Tag: Oscars

  • Oscars brought the Academy $97.3 million in 2014

    Oscars brought the Academy $97.3 million in 2014

    The Oscars was said to have brought the Academy of Motion Picture Arts and Sciences $97.3 million in 2014. That figure was up slightly from 2013 when revenue from the Academy Awards and related activities like Governors Awards amounted to $93.7 million. The bulk of that income comes from the sale of broadcast rights  ABC has domestic rights to the show through 2020, while Disney’s Buena Vista International has the foreign TV rights through 2020.

    The Academy’s total 2014 revenues totaled $151.5 million, up from $134.4 million in 2013, the Academy said in its latest annual report. Total expenses also grew from $97.3 million in 2013 to $105.1 million in 2014. The report noted that in 2013, the Academy closed the sale on the Homewood land and the building it held in Hollywood, which had originally been acquired when the Academy planned to build a motion picture museum in Hollywood for $45 million, incurring closing costs of $622,700. In 2014, it completed the sale of a neighbouring piece of land on DeLongpre for $3.75 million.

    The Academy signed a lease agreement to build its new museum in the old May Co. building, belonging to the Los Angeles County Museum of Art in 2012. According to the report, the base rent for the 55-year lease (which is renewable for another 55 years at no cost) is $28 million. During 2013, the Academy made $5 million in lease payments, and in December 2013 the lease was amended to include an adjoining parcel of land that increased the total base rent by $8.1 million.

  • Oscars 2015: Birdman wins best film

    Oscars 2015: Birdman wins best film

    In a spectacular ceremony, typical of the annual Oscars, Birdman, a movie about an actor trying to redeem himself after playing a superhero onscreen by attempting a serious stage play, won the overall best film at the awards show, Sunday night.

    The event held at the Dolby Theatre in Hollywood, Los Angeles, United States.

    At Saturday’s Film Independent Spirit Awards, Birdman was also named best film.

    “I don’t know how that happened,” Alejandro Inarritu, the movie’s Mexico-born director, said as the winning film team gathered around the mic, but the movie’s star, Michael Keaton, gave the credit all to Inarritu, saying, “this guy is as bold as bold can be.”

    It was a night full of stirring political speeches, and before Inarritu surrendered the stage, he dedicated his award to his fellow Mexicans. The director said he hoped that the Mexicans living in Mexico “find and build a government that they deserve” and that those Mexicans who have come to the U.S. find “respect and dignity.”

    Just moments earlier, Inarritu picked up the best director award, and he jubilantly confessed that as a good-luck charm, he was wearing the tighty whities Keaton wore in the film: “They are tight, they smell like balls,” he laughed.

    And Inarritu had gotten his first call to come to the stage just minutes before that, when Birdman got the Oscar for best original screenplay. He wrote the film with his three screenwriting partners Nicolas Giacobone, Alexander Dinelaris Jr. and Armando Bo. Inarritu recalled how three years ago, he asked them all “to follow [him] in a crazy idea, [and] because they are crazy, they did.”

    But while Fox Searchlight’s Birdman took four key Oscars, the wealth was spread around. In fact, all eight best picture nominees got at least one Oscar, albeit not necessarily the ones each was looking for. Searchlight’s The Grand Budapest Hotel, which also collected four Oscars, proved to be popular in the craft categories, as was Sony Pictures Classic’s Whiplash, which picked up three Oscars.

    An exuberant Eddie Redmayne delighted in receiving his first Oscar for portraying Stephen Hawking in The Theory of Everything. “I don’t think I’m capable of articulating what I am feeling right now. I’m fully aware that I’m a lucky, lucky man,” he said, before going on to testify that “this Oscar belongs to all of those people around the world battling ALS,” the disease with which Hawking has lived throughout his life. “I will be its custodian,” Redmayne promised.

    ALS also was referenced in Julianne Moore’s acceptance speech as best actress for playing a woman with early-onset Alzheimer’s in Still Alice. She spoke of how people with Alzheimer’s “deserve to be seen so we can find a cure,” and she also explained that when the movie’s two directors, Richard Glatzer and Wash Westmoreland, found out in 2011 that Glatzer had been diagnosed with ALS, Glatzer told Westmoreland that what he really wanted to do with his life was continue to make movies.

