Tag: producers

  • Producers lament illegal palm oil import

    The National Palm Produce Association of Nigeria (NPPAN) has raised the alarm over illegal importation of palm oil (CPO).

    The body, in a letter to President Muhammadu Buhari, entitled: “SOS to the Federal Government on illegal entry of Crude Palm Oil (CPO) into Nigeria,” said the product was being smuggled into the country to the detriment of local investments.

    “Many of us who heeded calls by the Federal Government in the last three years for private intervention in the oil palm industry are at the risk of losing billions invested in the sector.

    “Virtually all of our businesses are at the verge of collapse because of unbridled corruption culminating in smuggled palm oil into Nigeria due to porous borders.

    “Also, banks have tightened the noose around the investors over unsettled credits and loans running into billions of naira.

    “The jobs of millions of Nigerians are at stake if immediate positive steps are not taken to stop illegal entry of Crude Palm Oil (CPO) to Nigeria before it is too late,” the association said, in the letter jointly signed by its Ambassador, Dele Olanubi; Chairman Ondo State Chapter, Bolarinwa Adetula and Oyo State Coordinator, Abiodun Adejo.

    NPPAN lamented that the country was losing more than $500 million worth of palm oil yearly owing to the worsening situation in the industry, which is affecting local production.

    “Our members had taken the risk to obtain loans running into billions of naira from commercial banks and micro-finance banks to reactivate abandoned plantations.

    “CPO output increased tremendously within the last 24 months. The price was stable at N300, 000 to N350, 000 per metric tonne within the last 18 months up to October 2018.

    “Since November 2018, we have noticed a downward slide in the price of CPO. In January 2019, we have the price drop to between N220, 000 and N240, 000 per metric tonne, even when the February to June season is yet to commence.

    “We then wonder what the price would look like during the season, when CPO production is at peak. The local demand has waned,” it said.

    The association said buyers from the northern part of the country were no longer seen in the CPO producing states of the South, wondering if CPO was no longer used by industries or domestically in such places.

    NPPAN recalled that the Central Bank of Nigeria (CBN) Governor Mr. Godwin Emefiele had once raised similar alarm over the increasing threats to investments of critical stakeholders in the sector.

    The palm producers also made reference to the early 1950s, when Nigeria controlled 43 per cent of the global market and derived 82 per cent of its export revenue from the sector.

    It said Malaysia and Indonesia, the two leading palm oil producers now, obtained the seedling from Nigeria at the time it was the number one palm oil-producing nation in the world.

    The association, however, regretted that their human and capital outlays were currently threatened by increasing hostile business climate.

    “Three years down the line of the life of this administration, we were called upon to go back to the land to produce food and agro-allied input for our industries so as to give life to our economy.

    “Our association mobilised all its members to go back to all abandoned plantations and also encouraged the planting of new fields so as to increase the palm oil output of Nigeria.

    “The effort was to also reduce the outflow of hard foreign exchange and unemployment. Today, we got little or no leverage from the government.

    “Critical among the expected leverage from the government are bank loans to our members nationwide,” it added.

     

  • How high oil production cost impacts producers, firms

    Oil and gas firms are looking for ways to achieve operational and fiscal efficiency. With the era of high oil price gone, industry analysts warn that operators that fail to exit high production cost risk running out of business. Already, Nigeria, Africa’s biggest oil producer, is battling to bring down its cost per barrel production to remain relevant in the market. Assistant Editor EMEKA UGWUANYI examines the implications of high production cost for the oil and gas industry and the economy.

    The dynamics of the global oil and gas industry are changing. Oil-producing countries and oil companies are seeking production cost-reduction by all means possible. This became necessary for companies to remain afloat and make profit while producer-countries make huge earnings from their hydrocarbon resources.

    The drive for lower production cost is further heightened by the belief that the era of oil price at $100 per barrel is gone. Therefore, to remain competitive, the cost per barrel of  crude has to be cheap or attract the required investment in the case of an oil-producing country.

    However, Nigeria is still ranked among countries with one of the highest cost per barrel production. Available data on 13 oil producing nations, including United Kingdom (UK), Brazil, Nigeria, Venezuela, Canada, United States (US) shale, Norway, US non-shale, Indonesia, Russai, Iraq, Iran and Saudi Arabia, showed that in 2016, Nigeria was among the first on the list of countries with the highest production cost per barrel. She came after UK with $44.33 per barrel (bbl), Brazil -$34.99/bbl and Nigeria, $28.99/bbl. The last three countries on the list, Iraq, Iran and Saudi Arabia had the lowest production cost per barrel of $10.57, $9.08 and $8.98 respectively.

    From the data, Gulf countries have the cheapest barrel of oil and are among the countries with highest output. For instance, Saudi Arabia’s daily oil production is about 12.3 million barrels; Iraq–4.8 million barrels daily and Iran, 3.8 million barrels daily, while Russia has about 11.4 million barrels production daily. This development has put countries with high production cost at very difficult situation, especially Nigeria that does not only depend on oil proceeds for the sustenance of her economy, but on imported refined petroleum products to power her commercial and industrial activities.

