Tag: poet

  • Poet holds session for well-being at Epe

    The ancient town of Epe came alive last weekend as author and on-air personality, Chinyere Ezeigwe, held a breakfast session on holistic well-being.  Tagged: Breakfast with Sherizz-King, the programme called on Nigerians to pay attention to mental and spiritual well-being as they manage their physical health. She observed that lack of proper mental and spiritual health management cause high rate of suicide in the country.

    “The cliché, ‘man makes man to be wicked’ comes from the interpretation accorded the pain. Many of us have encountered hurting people, who hurt us just because of their interpretations of their hurt. We find them in schools, work places, religious place, neighbourhood, markets, and streets. Some of us are even married to them. And many a time, we wonder from what side of the brain they reason, enough to be hurting people the way they do.

    “A happy person would make you happy while a hurting person will hurt you. Emotionally, unmanaged hurt and stress lead to depression, unhappiness, mars our beauty and weakens the immune system. Spiritually, they cause limitation, stagnation. The way forward is to pay attention to your mind: don’t allow unwanted thoughts to stay there, talk to friends, family and seek help from professional care and liberate the child in you for fuller live and peace of mind,” she said.

    According to her, the maiden edition of the breakfast programme focused on self-care, adding that it will help citizens find solutions to challenges within themselves while leaders would remember their mandates to the people. “The level of crime rate would drastically reduce as consciences would be alive and people would be their “brothers’ keepers” instead of being divided by ethnic and religious borders,” she said.

    The event had in attendance, Poets in Nigeria (PIN)president, Eriata Oribhabor; Pastor and Mrs Victor Abuede of the Living Faith International, Epe Branch; Dr and Mrs Nnanna Nwaorisa of National Drug Law Enforcement Agency (NDLEA); CEO Jean Art Interiors, Jean Zannou; Mr and Mrs Oluwatosin Jolaoye and Najite Atirene (Moderator).

    While noting that self-care “has immense benefit for those practising it”,  Chinyere, who is also the founder of Poetourism, said: “Self-care has the capacity to solve all of the social issues we encounter in our society. It is every activity geared toward the well-being of the person living inside us – our spirit self in relation to how we manifest physically. It is practised through mindfulness by being attentive to our senses through our feelings and emotions, but not a religion. It is a consciousness.

    “The rapist will realise that there is nothing cool about preying on another human. The slothful will realise that he does no good to anyone by folding his hands. The selfish leader will realise that looting public funds or taking advantage of his followers does not make him any happier. Self-care is important to keep us conscious and true to our personality.”

  • When poet preaches peaceful election

    Evelyn Osagie Live on The Mat Carpet was held penultimate Friday at the Apata Canal in Somolu, Lagos State. The event, a poetry performance with the theme: ‘Vote With Ink Not Blood’, was her way of preaching peaceful elections, OLATUNDE ODEBIYI writes.

    It was a day packed full of activities. Oladeinde Street at Apata Canal, in Somolu area of Lagos State, became a gallery and a tourist attraction of a sort as artworks, mainly photographs, doted the street.

    There were decorations with mat with inscriptions such as “Beauty of Africa” and photographs, which depicted togetherness, love, unity and encouragement that all Nigerians should vote, but ensure peace in the elections.

    There were also live poetry, musicals and dramatic performances, chanting and dancing. It was a fiesta to behold. Welcome to the Open-Air Poetry Performances and Together Series Outdoor Art Installation by a poet, Evelyn Osagie.

    It was the second edition of her “Words Meet Images” programme with the theme: “Vote With Ink Not Blood”. It was attended by over 200 people, especially from the community. The residents said it was the first time they were experiencing such. “It was like walking into a different street, I feel like I am in one of those places on the Island with those kind of decorations. We are happy that this kind of event, which encourages us to fight against violence was brought to us. We and our children will not forget this in a hurry,” said Mrs Alao, who also called herself Iya Rosin.

    The event also featured the breaking of kolanuts, drama by Somolu market women, who were part of Osagie’s “human installation” to preach against domestic violence, and a session of prayers for Nigeria in Yoruba, Igbo and Hausa languages.