    Two movies about crisis hotlines won the short film awards. For live-action short, the winner was The Phone Call, from Mat Kirkby and James Lucas, in which Sally Hawkins plays a crisis-hotline counselor. For documentary short, the winner was Crisis Hotline: Veterans Press 1, from Ellen Goosenberg Kent and Dana Perry, about the suicide hotline dedicated exclusively to U.S. veterans.

    Academy president Cheryl Boone Isaacs used her ceremonial appearance to do more than just welcome the guests, delivering a rousing call for the motion picture industry to accept its “responsibility to protect freedom of expression around the world.”

    Host Neil Patrick Harris kicked off the proceedings at the Dolby Theatre with a musical number, “Moving Pictures,” written by the Oscar-winning Frozen team of Kristen Anderson-Lopez and Robert Lopez, that used a lot of multimedia razzle-dazzle to put him in the middle of famous motion picture scenes. He was joined by both Anna Kendrick and Jack Black, who contributed to the Gilbert-and-Sullivan-like patter.

  • Hottest couples at the Oscars

    Hottest couples at the Oscars

     

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    Jenna Dewan-Tatum and Channing Tatum. 
    Channing Tatum wore a classic black tux and Jenna Dewan-Tatum dazzled in a belted Zuhair Murad gown. 

     

    108433bc6b7639665fbe288d88c5fdcc5595450dBehati Prinsloo and Adam Levine. 
    Behati Prinsloo and Maroon 5 singer,  Adam Levine were both decked out in Armani Prive. 

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    Chrissy Tiegen and John Legend. 
    Supermodel Chrissy Tiegen and  John Legend looked absolutely ravishing. Legend, along with Common snagged the award for best song of the year—with the song “Glory” from the film Selma.

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    Faith Hill and Tim McGraw. 
    Faith Hill and Tim McGraw looked better than ever at this year’s Oscars. Hill looked dazzling metallic dress. Meanwhile, McGraw drew for his James Bond-esque look. 

    Photo: Courtesy of Getty Images.

  • Oscars 2015: Full winners list

    Oscars 2015: Full winners list

    The 87th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, honored the best films of 2014, yesterday February 22, 2015, at the Dolby Theatre in Hollywood, Los Angeles.

    Here is the full list of winners.

    Best supporting actor

    WINNER: JK Simmons for Whiplash
    Robert Duvall for The Judge
    Ethan Hawke for Boyhood
    Edward Norton for Birdman
    Mark Ruffalo for Foxcatcher

    Achievement in costume design

    WINNER: The Grand Budapest Hotel – Milena Canonero
    Inherent Vice – Mark Bridges
    Into the Woods – Colleen Atwood
    Maleficent – Anna B Sheppard
    Mr Turner – Jacqueline Durran

    Achievement in makeup and hairstyling

    WINNER: The Grand Budapest Hotel – Frances Hannon, Mark Coulier
    Foxcatcher – Bill Corso, Dennis Liddiard
    Guardians of the Galaxy – Elizabeth Yianni-Georgiou, David White

    Best foreign-language film

    WINNER: Ida – Paweł Pawlikowski
    Tangerines – Zaza Urushadze
    Leviathan – Andrey Zvyagintsev
    Wild Tales – Damián Szifrón
    Timbuktu – Abderrahmane Sissako

    Best live-action short film

    WINNER: The Phone Call – Mat Kirkby, James Lucas
    Aya – Oded Binnun, Mihal Brezis
    Boogaloo and Graham – Michael Lennox, Ronan Blaney
    Butter Lamp – Wei Hu, Julien Féret
    Parvaneh – Talkhon Hamzavi, Stefan Eichenberger

    Best documentary short subject

    WINNER: Crisis Hotline: Veterans Press 1 – Ellen Goosenberg Kent, Dana Perry
    Joanna – Aneta Kopacz
    Our Curse – Tomasz Sliwinski, Maciej Slesicki
    The Reaper – Gabriel Serra
    White Earth – Christian Jensen

