Tag: Photography

  • Photography academy gets Oyo State’s nod

    Pixels International Academy, a new-age creative school founded by Pixels Digital Photography to empower Nigerians who want to build a career in photography, creative designs and branding has received the approval of the Oyo State Board for Technical and Vocational Education (BOTAVED).

    The institute got the endorsement of BOTAVED following the completion of its state-of-the-art  facility in Ibadan which is now open to students.

    Chief Executive Officer of Pixels Digital Photography, Omolaraeni Olaosebikan, said  the primary aim of the Academy is to contribute to the socio-economic development of Nigeria through technical and vocational training.

    “Pixels International Academy programme is designed to enable all Nigerians to develop professional confidence on and technical proficiency, to explore and define their own distinct creative vision. Our goal is to help many Nigerians discover where an exciting career in photography can take them. It is also to give competitive edge to our students through the comprehensive foundation we provide for them through world-class sophisticated photography equipment and practical, they would be exposed to while taking our courses,” she said.

    She urged all Nigerians who will like to build a career in creative designs, branding, to take advantage of the programme.

    In her remark during a press conference held in Ibadan, Dolapo Ishola, head of the academy said photography is a competitive field but there are many opportunities for talented and well-trained across fashion, wedding, landscape, photojournalism and conceptual photography.

    “When you attend Pixels International Academy, you will learn a wide range of skills using an established curriculum, learn more than photography skills, learn from professionals, enjoy the benefits of a creative learning community, establish industry connections and become a sought-after professional”, Ishola stated.

    Course details for Foundation in Photography programme at the academy include: Introduction to photography, Styles of photography, the Basic principle of the camera, Camera modes & settings, understanding exposure & exposure compensation, Introduction to photography, basic photo editing etc.

    For a Diploma in Photography, students will be exposed to skills needed to explore and define their own distinct creative vision through training on Gear guide: lenses & sensors, advanced compositional principles, lighting photography, graphic design, business & ethics of photography etc.

    Advanced Diploma in Photography will also provide the latest technical skills, insider advice and the chance to create own working portfolio for students. They will undergo courses like Timelapse & hyper-lapse photography, gel lighting, colour management, high-end editing using frequency separation techniques, studio flash & shaping light etc.

    The academy also offers short courses and online programmes on Studio Photography Masterclass, Photo Editing & Retouching Masterclass, Compositional Techniques, Smartphone Photography and Photography Foundation Programme.

  • Canon Okays EOS R System for Film-making, Photography

    Imaging technology company, Canon, on Wednesday confirmed that EOS R System camera has been designed to boost the business of photography and film-making in Nigeria.

    Canon Country Manager in Nigeria, Omotayo Omodia, confirmed this, during the media briefing to unveil its three innovative products – EOS R System camera, PIXMA TS9540 printer and the ZoeMini printer in Lagos.

    She said, Canon has unveiled ”My Naija, My Canon” competition to give people the opportunity to appreciate professional photography and film-making.

    According to her, the one month competition will avail Nigerians to tell their Nigerian stories to the world, as nobody can tell more about Nigeria than Nigerians.

    ”Photography should be professionally done because this is part of the measures to be used in judging the shortlisted people.

    ”We are trying to reach out to storytellers, we are trying to reach out to young people and add value to people and we have given a lot of people prizes like Canon cameras in the previous edition.

    ”We want to give people the opportunity to appreciate photography and they have been able to use the prizes to start up their own business,” she said.

    Omodia said that the initiative was borne out of the belief that it was often the small occasions in life that brought meaningful memories.

    She said that Canon wanted to make sure it played a part in the storytelling of all these moments for everyone.

    According to her, the competition is an action to inspire people to capture experiences, save memories and tell their own stories in a unique and memorable way.

    Mr Amine Djouahra, Senior Manager, Sales and Marketing, Canon Central and North Africa, said that the campaign was to popularise Canon products.

    Djouahra said the feedback from Nigeria had made the company to build up its strategies at coming up with innovative imaging technology.

    READ ALSO: Canon, Kunle Afolayan partner on ‘MOKALIK’

    He said that Canon was pushing forward the frontiers of creative storytelling and satisfying the ever-evolving needs and demands of our customers.

    ”We are constantly working to better understand the needs of our customers in Nigeria and introducing cameras such as the EOS R, PIXMA TS9540 and ZoeMini enable us to better serve them.

    ”We want to offer our Nigerian customers’ new innovation that is currently changing the way we capture, store and share images.

    ”We believe the key benefits of these products include the durability and versatility, which enable everyone to unleash their creative potential.

    ”With the introduction of the new products, Canon is also launching the professional consumer photo competition in Nigeria under the campaign ”My Naija, My Canon,” Djouahra said.

    He said that the competition was part of Canon’s efforts in enabling and inspiring cinematography talent in the region.

    ”Today Canon is globally committed to investing in the unrivalled EOS world with cameras, lenses and accessories that set new height in image quality.

    ”These high performance lenses will push forward the frontiers of creative storytelling and satisfying the ever evolving needs and demands of our customers,” he said.

    “We believe that the key benefits of these products include the durability and versatility which enables everyone to unleash their creative potentials,” Djouahra said.

    According to him, Canon has also launched a programme where people with no educational background has been selected and taken on full photography training and film making.

