Tag: piracy

  • Piracy: Navy intensifies patrol as Frenchship visits

    Piracy: Navy intensifies patrol as Frenchship visits

    To check pirates from entering Lagos waters, the Western Naval Command (WNC) has intensified patrol of its waterways.

    Flag Officer Commanding  (FOC) Western Naval Command  (WNC), Rear Admiral Fergusson Bobai stated this at the command’s headquarters in Apapa when the French Naval Ship, Commandant L’HERMINIER visited Lagos.

    Rear Admiral Bobai assured the visiting ship of safety, noting that Nigerian Navy (NN) would benefit from the Offshore Patrol Vessel’s (OPV) two-day port call in terms of training.

    He said: “We have been deploying ships to sea on regular basis. Besides NNS UNITY that is engaged in Operation Restore Democracy in The Gambia, NNS PROSPERITY and NNS KARADUWA have all been at sea patrolling to ensure our waterways are safe for commerce. They just got ashore because of the French ship but as soon as the ship leaves, they are returning to sea to ensure maritime safety.

    “The visit of this French Navy Ship has further emphasised military cooperation between both countries. The visit also provides opportunity for them to see security situation in the country for themselves, not what is reported by international media. We have identified areas we would like our personnel to receive training on.

    “It’s normal that naval ships visit friendly navies as part of diplomatic roles. Doing so affords opportunity to deepen relationship between navies. It also affords advance navies the opportunity to extend trainings to less advance ones. “We would take opportunity of their visit to engage them to train some of our personnel in areas of their competence.”

    The Commanding Officer (CO) of the French ship, Lieutenant Commander Matthias Canonne said they were in the country to strengthen their relationship with NN, adding that exercises on safety, diving and boarding techniques would be executed.

    Constructed about 30 years ago, Commandant L’HERMINIER has a crew of 90 personnel including 10 officers.

     

  • Nollywood actor wants stiffer penalty for piracy, plagiarism

    A veteran Nollywood actor, Mr Dele Odule, on Monday urged the National Assembly to enact a law enforcing stiffer punishment for anybody or group found guilty of piracy or plagiarism.

    Odule, who is the National President of Theatre Arts and Motion Pictures Producers of Nigeria (TAMPAN), made the appeal in llorin on Monday while speaking with newsmen.

    The Nollywood actor said that piracy, though a global problem occurred at an alarming rate in Nigeria.

    He attributed the high incidence to the low penalty meted out on the perpetrators and non-enforcement of laws against the offence.

    “Film producers in Nigeria do not have retirement benefits like civil servants and ordinarily, their production should be their benefits after retirement.

    “However, in a situation where these works have been pirated, they are doomed and have nothing to look forward to in future,’’ Odule said.

    He appealed to the Federal Government to borrow a leaf from developed countries by assisting film producers in creating an enabling environment to operate.

    The actor appealed that a large film village should be built, where actors would be required to pay a token to the government to achieve their mission.

    He also solicited that loan facilities should be provided for actors at low interest rates.

    The Nollywood actor disclosed that under his leadership as the TAMPAN president plans had reached an advanced stage to professionalise theatre and film production in the country.

    This, he said, was to guard against non-professionals bastardising their good jobs.

  • PIRACY IS THE FUTURE  –DAYO ‘BASH’ BALOGUN

    PIRACY IS THE FUTURE –DAYO ‘BASH’ BALOGUN

    YOU are not a common face around here…

    I was born in Nigeria. And I went to study in America first  to do music production and I was a DJ for a long long time. And then I moved to London, England. And I studied editing and digital film production/cinematography and post-production.

    Is Project Re-branding Nollywood your first attempt at filmmaking?

    Oh no. I’ve been making films for like five years now. So a lot of my films are corporate films. I make films for like Sony, Bill Gates. But this is my first film that I felt comfortable showing to the public. It had to be about African cinema. And that’s why I titled it, Project Re-branding Nollywood. It’s actually a five-year film process. There’s going to be five series. So, this is the first in five series. But there’d going to be short films on their own.

     Nollywood like you rightly observed is number two film industry in the world. What’s the big thing for you in that?

