with these few roles?

    I am acting part-time, schooling and modeling. Everything is just to make ends meet and be successful. I’ve got a timetable. So, I thank God my course is not related to calculation. And I chose to do a part-time course because it will enable me to go out there and do other things. With this, I don’t need to attend lectures. I can go online to search for materials. I can also talk to people to enrich my understanding of the course.

    Have you considered doing Yoruba movies, given that you speak the language fluently?

    I just need the platform and someone to put me through. I have done a few Yoruba movies. I know that you are respected if you are introduced by someone, which ensures that you get jobs to do.

    As one who is not skinny, how did you end up in modeling?

    There are different types of models: the plus-size, the skinny, those on bill boards and many more. So, which one will you say I don’t fit into? The face does more in the business of modeling. But at the same time, I am very smart too with my stature.

    How long have you been in the industry?

    I have spent almost a decade in the industry now. But I am not yet a star. Some people came and they just boomed. Some have been there before me, but I thank God that my name rings a bell to an extent. Some have also come in after me. But everybody has got his or her own luck and gift. I am still praying to hit it soon.

    How has the journey been so far?

    Sincerely, it’s been tough out there. It is always like a battlefield, trying to get roles and balance your career. Auditions, to the best of my knowledge, have virtually disappeared in Nollywood. You get roles these days based on how connected you are.

    The trend is killing the acting spirit of most of us. If not for the encouragement and advice of some directors and producers, some of us would have left. Actually, my first acting role was in a soap opera, Young, Single and Free directed by Kinsley Omoefe. It is still running on national TV stations, and my role is very challenging. My first movie in Nollywood was Bumper-to-Bumper and it was a party scene. Though it was a minor role, I really enjoyed myself. In fact, that really opened my eyes about how Nollywood really operates. Since then, I have featured in several other Nollywood movies.

    Any plans to settle down soon?

    Why not? See, I am going to get married, and I am sure whoever I am getting married to will support my career. So, there is nothing like getting to a particular stage before you get married. Please, if it comes now; embrace it because it is your time. If you miss it, you miss out. You may never get another opportunity again.

    But what happens if the man says you have to quit acting?

    Is it the same man that came around after you have started acting? If it is a man you met before acting, you will know what to do. But if it is the one you met after you have started acting, I’ll tell him I cannot sit in an office. I am an Igbo girl and I love money. The way I love working, I love money. These days, most men, I am sure, do not want a woman who will be like a liability. I love the fact that I am working; it does not stop the respect I have for my man. Therefore, if he is not around, I can take care of things.

    What do you do in your leisure time?

    Sometimes, I could be boring, but I love life. It is not that hard. Just treat yourself nicely. Only you can make yourself happy. It is when you make yourself happy that people around you are happy too. If you start frowning, your face will start having marks all over. I go swimming and I dance to any sound I hear. And my friends will always say, ‘Ijeoma, won fi se e ni? The thing that is usual for me is to just go to club and dance. I also go to cinemas, if I need to go. I could be boring, but extremely playful.

  • ATEKE’S ALLY NOMINATED FOR NOLLYWOOD EUROPE AWARD

    GENERAL Ebi Chimezie, one time second commander to former Niger Delta warlord High Chief Ateke Tom has been nominated for a prestigious Nollywood Europe Golden Awards.

    According to the nomination letter, signed by Heidi Ivangs-Kariuki on behalf of Ehizoya Golden Entertainment, the award, which will be the climax of Nollywood Film Festival Germany (NFFG) 2016 scheduled September, 9 and 10, is in appreciation of those who have contributed immensely to entertainment industry.

    Nollywood Europe Golden Awards (NEGA) is organized by a consortium of renowned Europe based African entertainment promotion outfit, Ehizoya Golden Entertainment in alliance with Hessen State Film forum and other partners.

    The letter also noted that award goes to some of those special people who have done Nigeria and indeed all Africa proud and promoted African culture to the rest of the world in no small way.

    Responding, General Ebi Chimezie who has contributed to the empowerment of youths in the region especially in entertainment industry said he is glad to have been nominated for the ward.

    He said it was with great pleasure and honour that he received the nomination for the prestigious Nollywood Europe Golden Award.

    “It is a privileged that some people are monitoring our contribution to the society. I have nothing to say than to tell you that the Award would encourage me to do more and I am glad to be one of those nominated for the Award,” Ebi said.

