Tag: Soyinka

  • Mo Abudu pays glowing tribute to Wole Soyinka on 90th birthday

    Mo Abudu pays glowing tribute to Wole Soyinka on 90th birthday

    Filmmaker, Mo Abudu, has penned a heartfelt tribute to legendary playwright and Nobel laureate, Prof. Wole Soyinka, celebrating his 90th birthday.

    On her Instagram, Abudu expressed her deep gratitude for Soyinka’s profound influence on her journey in the media industry.

    She fondly recalled Soyinka’s appearance as her first guest on her talk show “Moments with Mo” in 2005, acknowledging his generous guidance and counsel over the years.

    Abudu also celebrated the trust Soyinka reposed in her by granting her the rights to adapt his iconic play “Death and the King’s Horseman” into a film, which premiered at the Toronto International Film Festival in 2022.

    In her tribute, Abudu hailed Soyinka’s unwavering dedication to truth, justice, and artistic expression, inspiring generations.

    She wished the literary icon a happy 90th birthday, filled with love and appreciation, and sent her best wishes. 

    Abudu wrote: ”A heartfelt tribute to Professor Wole Soyinka on his 9oth birthday. A very happy 90th birthday to the legendary Professor Wole Soyinka!

    “This milestone offers a perfect moment to express my deepest gratitude for your immense influence on my journey into the world of media. It’s truly humbling to recall that you were my very first guest on Moments with Mo back in 2005.

    “Since then, I’ve had the incredible privilege of meeting with you on several occasions. Your generosity with advice and counsel has been invaluable.

    “But perhaps the greatest treasure is the trust you placed in me by granting the rights to produce “Death and the King’s Horseman – Elesin Oba.”

    “Seeing it become an official selection at the Toronto International Film Festival in 2022 was a dream come true, a testament to your timeless work.

    “Professor Soyinka, your unwavering dedication to truth, justice, and the power of artistic expression continues to inspire generations.

    “Here’s to you, sir! May you enjoy the happiest of birthdays filled with love and appreciation. Sending you tons of love and best wishes, always. Mo Abudu”

  • Wole Soyinka at 90

    Wole Soyinka at 90

    We salute this great man of letters and democracy activist, and wish him more fruitful years in good health

    Nobel laureate Prof. Wole Soyinka’s much awaited 90th birthday celebration, on July 13, was predictably preceded by various events, locally and internationally, celebrating the great man of letters and the historic milestone.

    President Bola Tinubu, on behalf of the Federal Government and an appreciative country, renamed the National Theatre, Lagos, as Wole Soyinka Centre for Culture and the Creative Arts. “I am pleased to join admirers around the world in celebrating the 90th birthday of Nigeria’s iconic son,” Tinubu said in a statement, adding, “It is also fitting we celebrate this national treasure while he is still with us.”

    Notably, the Royal Academy of Morocco and the Pan African Writers Association (PAWA) jointly organised an event, titled ‘Africa Celebrates Wole Soyinka in Morocco,’ where he was described as a “defender of African cultures.”

    The release of his third novel, ‘Chronicles from the Land of the Happiest People on Earth’, in September 2021, after a nearly 50-year break from novel writing, demonstrated his staying power as a creative writer. He was 87 at the time. It also showed his consistency as a vocal campaigner for a better society. The book was described in the ‘Financial Times’ as “a brutally satirical look at power and corruption in Nigeria, told in the form of a whodunnit involving three university friends.”

    Soyinka’s existence continues to emphasise the critical message of universal justice. He has gone to great and admirable lengths in pursuit of this philosophy, which is best encapsulated by his famous one-liner, “Justice is the first condition of humanity.” He has consistently played the important role of a defender of human freedoms, especially in Nigeria but also internationally. According to him, “The greatest threat to freedom is the absence of criticism.” His conscientious antagonism to the agents of darkness is recognised and respected to the point that his voice is constantly anticipated in response to reactionary forces.

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    True to this characterisation, he has an impressive history of courageous interventions in his country’s trajectory, including, in particular, his sensational and mind-boggling mediation in the combustible 1960s political crisis in the then Western Region, his effort to avert the civil war that raged from 1967 to 1970, his committed opposition to dictatorship, and his unequivocal insistence on a truly democratic, accountable and participatory form of government.

     It is a testimony to his indomitable spirit that unjust imprisonment, and forced exile on account of unmistakable life-threatening danger, proved to be weak restraining forces in his lifelong expression of the possibility of a better society.

    Indeed, in Soyinka, there is a rare conflation of the artist and the activist at a superlative level. The portrait of the fighter is brightly coloured by creative essence. Undoubtedly, in his literary career, the icing on the cake must be the 1986 Nobel Prize for Literature, an honour he received in the same year he was awarded the Agip Prize for Literature. For the Nobel decoration, which is indisputably regarded as the world’s biggest recognition for literary excellence, he was painted as a master of form and content “who in a wide cultural perspective and with poetic overtones fashions the drama of existence.” He was the first African to win the prize.

    There is no question that the accomplishment had the quality of a redeeming feature for the black man in a world corrupted by racism. He received the Special Prize of the Europe Theatre Prize, in Rome, in 2017, for “his art and his commitment,” and “bringing, in English, richness and beauty to literature, theatre and action in Europe and the four corners of the world.” 

