Tag: Nollywood

  • Davido makes Nollywood debut

    Davido makes Nollywood debut

    Sensational Hip hop singer, David Adeleke, a.k.a Davido, has landed his first role in a Nollywood movie titled: John Zerebe.

    His cousin, Ikechukwu Ojeogwu, who is the producer of the flick, said: “The proposed budget   is N10 million for the flick. The money may be small, considering the director of the movie, Teco Benson, and a cast member like Genevieve Nnaji, who is being considered for the lead role.”

    However, Ojeogwu said the budget was exclusive of cameras and other equipment needed to set up his production company.

    He also expressed his challenge in bringing Genevieve on board. “I have not yet decided on the female lead. But my eyes are on Genevieve Nnaji. Having her and Davido in the same movie will surely be a huge hit. The major challenge now is that Genevieve is younger and may not fit-in well, as the character of the lead actress demands.

    When the producer was asked to explain his choice of Davido, he said: “The choice of Davido is not to make the film accepted by the general public. I believe that my cousin, Davido, really fits the role for which he was chosen. This was not favouritism. Although Davido may have become a huge success in the music world, this is his first time in a movie.”

    He also added that the choice of Teco Benson was to realize the potential of the script as an “action-packed” movie. “The choice of Teco is obvious. John Zerebe is action-packed and the best person to direct the movie is no other person than Teco. I will be playing the lead role, even as the producer. I put everything together to make it unique. John Zerebe is about a young and smart guy who wants to live a big life at an early age. He wants to achieve everything within the twinkle of an eye. This leads him into different abuses, doing all sorts of things for quick money.”

    Ojeogwu, who expressed gratitude to his mother for supporting his career, said Davido is quite delighted and supportive of this project. “He has a lot at stake.  Apart from the financial stake, his image is also at stake, so he’s taking this as serious as any other business.”

  • Living Funeral for screening at Cannes

    Living Funeral for screening at Cannes

    Nollywood production, Living Funeral, has been selected for screening at the Cannes Film Festival in France later in the year.

    Living Funeral centres on creating awareness on breast cancer. It will be screened while the festival lasts at the Short Film corner.

    It is about a young girl who battles with breast cancer in the last days of her life. She arranges a farewell for her family to help ease their pain.

    According to the producers, Applegazer and Karma Cause Productions, the flick, which recently screened at the 2014 Pan African Film Festival in Los Angeles, is also an official selection at the ongoing New York African Film Festival.

    The film, which had eight nominations at the 2014 Africa Magic Viewers Choice Awards, has been nominated in the Best Short Film Category for the 2014 Africa Movie Academy Awards. It has also been selected for screening at the 2014 Durban International Film Festival.

    Director of the movie, Udoka Oyeka, graduated with an accounting degree from the University of Texas, Arlington. He later attended a drama school to enhance his acting skill.

    It stars Nollywood veterans like Liz Benson, Norbert Young and Stephanie Wilson.

     

  • Joseph Benjamin, Ini Edo, Gloria Young dazzle in The Perfect Plan

    Joseph Benjamin, Ini Edo, Gloria Young dazzle in The Perfect Plan

    Producers of The Perfect Plan, a Nollywood movie, have revealed plans to ensure its release online soon.

    The Perfect Plan tells the story of a blind mother who gives her son an ultimatum to get married, so she can “hear the voices of her grandchildren before she dies.” Not being able to get his ever-busy girlfriend to spend time with his mother, he comes up with a perfect plan that will change the course of destiny. The unfolding event sees four people (Toks, Beatrice, Rain and Ogey) entwined in a love quadrangle.

    The movie, which was directed by Kabat Esosa Egbon, stars Joseph Benjamin, Ini Edo, Gloria Young, Frankincense Eche-Ben, Keira Hewatch and Kehinde Olorunyomi, among others.

     

  • Nollywood is ripe for Oscars –RAMSEY NOUAH

    Nollywood is ripe for Oscars –RAMSEY NOUAH

    Ramsey Tokunbo Nouah is a household name in Nollywood. He has won several awards at home and abroad. As a talented actor, he has a large following. In this interview with VICTOR AKANDE, he talks about a number of interesting issues.

    THERE is now a committee set up to submit Nollywood movies for the Oscars. But is this the only focus of the committee?

    It is about picking indigenous movies and promoting them, internationally. The Oscars is a household name when it comes to awarding works of arts and movies. And if Nollywood, which has come this far, can get a space there, it is a plus for us. Coming together to put this initiative together is a good thing. So, we are hopeful and believe that our works of arts will get a well deserved applause internationally and not just locally.