    Achievement in sound mixing

    WINNER: Whiplash – Craig Mann, Ben Wilkins, Thomas Curley
    American Sniper – John T Reitz, Gregg Rudloff, Walt Martin
    Birdman – Jon Taylor, Frank A. Montaño, Thomas Varga
    Interstellar – Gary Rizzo, Gregg Landaker, Mark Weingarten
    Unbroken – Jon Taylor, Frank A. Montaño, David Lee

    Achievement in sound editing

    WINNER: American Sniper – Alan Robert Murray, Bub Asman
    Birdman – Aaron Glascock, Martín Hernández
    The Hobbit: The Battle of the Five Armies – Brent Burge, Jason Canovas
    Interstellar – Richard King
    Unbroken – Becky Sullivan, Andrew DeCristofaro

    Best supporting actress

    WINNER: Patricia Arquette for Boyhood
    Laura Dern for Wild
    Keira Knightley for The Imitation Game
    Emma Stone for Birdman
    Meryl Streep for Into the Woods

    Achievement in visual effects

    WINNER: Interstellar – Paul J Franklin, Andrew Lockley, Ian Hunter, Scott R Fisher
    Captain America: The Winter Soldier – Dan Deleeuw, Russell Earl, Bryan Grill, Daniel Sudick
    Dawn of the Planet of the Apes – Joe Letteri, Dan Lemmon, Daniel Barrett, Erik Winquist
    Guardians of the Galaxy – Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner, Paul Corbould
    X-Men: Days of Future Past – Richard Stammers, Lou Pecora, Tim Crosbie, Cameron Waldbauer

    Best animated short film

    WINNER: Feast – Patrick Osborne, Kristina Reed
    The Bigger Picture – Daisy Jacobs, Chris Hees
    The Dam Keeper – Robert Kondo, Daisuke “Dice” Tsutsumi
    Me and My Moulton – Torill Kove
    A Single Life – Joris Oprins

    Best animated feature film

    WINNER: Big Hero 6
    The Boxtrolls
    How to Train Your Dragon 2
    Song of the Sea
    The Tale of the Princess Kaguya

    Best production design

    WINNER: The Grand Budapest Hotel: Adam Stockhausen, Anna Pinnock
    The Imitation Game: Maria Djurkovic, Tatiana Macdonald
    Interstellar: Nathan Crowley, Gary Fettis
    Into the Woods: Dennis Gassner, Anna Pinnock
    Mr Turner: Suzie Davies, Charlotte Watts

    Achievement in cinematography

    WINNER: Birdman: Emmanuel Lubezki
    The Grand Budapest Hotel: Robert D Yeoman
    Ida: Lukasz Zal, Ryszard Lenczewski
    Mr Turner: Dick Pope
    Unbroken: Roger Deakins

    Achievement in film editing

    WINNER: Whiplash – Tom Cross
    Boyhood – Sandra Adair
    The Imitation Game – William Goldenberg
    The Grand Budapest Hotel – Barney Pilling
    American Sniper – Joel Cox, Gary Roach

    Best documentary feature

    WINNER: Citizenfour – Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky
    Finding Vivian Maier – John Maloof, Charlie Siskel
    Last Days in Vietnam – Rory Kennedy, Keven McAlester
    The Salt of the Earth – Wim Wenders, Juliano Ribeiro Salgado, David Rosier
    Virunga – Orlando von Einsiedel, Joanna Natasegara

    Best original song

    WINNER: Glory from Selma – Lonnie Lynn (Common), John Stephens (John Legend)
    The Lego Movie – Shawn Patterson (Everything Is Awesome)
    Beyond the Lights – Diane Warren (Grateful)
    Glen Campbell: I’ll Be Me – Glen Campbell, Julian Raymond (I’m Not Gonna Miss You)
    Begin Again – Gregg Alexander, Danielle Brisebois (Lost Stars)

    Best original score

    WINNER: Alexandre Desplat – The Grand Budapest Hotel
    Alexandre Desplat – The Imitation Game
    Hans Zimmer – Interstellar
    Jóhann Jóhannsson– The Theory of Everything
    Gary Yershon – Mr Turner

