Tag: Olu Jacobs

  • BoI partners Olu Jacobs, Joke Silva on Heartbeat the Musical

    BoI partners Olu Jacobs, Joke Silva on Heartbeat the Musical

    Having assisted filmmakers and fashion designers through different funding schemes, the Bank of Industry (BoI) continues its support for the creative industry, the latest being a stage performance produced by veteran actors and couple, Olu Jacob and Joke Silva, titled Heartbeat The Musical.

    A series of 28 shows spread across 19 days, the theatrical masterpiece, is anchored on the fictional Grace House, a well-known shelter for the homeless, where the play explores the themes of love, hate, betrayal, family, identity, politics, homelessness and social justice through music and dance .

    Depicting the everyday life and political terrain in Nigeria, ‘Heartbeat’ makes an effective portrayal of happenstances in the society with such theatrical presentation that had the audience glued to their seats for more than one hour, cheering the cast for great acting and elevated musical dialogues as the characters converge in and around Grace House in search of refuge and atonement.

    Speaking at the November 17th show at the Agip Recital Hall, MUSON Center, Lagos, Bank of Industry’s Director of Large Enterprises, Mr. Babatunde Joseph said the play was worth his while.

    He said: “It’s a very splendid evening and we are glad to be a part of this theatrical show, particularly when you look at the environment; a little bit of pressure, a little bit of tension. There is indeed the need to relax after the hard day’s job. There must be a good mix of work and play.

    Joseph talked about why his company is at the forefront of support for the creative industry, craving the indulgence of other investors to do the same.

    “I believe there is a tremendous opportunity for investment in the creative industry.  You can see with what has happed tonight, especially talking about the turn out even though this is a weekday. The creative industry is the place to put one’s money and we expect that the return will be worth it at the end of the day. You will be surprised that it is even during recession that people tend to embrace the creative activities even more because we really need to find a way to relax; we need to find a way to network and also an avenue where we can meet different people, including people we haven’t met in a long time. For me, I believe that investing in the creative industry will be a very good way of putting one’s money. And of course it also helps in reducing the state of unemployment. You can imagine how many of them participated in this programme today. At least they would have been empowered, and this is the kind of empowerment that we believe the creative industry should create so that people can have some money in their pocket.”

    Other officials of the bank at the show include Mrs. Uche Nwuka, Head of Creative Desk and Mrs Hadiza Olaosebikan, Head of Communications.

    Written by Tosin Otudeko and Debo Oluwatuminu, and directed by Najite Dede, Heartbeat The Musical is a tale of hope. The songs are original compositions, written by Tosin Otudeko and produced by Efosa Lawal.

    The play parades not less than 33 cast and 10 crew members, including popular actor, Femi Jacobs, who plays the role of JD Dacoster, the corrupt politician who seeks atonement in the end.

  • Joke Silva, Olu Jacobs cover TW magazine for 30th anniversary

    Joke Silva, Olu Jacobs cover TW magazine for 30th anniversary

    CELEBRATING their 30th wedding anniversary, veteran Nollywood couple, Olu Jacobs and Joke Silva, have covered the bridal edition of Today’s Woman Magazine.

    In the July/August edition of the magazine, the couple share how they have made it work for 30 years, the loss of their child, acting as therapy for them, among other touching issues.

    On the recent issue of the magazine, Joke speaks on the number of dates they have been on and the most romantic of them. “It’s been a long time and a couple hundred dates, I don’t really remember which was our most romantic because Olu has given me so many,” she said.

    Oludotun Baiyewu Jacobs was born to parents from Egba Alake, and attended Holy Trinity School in Kano, Nigeria. He trained at The Royal Academy of Dramatic Arts in London, England.

    He has starred in various British television shows and series in the 1970s like The Goodies, Till Death Us Do Part, The Tomorrow People and lots more. In the 1980s Jacobs starred in several international films some of which include John Irvin’s war film The Dogs of War, Roman Polanski’s adventure-comedy Pirates and the family-adventure film Baby: Secret of the Lost Legend. He has starred in over 120 Nollywood films.

