Tag: PMAN

  • ‘Walk the right path for growth’

    ‘Walk the right path for growth’

    After the lull a few years ago, this year’s annual Sobe Day anniversary n Edo State attracted an unprecedented turnout of indigenes, who described the event as their own ‘Xmas’, reports Assistant Editor (Arts) OZOLUA UHAKHEME.

    Call it the biggest feast in the community in recent time, you are right. Call it their own ‘Xmas’ or new year celebration, you are not wrong. That is what Sobe Day celebration means to most sons and daughters of the community who travelled from far and near to savour the cultural feast which holds every last week of September to commemorate the merger of Sobe with Edo State in 1991.

    The theme of this year’s Sobe Day anniversary was Democracy and Unity as Pivots of Sustainable Development.

    The four-day event featured Christian crusade, football tournament, cultural performances, street carnival, homage to the traditional ruler, free medical checks led by Dr. Martins Momoh, and an all-night party.

    As early as 8 am in the morning of Saturday, September 27,  all the participating groups and clubs took turns to pay homage to the traditional ruler of Sobe, His Royal Highness, Anthony Ero Aleburu 1, The Odibiado of Sobe Land. By mid-day, the carnival train had traversed the major streets and roads of the community, dancing and singing. A few hours later, the various groups – cultural troupes, women and children – defied the down pour and trooped out in larger numbers to celebrate their rich cultural heritage.

    From performing to singing, dancing and recital, the various groups thrilled the audience. Of the groups, the Ebira Cultural Troupe’s giant masquerader stood out as it was not only colourful, but dramatic in performances.

    The venue of the event was St. Eugene’s’ Playground, Sobe, and it attracted dignitaries such as the Chairman of Owan-West Local Government Council, Barrister Godwin Aigbodion; his Vice, Reginald Okun; His Royal Highness, Anthony Ero Aleburu 1, The Odibiado of Sobe Land; members of the Council of Chiefs; Bishop Pandit Sunday Oburekin; Special Senior Apostle Funso Oshoro; the interim Chairman, Sobe Development Association; Mr. Francis Uwaifo among other dignitaries.

    Aigbodion, who was accompanied by his Vice, Honourable Reginald Okun, the Councilor representing Sobe (Ward Eleven), Honourable Jimfred Obaidiku and other party chieftains, expressed disappointment over the lukewarm attitude exhibited by the Federal Government during the burial of one of the great sons of the town, the late Commissioner of Police, Pa Benedict Elide Odiase, (the Composer of the current National Anthem). He also condemned the slow pace of construction work at the Sobe–Sabogidda-Ora federal road by Picolo Construction Company, which has denied the community access to Sabongidda-Ora, the council headquarters, which can only be access through Ondo State. The delay in completion of the road project, it was gathered, may not be unconnected with the poor and irregular funding by federal government.

    He disclosed that the council has resolved to immotalise the late Pa Odiase by naming the newly built legislative block in the council after him (Pa Odiase). He said Sobe community will be duly informed of the commissioning date of the project.

    Impressed by the colourful event,Aigbodionsaid he never knew that the CSobe Day activities are so colourful and elaborate. He advised that henceforth, the community should involve the council as ‘it will willingly want to participate in the events.’

    The town’s monarch, Anthony Ero Aleburu 1, used the occasion to thank all sons and daughters of Sobe that have contributed to the success of the anniversary. The King, who was witnessing the event for the first time  since he  ascended the throne advised that security issue in the community should be a collective responsibility, which everyone should be fully involved in because it cannot be left in the hands of the police alone.

    The traditional ruler also thanked the state and the local governments for their developmental efforts in the community. He, however, called on the state government to facilitate the immediate take-off of the approved Area Customary Court in Sobe since the community has provided the building for the court.

    He lamented the lack of access to banking facilities in the council area following the closure of the Skye Bank Plc branch in the town.  He advised the management of the bank to review its decision on the closure as the community may be forced to ask them to ‘remove their properties from the land if they are not willing to use them.’