  • Popular Nollywood actor adopts barbing, hairdressing as a means of livelihood

    Popular Nollywood actor adopts barbing, hairdressing as a means of livelihood

    Owolabi Ibrahim is an actor many lovers of Yoruba movies are never tired of watching. Since his debut movie, Elepo Lo Lere, he has wowed his fans with A-list performances that peaked in Igboya, a film produced by Bimbo Oshin wherein he acted as Oshin’s husband.

    A fact that is lost on many of Owolabi’s admirers is that he doubles as a barber; a vocation he practices till date. As a matter of fact, he would rather have himself addressed as a barber than an actor.

    “Of course, I am a barber, he said proudly in a chat with our correspondent in his exotic office in Ebute-Meta, Lagos. “That is what I was before any other thing.

    “I know that you know me as an actor. The truth, however, is that it was my being a barber that led me to becoming an actor.”

    Hearing him talk about his rise from the nadir of poverty to creating employment for many would evoke the emotions of even the hard-hearted. As the son of a poor tailor, Owolabi started out life on a very rough patch. Even before he wrote his last paper in the secondary school, the young man knew that it would take a miracle to further his education.

    Explaining his predicament, Owolabi said: “It was by the grace of God that I finished secondary school. Even before I finished, I knew there was no way I would further my education.

    “I came from a very poor background. And when I say poor, I mean poor in the crudest sense of the word. We didn’t even know when or where the next meal would come from. I tell people that there is a difference between being poor and being wretched. My dad was not just poor, he was wretched.

    “Believe me, I cannot recollect any day we had three square meals on a particular day. But after secondary school, I realised that I had the talent to make hair. At the time, we used blade and comb to cut hair. People around me would always come to me to help cut their hair, and I kept improving every day.

    “As a teenager, it was a difficult period for anybody to be hungry. But that was what I experienced most times. You know, it would take God’s grace for a hungry man not to eat his enemy’s food. That was what I had.

    “The Yoruba say the child of a cloth seller should not wear rags. But my father was a tailor and we wore rags.”

    Owolabi also realised that he needed to know how to make hair for women. Fortunately for him, an old woman who lived in the same compound where his parents lived was an expert weaver. So, every day, Owolabi would sit and watch the woman.

    “At that time, I was not really cutting hair for money. People just gave me whatever they had and I was happy that I was making something for myself. But at a point, I decided that I needed to also know how to make women’s hair.

    “And luckily for me, there was a woman who lived in the same house with us. I would wake up and sit down beside her as she made hair.

    “One day, after I had watched her very well, I called one of my younger sisters and sat her down. After a few trials, I realised that I have mastered the art of making women’s hair. From that point, I knew I wanted to be a barber.”

    But the young man’s dream was almost truncated even before it took shape. His father wanted him to join him in his tailoring business. Faced with a choice between obeying his father and following his dream to become a barber, Owolabi opted for the latter.

    Recalling the experience, he said: “It was a tough period for me. I had to decide on what I wanted for myself because each time I remembered the economic hardship we were facing at home, I told myself that I didn’t want to be a tailor.

    “I was always confused that my father was a tailor and he could not meet the needs of his family, yet he wanted me to become a tailor too. His life was not inspiring to me each time I looked at him. As a tailor, he could not feed or clothe his family. So, I decided to disobey him and follow my dream.”

    In order to follow his dream, Owolabi had to leave home to fend for himself. Incidentally, a US-based Nigerian came and decided to set up a modern barbing salon. At the time, the salon, Choices Barbing Salon, located a stone’s throw from the popular Yaba Bus Stop, was the best around and truly the choice place to have a hair cut in the whole of Lagos. You were not a big boy if you had not visited Choices.

    But for young Owolabi, the use of modern barbing tools was strange. In place of the modern clippers, Owolabi was only ardent in the use of comb and blade.

    “Let me confess to you,” he said, “my story has really firmed up my belief in destiny. While I was struggling to convince myself that I had to go ahead with my dream, a Nigerian who was based in the US came back home and decided to set up a barbing salon.

    “While he was searching for the people to work for him, somebody mentioned my name and I was invited. When I got there, he said he had been told that I was a good barber and asked if I knew how to use the clipper. Confused about what to say, I simply said yes, though I had never seen an electric clipper, much less handling it at the time. There and then, I was asked to cut hair for a young boy.”

    For him, it was a test of a life time; one that that would make or mar his future. Surprisingly, Owolabi handled the task masterfully and secured his future.

