Tag: Sam Omatseye

  • The Family Dasuki

    The Family Dasuki


    Whose who hate history and have discouraged our schools from making it a compulsory course of study in our secondary schools should follow the interplay between Sambo Dasuki and Buhari’s men.

    For many, it has gone beyond whether the DSS had warrants, or whether the former NSA had 12 vehicles and five armoured cars, or whether Dasuki had a right to wrap soldiers around his home, or whether his driver spirited away five million dollars, or whether he was guilty of treasonable felony, or whether he clucked peevishly at Chatham under Jonathan.

    For many it is a story not of 2015, but of 1985. According to the story, Sambo Dasuki, then a dashing and ambitious army officer, led a group of soldiers to pick up then military leader Muhammadu Buhari. It was IBB’s coup. Sambo was IBB’s boy. The mission was to stop Buhari from firing IBB and a few other soldiers whose conducts were out of sync with the perceived moral gravity of the Buhari junta.

    Buhari, then as now, was a fatalist, and knew of the plot but reportedly did nothing about it. When Dasuki burst into Buhari’s presence and told him his reign was over, the tall, gaunt and defiant leader still demanded Dasuki and his men to give him the military salute as he was still their superior officer. They obliged before arresting their quarry.

    Buhari spent a long time in captivity. When he walked into a free air, he waltzed back into politics. He dueled IBB over June 12. Later, his body language and speech cadences reflected an unfinished match with the man who truncated him, and he ran for president several times. Some said he had to triumph over IBB, and the marker of that triumph was to take back what IBB took from him. His honour lay in returning to the throne.

    In the course of this epic duel, Dasuki materialised, sword in hand. He broke the first lance in Chatham House, and according to newspaper reports, he subsequently urged all means necessary to stop Buhari and his whirlwind of electoral change.

    Dasuki’s failure is common knowledge.

    So when DSS attacked, the temptation was to reconstruct the standoff as comeuppance. Buhari sought his pound of flesh, it is alleged. Whatever the truth of this matter lies in the speculative realm. And all we urge is the adherence to the rule of law. Dasuki is not above the law, and if he has questions to answer, his historic war with Buhari should take a backseat to the preeminence of the law of the land.

    What fascinates me further though is the irony of the Dasuki family. They are royalty, and the first hint was when his father mounted the throne as sultan. Some in the royal porch thought he had no right to the preeminent seat of the caliphate. In not many words, they called him an impostor. But he soldiered on as the first feather of the royal cock. Questions about his legitimacy haunted him, until the Khalifa, the goggled tyrant, swept him aside. Earlier in his career, Sambo had left his precious perch as a senior officer and ADC to IBB as well documented in Debo Bashorun’s book, Honour For Sale. Things did not seem to work. It was a duel between two eminently undemocratic forces seeking the public to adjudicate on who was legitimate. It is as though it was anticipated in Soyinka’s dark and cynical play, Kongi’s Harvest, where the king and the dictator provide the Hobson’s choice.

    Neither Abacha who ousted him nor the Dasuki family had any legitimacy on the streets, just as Kongi and the oba, and the result was a yam harvest that nourished no one in society.

    It took several years and Boko Haram for a revival of the Dasuki name. GEJ appointed him NSA, and the justification lay in his royal roots. He, a prince, was asked to work the paupers, Boko Haram, to a berth of peace in the Northeast. This column warned that Boko Haram had contempt for princes, and a Dasuki provided an antithesis of the militant’s dreams. It was GEJ’s capital misreading of the conflict of philosophy and social hierarchy of the northern cauldron and conundrum.

    His stewardship stumbled and fell, and Boko Haram became another manifestation of the royal family’s failure. Just like Mark Twain’s famous novel, the prince could not abide the pauper and vice versa. It was partly because of the prince’s failure that voters swept GEJ out of power and Dasuki floated along in the epic gale.

    The DSS standoff is the latest of the Dasuki epic, and something tells me we have not heard the last of it. It is stories like that of Dasuki that provide resources for imaginative novelists to tell tomes of stories of big families, slaughtered ambitions, hubris, intrigues, capitalist acquisitiveness and how such theatrics reflect and prey on the rest of the society over generations. Such books include Dostoyevsky’s Brothers Karamazov, John Updike’s Rabbit trilogy, Thomas Mann’s Buddenbrooks etc.