    “They were empowered to become professionals, earning income and generating more income for the economy,” he added.

  • ‘A veteran’s love for photography’

    At 80, Cornelius Oyemade is perhaps Nigeria’s oldest practiseing photographer in the country. In the 1960s and 1970s, he and the late Peter Obe aka Exclusive traversed the social scene, capturing some of the historical moments in still images. From highflying weddings, birthdays and funerals to major sporting events in and outside the country, Oyemade’s signature remains indelible. He speaks with Assistant Editor (Arts) OZOLUA UHAKHEME on why he dumped his job with Shell Petroleum Development Company for photography, his memorable moments and his regrets, among other issues.

    In the last  four decades, Pa Cornelius Oyemade has been a regular face at most major international and local sporting events. As a seasoned and well-travelled photographer, he clicked his way into the hearts of many Lagos socialites, who still seek after him till date.

    His love for photography is incredible as he found time to take photographs even on his 80th birthday penultimate Saturday. He  was spotted working at the dedication of Baby Ruth Isemede. Ruth, is the miracle child of 55-year-old Mrs Oluwatyin Isemede (nee Akindele), wife of the just retired Vicar of Our Saviour’s Church, Tafawa Balewa  Square, (TBS) Lagos, Venerable S. Igien Isemede.

    As a little child, Oyemade used to steal his mother’s money each time he was left in  charge of her shop. From those savings, he was able to buy four cameras, which were seized by his parents. It took the intervention of his Principal at the Baptist Academy, Lagos, Mr. Adegbite to get the cameras back for him.

    The veteran photographer, who was born on November 10 1938, trained as an apprentice photographer before he became a freelance contributor. Since the 1960s, his photographs of high society parties and sporting events have been published in leading newspapers and magazines.

    Oyemade’s professional colleagues included Peter Obe, Akin Adedayo, Kayode Ibidapo (National Sports Commission), Lateef Olayinka and Tajudeen Sani.

    According to him, turning 80 did not actually bring joy to his family.  “I was not happy celebrating it because many of my children are abroad. When they come next year, I will celebrate it in a big way.  Last Saturday, I turned 80. To me, it was not a big deal, but I thank God for sparing my life. I am the oldest practising photographer in Lagos,” he said with joy, noting that one of his children is into photography, and is with City People magazine as a freelance.

     

    Stealing his mother’s

    money to buy camera as a student

    I developed interest in photography at an early age while at the  Baptist Academy, Broad Street, Lagos. I used to steal my mother’s money to buy camera. And I saw the design of one of the cameras from Mr. Fashanu during school inter-house sports. I bought about four cameras, which my parents seized. One day, my parents came to school to complain to my school principal, Mr. Adegbite. Instead of punishing me, my Principal pleaded to my parents to release the four cameras to me, saying photography might be my future career.

    Interestingly, when Mr Adegbite’s daughter was going to wed, I was in Constantine in Algeria covering a football match between Abiola Babes Football Club and an Algerian team. On arriving Nigeria the second day, Adegbite commissioned me as the official photographer for the daughter’s wedding the following weekend. I am a football fan as well as freelance photographer covering sports. Unfortunately, Abiola Babes lost the match and Chief M.K.O Abiola told the players that you cannot win all the time.

     

    Inspiration

     

    I developed interest in photography from childhood. After leaving Baptist Academy, Lagos I trained at Island Photography Centre, Lagos before going to London Film School, where I learnt about press photography. I also went to Nikon School, London. I had wanted to do advance study in photography in London, but lack of funds prevented me.

    Some Nigerian press photographers do not always capture action photos such as moments when goals are scored because they don’t have the materials and camera that can arrest such action. They always rely on AFP photographs.

    The failure of our generation is that photographers simply bought camera with a lens, not minding the appropriate lens for its usage.

     

    Career as a freelance photographer

     

    I was a freelance photographer with Daily Times during the days of the late Chief Babatunde Jose in the 70s. Unfortunately, I could not cope with the photographers in-house. Some were not well trained and unable to caption photographs. I knew few that were house boys to Peter Obe who later became photographers. Some could take good photographs, but could not caption them because they were not literate enough. I covered the English Premier League matches in UK, Olympic Games, Commonwealth Games and Nigerian football matches.

    On my return from UK, I worked briefly with Shell Petroleum for one year. I could not stay long at Shell because they don’t allow photographers to freelance with newspapers. More importantly, the job at Shell was not engaging enough. At Shell, photographers’ job was mainly printing passport photos, which did not give me joy and fulfilment. I had to pull out.

     

     Lessons from the beat

     

    At the Los Angeles Olympic Games, USA in 1984, I almost became a spectator until Dr. Adetokunbo Ademola bought me a modern hi-tech camera of about 280mm because my old camera was inadequate for the coverage of the games. He told me I should keep the old camera for covering chieftaincy title events at the Iga Iduganran of Oba Adeyinka Oyekan in Lagos.

    When I was working with the Nigerian High Commission in London, I did cover most football matches on Saturdays. But, I was mocked one day when I wore Buba and Sokoto to cover a football match. The white fans were describing my dress as nice pyjamas. Since that day, I stopped wearing native dress.

    I learnt a lot from covering international sporting events. In fact, there was also a photographer at the Olympic Games in Montreal, Canada, a technical adviser, who hired helicopter to capture the aerial view of the opening ceremony of the games,which he turned into post cards and souvenirs for tourists.