    “You know, while the little boy was being prepared, I watched how others who worked there handled the clippers. The truth is that I am a fast learner. So, within the few minutes that I watched them, I was able to master how to handle the clipper. By the time I finished cutting the boy’s hair, everybody around liked my work and I was employed immediately,” Owolabi said with a sense of fulfillment.

    After years of service at Choices, Owolabi decided it was time for him to move on. Although he was not fully prepared for the move, he made up his mind to leave. He decided to team up with a colleague to start a salon on the balcony of their home.

    “My decision to leave at the time was not one that I wished for, but I had to move on even when I was not sure what the future had in stock for me. Fortunately for me, one of my friends and colleague also decided to join me. We started from the balcony of our home.

    “But the interesting thing was that all the big men who knew us decided to follow us. They decided to forego the comfort of the former place and opted to come to us in the open under the sun. That was the beginning of the story of what you are seeing today.

    “Today, whenever I remember that story, I just marvel and praise God for His mercies over my life.

    “Like I told you, mine is a story that sounds like a fairytale, even to me. It was simply the grace of God that made it possible. Imagine people giving up the comfort of the former salon and coming to us.

    “More confounding was that they would pay me about 10 times what they were supposed to pay.”

    In 1994, Owolabi, having saved enough money, decided to set up a truly modern barbing salon on the old Yaba Road in Lagos. Twenty-two years on, Owolabi’s beauty salon has grown in leaps and bounds and has become something of a brand.

    Although he declined the reporter’s request for the identities of his clients, Owolabi boasted that it is a list of who-is-who in the country. He told our reporter that he often flies from Lagos to Port Harcourt and Abuja to attend to barbing needs of his clients.

    “I value all the people that patronise me. It is not about the amount of money they pay. I travel to Port Harcourt and Abuja by air to barb hair for my clients,” he said.

    With the experience of his father always on his mind and growing up in an improvised room that served as both a shop for the father’s tailoring business and a living room for the family, Owolabi decided to make the old man happy by building a house for him.

    “My joy today is that God has used me to put smiles on the face of my father. I had to make his need for a house a priority over mine. As I speak with you, he lives in a very comfortable house I built for him,” Owolabi said smiling.

    With his wife and children based in the UK and a thriving business, many would see Owolabi as an accomplished individual. But he sees himself differently. “I don’t think I have anything yet. I continue to work hard every day, hoping that the next day would be better.”

    Asked what drives him, the man who fondly describes himself as barber said the fear of being poor drives him to work harder every day.

    He said: “I grew up in a very poor environment. When you are poor, there is the possibility that you may one day become rich. But when you are wretched, it would take the grace of God for you to make it. It is by the grace of God that I have attained this position. So, I simply cannot afford to be poor again. It is that fear that drives me.

    “It would be very foolish of anybody to say that he has arrived. I have not made any money yet. Each time I speak with my staff, I try to use my life story, but I see in their eyes that they don’t believe me. We shared the same room with big rats.”

    Owolabi’s success with barbing laid the foundation for his movie career. He was first invited to appear in a movie as a guest artiste. The late prolific movie producer, Alade Aromire, who at the time was Owolabi’s client, was the first person to feature him in a movie.

    While he has featured in more than 50 movies and earned himself a place on the list of good actors, Owolabi insists he is a barber.

    “My main job is barbing. It was on this job that I was invited as a guest artiste. Most of the actors and actresses are my clients. Most of them made their hair in our salon,” he said.

    Of all the movies he has starred in, he singled out Igboya as his best and most memorable.

    “When I say I believe so much in destiny, this is one of the reasons. I was not originally the person cast for that role. But one way or the other, the person was not available and Bimbo Oshin decided to give me the role.”

    Asked to take a look at his story from where he started and his present position, Owolabi looked up and summed it up in one word: unbelievable.

  • Nollywood plays major role in Nigeria’s economy – Adeosun

    The Minister of Finance, Kemi Adeosun, on Friday said the Nigerian movie industry popularly known as Nollywood is very important to the nation’s economy.

    Speaking at a film industry stakeholders’ workshop aimed at restructuring and reinvigorating Project ACT Nollywood, the minister said the Federal Government was determined to create deliverables that would ensure maximum value for the industry’s stakeholders and Nigerians generally.

    The Project ACT Nollywood is a N3 billion grant set up by the federal government to address challenges impeding the growth of the movie industry.

    The workshop was to examine outstanding areas of the programme yet to be implemented, review such and ensure that they are still appropriate for the industry.

