Tag: Paint

  • ‘Maintenance will increase demand for building materials’

    Demand for the supply of building materials such as wood, pipes, paint, tiles, electrical fittings, windows and tools is set to rise following the recent approval of National Maintenance Framework for public buildings by Federal Executive Council (FEC).

    Minister of Power, Works and Housing, Babatunde Fashola, who spoke on the importance of the approval , said the scheme was aimed at ensuring that public buildings are protected and maintained to save resources for new projects.

    On what the approval means, the Minister said it is a breakthrough in the nation’s quest for maintenance culture. He said after decades of agonising about lack of maintenance, the Buhari administration had chosen to act because the records did not indicate that any such policy decision had previously been taken at the Federal level.

    He said:”The decision was provoked by a memorandum from the Ministry of Power, Works and Housing that challenged the conventional thinking that Nigeria does not have a maintenance culture. The memorandum argued and FEC agreed that maintenance of infrastructure; whether public or private, is not a cultural issue, but an economic one.

    “In one of our sample buildings, leading up to the memorandum to FEC, we found out that out of 63 air-conditioning units, 11 required replacement or repair. We also identified windows, doors, tiles, roofing materials, plastering work that required replacement or repair.

    “The maintenance programme is then developed from these assessments as to what jobs need to be done to restore the building to fitness, what needs to be replaced and what needs to be repaired. This is the basis for the award of the maintenance contract following the existing procurement law.”

    He explained that the award of contract would not only drive employment for artisans, but would also drive demand of manufacturing and supply of parts like wood, pipes, paint, tiles, electrical fittings, windows and tools, in addition to those of cleaning items like detergent, polish and varnish.

    “This is the economy that we see ahead as we set out to implement this approval starting from buildings, and as I said, and extending to roads, rail, bridges etc. as we progress,” he said.

  • They will paint your ugliness in beautiful English

    The random newspaper, television station and online medium become vessels to itinerant grim reapers as you read. Editors of powerful news platforms, reporters and digital/mobile journalists in particular, have become death’s minstrels. Like Ogege, the spirit with embroidered woe, they have turned serpents, sleeping in Nigeria’s undergrowth, to merge with the hue of the prevailing wild.

    They forget that when Nigeria eventually submerges in the mire of bestial elements, even the press will be cannibalised. Nonetheless, the local media, like global news agencies, serve as emissaries and enablers of the dark, vicious lusts and ‘murders’ committed by politicians, industry titans and multinationals. How? By ignoring their monstrosities and couching their ugliness in beautiful English.

    It is hardly surprising that the politician and magnate remain the subjects of Nigerian media’s perennial fascination. Of these lot, the coarse and ferocious, wanton and bloodcurdling, are gleefully celebrated and coated in ornamental language by the press. The average newspaper, TV station and online medium wildly celebrates the ‘achievements’ and ‘statesmanship’ of established and closet criminals in public offices because it is very profitable to do so.

    To the press, it never matters that a state governor diverted and expended public fund to ship cronies and political associates abroad, to witness his lavish wedding to a trophy wife. The media hardly cares that a governor would splurge on an insolent ward’s wedding ceremony, at home and abroad, at a time he has refused to pay workers’ salaries and improve infrastructure citing ‘economic recession’ as his reason.

    Very few journalists are indeed, worried, that Nigeria’s incumbent public officers, like predecessors, have fleeced the country to the bones, in the guise of operational budgets and emoluments. State fund, stolen and diverted by these elements would attain judicious use if applied to nobler constitutional projects, like the provision of crucial infrastructure, security, potable water, stable electricity among others.

    The media hardly cares that such money could have saved lives if used to repair bad roads or renovate moribund primary health care centres. Thus while poor, underprivileged electorate die in ghastly road accidents; while thousands of newborn breathe their last and their mothers’ extinguish to birth complications, the Nigerian press obsesses about the ‘sterling statesmanship,’ ‘compassion,’ ‘brilliance,’ and ‘influence’ of the men and women  responsible for their untimely demise.

    Save some very few journalists and media that actually care, the majority of Nigeria’s Fourth Estate do not give a hoot about dying mothers and infants in Nigeria’s hospital labour rooms and corridors of death. They do not care that while the citizenry’s beloved die prematurely in extreme and avoidable circumstances, most incumbent and former senators, governors, presidents and even local council chairmen, sponsor their trophy wives, daughters and daughters-in-law abroad, to give birth in safer circumstances.

    Rather than speak truth to power, characters that could be mistaken for kindred spirits with the viper, scorpion, dung beetle, and hyena are elevated, worshipped and celebrated as the rarest of gems by the Nigerian press.