    In 2014, he made the headlines following his rejection of the centenary award by the Goodluck Jonathan administration. The Federal Government had named 100 individuals to be honoured for their contributions towards the progress and unity of Nigeria, as part of the country’s centenary celebration, and he was recognised as an internationally acclaimed artist and literary icon. However, he described the inclusion of the late military dictator, Gen. Sani Abacha, “on the nation’s Roll of Honour,” as “this national insult.” He delineated Abacha as “a murderer and thief of no redeeming quality,” adding, “I can’t think of anything more grotesque and derisive of the lifetime struggle of several on this (Honours) List and their selfless services to humanity.”

    This episode not only demonstrated Soyinka’s heightened sense of decency; it also instructively showed that he was not uncritical and indiscriminate in his acceptance of honour.

    At the core of his expansive canonical oeuvre, which significantly reflects the influences of his Yoruba roots and covers drama, poetry, prose, music and film, are the human condition in the social context and the imperative of truth.

    He is better known as a playwright, and his dramatic works include ‘The Swamp Dwellers’ (1958), followed a year later by a comedy, ‘The Lion and the Jewel’; ‘A Dance of the Forests,’ the official play for Nigerian Independence Day, October 1, 1960; ‘The Trials of Brother Jero’ (1960), ‘Kongi’s Harvest’ (1964), ‘The Road’ (1965), ‘Madmen and Specialists’ (1970), ‘Jero’s Metamorphosis’ (1973), ‘Death and the King’s Horseman’ (1975), ‘Opera Wonyosi’ (1977), ‘Requiem for a Futurologist’ (1983), ‘A Play of Giants’ (1984), ‘King Babu’ (2001) and ‘Alapata Apata’ (2011).

    “Books and all forms of writing are terror to those who wish to suppress the truth,” according to Soyinka, a product of the University College, Ibadan, Nigeria; Leeds University, UK; and the Royal Court Theatre, London. He studied English Literature; and taught in universities at home and abroad. While at university in Ibadan, he co-founded the Pyrates Confraternity, a student organisation to fight corruption and promote justice, the first confraternity in Nigeria.

    In the almost 40 years since he won the Nobel at age 52, he has not gone cold artistically and remains warm politically, which validates his well-garlanded distinction. 

    His awesome multidimensionality extends to his role as a former head of the Federal Road Safety Corps (FRSC), with the vision “to eradicate road traffic crashes and create a safe motoring environment in Nigeria.” His continuous interventions in the issues of the day are proof that the public intellectual can make a profound social impact. 

    A true hero, he remains a voice of global significance. His distinctive luxuriantly white Afro and beard complement the substance of his erudition and wisdom.

    We congratulate him as he enters his nonagenarian years.

  • @ 90: Soyinka tallest living iroko in Nigeria’s literary forest – NCC

    @ 90: Soyinka tallest living iroko in Nigeria’s literary forest – NCC

    The Nigerian Copyright Commission (NCC) has felicitated the Nobel Laureate, Prof. Wole Soyinka, on his 90th birthday, describing him as the tallest living iroko in Nigeria’s literary forest.

    This is contained in a statement in Abuja on Saturday by the Director-General of NCC, Dr John Asein.

    Asein said that Soyinka demonstrated uncommon and unwavering commitment to building a society in which fairness, justice and citizen well-being were guaranteed.

    According to him, Soyinka remains a symbol of strength and courage in a world in dire need of a voice and represents the can-do spirit of the black race.

    “As a playwright, essayist, music composer and film producer, Prof. Wole Soyinka has a special place in our hearts and remains a major stakeholder in the copyright sector.

    “Amongst many other things, he is also a frontline human rights defender, an environmentalist, a promoter of education, a lover of humanity and a positive change-agent that has left his mark at every phase in Nigeria’s history as an independent State.

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    “As we celebrate the remarkable achievements of this great Nigerian, we recall his message at this year’s World Book and Copyright Day, reminding us about the negative effect of copyright piracy.”

    The D-G noted that Soyinka also emphasised the need for governments to appreciate copyright as a “corner stone in the intellectual edifice of humanity, across nations, races, faiths, cultures and histories.

    “We cherish his contributions to nation building. In return we hold ourselves to the highest standard of service and renew our commitment to build a better copyright system in which creators and the creative industry thrive.

    “Our sincere best wishes for long life in good health and soundness of mind go out on this momentous occasion to the tallest living iroko in Nigeria’s literary forest.

    “May he continue to grow strong in the forest of a thousand literary giants.”

    (NAN)

  • Soyinka at 90: His contributions to Nigeria, world immeasurable – Culture minister

    Soyinka at 90: His contributions to Nigeria, world immeasurable – Culture minister

    Minister of Arts, Culture and Creative Economy, Hannatu Musawa, has joined Nigerians and the global community in celebrating the literary legend, Prof. Wole Soyinka, on his 90th birthday.

    The Minister, in a statement through her media aide, Nneka Anibeze, on Saturday, congratulated Soyinka on the remarkable milestone, acknowledging his enduring legacy.

    “I wish to extend our warmest congratulations to the Nobel Laureate, Prof. Wole Soyinka, on his 90th birthday.