    Adeosun said the problem of the industry was not in the quality of movies produced but in the structure of the industry.

    She said it was regrettable that pirates were the main beneficiaries of the industry, adding that they waited for creative talents to create a product while they claimed the profit.

    According to her, most of those who create the value do not actually get the value in terms of returns.

    The minister stressed the need to ensure sustainability in the industry, adding that a committee would be inaugurated to address issues raised at the workshop.

    The Minister of Information and Culture, Lai Mohammed, on his part, said proper distribution of movies was very important in the industry.

    Represented by Mrs. Grace Gebe, the minister said without proper distribution channels, piracy would continue to thrive in the country.

  • Tourism: Lagos to take Centre stage at TIFF

    Tourism: Lagos to take Centre stage at TIFF

    • Eight Nigerians Films to Feature in Festival

    Lagos State Government on Monday said that the State’s tourism and entertainment potentials will take the centre stage at this year’s edition of the City to City Toronto International Film Festival (TIFF), saying that eight films produced in the State would be selected to feature at the festival.

    The State’s Commissioner for Information and Strategy, Mr. Steve Ayorinde, his counterpart in Tourism, Arts and Culture, Mr. Folorunsho Folarin-Coker, who briefed journalists alongside the Artistic Director Toronto Film Festival, Mr. Cameron Bailey, at the Bagauda Kaltho Press Centre in Alausa, said the development would help project tourism potential of Lagos to the teaming audience at the festival.

    Ayorinde said the move was in line with the State Governor, Mr. Akinwumi Ambode’s campaign promises to make the state a hub for tourism.

    He said the eight films to be selected does not necessarily have to be about Lagos, but films produced by directors based in the State.

    According to him, “what is important is that the films that will be selected will be films by film makers that are Lagos based it won’t matter what subject matter you are dealing with, it is about the creativity the talent you are exhibiting as a Lagos based film maker that Toronto is interested in.”

    Ayorinde said the State Government would be fully involved in any collaboration to celebrate the city and market its potentials as well as appreciate the talent of the motion industry.

    “What this government policy implies is that the Government will promote any initiative that will project Lagos as the home of film making not only in Nigeria but before the entire world,” Ayorinde said.

    Folarin-Coker on his part said the move falls in line with government’s policy that entertainment can be used to drive consumption to create employment and improve the revenue generated in the State.

    “This falls clearly in line with Governor Ambode’s mantra of THESE which stands for Tourism, Hospitality, Entertainment, and Sports for Excellence,” Coker said.

    He also revealed that the long term plan of the Government is to take back dead public spaces such as under the bridges across the State and develop it for residents to exhibit and develop their talents.

    The Commissioner also informed that the State is collaborating with the Federal Government to build a car park at the new museum to help drive tourism.

    Explaining the drive behind the Lagos and Toronto spotlight for the Festival, Cameron said much of the films Lagos produces are not being showcased in Toronto, explaining that the idea is to seize the opportunity of this year’s festival to begin a new dawn for Nigerian films.

    “We have had films like Tunde Kelani’s Abeni feature at the festival as well as Half of a Yellow Sun, which is a collaboration between Nigeria and the UK, but I think this is an opportunity to do more and to go bigger. So what we are doing this year is a spotlight on the filmmakers who live and work here in Laos. We have been so impressed with the ingenuity and creativity of individual filmmakers who have made the Nigerian film industry one of the largest on the planet,” Cameron said.

    He said Lagos, like Los Angeles, Paris and Mumbai is one of the biggest capitals of film around the world.

    He said films produced in Nollywood have spread all over the world, saying though the Nigeria Film business has gone global; the next step was to fully integrate it into the international film industry.

    “The films that are bought and sold at our Festival, the films that are written about and reported on by the critics and film journalists, the audiences that embrace the films that go on to win the big prizes like the Oscars, those films should include the films from Nigeria, the films from Lagos; the heart of this industry that has become so large and dominant around the world. This is what really projects the image of Lagos and Nigeria, the stories that are being told resonate with the people whether or not they set foot on this country,” Cameron said.

  • NOLLYWOOD FILM FESTIVAL GERMANY CALLS FOR SUBMISSION

    THE fourth edition of the annual Nollywood Film Festival Germany (NFFG) and Nollywood Europe Golden Awards (NEGA) has started to receive entries from filmmakers.

