Tag: Osun Osogbo Festival

  • Osun Osogbo Festival: records low turnout of worshippers, tourists over inflation

    Osun Osogbo Festival: records low turnout of worshippers, tourists over inflation

    There was a low turnout of worshippers, adherents, and tourists over the inflation rate at the grand finale of the 2024 Osun Osogbo festival held on Friday.

    Our reporter observed a low turnout of adherents, worshippers, and tourists at the Groove located in the Isale Osun area of Osogbo.

    The Arugba (calabash carrier) arrived at the Groove around 11:37 am while the king with his wives arrived at the Groove around 12:30 pm.

    There was a heavy security presence at the groove, nevertheless, hoodlums were seen brandishing weapons during the festival.

    Speaking at the event, Governor Ademola Adeleke who was represented by the Secretary to the State Government, Teslim Igbalaye reaffirmed the determination of his administration to reform and expand the creative sector of the state economy covering tourism, entertainment, and craft sub-sectors.

    Read Also: BREAKING: Protesters suspend demostration over Osun Osogbo festival

    “Our Government is reforming and expanding various sectors of the economy. The creative industry is receiving special attention because of its potential as employers of labour and a booster of internally generated revenue.”

    The Aare Onakakanfo of Yorubaland, Iba Gani Adams spelled out the roles of tradition in sustaining the cultural identity.

    He said: “As custodians of Yoruba culture and tradition, it is the responsibility of the traditional rulers to sustain the cultural identity of Yoruba race. Our kings should be more traditional than political.

    “In the same vein, Yoruba Obas should be more traditional than political. I am appealing to our traditional rulers across the southwest to keep the hope alive by playing their roles as custodians of Yoruba culture and tradition in their respective towns and communities.“

  • 2019 Osun festival will be a huge success, says Ataoja

    Five months ahead of the annual Osun Osogbo festival, plans to make this year edition a huge success and different from the previous ones have begun in earnest.

    The Ataoja of Osogbo, Oba Jimoh Olanipekun Oyetunji, during the visit to his palace by a team of a tourism, art and culture consultancy group, the Equity Global led by its Principal Consultant, Mr. Williams Derrick, said the economic value of the festival to Nigeria is immeasurable.

    Oba Oyetunji said the festival annually contributed not only to the local economy but the national economy with influx of people from all parts of the world to participate in the religious tourism.

    He explained that he was determined to preserve the heritage of the festival and the Osun Sacred Grove, which was listed among the United Nations Educational, Scientific and Cultural Organization (UNESCO) world heritage site in 2005.

    The Ataoja said as a custodian of Osun deity he has the responsibility to ensure her preservation and safe keeping preservation.

    The first class monarch, who denied alleged sales of Osun deity, which he described as an “immovable spirit,” advised the people to disregard the accusation.

    He maintained that selling Osun deity amounts to selling his throne as the Ataoja of Osogbo, saying he derived part of his power from the existence of the Osun goddess.

    In his remark, Mr. Derrick, who noted that the Equity Global has been appointed the new consultant for Osun Osogbo festival, said this year edition of the festival will witness some innovations.

    According to him, the Equity Global will this year work with more local people in diverse trades and arts and culture business to make the festival memorable and eventful.

  • Osogbo Agog for grand finale of Osun Osogbo festival

    Tourists and cultural enthusiasts from across the globe on Friday flooded the ancient city of Osogbo, Osun, to join the fiesta marking the grand finale of the annual Osun Osogbo festival.

    The tourists and the enthusiasts include those from Africa, Europe, Latin America and other parts of the world for the celebration.

    The News Agency of Nigeria  reports that the fiesta involves various socio- economic and traditional activities with several Osun devotees singing, dancing while others exhibit some cultural styles as early as 8:00 a.m around the Osun groove.

    Many devotees were seen carrying plastic bottles and kegs, moving to the Osun River to fetch some water for spiritual purposes.

    The event also witnessed traditional masquerades with their masquerades chanting and singing, brandishing locally made gun shots while firing gun shots sporadically into the air.

    Security personnel were seen at strategic locations to include the FRSC personnel, the NSCDC, and also the Nigerian Police with large members of the Odua Peoples Congress (OPC).

    The Osun FRSC Sector Commander, Mr Peter Oke, had earlier told NAN that special patrol for both the Osun Osogbo and Eid-el-Kabir festival would commence on Aug.17 to Aug .26 to avoid auto accidents and other route violations as such as speeding during and after the celebrations.

    Oke said that 500 personnel from both the sector and unit commands would be on ground to checkmate the activities of drivers who might want to go against traffic rules and regulations.