    Joke Silva was born in Lagos, Nigeria, into a family of four children. She attended Holy Child College in Lagos, after which she studied English at the University of Lagos. She then relocated to England and studied drama at the Webber Douglas Academy of Dramatic Art in London.

    Silva has also starred in several films and television series, some which include Secret Laughter of Women, 30 Days, Letters to a Stranger, Widow’s Cot, For Coloured Girls and the Africa Movie Academy Award-nominated films White Waters and The Amazing Grace.

  • Joke Silva, Olu Jacobs cover TW magazine for 30th anniversary

    Joke Silva, Olu Jacobs cover TW magazine for 30th anniversary

    Celebrating their 30th wedding anniversary, veteran Nollywood couple, Olu Jacobs and Joke Silva, have covered the bridal edition of Today’s Woman Magazine.

    In the July/August edition of the magazine, the couple share how they have made it work for 30 years, the loss of their child, acting as therapy for them, among other touching issues.

    On the recent issue of the magazine, Joke speaks on the number of dates they have been on and the most romantic of them. “It’s been a long time and a couple hundred dates, I don’t really remember which was our most romantic because Olu has given me so many,” she said.

    Oludotun Baiyewu Jacobs was born to parents from Egba Alake, and attended Holy Trinity School in Kano, Nigeria. He trained at The Royal Academy of Dramatic Arts in London, England.

    He has starred in various British television shows and series in the 1970s like The Goodies, Till Death Us Do Part, The Tomorrow People and lots more. In the 1980s Jacobs starred in several international films some of which include John Irvin’s war film The Dogs of War, Roman Polanski’s adventure-comedy Pirates and the family-adventure film Baby: Secret of the Lost Legend. He has starred in over 120 Nollywood films.

    Joke Silva was born in Lagos, Nigeria, into a family of four children. She attended Holy Child College in Lagos, after which she studied English at the University of Lagos. She then relocated to England, and studied drama at the Webber Douglas Academy of Dramatic Arts in London.

    Silva has also starred in several films and television series, some which include Secret Laughter of Women, 30 Days, Letters to a Stranger, Widow’s Cot, For Coloured Girls and the Africa Movie Academy Award-nominated films White Waters and The Amazing Grace.

  • OLU JACOBS ON  WIFE JOKE SILVA: The secret  of our bonding

    OLU JACOBS ON WIFE JOKE SILVA: The secret of our bonding

    Veteran Nollywood actor, Olu Jacobs is one of the few thespians whose marriages to their fellow actors have stood a test of time. The award-winning, in this interview with DUPE AYINLA-OLASUNKANMI, discusses his marriage, career, new movie and sundry issues. 

    Tell us about your experience on the set of Oloibiri?

    The name Oloibiri rings a bell in Nigeria. And the oil pollution has killed a lot of people; from the fishermen to the children. It is a story on its own that can be used to change a lot of things. With the present change in the country, this is what we want. This is the time for change and the people say they want change. Kidnapping was not our business before. We also learnt that.

    The wells were not like that in the past. At least it is a better than what it used to be. So that is something to show that there will be change. Though it is a gradual process, but with what we have done with the movie, and making people see the present poor state of Oloibiri people, despite being the place where oil comes from, it should be given priority. It is a new era. Everything seen on that movie is the way things are presently. It is not as if we are trying to represent anything. It is real.

    What would you say has kept you going as an actor?

    Jacob and his wife
    Jacob and his wife

    I enjoy what I do very much. And I have still got the physical power. My staying power has been my energy, both physical and mental, as well as the passion for the job. Also, there are still uncle and granddad characters to play. Look at all of us. See that girl (points to Taiwo Ajayi-Lycett), I knew her from the 60s.

    Looking back, how many of those who started with you are still on this job?

    Well, there are some of them that I still work with, but they don’t work in Lagos. They work in Enugu, Asaba and other States. We had to take Oloibiri to Bayelsa. And I just came back from Akwa Ibom to work with some of them.