     

    Challenging situation  

    Since the swing in oil price from end of 2014, the Federal Government has been emphasising the need for oil firms to consistently strive to drastically bring down their cost of production per barrel. The emphasis and anticipated action have become inevitable. Revenue due to the government from oil exports had significantly dropped due to low oil prices in the international market.

    Besides, the volume of oil in the market is more than demand, leading to significant number of unsold cargoes of different oil grades in the market. Oil traders’ reports often show different grades of Nigerian oil begging for buyers, a situation that signals an urgent need to think outside the box on how to steer away from undue dependence on oil revenues to drive the economy.

    The Minister of State for Petroleum Resources, Dr. Emmanuel Ibe Kachikwu, aptly put the disadvantaged state in which Nigeria is in the league of oil producing countries when he spoke at the inaugural Nigeria International Petroleum Summit (NIPS) in Abuja. He said considering that Nigeria’s over 50 years in oil business, it should be a model to other emerging oil producing countries in Africa.

    However, Africa’s biggest oil producer still battles with a couple of challenges, which has kept its oil production cost far higher than most of its contemporaries. He said: “We are the largest oil producing country in Africa and perhaps, the largest gas producing country in Africa and have been into oil and gas business for nearly 50 years. We have had our ups and downs and need to set good examples for other African countries looking up to us for leadership in this sector.

    “There are snapshots of what we need to achieve as an oil producing country to make our oil production efficient and profitableas well as be outstanding as we ought to be. The reality is that today if you cannot produce cheap cost oil, diversify the processing of your oil, look frankly into internalising and externalising the investments to your people and your foreign investors in the sector, capture the requisite technology skills that will help you operate efficiently, you are lost before you start.”

    The Minister noted that in another 15 years, export of crude oil will be a shameful habit for any country that is doing it. “If you look at the movement in the Gulf and United States that have exited, quite frankly, the high production cost of oil, the drive to cut your production cost becomes more glaring. Everybody is coming at it in a different angle, shale in the US and diversification in the Gulf,” he added.

    The clean energy focus, according to him, is beginning to make almost irrelevant the vast crude oil reserves that Nigeria has in the ground unless she can turn them into things that are clean.

    “So, the challenge for oil companies operating in the country and Nigerians, who are in this sector, has changed. Historically, our business was to find the oil, sell it to earn foreign exchange, but it has got to be better than that now. Oil has got to provide work for our people, the resource to power this country, provide the operational environment that is transparent enough for others to take Nigeria serious.

    “Oil has got to provide the technical and human skills set that are essential for us to export people out into other African countries and become major investors in other African countries, something the banking sector has tried to do over the last six to seven years,” Kachikwu noted.

    Degeconek Oil and Gas Limited Managing Director/Chief Executive Officer  and the immediate past president of the Nigerian Association of Petroleum Explorationists (NAPE), Mr. Abiodun Adesanya, however, disagreed  that Nigeria has one of the world’s highest production cost per barrel of oil. He said owing to the country’s matured basin, it should have one of the cheapest barrel production costs in the world.

    According to him, corruption and security issues, militancy in the Niger Delta region, among others, largely contributed to inflation of cost of oil production in Nigeria, but in the real sense of it, cost of producing a barrel is cheap in the country. He said: “1 wouldn’t agree that Nigeria’s cost per barrel production is among the highest in the world. A couple of factors outside oil substantially contribute to this. To be honest with you, I will say that cost per barrel is a function of cost of services. It is a function of wastages in the system (corruption, among others). But there is the actual cost per barrel. We don’t have any business in having a high cost per barrel given the matured and long history of exploration and production that we have had in Nigeria.

    “If we move to new areas and try to develop them that will be understandable, but, there is a lot of amortised infrastructure that have been built a long time ago and they have paid for themselves already and are just being utilised. But if you are going to a new area, for example, Aje field production, they need a lot of new infrastructure such as floating production, storage and offloading vessel (FPSO), among others. So, we have gone past that point. Our cost per barrel has no business being high.”

    Adesanya said because Nigeria had been in recession and the industry had been challenged by oil price, service cost has also come down. He said there were elements that had nothing to do with oil and gas on the technical side that were also exacerbating the cost per barrel. These include the non-technical cost, cost of joint taskforce (JTF), navy patrol vessel, cost of providing security and community issues.

    ‘’There is also the cost of repairing in a cyclical way the damaged infrastructure because all those costs are eventually shared and passed on to the cost per barrel. So, there is a technical cost that we know – cost of drilling, logging a well and seismics. There is cost of naval patrol vessel, gun-boat rental, repairing Trans Forcados multiple times, which can easily be avoided. By the time you add these on to the technical cost, you have this bogus cost per barrel. So, if we can try and address those issues and bring them down, I think we will be alright,” Adesanya reasoned.

     

    What Nigeria is doing

    Nigerian National Petroleum Corporation (NNPC), Group Managing Director Dr. Maikanti Baru, said the Corporation can produce crude oil at around $20 a barrel, but noted that there are plans to bring this lower to $15 a barrel. Baru in 2017 said the unit technical cost for producing oil has dropped from $70/barrel to $27/barrel in about two years, noting that this development was monitored from 2014-2016. He said with reduced cost of production, government’s share of economic revenue will improve, which means reduced budget deficit and that Nigeria will no longer import petroleum by 2019.