    “His contributions to literature and culture have immensely impacted our nation and the world. His legacy continues to inspire generations, and we are honoured to celebrate him.

    “This milestone is a testament to his remarkable life, dedicated to the pursuit of excellence in literature, culture, and the arts.

    “Soyinka’s contributions to Nigeria and the world are immeasurable. His writings have inspired generations, and his tireless advocacy for justice, equity, and human rights has left an indelible mark on our society.

    “As we celebrate him today, we honour his legacy, creativity, and unwavering commitment to the advancement of our nation.

    “His life’s work has been a beacon of hope, inspiring countless individuals to strive for greatness. We are grateful for his inspiring life and legacy, and we look forward to many more years of wisdom, guidance, and inspiration,” she said.

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    Musawa also expressed excitement at the renaming of the National Arts Theatre as the Wole Soyinka Centre for Culture and Creative Arts by President Bola Ahmed Tinubu.

    “This renaming bears testament to the enduring legacy of Prof. Wole Soyinka, whose contributions to literature and culture have immensely impacted our nation and the world as a whole.

    “The National Arts Theatre will continue to be an icon of creativity and a symbol of our rich cultural heritage.

    “The renaming comes at an appropriate time, as the theatre gears up to reopen after undergoing extensive renovations by the Central Bank of Nigeria (CBN)/Banker’s Committee to transform the theatre into a world-class centre of culture,” she said.

    (NAN)

  • Tinubu names National Theatre after Wole Soyinka

    Tinubu names National Theatre after Wole Soyinka

    • Flood of tributes for Nobel laureate at 90

    President Bola Tinubu has named the National Arts Theatre in Iganmu, Lagos, after Nobel Laureate, Professor Wole Soyinka.

    Tinubu announced this in a letter he wrote to celebrate the iconic figure in commemoration of his 90th birthday.

     In the tribute personally signed by the President and made available to the newsmen yesterday, he noted that the literary giant, the first African to win the Nobel Literature Prize in 1986, deserves all the accolades in this milestone “Having beaten prostate cancer, this milestone is a fitting testament to his ruggedness as a person and the significance of his work.”

     The President said that it is also fitting to celebrate “this national treasure while he is still with us,” adding: “I am, accordingly, delighted to announce the decision of the Federal Government to rename the National Theatre in Iganmu, Surulere, as the Wole Soyinka Centre for Culture and the Creative Arts.

     “We do not only celebrate Soyinka’s remarkable literary achievements but also his unwavering dedication to the values of human dignity and justice.

     “When he turned 80, I struggled to find words to encapsulate his achievements because they were simply too vast. Since then, he has added to his corpus with his series of interventions, which have been published in many volumes.

     “Professor Soyinka is a colossus, a true Renaissance person blessed with innumerable talents. He is a playwright, actor, poet, human rights and political activist, composer, and singer.

     “He is a giant bestriding not just the literary world but our nation, Africa, and the world.

     “He remains the shining light of our nation, the gadfly that pokes our national soul, decrying tyranny and oppression, urging us to become better as a nation.

     “He is one Nigerian whose influence transcends the Nigerian space and who inspires people around the world. Since his youth, he has been a vocal critic of oppression and injustice wherever it exists, from apartheid in South Africa to racism in the United States. Soyinka always speaks truth to power.

     “Beginning from his 20s, he took personal risks for the sake of our nation. His courage was evident when he attempted to broker peace at the start of the civil war in 1967. Detained for two years for his bravery, he narrated his experience in his prison memoir, ‘The Man Died.’

     “Despite deprivation and solitary confinement, his resolve to speak truth to power and fight for the marginalized was further strengthened. His early writing, such as ‘The Lion and the Jewel,’ and Death and the King’s Horseman’, not only testified to his mastery of language, and his innovative storytelling, but also his unflinching commitment to enthroning a fair and just society.

     “Our paths crossed during our just struggle for the enthronement of democracy in Nigeria following the annulment of the June 12, 1993 presidential election. When faced with a trial in absentia and a death sentence by the military regime at home, he galvanized opposition in exile through NALICON and NADECO. His global stature made him the face of our struggle to validate June 12 and restore democracy in Nigeria.”

     President Tinubu joined the world to celebrate his profound influence on generations of writers, scholars, and activists who have been inspired by his work.

     “I celebrate him for giving us the spark to fight and confront military dictators in our country. I celebrate him for his enduring spirit and for teaching us that literature and drama can be used as a powerful tool to challenge the status quo.

     I wish Professor Soyinka an incredibly happy 90th birthday.

     “May he continue in good health to find creative fulfillment in the next decade leading up to his centennial.

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     “May he continue to inspire us all to build a nation where people are free from oppression and our teeming youths can live up to their dreams without being a wasted generation,” the president prayed.

    Also extolling the virtues of the literary giant, Lagos State Governor, Mr. Babajide Sanwo-Olu, described him as a patriot and Nigeria’s and Africa’s pride.

    Governor Sanwo-Olu, in a congratulatory message issued yesterday  by his Special Adviser on Media and Publicity, Mr. Gboyega Akosile, said the playwright, poet, and essayist is worthy of all celebrations as a Nigerian advocate of good governance, voice of the voiceless and one of Nigeria’s biggest exports to the world.