    The media celebrates these incarnations of humanity’s debris because doing otherwise could be suicidal. Politicians own the media. And tycoons determine the news. They place advertisements and pay the salaries of the men and women by whose professionalism or otherwise Nigeria accesses her news and information needs. Thus the quality of journalism you get.

    It is foolhardy of anyone to expect a journalist who hasn’t received  salaries in eight months to be objective about a news story involving a commoner and a politician. The commoner will ignite his conscience with tears but the politician will silence it with hefty ‘brown envelopes.’

    It is deceitful to anticipate fairness, honesty, integrity and accuracy from mainstream and online media whose existence and continuity are determined by the whims of influential politicians and business moguls.

    But the Nigerian society demands purity, integrity and impartiality from the press all the same.

    Journalists are accused as partners in crime with the Nigerian ruling class. To a great extent, this is true. It is also true that the Nigeria gets the journalism it deserves.

    Yet the society seeks fulfillment of tyrant fantasies. Such fantasies often vary from the destruction of an unpopular government or despot to a worn-out civilization. Reality however, affirms the duplicity of such mindset. In Nigeria, where voters are continually tamed and kept on a leash by a ruling class that capitalises on obvious handicaps: their impulsiveness, insensibility to reason and judgment, and overt sentimentality, it becomes increasingly difficult to nurture and enable a fair, vibrant press.

    Despite its faults, society conveniently picks on a scapegoat for its infinite timidity and cluelessness: the press. The journalist is thus expected to serve as the conscience and moral compass of the society, challenging the government and checking the excesses of the ruling class, selflessly and uncompromisingly.

    As utopian fantasies go, these are noble expectations of the journalist but the Nigerian society ignores its cultural shift from conventional morality to unbridled hedonism. It assumes, hypocritically, that the press will continually give it honest and developmental news even as every segment of the society strives to unmoor the journalist from his role as a crucial appendage of the nation’s critical mob.

    The public, comprising big business, the government, and civil societies among other mob segments, vilify any journalist or news medium that seeks to educate and engage rather than entertain and perpetuate their biased definitions of reality. Several organisations are placing media advertisements and parceling expensive gifts to halt publications or shut down reportage that could hurt their interests even as you read.

    Contemporary Nigeria embraces the horrendous pageant that has turned news into paid publicity and mindless entertainment. In response, the journalist slips to survival mode and kowtows to lusts and vanities of modern, politically-correct society.

    Beneath the mindless glamour, cultural and ethical decline however, an insidious reality festers in the death of hope and incandescence of tragedy.

    At the centre of the turmoil is the journalist whose fate is so critically bound with the country’s.

    Rather than pose a challenge to the system that domesticates and enslaves him, he chooses the easiest way out and plays junkyard dog to tyrant cabals and the predatory bunch constituting the nation’s citizenry and political class. He assumes the role of a poseur and pretends to fight for the interest of the public. This sad charade will end badly for everyone.

     

     

  • They will paint your ugliness in beautiful English

    The random newspaper, television station and online medium become vessels to itinerant grim reapers as you read. Editors of powerful news platforms, reporters and digital/mobile journalists in particular, have become death’s minstrels. Like Ogege, the spirit with embroidered woe, they have turned serpents, sleeping in Nigeria’s undergrowth, to merge with the hue of the prevailing wild.

    They forget that when Nigeria eventually submerges in the mire of bestial elements, even the press will be cannibalised. Nonetheless, the local media, like global news agencies, serve as emissaries and enablers of the dark, vicious lusts and ‘murders’ committed by politicians, industry titans and multinationals. How? By ignoring their monstrosities and couching their ugliness in beautiful English.

    It is hardly surprising that the politician and magnate remain the subjects of Nigerian media’s perennial fascination. Of these lot, the coarse and ferocious, wanton and bloodcurdling, are gleefully celebrated and coated in ornamental language by the press. The average newspaper, TV station and online medium wildly celebrates the ‘achievements’ and ‘statesmanship’ of established and closet criminals in public offices because it is very profitable to do so.

    To the press, it never matters that a state governor diverted and expended public fund to ship cronies and political associates abroad, to witness his lavish wedding to a trophy wife. The media hardly cares that a governor would splurge on an insolent ward’s wedding ceremony, at home and abroad, at a time he has refused to pay workers’ salaries and improve infrastructure citing ‘economic recession’ as his reason.

    Very few journalists are indeed, worried, that Nigeria’s incumbent public officers, like predecessors, have fleeced the country to the bones, in the guise of operational budgets and emoluments. State fund, stolen and diverted by these elements would attain judicious use if applied to nobler constitutional projects, like the provision of crucial infrastructure, security, potable water, stable electricity among others.