    Since the Dasuki family tasted the throne, it has lost its innocence. It is like Anton Chekhov’s famous short story called The kiss, when a man lost all concentration for a long time after an unknown lady kissed him in a dark room. He could not replicate the experience and spent the rest of life in despair of that magical moment.

  • Sam Omatseye  is NAL Fellow

    Sam Omatseye  is NAL Fellow

    Influential columnist and Chairman of the Editorial Board of The Nation  Mr. Sam Omatseye has been admitted as Honorary Fellow of the prestigious Nigerian Academy of Letters (NAL).

    In a letter signed by the NAL Secretary, Prof. Olutayo C. Adesina, the Academy stated that the multiple award columnist received the honour “in recognition of the contributions you made in your field of specialization”.

    “I feel honoured for this rare recognition,” said Omatseye at the news. “I will try my best to always live up to the highest ideals that inspired this laurel,” he added.

    The decision was reached by the NAL Executive Council in a meeting on May 27.

    “The decision carries with it the responsibilities of full participation in the activities of the Academy,” said Prof. Adesina.

    The investiture will take place on August 13, in the Main Auditorium of the University of Lagos.

    Omatseye writes a weekly column and has won several awards, including the Nigerian Media Merit Award for columnist of the year three times as well as the Diamond Award for Media Excellence also three times. He has also won laurels in journalism in the United States (U.S.) and Canada.

  • Sam Omatseye is NAL Fellow

    Sam Omatseye is NAL Fellow

    Influential columnist and Chairman of the Editorial Board of The Nation Sam Omatseye has been admitted as Honorary Fellow of the prestigious Nigerian Academy of Letters.

    In a letter signed by the NAL Secretary, Prof. Olutayo C. Adesina, the Academy stated that the multiple award columnist received the honour “in recognition of the contributions you made in your field of specialization”.

    “I feel honoured for this rare recognition,” said Omatseye at the news. “I will try my best to always live up to the highest ideals that inspired this laurel,” he added.

    The decision was reached by the NAL Executive Council in a meeting on May 27.

    “The decision carries with it the responsibilities of full participation in the activities of the Academy,” said Prof. Adesina.

    The investiture will take place on August 13, in the Main Auditorium of the University of Lagos.

    Omatseye writes a weekly column and has won several awards, including the Nigerian Media Merit Award for columnist of the year three times as well as the Diamond Award for Media Excellence also three times. He has also won laurels in journalism in the United States (U.S.) and Canada.

  • ‘I want to be a gadfly’

    ‘I want to be a gadfly’

    The book Uduaghan: Sustainable Development, anchored and edited by Sam Omatseye was presented to the public last weekend in Lagos.  It details the tenure of Dr. Emmanuel Uduaghan as the governor of Delta State for eight years and how he used the wisdom of Solomon to establish peace and curry for concerted progress and development for the people.  Edozie Udeze who attended the event, writes

    What does it take to be a gadfly, that is someone widely recognized and acknowledged as the voice of the people?  This was part of what Dr. Emmanuel Uduaghan, the ex-governor of Delta State put across to the audience that had gathered last weekend in Lagos to honour Mr. Sam Omatseye at the public presentation of his latest book.  The book, entitled Uduaghan: Sustainable Development, was anchored and edited by Omatseye and Oma Djebah to detail the different stages of development and other series of progress made by the administration of Uduaghan to make Delta State first among equals.

    In his opening remark, Uduaghan reiterated the need for people to write books to document remarkable events in the society since that is one of the most plausible ways to remind generations to come about the works of some leaders.  But Uduaghan’s remark that pinched the people and tore at their hearts most was when he described Omatseye, chairman of Editorial Board of The Nation Newspapers, as a gadfly.  Omatseye is someone who has consistently and doggedly risen above fear and intimidation in a society riddled with mediocre and hypocrites and anarchists.

    According to the governor, his greatest wish is to join the likes of Omatseye to become ‘professional’ gadfly while out of office.  A gadfly, in the strictest sense of the word, is one who often annoys others through his criticisms.  It is that writer who dares where others fear to thread and who uses his works to criticize and lampoon others especially those in authority in order to make them do the right thing.

    Uduaghan said, “this is what Sam who is my brother and friend has been doing since five years now.  We need people like him to tell us the truth.  People like Sam are rare and are needed in this society to write about the other side which many writers have refused to delve into.  Every Monday morning, at the back of The Nation Newspaper, Sam pours out his anger, based on the truth and facts which some people do not want to hear about the leader of my political party,” he said.