     

    Social photo as alternative

     

    If I go to weddings, I look out for fashion shots, which I give to the Lagos Weekend newspaper. Till now, I still engage in social photography. These days, I feel like going to Lekki for coverage, but no strength to do so. So, I select events to cover. Sometime, I cover a wedding ceremony at church, but won’t go to reception because I don’t have the strength.

     

    Adjusting to digital

     

    The days of analogue photography were costly in terms of money and time. Today, digital has overcome all of this in minutes because it is instantaneous. In fact, it is very economical. Unlike now, stadium such as Wimbledon in London has a dark room for processing of film.

    If I had not gone into photography, I would have gone into physical education. I did play some football while in school. These days, photography has been simplified by the use of handsets (telephones), and users pose as mushroom photographers. But, I am very fulfilled and happy. Photography took me to places where I met great men and women from across the globe.

     

    Memorable moments

     

    One of my memorable moments as a freelance photographer was at the Edinburg Games in Scotland, where I was the only black photographer that covered the games. I met the likes of Joseph Gomwalk, Brigadier Femi Ogundipe, and Nigeria’s High Commissioner in London among others. Also, during a party on July 17, 1975, I met the Duke of Edinburg at the Buckingham Palace. That was the last time I put on tie. I went to 10 Downing Street, London in company with Brig. Ogundipe to meet with Prime Minister of UK, Sir Edward Heah. As an amateur, I have met Kwame Nkrumah, Kofi Busia and others.

    Another memorable moment was when I climbed a tree in order to capture Ogboni Fraternity members’ rites during the burial of Ademola Adetokunbo at the Ikoyi Cemetery, Lagos. Unfortunately for me, that day, the clicking of my camera drew their attention and I was spotted. I was arrested but released later. The Ademola family, however, gave me some money for recording that aspect of the funeral, which was closed to the public.

  • Telling stories through photography

    After a successful debut solo photo exhibition Eyes of a Lagos Boy last May at the Freedom Park, Lagos, Bolaji Alonge, a photographer, actor and journalist is holding his second solo exhibition titled Urban Culture, Historical Continuity to tell the Nigerian story to the youths and future generations.

    The show, which will hold at One Draw Gallery, Norman Williams Street,  Ikoyi, Lagos from November 15 till 25, will feature 30 photographs that capture rare scenes, sites and aquatic life of the Lagoon among others. Thematically, Urban Culture and Historical Continuity is all about Nigeria of today and the future. It will be curated by Segun Adejumo.

    Alonge’s body of works will be mirroring the wonders of nature, human exchange and urban culture while searching for the historical continuity in a world that is sometimes heavily fractured.  The collection includes rare aerial view of Lagos Marina, Lagos Central Business District, Niger Bridge in Southeast, Osogbo, Bauchi, Epe Mangrove as well as photographs of underwater from Atlantic Ocean. Focus of his exhibits reflects the challenges people face every day and Alonge manages to expose the beauty where it is not expected. And some works in the collection present a contrast between life in Lagos and nearby villages where time seems to stand still.

    Speaking at a preview session in Lagos, Alonge said the concept of Eyes of a Lagos Boy came by accident when he met Mr. Theo Lawson, an architect at The Freedom Park, Lagos last year. He recalled that he had hundreds of photographs from over 17 countries, which he was considering showcasing. “In fact, Mr. Lawson encouraged me to adopt the name Eyes of a Lagos Boy as a brand. Consequently, we arranged a show of some of the works for my debut at Freedom Park.

    But, for this second show, it is primarily to document some major sites and scenes for posterity. Again, it is informed by the fact that many Nigerians do not document our history, if any, it is by foreign authors. With this show, I am capturing our moments for tomorrow and generation to come. And with photography, you see it as it is. The aim is not to make money but to educate the youths in particular. Photography is a huge untapped business, ’ he said of the essence of the exhibition.

    Alonge is a well-travelled photographer with a knack for documenting sites, nature and aquatic life which initially was a past time. Today, his past time has evolved into a full time career driven by desire to tell our own story ourselves. According to him, it has been fulfilling and the experiences interesting.  “With the photographs, I am trying to bring beauty out of the chaos around us like the waterways on the Lagoon covered by hyacinths, which prevent easy movement of boats.  While on the streets chaos seems to be the norm, from up there, Lagos has all the characteristics of an African megapolis, shinning under the sun,” he said.

    Alonge’s camera also captures Makoko, the ‘Venice of Lagos’ showing that in the midst of chaos and under the threat of destruction, Makoko is not only surviving but also thriving. Also captured is the image of Takwa bay, an idyllic island on the water that is a short boat ride from the heart of Lagos. On the background of the image is the sprawling high rise building of the merging Eko Atlantic City.

  • Nigerian artists make waves in Germany

    In different parts of Germany, where Nigerian contemporary artists reside, they have been using their art works to prove their mettle and extend the frontiers of paintings, drawings, photography, installation works and more. In this report, Edozie Udeze takes a look at these artists and what they have achieved and attained in their career locally and globally and more.

     

    IN Germany and some parts of the Western world, there are many Nigerian contemporary artists who are making waves.  These artists left Nigeria at different times in search of greener pastures.  They moved over to Germany where they have been doing their best to stay afloat and to also keep the glow of their artistic spirit in good order.  Some of these artists include Chidi Kwubiri, Emeka Udemba, Junkman from Africa, Jimmy Uche Nwanne and many others.