    The media hardly cares that such money could have saved lives if used to repair bad roads or renovate moribund primary health care centres. Thus while poor, underprivileged electorate die in ghastly road accidents; while thousands of newborn breathe their last and their mothers’ extinguish to birth complications, the Nigerian press obsesses about the ‘sterling statesmanship,’ ‘compassion,’ ‘brilliance,’ and ‘influence’ of the men and women  responsible for their untimely demise.

    Save some very few journalists and media that actually care, the majority of Nigeria’s Fourth Estate do not give a hoot about dying mothers and infants in Nigeria’s hospital labour rooms and corridors of death. They do not care that while the citizenry’s beloved die prematurely in extreme and avoidable circumstances, most incumbent and former senators, governors, presidents and even local council chairmen, sponsor their trophy wives, daughters and daughters-in-law abroad, to give birth in safer circumstances.

    Rather than speak truth to power, characters that could be mistaken for kindred spirits with the viper, scorpion, dung beetle, and hyena are elevated, worshipped and celebrated as the rarest of gems by the Nigerian press.

    The media celebrates these incarnations of humanity’s debris because doing otherwise could be suicidal. Politicians own the media. And tycoons determine the news. They place advertisements and pay the salaries of the men and women by whose professionalism or otherwise Nigeria accesses her news and information needs. Thus the quality of journalism you get.

    It is foolhardy of anyone to expect a journalist who hasn’t received  salaries in eight months to be objective about a news story involving a commoner and a politician. The commoner will ignite his conscience with tears but the politician will silence it with hefty ‘brown envelopes.’

    It is deceitful to anticipate fairness, honesty, integrity and accuracy from mainstream and online media whose existence and continuity are determined by the whims of influential politicians and business moguls.

    But the Nigerian society demands purity, integrity and impartiality from the press all the same.

    Journalists are accused as partners in crime with the Nigerian ruling class. To a great extent, this is true. It is also true that the Nigeria gets the journalism it deserves.

    Norman Mailer jests that “Once a newspaper touches a story, the facts are lost forever, even to the protagonists.” This is often true. Sadly, journalists are still the butt of the most demeaning jokes and premeditated put-downs. Nobody thinks much of a journalist.

    In the estimation  of big business, the citizenry and ruling class, the journalist, whatever his designation or job title, is the manipulable pawn and necessary evil that has to be courted and tolerated. The descent and humiliation of the journalist still persists in the hands of his employer; salaries still range from N15, 000 per month at entry level to N100, 000 per month at managerial level in most media houses.

    This resonates badly for the country. The principles of fairness and social responsibility of the press require that the journalist who would adorn the cloak of defender of the masses’ rights should be upright and flawless in character, work and personal ethics. Such admirable traits are impossible with Nigerian journalists because due to their constant and methodical impoverishment by their employers, they entertain less scruples and eagerly sell their souls to devils among the political, business class for ‘brown envelopes.’

    Yet the society seeks fulfillment of tyrant fantasies. Such fantasies often vary from the destruction of an unpopular government or despot to a worn-out civilization. Reality however, affirms the duplicity of such mindset. In Nigeria, where voters are continually tamed and kept on a leash by a ruling class that capitalises on obvious handicaps: their impulsiveness, insensibility to reason and judgment, and overt sentimentality, it becomes increasingly difficult to nurture and enable a fair, vibrant press.

    Despite its faults, society conveniently picks on a scapegoat for its infinite timidity and cluelessness: the press. The journalist is thus expected to serve as the conscience and moral compass of the society, challenging the government and checking the excesses of the ruling class, selflessly and uncompromisingly.

    As utopian fantasies go, these are noble expectations of the journalist but the Nigerian society ignores its cultural shift from conventional morality to unbridled hedonism. It assumes, hypocritically, that the press will continually give it honest and developmental news even as every segment of the society strives to unmoor the journalist from his role as a crucial appendage of the nation’s critical mob.

    The public, comprising big business, the government, and civil societies among other mob segments, vilify any journalist or news medium that seeks to educate and engage rather than entertain and perpetuate their biased definitions of reality. Several organisations are placing media advertisements and parceling expensive gifts to halt publications or shut down reportage that could hurt their interests even as you read.

    Contemporary Nigeria embraces the horrendous pageant that has turned news into paid publicity and mindless entertainment. In response, the journalist slips to survival mode and kowtows to lusts and vanities of modern, politically-correct society.