    Actually, if you look at any film that has been made in Hollywood or Bollywood, it’s all recycled films, having titles till seven. That seems to me to be lack of stories. And Africa has amazing stories. We’re sitting on gold mines.

    We have stories that haven’t even been told. And to me, Africa is just the next big thing in terms of stories, in terms of development, in terms of selling our culture, our positive image. I think we’ve been bastardised a long time and the image of Africa has been negative for such a long time. And as a filmmaker myself, I feel it’s time for me to take that responsibility and show Africa in a new light through my films.

     How was your experience doing the film like?

    Whether you believe it or not, I was the first black person to do a film on Nollywood. A lot of films have been done by non-black people but I’m the first person to say ‘I’m going to go home. I’m going to find out, who are the guys behind Nollywood. People know the actors, the actresses, but people seldom talk about the people behind  executive directors, producers  people that actually make the whole thing happen. I want to talk to them. I was really pleasantly surprised. Prior to coming home, I haven’t been home in 10 years and the reception was amazing.

    Everybody opened their doors. I spent time with the Alaba boys. It was amazing how they just allowed me to come in and see how they work. Everybody calls it a black market but you know, I think they are the future. I think Alaba International Market, I think those guys there are the future. I think if the government is smart, they do need to rally around those boys and put structure behind what they do. I think they sorted out distribution and that is a very controversial thing to say.

     It’s surely controversial thing to say… but from your experience, what kind of model do you think the government can form around them to make it profitable for everyone because Alaba boys may not be willing to give up any part of their profits?

    You’re right. So, you have to find a way that works for them. They’ve sorted their distribution when nobody cared. They came together and implemented a structure that work for them. And the filmmakers know themselves that if I release my film, I only got about 15 days before my boys in Alaba get a hang on it. So they already found a way of working together, albeit unorthodox, but that is a structure. So they already got a relationship going on.

    So why don’t you put structures and make policies around that. Nollywood is unorthodox anyway. It can never work anywhere in the world. It can only work in Nigeria. It can’t work in South Africa. It can’t work in Uganda. It’s so peculiar to Nigerian film industry. So, rather than say I want to be like the white man, no, no, no, we already got distribution sorted out. Cinemas are one form, Alaba guys is another form.

     You grew up in what part of Nigeria and when did you leave Nigeria exactly?

    I grew up in Ibadan, Oyo State and I moved to America in teenage years and I spent eight years in America. And I’ve spent another 10 years now in London. I come to Lagos a lot. Lagos is my second home. And since 2012, I’ve actually been working in Lagos. I come to work in Lagos. I live in London. This is the future. I have to be part of this change. And everybody can see change around. This is a festival here. Five years ago, this wasn’t even here.

    Now, everybody expects a high level of festival. It’s only going to get better. Imagine another five years, 20 years, 30 years, 40 years from now. What is it going to look like? It’s going to be amazing. It’s going to be like the go-to because if you look at Hollywood and Bollywood, they’ve been well over 100 years. And we’re only just starting.

     You were also part of the ‘Invisible Borders’ which organise road trips for writer, photographers and filmmakers. How was that experience like?

    It was amazing. I joined the group on the Lagos to Sarajevo. I did a documentary with them on that. It is showing at the Biennale in Germany. And even though I joined them in Europe, it was amazing experience. What they’re doing with photography and writing, that is exactly what I’m doing with filmmaking. And I’m part of the This Is New Africa (TINA) Collective as well. I’m just standing up and being counted so that 20 years from now when my kids are growing up and saying, ‘dad what did you do in your time?’ I would say ‘this is what I did. This is my legacy. This is my heritage.’

     What major experience can you share about that trip?

    I live in Europe and I don’t need visas to go from London to Germany. I just walk through with my ID Card. It’s European Union. But if someone wants to go to South Africa, I have to go and lobby visa. It’s not right. This is Africa. They should be able to move freely. So they epitomise that whole idea of bringing African photographers, filmmakers and writers and travelling through Africa. I mean, there was quite a lot of prejudice with African brothers.

    There were place that they gave us trouble but altogether it was an amazing experience. But I can’t wait to do it again. And I hope they keep getting funding to do it. And massive massive thanks and respect to Emeka and the crew. Emeka is an amazing visionary. Those are the kind of people that government and people should rally round and support. And I’m grateful for that opportunity. It was an amazing experience.