    Original screenplay

    WINNER: Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo – Birdman
    Richard Linklater – Boyhood
    E Max Frye, Dan Futterman – Foxcatcher
    Wes Anderson, Hugo Guinness – The Grand Budapest Hotel
    Dan Gilroy – Nightcrawler

    Adapted screenplay

    WINNER: Graham Moore – The Imitation Game
    Jason Hall – American Sniper
    Paul Thomas Anderson – Inherent Vice
    Anthony McCarten – The Theory of Everything
    Damien Chazelle – Whiplash

    Best director

    WINNER: Alejandro González Iñárritu for Birdman
    Richard Linklater for Boyhood
    Bennett Miller for Foxcatcher
    Wes Anderson for The Grand Budapest Hotel
    Morten Tyldum for The Imitation Game

    Best actor

    WINNER: Eddie Redmayne for The Theory of Everything
    Steve Carell for Foxcatcher
    Benedict Cumberbatch for The Imitation Game
    Bradley Cooper for American Sniper
    Michael Keaton for Birdman

    Best actress

    WINNER: Julianne Moore for Still Alice
    Marion Cotillard for Two Days, One Night
    Felicity Jones for The Theory of Everything
    Rosamund Pike for Gone Girl
    Reese Witherspoon for Wild

    Best picture

    WINNER: Birdman
    American Sniper
    Boyhood
    The Imitation Game
    The Grand Budapest Hotel
    Selma
    The Theory of Everything
    Whiplash

     

  • Concerns over exclusion of Nigerian-British actor in Oscars

    Concerns over exclusion of Nigerian-British actor in Oscars

    FOR only the second time in nearly two decades, the 20 Academy Awards acting nominations went to a group made up entirely of white actors and actresses.

    Among the notable snubs was David Oyelowo, who received praise for his turn as the late Rev. Martin Luther King Jr. in Selma.

    In 2011, the 20 nominees also were entirely white. Before that, one has to go back to 1998 for an all-white acting group.

    The all-white nominees list comes at a time when Hollywood is fielding criticism for not doing enough to promote diversity in filmmaking. And just last month, Sony Pictures co-chairman, Amy Pascal and producer Scott Rudin, were apologising for leaked emails that appeared to be racially insensitive. Rudin was nominated for producing best picture nominee The Grand Budapest Hotel.

    There are concerns over this trend, which many described as having the racism undertone. Gene Seymour, a film critic who has written about music, movies and culture for The New York Times, Newsday, Entertainment Weekly and The Washington Post, is among those who believe that the Selma Oscar snub is about race. He said, considering the difference between Oscar support for 12 Years a Slave and Selma. According to Seymour, while the former is about blacks as victims; the latter is about strong blacks as agents of their own salvation.

    Nigerian-British lead actor of Selma, David Oyelowo, was on CNN, Thursday, alongside the director of the movie, Ava DuVernay, where they fielded questions from popular broadcaster, Christiane Amanpour.

    “David not being included, because I know for a fact it’s one of the best performances of the year, I know what it took to get the performance to where it was and what he gave. It hurt my feelings, I’ll admit to you,” DuVernay told Amanpour.

    She disclosed that she’s “reteaming with Oyelowo, to explore another part of American history,” in a new a film about Hurricane Katrina.

    “You know, things just happen,” DuVernay said with a laugh, patting Oyelowo on the shoulder. “As an actor you’re just seeking a part that matches you, and as a director you’re seeking an actor that fits that part. These actors are exquisite, and David was the only choice for Dr. King,” DuVernay added.

    Growing up in England, Oyelowo explained how he came to absorb the iconic role of the civil rights leader. “I knew who he was obviously, I knew his significance. But as you say, being British, he wasn’t part of my cultural upbringing. And I think actually that was a benefit to me,” Oyelowo told Amanpour.

    “Also a benefit to me was the fact that it took a long time between me reading it for the first time, knowing that in my spirit that I was going to do this before I die, and it taking seven years before it actually came to fruition,” the actor added.