    Is it so important to have an agency or a group to select a movie for the awards?

    Not exactly! I mean that is how it stands from the Oscars itself. Eventually, every country around the world has the same thing. So, they will need to start up a name that will choose indigenous movies from different countries all over the world. It is not like it is different in Nigeria; that is the way it is all over the world.

    All the while, we have been talking about the Oscars and it seems like a joke. But this is the right step…

    Exactly, this is more like the right steps towards it. The Oscars needs to have a formidable confirmation of direct dialogue with any organisation they have agreed to form with.

    What is the strategy that this organisation is going to use to select the movies for the Oscars?

    It is a simple strategy like every other movie award; they sit together and hand-pick. We will sit together, watch the movies and be satisfied that it is quality movies that can stand and represent our nation. Then, we will send them out there and they will now choose the one that wins. With the level we have gone, we should be able to bring the award home.

    So, is this like a pre-award towards a bigger one?

    Let’s assume that the organisers ask that each country presents three to five movies, then, we will need to choose out of the movies that come to the table the particular one to represent Nigeria. And when we are sure of the good quality of these five movies, we will send them out, and hopefully one of them will come home with an award.

    Who are the members and what is the composition like?

    The members of the committee are more of artistes, producers and directors. It is also about people who have tested what is here and have done various works as artistes. So, they are very renowned people with good eyes for productions.

    There is no politics involved in this in anyway. We are going to be raising funds from investors and people who want to sponsor. But all of that will be done from within. That is to let you know that, it is not like anybody is trying to be political about it.

    Don’t you think it is right to attribute names to those involved?

    We have Mamood Ali Balogun, Chioma of AFRIFF, Chineze, my humble self and some others that I can’t mention at the moment.

    How long did it take this to fly?

    Honestly, I think they have been trying to work it out since last year, so that Nigeria could get an input and a slot in the Oscars. Thanks to Chineze, who is the pioneer that has made that happened. She handpicked those names as part of the committee to actually pick the movies.

    Do you think we are ripe for this, in terms of quality productions?

    I strongly believe that we are ripe for it. We have the name and the fame. If we do, we should be celebrated for it too, not just by words of mouth. You know, we are not just talking about all the movies that come out of Nollywood. That is why we say some movies will be handpicked. In every movie industry in the world, we have the ‘A’ movies, the ‘B’ movies, the crappy movies and the rest. Definitely, there are some ‘A’ movies that come out of Nollywood. They are well done, but are not that commercially successful.  But they are the ones that will give Nigeria the desired pride of place.

    At this point, we have people who have made good movies and the industry just lost Amaka Igwe. How would you describe this loss to the Nigerian movie industry at this particular period?

    It is a huge loss; it is a massive loss. It is sad that, at this point in time, she won’t be here. Amaka is one of the directors/producers who would love to see our movies get to the Oscars. She is a passion-driven person; it is going to be a huge dent on the filmmakers and everybody. But she has left a good legacy behind that I know a lot of creative minds are going to toe. We are very sad about her loss, but we know that with the creative minds and legacy she left behind, they will make us proud by doing very good movies in the test of time.

    Apart from the Oscars, is this committee looking at others like the film festivals and the rest of them?

    We really haven’t talked about that. But I believe one work of arts will determine how far we are going to probably expand from here. But whatever movies you see go to the Oscars will definitely hit the festivals. However, we have not talked about diversifying; we are very hopeful that when the time comes and there is need for it, it will then happen.

    The Nigerian movie industry in a way has a fusion with the Ghanaian movie industry. So, how is the committee going to look at this? How are you going treat the movies that have Ghanaian and Nigerian actors?

    Well, we have not really sat down to determine this. I mean Ghana is a neighbouring country and we are all Africans. Basically, in entertainment, you know Nigeria leads. If it is a partnership, where the movies are done here, and we are just going to get actors from there, then, I don’t think that is going to cause any issue. But we will address it during the committee meeting, which will deal with the situation. To me, I think all artistes in the world are one.

    They say movies speak universal language, so I hope the committee will also look at movies done in Nigerian indigenous languages, as long as they are subtitled.

    Yes. In fact, that is what is most needed. It is not just English. If we can get movies done in Hausa, Igbo, Yoruba and other languages, and they have gone far and are translated, that will be a great plus on our part. Because Oscars is to look for how deep your language, tradition and way of life are rather than you trying to look like them or how they do their things.