     Now, as a filmmaker living in London and working in Lagos, how is the perception of foreigners that you’ve met towards Nollywood?

    Yeah, Nollywood to a lot of people have that comic folklore to it. My German friends and Japanese friends would go, ‘I watched Nollywood last night. It was so funny.’ And that’s the only thing they say. It’s all part of the joke. The technicality is rubbish. They just find it funny, like slapstick comedy. That’s what they think we are. And I think the perception needs to change. Nollywood is a genre. Let’s leave it that way. We can’t change that genre. But I think in the Nigerian film industry, we perceive more positively. We need to start making films that tells our story  that speaks about other things in Nigeria that you haven’t seen.

     Are you married?

    Yes, I am. I’ve got three lovely kids and an amazing partner that is just so outstanding. I travel a lot and she’s amazing. And I’m actually expecting my fourth child now. So, it’s good.

     What’s the next thing for you?

    I’m going to do the second instalment of the Project Re-branding Nollywood which is Piracy is the Future. I’m going to do more of filming. I just finished a project with Bill Gates Foundation. And I’m going to keep doing more commercials. And keep promoting African cinema, keep promoting Nigerian image more positively to the world and keep bringing people here because I bring my friends to Lagos. And that begins to change their perceptions.

    So when they go back, they tell their friends and families, ‘like Oh my God, you will not believe that I’m in Lagos.’ Six weeks ago, I brought my Japanese friend and he said, ‘I can’t wait to come back here.’ I think that’s my job. Nobody gives me any money to do it. I’m spending my own money to do it but I think it will pay dividends because if can change one person’s perception of Nigeria, I think I’ve achieved.

    Now your looks  with wide earrings, locks and your general militant looks  what feedbacks have you been getting?

    Well, my background is music. I study music production and I’m a music producer in my spare time. And I dee-jayed for a long time. So, that music part of me is still there. Now, I’m dabbling into fashion. This is my own look. Nobody can dress the way I dress. It’s very unique. And I’ve got my own fashion line called Borderline. I’ve got a company called H264media.

     What’s H264?

    H264 is codec that you use to trans-code different formats into one acceptable format. So my idea is to trans-code Nigerian films into one acceptable international format. That’s why I set up a media house that does that. So, your film comes through my media house and becomes one acceptable media standard.

  • Navy adopts new anti-oil theft, piracy training code

    Navy adopts new anti-oil theft, piracy training code

    The Nigerian Navy on Thursday said it had adopted a new training regime that would improve troop’s proficiency in internal security operations in the country.

    Flag Officer Commanding (FOC), Naval Training Command (NAVTRAC), Rear Adm. Adeniyi Osinowo, disclosed this while on two-day familiarization tour of navy training schools in Onne, Rivers.

    He said that adoption of a new code of conduct in its training programs was borne out of the navy`s commitment to drastically reduce oil theft and sea piracy in the nation’s maritime environment.

    “Chief of Naval Staff, Vice Adm. Ibok-Ette Ibas, has come up with detailed strategic direction for the Nigerian Navy to improve its internal security operations.

    “Presently, NAVTRAC is reviewing all our training curricula in all our professional schools to ensure highly motivated and proficient workforce to meet both current and anticipated security threats.

    “We have also developed a new code of conduct in training of our troops to produce personnel that would be highly disciplined while providing unflinching service to the nation,” he said.

    Osinowo said the new code had provided trainees with requisite skills, and had addressed their conduct and reaction when deployed for illegal bunkering operations.

    According to him, the new training regime also presents a platform for troops to relate cordially with civilians.

    “This training program will make our troops more proficient and efficient in the discharge of their duties at both operational and tactical levels,” he assured.

    Osinowo said that the navy was currently improving its training facilities nationwide to enable it to effectively safeguard the nation’s territorial waters.

    He visited the Nigerian Navy College and the Nigerian Navy Basic Training School, both at Onne.

     

  • Mount Zion tasks Government on piracy

    Mount Zion Faith Ministry, producers of Christian movies, has urged the three tiers of government to tackle piracy so that practitioners in the movie industry could enjoy the benefit of their property.