    NAN further reports that some residents in the area such as food vendors, souvenir sellers and other related business enterprises took advantage of the festival to market their goods and service.

    The event, which started on Aug.10 is expected to end Aug.17 with a young maiden, Aruga, who will carry a calabash on her head as a symbolic sacrifice to the river goddess.

    The Osun-Osogbo festival, whose history dates back to many centuries, is usually celebrated in a Grove outskirts of Osogbo, It is among the last of the sacred forests that adjoined the edges of most Yoruba cities before extensive urbanisation.

    In recognition of its global significance and cultural value, the Sacred Grove was inscribed as a UNESCO World Heritage Site in 2005.

    For the people of Osogbo land, the festival represents traditional cleansing of the town and cultural reunion of the people with their ancestors and founders of the Osogbo Kingdom.

  • MTN to support 2018 Osun Osogbo Festival

    As part of its efforts to promote arts and culture in Nigeria, the nation’s leading ICT company, MTN Nigeria will again be supporting the Osun Osogbo Festival this year.

    Set to hold from August 9 to August 25, 2018, the festival will see thousands of local and foreign tourists as well as Osun goddess devotees as they make their way to Osogbo, the capital of Osun State – named after the Osun Grove.

    Celebrated for over a century, the Osun Osogbo Festival, which is a major socio-cultural event of the Osogbo people, was built around the relationship between the river goddess, Osun and the first monarch of Osogbo kingdom, Oba Gbadewolu Laroye.

    Adekunle Adebiyi, the Sales and Distribution Executive, MTN Nigeria said MTN’s support of Osun Osogbo festival is part of its larger initiative, KultureFest.

    “It is always an exciting experience when we get to support festivals every year,” said Adebiyi.

    “We enrich them, make them bigger and better. Osun Osogbo is one of such festivals and we are proud to be a part of the regal event again this year.”

    Reiterating the essence of KultureFest, Adebiyi, added: “KultureFest is a major investment for us. We’ve been supporting festivals for over a decade now as we seek to promote culture and create affinity between the people of Nigerian communities and the MTN brand. We are picking 37 festivals across the country this year and I believe that by next year the number will increase.”

    Through its Kulturefest initiative, the company has established itself as a strong pillar behind major festivals such as Osun Osogbo, Ofala Nnewi, Argungun and Anioma, among other festivals across the country.

  • 20 female youths for beauty contest in Osun

    Twenty female youths in Osun State will be participating in a beauty contest organized by the House of Skin Dudu Entertainment in partnership with the Centre for Black Culture and International Understanding, Osogbo.

    At a press conference in Osogbo, the Chairman of the Implementation Committee of the event, Dr. Olakunle Balogun, said the contest tagged ‘Arewa Asa Cultural Beauty Pageant’ would run for two weeks.

    According to him, after screening the twenty participants would be camped for ten days and reduced to ten contestants on the last day by testing their confidence, intelligence, knowledge of current affairs among others.

    He said the organizers had planned final day of the event to coincide with the grand finale of the annul Osun Osogbo festival, where the winner of the contest will emerge with the two runners up.

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    Balogun said: “Being the maiden edition the Arewa As 2018 has been put together to commemorate the age long unique festival of Osun Osogbo. The introduction of this pageantry is borne out of passion for our culture and values.

    “We are also using this socio-cultural event to rejuvenate, promote and reposition our lost heritage and values. We are bringing back the lost Yoruba culture and tradition that have caused a severe societal decadence among the youths.”

  • Goldberg Beer Village promotes commerce at Osun Osogbo festival

    Goldberg Beer Village promotes commerce at Osun Osogbo festival

    indigenes of Osun State and visitors to the ongoing Osun Osogbo Festival have expressed appreciation to Goldberg Lager Beer for unveiling the Goldberg Beer Village, an initiative that enhances trade and commerce in the ancient city.

    The people praised the brand at the Ogo-Oluwa area, venue of the Goldberg Beer Village during the official unveiling by the Ataoja of Osogboland, Oba Jimoh Oyetunji Olanipekun Larooye II and the Goldberg brand team.

    The Baale Elese of Osogboland, Adebayo Moshood, who represented the royal father at the event, showered prayers on the Goldberg team and Nigerian Breweries Plc for setting up a beer village in the town because the initiative would increase and promote socio-cultural activities during the entire period of the Osun Osogbo Festival. He lauded the brand for championing befitting societal and cultural causes of the people.