  • Why I keep  my wife away  from the public –Charles Awurum

    Why I keep my wife away from the public –Charles Awurum

    Charles Awurum is a versatile Nollywood actor. He is also one of the highly rated comedy mongers in the movie industry. The award-winning thespian, in this no-holds barred interview with MERCY MICHAEL, talks about his profession, how he handles female fans, his marriage and more. 

    COULD you tell me why you changed from playing serious roles to comedy?

    I came out of the university as a versatile actor. I hate being stereotyped into a particular character. So, at a point when the comedians were really doing some great works, I told them that I could do comedy. When I came into this industry, I was acting serious movies. Even when I said I could act comedy, they said I won’t fit into it because of my looks. But I told them a comedian doesn’t have to be deformed. As an actor, you can play any role. It was by force that I got into comedy. Then, I had to get my friend, Sunny Nnaji, to give me a role in his movie. So, he gave me a two-scene character in Long John.

    Would you say acting comedy has been a blessing in disguise?

    I would say it is a blessing in disguise. It has shot me up quite alright, but I need happiness in the acting world. I need to be acting so many types of roles. It is taking me a lot to tell people I can still go back to what I used to do. But you know that once you do something well, they will want to keep you there. I’m not happy being stereotyped as a comedian. If you need to survive, you need to act. So, for now, I keep doing it until that time comes when I will show the world that whatever comes my way, I can do.

    Talking about comedy roles, is it that you were funny naturally and people just didn’t know until you got a chance to prove it in Long John?

    I’m not funny. Whatever I do, I do it as the role demands. I try to build myself around that character so that people will see it as that person and not as Charles Awurum. And once I get out of that character, I become Charles Awurum. People see me and they want to see me behave the way I behave on set. I’m this type of person that likes a quiet life. Inasmuch as I like making friends, I am not that person who comes and shouts everywhere I go for people to notice me.

    Before you joined the league of the big names in comedy, did you have any fears?

    In acting, I don’t have any fears. When I used to do stage productions, the crowd was my motivation. When I came to do Obiora, I was taken out from nowhere to somewhere to play the lead as Obiora. I came from Imo State to Lagos State, but I was not afraid, though stars were gathered. That was why I was able to carry the character. Even at the National Theatre then, people were waiting for my downfall at the rehearsal. But when they saw what I did, I made friends with everybody. That was when some executive producers asked why I didn’t want to come to Lagos and stay. I lived in Lagos before I went to Imo State. I was born in Lagos. So, coming back to Lagos, there was no problem.

    What have always been people’s reactions at first meeting with you?

    When I got into this place, you saw how a guy shouted; so, that is how most people do. But when you grow in a certain industry, you get used to all those things. Those people are your fans. They are the ones that make you who you are. When you see them that way, it makes you feel that people like what you are doing. Doors open for me because of what I do. People are happy seeing me.  Before I entered the movie industry, I had done so many stage productions- before I went in for Theatre Arts in the university.

    Has there ever been a scenario where you had to tell off a fan?

    Yes, there was a time a boy called me and I was like, ‘Am I your mate? Acting aside, if you see me outside, will you talk to me? If I was not an actor, would you just accost me like that?’ But I try not to overdo things. But sometimes when I get annoyed, I bring myself down to just warn the person and leave.

    How do you handle your female fans?

    We interact with women and you know women show more love; and in showing you love, they can do certain things that would (pauses). But you look at them and make sure you don’t make them feel bad, no matter how you look because I didn’t create myself and you didn’t create yourself either. I embrace everybody who comes my way, whether a man or a woman. But I know where to draw the lines and when it gets to that point, I take myself away from that environment.

    Are you married?

    I am married with three boys.

    What kind of life do you live at home?

    I try as much as possible, because I don’t stay at home every time, to make sure that I keep a good family. You must not laugh every time. If you play every time, your children might grow up and become something else. I laugh at times. Once I’m not on set, I go back to my house. If, for instance, I finish a production at night, the following day, I’m going back to my house. Once I’m not working, I make sure that I’m with them.

    I have a happy family. I have a good wife and my children are just growing. One thing you have to know is that a wife makes the home. But a man gets the house.

    How has your wife been handling the fame?

    I remove my wife from the eye of the public. That’s one thing I do. Unless it is very necessary that we go out together, you won’t find her with me in public. My wife has gotten used to my work. At first, there was a problem. Initially, she was happy when she came in, but somebody went to tell her something and she started listening to my phone calls. But after some time, she stopped.