    It is interesting to note that these artists have been able to raise the standard of their profession so much so that their works are seen in some of the most important arenas and institutions all over the world. For them, art can be used to overcome racism, hatred and cynicism.  As their works appeal to the world, so do they also keep extending the frontiers of their presence where they feature in either solo or group exhibitions.  It also goes to show that the German society accepts and promotes and encourages the prospects of Fine Arts.  This is why these artists have found the place convenient and conducive to ply their trade and entrench the habit of using arts to stem the tide of racism or colour bias of any sort.

    Chidi Kwubiri was born in Umuohia, Abia State in 1966.  In 1993, he left for Germany.  Before then he had no formal training  in the Art, even though he was fond of drawing and painting as time permitted him to do.  Same year, he participated as a guest student in the Masterclass of Michael Duthe at the Kunstakademie Dusseldorf in Germany.  Thereafter, he became a regular student and then began to study painting from 1994-2000.  This was in the Arts Academy in the Masterclass of A.R. Penck.  Today, he lives with his family and works in Pulheim near Cologne.  He has had several individual and group exhibitions in Germany and other countries of the world.

    Kwubiri is almost a household name in German’s contemporary art scene.  He designed among other very important works, the Lenten Veil of the German Catholic Charity Misereor for 2017 and 2018.  This is a fantastic work well funded by those who admire classical artworks.  His solo exhibitions so far include his 2010 Theme Africa held in New York, USA; 2009 Whip Not Child held at the Goethe Institut both in Nigeria and in Germany, another 2009 exhibition held in Opera Gallery in Paris, France.

    In 2008, he had Reflection at the Signature Gallery, Lagos.  This theme was also shown in Pulheim and Cologne, all in Germany, same year he had one at the Millennia Art, Florida, USA and many more in different parts of Europe, Africa, America and Asia.

    In the main, Kwubiri’s  works  involve the complex of cultures.  He still remains rooted in his local cultures and this makes his works possess elements of masquerades, traditional customs and local and social issues of the people.  However, he oscillates between figurative and abstract paintings. In these, he forms faces, bodies, masks, using bright and expressive colours to pass his messages across.  Through these, he explores Nigerian cultures and the world at large.  His greatest moment was when he was shown at the UNESCO headquarters in Paris, France and Nigerian Embassy and Deutche Bank in Berlin, Germany.

    On his part, Emeka Udemba, born in 1968, is based in Freiburg, Germany.  He studied Arts at the Lagos State College of Education and the University of Lagos before he left for Germany.  Udemba is a painter, photographer, and installation artist.  He is a mixed media artist who lives and works between Nigeria and Germany.  In the course of his professional works he has won several awards, prizes, grants and residencies in Africa and Europe.

    One of his most notable projects is at the Palais de Tokyo in Paris, France.  Another one is at the Prince Claus Fund in the Netherlands.  In his peculiar style, he operates an open-minded arts with intimate attention focused primarily on routines, habits and utopia possibilities.  In most of his works, he has time to reflect on critical ideas of every day life concealed in complex and contradictory realities of the distinct and distant societies.  In these mediums, he interrogates societal prejudices, norms and biases still pervasive in the entire universe.  He is known to produce installation works, he also performs and engages his spare time doing photography, video and drawings, all dealing with experiences on the issues of socio-cultural influences.  Through photography, he shows the society as it is and how to make amends.  This is partly why he is involved in curatorial  art practices in public places, especially when time permits him to do so.

    The Junkman from Africa is a unique artist, queer and bizarre.  He has been in Germany for over 20 years where he has used his art of awkward things to establish his name and establish junk as a form of art.  He is Dil Humphrey Umezulike, better known as Dilomprizulike.  He was born in Enugu where he began on time to display his natural penchant as an artist.  In the main his love for arts dwells more in sculpting, performance arts and painting.  He read Fine and Applied Arts at the University of Nigeria, Nsukka and the University of Dundee, Scotland, where he obtained his Masters degree in Fine Arts (MFA).

    The Junkman is not only weird in his works, he recycles and tries to transform heaps on city streets into meaningful and vibrant art.  This way, he succeeds in creating effusive and lively installations and performances that often defy human understanding.  To further cement his love for what he believes in, he has created the Junkyard Museum of Awkward Things in Lagos.  It is a sculptural environment built essentially from found objects; objects that otherwise would have remained useless and fallow in the streets and in trashcans.

    In one of his most remarkable works, a version of the Oriel Mostyn Gallery in Liandudno, Scotland, he proved that truly junk has come to be accepted as a universal form of the art.  In 2005, his work was exhibited in Africa Remix at London’s Hayward Gallery.  It is a work that looks ubiquitous, outstanding and unique.  He has been in residency in different locations, mostly at the Gasworks Gallery and Victoria and Albert Museum in the UK.

    In addition, in 2005, he created Busy Street, a form of art, for the Herzliya Museum of Contemporary Art in Israel.  The piece was made entirely from local items and till date it still appeals to the local people.  It reflects Israel’s consumer society and shows how one can use local materials to perfect the local artistic needs of the people.