    Regional Business Manager, Ibadan, Nigerian Breweries Plc Joseph Abodunrin gave thanks to the Ataoja, his chiefs and indigenes of Osogboland for their support and for coming out en-masse to witness the unveiling of the beer village.  “The Osun-Osogbo Festival is an age-long traditional festival that must be honored and celebrated and as the official

  • ‘Why we ‘re taking Osun Osogbo  Festival to Stock Exchange’

    ‘Why we ‘re taking Osun Osogbo Festival to Stock Exchange’

    Osun State is seeking the listing of Osun Osogbo Festival Festival on the floors of the Nigerian Stock Exchange (NSE) to reduce capital flight by Nigerians seeking cultural exploration in South and North American countries, such as Brazil and Mexico, the government has said.

    Other reasons for the listing, the government said, are to generate revenue, make Nigerians in the country and those in diaspora to invest in the festival and make Osun a tourist destination for Africans and  non-Africans wishing to study and know how deities in Yorubaland are worshipped.

    A Consultant to the organisers of the festival, Ayo Olumokun, told The Nation that billions of naira is being spent abroad yearly, by Nigerians on what he described as  Cultural Tourism, adding that the need to bring back the money informed the plans by the government to list the Festival in the NSE.

    He said: “When the ownership and management of the festival is extended to people across the world, the festival would become bigger and there is going to be inflow of capital to Osun and Nigeria in particular in a way. When this happens, the festival sponsors, such as Nigerian Breweries, Nigerian Distilleries Limited and others, would definitely increase their commitment to the project.”

    He said there are 75 hectares of land in Osogbo, the Osun State capital that boast of artefacts that are well-positioned for viewing by tourists.

    “This is a multi-billion naira asset when put in investment scale. It is a prime asset and it is one of the reasons behind the proposed listing of the festival in the capital market. The asset belongs to Osun Osogbo and it would bring more money into the coffers of the government if it well managed,” he added.

    According to him, the patronage of the festival, by companies, is reducing the nation’s bad economy.

    ‘’As a consultant, I can tell you authoritatively that brands sponsorship of the programme reduced this year, compared to the previous years. But the situation would improve when the festival is listed on the equities market soon,” he added.

    Olumokun said the listing  involves various stages, noting that the process started two years ago.

    He said talks on the public listing of the festival are on-going, adding it may likely take place next year.

    A brand specialist with the Nigerian Breweries, Ekanem Kufre, said the Osun Osogbo Festival is a big project, adding that companies in search of a strong and enduring brand image would like to identify with it.

    He said the festival is about tradition and people, arguing that no brand could grow without the people or consumers.

  • Ebola: Why Osun festival celebration will be low key-Commissioner

    THE celebration of this year’s edition of the annual Osun Osogbo festival would be low key as the state government has said it will not allow tourists from outside the State to participate in the event.

    The reason for the low key celebration is based on prevention of the spread  of Ebola virus disease in the state.

    Speaking at a press conference, the state Commissioner for Information and Strategy, Mr. Sunday Akere,  said the measure was necessary and in the interest of the people of the state.

    The commissioner called for the understanding of the people, particularly Osun worshipers and devotees as well as the traditionalists, saying their cooperation is a sacrifice they must pay for the well being of the residents of the State.

    However, he said in spite of the low key nature of this year’s Osun Festival, all traditional rites and sacrifices by the Osun devotees in Osogbo would be observed.

    He explained that the state government has restricted movements of non-residents of Osun, saying this would help to prevent the spread of the disease to the State.

    Akere informed that only traditional worshippers and well wishers who are resident in the State will be allowed to partake in the celebration of the Osun Festival to minimise bodily contacts among the people.

    He said: “We are determined to take all necessary steps to avert Ebola epidemics in our State. Consequently, scaling down this year’s celebration of the Osun Festival is a sacrifice we must make in order to prevent a crisis that will put human lives in jeopardy.”

  • Osun Osogbo:  Beyond  feasting

    Osun Osogbo: Beyond feasting

    •Tourists will fly into Osogbo next year, says Aregbesola

    This year’s Osun Osogbo festival may have ended but the commerce that comes with the cultural and tourism event is still on-going, reports Evelyn Osagie.

    Founded on an ancient covenant about 1370 years ago, the Osun Osogbo Festival has grown to become a monumental event that has gone from being another religious activity to becoming a mega-commercial one.

    Over 1,000 years after, the ancient city of Osogbo, like an unseen hand of its goddess, has continued to draw many from within and outside the country. And it was that time of the year when the state witnessed a large influx of Osun devotees and tourists. For two weeks, the Osun State capital was their choice-destination.