    What made her stop worrying?

    You see, in a family, it’s either you use a soft hand or a strong hand. You must use something to make your family because what you build out of your family is what you get. If you think, yeah, let’s leave everything like that, you will come back home and be unhappy. And when you leave your house unhappy, you don’t gain much outside. Even business will not come. Naturally, money will run away and jobs will not come. The secret of my success is actually my happy home, my wife.

    How long have you been married?

    It’s getting to nine years.

    What has kept your married for almost a decade?

    One, I love my wife. Two, I removed her out of the public eye. Most people don’t even know her, unless I show her to you. Three, I have control over my family. Four, I make them feel happy. Another thing is that I have told my God I don’t want to have a broken home. And I don’t think anything can make me break up with my wife because it is the children that will suffer.

    What are the things you have in the pipeline?

    I have a company, Magic Lens Pictures Limited, where we produce movies. We do awards, not an artiste award, but awards for excellence for those who have done something for Nigeria. It’s biannual. We organised a show two years ago. We are planning the second one and we are trying to involve the First Lady, Patience Jonathan. Already, we are in talks with her. We have so many things in the pipeline. Magic Lens Film Academy is setting up a school, where actors, actresses can be trained. And very soon, that will kick off. And our next production will be after the awards.

    Have you always wanted to be an actor?

    Yes, I wanted to read Law or Theatre Art. There was a time I wrote to Village Headmaster that I wanted to be part of them. I was very small then. My happiest time in life was when they sent me a letter with NTA letter head, inviting me to come. I didn’t go because I was small and there was nobody to take me there. So, I kept on doing church dramas. I was part of the drama and debating society in school. When I watched Langbodo during FESTAC 77, I was impressed with the level of acting and one person that moved me then was Sam Loco Efe. From then, I made up my mind to be an actor. And when you are thinking of these things, you never know that one day you will be with these people. So, the first day I was with Sam Loco and I flashed back at Langbodo, I was happy. I went to the university at an old age. I finished my secondary school, started work with the Art Council and was doing a freelance work with the Imo Broadcasting Corporation.  From there, I went to the University of Calabar, where I read Theatre Art. Then, I did Obiora. And thank God I performed fine, as people said. That was how I continued and went into the movie industry.

  • At premiere of  Half of a Yellow Sun

    At premiere of Half of a Yellow Sun

    SOME of Hollywood and Nollywood biggest stars turned out in eye-popping fashion and style at the Silverbird Cinemas at the premiere of the much anticipated movie adaptation of Chimamanda Ngozi Adichie’s bestselling novel “Half of a Yellow Sun” at the Silverbird Galleria in Lagos.

    One of the Nollywood sexiest, Genevieve Nnaji, turned up with sex appeal as he rocked a blazers jacket over pants of the same fabric. Elegant stallion, Madam Onyeka Onwenu, rocked her low haircut with embellished orange skirt and blouse. While Biola Alabi, Managing Director of M-Net in Africa, opted for black, the author of the novel, Chimamanda, went for a glitzy red maxi with white stripes.

    It was a suit affair for handsome and talented Hollywood rave of the moment, Chiwetel Ejiofor. Check out the red carpet photos.

  • I’m not a porn  star, says Cossy  Orjiakor

    I’m not a porn star, says Cossy Orjiakor

    NOLLYWOOD actress and musician, Cossy Orjiakor, has expressed strong disapproval against her description as a porn star. The busty actress, who lambasted her critics in a recent interview with a popular journal, also denied acting in any porn movie. According to her, “Yes, I am bad, bold and different. If there is a porn movie starring me, then, I am a porn star. If there is none, then, the people in that school of thought should go back to school.” She also disclosed that her perspective towards her work will change when she finally gets married.  “I will settle down at the right time. God’s time is the best. I love children. I will have mine and adopt as well. When I am married, I may have a different school of thought because marriage is an institution you never graduate from.” Known for engaging in controversial topics, which she sees as a way of staying relevant in the entertainment scene, she said she had been making impacts; otherwise, she would not have been featured on TV, social networks and newspapers. “Controversy means being different and I love it. I am making an impact in the society right now. If I am not, I doubt if anyone will want to interview me,” she stated.

  • I weep for Nigeria

    SIR: The scene in Nigeria over the last few weeks can be taken to be an adaptation from a blockbuster première movie in Nollywood. Everything is just a jest.