    “Words Meet Images  (WMI) is a melting point that not only brings together different art forms, but also people from various places and social strata – this time its focus is using  poetry and visual art (photography) to preach peace and unity. The maiden edition was held on February 24, 2018, at Iju Road Agege, a place where people from different ethnic groups have co-existed peacefully for decades,” Osagie said.

    Osagie, aka Evelyn D’POET, took guests round her works of art on the street, saying the images pass across various messages to Nigerians. She noted that “when we stand together we can move the nation forward”.

    Her words:  “Among the messages on these art works is to show the need for the next election to be with ink and not blood, and to tell politicians that Nigerians do not want bloodshed during the elections. I am also using these art works to urge Nigerians and our leaders that there must be peace in the country, we must all get our PVC, everyone, including women, must come out to vote and our vote must count.”

    She also used the art works to explain the value of women in the society, while she urged parent to take the talent in their children with seriousness.

    Osagie, an award winning Journalist and Senior Correspondent with The Nation, held the crowd in awe with her poems titled: “The Sun Rise”, “Women Arise” and “Somolu Symphony”.

    They were poems, songs and musical. They centred on peace, hope, unity, campaign against domestic violence and a celebration of Africa, Nigeria and Somolu.

    She said: “My poetic performances and outdoor installation are to remind us of the need for peace (during and after the elections), encouraging us to pursue peaceful means of making our cases known as we move deeper into another election year. If we forget the reason why we must fight for the peace and unity in our land, let art, nature, our children and animals remind us,” she said.

    The event also featured live musical acts by budding talents, such as Olamilekan Johnson, (Lammy John), Tunde Ara and Voice Empire, a group discovered by the organiser at WMI Agege edition. An Igbo flutist, poet and dance producer, Mazi Osuji, also thrilled guests, presenting his poem in Igbo .

  • Poet calls for attitudinal change

    Poet calls for attitudinal change

    The atmosphere was full of  excitement. Guests from the academia, banking industry, media and  marketing came  from far  and near  to witness the presentation  of two poetry  books, Echoes  of Conscience and The Quest  at  the Institute  of Advanced Legal Studies (NIALS), Faculty  of Law, University  of Lagos, penultimate Saturday.

    The books were written by Mr. Ken Amaechi Jnr, a banker and lawyer.

    Prof Oludayo Amokaye, who chaired the occasion, said that the purpose of the  gathering  was  ‘’to commemorate  and celebrate the art that promotes the liberation of the human spirit, inspire  profound  agitations  and question  on why our political and social space is riddled with perfidy, corruption  and leadership  insensitivity.

    This, according to him, cuts across politics religion and commerce as illustrated in Echoes of Conscience.

    Prof Amokaye, however, said it was not just about our failings  as a nation,   “our numerous agitations  as  a people  or the dark side  of economic and social cum political life”, but  that it is gladdening to hear  that poetry could be recreated  and reinvented  to project  advocacy  for good  governance  and good character , an exclusive preserve  for lawyers and politicians. He praised the author’s drive and spirit in this regard.

    He reminded  the guests  that poetry, short stories  and novels provide a voice , deeper understanding, context  and allow us to live the experience through fictional characters and the author’s imagination and  projections, adding that ‘’great civilisation is grounded on  great literature. The culture of recreating events through recollection of past events, to teach lessons to younger generations and build a national memory’’.

    Amokaye suggested that as a people, we should find and build our voice because many of the imbalances or inequalities in our society are because ‘’we are a people who are yet to define its purpose and acceptable norms in concrete and truthful terms’’. Again, he saw the launch as how literary arts can bridge the gaps between generations with a view to fostering respect and continuity between the older writers and new ones.

    He called for the support for writers as writing is not a lucrative business, just as  he advised writers to come together as a pressure group and make demands on the government.

    The book presentation also witnessed a musical interlude and rendition of poems such as ‘’Home for All’’ by Paul Njoku and’’ Tell them ‘’ by Aderounmu  Bolutife. Book reviewer, Agboola Goodnews, represented by Mr Isaac Abraham described politics as the determinant of success or failure of any society and its people. By the same token, the quality of leadership in any society determines to what extent the people would enjoy the fruits of democracy. But regreta bly, however, Africa  has not been too lucky to have good leaders, that  is those  who have the full grasp  of what leadership is. He said: ’’In most countries, especially African countries, the concept of leadership has been bastardised consistently and completely abused by men of no conscience. The so-called leaders take the advantage of power to fulfill their corrupt interest and thereby make life difficult for the governed… ‘’

    Consequently ,there is a  general  lack  in the society –lack of security, lack of social amenities  and educational facilities ,lack of health facilities  and concluded by asking ‘’What else does one expect in a system where looters are leaders ?He said Nigeria is a perfect example of these scenarios.