    The NNPC has driven down the cost of crude oil production from $78 dollars per barrel as at August 2015 to $23 per barrel, representing 70.5 per cent reduction.

    National Petroleum Investment Management Services (NAPIMS), Group General Manager, Mr. Dafe Sejebor, also confirmed the development. NAPIMS is an arm of NNPC

    Speaking at the inauguration of the Anti-Corruption Committee of NAPIMS, last year, Sejebor said the country had saved a minimum of $3billion per year as a result of production cost cut. He said NAPIMS arrived at the figure after looking at the difference between the $78 and $23, which represent the old and new cost of production in relation to the daily average production.

    “If you knock down your cost of production from $78 per barrel to $23, take the difference and multiply by the average daily production, you will discover that we are saving a minimum of $3billion in the upstream for both Production Sharing Contracts (PSCs) and Joint Ventures (JVs).” he said, adding that the target was to bring the cost of production to between $17 and $19 for onshore and offshore production.

    Also, Baru, this month, confirmed that the corporation was working to bring down production cost to $15 per barrel from $20 per barrel. He said: “The NNPC has been innovative and efficient in its various operations to drive down the cost of production of crude oil and gas. Science and technology are the bedrock of the oil and gas industry and the NNPC had succeeded in domesticating engineering, procurement, construction and most of the major activities of the oil and gas industry. We are working hand-in-hand with the Nigerian Content Development and Monitoring Board (NCDMB) to get Nigerians who are willing to invest and innovate  to propel this country going forward to go into the ventures of fabrication where we spend the big chunk of the money in the industry.

    “In other words, we have gone far to domesticate procurement and there were fabrications going on in the areas of valves, line pipes, and also fabrication of vessels. NNPC would continue to support all sorts of innovations in the upstream, midstream and downstream sector.”

    According to him, the more Nigeria brings down the cost, the more the money that comes to the Federal Government and into the pockets of state and local governments.

    Nigeria has pledged to keep its oil production at 1.8 million barrels daily after the Organisation of Petroleum Exporting Countries (OPEC) asked it to join the production cut deal between OPEC and non-OPEC . This was aimed at stemming global oil over-supply and shoring up crude price. The production tab, though commendable as it holds price at reasonable level, limits Nigeria’s production and export, especially the Niger Delta is calm and production rapidly ramping.

     

    Finding solution

    Total Exploration &Production Nigeria Limited Managing Director/Chief Executive Mr. Nicolas Terraz said crude oil producers should learn to operate with a lean budget, cut down the cost of producing a barrel of crude to effectively manage the impact of the downturn on the global oil industry. To him, operators can also achieve this through infrastructure and facilities sharing.

    He noted that his company had adopted measures, which allow it to optimise the barrels of crude it produced. Speaking on “Growth outlook and strategies for staying competitive after a global downturn,” at the maiden Nigeria International Petroleum Summit (NIPS) held in Abuja, Terraz said: “We need to work differently. We should have worked in a lean manner and kept looking at operational efficiency. We must always optimise lower cost per barrel. When you reduce cost, it means less expenditure, more profits. We can do more in terms of sharing amongst operators, that is, more synergies. But that also means you have to give up some of your autonomy.

    “Maintaining investment capacity is important for the industry. With the downturn, we had many companies not investing, but it’s not the case for Total. Oil firms should use technology to create value, up operational efficiency and profitability. Total invested in Smart Room, this is an investment that saves cost and gives us more operational efficiency.”

    He also said oil companies must continue to work on reducing cost as the future is not just about cost reduction, but about having a cost culture to remain cost-efficient, which includes renegotiating cost with contractors. “It does not mean we want to squeeze the contractors but rather, we want to pay the right price for goods and services. There is no reason why oil companies should pay a different price from other sectors for the same goods or services.Cost efficiency is also about reducing unnecessary waste or processes; this saves time and money, he added.

    Terraz added that there is need for operators to focus on doing just what they need to do. “In all of these cost reductions, Total did not lose its workers and they are our greatest assets. This is because we believe that the downturn is cycle and things will improve again. We spent a lot of time cutting cost. Now, we spend the same amount of time maintaining a cost-efficient culture,” he said.

    NNPC represents the Federal Government’s interests in upstream operations especially in exploration and production activities. It represents government interests in joint venture and other production arrangements. In the past two years, the oil firm has been working with international oil companies (IOCs) and local independent E&P firms operating in the country to cut cost.

    Kachikwu noted that firms may still be working and producing crude with the mindset of the days of oil price of $100 per barrel, but urged the oil firms to face the  realities and drastically cut costs.

    At a forum last year, he said: “At the present low price of crude oil, it makes economic sense to cut cost. Consequently, the cost, which the National Petroleum Policy put at $28.99 per barrel, would be reviewed downward with the IOCs to arrive at an acceptable cost. The nation needs to review the current high cost of producing oil. It does not make sense to produce oil at such high cost, especially now that crude oil price has dropped from over $100 to $50 per barrel. It will not make sense to produce at high cost anymore. We will sit with the IOCs to look at the cost elements in order to take a better decision. It is in the best interest of everyone to bring down the high cost of producing oil in Nigeria.”

    Continuing, he said the National Petroleum Policy gave a breakdown of the production cost as follows: $8.81, $13.19, $4.11 and $2.95 as production costs, capital spending, gross taxes and administrative/transport per barrel.