    For every moment, the Junkman travels round the world to speak at conferences, workshops and so on in order to entrench the ideals of junk.  This is why he is a visiting professor to various universities of the world, while at the same time ensuring that his works adorn most important galleries all over the world.

    The Junkman lives in Soest, Germany.  He has exhibited in Jamaica, Rwanda and all parts of Europe and Africa.  His works include Face of the City, Waiting for the Bus and Wanderlust and more.

    As for Jimmy Uche Nwanne, the youngest of the lot, he is noted for his remarkable statement which says, “Until an artist learns to follow his mind, creating will always be a struggle”.  A graduate of Fine Arts from the Nnamdi Azikiwe University, Awka, Anambra State, Nwanne was born in 1989 in Kaduna.  He majored in painting while in school.  For now he lives and works in Kaiderslautem, Germany, where he has carved a niche for himself in African and Nigerian Art.

    Nwanne loves colours; blossoming and bright colours with which he ardently produces bold experiments that have plenty of light.   He embellishes life.  He rummages e embellishes light

    more in portraits, focusing more on human faces in powerful poses that depict themes.  These vary from freedom to oppression, those nagging issues that trouble man from time to time.  Even when some of them are highly political, Nwanne artistically uses them to transcend notions and colours.  He often extends these experiments to deal with gender, race, religion, love and relationships and more. In all these, he does not forget that it is the duty of an artist to embellish his works to reflect contemporary issues across nations and countries.

    Nwanne’s several works have been sold at  most Auctions including Tender moments, Coming to Terms and others.  As at now, he is making waves, being involved in exhibitions here and there, building his career and cementing artistic ideals.

  • ‘How photography made me’

    This man who left his home town in Imo State in 1975 in search of a job in Ile-Ife, Osun State, today recounts how photography has made his life better and richer. For Luke Ewurum, aka Social Special Photos, the Motion grounds of the Obafemi Awolowo University (OAU), Ile-Ife, Osun State, has been the best platform that made him who he is today. He tells Edozie Udeze how his success story began over forty years ago and more.

    They just call it the Motion ground.  But it is more than that.  It is the first hot spot you encounter once you enter the main stream areas of the campus.  Inside the Obafemi Awolowo University (OAU), Ile-Ife, Osun State, the Motion ground is the most noticeable arena, always busy due to its commercial nature.  Located in front of the ubiquitous Oduduwa Hall, the Motion ground is where you see photographers loitering here and there, soliciting for customers.  It is their duty to call out to passers-by for passport pictures and such like.

    Indeed the strategic location of the Motion ground makes it a must see scene at the OAU.  The flowers and trees that adorn the arena further help to accentuate its aura and natural attractiveness.  It is not just a place to relax when the sun is blazing at its highest and the weather itself is a bit unfriendly, it is also one place where people make millions; where one man by name Luke Ewurum has encountered his good fortunes.  His story is the typical story of grass to grace.  It goes beyond the story of one man who left his cradle in Owerri, Imo State, in 1975 at the age of 16.  He was in search of a job in what you can now call greener pastures.  More than anything else, Ewurum who now goes by the name Social Special Photos was out to look for a conducive place to ply his trade.  A place where peace beckoned where people were wont to welcome him and allow him to be.  This was uppermost in his mind.  And so to OAU he set out.

    He tells his story thus: “I am Luke Ewurum.  But here in Ile and beyond I am known as Social Special Photos.  If you say here now that you are looking for Luke, no one would tell you he knows me by that name.  I came to Ife in 1975.  Earlier, I had left Umuahia for Ibadan.  I was 16 years then.  After by apprenticeship in Umuahia, although I am from Owerri, Imo State, I did not have money to start my own business.

    “So later, one Cy Photos in Ibadan took me to the place.  Shortly after I got to Ibadan, he told me to move over to Ife.  At that time his manager in Ife had just resigned and he needed me to go take over the place.  But when I got here the terrain was different, most people in town did not want to engage you in English.  Most of them stuck to Yoruba.  That made me quite uneasy, and out of place.  Luckily for me, the University Campus was there.  So after one year with Cy Photos, I resigned.  The next pot of call for me was the campus.  It was the only place where I could feel at home, where I could see and meet my age mates, people who could communicate in English.  So here I came. The place was like a haven to me; safe, secured and peaceful.  It was here then that I decided to set up my own business, assuming the name Social Special Photos”, he said, grinning to show his satisfaction with what life has provided for him.

    Today, Ewurum has four children – two boys and two girls, all graduates of OAU.  He tells of how the environment has aided his successes in the education of his children.  “Yes, the campus environment is good to train your children.  I love education, I had wanted to acquire education but I couldn’t combine it with my business.  Thus, my first son is a Medical Doctor, my first daughter is an Engineer, while the second boy is a graduate of Agriculture, with the last daughter having a degree in Political Science.  The two girls are married while my second son has left the shores of Nigeria.  I see the love of God, His providence in the training of my children”, he proffered, supplicating with ease, while impeccable smile greased his countenance.

    Ewurum whose wife is also a staffer of OAU is not in a hurry to retire or vacate his cozy home in Ife.  “I am yet to decide that”, he said.  “I am waiting for my wife to retire first.  Then we would know what to do.  As for my kids, they would choose what direction to take.  It is their life,  it is their own moment of glory.  Here life has been good to me.  I have a modest home in Imo State.  I am comfortable even though digital technology makes it a bit difficult for us photographers to survive”, he complained.