    Beneath the mindless glamour, cultural and ethical decline however, an insidious reality festers in the death of hope and incandescence of tragedy.

    At the centre of the turmoil is the journalist whose fate is so critically bound with the country’s.

    Rather than pose a challenge to the system that domesticates and enslaves him, he chooses the easiest way out and plays junkyard dog to tyrant cabals and the predatory bunch constituting the nation’s citizenry and political class. He assumes the role of a poseur and pretends to fight for the interest of the public. This sad charade will end badly for everyone.

  • UNIZIK goes into paint production

    UNIZIK goes into paint production

    To be a leading institution in entrepreneurship and knowledge, the Nnamdi Azikiwe University (UNIZIK) in Awka the Anambra State capital, has refurbished its Faculty of Physical Sciences for paint production.

    The first set of paints manufactured by the faculty was unveiled last week, to the delight of the staff and students.

    The Vice-Chancellor (VC), Prof Joseph Ahaneku, said the institution went into paint production to enable students practise what they learn and to promote entrepreneurship.

    According to him, the paints were being used in the ongoing renovation of the Faculty of Management Sciences. He added that the institution would soon go into commercial production of paints to boost quality and availability.

    In addition to being a citadel of learning, Ahaneku said universities should be seen as problem-solving institutions. Universities, he said, must identify the needs of the society and make efforts to provide solution by harnessing human and material resources.

    The VC revealed plans to establish a bakery in the school, saying it was in line with the entrepreneurial drive of the management.

    It would be recalled that the university made headlines recently through the Department of Mechanical Engineering, where students produced a Formula 1 car and a mini-bus.

    Ahaneku hailed the Federal and state governments for supporting the university to execute the landmark projects. He said the paint production was made possible by the support the institution received after it unveiled its plans.

  • FUNAAB don discovers paint from plant

    A Professor in the Department of Chemistry, Federal University of Agriculture, Abeokuta (FUNAAB), Prof Ighodalo Eromosele, has produced paint from the seed oil of Ximenia americana plant, commonly known as Wild Olive.

    Eromosele, a Polymer Chemist, said the oil paint which was produced has qualities comparable to those of the imported ones. Thus, Linseed oil, which is being imported for paint production can be substituted with Ximenia oil.

    He said: “Ximenia plant grows wild in the North. The exploratory research on the oil for the purpose of establishing its potential for paint production attracted the attention and funding of the Raw Materials Research and Development Council (RMRDC), Abuja. But beyond that, we have produced paint based on the oil in a systematic study by a Masters Degree student under my supervision, thus demonstrating the potential utilisation of the oil in this regard. In my humble opinion, this is Research for Development, one of direct industrial relevance.”

    Eromosele, however, underscored the need to cultivate the plant if it would meet its potential.

    “It is a wild plant; it is not cultivated. So, there remains another area that we have to look at. That is, how to grow the plant particularly, here in the southern end of the country or where it is best suited to grow so that we can have a whole lot of vegetation to harvest the seed and then of course, the oil,” he said.

    The don said he had not patented the oil becaue there was still a lot to be done by way of domestication of the plant, so that mass production becomes feasible.

     

  • Challenges of colour variation in painting

    The fundamental function of painting in a building is the preservation of the exposed construction materials from deterioration.

    To enhance the aesthetic value of buildings, the decorating aspect of painting becomes prominent, leading to colour selection. Painting reveals the poorness or quality of plastering and rendering.

    During painting, crevices in rendered walls become visible, enabling concealment with the application of poly filler and coats.

    Smoothness of wall surface is appreciated in gloss or emotion paint. A poorly rendered wall surface necessitates, in most cases, the use of textured paint in order to hide the roughness of the wall surface. Of course, textured paint protects the external walls from serious weather effects, however, it provides better grip for reptiles.

    It is quite difficult to place the actual colour of a paint until it has sufficiently become dry on the wall. And according to Standards Organisation of Nigeria (SON), paint after 168 hours of exposure shall exhibit little or no change in colour.

    On the field, spreading rate or coverage of a paint has been discovered, at times, to be at variance with the specification even when thinned with water not exceeding manufacturer’s instruction and under normal application.

    Applying another coat for different batches cannot be guaranteed. Therefore, using a particular colour paint from different batches in the same room or on the same stretch of wall is risky as noticeable colour variation might appear.

    Science and technology have witnessed great acceleration in recent times all over the world, creating perfection in the production of various goods. Improvement in paint production in Nigeria should not yield to defeatist philosophy of impossibility.

    The embarrassing and costly colour variation issue should be addressed with all seriousness to enhance the value of painting and decorating in the nation’s building industry.