    Most celebrity marriages are quick to crash these days. What do you think is the secret of a lasting marriage like yours?

    First of all, you need to be your spouse’s best friend. That is the only person you can have in your life, then others will follow. You cannot make a woman like yourself a friend. Because, once you begin to talk to them about what is bothering you, different advices come in. she has the power over you, she knows your secret. As a wife, your husband is your best friend. The moment he proposes and the woman accepts, he begins to think about the two of you and not about one person anymore. Anything he wants to do and anything she wants to do, both parties will have to consider the other person involved.

    What advice would you give to young couples, especially those going through difficulties?

    Marriage is an investment that takes a lot of time to yield: that is because you invest your time, energy, money and everything. And you have to be careful, because what suits you might not suit the other person. You have to weigh your own circumstance, and apply wisdom. You leave at seven in the morning and come back at night; you have to help each other out. When she is cooking and you are in there with her that is where you have time to communicate. That is where they remember all they want to say. There is nothing that says a man cannot help out. It is God. There are other forces outside that you need to take cognizance of but when you do, you have to make sure that they don’t take control over your life. You don’t keep friends, because they will mislead you. And marriage is not something you can pull out of. You are in and you have to stay forever.

    Do you apply all these principles to your marriage?

    Yes, I do.

    Has there been any time you felt like coming out of your marriage?

    Like I said, you don’t get married to come out of it. The words; ‘for better for worse, for richer for poorer’ are not mere words. They are not said for nothing. When you enter into marriage, you don’t think of coming out of it. That is why some people cannot mentally recover from it again, because they keep thinking about it. And that is why you have to safeguard yourself. This can only be achieved by knowing the kind of friends you keep.

    People will come to tell you stories, even if you find out it is true, you will be the one to deal with it and apply wisdom. As a married person, you are now thinking for two. You cannot take any independent decision because no decision you take should be for yourself alone. Communicating helps a lot, once you are talking, it solves a lot of things.

    What is that thing that still keeps you attracted to your wife?

    She has not let go. She has not let go her loving and charming self. She still makes her hair, does her make-up, dresses well and still looks beautiful. That is the staying power. I am her last mirror. My wife does not go out without my last comment. After dressing up and looking at herself in the mirror, she still believes in me. She turns to me and asks how she looks every time she has an event and I just look at her and tell her she is smashing.

    Apart from Oloibiri, what other projects are you working on?

    We are trying to do some plays and movies. They are coming up soon. But you know how these things work here. You have to make sure it is completed before revealing it to the world, for your idea not to be used by someone else. But when it is done, we will make it public.

  • OLU JACOBS  canvasses better  life for Oloibiri  indigenes

    OLU JACOBS canvasses better life for Oloibiri indigenes

    VETERAN actor and cast member of the yet-to-be-released advocacy movie, Oloibiri, Mr. Olu Jacobs, has expressed high hopes that the film project will change the life of the indigenes of the oil-polluted community, when it is finally released in the cinemas.

    “The name rings a bell in Nigeria. And oil pollution has killed a lot of people; from the fishermen to the children. It is a story on its own, that can be used to change a lot of things. With the present change in the country, this is what we want. We are hoping that there will be more changes now, with the ‘change’. This is the time for change and the people say they want change.

    “Kidnapping was not our business before. We also learnt that the wells were not like that in the past. At least it is a better than what it should be. So, that is something to show that there will be change. Though it is a gradual process, but with what we have done with the movie, and making people see their present state, and being the place where oil comes from, it should be given priority. It is a new era,” the veteran actor stated.

    He also revealed that his staying power is his energy and passion for what he loves doing. “There are still uncles, and granddad, characters to play,” he added.

    Oloibiri town is credited as the country’s first point of crude-oil discovery in January 1956. The movie takes on a journey through three main subject-matters  the tragic journey of Oloibiri into developmental retrogression, the socio-cultural under runs which gave birth to militancy, and the governmental intervention to compensate a land which arguably, has been raped of its resources.