    According to the reviewer, as poetry provides  therapy  through  the  power  of words  and allowing the masses to tell their story of pains and suffering, Ken Amaechi  Jnr ‘s Echoes of Conscience has come to establish that poetry is an unrelenting voice to silence the howling situations of discomforts from political forces in Nigeria

    The reviewer picked some portions of the books and opened them up for better understanding of the public. He began with ‘’Reign of Vampires’’ (Pg12).’’They are virulent vampires. Facade of decent being. To devour and destroy’’ Here, the poet addresses the political oppression of those in power as in the days of late Gen Sanni Abacha.

    Again, the poem,’’ Our Leaders (Pg30) portrays the constant abuse power by ‘’Masquerades (Pg 14) and Assembly of thieves (Pg 35); hypocrites in the irony of a ‘’Messiah ‘’(Pg18).The consequences can be felt by ‘’Burning Nation ‘’(Pg21) exposing the self centeredness of the leaders giving rise to societal conflicts. Here the era of hunger and poverty is highlighted as a stimulus for militancy and ethno religious rivalry. In poems such as ‘’Born Trowey”  ‘’(Pg71)’’, If they know’’, the poet looks at poverty as being dominant in African politics. The Almajiris system in the northern Nigeria is a metaphor for a failed society where the masses wallow in abject poverty and because of this; they become portent for societal conflicts and crimes.

    Concluding he said ‘’Kenn Amaechi  Jnr’s ‘’Echoes  of Conscience ‘’ is  a voice  of revival to humanity echoing  a redefinition for political stability and social transformation ‘’

    On the other hand, ’The Quest’ is a collection poems picked from the  points  of spirituality, life social realities  and trappings into the human consciousnss. The poems are largely drawn from the poet’s experiences seeking answer to life issues. The poems ‘ Life  1-11 (Pg16) and ‘The Quest’(Pg17) where  the title of the collection is drawn from put it to the readers that  life in itself is an end – death .The emphasis on death here is a subtle caution for man to stir in the right  direction in his quest for answers.

    In short, The Quest is a journey to experiences and lessons –his feelings, despairs and hopes.

    After the review, poetry   guru Olumide Holowe discussed how value can be added to poetry, the media training and technology involved. He spoke about how poetry can educate, entertain, empower, employ and express the mind of people. He said poetry has a unique ability  to advocate for a better condition in the society. ’’In  this case , one can pursue one’s passion and develop poetry  into a profitable venture’’ he said .The president  o f  Poets in Nigeria,  Mr Erietta , praised  Mr Amaechi  Jnr  for using poetry for advocacy. He admonished him: ’’Your oil of poetry shall never cease’ Fellow bankers poured  encomiums on the author  with some expressing wonder   at how he could  get time amidst busy banking schedule  to write poems .Expressing his bewilderment  and joy ,.Mr Jude Monye , a Regional  Head of Fidelity Bank  said: ’’I am   thrilled by what  I see today’’. Other branch managers such as Jide  Fashola  and Abiola Tanimola expressed  their delight and later donated handsomely to the project. Amaechi  Jnr  was grateful  for their  magnanimity  and honoured them  with a poem for Fidelity Bank. They were  later  offered gifts.

    Members of the University of Lagos literary clubs such as The Parliament  of Poets, The Weavers  Club and  The  House of Letters were  not left out. They performed at different stages rendering soul-lifting poems to make it an event to remember.

    In an interview  with the author, he narrated a near – incredible  transformational story  of how he started out  as a science student saying :’’ I just discovered that I was  more at home with the arts…In  those days  I  could  go  without food when  I was   engrossed in an interesting book ;at times I could  stay indoors  and read into  the  next day just to finish a book ‘’

    On what motivated  him to write he said: “My  motivations  come from  the needs to correct situations, customs, and activities that are at odds with norms and inappropriate , hence many see my collections especially Echoes of Conscience  as a social lamentation.’’