    The policy, which identified Nigeria as one of the most expensive oil provinces in the world, added that oil price has been very unstable in recent times. There has also been extreme volatility of oil and gas prices since around 2005, at levels not seen since the 1860s. Prices went down dramatically as US shale production took off.

    As Kachikwu said: “Two clear messages for Nigeria are that it has to broaden the economy towards a gas based industrial economy; and within the oil sector, Nigeria has to move downstream into the value added sectors of refining and petrochemicals.”

    Kachikwu also noted that the high cost of oil production at $32 per barrel makes the cost of Foreign Direct Investment (FDI) very expensive, adding that the Federal Government was making efforts to bring down the cost per barrel to $15 per barrel to significantly bring down the cost of FDI.

    FDI flows are at high cost. An example is the high cost of production of oil at about $32 per barrel. But initiative to reduce the cost of crude oil production to $15 per barrel are ongoing.

    ‘’Initial consultations have been held with stakeholders and cost drivers have been identified.The outcome of this initiative will be a win-win for investors and the nation.”

    He said the Federal Government has tackled the insecurity and funding gap in the Joint Ventures and in refinery rehabilitation and take-off of new refinery projects.

     

  • SON to crack down on fake products producers

    SON to crack down on fake products producers

    The Standards Organisation of Nigeria (SON) has promised hard times for   manufacturers and importers of fake and substandard products.

    The agency hoped to tackle the menace with the introduction of Product

    Authentication Mark (PAM) on all products manufactured in the country and those due for importation.

    SON’s Director General, Mr. Osita Aboloma, spoke in Ado-Ekiti, the Ekiti State capital, at a training workshop on: The Fundamentals of International Standards Organisation (ISO) 9001-2015 for stakeholders in the Southwest.

    Aboloma, who was represented by Southwest’s Regional Coordinator of the agency, Mrs. Oyenike Owoyele, said no efforts would be spared at sanitising Nigerian markets.

    The SON chief warned that anyone caught would be made to regret his or her action through seizures, destruction or outright closure and blacklisting of the erring manufacturing company.

    SON’s Head of Ekiti State Office, Mr. Ayeni Feyisayo, reiterated the commitment of the agency to rid the Nigerian markets of undesirable products.

  • Pig producers seek improved operating environment

    Association for Promotion of Piggery in Nigeria has called for improved environment to do business.

    At the end of its annual general meeting held in Lagos, the group in its communiqué urged the government to provide  incentives  to help the struggling pig-farming industry recover.

    Among the request made by the group was for the government to support stakeholders to reduce the price of animal feed and veterinary medicine, and finding a stable market for the consumption of domestic pork meat.

    The challenges facing the pig industry, said the group , include low domestic demand coupled with the high production and transport costs.

    The  group pushed for the use of modern technology to reduce production costs, improve productivity and seek potential markets for domestic pork meat,

    In the communiqué ,the group urged pig producers to focus on improving animal welfare conditions.

    According to the group, the standard of living in Nigeria  is rising and with more disposable income, pork consumption is increasing. Therefore, the forum charged  producers to look for ways to produce pork as efficiently and cheaply as possible.

  • Indigenous producers pledge compliance to Content Act

    •To sign SLA with NCDMB

    Members of the Indigenous Petroleum Producers Group (IPPG) have pledged to support and comply with the provisions of the Nigerian Oil and Gas Industry Content Development (NOGICD) Act.

    To cement their commitment, the local operating companies will sign a Service Level Agreement (SLA) with the Nigerian Content Development and Monitoring Board (NCDMB), and this will guide the submission and management of statutory reports between the parties.

    The new SLA, akin to the type signed between the Board and the Nigerian Liquefied Natural Gas Company (NLNG) in May 2017, will commit members of the IPPG to complying with the Nigerian Content Act while the Board will keep to a definite response time for reviews and approvals of contracting documentations. The SLA will take into consideration the capacity of the indigenous producing companies and provide necessary concessions as may be necessary.

    These resolutions were reached at a meeting between the Executive Secretary, NCDMB, Simbi Wabote and members of the IPPG in Lagos last Wednesday.

    The independent producers also promised to partner the Board to equip the Petroleum Technology Development Fund’s Vocational Training facility in Port Harcourt, Rivers State, for the purposes of imparting key skills that are currently lacking in the industry.

    Wabote explained at the meeting that indigenous producers were products of the Nigerian Content Policy hence, they needed to work with the Board to take the implementation to the next level.

    He stressed that Nigerian Content Act was not applicable to only foreign companies, but to all players in the oil and gas industry. “Some Nigerian companies assume erroneously that being wholly indigenous makes them complaint. But local content extends to employment, procurement, training, among other things,”he said.

    The Executive Secretary further challenged the indigenous producers to partner the Board to develop Research and Development Centres of excellence in-country so that problems encountered in their operations can be resolved locally. “The international operating companies have huge research and development (R&D) facilities in their home countries. We can only set up R&D centres in Nigeria with the support of indigenous producers.”

    He also tasked the companies on the remittance of Nigerian Content Development Fund’s (NCDF) deductions. He reiterated that the Board will soon commission third-party forensic audit to track and recover due payments on the NCDF.