    Chairman of the occasion, Bishop  Oburekin sued for peace and unity among the people qouting Psalm 133 of the Holy Bible, which says: ‘Behold, how good and how pleasant it is for brethren to dwell together in unity …’ He said: “If we are walking the right path and we are willing to keep walking, eventually we will make progress.”

    He advised parents to encourage their children to speak Sobe dialect as it is fast facing extinction, noting that there is need to ‘preserve and promote our cultural heritage especially, the age group and other cultural troupes.’  On political issues, he urged leaders to play genuine politics without bitterness such that the people can enjoy the dividends of democracy.

    Life Patron, Sobe Development Association (Abuja Chapter) and sole financier of this year’s celebration, Mr. Funso Osoro, said the growing popularity of the annual event has made many Sobe indigenes outside the community to have positive attitudes towards the progress of the community.

    “Parents living in the cities have changed their old mindset towards the community to the extent that they now allow their children to attend the celebration unguided. In fact, it is as important to them as the Xmas and New Year celebrations,” he said.

    On the need to tie the celebration to developmental projects, Osoro noted that unfulfilled pledges by guests and friends of the community had in the past celebrations made launching of projects unrealisable. He however stressed that ‘nobody from outside can fix the community for us, we have to do it ourselves. So, launching that bring outsiders to make pledges will never do it. But, in subsequent celebration, we are considering projects such as grading of the major streets, fixing the street light and provision of portable water.’

    Osoro disclosed that the youth-based events such as folklore, beauty pageant and musical concert would be incorporated in future celebrations. This, he said, is to allow for effective youth participation for continuity sake.

    Interim Chairman, Sobe Development Association, Mr. Francis Uwaifo called on the state government to provide Sobe, which is a border town, with a standard Police Station to checkmate the increasing security challenges pose by criminals.

    “The government should also upgrade the three healthcare centers in the community to a General hospital.  The market in the town is over-crowded and deserves expansion. The Local Government Council should as a matter of urgency fence the proposed land for the new Main Market project and put in place the necessary machineries for its construction.”

    The event was not all about long speeches as the former president of the Performing Musicians Association of Nigeria (PMAN) Admiral Dele Abiodun and his band were on stage for an all night party.

  • Dele Abiodun mounts stage at Sobe Day

    Dele Abiodun mounts stage at Sobe Day

    The former president of Performing Musicians Association of Nigeria (PMAN), Admiral Dele Abiodun, will, on Saturday, perform at the grand finale of this year’s Sobe Day celebration, an all-night musical concert scheduled to hold at the playground of St. Eugene’s Catholic School in Sobe, Edo State.

    The theme of this year’s anniversary, which is meant to promote unity and development in the town, is: Democracy and Unity: The Pivots of Sustainable Development.

    This year’s celebration will commence on September 24, with an open crusade organised by members of the Christian Association of Nigeria (CAN).

    In a statement, Funsho Osoro, the chairman of the national organising committee, said this year’s anniversary would feature free medical checks, street carnival, cultural performances, football competition and musical concert.

    The grand finale will be chaired by Bishop Pandit Oburekin, while the Chairman, Owan West Local Government Council, Edo State, Hon. Charles Aigbodion, will be the chief host. The maiden edition of the event was held in 1991, when Sobe was merged with Edo State.

  • How  PMAN    killing  Juju  music—Segun  Adewale

    How PMAN killing Juju music—Segun Adewale

    THE has been playing music actively for 46 unbroken years. He has also been in and out of studio 56 times to record albums, which are mostly evergreen. He has performed to the delight of kings, at home and abroad, for over four decades. He has even lifted the spirits of some troubled fans with some inspirational songs. Therefore, if you have a scheduled appointment with a star in the mould of ace Juju musician, Segun Adewale, the creator of Yo-Pop music, what should you look out for when you are standing face-to-face with him: strands of grey hair, wizened body, bent body and bags? Yes, you might be excused, particularly if you consider his age and the strain of playing music since 1968, which should have begun to wear him out. But strangely, even if your gaze roves all over him, you may not easily find any of these features. Indeed, when this reporter met him recently at his office in Adekunle Street, Isolo, Lagos, there was a strong temptation to ask him if he is slowing down in any way nowadays. But it turned out to be a rather ‘insulting’ question. With vigorous shaking of his head, he said: “Oh! No, no, no! Me? Slow down? Why? This is the master tape of Okan Mi, which I am working on now.  I even have three other ones in the works. So, where is the sign of slowing down?”