  • IMAMA AMAPAKABO – Rangers’ coach is a poet and internet enthusiast

    IMAMA AMAPAKABO – Rangers’ coach is a poet and internet enthusiast

    “ I love to read books and I’m talking about anything that catches my fancy. I consume anything inasmuch as I know it would give me an edge… i read a lot about psychology, philosophy and I also consume a lot of football books,” hinted Amapakabo  in what he confessed was his most frankest interview ever where he spoke on other sundry issues with MORAKINYO ABODUNRIN. Excerpts…

    He looks like an unconventional guy. Some even said his image mirrors that of a hard-as-nail guy with an unfriendly demeanour and he talks with an uncommon frankness. But make no mistake about him,  Imama Amapakabo, former Nigerian youth international and current coach of Rangers International of Enugu is indeed  a man of many parts. He is at home with elevated words with an unpublished collections of poems; he surfs the Internet with an unusual intensity ‘in a bid to search for new knowledge’ and his daily routine are not completed without some introspection about the thoughts of what should have been or not, Yet Amapakabo remains essentially a soccer-mad man and he loves the beautiful game with gusto.

    ” Frankly, coaching and indeed a career in football  was the last thing on my mind following all that happened after we came back from  China when we won the inaugural edition of the FIFA Under-16 World Cup but I think being a coach is a calling,” noted Amapakabo during  almost half-an-hour conversation with The Nation Sport & Style in Abuja penultimate Thursday.

    He continued: “Football seemed to be coming back to me and I want to be thankful to the game because it has given me all that I needed in life; it has positioned me to help a lot of people; it has also put food on my table.

    “ If the pastors can say theirs is a calling, I feeling playing football and taken a career in coaching is a calling for me; it has been a privilege playing and coaching.”

    The discourse this lovely evening  following the reception of the Golden Eaglets’ class of 1985 alongside other sportsmen and women who has done the country proud  under  President Muhammadu Buhari (GCFR), is not only about football. It is about life. Who is actually the straight-talking  guy with a tongue-twisting surname- Amapakabo? What are the things  that Amapakabo  like aside the beautiful game of football? What are his foibles and what are those things that catch his fancy?

    “So many  things interest me,”  chuckled Amapakabo , former goalkeeper who spent a decade with his home club, Sharks Football Club of Port Harcourt  before venturing out to Enyimba  International FC and Rangers International of Enugu. “ I listen to music and any kind of music for that matter.”

    Yet what is intriguing about Amapakabo as he also confessed , was his love for the elevated words. He looked unserious so much so you would be forgiven to  think  he’s a militant.

    “ I put a lot of my feelings into writing and that is one dark part of me that most people don’t know except probably my teammates,” he said  clutching his phones.” “I’m  into poetry and I have many unpublished poems.

    “ It is the best way to express my joy and anger but I choose not to publish them; I love the beauty of words and you see some people engrave words on walls and even on trees …i choose to write poems because it conveys my thoughts and feelings.

    “After life, the most important thing God gives to human beings are words… i love words in its entire entirety. I also like meeting people. I like making people happy.

    Reunion courtesy President Buhari

    First of all, let me start by saying that it is very nice that after almost 31 years after we won the World Cup in China, I could still have the opportunity to meet 14 of my teammates and coaches. I think this is wonderful because this has been something we have been trying to do all these years which had not been possible until now. So kudos to the Federal Government of Nigeria; kudos to President Muhammadu Buhari who has made this possible …Some of us have not been able to meet for the past 20 years and I think this is remarkable. Of course, you know people change a lot and not only after 30 years. People changed a lot; physically and mentally and so we were a bit careful on the first contact because you don’t know if you can do those things you did together as school boys again. But once we settled down, we were back into our elements and began to crack those silly jokes we were used to; so it was a wonderful feelings being together again after such a long break. I can boastfully say that our set of Golden Eaglets was a special because we didn’t lose a match throughout our campaign both in the qualifiers and the tournament in China. We drew but we never lost a match and just this morning one of my teammates, Segun said we were a blessed a generation for so many reasons I guess. Imagine being called together again after almost 31 years to be honoured by the same man who received us when we won the trophy in 1985: and I think this is absolutely miraculous. Most of us have moved on to do some other things outside football and it’s wonderful that we were been celebrated again by the country.  Going to China to Conquer