    Chairman of IPPG, Mr. Ademola Adeyemi-Bero, pledged the readiness of the members to comply with the provisions of the Nigerian Content Act. “We want to participate in the Nigerian Content journey and we are ready to engage with the Board to take our projects to the next level,” he said.

    He further explained that IPPG was constituted by 25 indigenous operators, including joint venture partners of the Nigerian National Petroleum Corporation (NNPC), marginal field operators and indigenous sole risk operators. According to him, “we ensure corporate governance among ourselves, help to put a respectable face to indigenous producers and offer government a credible platform to engage. We account for between 12/25 per cent of Nigeria’s crude oil production”.

  • HOW MOVIE PRODUCERS  TACKLE ‘AREA BOYS’ MENACE

    HOW MOVIE PRODUCERS TACKLE ‘AREA BOYS’ MENACE

    LOBALLY, filmmakers face challenges, some of which include a constant fear of piracy, huge production costs and stress so as to be able to recoup their expenses. However, for some Nigerian filmmakers, their ordeals often start at locations before acting is allowed to commence. While such haggling to ‘drop’ money for ‘Area Boys’ in order to make use streets and public areas for any purpose is no news, for filmmakers, it is perhaps assuming an unhealthy dimension.

    And not too long ago, actor and film producer, Funke Akindele Bello posted a video on Instagram where she and her crew were being harassed by ‘Area Boys’ as they were on location.

    “Filming now in Chancellor Street Iraboko, Awoyaya,” wrote Funke who is the producer of the successful Jenifa franchise and who also plays the role of Jenifa.

    “And area boys are here fighting us. I’m so fed up with these boys. We work so hard. God help us.”

    Earlier in the year, another Nollywood star and film producer, Omoni Oboli, found herself in a similar scenario while on location in Lagos.

    Like Funke, she had also uploaded the video of ‘Area Boys’ harassing her film crew on location to her Instagram account. The thespian who produced, ‘Being Mrs Elliot’, ‘Wives on Strike’ and ‘Okafor’s Law’ could not resist venting.

    “I am totally fed up,” she wrote, tagging Lagos State governor, Akinwunmi Ambode, in her post and imploring him to come to the assistance of filmmakers.

    “Shooting in Lagos State is such a difficult experience. I’ve been settling area boys everyday yet they still fight us. The other day, they broke a bottle to stab my crew and seized my van key. You have to settle different factions. I’m a tax paying citizen of Lagos State. As filmmakers, we pay taxes even on a loss. Na beg we dey beg o @akinwunmiambode help us. We are fed up!!! So many people are getting paid on this set. We are bringing commerce and boosting the economy. Pls help!!! My money is not for area boys! They think it’s their birthright! It’s indeed very sad!”

    And while actress and movie producer Fathia Balogun says her experience is not as awful as Funke or Omoni, she describes as ’embarrassing’ the disturbance by the street urchins.

    “I’ve seen when they (Area Boys) come to you and ask you to give them this and when you tell them you don’t have, it’s like, ‘why won’t you have?’ said Fathia who is set to premiere her new movie, Connection.

    “The harassment is huge. We just pray that as time goes on, they’ll help us clear some of that.”

    And in what has become a norm, filmmakers have devised a means of addressing the issue of street urchins. Even though ace movie producer, Kunle Afolayan, acknowledged the menace of ‘Area Boys’ on filmmakers and their films, the filmmaker who in 2017 has already produced three movies -Omugwo, Roti and Tribunal however, is of the opinion that the manner of approach a filmmaker relates with the ‘Area Boys’ matters.

    “Once they come, we’ll give roles to them, give them things to do,” the thespian said, sharing his tactics.

    “Sometimes, we’ll make them our security. Sometimes, we use them as extras in the film. And they will get paid for it. So, that’s how I’ve always handled things.”

    He however, said that from his own experience, the menace of ‘Area Boys’ is much more pronounced in other southwestern states than in Lagos.

    “In fact, it’s not as bad in Lagos as in Abeokuta and Ibadan where area boys would hardly ever listen to you at all. But here in Lagos, I’m always able to control them. I just need to speak to them and we’ll now put them to use.”

    While Afolayan’s solution depends on the individual producer to manage the ‘Area Boys’, another filmmaker, Dakore Egbuson considers another solution.

    “We have to rehabilitate and educate the area boys,” said Egbuson who thinks the menace is a consequence of a society that breeds them.

    “The reason why there are area boys is because there is an imbalance in the society. The government has a lot to do in terms of educating them and letting them understand the far reaching consequences of what they are doing. And then, on the other hand, also give us adequate security. Those are the kind of things we need to put in place. But until then, it’s a free fall and for a long time we have been dealing with it quietly but social media has actually helped to shine that spotlight on it. So, like I said, let’s not castigate the area boys too. Let’s take care of them. If they are busy, there is no need for them to be area boys.”

    Peeved at the development, Omotunde David also known as Lolo 1 of Wazobia FM is incensed over the fact that she has to pay miscreants after obtaining permission from the state.

    Relating an experience where a shoot of Jenifa’s Diary had to be called off, Lolo said, “we were afraid of the way they became aggressive and we were not shooting on any private turf. It was just a street that anybody can walk. So are you going to collect toll off people walking on the streets? These are the things that discourage us that are entrepreneurs. How many people do you pay? If you’ve taken permission from the right place these people still come through the back end and they even threaten violence.