    According to a release from Ehizoya Golden Entertainment, organisers of the event which holds in Frankfurt, Germany, the deadline for registration ends by July 21 while submission of films ends by July 31, 2016.

    While the NFFG offers Nollywood filmmakers a viable platform to showcase their movies to Europeans and Nollywood fans in the Diaspora, NEGA honours Nollywood stake-holders, Nollywood stars, comedians, musicians both in Africa and in the Diaspora.

    Others also honoured include outstanding statesmen and captains of industry who have done well to the admiration of the world. Not left out in the honours list are successful Africans, whose impact have been profound in the culture and tourism sector.

    According to submission guidelines contained in the release, unless a special waiver is granted, films must have been made during the last 24 months preceding the Festival and must not have been shown on internet or TV.

    Also, the Selection Committee only screens the films in DVD (PAL) which must not be less than of 90 minutes or more than 120 minutes duration. The movies must also be subtitled in English if the original version of the film is not in English.

  • FG to restructure N3bn Nollywood grant

    FG to restructure N3bn Nollywood grant

    The N3billion Federal Government’s grant for the Nigerian Film industry known as Nollywood is being restructured to make it serve the purpose for which it was created, the Ministry of Finance said Friday.

    A talk shop to work out the strategy is scheduled for July 1, the ministry said in a statement.

    Expected at the workshop are key stakeholders in the industry including the Federal Ministry of Information and Culture, the leadership of Nollywood, the Actors Guild, Film and Videos Censors Board, The Nigerian Film Corporation and the Nigerian Copyright Commission.

    Finance Minister, Kemi Adeosun who is convening the workshop explained that  ideas generated  during the workshop would form the basis  for reinvigorating  the Project ACT Nollywood and ensuring  its sustainability.

    To date, the Project ACT Nollywood has implemented specialist training programmes in Nigeria and abroad in which 247 practitioners have been trained to improve their technical and professional capacities in the entertainment industry.

    Similarly, 113 film projects, employing 2,436 people, have been co-financed through grants from the fund at a cost of N799 million, while the Innovative Film Distribution Programme has been designed to support viable solutions in film distribution.

    The Innovative Film Distribution Scheme is also aimed at checking piracy.

    The World Bank estimates that for each copy of a Nigerian film sold, nine pirated copies aresold.

    The National Bureau for Statistics (NBS), reckons the Nigerian Film industry as contributing  1.4 per cent to the country’s Gross Domestic Product in 2013 and 2014, and employing  an estimated 250,000 people directly.

     

  • 76: Nigerian Army to partners Nollywood

    76: Nigerian Army to partners Nollywood

    In light of the new movie that is currently generating a buzz in Nigeria’s moviedom, 76, the Nigerian Army has sought to build ‘a collaborative relationship’ with the Nigerian movie industry, otherwise called Nollywood.

    A letter from the Headquarters, Nigeria Army, Department of Civil- Military Affairs signed by Major General R. I. Nicholas for the Chief of Army Staff disclosed why the military institution desires a collaboration with the creative industry.

    “This is in furtherance to a need to build a collaborative relationship between the Nigeria Army and the movie industry. We believe that the movie will assist in shaping the current effort at improving the civil-military relations and also educate our people on some of the historic values of the Nigeria Army.”

    With a large part of the movie shot at the Mokola Barracks in Ibadan, Oyo State the 200-member cast and crew are said to have stayed together for about seven months, bonding as a family was inevitable.

    Executive Producer of the flick, Tonye Princewill says that 76 is watershed of sorts in Nollywood.

    “It took seven years to make this movie. We were not in a hurry at all. At the end of the day, some of them had become so used to the character set in 1976 that it was difficult to bring them back to the present. Set designer, Pat Nebo, who also acted in the film did a marvelous job on set. You can see a One Naira note without it being copiously displayed. The table utensils, the walls, the cars were all set in 1976. This was not easy to achieve, but we did not settle for a substitute. For instance, it was difficult to get a 1976 Black Maria, but we persevered and finally we were able to get it,” he noted.

  • A NOLLYWOOD’S HOME IN PARIS

    UNTIL last week, logistics had made it difficult for me to attend the much talked about Nollywood Week Film Festival (NWFF) which made debut in Paris in 2013. How? The annual event is usually a week or two after the Cannes International Film Festival. So, hanging on in wait for the Paris event was more than I could chew.

    Not attending Cannes this year enabled my ‘energy’ to participate in the NWFF. Incidentally, the premiere of Kunle Afolayan’s latest offering, The CEO, added verve to this, being the opening film of the festival.