    President of the ministry, Evangelist Mike Bamiloye, made the call while announcing the 30th Anniversary of the outfit which comes up from August 20 to 22 at Jogor event centre, Ibadan, Oyo State capital.

    “Film producers have gone bankrupt due to piracy. If government has implemented a strong policy to punish them, then people behind piracy will stay off. It is also affecting us but God has been our strength. We have graduated over 2,400 people from our drama ministry and over 600 student abroad,” he said.

    According to Bamiloye, The programmes for the anniversary include an anniversary football match, documentary, special music time, live drama presentation from the past students of the ministry while Saturday, August 22 is the main programme for the anniversary celebration at Jogor event centre.

  • Buhari vows to fight piracy

    Buhari vows to fight piracy

    •Restates commitment to national security

    President Muhammadu Buhari Tuesday vowed to extend his campaign against corruption to the Nollywood industry.

    He said he would ensure relevant Agencies and Commissions are strengthened to execute his anti-corruption campaign on piracy.

    The president spoke at the 28th edition of Society of Nigerian Theatre Artists (SONTA) international conference, organised by the National Institute for Cultural Orientation (NICO), in Abuja.

    He said the sector has contributed positively to the nation’s economy, thus deserves his attention.

    “It is also pertinent to state that this administration is committed to revamping the Nigerian economy, diversifying the economy in the face of dwindling profits.

    “In this regard, a sector that generates huge sum of money annually for the Nigerian economy and employs over a million Nigerians requires our attention. Relevant agencies of government will be empowered to deal with the menace of piracy which have become an albatross to both practitioners and government.

    “We support the call for Nollywood to be repositioned to serve as veritable tool for the promotion of cultural diplomacy in view of the popularity Nollywood films enjoy globally,” Buhari said.

    The President decried the influence of foreign movies on Nigerians which he said, has “resulted in moral decadence and erosion of our cherished values.”

    Buhari who was represented by the Permanent Secretary, Federal Ministry of Culture, Tourism and National Orientation, Mrs. Nkechi Ejele  expressed optimism that Nollywood was capable of restoring the lost moral values.

    Some of the Nollywood actors, who converged at the conference described piracy as the greatest threat to the sector which should be vigorously addressed to a logical end.

    The participants said despite being ranked as the second largest movie industry in the world, Nollywood ought to stimulate collective attention because of its potentials to the economy.

    In his remark, former Military Head of State, Gen. Ibrahim Babangida canvassed for an appropriate policy that would sustain growth of the sector and help tackle some of its challenges.

    He described the sector as being capable of addressing cultural imperialism.

    Babangida, who was represented by the former NICO Governing Board Chairman, Alh. Is’mail Ibrahim said Nollywood could promote the nation’s culture, external relations as well as foreign exchange learning.

    Earlier, National President of SONTA, Prof. Sunday Enessi advised the President to extend his vision to the film industry.

    According to him, the sector has the potential of contributing immensely to  the nation’s coffer especially in an era that the nation is considering to diversify it’s economy.

    “Permit me to state that, if the present government was to go far in her ‘change’ mission and national orientation, the answer is Nollywood. Also, we affirm that Mr. President’s determined fight against corruption is commendable and it should not start and end with government officials only.

    In his keynote lecture, Professor Hyginus Ekwuazi from Department of Theatre Arts, University of Ibadan recommended a working relationship between Nollywood and security forces, provision of grants by government, checkmate ‘Africa Magic and MultiChoice”, merge the National Film Institute NFI and the TV college.

    He called for provision of legal teeth to the Motion Picture Practitioners Council (MOPPICON) and also make the national film policy an article of faith in the industry.

  • Piracy: Buhari urges security  agencies to save Nollywood

    Piracy: Buhari urges security agencies to save Nollywood

    The cry over filmmakers’ inability to recoup their invested has reached President Muhammadu Buhari who, on Tuesday, directed law enforcement agencies to step up their efforts to curb the menace of pirates in Nigeria’s entertainment industry.