    “Sometimes we will rather save the camera than save ourselves because the cameras are very expensive but they don’t know these things and I wonder why. We really need to engage our youths more to know that it is very demeaning as a human being to stay out there and expect to earn from something you didn’t work for.

    “When I was shooting Aunty Bose, as little as it was, in a gated estate after taking permission from the estate, yet the security operatives of the estate still came and said ‘ehn you didn’t see us.’ And that’s even something that is little. Imagine if I have a bigger budget working with more people.”

    In many parts of the country, street urchins have held businesses, transporters and workers at construction sites to ransom, demanding money before they are allowed to conduct their businesses. And while the Lagos and Ogun state governments have addressed harassment by street urchins at construction sites, there is nothing in place for actors on locations. In many western countries, film villages exist to provide locations where films are shot. This is not the case in Nigeria.

    In 2016, the President Muhammadu Buhari–led Federal Government had proposed the idea of a film village to be sited in Kano. But this was shot down by sections of Kano indigenes which vehemently kicked against the idea.

  • Actors, producers, others felicitate Banky W, Adesua Etomi

    Actors, producers, others felicitate Banky W, Adesua Etomi

    In what looks like the best thing in the celebrity space, early Wednesday’s announcement by popular singer, Banky W, on his marriage proposal to actress Adesua Etomi has been greeted with commendations by friends, older artistes and mentors of the couple.

    There are indications that what has been kept a secret by the couple was known to their close allies who are just too glad that it is now in public domain.

    Here are the social media posts by top celebrities on the news:

    Richard Mofe-Damijo:

    “Awwww… My babies, your love brings happiness to my spirit and tears of joy to my heart. I’m proud of the man you @bankywellington are and you my sweetheart @adesuaetomi are one of the few young people who give me hope in this generation. That both of you know Christ the way you do and love him with your hearts is such a joy. Now that we’ve gone public, let’s go wild with the wedding planning. Papa bear is proud of you both. God bless this union.”

    Sola Sobowale:

    “When God says Yes, nobody can say no!

    “My Banky, my one and only Banky, you are one of the sweetest, kindest and honest people I have ever met. In the time I have known you, you have proven to be someone who always knows what he wants and gets it with all determination. Let me tell you, you did not fail in case. You were brave and took this bold step many always seem to run away from.

    “Omo mi, my Adesua, I remember the conversation we had about finding ‘the one’. Funny thing is I saw this happening after seeing you both together on set. I am not sure what it was, but I was moved. I just decided to keep it to myself and simply pray for you.

    “May God bless your union. As you both join together, you become stronger, greater and incredible forces. May you always find joy and solace in one another. No one and I repeat NO one shall ever get in the midst of both of you. You shall bless nations with this union. You shall inspire the world with your union. You shall live in eternal happiness for the rest of your lives. Most of all, the love you share for one another shall ever flourish in the name of Jesus! Amen!!! I am so happy for you my darlings! Congratulations to you both. I love youuuu.”

    Mo Abudu:

    “Dear Adesua and Banky, I am so so happy. You guys are truly made for each other. Congratulations on your engagement. May God almighty bless your union. Hugs and kisses.”

    Ikechukwu Onunaku:

    “So proud of you both. Congratulations @bankywellington and @adesuaetomi on this huge step in life I pray God guides and protects and blesses this commitment all the way . May this collaboration be fruitful in all aspects of the word.”

    Clarence Peter:

    “Congratulations bro @bankywellington, May God bless you both with wisdom, patience and love!”

    Beverly Naya:

    “Aww too cute! Love is a beautiful thing, incredibly happy for you two. Congrats guys!! I think we all saw it coming, beautiful chemistry.

    Wish you both nothing but love and happiness.”

    Captdemuren:

    “He asked. …She said yes” Love you guys!!! Congrats Susu&Bubba. This was tough keeping coded for so long.”

    Jude Engees:

    @bankywellington coman wake me up! Wow! Congrats bro. I still never believe sha Till I see wedding IV and asoebi. And @donjazzy going…going…”

    Shaydeeboi:

    “#GhenGhennnn lol… Big congrats to u again @bankywellington.. Even though u told me about this month ago, I’m glad the world knows now so you can officially leave our single boys club. God bless you two real good and grant you guys your heart desires @adesuaetomi @bankywellington.”

    Lynxxx:

    “Officially the biggest secret I’ve eva had to keep in my entire life! Congratulations brother! It’s been a long time coming!

    Sha, i don iron my shoe and polish my suit! Lez go dier.

    Congrats fam! Wish you nothing but love, growth, favor and grace in your marriage forever!”

    Don Jazzy:

    “Kai, Aye mi te mi ba mi. Maybe I need to act first. Who we act film with me now ooo?”

    Majid Michel:

    “@bankywellington @adesuaetomi Congratulations!!! People say for how long?… well… Til’ death do us part is the length. Mark 10:8-9… And the two will become one flesh. So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate. “Word of God : Ephesians 5:25: “For husbands, this means love your wives, just as Christ loved the church. He gave up his life for her.” Genesis 2:24: “Therefore a man shall leave his father and his mother and hold fast to his wife, and they shall become one flesh.” happily ever after is not a fairy tale. It’s a choice.”