    According to Al Sharpton, a guy who formed a Hollywood diversity committee in response to the leaked emails, reacted angrily to the nominees list, when he said, “The lack of diversity in today’s Oscar nominations is appalling. With all of the talent in Selma and other Black movies this year, it is hard to believe that we have less diversity in the nominations today than in recent history.” Sharpton added, “The movie industry is like the Rocky Mountains, the higher you get, the whiter it gets.”

    The Oscar acting nominations are typically a reflection, in some part, of the best roles of the year available to actors and actresses, which makes 2015’s lineup troubling. The two writing categories also were dominated by white men. Not a single woman was nominated in either category.

    Though the Academy doesn’t reveal a breakdown of its membership, a 2012 report by the Los Angeles Times found that of the nearly 6,000 members, 94 percent are white, 77 percent are male and 86 percent are age 50 or older.

    Last year, actress Lupita Nyong’o took home the best supporting actress Oscar for the film 12 Years a Slave, which featured a mostly black cast and also won the best picture statuette. But this year’s Oscar nominees, including the best picture, has a decidedly racially homogenous feel, with the exception of Selma, which although was nominated for the top prize.

    Twitter became a popular place to vent over the lack of diversity in the 2015 Oscar nominations. Guardians of the Galaxy director James Gunn was one of the first to weigh in on the nominees: “Apparently 93% of Academy voters are white, 76% of them are male, and 0% of them are made of Legos.” (The Lego Movie also was considered a snub when it didn’t make the cut for best animated film.)

  • Why Nigeria can’t make next Oscars

    Why Nigeria can’t make next Oscars

    When in February, a local Oscars selection committee was announced for Nigeria, many rolled out the drums for what they consider as an opportunity for Nollywood to compete at the level of the revered Academy of Motion Picture Arts & Sciences in Hollywood, but it appears Nigeria will have to wait a little more.

    According to the Nigeria Oscars Selection Committee (NOSC), none of the entries submitted by Nigerian filmmakers meets the basic requirement for the awards.

    Entries from Africa and other countries outside the United States are categorised under foreign language films, requiring that eligible movies, which must be feature-length, are predominantly non-English dialogue productions with accurate English subtitles.

    Chairman of NOSC, Chineze Anyaene, disclosed that most of the entries received were “either in English, while some of those that were not in English were not properly subtitled and quite a number of them were lacking in some technical details.”

    But according to Anyaene, what matters to the committee is the selection and submission of a work that best represents the country and not just to be counted among the countries with entries at the Oscars.

    She said: “We don’t have to submit a film if we don’t have one worthy of an entry. That explains why we are not among the 83 countries. But it is not a bad situation. We are only a few months old as a committee of the academy and it means that we need to prepare against next year and subsequently. We are working on hosting a series of workshops in collaboration with the regulatory agencies and relevant guilds and associations as well as stakeholders so we can enlighten them on the expectation as far as this category is concerned. But I am optimistic we will have an entry next year.”

    83 countries, including new entrants like Mauritania, Kosovo, Panama and Malta have reportedly submitted films for consideration in the 87th edition of the Oscars, scheduled to take place on February 22, 2015. It has been revealed that African countries like South Africa, Morocco and Ethiopia feature prominently on the list of the 83 countries that have submitted entries.

    However, only five nominations will be announced by the academy on January 15, 2015. They will be announced along with contenders in the other categories. But this will be after a short list of nine foreign language semi-finalists will have been unveiled.

  • Oscars approves rules for 87th edition

    AHEAD of the December 3, 2014 deadline for film submission into the Academy of Motion Picture Arts and Sciences, otherwise called the Oscars, the Board of Governors of the award scheme has approved rules for the 87th edition at a recent meeting.

    For the first time, the Gold, Silver and Bronze Medal award-winning films in the Alternative, Animation, Narrative and Foreign Film categories at the 2014 Student Academy Awards will all be eligible for the Oscar consideration in the short film categories.

    Similarly, the Gold, Silver and Bronze winners in the Documentary category at the 2014 Student Academy Awards will be eligible for consideration in the Documentary Short Subject category.