    In a release issued by Mr. Femi Adesina, Special Adviser to the President on Media and Publicity, Buhari charged law enforcement agencies to identify the perpetrators of copyright theft, their sponsors and collaborators, and bring them to justice.

    “Nollywood is making progress. We should work with them. Unless they are backed, they will be ruined by pirates who want to reap where they have not sowed.

    “They have built an industry with their own sweat. It is therefore incumbent on us to give them the necessary support,” President Buhari said, after receiving a briefing from the Permanent Secretary of the Ministry of Information, Dr. Folasade Yemi-Esan and her Directors in Abuja.

    Meanwhile, the President also urged the Nigeria Television Authority (NTA) and the Federal Radio Corporation of Nigeria (FRCN) to tap into the opportunities presented by their wide reach to shore up their revenue profiles.

  • Piracy can’t be stopped

    Emmanuel Williams, a budding movie maker leaving who left Public Relations out of a passion for movie making. In this Interview with ADEWOYIN ADENIYI, Williams, who has produced over eight movies talks about his latest movie, Stolen Lives, premiering in September among other sundry issues.

    TELL us about your new movie and why you did it. Stolen Lives actually talks about the social vices affecting modern day Nigerian youths which include rape, drug abuse, cultism, and poor family values. I made the movie because I looked at occurrences around me and to an extent some of my friends and I said, “no, something has to be done” and the only way I felt it could be done was through visuals, because we’ve talked and talked,  and nothing has happened.

    We all know that Nigerians have poor reading habits, you print something, distribute fliers and people throw it out. We tend to stick to what we see, and do to pass the message across, I felt ok, and I could do a movie. A friend had a near rape experience, so I just infused it and I said rape, drug abuse, cultism, all those things can be joined as one because most of the rapists are probably under the influence of drugs or alcohol, so I decided that it is different from the normal story, but that will also pass a message across so that is why I decided to do that movie. It was directed Emmanuel Mang Eme.

    What makes this movie different from other movies with the same story line?

    Its unique, to say the truth it’s a unique movie because when I came up with the idea I brought in some of the best hands in Nollywood, and we actually wrote that script with some true life experiences, although most movies are not made from true life experiences.

    Infusing true life experiences into one story, what also makes it unique is that we used people that could identify with one or two of the problems the movie talks about so it’s not like we simply cast anybody and put them in the movie, some of the actors have the experience, some of the had passed through something similar, so it was easy for them to express what they felt during the movie so that’s what makes it different.

    Tell us some of these actors that featured in the movie

    Toyin Alausa, known most especially in the series part of Nollywood and when I invited her to this project, she told me that she could align with it because she had a child at a tender age, and the movie also talks about teen parenthood so it was easy for her to interpret that story which we were unaware of prior to that. I should not mention some other names based on the fact that they are celebs and they wouldn’t want the story out but about two or three of them could identify with the story.

    Who is the script writer?

    Tunde Babalola, the award winning script writer of  Kunle Afolayan’s October 1, Rita Dominic’s The Meeting, Alero’s Symphony which he did for Malta Guinness Box Office, just to mention a few of jobs that he has done..

    Who are the cast?

    Celebrated actors and actresses, the likes of Alex Ekubo, Ik Ogbona, Ruth Kadiri, Beverly Osu, Tayo Sogbola ,also a new girl Owumi Ugbeye, who played the lead role, she was actually in Shuga, also Jide Kosoko, Bukky Wright, Kunle Coker, Biola Williams to mention a few.

    What are your plans for the new movie?

    It’s going to the cinemas September 11, and will premiere in August, my dream for the movie apart from just showing in the cinemas is that we will do a tour of universities, as university students are our major focus, and most of those social vices believe it or not starts in the universities.

    My plan is to take it to about twenty five universities in Nigeria , and when it’s done probably get someone ,maybe a first lady to take it and then print several DVDS, and distribute to secondary school students, because from secondary school, awareness is heightened, and the need to acquire careful decision making skills is paramount.

    Don’t you think distributing to secondary school students will encourage piracy?

    The truth is that you can’t stop piracy; you can only hope that it will not be much, but distribution is to ensure that it actually get to them so even if the pirates decide to pirate it they will lose because they will sell while we will be giving free. No one will pay for what is available free.