    I remembered that going to China, nobody actually believed in us and it was when we got to China on the morning of our first match that our coach Sebastian Broderick read us the rules of the competition to us. But we ended winning the trophy as well as the Fair Play Trophy though we had one of the best records in terms of disciplinary conduct. By and large, our victory in China gave Nigerians belief that we can do anything if we set our minds to doing it. I stand to be corrected but I think we were the first Black nation to have achieved such a rare feat by winning a World Cup in a FIFA-organised championship. We went to China as participants buy came back as champions and I think that was huge. When we came back, the Federal Government tagged us ‘ Government Properties’ and a lot of us couldn’t travel out to further our careers as professional footballers. Those who travelled had to go through other means because you will be arrested if you get to the airport. So for 31 years, we have been government properties and we actually joked about of all of these. I later played for some clubs and retired to coaching; and it has been worthwhile.

    Roving with Rangers International of Enugu

    I agree with you that Rangers have not won anything for a while but we have turned the corner because we got close to winning something last season; now we know it is possible if we work a little bit harder. Don’t forget that was a team I inherited and at present, I’m building my own team towards the new season   with my ideologies and philosophy. So it’s how it goes but we would be strong contenders for honours in this coming season. Nineteen coaches and I would be fighting for one trophy in the Glo/ Premier League and as you know, there have been some changes recently at Rangers. There is a new management in place and there is new thinking in government too, we have been assured of maximum governmental support. We are going to have proper backing right from the management down to the last man in the team; we used to have this crack within the structure between the management and the board in the past and I think all that has been sorted out.  We are one united bunch now which is going to be a plus to the team. The Governor () has promised to support the team  to his level best  and I can say that we are rebuilding; so we are going to see a stronger and better Rangers in the coming season.

    My coaching philosophy

    I like the high-pressing; fast-tempo game. I don’t belong to the Jose Mourinho’s coaching school. Mourinho’s kind of game is more tactical and defensive. I love the Spanish kind of football which is high tempo but you can even say the German school of football. They took the fast tempo blueprint from Spain and reinvented it by adding more speed and steel into it. That is the kind of game I would like my team to play and I normally tell my players that I’m the sort of coach that is very greedy when it comes to having possession of the ball.  I like to see my team keep possession of the ball as long as we can and also win the ball back immediately we lose it. Of course, African players are naturally slow when compared with the Europeans but players can always cope with that kind of philosophy if they are ready to be taught and learned. But having study the league for some time, I can confidently say that our players can cope and I would be pushing my players towards such direction and it would help us if they can adapt themselves well. Another area Nigerian players need to acquint themselves well has to do with tactical know how and discipline ; Maybe they have  been deficient  in this aspect with the calibre of players they had worked with in the past  but we are going to do things  differently  by letting players  understand  the tactical approach and dimension we are  bringing on board.

    My background

    I come from a very large family from Rivers State; with 11 boys and 11 girls. I grew up like every young Nigerian child and there was deep love within the family. I was privilege to play football and I went to school. Along the line, I got lucky but I’m of the view that hard work pays. I like to throw myself into things and I’m a very detailed person; and I take seriously some of the things people don’t pay attention to. When people watch a football match for instance, they only want to see where you have the ball but l watch more than that.  I take everything seriously including life; life is a serious business. I’m talking to you now but later I’m going to ponder on what we discussed; whether I made a good impression and whether I spoke the right thing. Everything in life should be serious but my demeanour according to some people is that ‘I’m not a serious person.’  I’m like a magician, he is showing one hand but the chick is really on the other hand.  What makes me happy?  Life undoubtedly, makes me happy.  Nothing specifics but the totality of life especially when I wake up, I could talk, walk, see, and hear and I think that is the beauty of life. I just don’t exist but I live life. I read a lot. I’m always on the internet and you know what? Some people call me ‘internet coach’ but I seek knowledge every day. I want to do what the next person is not doing… I want to be the best in all I’m doing.  I’ve repeatedly asked myself why a lot of African coaches are not working in Europe and it seems my rope is gradually being drawn to an end and I may not be able to achieve such feat. In whatever I’m doing, I want to leave a legacy and I want to impart knowledge to a lot of people. Like everything i do, I don’t plan to wear a specific clothes but I love to be comfortable with whatever I’m putting on.  Of course, my mood also reflects the kind of clothes I wear.  I could be casual but smart even if I’m going for something serious…