    The governor said the Nobel Laureate, as a quintessential scholar and literary icon, has used his position and experience to contribute positively to literature, academics, and governance, not only in Nigeria and Africa but globally.

    Governor Sanwo-Olu also praised the celebrant for his commitment to democratic government. He commended the crucial role the playwright played in the dark days of the military junta for the restoration of democratic governance in Nigeria in 1999.

    He said: “On behalf of my family, the government, and the people of Lagos State, I express warm felicitations to the Nobel Laureate, Prof. Oluwole Soyinka, on his 90th birthday anniversary. We are happy to associate with one of Nigeria’s pride and biggest exports to the world.

    “Prof. Soyinka is a literary icon who has excelled in all genres of literature, and his prodigious works have continued to be a reference point in academic circles all over the world. He is a great pride to Nigeria, Africa, and the entire black race. His long years of outstanding accomplishments and consistency in the crusade for the wellbeing of citizens had culminated in his legendary status.

    “Professor Soyinka is a renowned advocate of truth, justice, and equity. He has demonstrated his commitment to democracy, responsible and responsive governments the African continent.

    “Prof. Soyinka, played a crucial role during the June 12, 1993, presidential election annulment struggle by aligning with pro-democracy activists to fight the military junta for the restoration of democracy in Nigeria.

     “As Prof. Soyinka joins the league of nonagenarians, I wish him good health and more years of meritorious service to our dear country, Nigeria, Africa and the world. May we continue to benefit from his deep knowledge and worthy example.”

     Copyright Commission, Akinyemi, Osundare, Odia hail playwright 

    The Nigerian Copyright Commission described Prof. Soyinka as a symbol of strength and courage in a world in dire need of a voice.

    The  Director-General, Nigerian Copyright Commission, Dr. John O. Asein, stated this in his goodwill message on the 90th birthday of the Nobel laureate.

    Asein in his message titled ‘Celebrating a living Iroko in the forest of a thousand literary giants!’ said the commission cherished the contribution  of Prof Soyinka to nation building.

    He stated: “On behalf of the management and staff of the Nigerian Copyright Commission, I join the global community to felicitate our Nobel laureate, Professor Akinwande Oluwole Soyinka, on the occasion of his 90th birthday.

    “As a playwright, essayist, music composer and film producer, Professor Wole Soyinka has a special place in our hearts and remains a major stakeholder in the copyright sector.

    “Amongst many other things, he is also a frontline human rights defender, an environmentalist, a promoter of education, a lover of humanity and a positive change-agent that has left his mark at every phase in Nigeria’s history as an independent State.

    “All through his adult life, Soyinka has demonstrated uncommon and unwavering commitment to building a society in which fairness, justice and citizen well-being are guaranteed.

    “He remains a symbol of strength and courage in a world in dire need of a voice and represents the can-do spirit of the black race.

    “As we celebrate the remarkable achievements of this great Nigerian, we recall his message at this year’s World Book and Copyright Day, reminding us about the negative effect of copyright piracy and the need for governments to appreciate copyright as a “cornerstone in the intellectual edifice of humanity, across nations, races, faiths, cultures and histories.”

    Celebrated poet, Prof. Niyi Osundare in his tribute described Wole Soyinka as “a fierce, unrepentant believer in the power of the word, as shaper of memory and tutor of the faculty of remembrance. He is a possessor of a large heart and capacious mind, he is a tireless defender of our common humanity and champion of the kind of justice that keeps our moral universe in perfect balance. His is the kind of voice which thunders through the jungle of silence; the kind of candor which routs the army of cant and dissemblance.

    On his part, respected diplomat, Prof. Bolaji Akinyemi said: “Professor Wole Soyinka, Bros Kongi, as I call him is not only a Nigerian icon and he is not only an African icon, he is a world icon. And this is something that was ably demonstrated by the fact that Morocco, an African country a few days ago recognised and praised him that “you the authority on the use of words”. And Nigerians should be very proud that this happened. How he has managed to combine being a genius with being a social activist is something that baffles me. And I suppose that at the same time it is something that has encouraged many young Africans that they can combine scholarship with being socially involved. Happy birthday Bros Kongi. Many more years of activism, political activism and so on. African, the world needs him.”

    Ace poet and social critic, Odia Ofeimun noted that besides the Nobel, Soyinka has oùt-written every other writer in sight. His words: “Writing is hard work. His age merely gives a rounding affirmation to his distinctiveness. He is gifted with a toweringness that cuts across and over all the criteria of the term “greatman”. Of all the awards that Nigerians have been getting, the one at the National Theatre is the most fitting. Anywhere in the world, no country can have a better candidate.”

  • The Noble Warrior: FirstBank honours Soyinka at 90

    The Noble Warrior: FirstBank honours Soyinka at 90

    The Noble Warrior, a theatrical performance of Eni Ogun has been listed as part of the birthday celebrations and activities in honour Nobel Laureate, Prof Wole Soyinka at 90.

    Announcing its sponsorship of the Lagos command performance in a statement on Tuesday, the Group Head, Marketing and Corporate Communications, FirstBank, Ms Folake Ani-Mumuney said, the bank was proud to be part of the special tribute to the Nobel laureate.