    He went on; “many of my party members would ask me, how do you call this man your friend and brother when he is busy tearing our party leader to pieces?  How come Omatseye is about the only writer who sees what we do not see about our party leader?”  Although a bit whimsical in his response, he answered the question himself.  ‘Oh yes, his voice should be heard because we need him to tell us what others cannot tell us.’  That is in the spirit of true democracy where a committed writer dissects the society in order to make for the best.

    This is why I will love to be a gadfly once my tenure is over in the next few days,”  the governor vowed, even as the crowd cheered and applauded.

    The book which was meant to celebrate the governor’s 60th birthday last year could not be presented to the public until now.  Addressing the guests, Omatseye enumerated the reasons why the delay became inevitable.  “Some turbulent political developments in the society necessitated our pushing this ceremony forward.  We needed to allow those moments of political upheaval and madness to fizzle out so as to have an orderly book presentation.  The governor has done well for the people and the state.  This was why the compilation of this book became really imperative.  We needed to document his laudable legacies and to reach out to people to know what they thought about him as their leader,” Omatseye said.

    He gave a little insight into the genesis of the project.  “When it was time for me to begin, I contacted Oma Djebah, a former commissioner for information and now an adviser to the governor on Foreign Affairs to kickstart the project.  It was a big task but Djebah was to provide the necessary information from within..  Then we reached out to people from different areas of professional life to contribute articles on the governor and what he has done to elevate the status of the state.”

    It was a huge task because in the reckoning of Omatseye, Uduaghan is not the boisterous type who deliberately makes his achievements loud to the people.  “Oh, yes, he is not the Akpabio type who has an exteriority that is boisterous.  Uduaghan has a lot of doggedness about him and you have to look closely to see it.  But to him as a leader, the greatest assets of the state were the people.  The Deltans themselves constituted the bulk of what he needed to do to create an euphoria of peace and security in the state.  This and more are what this book is talking about.  His wife wrote too, but she was even too profound in certain areas.  Even Senator Ifeanyi Okowa, the governor elect who is also a physician was the first to send in his material.”

    At the end of the day a book that is rich in all aspects of governance was produced to let the world see the laudable projects of a leader whose love for humanity, whose professional calling as a physician is to save lives, who has indeed become an example for others to follow.  This book is not only for scholars, it is for those who believe in true democratic norms in a society where many leaders have lost focus and direction.  It is a book that shows that governance is a social contract that must be kept.  And in the end, a leader is answerable to the people who voted him into office.

  • Omatseye donates  books to UNILAG

    Omatseye donates books to UNILAG

    The Nation’s Editorial Board Chairman, Sam Omatseye, has donated some books to students of the University of Lagos, Akoka.

    The donation was made to  students of the Department of Mass Communication during the inaugural lecture organised by the Academics Stand Against Poverty at the school’s Main Auditorium.

    Omatseye said: ‘In this clime where reading is not taken seriously, I urge you all to read this book, In Touch.”

    The book comprises the renowned columnist’s writings on the back page of The Nation on Monday.

    In receiving the donation, Prof Ralph Akinfeleye thanked the donor and promised to use the books to enhance learning and performance.

    Also at the event were Acting Head of Mass Communication Department, Dr.  Abigail Ogwezzy-Ndisika, Dr Abayomi Daramola, Dr. Soji Alabi, Dr. Olubunmi Ajibade and Dr. Ifeoma Amobi.

  • At the command performance of Sam Omatseye’s The Siege

    At the command performance of Sam Omatseye’s The Siege

    Chairman, Editorial Board, The Nation newspaper, Mr Sam Omatseye, held a command performance of his new play, ‘The Siege,’ in honour of Prof. Wole Soyinka’s 80th birthday at the MUSON Centre, Onikan, Lagos. Dignitaries that graced the occasion included Alhaji Lateef Ibirogba, Lagos State Commisioner for Information; Louis Odion, Edo State Commissioner for Information and Orientation; Hon. Richard  Mofe – Damijo, Delta State Commissioner for Culture and Tourism; Kunle Ajibade, Executive Editor, The News magazine; Mrs Moremi O.Soyinka-Onijala, daughter of Prof Wole Soyinka and others.