    Don’t you think the movie is too star-studded?

    There is one thing we put into consideration during the cast selection, youths identify with role models, so when you are doing something of this nature, it is wise to use people they can identify with. There are very good actors who are not A listers, the question is whether your target audience want to sit-down and watch so we decided to use people that youths can identify with, which is why we featured A list actors and actresses.

    But there should be a way of introducing upcoming actors…

    (Cuts in) the there was actually one new act and she played a lead role which is probably not done anywhere, though there were other new faces but probably they didn’t take the lead. The A listers I mentioned are people that took lead role, there are also new entrants in the movie but not leads because we intend in more of our productions to use more new people since it’s a youth based production , and the production company is also youth based ,we intend to use more in recent production so we took two here and three there as we cannot use them all at once.

    What is the name of your production company?

    The name is Kross entertainment; this is the first movie for Kross entertainment but not the first for me as a producer.

    How did you get into movie production?

    I actually started off working in a PR firm and we did lots of production for government agencies and that was where I learnt production and then in that way I started meeting people who were involve production and they will be like we saw what your office did can you get someone to do something like that for us and I said I can do it, I actually handle most of this things and that was how it all started.

    By Gods grace I have eight movies to my credit, and three yet to be released, two were shot In South Africa and one was shot in Nigeria. One is  The Living Legend, it parades artistes from South Africa, Ghana, and two from Nigeria .It will comes out sometime in August, as we are just putting finishing touches to it. I did Well Danger live and its actually available online now, it was made for Gabi production, and two were made for Highway production, and I have produced two of their movies, one of which was Behind Enemy Line.

    Those were what gave me my break into Nollywood and gave me the idea to put Stolen Lives together, so I can say that Stolen Lives might or will be a master piece. We are probably not Kunle Afolayan, Lancelot Imasuen but in our own young generation I think it will be called a master piece, perhaps not to match those that are above but it will be a master piece for the cinemas to accept it gives us credit.

    So is Stolen Lives your first movie?

    Yes it’s my first movie as Emmanuel Williams for Kross entertainment.

    What inspired you into making movies?

    I do watch movies, I watch American movies, especially black American movies and also Nollywood movies and what most people produce in Nollywood I won’t call it rubbish because some creativeness went into that production but it wasn’t really what we could stand up as a nation and say we are producing, and I studied them, and said how can I do this and decided  to go into full time movie production.

    I can be creative and I also have people that are also creative, and then you watch some Nollywood movies, and you are like “did somebody write this story?” Now I made a movie and somebody will tell you that its one of those movies, I actually have friends that tell me that they don’t watch Nigerian movies because it’s full of rubbish and I told them that it can be better, there are people I actually sent the trailer of this movie to and they , on watching they asked me to keep up the good work, and please do not go the way others went.

    I wanted to do movies that will touch people, and would delight the audience, that people will want to sit down and watch, not things that we cannot be proud of or boast of, that is what inspired me, when I saw a man like Desmond Elliot, who has been an inspiration. Looking at where he is coming from, and the type of movies he is presently shooting, you will see that there is a world of difference. And I said if someone like this can come out as an actor, and is now the kind of man people want to watch I should join this trend. The foregoing inspire me that we can do better, and can make Nigeria proud.

    How was it been since you started this journey?

    It is still rough, the Nigeria society does not support young minds, there are young people who want to do a lot of things, but have no support, and nobody wants to listen. When I started this journey, it was very rough and to tell you the truth this movie was shot on loan from banks, individuals and people that saw that look I like this your dream I don’t have much but this is my contribution, and that was how we raised money to shoot this movie .

    As I am talking to you now we are indebted to some banks and individuals, so it was rough and it is still rough. Even if I want to shoot a movie tomorrow, nobody will come out because our people do not see youngsters as people that can do big things, which is so sad so I think it’s very challenging.

    What are your expectations for Stolen Lives?

    My expectation is I want it to be a block buster, I want it to have the kind of reception that a movie like Thirty days in Atlanta has, I want it to have the kind of reception that October1 has, you know my expectation for it is very high, I might probably be criticized in some parts of the movie but we all know that nobody reaches perfection, but with what we have I want it to be the talk of the town.