    Ani-Mumuney described the living legend as a true literary giant whose contributions to literature and humanity had continually inspired the bank. She said FirstBank’s sponsorship of The Noble Warrior-Eni Ogun was a a modest way of demonstrating of the bank’s appreciation of Soyinka’s contributions to the Nigerian literature and culture.

    She added that his writings which had transcended borders had remained a true embodiment of the power of art as a tool to uplifting society.

    “First Bank is woven into the fabric of society, and for 130 years, we have been enabling success in the creative industry value chain through our First@arts initiative and Eni Ogun is another opportunity to reinforce this impact to support and empower small businesses,” she said.

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    Ani-Mumuney said The Noble Warrior – Eni Ogun, produced by Cash Onadele and directed by Oriade Adefila will be performed at the Muson Centre on Saturday July 20, 2024 at 6:00 p.m.

    She added that it was another significant stride in the Bank’s First@art initiative aimed at supporting the arts and cultural development value chain for the growth and development of the nation’s creative economy.

    She added that it was also in recognition of the contributions and achievements of  Soyinka as Africa’s first Nobel Laureate.

    Eni Ogun, the Noble Warrior is set to tell the historic story of the successful defeat of the colonial forces at the hands of natives.

    The story intends to reposition the truth in history and showcase the repercussions of cultural invasions and the fight for freedom against imposing powerful colonial invasions.

    The protagonist’s brand persona, Oluwole, a princely noble warrior can be likened to Soyinka and highlights similar personality traits as a fighter and the humane warrior in his 90-year sojourn on earth.

    According to the performance Executive Producer, Toye Arulogun, FirstBank is supporting this special production of The Noble Warrior as tribute to a national and global literary icon in consonance with the philosophy of the First@art initiative.

    Arulogun said FirstBank had demonstrated commitment to development of the creative arts industry through partnership with Adubiifa Network Co. for the landmark birthday of Soyinka – “pride of our cultural heritage.”

    First@arts is FirstBank’s platform for consolidating its efforts in arts, supporting the creative arts value chain, providing funding , showcasing and facilitating the successes of the industry and helping customers explore opportunities.

    Born in Abeokuta, on July 13, 1934, Soyinka became the first African to receive the Nobel Prize for Literature in 1986.

    To date, Soyinka has published hundreds of works.

    In addition to drama and poetry, he has written two novels, The Interpreters (1965) and Season of Anomy (1973), as well as autobiographical works including The Man Died: Prison Notes (1972), a gripping account of his prison experience, and Aké ( 1981), a memoir about his childhood. Myth, Literature and the African World (1975) is a collection of Soyinka’s essays.

  • The Man Died ‘resurrects’ on Lagos stage

    The Man Died ‘resurrects’ on Lagos stage

    After setting the tone in March, during the World Poetry Day at the Eko Hotel and Suites, Victoria Island, Lagos, the 90th birthday celebrations of Nobel laureate Wole Soyinka will hit many arts centres across Lagos, Abuja and Abeokuta beginning this weekend. From Muson Centre, Onikan Lagos to University of Lagos, Freedom Park, Lagos, Korean Cultural Centre, Abuja and June 12 Cultural Centre, Kuto Abeokuta, Ogun State, arts enthusiasts will have a bountiful harvest of performances that mirror the many parts of Kongi, Assistant Editor (Arts) OZOLUA UHAKHEME reports

    The Man Died, a feature film inspired by the ‘Prison Notes’ of Africa’s first Nobel laureate, Wole Soyinka, will have its ‘special premiere screening’ on Friday, July 12, in Lagos.

    The screening, a strictly by invitation event, is designed as a flagship of the global celebration of the 90th birthday anniversary of Soyinka (who is 90 on July 13); and it is expected to be witnessed by a gathering of eminent dignitaries, members of the diplomatic corps, industry stakeholders, family, friends and associates of the Nobel laureate as well as key members of cast and crew of the film. 

    “This is not the premiere yet but a special screening to commemorate the 90th birthday of Prof Wole Soyinka,” stated the organisers, stressing that guests would only be admitted based on their invitation and RSVP. A later date will be set for the formal premiere of the film, assured the managers of the event.

    Shot entirely in Nigeria – Lagos and Ibadan – late 2023, the 110-minute feature is directed by the cineaste and culture scholar and academic, Awam Amkpa and produced by the ace storyteller and media content producer, Femi Odugbemi for the renowned film company, Zuri 24 Media.

    A fictionalised adaptation of the stories narrated in the prison memoirs, the screenplay written by young but tested writer, Bode Asiyanbi, is ‘not a bio-pic of the prison life of Soyinka, but an expanded narrative on his prison experiences, and includes stories that you would find in his subsequent memoirs on his life stories,’ stated Amkpa, the director in an earlier released The Making of The Man Died, produced by Odugbemi.

    Amkpa, a former student and long-standing associate of Soyinka, said stories from Soyinka’s subsequent memoirs, Ibadan Penkelemes Years; and You Must Set Forth at Dawn, are also accommodated in the film. A trained theatre artist, filmmaker and culture scholar, Amkpa is currently Professor of Drama, Film and Social and Cultural Analysis, and Dean of Arts and Humanities and Vice Provost for the Arts at New York University Abu Dhabi.