  • Before The Siege

    Before The Siege

    A play written by Sam Omatseye in celebration of Nobel laureate Prof. Wole Soyinka’s 80th birthday will be staged tomorrow at MUSON Centre, Lagos. FEMI MACAULAY, a member of the Editorial Board, writes a preview of the production

    It began as a poem but became a play, by the playwright’s account.  So, it has both poetic and dramatic qualities.  The Siege, a new play by Sam Omatseye, which will premiere on July 24 at MUSON Centre, Lagos, promises the audience an intense experience of both genres, which means double edutainment. The portmanteau word is appropriate because this is a thinker’s play as well as a thinking play. It is informed by historical reality and intended to promote a fundamental socio-political understanding.

    The play’s director, Wole Oguntokun, captured the historical inspiration in an interview. He said: “Charles Gordon was a British Army General, who was in charge of Sudan, Khartoum in the 19th century. He was asked to leave Sudan by his government, which felt they couldn’t hold Khartoum anymore but he thought he could hold it for his country. So, he refused to leave. Unfortunately, he met a man who was as zealous and strong as him in the person of the Mahdi, who fought to hold his country back from the British. The play is about the siege laid on Khartoum with Gordon unwilling to give up the city. It led to the death of Gordon during the face-off between Gordon and Mahdi’s men. The play is about people who hold and believe in their own ideologies; the two men fundamentally believed in the cause they were fighting. It’s based on a true-life story.”  Still on history, the drama doesn’t end with Gordon’s defeat and includes the British reprisal attack spearheaded by Lord Kitchener.

    It is intriguing that Omatseye, who is also a poet, novelist and journalist, was captivated by this grim sequence of events that happened long ago in a distant land. Remarkably, his mind drew parallels between Sudan of past times and Nigeria of today in particular. “A historical play chides us out of our historical and anti-historical mindset. It also reminds us that we are not as far apart from our past as we think,” said Omatseye in a prefatory note. He added: “I could not have realised in the course of writing that I was influenced more by the various stories of religious angst in Nigeria in recent memory. The Boko Haram insurgency in Nigeria has brought to the open the danger of faith on both sides of the Christian and Islamic extremities.”

    Indeed, an undercurrent of religious radicalism runs through the play; and his reference to the Islamist guerilla force that has continued to terrorise the country since 2009 is instructive. However, the play’s overriding thrust embraces all philosophies of exclusion, especially what Omatseye described as “fanaticism of faith and country.”  In other words, The Siege is both literal and metaphorical. Figuratively, it is about self-promoting ideologies that deny the relevance of diversity.

    Notably, the play’s colonial setting and the implications take the issue beyond the spiritual realm and address its physical and materialist dimension. In this connection, the idea of political subjugation is spotlighted in all its intolerant glory. Omatseye referred to “zeal, powered not only by a murderous zealotry but also a fiery nationalism.”

    There is an interesting angle that the play offers as food for thought. It can be formulated as a question: What role does individual ego, or self-promotion, play in the psychology of bigotry? Or put differently: How many expressions of hostility have been triggered by personal pursuits?

    Omatseye’s script has a decidedly international colour; and it is a testimony to the impressive professionalism of Oguntokun, who has been in the theatre business for a decade and runs a company called Renegade Theatre, that the international complexion is treated with striking fidelity. To achieve a compelling interpretation, the director has four UK-based British actors in the cast, Sam Quinn, Angus Scott-Miller, John Glynn and Paul Garayo.  One of them, Quinn, is no stranger to the country and has been around twice before. He said: “Being Gordon is an interesting role to play. Colonialism is not something I’m proud of as an English person. It’s a dark chapter when you consider what happened to local people. It’s a difficult role to play being the bad guy.”

    In addition, Oguntokun said of the production, “It’s challenging because it deals with another culture, and we have to be careful that we stay true to the Sudanese culture in terms of dresses, music and mindset that existed at the time.” So, the serious issues will be spiced with spectacle, what Oguntokun called “a fusion of play and dance.”

    Without being frontally didactic, the play nevertheless drives its message home through subtleties that underline its artistic strength. Despite the dramatist’s obviously strongly felt conviction, his skillful handling of the material escapes the stamp of propaganda. Through an imaginative use of creative license, he succeeds in achieving a believable presentation of a “truthful lie”, meaning that he gives a fictional spin to history that is at once realistic and fantastic.