    Do you see yourself acting later in the future?

    I am a very shy person, like there was a role in the movie and we needed someone to take the role because the person who is assigned the role failed to show because he was on another set somewhere, so my director asked me to get on set, and do it but I refused I don’t know how to act (laughs) but fortunately, Bukky Wright’s son Ojay was on set to visit his mum, so we asked him to take the role, and he did. It was a plus for us to have mother and son on the set.

    So instead of acting I would rather get people that are good into my set rather than get into it because I am not an actor, just a creative person.

  • Why we can’t fight piracy, by NCC

    Why we can’t fight piracy, by NCC

    The Nigeria Copyrights Commission (NCC) yesterday blamed poor funding from thr Federal Government for its inability to effectively discharge its respponsibilities, especially its fight against piracy.

    It said fighting piracy has been difficult without proper funding.

    Its Director of Enforcement, Augustine Amodu, who spoke while inaugurating anti-piracy units for book sellers and disc/cassette sellers in the state, said the Commission has secured 58 convictions across the country for pirated works on broadcast, optical disk, book and software piracy.

    He said the commission recently seized 20 containers of pirated books worth over N6.6billion.

    “Paucity of fund is affecting our operations. In law enforcement, without funding, it will be difficult to fight the crime you are fighting. It is so difficult. We have tried our best to do what we are doing. We are doing the impossible for the ungrateful.

    “We have done much to ensure convictions. We will keep on prosecuting those arrested. We have seized  books and pirated works.”

    Explaining why the anti-piracy task force was inaugurated, Amodu said the Commission wanted to replicate the success recorded with the establishment of anti-piracy task force at Ajegunle, Lagos State.

    He urged the task force members not to intimidate their members but to educate them to avoid patronising pirated works.

    He said: “If we fight piracy with force and we are not moving foward, we will use the people to fight piracy. We will prosecute any association found wanting if we found pirated copies in their shops. We will prosecute them. We are using them to fight them. It worked perfectly in Ajegunle.

  • Movie stars march against piracy in Lagos

    Movie stars march against piracy in Lagos

    •Fashola promises action

    LAGOS hosted yesterday a unique and exciting march —— of movie stars and producers.

    It was not to promote a new work but to fight a common enemy – piracy.

    They carried placards denouncing the evil that steals the gains of their sweat and creativity as they marched on the seat of government at Alausa.

    Nollywood practitioners, such as Tunde Kelani, Tunji Bamishigbin, and Gabriel Okoye, aka Gabosky, led the entertainment collective to, once again, demand from the government, a more decisive measure to curb piracy.

    The march, which started around 10:00am from Ikeja under bridge, saw the protesters move to the Secretariat, spotting black attires and holding anti-piracy placards with inscriptions such as ‘Piracy kills’, ‘Save Our Business From Piracy’, ‘Help Us to Grow… Piracy Must Stop’, ‘Piracy As An Open Robbery’ and ‘Do Not Patronize Pirates.’

    Some of the entertainers at the event are, Jide Kosoko, Yemi Solade, Iyabo Ojo, Abbe Lanre, Niyi Johnson, Sunkami Omobolanle, Yomi Fash Lanso, Goriola Hassan and Jesse King. There was also a lot of singing and chanting all the way, which was led at various times by actor Yemi Shodimu and comedian Funky Mallam.

    Along the way, Kehinde Bankole, winner of Best Actress (Drama) at this year’s Africa Magic Viewers’ Choice Award, AMVCA, became a cynosure as she stood through the sun roof of a Land Cruiser SUV, holding a placard discouraging piracy as well as swiftly engaging passers-by not to buy pirated movies.

    “Don’t buy pirated movies,” Bankole, who made an impression with her role in October 1, said. “Buy original. It is only N500.”

    It was in that camaraderie that the procession moved down Awolowo Way, towards the Lagos State Secretariat at Alausa, and took their first stop at the Lagos State House of Assembly, before proceeding to Governor Babatunde Fashola’s office.

    Presenting copies of pirated Nollywood films which were seized at Ikeja to Governor Fashola, award-winning filmmaker, Tunde Kelani said that piracy, if allowed to continue, will hamper the growth of the industry.