    Kemi Adetiba:

    “MY BOY DID IT!!!! I knew it was coming ‘Cos I saw the way they were together, even though they were using style to hide. You can’t hide that type of chemistry. I remember the day I teased him about it and he didn’t flinch. In fact, I was taken aback as I had never heard him speak of anyone the way he did of @adesuaetomi and I’m so stupid happy he’s behaved himself and didn’t let her get away. So happy for you both. Too STUPID Happy!!”

    Omoni Oboli:

    “I hope I’m not the only one crying because it will be so unfair! Pls let’s all cry together o! This is the cutest thing I’ve seen in dunks! @adesuaetomi and @bankywellington May God be in this partnership because a 3 fold cord cannot be easily broken! Love you guys.”

  • Producers back plan to distribute  Nollywood films in W/Africa

    Producers back plan to distribute  Nollywood films in W/Africa

    A proposed plan by a firm, FEST Management Limited Company, to create a distribution platform to promote sales of Nollywood movies within francophone Economic Community of West African States (ECOWAS) member states and Cameroon, has received the backing of Nigerian movie producers.
    The company’s Chief Executive Officer, Mr. Anthony Ogunjimi, who addressed members of Association of Movie Producers in Lagos recently, said his firm created “Project Nollywood for West Africa distribution platform” and has been issued a grant by the Federal Ministry of Finance to extend the market of the Nollywood movie industry to the French speaking countries in ECOWAS members states and Cameroon.
    He explained that West Africa offers a large market with a population of over 180 million people to be explored.
    Nollywood, Ogunjimi said, is an already booming industry with wide acceptance outside the shores of Nigeria. With the sub-regional body throwing its weight behind the distribution platform, the company boss said: “Leveraging on ECOWAS platform, will helpfast-track negotiations and access. The Nollywood industry players have an opportunity to actively participate in the movie industries in countries within the sub region and this is what we set out to achieve.”
    The movie distribution platform, he said, aims to sell Nollywood movies in DVD formats across francophone ECOWAS member states and Cameroon.
    “It also provides a platform for trade between the Nollywood industry, professional movie translators and distributors across the region. Based on the ECOWAS) mandate, FEST Ltd has designed this project to leverage the ECOWAS platform to promote cooperation and economic integration as well as social and cultural activities in member states.
    “The concept is to build robust Nollywood movie distribution channels across the French speaking countries in ECOWAS member states & Cameroon to sell Nollywood movies in DVD formats.
    ”The concept is to have a platform covering all the Nollywood movie categories and catering for all target markets identified in the French ECOWAS members states. The value will be created by making Nigerian films available internationally through subtitling/translating Nigeria movies into French language, distributing movies at affordable prices to all residents in the ECOWAS countries and increasing the revenue Nollywood is adding to Nigeria’s GDP,” Ogunjimi explained.
    Aside promoting the Nigerian cultural values to French speaking countries in ECOWAS members states and Cameroon, the FEST Management Limited Company, emphasised that the concept for the distribution platform has been formulated and the process of effective and efficient distribution is being formalised. On the way to achieve the distribution strategy, he said:
    “The Project Nollywood for West Africa concept has been created to assist the Nollywood movie producers and actors break into the West African market. Using the ECOWAS platform, we intend to provide an opportunity for Nollywood movies to be distributed within the ECOWAS sub region and Cameroon. This will be achieved by breaking the language barriers as well as employing market penetration strategies. A dedicated website will soon be be launched for the platform.”
    Responding after Ogunjimi’s presentations, President, Association of Movie Producers Ralph Nwadike said he and his members were excited by what the new platform set to achieve. Nwadike said he was forced to attend the event within a short notice, appealing to the FEST management to create a second opportunity for his members, who could not make it to the first presentation.

  • Respite for Ogun cotton producers

    SIR: Cotton and its production is central to the economy of Abeokuta, the Ogun State capital and the cottage industry in the state with mainly women but also men producing Adire, the local tie and dye fabric which they sell in the state’s markets and beyond to make a living.

    Unfortunately, during the Goodluck Jonathan’s led administration, the government banned the importation of cotton though with right intention to increase employment, but the policy seems to have been unevenly implemented because while the dyers could no longer get cotton in the south, they could in the markets of Kano up north and this brought about great setbacks to the cottage industry in Abeokuta due to the troubles often got into with customs officers when trying to move it into Ogun State.

    The confiscation of cotton worth millions of naira, the stress of trying to reclaim their seized products, and other untold hardship they experienced for over four years, all combined to convince the dyers that they desperately needed a way to buy cotton fabric locally and this desire got answered when the Federal Ministry of Industry, Trade and Investment mooted the idea to establish a ginnery factory in the South-West.

    A cotton trade show was held in India in 2012 which was attended by all cotton producing states in Nigeria and the event gave all cotton growers and producers the opportunity to meet with buyers with samples of cotton staple grown in their states. This staple samples were then put through rigorous tests to ascertain the strength of the cotton staple and its length, factors which affect the range, as well as the quality of the fabric that could be produced with it. It was at this event that the political considerations that often stand in the way of merit-based selection processes in Nigeria was removed and Ogun State was declared as “the best cotton producing state in Nigeria”.