    “Oh”, he squirmed, smiling infectiously, “I met my wife when she was a secondary school leaver.  Her father was also a staffer of the campus.  But I took her from that level and trained her to the level she is now.  Today she is a secretary in one of the departments on campus.  I got married to her in 1984. In 1985 the university authorities asked us photographers to form a union.  The idea was to see how they could relate with us as a body.  Beyond that too, it was to help them collect dues from us.  They call it ground money”.

    That year, Ewurum was elected the chairman of the body.  He led them for 16 years during which they wrote their laws; rules and regulations guiding the body.  “Yes the universitye led them for 16 yeas

    provides us with a prepaid metre where we print our pictures.  The light point is ever there for us and this makes business easier and faster”, he disclosed.

    For a man who has been a business man on the same spot for over forty years and has seen generations of students graduate and become either  professors, governors,  ministers or commissioners, how does it feel? “It has been great”, he enthused. “You know we are the ones who have been taking their matriculation and convocation pictures”, he reminded the reporter.  “Even the professor (Chima Anyadike) who is doing his inaugural lecture today, I remember when he was an undergraduate in the 1970s.  Their successes also encourage us to move on, facing our profession with unbridled enthusiasm.  For me, to make it in this business, you must be honest, trustworthy, steadfast and amiable.  Don’t cheat people.  Don’t be in a hurry to make it.  Life is a gradual progression, from zero to millions.  Even though we made more money during the days of black-and-white pictures, digital technology has taken its toll on us now.  Yet business goes on, life goes on too.  For photography will continue to be a good business.  Even though everyone takes pictures with their phones or the like, we can only appeal to government to lessen the burden on imported materials for photography”, he said.

    As Ewurum made his last comment, a colleague summoned him in Yoruba language.  He promptly responded, hardly betraying any accent.  “Yes”, he replied looking back, smiling broadly, “I speak Yoruba fluently.  I have plenty of them as friends”.

     

  • TECNO hosts smartphone photography master class

    TECNO hosts smartphone photography master class

    TECNO Mobile has hosted Nigeria’s biggest smartphone photography master class at the Social Media Week in Lagos.

    The event held at the Landmark Towers, Victoria Island, Lagos.

    The yearly event was attended by top executives and experts. They discussed smartphone camera craze, which has been an important subject matter in the past year.

    To educate and empower photography lovers, service providers and mobile phone users, TECNO Mobile partnered Wakafire Photography to host the smartphone photography masterclass.

    At the Masterclass, speakers, such as popular freelance journalist, celebrity YouTuber and Founder of DIY Dose – Torera Idowu along with seasoned tourist, Documentary and Lifestyle photographer – Abdusalam Hamza and Lead Photographer at Wakafire Smartphone Photography – Obasa Olorunfemi were on hand at the training sessions with senior executives from the smartphone brand.

    YouTuber and Idowu took attendees through the creating of magical videos on their mobile, emphasising on how smartphone adoption has made it easier and affordable to shoot a full documentary.

    She also recalled how she won ‘The Thompson RTE Mobile Journalism’ award for her first documentary which she filmed with a mobile device.

    “My mind was blown, when I won the award despite the fact that more experienced journalists from all around the world competed for the same award, but I won and got to meet mobile enthusiasts who actually used mobile to create TV packages, documentaries and others,” she said.

    Hamza and Olorunfemi took the audience on a journey of pictorial bliss with their hands-on presentations which touched on the steps to great photography, editing apps and using light to achieve photos that speak.

    PR Manager TECNO Mobile Nigeria, Jesse Oguntimehin, expressed delight at the success of the master class, adding that it was set up not only to discuss the importance of smartphone camera, but also to also re-emphasise TECNO position on making life easier for the public and e-commerce merchants by continually providing them with the best smartphone camera features.

    Deputy Marketing Manager at TECNO Nigeria, Attai Oguche said the brand would launch a new device to trump all devices in April. He reinstated the brand’s commitment to creating quality devices that provide the best value to consumers.

  • Passion for photography

    Passion for photography

    University campuses are becoming breeding grounds for budding entrepreneurs. A Mass Communications undergraduate of Caleb University, Lagos, Mr. Okpara Henry Chidozie, has carved a niche for himself in photography, which he combines with his studies. TIMILEHIN BABATOPE reports.

    e is off to a good start in the world of busniess. Even before completing his course of study in the university, Henry has managed to transform his passion for photography into a full scale business venture.

    He is one of the most sought-after photographers on campus, a business he has combined effortlessly with his studies.  With proceeds from the busniess, the budding entrepreneur has been able to afford his tuition fee as well as earn for himself a decent social life.

    Even before Henry gained  admission into the university, his creativity and independent-mindedness have never been in doubt.  He has always been at home doing things that involved learning creative and applied business skills.

    He said he only needed to latch on a vocation that fits in with the  demands of his course. That was how photography came into the picture. What, perhaps, further encouraged him to throw his hat into the photography ring was his realisation while in his primary school days that there was strong demand for the service.

    Hear him: “I started photography when I was in primary school, but not as a business. It was in strong demand then. But it was when I got into the university that I thought of a skill I could develop  before graduating that photography popped up. Besides,  I realised that getting a paid job is no londer easy”

    The student entrepreneur also told The Nation that  he was encouraged by the fact  that photography was easier because it required minimal investment to start off.