    They came for its water, its art and most especially its goddess. It was two weeks of carnival of festivities that began with the cleansing of the town called Iwopopo followed by the lighting of the 641-year-old lamp called Olojumerindilogun. This was followed by Iboriade four days later, which is the assemblage of all the crowns of past kings (known as Ataoja) for blessing. Highlight of the festival was by the procession, featuring the votary maid, Arugba bearing the sacred calabash allegedly containing the people’s prayers to the grove where it is dropped in the river.

    For the people of Osogbo and their king, the Ataoja of Osogbo, Oba Jimoh Oyetunji Olanipekun (Larooye II) it is not just period of reunion and rededication but also one of hospitality which has become a money-spinning sector.

    And with the grove, which bears the handiwork of the late Susanne Wenger, being enlisted as a United Nations Educational, Scientific and Cultural Organisation (UNESCO) World Heritage Site since July 15, 2005, this has added life to its tourism activities.

    So, the festival has grown from religious to an economic activity earning the state and its people revenue.

    As Osun devotees and culture lovers celebrate and tourists felicitate, the town’s purse swells. While dancing and chanting, Oore yeye, their purses resonate with rich patronage.

    Tourists’ participation at this year’s edition, according to the Special Adviser to the Governor on Tourism and Culture, Mr Oladipo Soyode, doubled that of last year by 100 per cent, adding that hotels within the capital were fully booked so much so that many had to settle for hotels in the adjoining towns. It also affected the smooth flow of traffic in the face of ongoing roads construction. But that did not stop beehive of cultural and commercial activities.

    With local and international brands on hand to entertain, the increase in tourists also spelt an increase in patronage and commerce. Even the local artisans were not left out in the business aspect. As the visitors moved from town to town , theartisans went out to outdo oneanother to catch these potential clients’ eyes.

    Determined to tap the potentials that the festival, and by extension, the sector holds, the governor added a musical concert, that held in Lagos penultimate Sunday, to the fiesta “to boost participation of youth”. “To be able to carry everybody along, we have to have programmes that they would be able to connect with. To win the youths, we have to go to them. And we thought the best way to take it is to take the festival to them in the way they would understand which through the concert we held in Lagos,” he said.

    According to Osun State Governor Ogbeni Rauf Aregbesola, the government has resolved to ensure that “the yearly celebration of the Osun Osogbo Festival records progressive increase in the number of participants”. “We will continue to creatively package the festival so as to enrich its tourist charm,” he said.

    The state plans to raise tourists to state from 5,000 to 20,000 with a target revenue of N7.5 billion by 2015. In addition to what his administration is doing in Osogbo, the state capital, Aregbesola said he is determined to promote tourism across the state. He said: “The state government is unreservedly committed to heightening the economic aspects of these social affairs.”

    The runway of the old airstrip at Ido Osun, he said, would be widened to 2.4 kilometres as part of his administration’s plans to turn the state into a mega-commercial destination and improve revenue generated through tourism to boost its economy and employment rate.

    Foreign tourists, he said, would be flown into the ancient town for celebration, adding that by then the airport that is under construction would have been completed. “With tenacity of purpose and unflagging resolve, we are investing in the development of tourism infrastructure. By next year’s edition, tourists will fly into Osogbo. Aside from promoting our culture, it would also help to boost the commercial life and development of the state. In this year’s budget, we earmarked N300 million for the upgrade of the various tourist sites across the state. “With development in tourism, we want to massively boost private and public revenue generations in arts and craft, tours guide, transportation services, hospitality services, and entertainment venues like amusement parks and theatres. We will not rest on our oars in ensuring that the ancient cities in the state are made suitable for habitation and investment. This development will result in increase in revenue generation, which will in turn significantly improve the standard of living of our people,” he said.

    To show that it means business, the government organised a Trade Investment and Cultural Conference that featured over 60 investors, and culture proponents worldwide during the festival. The summit, according to the Commissioner for Commerce, Industry, Cooperative and Empowerment, Mr Ismaila Jayeoba-Alagbada, is geared towards tapping into the huge commercial potentials that the tourism sector holds, “thereby promoting commerce and industry on a large-scale”. Even though the festival and the conference have ended, investors are still around scouting for potential partners and prospective business opportunities in the state, according to Alagbada. The week-long event, according to Alagbada, featured investment conference, business-for-business summit, cultural conference and site visitation, among other activities. It was organised by the State’s Ministry of Commerce, Industry, Corporative and Empowerment with Ministry of Home Affairs, Tourism and Culture.