    Apparently, its long staple cotton which is a by-product of the soil type and rainfall pattern is a rarity that Ogun cotton shares with Mali and Egypt who are among the best cotton producers in the world. These factors taken together with the thriving Adire industry in Abeokuta, which represented potential off-takers of cotton produced by a regional ginnery made a strong case for Ogun State giving the Gateway State the privilege to house the ginnery factory in the South-West.

    With one masterful stroke by the Governor of Ogun State, Senator Ibikunle Amosun yesterday, August 24, the state is now positioned to exploit the entire cotton value chain, from growing the plant, to spinning and weaving in a ginnery, to production of textiles for clothing, furniture and other uses by the final consumer and you can be rest assured that this one project offers the opportunity to open up at least tens of thousands of jobs for the state’s teeming youths, women and even men.

     

    • Femi Osipitan,

    Abeokuta, Ogun State.

  • WHY PRODUCERS OF ‘76 AVOIDED SCATHING FELA SONGS

    WHY PRODUCERS OF ‘76 AVOIDED SCATHING FELA SONGS

    THE much expected movie, ’76 directed by Izu Ojukwu has many factors that recommend it, one of which is the rich and interesting parade of Nigerian musicians whose creativity will be on display through their songs.

    Fela Anikulapo Kuti’s 1971 hit, ‘Buy Africa’ signposts an era when the military government of the day in Nigeria announced Africa as the centerpiece of its foreign policy – a guiding principle that has been sustained by subsequent governments till today.

    However, a few discerning critics have questioned the choice of ‘Buy Africa’. For an artiste with a known history of rebellion, particularly against military governments, the question is why was one of Fela’s songs with scathing criticism of the military not used in ’76. Princewill explained that the movie producers did not want to get too political by forcing its views on the audience.

    “We had a very good working relationship with the Nigerian Army. The army may have wanted us to make them less brutal, but that would have been unrealistic. Having a good relationship with the army did not make them immune to criticism. ’76 shows it as it is. A good working relationship involves mutual respect. Interestingly the army sees the movie as a platform that would further cement understanding between the military and civilians, even admitting that times are different now.”

    Although a couple of them have passed on, their memories are still alive through their timeless works. Of the featured soundtracks in the movie, only Miriam Makeba’s ‘The Naughty Little Flea’ and ‘Where Does it Lead’ are sourced from an artiste outside Nigeria. Released in 1960 on a self-titled album on RCAVictor label, ‘The Naughty Little Flea’was originally released by Norman Byfield Thomas, a Jamaican artiste whose stage name was Lord Flea. Miriam was on exile from South Africa, fighting for a new direction. The symbolism of her struggle was not lost on the film. It was an African struggle and it embodied the time.

    Explaining how they got rights to use the different songs in the movie, Adonijah Owiriwa who shares credit as executive producer with Tonye Princewill said they had to deal with a number of publishing companies within and outside the continent. Their first port of call was the Copyright Society of Nigeria (COSON). He said, “COSON was very helpful and assisted with linking us up with publishers that had rights to some specific songs. COSON also assisted with negotiating fair deals with the publishing companies on our behalf.”

    However, some rights were obtained directly from the owners of the songs. The administrators of Fela’s Estate in Nigeria, according to Owiriwa, “were gracious enough to give us the right to use one of Fela’s greatest songs in the movie without charge. In fact, the representative of the family that attended to us during the discussion said: “This is indeed a laudable project, preserving our music and culture. I am sure Fela would have even offered to perform live in your movie if he were alive today.”

    Four of the artistes featured in ’76 have passed on. They include highlife music giant, Cardinal Rex Lawson who led the Port Harcourt -based, Majors Dance Band. His hit ‘Jolly Papa’ is relived in the movie. Released in 1976, the year that the movie is set, Nelly Uchendu’s ‘Love Nwantinti’ makes it all a bit noteworthy. Often, Mike Obianwu who is credited with playing piano and organ on the recording is acknowledged with joint rights to the song.

    Prince Nico Mbarga’s, ‘Sweet Mother’, one of the greatest hits out of Nigeria which is widely acknowledged as the bestselling album of all times also helps to create nostalgia in the movie. Mbarga has the privilege of having another song, ‘Aki Special’ in the movie.

    With Mbarga and Makeba, ’76 has the distinction of being a celebration of Africa and the resilience of the African spirit. Mbarga was half Cameroonian. That accounted for the peculiar flavour in his music. His ‘Sweet Mother’ was rejected by the multi-national, EMI. He had to get the Onitsha-based Rogers All Stars label to release the song which signposted that era.

    The two Victors – Victor Olaiya and Victor Uwaifo also register their presence with their creative works, ‘Baby Jowo’ and ‘Giodo Giodo’ respectively. Olaiya’s song has been recently remixed with popular Nigerian pop artiste 2Baba as ‘Baby Mi Da’.

    Some of the songs were performed live in night club setting in the ’70s and others were played over the radio. The songs served to define the mood of the movie. In trying to recreate or bring back how life was lived in the ’70s, music of time is very significant. The music of the time is definitely going to evoke nostalgic feelings especially with those who lived and rocked the music at that time.