    Henry said, for instance, that  he  started the business by taking a snap for N500; noting, however, that one of the initial challenges was competition with other photographers.

    His words: “A lot of people in my school are into photography and it has been a major challenge to me.” To beat the competition, Henry said as soon as he started out on campus, he took advantage of the various workshops  and programmes that the university offered.

    He also moves around the school programmes to provide digital photos. This often means that there is no need to hire an external – and often expensive – photographer for publicity shots.

    The result of such strategic move is instant. “For a semester I make up to N20,000 naira,”an obviously elated student cum commercial photographer told The Nation, adding that with the proceeds, he affords most things money can buy while on campus.

    As a professional photographer, Henry’s services  are sought by students, groups and corporates for weddings and other gigs on camnpus. He takes photographs during dress rehearsals and creates eye-catching displays for students to purchase.

    Although he has built a large claintele in and around the campus, the bulk of of his growing customer base comes from the university community.

    Gradually, but steadily, Henry is becoming more and more involved in live event photography. And his exploits, naturally, has earned him the admiration of his peers  most of who have started experimenting with  various startups in abid to survive.

    His advice to unemployed youths: “Everyone has a talent; it is how you make the world see the talent that matters. It is better to use the talent God has given to you”

  • ‘Photography gives me my groove’

    ‘Photography gives me my groove’

    Soibifaa Dokubo is a dancer, photographer, actor and voice-over artiste.  A staff of the National Troupe of Nigeria, he operates as the main photographer of the parastatal, where he handles both the stage and other photographic activities of the Troupe. He has been in the forefront of the efforts to give photography its pride of place in theatre practice in Nigeria.  However, he is more piqued about the situation of theatre in the Niger Delta, more so in Rivers State, his home state where he said politicians and leaders of the people have relegated cultural matters and entertainment to the level where the youths can no more identify with their customs and heritages.

    In an interview, he said, “I tell you, the Niger Delta, Port Harcourt, to be precise, while we were growing up, we were told was the hotbed of entertainment in Nigeria.  Today, the contrary is happening.  The political class in the Niger Delta does not have an iota of respect for the arts.  As for theatre, this does not even exist at all.  The leadership has stopped the Carniriv which was a yearly carnival that used to provide over a million jobs.  Today, government says it is an uncivilized act.  The political class does not have an idea of the political, social, economic and dynamic importance of the art in a society.  This is bad enough.”

    A social critic and someone who believes strongly that the cultural sector should be allowed to prosper and provide more jobs for practitioners, Dokubo said, “In Rivers State, one of the biggest employers of labour which is Carniriv has been suspended by the present administration.  This is based on the wrong notion told to the governor that carnival is a form of idol worshipping.  Can you imagine that in a society where people should hold on to their traditions and customs?  For that reason alone, the government has jettisoned Carniriv thereby increasing the rate of unemployment.  Today more youths are on the streets looking for work to do and their rich cultural elements are being allowed to die away.”

    Over the years, some of the programmes of the Carniriv had been used to satirise events in the state.  In this, people come from far and near to watch the cultural displays thereby attracting revenue to the state.  At other times the people involved in the planning and execution of the event used the opportunity to create jobs for themselves and more people in the state.  “Whenever this happened the little money the young boys and girls made from the show would keep them happy and satisfied for a long time.  Government should leverage on people’s events for the good of everyone.  This is the whole essence of culture as the bedrock of tourism promotion and as an alternative to oil.  Before now, you know Rivers State had been good to theatre and entertainment, both formal and informal.”

    Yes, he opined, more has to be done to revive some dying languages in the state and then bring back the rich cultural values of the people.  “We have great writers like Elechi Amadi, Gabriel Okara, Ken Saro-Wiwa and others.  And what did the government do to utilize the richness of their works to better this society?  Now cases of insecurity, poverty, joblessness and more have tended to kill creativity in the region.  We know, however, that there are some hiphop musicians coming up already.  But that is not enough.”

    An award-winning actor, Dokubo is often keen on how to elevate the status of photography to make it enviable.  “Yes, my first award was Zafaa Noble film awards where I was voted the best male actor.  This was in 2015.  And in January this year, we attended the African Magic Choice Award where I had a nomination as the best supporting actor.  The film is Stigma which has also won so many other laurels from different quarters.  Presently, that film will be showing at the African film festival in Hamburg, Germany this year.”

    Produced by Dagogo Diminas, Stigma is against all forms of stigmatization in any part of the world.  Introduced into photography by the legendary Don Barber, Dokubo feels that this is one profession he finds his utmost groove and satisfaction whenever he is engaged in it.  “When he met me, he said, ‘you dance, you act, but when old age catches up with you, photography can never fail you.  And so began my love for photography which has made me the Chief photographer of the National Troupe of Nigeria.”

    This was how he was taught by Barber to become a photographer.  Even though he still acts, Dokubo is better known today as an ace photographer whose works are often unique, spectacular and colourful.

    Although those periods were good for the National Troupe of Nigeria, where artistes truly excelled, Dokubo still believes that things can turn around with time.  However, he wants the younger artistes to take photography more serious because this is the era of technology.  This is an era when photography pays; when more people have more value for this form of the art.