    Other guidelines in the new rule stipulate that, in the acting categories, studios and production companies must now limit eligibility to a maximum of 10 actors and 10 actresses for each film and must submit those names on the Official Screen Credits (OSC) form.

    Contrary to what obtains before, the Academy’s annual Reminder List of Eligible Releases will now list actors and actresses separately for each film.

    However, Actors Branch voters would still make their own determinations about whether a performance should be considered under the leading role or supporting role category on their nominations ballots.

    In the Animated Feature Film category, DVD screeners are now required as part of a film’s submission, while in the Documentary Feature category, films must now screen a minimum of four times daily during their qualifying theatrical releases in both New York and Los Angeles.

    The Academy also said the screenings must begin between noon and 10.00 p.m., and at least one screening daily must begin between 6.00 p.m. and 10.00 p.m.

    To remove the rancour that may emanate from awards issued for group works, the Academy requires that the Music (original song) category, songwriters from established musical groups may now have the option to request that their song submission be considered under their group name.  If the request is approved and the song wins the Original Song award, the group will receive a single statuette.

     

  • Nollywood is ripe for Oscars –RAMSEY NOUAH

    Nollywood is ripe for Oscars –RAMSEY NOUAH

    Ramsey Tokunbo Nouah is a household name in Nollywood. He has won several awards at home and abroad. As a talented actor, he has a large following. In this interview with VICTOR AKANDE, he talks about a number of interesting issues.

    THERE is now a committee set up to submit Nollywood movies for the Oscars. But is this the only focus of the committee?

    It is about picking indigenous movies and promoting them, internationally. The Oscars is a household name when it comes to awarding works of arts and movies. And if Nollywood, which has come this far, can get a space there, it is a plus for us. Coming together to put this initiative together is a good thing. So, we are hopeful and believe that our works of arts will get a well deserved applause internationally and not just locally.

    Is it so important to have an agency or a group to select a movie for the awards?

    Not exactly! I mean that is how it stands from the Oscars itself. Eventually, every country around the world has the same thing. So, they will need to start up a name that will choose indigenous movies from different countries all over the world. It is not like it is different in Nigeria; that is the way it is all over the world.

    All the while, we have been talking about the Oscars and it seems like a joke. But this is the right step…

    Exactly, this is more like the right steps towards it. The Oscars needs to have a formidable confirmation of direct dialogue with any organisation they have agreed to form with.

    What is the strategy that this organisation is going to use to select the movies for the Oscars?

    It is a simple strategy like every other movie award; they sit together and hand-pick. We will sit together, watch the movies and be satisfied that it is quality movies that can stand and represent our nation. Then, we will send them out there and they will now choose the one that wins. With the level we have gone, we should be able to bring the award home.

    So, is this like a pre-award towards a bigger one?

    Let’s assume that the organisers ask that each country presents three to five movies, then, we will need to choose out of the movies that come to the table the particular one to represent Nigeria. And when we are sure of the good quality of these five movies, we will send them out, and hopefully one of them will come home with an award.

    Who are the members and what is the composition like?

    The members of the committee are more of artistes, producers and directors. It is also about people who have tested what is here and have done various works as artistes. So, they are very renowned people with good eyes for productions.

    There is no politics involved in this in anyway. We are going to be raising funds from investors and people who want to sponsor. But all of that will be done from within. That is to let you know that, it is not like anybody is trying to be political about it.

    Don’t you think it is right to attribute names to those involved?

    We have Mamood Ali Balogun, Chioma of AFRIFF, Chineze, my humble self and some others that I can’t mention at the moment.

    How long did it take this to fly?

    Honestly, I think they have been trying to work it out since last year, so that Nigeria could get an input and a slot in the Oscars. Thanks to Chineze, who is the pioneer that has made that happened. She handpicked those names as part of the committee to actually pick the movies.

    Do you think we are ripe for this, in terms of quality productions?