  • My wife hasn’t let go  –Olu Jacobs

    My wife hasn’t let go –Olu Jacobs

    Veteran actor, Olu Jacobs who has been married to his better half, Joke Silva, has said the reason breaking away from their decades-old marriage has never crossed his mind, is the fact that his wife has not let go of who she was since they got married.

    “She has not let go of her loving and charming self. She still makes her hair, does her make-up, dresses well and still looks beautiful. That is the staying power,” he said.

    The actor also revealed that he and his wife have a new project coming up soon. “There is something we are working on at the moment. But you know how these things work here. You have to make sure it is completed before revealing it to the world, for your idea not to be used by someone else. But when it is done, we will make it public,” he added.

    Trained at The Royal Academy of Dramatic Arts in London, England, he had starred in various British television shows and series in the 1970s, including The Goodies, Till Death Us Do Part, Barlow at Large, The Venturers, Angels, 1990, The Tomorrow People, The Professionals and others.

    In the 1980s, Jacobs starred in several international films some of which include John Irvin’s war film The Dogs of War, Roman Polanski’s adventure-comedy, Pirates as well as the family-adventure film Baby: Secret of the Lost Legend.

    According to reports, he has also starred in over 120 Nollywood films.

  • How Hubert Ogunde inspired me to become an actor -Olu Jacobs

    How Hubert Ogunde inspired me to become an actor -Olu Jacobs

    At 72, ace actor, Oludotun Jacobs, popularly known as Olu Jacobs, remains an evergreen in the nation’s entertainment industry. In this interview with OLASUMBO OTAGBO, the artiste, who has put in many years in the make-believe world, shares his experience. Excerpts:

    NIGERIA of my childhood.  My name is Oludotun Jacobs. I am 72 years, I am an actor and I have been one for almost 50 years. I am a Nigerian, my parent are from Ogun State. I had a good fortune of going round the world, and I see how the others live. You will see that our leaders have to buckle up because it will be very sad if by tomorrow we pick up placards and begin to match against them. We believe they can do good. There is a kind of reawakening at the moment and I hope it continues in a positive light. We are suffering quite a lot, majority of the people in Nigeria have to cater for their own water, light, road, they build their own roads and the government will come and say they should pay tax. Even when we get some funding from international source, they disappear; they come in and disappear and nobody asks any question. It is very sad, I grew up in a country where I thought it can only be second to heaven, if America or Britain were better than how Nigeria was then, then it must be like Heaven. Nigeria was a wonderful country and you are free to go anywhere. And wherever you went, you were welcomed, north, south, east or west, you were welcomed. Being a stranger in that land wouldn’t worry you because will get the best, they will welcome you and introduce you to people who will assist you if you need any assistance. When you are going on annual holiday, you come from Lagos to Kano, Jos, Port-Harcourt. These were holiday spots we had within the country by rail. It was wonderful, you look forward to it. At the end of the term, you go straight from your school to the station where you will board train home. Everything was fine, it was safe. I remember the riot in 1956, a stone hit my dad in the elbow and we were complaining that my dad had an injury. Some people were crying because their own men were dead. That was the first time I experienced tear gas. I thought I was dead because it was choking, I didn’t know I would survive it.

    My experience as a child

    Growing up in Nigeria was wonderful. There were many Southerners in Kano, and wherever you go, there were Ibo, Yoruba, Itsekiri, Urhobo, Calabari and so on. During Christmas, masquerades come out from every community and they gathered at the stadium ground. What we are doing today is not the same thing.

    My journey into the world of make-believe

    I was very close to the church. I was a member of the choir, the dancing group and the drama group. We had festivals every year in the church and I was the only male in the group, but that didn’t stop me. In fact, I made more money than the girls did and it was quite fun. Even in school, I did that and my parent were always coming to see what I was doing because I would nag them to submission. Then after a while, they too began to come willingly. One day, I was sent on an errand and I heard this music coming from the back of a lorry. I picked one of the leaflets and saw Ogunde Concert Party. Then I put it in my pocket. When I got home, I called my mother and said I saw this, and she said they always come every year. I said I would go, and we all went. It was played in one hotel called Colonial Hotel. They were dancing and talking and everywhere was booming. My dad and the family were talking, but I didn’t talk. I was watching the atmosphere. Then the light went off and the stage light came up. And they did what Ogunde called the opening glee (beginning of the show). That was the point I made up my mind I would be an actor.