    Produced by ZuriMedia24, with generous financial support from the New York University, Abu Dhabi, the film is shot by an entire Nigeria crew with no input from any foreigner, except in the post-production. The director of photography is Agbo Kelly while the Production Designer is Theo Lawson, an architect who has, however, been involved in other film projects in recent years.

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    On reason for relying entirely on an local production resource to realise the film, unlike projects of its status, which usually bring certain crew members from outside, Amkpa said this was a deliberate and intentional choice.  He said in making such a film based on the ‘colourful and fascinating life of enigma who is also an eminent global citizen, authenticity is very important. We need to stress on the input of people intimately familiar with the cultural and political environment that shaped the Nobel laureate and his narratives, irrespective of their skill sets.’

    He continued, “I have an army of former students who are big-time filmmakers in Hollywood and elsewhere that I could just call on a whim to make the film and shoot it in Nigeria but that for me, there’s no learning curve. For me, every creative project is like going back to the basics and building back upwards. That was why for me it was very educational to come here.”

    Odugbemi, a veteran of the Nigerian movie and television sets, stated in an interview, “As you probably know, it is a very intimate account of Soyinka’s 22 months in solitary confinement for his role in trying to bring a halt to the civil war. I hope this narrative of resistance and courage inspires this generation.

    “It is also an ambitious adaptation that brings to life an iconic literary work offering a deep, personal perspective on Nigeria’s conflicted political history and the intense challenges of nation-building. By transforming Soyinka’s poignant narrative into a visual medium, I hope to reach a broader audience, particularly young people, who might be less inclined to engage with the written text but can be profoundly impacted by the film.”

    Over 100 film workers of varying specialties and industry experiences featured in the project with notable performers including Wale Ojo in the lead protagonist role of Soyinka, and Sam Dede as the main antagonist, Yisa, Soyinka’s interrogator and torturer. Aside the Hollywood rising actor, Abraham Amkpa, who played Soyinka’s bosom friend, Femi Johnson, other lead actors are Nobert Young (Prison Superintendent), Francis Onwochei (Prison Controller), Edmund Enaibe (AIG), Christina Oshunniyi (Laide Soyinka), Similoluwa Hassan (Emeka Ojukwu), Segilola Ogidan (Morenike), Dili Ezugha (Agu Norris), Ropo Ewenla (Olusegun Obasanjo), Henry Diabuah (Yakubu Gowon), Temilolu Fosudo (Bola Ige), William Idakwo (Victor Banjo), among others.

    Odugbemi, renowned for his indelible signature on many successful movies and TV series projects, including Maroko, Gidi Blues, Eve, Code Wilo (movies) and Tinsel, Battleground, Movement JAPA, The Covenant (TV), continues: “Of course, this is not just a memoir; it is a testament to the resilience and courage of the human spirit in the face of oppression. It vividly chronicles Soyinka’s experiences during the Nigerian Civil War, highlighting the brutal reality of political imprisonment and the relentless struggle for justice and freedom.”

    Odugbemi, a voting member of both the Academy of Motion Picture Arts and Sciences (Oscar Awards) and the International Academy of Television Arts and Sciences (Emmy Awards), among other film service roles, continued on the making of the film: “Through this film, we aim to inspire young people to embrace their role in demanding humanistic ideals from our nation’s political leadership. In a world where authoritarianism and corruption often threaten democratic values, we hope the film will resonate as a call to action for citizens to remain vigilant and proactive in pursuing justice and equity. We hope it sparks meaningful dialogue to inspire positive change in our country.”

    The July 12 premiere in Lagos is supervised by the film’s Associate Producers Makin Soyinka and Jahman Anikulapo with the Production Manager, Adewale Emmanuel Orosun, and managed by ONE Management. Admission is strictly by Invitation. It is supported by Lagos State Government, Providus Bank, Dr. Kayode and Erelu Fayemi, among others. The partners are Arise and Afia Tvs.

    After the Lagos premiere, the film will be screened next on July 25 at The Africa Centre (TAC), London, where it will feature as part of WS90 — a 9-day programme of events, jointly organised by the Wole Soyinka International Cultural Exchange and the TAC, also to commemorate the 90th birthday anniversary of the poet, playwright, essayist, memoirist, human/civil rights activist and global cultural icon. It will thereafter go on a tour of select festivals around the world, before hitting the public cinema screens in Nigeria, the UK, the USA, Europe, UAE and other centres around the African continent.

  • Centre honours Soyinka at 90

    Centre honours Soyinka at 90

    The Wole Soyinka Centre (WSC) is organising a lecture series in honour of the Nobel Laureate Prof. Wole Soyinka, who turns 90 on July 13.

    With the theme: The death of truth? Realisn, literature and journalism in an age of disinformation. The keynote speaker is Professor of African and African-American Studies and of Comparative Literature at Harvard University, Biodun Jeyifo.

    The chairperson is Vice Chancellor, Federal University, Kashere, Gombe State, and professor of Media History Umaru Pate.

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    The panelists include poet and author Odia Ofeimun, CEO, RadioNow 95.3 FM, Kadaira Ahmed, human rights activist and lawyer Chidi Odinakalu  and reporter and opinion writer with Premium Times Chiamaka Okafor.