    Final thoughts…

    But I wonder what story you are going to make out of all what we have discussed.  I respect the media lot because in my line of job, people get to see us and know us better through the eyes of the media. I’m being very frank with you and I think this is the first time I’m being frank with a reporter. Inasmuch as I tried to keep myself away from the privy eyes of the media, I think it’s also good that people get to know me much better and I have enjoyed the time we have spent together here. I can’t be known and appreciated better if I don’t get to talk to people like you. Sometimes, I speak from the heart and I would feel bad if talking from the heart is not interpreted properly. I value words and like I said, I would go back and reflect on all that I’ve said during this conversation with you.  Yet I also like to read a lot of negative things about me and I don’t feel bad when people write negative things about me; reading such things can only make me better. Think a whole lot has been written about me…maybe I’m a bad coach but I think I’m a better coach. There is a wide gulf between a good coach and a better coach…as I said earlier, I pay attention to details and that is an attribute of a better coach. I believe that any serious-minded coach should not be at rest, so I think a lot about the game; about tactics; about the players and about everything related to the game. Coaching is a 24 hours; seven days a week job unless you want to take a sabbatical. There is a difference between being married and dating a girl. If you date a girl and she’s sick, you can tell her to go home but you can’t do the same to a girl you are married to. That is why when I got into coaching, I said ‘I owe every person that had coach me an apology.’

    As a goalkeeper, my job was only to organise my defense but as I grow bigger, I became captain of my team and had to lead my teammates out. But ad a coach, I have to be involved with everything and sometimes I have to delve into the privacy issues of my players in order to get the best out of them. As a player, I thought coaching was not challenging but coaching is indeed, a way of life.

  • Poet of merit

    •Professor Osundare should glow as this year’s NNOM recipient

    It is poetic that Niyi Osundare, who incontestably ranks among the country’s most distinguished poets and literary luminaries, will today receive the 2014 Nigerian National Order of Merit (NNOM), a prestigious award that not only further cements his standing in the sphere of scholars but also burnishes even more his unambiguous humanism. Indeed, it is a testimony to the grand significance of the recognition that President Goodluck Jonathan is expected to perform the decoration at the Council Chambers, Presidential Villa, Abuja.

    By this garland, it may not be exaggerated to anticipate that Osundare’s intellectual and artistic career could well be on the path to greater glory, especially internationally. It is instructive to note the citation by the chairman, governing board of the award, Etim Essien. He said: “Prof. Niyi Osundare, who through outstanding scholarship, researches and service to humanity in the field of humanities, has successfully carved his name in gold in the hearts of people of this nation and many nations of the world.” He also captured the awardee’s distinctive creative qualities and the fruit of his talent. Essien said: “Osundare, a poet, dramatist and an essayist, has been Nigeria’s noted nature poet of English language expression, and an accessible serious poet who sets out to engage the reader, and has made most significant contribution to the Nigerian poetic English diction.”

    The choice of Osundare for the NNOM prize this year is particularly remarkable because he is the sole awardee, in marked contrast to last year, for instance, when there were three laureates. It is worth mentioning that Osundare becomes the 58th recipient of the National Order of Merit since it was introduced in 1979.  It is noteworthy that Essien said: “The establishment of the Nigerian National Merit Award scheme, as Nigeria’s highest and most prestigious prize for outstanding intellectual and academic attainment, has encouraged a highly significant number of best Nigerian minds to seek accolades at home.”

    In the context of Osundare’s unapologetic patriotism, it is a fitting tribute that he is being celebrated so impressively locally. For an illustration of his striking love of country, it may be recalled that at a time when it was not only fashionable but also advantageous for many academics in the country’s tertiary education system to seek greener pastures abroad, specifically in the more advanced western countries, provoked by unfavourably harsh socio-economic conditions at home, Osundare was among the few who chose to stay back despite their high marketability. He rose to the position of Professor of English at the University of Ibadan in 1989; and it is a reflection of his touching humanity that his deaf daughter is the real reason he reportedly eventually settled in America as she could not attend school in Nigeria, and when the family found a school for her in the US her parents had to move to be closer to her.