    Of particular significance is the drama’s contrived ending. A triumphal Kitchener, having routed the Sudanese and avenged Gordon’s death after the Mahdi’s peaceful passing, orders the desecration of the Mahdi’s resting place and demands his skull which he turns into an improvised “ink bottle.”  However, two defiant locals break into Kitchener’s office with another skull which introduces uncertainty about the Mahdi’s skull. So, in the end, it would appear that the Mahdi is unconquered, especially as Kitchener has to discard the skulls following a royal order from his homeland. The play ends on this note of open-ended interpretation.

    Essentially, The Siege, Omatseye’s debut play, is a statement on human freedom and the man-made encumbrances that often complicate its flowering. In this sense, it represents a fitting contribution to the celebration of the milestone 80th birthday of the 1986 Nobel laureate in Literature, Wole Soyinka, on July 13.  A legendary symbol of justice and freedom, he was garlanded by the Nobel Committee as a playwright and poet “who in a wide cultural perspective and with poetic overtones fashions the drama of existence.” It may be a passable hyperbole to see The Siege in this context.

  • ‘Insurgency is product  of bad governance ’

    ‘Insurgency is product of bad governance ’

    The whereabouts of the over 200 abducted Chibok schoolgirls remains unknown, 51 days after their abduction. In this chat with Senior Correspondent Evelyn Osagie at a literary event in Ikenne, Ogun State, the Editorial Board Chairman, The Nation, Mr Sam Omatseye, spoke on this issue and others.

    Do you see what is happening now, especially the insurgency, as a repeat of history going by what happened before the Civil War?

    The insurgency is a more complicated issue. The insurgency is a product of bad governance, especially in the North, over a long period of time. It is a product of Nigerians moving into a psychology of self-help. In Nigeria, we have been helping ourselves with so many things: we have been helping ourselves with water, electricity, education, transportation, accommodation and employment. We have been in a situation where individuals have been involved in a lot of self-help. Violence is also another manifestation of self-help. They are using violence to get whatever they wanted. And they seem to be dangerously committed to it and getting away with it.

    This is what has led to the kidnap of the 276 girls at Chibok. Even at that the government’s immediate reaction did not show leadership. The president has not inspired anyone: he is acting as though there is no emergency. He went to dance Azonto when mothers cannot find their wards that were taken by randy bigots. We don’t have a country and we are just pretending.

    It appears that the future is bleak and Nigerian youths are worried. Where do we go from here?

    Nigerian youths today are very irresponsible. When we were students in the university, if this kind of abduction happens, the whole country will shut down. University students now do not act as though the kidnapped students belong to their generation. What are they doing with their time? They are involved in “yahooyahoo” and all kinds of resort to self-help and so on.

    In those days, for matters that were not even as grievous as this, we’d shut down the country. We made sacrifices because we knew that the country belongs to us.

    Over 200 youths are missing. The only people protesting are elders. Where are the young people? We have seen the mothers protesting across the country; what are the young people doing about the abuse of their own generation?

    Youths are suffering from self-abuse. I am not saying that the youths are the only ones responsible for this problem. My generation created the problem for the present generation. After protesting and showing the sense of responsibility when we were young, we got into position of powers and we have forgotten the values that we fought for. But the younger ones need to regenerate themselves; that was what we did when we were young. We separated ourselves from our leaders and parents and said: “we wanted a society that was better”.

    Don’t you think their reaction is a result of their disillusion towards a country that seems not to care about their plight?

    Then, the youth need to fight for themselves for what is right for the country and for s better tomorrow.

    What do you think of the North’s positions on revenue allocation to be reduced to five per cent and on separation of power?

    Reducing the oil revenue of oil producing states to five per cent does not bear relevance to the fact that the people who own the oil are supposed to have their oil. In a true federal state, those who produce should enjoy it. When you are producing 100 per cent and you are only getting 13 per cent, it is an insult to the people who are producing the oil. And still some are saying that the 13 per cent is too much. I think that such statement was very provocative and irresponsible. It does not really pursue any agenda of national unity or national sensitivity.

    That the North funded the civil war was even a false claim. They created the Civil War. On what resources did they fund the war? At the time of the war, Cocoa was booming in the South-west; we had rubber and farm produce in the East and in today’s Niger-Delta, where there was already oil. We had groundnut in the North then, which was just a subset of our large natural resources. But to say that the North funded the civil war is untrue.