    I had not really appreciated what the NWFF portends for the Nigerian film industry until now. Unlike other film festivals, this one showcases, exclusively, Nollywood films to the French audience. Organised by Okada Media, headed by France-based Serge Noukoué and Nadira Shakur, this yearly selection of some of the best of Nollywood is also geared towards sustainable distribution system for the film.

    Interestingly, not only is the Cinema L’Arlequin, 76 rue de Rennes, Paris, venue of the festival fast becoming smaller for the event, the NWFF has been able to create a huge fan base for Nigerian films among the French, who now know our actors by name and could recall their characters in some of the Nollywood titles.

    Obviously, an alternative movie choice has been created in Paris for film goers, for which the organisers are looking forward to replicating the showcase in other cities in France. Helping this connect is the subtitling of all the films in official selection in French, a pain which the organisers have to bear for effective communication of the Nigerian culture, nuances and lifestyle to the French natives. This is a plus for any Nigerian film that makes the selection, as the free sub-titling will enhance their patronage in other Francophone markets.

    The festival paraded Nollywood films such as Falling directed by Niyi Akinmolayan, Fifty directed by Biyi Bandele, Gbomo GbomoExpress directed by Walter “Walterbanger” Taylaur, Lunch Time Heroes by Seyi Babatope, Stalker by Moses “Sneeze” Inwang, Taxi Driver(Oko Ashewo) by Daniel Oriahi and The First Lady by Omoni Oboli.

    There was also a roundtable discussion on Entrepreneurship & Cinema: Finding Funding, which ran a documentary on Tony Elumelu Entrepreneurship Programme (TEEP) and had discussions with Kunle Afolayan, Parminder Vir, Director of Tony Elumelu Foundation and Arthur Dieffenthaler, Commercial Manager, Air France.

    Restless Talent Management also gave filmmakers an opportunity to pitch their ideas in minutes to a panel of top industry professionals, with one of the prizes; the English category, going to London-based Tomisin Adepeju whose short film, The Good Son, screened at the festival.

    In another festival programme titled Actor’s Studio, actors including OC Ukeje, Yann Gael and Annabelle Lengronne shared some techniques and advice on the necessary steps to take toward becoming a professional actor, while the Monologue Slam, hosted by Kemi Lala Akindoju saw upcoming and professional actors take the stage to deliver a monologue from any film of their choice before an audience and judges. They also received pointers and tips from casting directors and producers.

    This year, for the first time, the festival showcased a selection of short films, including Hex, Prey, Joy, The Encounter, Keko, Ireti and the Restless Pitch winner, The Good Son.

    Indeed, the NWFF is a pleasant alternative to Cannes International Film Festival, pending when the industry is ready to play the politics of the former.

  • Nollywood gets Paris’ love

    Nollywood gets Paris’ love

    As the fourth edition of Nollywood Week in Paris closed yesterday, it is evident that the city of lights is welcoming the Nigerian film industry. The four-day event which started on Thursday at the Cinema L’Arlequin, 76 rue de Rennes, Paris, hosted 16 Nollywood films and a host of Nollywood filmmakers and film professionals.

    ‘This unique industry (nicknamed Nollywood) is constantly changing,’ the organisers said in a statement.

    ‘It has become increasingly global as illustrated by singer Angelique Kidjo’s role in the highly anticipated opening night film, The CEO, while at the same time increasingly local as evidenced in the large use of Pidgin over English in many of the films.’While Kunle Afolayan’s film, The CEO easily stole the show, the festival also paraded Nollywood films such as Falling directed by Niyi Akinmolayan, Fifty directed by Biyi Bandele, Gbomo Gbomo Express directed by Walter “Walterbanger” Taylaur, Lunch Time Heroes by Seyi Babatope, Stalker by Moses “Sneeze” Inwang, Taxi Driver (Oko Ashewo) by Daniel Oriahi and The First Lady by Omoni Oboli.

    There was also a roundtable discussions on Entrepreneurship & Cinema : Finding Funding which ran a documentary on Tony Elumelu Entrepreneurship Programme (TEEP) and had discussions with Kunle Afolayan (Film Director), Parminder Vir (Director of Tony Elumelu Foundation) and Arthur Dieffenthaler (Air France)

    Restless Talent Management also gave filmmakers an opportunity to pitch their ideas in minutes to a panel of top industry professionals.