    By the time he accepted a teaching and research position at the University of New Orleans in 1997, he was a well-established, internationally respected poet and winner of two well-regarded literary prizes among others, specifically, a  1986 Commonwealth Poetry Prize for The Eye of the Earth and a 1990 Noma Award for Waiting Laughters. His poetic voice has been consistently accessible, and constantly conscious of social and political circumstances, especially in his fatherland. It is relevant to note that he received the Fonlon/Nichols award for “excellence in literary creativity combined with significant contributions to Human Rights in Africa” One enlightening instance of his creative intervention in politics was his reaction to this year’s controversial Ekiti governorship election. Osundare penned a penetrating poem that went viral, with the title The People Voted their Stomach – Blues for an Arrested Renaissance.      

    Perhaps not surprisingly, for a writer who proudly defines himself as “farmer-born and peasant-bred”, 67-year-old Osundare has a reputation for disarming modesty and a laudable devotion to mentoring the teachable. Also a dramatist, literary critic, essayist and media columnist, it is to Osundare’s credit that the National Order of Merit is apparently uncorrupted by political meddlesomeness and abuse of power unlike, for instance, the country’s National Honours.

  • ‘Our first  encounter with Things Fall Apart’

    ‘Our first encounter with Things Fall Apart’

    Prominent writers and critics recount their first encounter with the late Prof. Chinua Achebe’s first novel, Things Fall Apart, to Evelyn Osagie

     

    It means different things to various people. To some, it is the ultimate African novel. To others, it is a pioneer novel that should be judged based on the time it was published.

    The late Prof. Chinua Achebe’s Things Fall Apart has proved to be a novel, which has surpassed the writer and the publisher’s dream for it.

    Writing it was an experiment; publishing it was also an experiment, but it is one experiment that the world will never forget.

    Prominent Nigerian authors and critics share their first encounter with the book that has been translated into over 50 languages, including Igbo and Yoruba (Igbesi Aye Okonkwo):

    Gabriel Okara, author

    I can’t remember exactly when I first read Things Fall Apart. I think it was in the 60s. And I’ll tell you this, I was really impressed because of how he brought out the frustration and problem that Africans were faced with at the time with the Europeans, particularly the missionaries. I found it interesting because here is a book written in a way I would have liked to write. I was happy that someone had done what I was trying to do in writing our African experience using the English man’s language to explain the African experience. And I appreciated the skills with which he did it.

    Prof. Niyi Osundare, poet

     1965 was when I first read Things Fall Apart. I was in secondary school then. Things Fall Apart came at the right time. It was at a time the WAEC syllabus was being Africanised. We were lucky our set had Things Fall Apart in our WAEC syllabus as the text for prose. We had had texts from African poets like Prof. Wole Soyinka, Gabriel Okara, J.P. Clark, Lenrie Peters (Gambia), Kofi Awoonor (Ghana) and so on. Before Things Fall Apart were terrible books, which were written by Europeans, who portrayed Africans as fools, buffoons, sorcerers, witches, violent and blood-thirsty people. And we as Africans were made to read these books as written by these racists. So Things Fall Apart came as a refreshing alternative. It was the first time we read a novel written by an African that portrays our lives.

    We all loved it. Soon after, we took nicknames from characters in the books. For instance, one of our class mates was called Okonkwo because he was the man of anger. Above all that, those of us from the west found that there were a lot of correspondences between Igbo culture and that of Yoruba, such as proverbs, the role of masquerades, etc. The novel was not just an Igbo novel but one that portrays the traditional African society, which every African can identify with.

    My favourite of his novels is Things Fall Apart. I have taught for over 35 years now. It represents Achebe’s literary essence because of its delicate simplicity.

    Hafsat Abdul, novelist

    I came across Things Fall Apart over 20 years ago. Since then I have read almost all of Achebe’s works. I admired him for writing about his culture and he was the first that wrote such a great book. It was well arranged and Achebe deserves the recognition.

     

    Elechi Amadi, author

    The first time I read Things Fall Apart was in 1958/59 after the excitement of Jagua Nana in 1954 by Cyprian Ekwensi and then the avalanche of the novel started.