    They did not even know how to fight the civil war. The North is a vast territory with a lot of natural resources. But their leaders are building a feudal state of hunger and exploitation of resources.

    Some say the conference is dead on arrival, others say its a repeat of what others, like the ‘Oputa Panel’, sought to achieve. What is your take?

    The conference is just an opportunity for some to fret out emotions. There is nothing going on there that is unique. We don’t have a national conference. We don’t have a real template for what we are to do. Watch out for what is going to happen with all the discussions that happen there! As always, it is going to amount to nothing. It is just a place for people to vent emotions, arguing over resource control, devolution of powers.  Do the people who are there even represent Nigerians? They were handpicked by the elite to discuss elite’s problems. Does the ordinary man have a say on who is there?

    Even the journalists did not know who were there to represent them. I am a top editor in Nigeria, but I had to know much later who would be representing the Nigerian Guild of Editors. That place is not representative of anybody. It is just a group of people coming together to collect N4 million a month and then waste our time.

    Sir, what advice  would you give to best curb insurgencies?

    We need to hold France to account.

    Why France?

    During the time of Charles de Gaulle, all French-speaking countries in Africa, except Guinea, went into an accord to get protection, economic co-operation and all sorts of agreements to subject themselves, even though they had Independence, under the French government. France has an overwhelming influence over the French-speaking countries in Africa. If we want Cameroun to work with us and they are unwilling, we need to hold France responsible internationally, in fact blackmail them, if the need be, internationally and make them do to Boko Haram, in those place like Cameroun and Chad, what they did in Mali to wipe out the insurgence there. They can do it if they want to; but we need a leadership that understands geopolitics to do that.

    Having said that, if they say Boko Haram is outside Nigeria, and that they operate outside and run inside, when they are inside, what have we done to hold them in? It is one thing to say that a rat spoils what you have in your kitchen. Why not block where the rat is coming from? Even at that, you have to know how to deal with the rat when it comes to your house because that rat is already under your control. The same logic should be applied when dealing with Boko Haram.

    Imagine the scenario where men went to school and abducted over  200 students; it is not like having just a few students taken away in a private car. It was like a convoy. How did that happen in a state of emergency? It’s like vehicle after vehicle, moving through town. How did that happen in a state of emergency? Have we answered that question? Did we have to wait till the world started shouting before we could understand the brunt on our national ego or before spurring into action. We are just not serious.

  • ‘Cutting one’s teeth never happens  to someone who wants to improve’

    ‘Cutting one’s teeth never happens to someone who wants to improve’

    He’s used to asking the questions, picking people’s brains, and deducing opinions. But penultimate Saturday, the tables turned around, and Sam Omatseye, veteran journalist and chairman editorial board The Nation newspapers, had the tables turned against him.

    The occasion was the maiden edition of Vintage Wine and Fresh Blends, an initiative of the Lagos Chapter of the Association of Nigerian Authors (ANA) that seeks to engage established writers (Vintage Wine) and emerging writers (Fresh Blends) respectively to a forum of literature lovers. Amongst those present at the event were former ANA Lagos Chairman, Dr. Tolu Ajayi, author Modupe Adenubi, as well as students from National College Gbagada, Lagos City College, and Ikosi Senior High School, who also presented Omatseye’s ‘This is our land’, a poem which is part of Mandela’s Bone and Other Poems Collection.

    Of course, after garnering journalism experience in excess of 20 years and publishing over five books, Omatseye was honoured as vintage. His books include three poetry collections: Dear Baby Ramatu, Mandela’s Bones and Other Poems, Lion Wind and Other Poems, a novel, The Crocodile Girl, and a collection of his journalism, In Touch.

    It is known that most journalists would rather focus the search light on others rather than themselves. But in the hot seat of the Rotunda Hall of the National Library, Yaba, Lagos, Omatseye could not escape probing questions from arts journalist Evelyn Osagie. And he opened on up to a plethora of issues concerning his writing – both journalism and creative writing.

    “It is very difficult talking about myself,” Omatseye began, thanking the students from the three secondary schools in Lagos that came to perform his poetry.

    “I want to say thank you to them,” he said.

    As if the opening was the needed fillip, Omatseye delved into the story of his life. He traced his writing career to early childhood. And he talked of how his father played a crucial role in forming him.