    Kelani who lamented over the new trend of piracy in the country, further argued: “Previously, those involved in piracy wait for the release of films before they pirate. But the new trend now is that the films still in the cinema and not officially released by the producer, are pirated and sell openly on the streets of Lagos unhindered.

    Your Excellency, we know that the centre of the activities is Alaba International Market. Something must be done right now, otherwise we will be sending a wrong signal to the pirates that they are above the law and piracy should be elevated to the status of a serious crime like drug pushing, financial crimes and be dealt with accordingly. It is disheartening for investors to see their works being sold on the streets of Lagos unchallenged. Alaba International Market should be pulled down and there should be a law that prevents anybody from selling films openly on the streets of Lagos and by extension, Nigeria.”

    Also speaking, Gabosky said, “We have located the den of these pirates. We have identified those involved but we don’t have the legal backing.

    ”And those that we spent six years prosecuting were given three months of imprisonment or option of N10, 000. That is the law of our country.

    ”For instance in India, it is death penalty. Also in United Kingdom, they have gotten anti-piracy squad that clamp down on anywhere they find pirates. In America, anyone found guilty of piracy is sentenced to 15 years imprisonment.”

    Thanking the filmmakers for their choice of action, Fashola urged them not to give up in the fight against piracy. Describing the industry as self-driven, the governor said that efforts are ongoing to stop the menace, especially in the area of legislation.

    “You will win this battle,” Fashola said. “For as long as it takes to get it right, I will be on your side. Let me also be clear that stealing of intellectual property called piracy is not a local crime. No nation has successfully overcome it, but they have managed to put them under significant control by some of the measures.”

    Tackling piracy, Governor Fashola added, will require a lot, especially given that it is a technologically enhanced crime. “We have been working as a government, behind, trying to see how we can help you create applications or softwares that make duplication difficult, if not impossible. There are some things that have come up but we are still working on that. We will probably have a homegrown solution to this scourge.”

    According to the governor, “One of the measures we also think can help is investing in community cinemas because through this, you can beat the pirates to the game. And in one weekend for instance one can make all his money and that is what happens in India.

    “We have to attack from many fronts. And this campaign has to be bigger than the All Progressives Congress, APC campaign at the last elections,” he said.

    Tunji Ojetola, the general secretary of Yoruba Film Producers and Marketers Association of Nigeria, said that the Yoruba filmmakers have been battling piracy for a long time. “Yoruba films have been worst hit,” he said. “Most of the films that are pirated today are Yoruba films.”

    One of the biggest losers, Kunle Afolayan, who lost millions of naira to the activities of pirates, however, remained calm throughout the procession which culminated in seeing the Lagos State governor. He however expressed optimism on reversing the trend.

    “Hopefully, with this kind of movement, I want to believe we’ll bring an end to it (piracy),” Afolayan said. “It is not only my film that has been pirated. There are several films that have been pirated. And with the oneness of the industry, I want to believe we will combat all of these.”

    Some of the titles seized yesterday include October 1, Figurine, Ije, Imole tan, Yellow Card, Phone Swap and 30 Days in Atlanta have been all over the town and are even being sold in the traffic.

    Highlighting the gravity of the situation, Afolayan said the pirates have the effrontery to show it to legitimate producers. “Before we know it, the industry is going to shut down. There won’t be an industry. Some of the practitioners would have to go to Ghana or neighbouring countries to practice. If we can’t make ends meet in our country even with all the efforts and struggles an average filmmaker puts into this. And, I’m not talking for just film. I’m talking for copyrights for people in the arts.”

    Speaking on the reason for the walk, Afolayan said, “We can’t take laws into our hands. We can’t fight because we’re good citizens of this country which is why we’re pleading with the authority to do something.”

    Afolayan also urged Nigerians to stop patronising sellers of pirated movies. “If you boycott them,” he said, “they’ll know what they are doing is not right. If all these people convert the structures that they have into selling original copies, they will even be making more money because we release original copies to wholesalers at N300 and the pirates are selling pirated copies at N500.”

    Dismissing the law enforcement as virtually non-existent, Afolayan said, “If there is law, I think these should have been put to end long ago.”