     

  • ‘Photography an excellent startup for enterprising women’

    ‘Photography an excellent startup for enterprising women’

    Yetunde Oladeinde shares the story of Victoria Omobolanle Oyedele who has made good plying her trade as a photographer

    Victoria Omobolanle Oyedele started life selling household utensils but somehow things were tough because many of her customers loved to buy those items on credit.

    She also tried her hands in fashion designing, making adire and batik fabrics but something was still missing in her life. Then an opportunity came for training as a photographer by Lagos State government during the Bola Tinubu administration and she grabbed it enthusiastically.

    Interestingly, today the middle-aged woman is making a fortune as a photographer and she takes you into her world capturing the happiest moments of celebrities, government officials and more.

     

    How it all started

    A long time ago, the opportunity came in 2005.My husband went for a particular seminar  and the opportunity came that the new executive then led by Senator Bola Ahmed Tinubu and Femi Pedro wanted to train some youths in the area of vocations like photography and screen printing. Unfortunately, he didn’t remember to tell me about the programme until a month after it kicked off.

    When he told me about it, I was excited and showed interest. As God would have it, the training on photography came to my Estate in Abesan Estate. They made it so good for us and during the trainings, every last Friday of the month; we went to Alausa to collect pocket money. We collected the allowance for three months.

    After the training, we had to take different pictures of nature, landscapes and so many other aspects of life. I went about taking different kinds of pictures that we submitted and to the glory of God, I came third amongst the 150 students.

     

    Winning edge

    I took so many pictures and they were in an album which was submitted like other students. I felt so good. Winners were given the Zenith analog camera. It was a very good camera and it was a turning point in my life. That camera opened doors for me and it opened my eyes to so many opportunities around me. This is the third camera that I am using after that camera. I met different people from different walks of life and I learnt different things from them too.

     

    Memorable experience

    I remember a pastor introduced me to the former president, General Olusegun Obasanjo. I took some pictures for him and the experience was memorable. It was a programme organised by a nongovernmental organisation and Baba liked the picture that I took for him. While I was taking some photos, he cracked some jokes that made me laughed each time I remember the encounter.

    When we got to the reception, we were taken to the food court. I heard OBJ talking in Hausa and I understand the language a little bit. He told the guy, the people you are serving food to, let them serve themselves and if you must serve them, give them the portion they can eat because if the food remains, I would pack everything for you. Nothing must be wasted. I smiled and then he looked at me and asked, ‘Did you hear what I was saying”. I smiled and quickly looked the other way.

    There are so many other memorable moments and it includes a woman that I met in the oil and gas sector. I have travelled with her to different places for events like house warming, burial and more. After the camera from Lagos state government, someone also gave me a digital camera and then I used my money to buy another camera. They are not cheap cameras at all and for me, my cameras are the greatest assets in my life. I have used the camera to assist my husband in different ways like paying school fees and other bills.

     

    Scaling up

    I went further to train myself in the area of graphics, editing of pictures and I learnt all the tricks.

    Before photography

    I used to deal with household utilities. I sold products like Binatone products. It wasn’t easy because I was moving from one place to the other. I was going to schools, companies and different organisations to market them. It was very tedious and people owed me so much money and it got to a point that I was tired of doing this and I had my first daughter and not too long after this, I had another girl. To the glory of God, my husband has been supportive. He started publishing a magazine for photographers. It was called Photo people magazine. He started in year 2000 and up till 2009 when it was rested.

     

    Photography lucrative for women

    Yes photography is very good but not for lazy women. I say this because it is a job that takes so much of your time. If you are not a good time manager, you cannot do photography as well as manage your home.

     

    Juggling roles

    I try to plan ahead, once I know the date of a particular event, I begin to plan things and get everything I need ready. I prepare children for school and I thank God that my first child is preparing to go to the university. I manage my time properly. In the area of editing pictures, I do a lot of this in the night especially when there is electricity. I forgot to tell you that I bought a laptop to help me with the editing. If you do not have a laptop, you cannot do the job very well. It makes it easier for my clients to preview the job and select what they really want.

     

    Supportive spouse

    My husband has been very supportive. He was the one who introduced me to photography. What if he did not tell me about the opportunity then? Apart from that he has been a very wonderful husband. I give kudos to him for being always there for me.

     

    Advise for women

    I would tell them to have self indiscipline. Secondly, I would tell them that they should be themselves. You should not say that because some people are doing this, I must do the same thing. You look at your area and do what you are doing very well. There are so many women that we went for that training together but today only about one or two are doing something with it.

     

    Winning formula

    It is God Almighty, my husband and my children. Perseverance had helped. If you cannot persevere, you are not likely to go far. Women should be focused. You cannot mix business with pleasure. It just can’t work.

    Future projections

    My passion is to empower others too. There are so many people looking for paid employment and for years nothing is forthcoming. So, it would be nice to bring more people in my area into the business. I want to train more people but I need more cameras.

     

    Other skills set

    Just before Photography, I was into fashion designing. I do batik and adire. I learnt this when I went to a fashion school somewhere in Isolo, Lagos. Then I won the most beautiful girl competition during the training. That was where I won the sewing machine in my house. After this I wanted to go to Yabatech but somewhere along the line, I just couldn’t do that. After a while, I went to the Federal School of Administration.