    Omatseye was born on June 15, 1961 on the outskirts of Warri, in present day Delta State, to an Itsekiri father and Urhobo mother. Shortly after his birth, his family moved to Lagos and he started primary school there. However, due to his father’s transfers, Omatseye continued in Warri before eventually completing his primary education in Ibadan. After that, he attended Government College Ughelli before proceeding to the University of Ife (Now Obafemi Awolowo University (OAU)) to study History. He then started work at Newswatch magazine as a rookie reporter.

    “The things that really formed my life,” Omatseye said, “can be categorised as my parental upbringing, especially that of my father, in terms of my literary aspirations. He was always concerned about books. We were always surrounded by books. And I still have some of his books in my library today. I remember when I finished secondary school before I went to the university, he saw that I always read Time magazine. I always took money out of my pocket money to buy Time magazine and it affected my capacity to fund other things. When he noticed this, he made it a point of duty (that) all through that period till I left the university, there was ‘special’ money to buy Time magazine.”

    Another influence he acknowledged was his environment. “I was always concerned about sufferings around.” This suffering would stare at the young Omatseye as his family went from being almost well-heeled to one “that had to think about where the next meal would come from.” This development, he said, gave him an idea of “the temporariness of prosperity and the possibility of injustice.”

    Later on when his interest with Time burgeoned, his father again was at hand to ensure a copy of the magazine was always at his behest. And it was through reading Time he met Roger Rosenblatt, his journalism role-model, during his second year at Ife. “I loved the way he wrote essays, the way he combined ideas. He had a capacity to show that everything that happens has a dimension in philosophy, literature, the arts. He was such a great writer.”

    Other influences on his writing, Omatseye also admits, include William Shakespeare because “he re-energised and re-invented the English language,” Winston Churchill because of “his oratory” and “because he had the power of language to stand up against tyranny,” and St. Paul “for his ability to relate the spirituality of existence.”

    Omatseye’s incisive journalism which borders on the Nigeria’s socio-political milieu is often flowerily presented, using quotes and comparisons from literature, via his weekly Monday column, In Touch. Through the column which enjoys a wide love/hate relationship, one glimpses Omatseye’s creative side. And responding to a question of how he combined journalism and creative writing, Omatseye himself was at a loss.

    “It’s a question I find difficult to answer because I also wonder how I did it,” he said. “I think it was achieved by passion. It’s just like somebody who loves to sing. You find time to sing. If it means I have to spend some nights in sleeplessness, I would do it. I would stay late and do it. I would wake early in the morning and do it.”

    When asked why he only recently became a published author, Omatseye responded that he had written two earlier works; a novel and a poetry collection titled Fangs which was judged second in the 1989 poetry category of the ANA prize.

    Though, both works are lost now, because of the political crisis in the early 1990s which made him “live a scattered and unsettled life.” He quipped: “Maybe ANA can find it.”

    Attributing his life to the mercies and grace of God, Omatseye shared some of the upheavals he had faced, especially while practising as a journalist with the now rested National Concord. He recalled being one of the first callers at the site of the plane crash at Ejigbo, Lagos, on September 26, 1992, in which some senior military officers died. Omatseye was one of the journalists that arrived the scene early but not content with just waiting on the sidelines, he sought another route through the help of those in the neighbourhood to help evacuate the corpses of the army officers. After doing the rounds, the journalist in him was looking forward to the scoop when his cover was blown by a State Security Service (SSS) who later discovered he was a reporter.

    He suffered beatings from soldiers. And he said it was only the arrival of the late Gen. Sani Abacha that gave him an opening to escape as the soldiers drilling him went to meet their boss.

    That incident, coupled with his other writings, made him a marked man by the military. Even when he was offered a fellowship in the US, he was only able to fly out because the security detail, who liked his writing, decided to look the other way. And while in the US, he received a letter saying he was still hounded. This necessitated him to stay in the US for 10 years, where he worked as a journalist and also a lecturer. He returned to Nigeria in 2006.

    To round off the event, Omatseye donated copies of his books to schools present.

    Despite being a consummate journalist and author, Omatseye still believes he is cutting his teeth. “I still ask myself if I have ever cut my teeth,” he said. “I don’t think that cutting one’s teeth ever happens to someone who wants to improve. Even when I write, I only like it the time when I’ve written it. When I go back to it, it’s almost as if I have a lot of work to do.”