    As he flaunted the master tape, he seemed to have rubbished the insinuations that he had stopped recording albums. But what could have fuelled such a ‘wicked’ rumour? Though he dismissed any lull in his career, he, however, maintained that any serious artiste who desires to be constantly in the limelight must have enough money to generate the desired publicity. “As a Juju artiste, if you wax a record, you must have enough money to project yourself very well.  It is a total package. If you do it very well, your album may see the light of day-that is, if you are lucky enough,” he explained.

    Certainly, there must be much more to this seeming headache that Juju artistes, in particular, are suffering today. Interestingly, he didn’t only identify the problem, but he also heaped it on the doorstep of the leadership of Performing Musicians Association of Nigeria (PMAN), which he described as a “cabal”.  According to him, “The cabal, that is PMAN, has done everything possible to make sure that no Juju album sells better than any Fuji album.” When prodded to throw more light on this rather unsavoury development, he said the leadership of PMAN had complained of being let down by Juju artistes in the past. “There was a time I came out with an album and they said: ‘Segun, if you want your album to sell, you must be part of us; otherwise, it won’t sell.’ When I asked them why my album won’t be sold, they said: ‘In the ’80s when we held the Juju artistes so highly, they let us down.’ So, I asked them if I was among the people in question and they said no. They mentioned some names, but I won’t disclose that in this interview.” However, when he was reminded that PMAN is not a group of marketers who could frustrate the effort of any artiste, Adewale, who claimed to have met with some of his colleagues over the matter, countered the argument. “As an artiste, you can’t be everywhere all the time. If you have an important engagement, you can’t sacrifice it to begin to pursue the marketing of your album. I have discussed with Dele Abiodun and he said the same thing.  But all we need to do is to come to a roundtable, invite PMAN and settle the matter amicably,” he explained.

    Rather than being discouraged, he is still keeping faith with his first love: music.  And with undisguised joy, he said: “If you want the best of Segun Adewale and even his yet-to-be released albums, contact Ibikun Orisun Iye.” But he added a caveat: that Ibikun Orisun is slightly hamstrung churning out the albums because of the bad economy.  According to him, “If you record an album now and you don’t have enough money to produce about 600,000 copies at once, then, you are in a mess because you will be giving room for pirates to feast on your product.  So, if the economy improves, those albums may see the light of day.”

    A few years ago, it was vantage Adewale who released an album titled Tribute to Ayinde Agbajelola, following the passing on of the legendary Fuji musician, Alhaji Sikiru Ayinde Barrister. The album, essentially, is a statement of his deep and abiding respect for the late Fuji artiste whom he aptly described as a genius. In Barrister, he found a kindred spirit of sorts. And even in death, Adewale still saluted Barrister’s genius. But could there be more to his relationship with Barrister? Yes, in what may be described as a fitting tribute, he said: “The late Ayinde was a genius, a legend in its own genre. I love anybody who can compose very well. I don’t regard people who compose trash and rush to the studio to produce trash. He is dead now, but we have some things in common. He loved anybody who could compose good lyrics, especially if you are blessed with a good voice to project it.”