    In fact, Nigeria is a disgrace. President Goodluck Jonathan should resign with immediate effect. This country is a complete joke and a disgrace. Maybe I should be clear, I don’t believe that Nigeria is a great country and I don’t believe that we are good people in Nigeria.

    Some days ago, some 200 or more girls were abducted from a secondary school in Borno State, or is it the case that they were stolen? Were they simply nobbled or kidnapped?

    Where are these girls? What is happening to them?

    Are they being used for rituals in some voodoo, in some juju and/or some other form of religious cultism? Why was it that only girls were kidnapped? Why? Why? Why?

    How were they kidnapped in the first instance? I thought there’s some form of Emergency Rule with ‘curfew’ and ‘tight security’ in Borno? So, the Boko Haram insurgents came in the middle of the night, opened the schools gate and entered the girl’s dormitories, loaded the girls into trucks, drove through the streets of Borno and disappeared without anyone seeing anything? How amazing? How convenient?

    Or are they are still in Borno? How come no one has seen them? Are they being kept in an isolated building? Are there no Nigerians close to the place where these girls are being kept or whatever? Maybe they are not even in Nigeria?

    The news circulating the media is that the girls had been transported out of Nigeria into Mali, Chad and Cameroon and ‘sold into marriage’ with some unknown persons at  $12, just like you would do to a piece of yam and cloth at the Market Square. How offensive!

    Do we have a president in this country or just figurehead? What is the stand of the National Security Council? Or do they even have a stand at all? Do they have a clue at all? Or could it be true that we don’t even have a body like that?

    I saw some members of some form of ‘security council’ including Christian Association of Nigeria’s boss, Pastor Ayo Oritsejafor on the TV smiling after a ‘security meeting’ a few days ago in Abuja. Could it be that they are happy? What is the cause of their happiness? Is that not a disgrace in itself?

    Investigative journalists should be plenty on the streets of Borno by now and in the suburbs, scavenging for intelligence. Or are they doing that and no one knows about it? Is that even possible? I think our journalists do not care. It is either that or that they are simply lazy and don’t know to go about these things.

    Why aren’t Nigerians asking questions? Why hasn’t anyone been arrested?

    Is there any search going on? If any search is going on, why isn’t anyone saying anything to Nigerians? Are we that bad that we don’t care about what is happening to other people as long as they are not our daughters, friends or members of our church or mosque? Are we humane at all in Nigeria? Honestly, I weep for Nigeria.

    I’m definitely not proud of Nigeria, at all.

    • Abayomi Ojo

    Lagos

  • Atanda Orilowo, Laide  Bakare unperturbed

    Atanda Orilowo, Laide Bakare unperturbed

    THESE are definitely not the best of times for Nollywood actress Laide Bakare and her socialite husband, Alhaji Atanda Orilowo, a.k.a ATM. The couple has in recent times been in the eyes of the storm over the battle to forfeit their properties, which include two filling stations in Ajah and the recently opened boutique of the actress over a business deal gone awry.

    But despite their current predicament, the couple seems unperturbed as they remain stronger in love. Sources even said they were sighted at one of the upscale nightclubs on the island having fun last weekend.

    Orilowo, the chief executive officer of Primavera Construction and Engineering Limited, ran into trouble waters over a multi-billion naira estate project in Lagos for the construction of a Y’ellow Estate in the Ajah area of Lagos. The businessman has since gone to court to challenge the forfeiture.

  • Re: Pirated  Nollywood

    Re: Pirated Nollywood

    TO the multi-talented filmmaker, Tunde Kelani, his latest blockbuster, Maami, might just be his last release within the shores of Nigeria. This is sequel to the ripping activities of pirates who syndicated his latest effort just as it was released to the public. This lamentation by TK as he is fondly called within the film circle underscores the intention of another multi-talented cinematographer, Kunle Afolayan, to relocate to God’s Own country where his creativity and hard work would not only be recognized but also generously rewarded.

    Kelani’s experience with his new flick is another sad commentary on the failure of the Nigerian Copyright Commission (NCC) whose mandate is to fight piracy to transform Nollywood into a goldmine. TK’s predicament is not peculiar; it is what every filmmaker grapples with in an industry where gains of movie making are lopsidedly shared between pirates and producers.

    The NCC needs to step up its operations by increasing its staff strength and embark on aggressive campaign to arrest the menace of piracy in order to prevent brain drain in the Nigerian entertainment industry. The maximum support of players in the industry is crucial here.

    –Thompson Taiwo writes from Lagos.