    What was your father’s response?

    When I told my father I wanted to act, he said act? What? Is play work? If play is not work, how can you say you want to play. As if that was not enough, I told him I wanted to go to England to study acting. He said no and tore my application form. But fortunately for me, my brothers were processing their own passports too, so they helped me secure my visa. The day I was ready to go, I was with them all morning, the train to Lagos was 12pm and I had smuggled my suitcase out the night before. By 10:30am, I left home. But I was afraid my father might call my uncle in Lagos to stop me. But nothing happened. That was how I went to London. When I saw somebody going home, I sent a letter to my father with a tobacco and three pipes. But unfortunately, I never saw him again.

    My marriage

    I have been married for over 28 years. We work together and she is achieving her goal, while I am also achieving my own goal. When we sit down together, we have something to talk about. And if there is any advice needed, we give advice to each other. So, we are partners for life.

    Raising our children

    We thank God for the nature of our work. We were able to take them to rehearsals, theatre and do some jobs. And when the children grew older, we got maids for them. They have at one time or the other featured in our plays. There are other parts of the business that they are into. There is the acting side, managing side. For example, Soji, my first son, is the General Manager of the academy, I am the Chairman and my wife is the MD.

    Efforts to bring back the theatre culture

    It is unfortunate that theatre can never be the way it was because it is too expensive. You spend the same amount to make a movie and at the movie can be watched over and over again. But for the play, each time you want to produce a play, it must cost you the same amount of money. Most stage productions now, apart from school productions, are done for the public. They must have sponsors for them to be able to produce. But we are trying to bring it back through the academy. We are concentrating on the various instruments that one needs to be a good actor.

    The secret behind my fitness

    I make sure that I do at least 30 minutes exercise every day.  The exercises include press-ups, breathing exercises and I halved everything I used to eat. I also try as much as possible to rest.

  • Secret of  my staying  power

    Secret of my staying power

    Joke Silva is a study in excellent acting.  She is a delight on stage, on TV and in home movies. The Nollywood star, who has won several awards at home and abroad, is married to an equally exciting actor, Olu Jacobs. In this interview with MERCY MICHAEL, she talks about the state of Nollywood, her staying power and marriage, among other interesting issues. 

    COULD you tell me about your involvement in the stage play, Hear Word!?

    I played three different roles in Hear Word! One of them is a gossip with the rest of my sisters. In this, we are trying to address some of the things that women say about one another. If we want to achieve empowerment and nation-building, there are some things we cannot afford to be doing.

    That’s one of the characters in the piece. Besides, we explored this idea of a family insisting that once a woman’s husband dies, then, the woman does not count for anything, especially if she doesn’t have children. That a couple is blessed with children is an extra blessing; and that you don’t have it does not mean you are less of a woman or less of a man.

    How would you compare Hear Word! to the other stage plays you had done, considering that you are working with actresses Taiwo Ajai-Lycett and Ireti Doyle?

    I’ve been working with them for several years, so this is nothing new. I have a passion for stage plays and I have always believed in theatre. Along with my husband, Olu Jacobs, we’ve been at the forefront of continuing with the theatre movement.

    We believe very much in theatre, though we are very much involved in films, television and radio. We also believe strongly in the theatre movement and are excited that it is taking off. We are looking forward to it flourishing. Concerning your question, I can’t compare because each of my stage performance is just different.

    Are you saying you prefer stage to movies?

    No! I like all the platforms; they are platforms of expression for me. So, I find them to be very powerful forms of expression, especially when they are well done. Apart from this, it is nice to explore, in order to see how far you can push yourself as a performer in any of the platforms.