    I strongly believe that we are ripe for it. We have the name and the fame. If we do, we should be celebrated for it too, not just by words of mouth. You know, we are not just talking about all the movies that come out of Nollywood. That is why we say some movies will be handpicked. In every movie industry in the world, we have the ‘A’ movies, the ‘B’ movies, the crappy movies and the rest. Definitely, there are some ‘A’ movies that come out of Nollywood. They are well done, but are not that commercially successful.  But they are the ones that will give Nigeria the desired pride of place.

    At this point, we have people who have made good movies and the industry just lost Amaka Igwe. How would you describe this loss to the Nigerian movie industry at this particular period?

    It is a huge loss; it is a massive loss. It is sad that, at this point in time, she won’t be here. Amaka is one of the directors/producers who would love to see our movies get to the Oscars. She is a passion-driven person; it is going to be a huge dent on the filmmakers and everybody. But she has left a good legacy behind that I know a lot of creative minds are going to toe. We are very sad about her loss, but we know that with the creative minds and legacy she left behind, they will make us proud by doing very good movies in the test of time.

    Apart from the Oscars, is this committee looking at others like the film festivals and the rest of them?

    We really haven’t talked about that. But I believe one work of arts will determine how far we are going to probably expand from here. But whatever movies you see go to the Oscars will definitely hit the festivals. However, we have not talked about diversifying; we are very hopeful that when the time comes and there is need for it, it will then happen.

    The Nigerian movie industry in a way has a fusion with the Ghanaian movie industry. So, how is the committee going to look at this? How are you going treat the movies that have Ghanaian and Nigerian actors?

    Well, we have not really sat down to determine this. I mean Ghana is a neighbouring country and we are all Africans. Basically, in entertainment, you know Nigeria leads. If it is a partnership, where the movies are done here, and we are just going to get actors from there, then, I don’t think that is going to cause any issue. But we will address it during the committee meeting, which will deal with the situation. To me, I think all artistes in the world are one.

    They say movies speak universal language, so I hope the committee will also look at movies done in Nigerian indigenous languages, as long as they are subtitled.

    Yes. In fact, that is what is most needed. It is not just English. If we can get movies done in Hausa, Igbo, Yoruba and other languages, and they have gone far and are translated, that will be a great plus on our part. Because Oscars is to look for how deep your language, tradition and way of life are rather than you trying to look like them or how they do their things.

  • Oscars approves Nigerian  committee for screening  of Nollywood films

    Oscars approves Nigerian committee for screening of Nollywood films

    AHEAD of the 2015 Oscars, The Academy of Motion Picture Arts and Sciences (AMPAS) has approved a 12-man committee of Nollywood stakeholders, the Nigerian Oscars Selection Committee (NOSC), thereby paving the way for Nigerian entries to be considered for the world’s most prestigious prizes for films.

    Each year, countries with an approved selection committee may submit one film for consideration for the Foreign Language Film Award Oscar. Only five films are chosen from all international submissions for the Academy members to cast their votes and choose a winning foreign language film.

    “This is a great opportunity for Nigeria to have a voice in the international film arena”, said Chineze Anyaene, a filmmaker and committee chairperson. The NOSC comprises 12 outstanding professionals who have, over time, proved their mettle in the movie industry. They will select one Nollywood movie each year to be submitted for the Oscars. These notable professionals include: Chineze Anyaene, Ngozi Okafor, Olumide Amure, Ramsey Nouah, Kene Mkparu, Emeka Mba, Chioma Ude, Akin Salami, Mildred Okwo, Biola Alabi, Charles Novia and Shaibu Husseini.

    According to the Academy rules, the members will consider submissions on seven criteria, which are: story, direction, acting, cinematography, sound, music and universal theme.

    “The Nollywood film industry needs to play globally, so people begin to look towards us,” said Hussein. Every Nollywood movie selected each year will compete with movies from 85 other countries for the coveted Best Foreign Language Film Award. Academy members will then pick a shortlist of five foreign language pictures ahead of the awards ceremony.

    The approval of NOSC represents a milestone for the nation’s movie industry, which has been recognized as one of the top largest movie industries, globally.

    For many years, stakeholders have been trying to further improve the Nollywood standards, so this new development is considered as a move in the right direction.