    However, much as one was particularly enthralled by his superlative compliments on Barrister, he made a startling revelation when he claimed that the late Fuji star, on some occasions, had sought his approval to use his( Adewale) own original songs which many, out of ignorance, would attribute to Barrister who had somewhat popularised it. “One day, Ayinde came and said: ‘Segun, would you allow me to use this song: o ye ko jo o/ o ye ko yo/ eni araye  pa pa pa ti o ti e ku rara/ o ye ko yo…’ and I said yes. He also requested me to allow him use my other song, ka sa ma fori ti/ ka si tun ni’ iteloru, and I said yes.  He said he would use it one after the other; so, he used o ye ko jo/ o ye ko yo o/ eni araye pa pa pa ti o ti e ku rara/ o ye ko yo three years after I did. But unfortunately, he was unable to use the second one before he died,” he recalled.

    Indeed, anyone who knew Barrister’s versatility might want to pooh-pooh his claim. But almost immediately, he dropped a clincher when he said another ace Fuji artiste, Kollington Ayinla, also made a similar request. According to him, “At a point, Kollington Ayinla, after I had done my own song, said: ‘Segun, I like that your song, ‘Segun Adewale o/ Oni ohun didun baba Deola… Adewale/ play for me/I like your music/.’ So, he went to into the studio and recorded his own: Kolly, Kolly, play for me…”   Even as he made these disclosures, there was no mistaking his infectious humility.  He said, matter- of-fact, that no member of the public can claim to know with exactitude the well-kept secrets of musicians or even the depth of the camaraderie among them. “So, we are friends and we love one other. I don’t see anything bad in copying what I do that you see as good. It is a matter of likeable minds thinking alike,” he intoned.

    When asked if he had ever lifted a song from another artiste, he sat up in his seat with shocked disbelief. To him, a genuine composer must never involve in such undignified practice. “Which is older between Juju and Fuji? It is Juju. So, they are coming behind us. You can ask anybody in the music industry if Segun has copied anybody.  However, if you come and say, Babatunde did a song and I love the lyric; so, sing it for me.  I will tell you that if you can hum it, I can do it. But it will be only at an outside engagement and not in a studio album,” he explained.

    Today, he has, undoubtedly, made a name for himself in music. But for fate, he would have ended up in medical practice. Therefore, any time he chooses to pen his memoirs, it is not unlikely that he will devote a chapter or two to how he dumped Medicine, which he was studying at the University of Ife( now Obafemi Awolowo University), for music. Looking back now, he still doesn’t regret his preference for the microphone and stage over the stethoscope and scalpel.  According to him, “How many doctors do we have in Nigeria now? If you consider the population of Nigeria, I think I should thank God for singling me out to be so known. So, isn’t that great? Besides, my name has never been linked to any criminal act. At 65-year, I am not bent and I don’t suffer memory loss either. If I was a doctor, I might not be in the position I am today. You see, this is my office; I have property in five good places and this just a little out of what God has done for me.  I am a modest man to the core. I only have seven children.” At the mention of the number of his children, he seemed to be itching to open up more on his family life, as he also proudly dangled his wedding band. At that juncture, what came to the reporter’s mind was that he must be of a different breed in a world where artistes are generally known to have a harem of women and extremely large families. “I’ve nothing to hide”, he disclosed, pointing at his wife who was seated in the corner of the compound in company with a family member. “She is a year older than I am. Only a fool will lie. This is my wedding ring. But most people don’t ask this question and I don’t answer any question that is not asked,” he said. Although before he got married to his only wife in 1983, he had been involved in two relationships that produced some children. He said: “I was first in a relationship with a woman who Shina Peters introduced to me in 1975. After I parted ways with her, I also had a relationship with another woman. But in 1982, I resolved to settle down and eventually got married in 1983.”  For a man who operates in an industry that exposes him to a lot of temptation from the opposite sex, it will be interesting to know the secret of his successful marriage. Without mincing words, Adewale, like a marriage counsellor, said: “Any successful marriage rests on love, money, perseverance and endurance.”