    What is it like acting alongside Taiwo Ajai-Lycett in the stage play, Hear Word?

    You feel like going back to school. The woman is just such an incredible professional. And I think theatre is one of her amazing moments.

    How would you like to describe the state of the Nollywood now?

    Nollywood is doing very well. It’s been celebrated all over the world and Nollywood is in the process of re-inventing itself again. That is one of the reasons I have never accepted to limit Nollywood to just the past 20 years. I always say that Nollywood is actually a name that was found for the entire film industry.

    The film industry has had several circles in its lifespan and one of the circles was the time of the Ogundes, the Ojo Ladipos and the Ade Loves; and then, another circle was when you had the Kenneth Nnebue’s intervention and all that. Another circle is coming again, where you will have some people coming with a different kind of film.

    You are looking at the Kunle Afolayans and the Desmond Obigalis etc. Each time this circle comes, it always raises the bar, which is exactly what we want. So, that’s what I see happening in Nollywood. But Nollywood is in a place now, where it needs to solidify its structures. Like the late Amaka Igwe would say, the time for celebration is over; so, it is now time to make sure we have the structures in place-and that has been happening.

    What then is your staying power?

    Wow! It is God’s amazing grace in letting me do a job that I enjoy. When you are doing a job you enjoy, you don’t realise that you are working, until you get home or you are done for the day and exhausted. It is God’s amazing grace for allowing me to belong to that profession and having an amazing husband who belongs to the same profession. He has made me to have an extra sense of self-worth for belonging to this industry.

    Again, we are in an industry that is beginning to flourish and attract attention from various areas. One of the things I have discovered in my years as a performer, producer and mentor is the fact that we are at the stage, where Nigeria celebrates its performers, but doesn’t support us with the necessarily tools to be able to take it to the level that is should be. It celebrates us and we celebrate ourselves (laughs).

    But we’ve got to find a way, where the art forms are achieved properly. What do I mean? Our art form is part of our cultural memory. Without a cultural memory, a people will always make the same mistake over and over again, thinking that they are doing things for the very first time. A cultural memory is important for those who come after us to know what we are like and to have dignity about who they are.

    We do some things as a people because we have not achieved our cultural history. Those are the things that I am saying. It’s beyond money. Money is important for us to able to do the kind of things that we want to do. But there are other structures that need to be put in place and our cultural history is part of it.

    As a star actress who is married to another star, what is it like at home?

    The two stars are two very ordinary people at home; a man and a woman in a relationship, raising a family and living their lives together. Basically, that is it.

    So, do you cook and do other household chores like everyone else?

    I have never lied about that. I’ve never been the cooking kind of woman. When my husband met me, he knew. He was the one who used to do the cooking because he was so good at it. I used to do the cooking when I felt like it.

    Sometimes, it was a huge success and another time an abysmal failure (laughs). I remember during our dating years, I cooked efo (vegetables) and it was drawing (laughs). He was just such a gem and he ate it (laughs). It’s not as if my mum didn’t teach me how to cook efo. Yes, we do all the housework and all the things you do as a normal family. For my husband, he hasn’t had the time anymore. For him, cooking is a therapy, but it is a chore for me.

    Yet, he will always tell you that I look after him so much. But I do that in other ways. Now, of course, we have somebody who does the cooking. We have people who do the housework and the general cleaning. For someone like my mum, cooking is also a therapy; keeping the house nice and neat is a therapy for her. But it is not so for me. I have friends who adore cooking. I would sit down, watch them and say, ‘Wow!’

    You two are seen as the Nollywood role models when it comes to marriage. What has helped you thus far?

    One, we have great respect for each; two, we forgive each other. I think it is very important, even for young people who are getting married now. Sometimes, you hear things like, “Ha! Mummy Jay, I can never forgive him for what he did to me or…” Fine, you are entitled to your anger.