  • Awards mean more work, Edun tells The Nation staff

    Awards mean more work, Edun tells The Nation staff

    •Board chair felicitates with the Newspaper of the Year

    The Nation, Nigeria’s “widest circulating newspaper” was the toast of the media, as it won six top awards from a record 15 nominations at the 21st NMMA at the serene Ikogosi Warm Springs Resort at the weekend.

    Edun was received by a team, led by Managing Director/Editor-in-Chief Victor Ifijeh; Executive Director (Finance and Administration) Ade Odunewu; Editorial Board Chairman Sam Omatseye; Editor Gbenga Omotoso; and Online Editor Lekan Otufodunrin, among others.

    The other prizes won by The Nation were Editor of the Year, Capital Market Reporter of the Year, Money Market Reporter of the Year, Editorial Writing Prize and Power Reporter of the Year.

    This newspaper’s reporters were also finalists in categories, such as Columnist of the Year, Tourism Reporter of the Year, Human Rights Reporter of the Year, Telecoms Reporter of the Year, Oil and Gas Reporter of the Year, Investigative Reporter of the Year, Newspaper Reporter of the Year and Foreign News Reporter of the Year.

    Omotoso won the Dele Giwa Prize for Editor of the Year. The Editorial Board, which has won laurels for its editorials on critical issues, won the prize for Editorial Writing. Three of its editorials were finalists in the category. The winning entries were “Systemic rot”, “The real sacrifice” and “A time to clean the Augean stables.”

    Assistant Editor (News) Olukorede Yishau won the Intercontinental Bank Prize for Capital Market Reporter of the Year. Assistant Editor (Investigations) Joke Kujenya clinched the Peter Odili Prize for Power Reporter of the Year with her entry, “Why govt, workers quarrel over PHCN”, which gave rare insight into why workers of the Power Holding Company of Nigeria (PHCN) and the Federal Government were bickering over the agency’s privatisation.

    Senior Correspondent Collins Nweze won the UBA Prize for Money Market Reporter of the Year with his report, “National Assembly vs CBN.”

    Omotoso and Omatseye were finalists in the Columnist of the Year category.

    Serial award winner Olatunji Ololade was runner-up in three categories — Foreign News Reporter of the Year, Newspaper Reporter of the Year and Investigative Reporter of the Year.

    Assistant Editor Ozolua Uhakheme was runner-up in the Tourism Reporting category. Kunle Akinrinade was also a runner-up in the Human Rights Reporting category.

    Assistant Editor Lucas Ajanaku was runner-up in the Telecoms Reporter of the Year category. Also, Assistant Editor Emeka Ugwuanyi was a runner-up in the Oil and Gas Reporting category.

    Edun said the awards had placed more responsibility on the newspaper to do even better, adding that they mean more work by management and staff to surpass the achievements and remain the best.

    The one-time Lagos State commissioner for Finance said the honours the newspaper earned should not be one-off, but should be repeated next year and for many years to come.

    He cited the English football club, Manchester United, which won 20 league titles under its former coach, Alex Ferguson, but has been struggling this season under a new manager, David Moyes.

    Edun said many had started calling for the coach’s replacement although he had only been in charge for a short while.

    The implication is that having won multiple awards at NMMA, the efforts that yielded such reward must be sustained, he said.

    The chairman went on:”Let me use this opportunity to ask you to do what all successful companies, teams, groups, institutions do, which is that they use their success and the acknowledgement of their success as a springboard to re-commit themselves to what they are doing and to do even better, to go to even greater heights.

    “As we all know, you either keep growing, keep expanding and keep doing well or you fall back. “How long has Moyes been there and they are already calling for his head? That is because once you get used to success, you have to maintain it. So, well done.”

    Edun assured the management team and staff of the board’s backing and commitment towards making the newspaper the best.

    He said newspapers were important to the democratic process, adding: “We have a mandate to enhance democracy; we are fulfilling it. To do this, you must have commercial visibility. This recognition will enhance our commercial visibility so that we can continue to deliver on our mission. It is the paper to advertise in because we have the reach, the spread and the readership.”

    He said he was always proud of The Nation team of columnists, editors and reporters and prayed to God to guide them.

    On welfare, he said: “You have done your best; we will do ours. It is a wonderful Christmas.”

    Odunewu described the Newspaper of the Year as a thing of joy, saying: “It is the reward of hardwork.”