    For this respected star, the romance with music actually started when he met musicians S.L. Atolagbe and later I.K. Dairo. He would later join another Juju great, Prince Adekunle. But two and a half years after, there was an anti-climatic twist to the relationship when he was sacked together with Sir Shina Peters, who later created Afro-juju music. He, therefore, resolved to launch his own band, Super Star, in 1976.Thereafter, Shina Peters approached him to form a group, which eventually gave birth to Shina Adewale and Superstars International in 1977. For two years and two months, they waxed a total of nine albums and their names were on the lips of all juju music lovers. Along the line, there were some heightened ‘dramas’ between him and his partner, which eventually led to break up of the group. But in retrospect, he said he had no regrets teaming up with him. “We both have cause to thank God. The short period did a lot in our lives. People may not have known us, if we didn’t team up together. It was a stepping stone for the world to see us. When we parted ways, it was Segun alone that people were listening to between 1980 and 1989. Then, Shina came out in 1989 and stormed the market overwhelmingly. So, didn’t the world know the other person too?  If the marketers of Shina Adewale and the Superstars International did very well and knew what they were doing, we would still be dominating the music industry now. If they were good to us and we did the videos of those songs, won’t it be a different story today? But I won’t say much,” he said philosophically.

  •  I don’t want to be PMAN president again, says Kevin Lucciano

     I don’t want to be PMAN president again, says Kevin Lucciano

    Contrary to the rumour making the rounds, Kevin Lucciano Gabriel, chairman of caretaker committee of Performing Musicians Association of Nigeria (PMAN), has declared that he is not interested in being president of the body come October next year when a new election will hold.

    Gabriel, made the statement recently at the flag-off of a peace initiative campaign tagged ‘Light up the unity flame for Nigeria campaign’ at the PMAN Headquarters in Ikeja, Lagos.

    According to him, “I’m only just being here till October 29, 2015. I have no plans to contest an election to be PMAN president. I don’t want to be PMAN president. I have other things to look forward to in life. I would appreciate that more younger generation artistes would come and dominate this union because this union belongs to them. Nigeria will not register another union for musicians. This is the only one that will continue to be so now. There should be an election come October 29, 2015. God’s willing, we are hoping that more of this younger generation artistes will also come and be part of the event.”

    He further disclosed that the biggest pirates in the industry today are the digital download company. “Who regulates them? He asked. “At least, there is a regulatory body for the Nigerian Communication Commission. But who regulates the music industry? It is really sad. Without a union, you have no industry.”

    He further stated that the future of Nigeria music industry belongs to the musicians themselves and entrepreneurs in the music industry. He, therefore, urged them to take their own future in their hands by making decisions on how the industry should be.

  • Celebrities to host Bolaji Rosiji at 49

    Celebrities to host Bolaji Rosiji at 49

    Ahead of the 49th birthday celebrations of the Founder of Gaurapad Charities and ex-PMAN president, Bolaji Rosiji, on Friday, August 8, celebrities in the nation’s entertainment industry will converge on the Gaurapad Charities Complex in Maryland, Ikeja, Lagos to celebrate him on Thursday, August 7.

    An excited Rosiji said: “I am grateful to God for giving me the opportunity and the grace to carry out this service of Gaurapad Charities. I am really not deserving of this. I’m extremely humbled by the effort of artistes in putting this together. I’m also excited about re-uniting with these great icons and legends of the music industry after such a long time. I am looking forward to a great day, hoping it doesn’t rain.”

    Rosij, also the Secretary- General of the Nigeria Network of NGOs (NNNGO), started Gaurapad Charities in 2004, which now has in its fold notable musicians like Stella Monye, TMac, Daddy Fresh, Bright Chimezie and Charlyboy as social workers.

    At various times, the group has extended its hand of magnanimity to some communities, journalists, musicians, school children in Lagos metropolis, the Police, widows and schools of deaf and dumb, among others.

  • PMAN: Caretaker  committee gets trade  union approval

    PMAN: Caretaker committee gets trade union approval

    THE Performing Musicians Association of Nigeria (PMAN) recorded a major breakthrough recently when its caretaker committee led by Kevin Lucciano Gabriel got the endorsement of the Registrar of Trade Unions with a mandate to take over the affairs of the union and reunite it, thereby putting to rest the controversy that had been rocking the body for many years.