    Over the years, I have realised that you must forgive each other. If you don’t learn to forgive each other, it’s not going to work because neither of you is perfect. Apart from this, we’ve learnt over the years to be honest with each other and to be honest about our feelings for each other.

    How do you handle male admirers?

    Thank you, but no thanks. You can’t compete with the one in the house.

    You always look cheerful. Is it a kind of therapy?

    People who know my mum would say, okay, no wonder. That’s how my mother is. But to get a smile out of my late father, you would try. But my mother was always the smiling one.

    When you find yourself in some low moments, how do you manage the situation?

    In my home, when I am in my low moment, my people know and they steer clear. But I have found out that by the time I have shouted here and there, I still go back to God. I just go back to God and lay it on His feet. I am not one of those who hand over very easily. I always believe that I can sort it out.

    And that’s one of the things my husband doesn’t understand because in this kind of situation, he just sleeps. But not me! Finally, when I have done the sleeplessness night over and over again, I hand over.

    You have been criticised by some people for being too emotional on the MTN-sponsored reality TV show, Project Fame…

    (Cuts in) I don’t care. It’s because you see the growth of the contestants, so it just gets to the point when you feel that this person is normally so good. But at this particular day, he or she just happens to have a bad day, so he or she now suffers eviction. It’s not as if they are not good enough, so it can be very painful.

  • ‘Let’s show more commitment to stage theatre’

    ‘Let’s show more commitment to stage theatre’

    A dynamic couple in and out of stage, Olu and Joke Jacobs find drama in virtually everything they do. When it comes to this profession which they love so much, they indeed speak with one voice, showing that theatre is life and life is also theatre. In this chat with Edozie Udeze the couple speaks about their pet project, why live theatre has to be revived and the need for the younger ones to be more committed to the profession and lots more. Excerpts.

    Olu Jacobs and his amiable wife, Joke Jacobs, are two thespians who know their worth about theatre and acting. They met on the job; they’ve also shown over the years that actors and actresses who found themselves as husbands and wives can indeed make the best out of the situation. Often enough, the couple are seen together in public, and when one is granting an interview, for instance, the other does not hesitate to make contributions. That, in reality, is how close and inseparable they have grown that the voice of one is often the voice of the other and vice versa.

    During a chance meeting at the National Theatre, Lagos, Olu was asked to comment on the state of stage and live theatre in Nigeria, but midway into the chat, Joke could not hold her enthusiasm to be part of the interview. And so before long, it had turned into a dual interview in which the couple, long known for their avowed love and commitment to entertainment and the world of make-believe, took a deep look into their profession, making a case for theatre academy, lambasting government for not being serious and committed enough to theatre and then proffering ways to make the younger ones find plausible peace and fulfillment in the profession which they both confessed still remains a tough terrain to date.

    Olu Jacobs, as a professional, started his career as a stage actor, but today he is better known as a film actor. “Oh, yes,” he began as his affable baritone voice gently tore into the air, “like I have always said, we want the government to provide the enabling environment for us to function. They ought to make things affordable for us to thrive. Let them create the necessary institutions where we can train and raise more artistes, younger actors and actresses because we ourselves are passing on. And so we need to make sure that we provide for the next generation of artistes so that we do not create a vacuum. These are the things we need for the stage which is the mother of them all. If you have such institutions, well-structured and equipped, the artistes will graduate well and be well-equipped for the future. And when you see them working, they’ll know exactly what they’re doing.”

    To him, the provision of all these and more would help to enhance theatre and restore back the glow. “These things have been lacking, even though we have always had the market. It was a market that grew so fast; that people who didn’t know the job came in; a lot of people cried, that they went and employed people who didn’t know the job. In the end, they ruined them, but for us to grow and continue to develop, we certainly need all these institutions-build-theatre academies and so on. Not everybody will have the opportunity to go to a higher institution, but even if they do, not everybody will be so accommodated. This is so because they have limited number of people they can take. We therefore need a lot of people to be trained. These academies provide for you to practice right away. You do more practical theatre there. The children need them because even on location they are asking for them.”