    The symposium will hold on July 13, at the Agip Recital Hall, Muson Centre Onikan, Lagos.

  • Tribute Poems for ‘SoyINKa@90’

    Tribute Poems for ‘SoyINKa@90’

    Poem: What’s in the name ‘SoyINKa

    W-ords  O-ften  L-eaving  E-ars,  S-eeking

    O-ther  Y-ardsticks,  IN K-nowing A-ll. END

    Poem 13-7-2024:  ‘SoyINKa’, INK KING@90

    INK runs in the SoyINKa name

    In the same vein

    A DNA prediction of wwword.fame

    A birthright nom de plume, aflame

    A profound English word embedded in a Yoruba name

    Coincidence or destined  for SoyINKa@www.fame

    A Master of the www -wordwideword

    Of the www-wisewordworld

    Of the www-worldwidewole

    A Master of the mega-thINK

    Of the computer, biro, QuINK

    Of the milito-political last to blINK

     A Master, connoisseur of wine, the drINK

    Of the age-youth lINK

    Of the prison’s bolt clINK

    A Master of the title written in Kadahar, INK

    Of the escapologist’s slINK

    Of the world Griot/Maestro interlINK       END

    Poem:  Ode to the sage – SoyINKa @90 On The World Stage

    SoyINKa, Nobel Laureate, giant among iroko trees,

    Injected SoyINK A into the meek trembling leaves

    Morally towering above the militarised intimidated forest

    Shielding earth, pregnant with a democracy harvest

    Labouring to birth a free and fair Generation Next

    Inspired by SoyINKa’s fiery worded text

    Kongi’s shadow, refuge for cowed civilians

    Dirty-slapped, earlobe gripping frog-jumped millions

    Victims of bloody milito-political crossfire,

    Making Nigeria a democracy forest funeral pyre

    Every democracy dividend

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    Costing blood, graves, voters, dead in the end

    The SoyINKa iroko, sharpened to a giant pen tip

    Writing inspired lines on oppressed lip

    Survived accusations, myriad lies

    Assassinations, armies of spies

    Melting into forests, in motorcycle flight

    Disappearing, theatrically disguised, day or night

    SoyINKa sharp words punctured military balloons

    Freeing democracy butterflies from prison cocoons 

    Each SoyINKa weightywiseword barbed sentence

    An arrowhead of struggling democracy resistance

    The Sage’s halo, white-haired crown, camouflage of calm

    A white-hot flame, a helmet against political harm

    SoyINKa’s silhouette plume which, like snowy Kilimanjaro’s peak

    And Everest, even as we speak

    Still dances on piano keys Ago-Taylor, Ebrohemi,

    and to drumbeats Mbari, Ife and www.Safari  

    Leading democracy skirmishes vs milito/civilian koboko

    Seeking to cut down our revered iroko.

    SoyINKa’s Pyrates’ gourd gurgles first gravely, then gaily

    Laughing at its cutlass admirers giggling expectantly

    SoyINKa the Pirate Poet searches brain, book

    Seeking  the lost definitive word in every dictionary nook

    SoyINKa, Corps Marshal, strapped helmet to okada head

    Strapping seatbelts across Nigeria’s chest, cutting the dead

    Does SoyINKa, Hunter, Democracy Defender, dare to sleep?

    One eye open, ear cocked, Sage’s sleep is never deep

    The hunter asleep, searches the forest for discordant sound

    Among myriad African tunes rumbling from the ground

    Hunter gunfire’s acrid smell heralds fresh-kill blood

    While tearful gas shrouds democracy’s blood-stained mud.

    SoyINKa, Freedom Fighter, without your life

    Where would we be in Africa’s perennial political strife?

    We changed MILITARISED to DE-MILITARISED ZONES

    And fight to change DEMOCRISIS to DEMOCRACY ZONES 

    Nigerian citizens have become DEMOLAZY,

    Politicians have become fiscally DEMOCRAZY

    We will never forget ‘THE (IN)COMPLETE WORKS OF WS’

    SAGE SOYINKA@90 , no less

    Going on 100, I thINK

    Enshrouded in computer clouds, today’s Kandahar INK

    New  SoyINKaesque irokos+ need continued nurture

    For Nigeria to have a rich apolitical future

    Aluta continua, Vitoria e uncerta!

    Not yet uhuru. To Nigeria be true

    Sage ‘SoyINKa’@90. THANK YOU

    And 90 Gbosas just for you, too! END

  • Soyinka and his enemies

    Soyinka and his enemies

    When an avatar turns 90, it should evoke a universal hurrah, especially if that personage is Professor Wole Soyinka. We can say that more people are rejoicing than those who are in pain. Yet the best writer this country has known is at odds with a certain mob of dark conscience.
    This essayist is more concerned about the young ones who have mutated into a monster of a generation and are even trying to deny him the name of a writer.
    I will ignore the older ones, some of my generation who have melded into that raucous chorus. Those are men and women, some of them prominent, who extol tribe instead of conscience, trump civility with imprecations, can’t act without cant, cloak the law with impunity. This tribe of men and women will not clap as Soyinka turns 90 but will fill the air with claptrap, with long-winded essays and pretensions to scholarship, erudition and inflammatory law.
    But what concerns me are the younger ones, some of them already 40 years old, but most of them younger.
    For the older ones, they know the pedigree of the bard. They followed in their lifetimes the sacrifices of his career and the genius of his offerings. But they have swathed themselves in denials. They are entitled to lie to themselves. But for the younger ones, I shed tears. This is a generation without what Frederich Nietzsche calls historical sense. This does not mean merely understanding the past, according to the German philosopher, but of deploying it with purpose for the present.