    In a statement, Gabriel said: “The PMAN Caretaker Committee, in concert with the Registrar of Trade unions in Nigeria and the Federal Ministry of Labour and Productivity, wishes to bring to the public notice that the prolonged leadership battle that engulfed the activities of the Performing Musicians Association of Nigeria (PMAN), has been laid to rest.”

    The statement also urged all state chapters of PMAN, all Nigerian musicians and members of the public to key into the full activities of the PMAN Peace Initiative Committee under the supervision of the Registrar, Mrs. N. Mbogu.

    Meanwhile, a letter dated July 7, and signed by N. Mbogu, Registrar of Trade Unions, Federal Ministry of Labour & Productivity reiterated the endorsement given to the Peace Initiative Committee, which has metamorphosed into the PMAN Caretaker Committee by the office of the Registrar of Trade Unions, Federal Ministry of Labour and Productivity at a meeting held on 29 October, 2013 with PMAN stakeholders.

  • Kevin Lucciano  laments insecurity  in Nigeria

    Kevin Lucciano laments insecurity in Nigeria

    THE President of the Performing Musicians Association of Nigeria (PMAN), Kelvin Lucciano, has called on the Federal Government to step up its act, particularly as it concerns providing adequate security for Nigerians. Luciano made this call in Ghana, following reports that the Boko Haram sect had threatened to sell the students abducted at Chibok, Borno State.

    “It is my belief that if the entire nation wills it, Boko Haram can be a thing of the past in Nigeria. It is not the fight of President Jonathan Goodlock alone; it is the fight of all Nigerians”, he said.

    He urged Nigerians not to fold their arms and watch the country brought down to its knees or suffer the dire consequence.

    The PMAN President also sent condolence messages to the bereaved families of the Oputas, Amatas and the Otedolas who lost their patriachs within the week. On the death of former governor of Lagos State, Sir Michael Otedola, he said the father of his friend, Femi, was a hard working man who used all he had to serve the people, especially when he held sway as governor in Lagos.

    “It is a sad loss. I commiserate with the Otedolas, just as I condole with the Amatas and Oputas over the deaths of Igwe and retired Justice Oputa. This has been a long, sad weekend for Nigeria as we have lost three citizens who had in diverse ways positively affected our nation. I send my sincere condolences to their families,” he added.

     

  • Kevin Lucciano unveils plans for PMAN

    Kevin Lucciano unveils plans for PMAN

    KEVIN Lucciano Gabriel, who emerged the interim president of the Performing Musician Association of Nigerian (PMAN) on April 27, 2013, has declared his intention to fulfil his electoral promises.

    At a recent meeting with some stakeholders on March 18, he said, “Since this Peace Initiative Caretaker Committee of PMAN came in to re-engineer PMAN vis-à-vis the music industry for growth, this administration has been consulting with various sectors and stakeholders of the music industry and is now able to deploy the information, advice and suggestion at its disposal to tackle the myriads of problems facing the Nigerian music industry.

    “Starting from PMAN itself, this administration has a mandate to run the organisation, reposition it and organise an election within 18 months. By the special grace of God and the support of the majority of stakeholders in PMAN and the music industry, many state chapters of PMAN are now functioning and running effectively under this Peace Initiative Caretaker Committee.

    “We call on the few dissenting voices to join hands with us and build a strong and virile union, which everyone would be proud of. From our consultations with stakeholders and information gathered from the media, we can confirm that the issue of copyright, particularly the licensing of collecting societies or collective management organisation, is a major issue that has been confronting majority of our music makers. While the Nigerian Copyright Commission (NCC), the regulatory agency empowered by law to license or approve collecting society has approved and is forcing only one society for the myriads of rights granted to music makers in Nigeria, the National Assembly, which is the maker of the law and the representatives of the entire people of Nigeria, has come out clearly with its intention that the law, as it is, does not provide for monopoly in the business of collecting society and thereby directed the NCC to approve other societies forthwith. We expect the NCC to carry out this directive immediately. But what we are hearing from the NCC is that they cannot approve other societies, particularly the Musical Copyright Society of Nigeria (MCSN), which has been servicing many of our musicians since 1984, for the mere reason that Society is challenging its non-approval in court.