    A core veteran, Jacobs agreed that there is a generational disease that is haunting the profession. “All these take time, except that we have a generational disease. Our young ones are in a hurry. They need to be more gentle and more understanding. In our own case, we had to struggle hard, fight the system to get to where we are today. We are appealing to the younger ones to come to terms with the situation even though we are supposed to increase our own speed. I think government needs to release the funds they promised on time. They do not need to do so piece-meal because that system and approach doesn’t make for progress. We have not even seen any money yet, there’s too much talking without action. And if there is money, we need to see them given to people to do the appropriate jobs, so that this industry can move forward, can create the necessary job opportunities for Nigerians.”

    Concerning the long-awaited endowment for the art, he stated thus: “Eh, our problem is that we have excellent ideas that we do not follow up conclusively. Oh yes, that is a good idea but where is it now? We need to start from somewhere. If it is a hundred people (artistes) government wants to start with, let them do so. From there, it can grow to more, but let them start from somewhere. That is my concern. From there, we can then begin to see hope. The way things are at the moment, ah, it is difficult for the industry to sustain itself, because theatre plays an important part in our lives – the telling of stories of our historical origin and past…”

    At this juncture, Joke intervened by saying “Oh, yes, stories that prod our cultural memories; if you do not have the pride of theatre, your cultural memory is diminished. It is valueless and you lose it. People who do not have cultural memory often repeat the mistakes of the past. And this is not good for anybody. You can see that there are other people who have taken over from Chuck Mike (the black American, artiste who trained a lot of artistes in Nigeria in the 1980s to early 1990s). We, for one, have taken over from where such people stopped.”

    To date, the Jacobs have set up a performing arts school where they train young thespians in all facets of acting. “Of all the people who come for training only few focus on theatre, the rest focus on film. However, we do theatre and do film. We equally realise the importance of theatre and then we give them the training of performing artistes. A lot of our graduates are doing well. They are not stars as yet, but we hope with time they’ll get there,” she said.

    When the call for the establishment of private theatre houses has become a Herculean task for some willing Nigerians, what then is the next step to be taken? Here Olu interjected and said, “if you try and try and it does not work, then try and try again. Those who give up easily do not go far in life. We need to build more private theatre houses and stages to make theatre prosper. You don’t stop: you fall, stand up, wipe your back and run. With tears in your eyes, carry on. With deep depression, carry on. Because in all, nobody said to you that it was going to be easy. No. but we didn’t know it was going to be this bad. We found it so and we had to fight it. We saw this National Theatre go down but I am happy it is this good now. I am very, very happy to be here to see it now. This is what we are saying, people can now come and watch any play going on here now.”

    When then are people going to see the Jacobs again on stage? And Joke took over with an explanation that cleared the air immediately: “Yes, we are planning a stage show here at the Theatre in October. We are co-producing the show which is basically a musical drama. It is by Garden Theatre and it depicts the life of people in Nigeria – the very rich and the very poor. It is a combination of both worlds and it will show a society where the two extremes come together. It is important for us to show how those who are privileged in the society can be responsible and work harder so that those who are not can gain from it. This is to also encourage the poor to get out of their poverty situation. And that way, we can build human capital. Right now, in Nigeria we do not have human capital, yet we have huge population. That’s the underlying theme of the production.”

    It is a show that will make people laugh, shuffle their legs and generally fall in love again with stage drama. And so for weeks , the theatre will be alive and the Jacobs will be on hand to receive acclaims and exchange banters with admirers and fans. “Oh, yes, people will clap, dance, and sing. People will see the reality of stage theatre and what it means to be closer to them. It will be fun all through,” she said with a tinge of pride.

    Joke then gave a clear picture of what needs to be done to give younger script writers the conducive platform they need to exhibit their talents. “I must tell you that young Nigerian writers both at home and in the Diaspora are doing well. What we do is provide the necessary platform to make them better writers. There have to be series of workshops where they can be taught more on the rudiments of script writing and more.” “And our young ones need to have an enabling environment to do this better,” Olu added.