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    T.S. Eliot defines it as how to use the “pastness of the past” as though it has “presence.” it compels the attitude of William Faulkner, who asserted that the “past is never dead. It is not even past.” But you have to know the past to employ it.
    But these young ones do not know the past, so they are deprived of a historical sense.
    I must say not all of that generation are victims of this poisoned communion. Just a section, a wild, uproarious, unhinged, barbarous horde.
    It all started this season when Wole Soyinka pitched his tent with a certain presidential candidate. When he did, the conclave of catcalls clasped him to their bosom as their friend and ally.
    He even described Pitobi as a new kid on the block, which I thought was errant of the bard.
    I drew his attention to that at a certain lunch after the election. He was genuinely for the guy.
    But after the election, and the man lost, Soyinka was mum for a while. I learned he was undergoing his own research on how the polls went.
    He eventually saw that Pitobi lost, and that his followers wanted to hijack the republic.
    Unfazed, the bard came out and said the man he supported had lost and his followers were employing what he called “Gbajue,” a word more understood in Yoruba than any translation can attempt.
    In order words, it is what Joseph Conrad calls the “bravado of guilt.”
    They knew they lost, but they wanted to force their own republic on us all.
    A republic of agberos. Soyinka also expressed disgust at Pitobi’s mendacity over a meeting he held with him. He said what Obi made of the meeting was different from what they discussed. The bard had just seen the father of Gbajue pull his act to him at his Abeokuta redoubt.
    Since then, this mob has turned one of Africa’s most renowned writers and man of conscience into a villain.
    This has happened because of the collapse of decorum in our society.
    We no longer have a democracy of decorum or respect but a society of insults. If you navigate the social media and read and hear what they spew out in the name of free speech, you will understand that this nation has bred a generation of vipers.
    During the election campaigns, they operated like a faith with a cathedral. They had a general in battle, and sang all sorts of pious accolades as they cheered him on. But faith was his poisoned chalice.
    Pitobi didn’t know that. He was like the general Sisera in the scriptures who thought he had the great army. When the battle came, he quilted. The war was his poison.
    As the scriptures described the poison in an eternal line: “He asked water, she gave him milk, and she brought forth butter in a lordly dish.”
    The movement is still dizzy with that poison of illusion, a grand, delusional, self-aggrandizement. If they had a faith with a cathedral during the campaigns, they now have a faith without cathedral today. Their ecclesiastical leaders are seeing their icon pretend to be every one’s priest and follower, fasting for one faith today and another tomorrow, the sort of faithful that God said he would spit out in the Book of Revelations.
    That is their agony. They are spawning a new divinity in the mob, a god of chaos and rage, like the Greek god of the sea and water and earthquakes known as Poseidon.
    His exploits in Greek stories of shipwrecks and subversions are breathtaking. The Bible attributes the power to Satan in the Revelations and shouts “woe to the inhabitants of the sea.”
    This mob, who would not appreciate our bard, would do well to embrace logic. Rather, they profit in complaint. They have forgotten that this man has written some of the best plays ever written. Have they read A Play of Giants? Have they watched Death and the King’s Horseman? Do they know what his plays mean? Have they absorbed the awe of Idanre and Other Poems, or are they aware that this man who fought with pen and rhetoric and travels in the past wrote the long poem Ogun Abibiman dedicated to the fight for freedom in South Africa? They are ignorant because they are still making their Shuttle in the Crypt.
    These young men and women, who love Indomie, should read more about this indomitable man.
    Do they know that, in the throes of the Nigerian crisis, Wole Soyinka drove solo across the Nigerian borders to the Biafra and wanted to stop the carnage to come.
    Who among them can boast such courage? He stood for principle and that of peace, and that the Igbo brethren should not be forced into a fratricidal bloodhound.
    In his memoirs, You Must Set Forth at Dawn, he describes how Christopher Okigbo saw him in the east and yelled in ecstatic surprise.
    Okigbo, an immortal poet, was one of the casualties of that inferno. We lost him and how many more potential Okigbos have we lost to that needless war?
    Read two-time Booker Prize finalist Chigozie Obioma’s new novel on the war, The Road to the Country, a riveting new offering on the savagery of war. Soyinka drove on a lonely road to the country, and drove back. A top army officer told me that there was an instruction to apprehend and even eliminate any person or vehicle coming through the west from the east, except Wole Soyinka.
    He was a young man then. He was arrested and held by Gowon and the result was his prison notes, The Man Died.
    Has any of his traducers picked up a copy? One should wish that the plays, readings, seminars and other tributes of this season for Soyinka drown out the ululations of the barbarians.
    I want to recall some lines dedicated to him by the Ghanaian poet Atukwei Okai: “Let the greying day glow/Let the evening horns blow/ Let the melting mountains go/But let the sundown sow/ in your soul…the soil-sanctioned bulwark-bone…”