    My impression of the book then was that I felt it was well-written. The language was “rock-solid’. He handled the English language competently. In my opinion, compared to his other novels, Things Fall Apart is his best. It was the first novel written by a Nigerian or an African to attain world recognition. And because of that, he became an inspiration to those who wrote after. He galvanised us into action to write books of quality as he had done. Achebe was an inspiration. Achebe was my prefect at Niger House at Government College, Umuahia. We knew each other personally. He was dutiful and dedicated. He always carried a novel at that time. He was always with Thomas Hardy’s novels while strolling around. I feel Achebe ought to have won a Nobel Prize.

    Ahmed Yerima, playwright

    The first time I read the novel was in 1973 when I was in Form Three. I found it captivating and descriptive and it made me feel I was in the village. One thing reading the novel did was to inspire me to desire to write. I marvelled at the lucid use of language. It made me see what I had never been before. At that time it was a boost that challenged contemporary writers. The book has put Nigeria in the literary limelight of the world. I have seen the book in many languages. I have seen Things Fall Apart in India. I remember I met a young man holding a translated copy in India. When I asked him if he had read it, he said the first time he read he borrowed the book from a friend of his and later proceeded to buy his own copy.

    Prof. Ernest Emenyonu,

    author and critic

    My first contact with Things Fall Apart was in the mid 60s. I was a student then. I read it in 1958 in Teacher Training school. My intellectual contact was in 1964/65. I had done a small book on Things Fall Apart meant for teachers and secondary school students who would teach and read it. And when I came to University of Nigeria, Nsukka, in 1965/66, I read it again.

    The first time I read the book, I read it because everybody was reading it. The second time was as a student. My first contact with the book was an exciting one; I enjoyed it. It reminded us of home. By the writing of the book, Achebe opened the door for contemporary African writers of the 21st century and, by his success, he had given them the boldness to write the story of their land, focusing on the traditional African culture, with the use of proverbs as part of its narrative texture. While exalting the strength of the African culture, he condemned the weakness inherent therein like the killing of twins.

    Prof. Akachi Ezeigbo, novelist

    Even though I had heard about it before the war, I read it as an undergraduate in the 70s. It was a big surprise because it was very different from anything I had read in my life. I attended a missionary school and they made us read books written by European authors, like Charles Dickens. I was amazed that literature could be written from the point of view of the African, telling our own story, bringing in proverbs and so on. Before then, all other African writers, like Peter Abrahams, wrote in English but none carried the kind of African colouring that Achebe’s book had, like proverbs, folklores and all. Chinua Achebe reflected the Africaness in his writings.

    Odia Ofeimum, poet

    I actually read No longer at Ease before reading Things Fall Apart.I read Things Fall Apart when I was 13 years old. One funny thing is that the part that stuck to my head in the whole of the book was the evil forest. This may be because there were folklores about it around me. The book wasn’t as effective then, as it is now. In my opinion, Things Fall Apart is not a model African novel but a pioneer novel that needed to be celebrated. It is not my favourite of Achebe’s books; my favourite is Arrow of God. Things Fall Apart made it seem as if fighting for the right things was wrong with the death of Okonkwo. I say it was a good fight. We needed the spirit of Okonkwo to confront evil.

    Dr. Ifeoma Nwoye, author

    I read Things Fall Apart when I was in secondary school in the 70s. At that time, because of the vivid nature with which the story was told I became a participant, especially when the story was from one village to the other. It was so close home and I understood the terrain. And any time one hears others talk about Things Fall Apart, one is moved and becomes a sort of participant.

    My impression of the book at that time because I was young, after reading the book I hated everybody involved in the killing of Ikemefuna: I didn’t like Okonkwo and the men who went with him; I hated the elders for killing Ikemefuna eventually. I didn’t like Chinua Achebe allowing Ikemefuna to be killed. I wondered: why did Ikemefuna have to die? But as I grew older, especially when I became a writer, and today, I look at him differently. As a writer, to make the story real, it must not end the way the readers want or expect. Apart from that, I was at home with the novel; it presented the traditional African society in a vivid manner that every African can identify with.

    •Parts of this report were first published in The Nation during the 50th anniversary of Things Fall Apart.