    He said: “Over 60 investors from America, France and Netherland participated at the Trade Investment and Cultural Conference that began last Monday and ended last Sunday with departure. A lot of them are still around doing site visitation. The Osun State government organised the summit to boost commerce and industry in the state; and to connect small businesses with bigger brands. No doubt, our people are industrious and highly talented, hence, the government want to harness their potential by giving them the boost them need to become world players in the global market.

    “There were lots of partnership and collaborations with the foreign investors. And they opportunity of knowing what is required of them in the international market.

    “It is first of its kind; others we have had involved African in Disapora but this is the first time that we would be having foreign investors and brands interacting with those of people here in the state.”

    Oba Olanipekun called on the Federal Government to complement the state’s efforts in tourism “to avert the negative social impacts at the maturation of the industry.”

  • Nigeria The Beautiful at Osun Osogbo festival

    Nigeria The Beautiful at Osun Osogbo festival

    It was a festival within a festival when Odia Ofeimun’s travelling theatre mounted the stage during the Osun Osogbo festival. Tourists got a dose of Nigeria’s cultural diversity, reports Evelyn Osagie.

    Members of the audience were enthralled. There were music, dance and poetry. Indeed, there was Nigeria The Beautiful at the recently concluded Osun Osogbo Festival.

    It was a unique blend of creativity, business and festival. It was a night before the festival’s grand finale with all the trappings of festivity in addition to the finest stage performances that Nigeria could offer the world.

    The night gave credence to its rich cultural heritage that springs from its unique ethnic diversities. And what better way to celebrate that richness than showcasing The dance-piece drama featured Nigeria’s political history from pre-colonial era to the present. From Sir Ahmadu Bello to President Goodluck Jonathan, it calls attention to the pitfalls and lessons in each.

    Before Ofeimun’s travelling came on stage, the enchanting voice Jemiriye Adeniyi took guests through the English and Yoruba version of the national anthem.

    Then, the folk-music sensation, all-female group, Adunni and Nefretiti, prepared them for the night of performances. They sang to the health of the Yoruba race, visitors and to the goddess of Osun. Their songs took the audience into the richness of African traditional songs and a preamble of a sort to the night’s highlight – a performance by Odia Ofeimun’s travelling theatre.

    And the calibre of guests from within and outside the country added spice to the event. In attendance were the Osun State Governor Ogbeni Rauf Aregbesola and some members of his cabinet, Consul General of France in Lagos, Francois Sastourne; Dutch Ambassador to Nigeria, Bert J. Rowhaar; delegates from Oyo Tunji, a Yoruba town in the United States, Brazil and the Caribbean, Prof Christopher, Point Park University; Prof Richard Wukich (retired), Potters Water action Group and Victoria Scott Santafe, USA, among others.

    The event was meant to appreciate the diplomats, expatriates, investors, scholars, cultural promoters and tourists from across the world that participating at the Trade Investment and Cultural Conference and Osun Osogbo Festival.

    Guests had the pleasure of meeting with popular Nigeria’s creative celebrities like the founder of Nike Gallery, Chief Nike Okundaye; bead painting exponent, Chief Buraimoh; the queen of the stage popularly called Moremi, Chief Abiodun Duro-Ladipo and her son Adewale.

    It also had screen faces like Brainard, Faithia Balogun, Saheed Balogun, among others. Adunni and Nefretiti traditional tunes ignited the audience appetite for the night’s highlight that featured with energetic displays from across the country and eloquent poetic lines. Laced with lots of paradox and satire, for about two hours, guests were taken through Nigeria’s political struggles (from pre-colonial era to the present), ethnic diversities and the lessons thereof. The paradox is seen in scene that features Fela with soldiers singing his praises, which is a historical oxymoron of a sort and a anti-climax.

    According to the poet, the title “is a deliberate reversal of received opinion”, adding that the piece is meant to pinpoint the need for “a grand accommodation of differences and an inexorable recognition of a needful coalescence of wills towards a share future.”

    But for the poor delivery of lines by one or two of the casts made obvious by an uncooperative sound system, it was evident that the play succeeded in selling its playwright’s thoughts to its audience as seen in their response.

    In fact, unless one had witnessed the performance more than once, one would not even notice the flaws. Not minding that the play which was supposed to start at twilight started way into the night and dovetailed into the wee hours, the very expressive audience sat through it all, showing they were indeed captivated.

    But is Nigeria The Beautiful? The play and its theme, Governor Aregbesola said, are apt for the season, adding that it behoves on all the responsibility to make the country truly beautiful. However, he added: “How I wish we can realise and agree that Nigeria is truly beautiful, which is the function of our dream and expectation.”