    “PMAN strongly believes that once this issue of copyright is resolved with justice and equity, our music industry, and indeed the entire entertainment industry will start to grow on the right and sustainable path.”

  • Femi Lasode returns

    Femi Lasode returns

    THE Chief Executive Officer, Even Ezra Studios, Mr. Obafemi Lasode, who also served as one time President of the Performing Musicians Association of Nigeria (PMAN), is back in Lagos after concluding his PhD at the University of Abuja.

    Lasode is not just returning, he is returning big as he plans to establish a film village in Lekki. Already, we gathered that the venue is already being weeded in preparation for the construction.

    Lasode, who produced the music programme, Afrika n Vogue, has been off the entertainment circuit in recent times. Sango the Legendary Afrikan King, a movie that he also produced years ago, was screened during the Film Society of Lincoln Centre, New York, USA as part of the Fourth New York-African Film Festival. It was also screened at the Brooklyn Museum of Arts, and the Chicago Museum of Arts. It was also screened in 1999 during the 7th Pan African Film Festival in Los Angeles, California.

  • Lagos Speaker, KSA for PMAN’s  carnival

    Lagos Speaker, KSA for PMAN’s carnival

    Yesterday, another landmark event was recorded in the annals of the entertainment industry in Nigeria, as the much-hyped music exhibition and carnival organised by the Performing Musicians and Employers Association of Nigeria (PMAN), Lagos State branch, kicked off at the open ground of the Lagos State Council for Art and Culture, Ikeja, Lagos.

    Lagos State House of Assembly Speaker, Rt. Hon. Adeyemi Ikuforiji, is billed to speak on “The necessity for entertainment-enabling laws in Lagos State” on Wednesday, December 18, while ace Juju musician, King Sunny Ade, will speak on “Music, the big machine that will rank into any platform”. Also, former governor of Lagos PMAN, Dr. Adewale Ayuba, will deliver a lecture titled “Curbing the menace of piracy”.

    While speaking on this event, the incumbent governor of Lagos PMAN, Kabiyesi Ayinde Olomide, said the music exhibition and carnival is in conjunction with the Lagos State Council for Arts and Culture.

    According to him, “The idea is a new innovation aimed at telling the history of the now buoyant music industry.  Some people don’t know the history of music. They don’t know where the industry is coming from. All these old format of music presentations will be on parade at the exhibition centre.”

     

    The new generation believes only in CDs. Through the exhibition, we will be able to show what the industry has gone through, in terms of changes and positive innovations. They will see gramophones, turntables and cartridges, among other musical gadgets. Music Label owners, Music Promoters Association of Nigeria (MUPAN); Music Advertisement Association of Nigeria (MAN) and the Alaba CD sellers, among other stakeholders, will have their stands and will provide some of the exhibition materials. Companies will also be on ground to showcase other products. There will be a permanent stage for different artistes to perform throughout the period of the exhibition.”

    The Mainland based-Fuji artiste further said, “This is one of the ways we hope to make PMAN attractive to every artiste again. We want PMAN to regain its lost glory. It will be free for participants and exhibitors will have to see the organizers for allocation of spaces.”

    A member of the organizing committee and deputy governor, Lagos State PMAN, Alhaji Fatai Tijani, said the programmed is being supported by agencies such as LASSRA, LASRAB, Inland Revenue and Eagle Paints,

    Also, Comrade Ewetade Monsur, secretary, Lagos PMAN, said, “It is a bi-annual event and, at least, one thousand participants are expected at the maiden edition.”