Tag: stage

  • As writers meet in Benue, literary decline takes centre stage

    As writers meet in Benue, literary decline takes centre stage

    While the Association of Nigerian Authors (ANA) held its 36th annual convention in Makurdi, Benue State, what was obvious was the fall in literary standards, reports Edozie Udeze. 

    Even though the 36th international annual convention of the Association of Nigerian Authors (ANA) has come and gone, the heat the three day event generated will take time to peter-out.  Held in Makurdi, the Benue State capital, the convention basically opened people’s eyes to the dwindling standards of Nigerian Literature.  Even though literary works and ideas are daily being churned out, the standard of literature in forms of grammatical presentation, styles and thematic concepts still fall below the average.  This is why one can easily say that there are books everywhere, yet there are none to read.

    The seemingly unfortunate situation of literary quality was very noticeable in the works that were submitted for the prizes this year.  This was why in his final report concerning the awards and the comments of the judges, Denja Abdullahi, the ANA president said, “you can see that the quality of entries this year are very low.  There’s indeed quality decline in Nigerian literature.  Indeed, this year is the worst”, Abdullahi who won the election for the second time, bemoaned.  It was actually based on this fact that it became somewhat difficult to get the best works as winners at the convention.  What went wrong, then?  What was responsible for this obvious decline?  As it is now, most writers, owing to the apathy of publishers want to go it alone.  They write, they edit and then send the manuscripts straight to printers.  In this way, there is the absence of the normal chain and processes of book publication.

    In other words, self publishing is killing standards, thereby encouraging and elevating mediocrity and low quality.  When a writer becomes his own referee, his own team manager, team captain and so on, all he gets is headache and kwashiorkor.  When the food is finally cooked, it is either half-done or badly cooked.  It is the sort of food that gives bellyache or constipation.  That exactly is the condition under which most literary works are produced in the society these days.

    Now, apart from poor patronage, where most people have chosen not to buy or read books, the Nigerian writer is also constituting himself into a nuisance of sorts.  He is invariably encouraging nonchalant readers to be more obstinate by keeping farther away from books.  At all ANA events as it is usually the tradition, there are many book stands.  There are many interested people milling around looking at books.  But do they buy?  Do they really consider most of the books good enough for their attention?  This is where the problem lies. Then what needs to be done?  Even in the face of self-publishing, writers should try to get professional editors to help read their works.  This way, standards will be maintained and the interest of the reader continuously stimulated and sustained.

    It can no longer be a moment where everyone pretends to be a writer.  No.  Writing is a serious calling; a business that requires higher calling and unbridled commitment.  This is what the Abdullahi-led team has been able to decipher.  Now, it is time to show more commitment towards literature so that the standards established by the founding fathers will not be obliterated.  Every father prays that his son becomes better than he is, so also every son wishes that he surpasses his father’s strides.  If that is the case, why then is it that modern-day Nigerian writings are deteriorating and letting literature decline.

    Proceedings

    In his welcome address, Abdullahi commended the Benue State governor, Dr. Samuel Ortom for his avowed interest in literature.  Between 1988 and 2017, Benue State has hosted ANA thrice.  This is commendable given the fact that many states have not even hosted for once.  Especially now that the economy is in tatters, the efforts of the Ortom-led administration in showing unalloyed interest in the affairs of the writers’ body is too good to be wished away.

    Abdullahi

    To make it concrete, many prominent Benue writers and elites were in attendance.  They came to give credence to the gathering and also encourage younger writers to be of good cheer.  This was the reason in his opening address, Professor Idris Amali, the chairman of the organizing committee reiterated the fact that Benue is always alive to literary issues.  He said, “the governor of Benue State, Dr. Samuel Ortom, whose love and passion for education has had him accept the challenge of taking the hosting right and supporting the entire project”, needs to be highly commended.  His good works, according to Amali was what attracted the writers’ clan of Nigeria to the state.  To him, Ortom still considers education the bedrock of the state.  “As a body we are mandated to promote writing and reading, not only in Benue but in the whole country”, Amali said, amidst hilarious acclaims by the gathering whose love for books also became euphoric.

    In his speech, the state governor who was represented by Professor Dennis Ityavyar, State Commissioner for Education, said, “We want everyone in Benue State to be educated.  Here we love education and therefore place high premium on it.  Even the first lady Mrs. Eunice Ortom also loves books and goes all out to encourage education.  This is why she sent me to tell you that she is part of ANA.  She even goes about to encourage millions to go to school”, he said, as writers clapped and hailed.

    He went further to challenge writers to write to effect the needed changes in the society.  The commissioner was however optimistic that “ideas should chart ways forward for Nigeria.  Ideas rule the world.  Changes lie in good ideas that emanate from good and sound writings.  This will also add values that will certainly propel progress.  This is why we are cooperating with ANA to achieve a better and sound society”, he presented.

    The governor however, challenged writers to produce books that can impact on the society.  “For this reason and more, we intend to handover schools to missions and other private owners.  Our intention is clear; we hope to make education not only affordable but encourage more private participation”, Governor Ortom asserted.  To him, once this exercise is concluded, the state will stand out as one of the best in Nigeria.

    In his keynote speech, Professor Saleh Abdu of Federal University, Kashere, reminded ANA members that they must localize most of their works to suit the numerous societal demands of the moment.  In the lecture titled, Canons, Prizes and Boundaries – African Writers and African Writings in world literature, he told fellow writers to consider writing as a cultural practice meant for positive developments, ideas that are germane for governments to sit up.  He reminded them of the need to go back to Professor Chinua Achebe’s speech in 1981 when ANA was formed.  In that speech he told writers to stick together as one body to challenge the misdeeds in the society.  Today that is what ANA should strive to do to effect a progressive society for the good of all.

    In all the 36th convention witnessed the participation of writers from Niger Republic who came to identify with their Nigerian counterparts.  Last year also some writers from Ghana were prominent.  The whole idea so far is to have constant cross-fertilization of ideas to help develop the West African region in terms of literary outputs and sorts.

     

  • KUNLE AJOMALE SET  FOR 30 YEARS ON STAGE

    KUNLE AJOMALE SET FOR 30 YEARS ON STAGE

    COME August 27, gospel artist, Kunle Ajomale will be celebrating his 30 years on stage.

    In a chat with The Nation, Ajomale reveals his musical journey.

    “I would say that my career as a gospel music artiste started in 1994, but I have been in music since 1987. I recorded my first album Erinwo (translated in English, it means ‘an elephant has fallen’) in the same year. I dedicated the album to Chief Obafemi Awolowo. It was, in fact, a tribute to him, especially for recognising and appreciating my talent when I was in the university.

    “The album won an award and the title song was also broadcast on radio during Awolowo’s funeral. I felt very proud listening to my own work  on the radio. I was playing highlife music in those days,” he said.

  • Ashionye, Evaezi, others hit the stage for ‘No More Lies’

    N20o More Lies, a stage drama starring Ashionye Raccah, Simi Hassan, Evaezi Ogoro and a host of others, will be staged this weekend in Lagos.

    Written and directed by Awoba Bob-Manuel, the psychological thriller will be staged on Saturday, July 22 and Sunday, July 23.

    The play which is produced by Phoenix Ensemble will be screened at the Agip Hall of the MUSON Centre, Onikan, Lagos. Showing at 3 and 6pm daily, producers say that it promises to be a rollercoaster ride of twists and turns.

    Other members of the exciting cast include Moses Samuel as well as Chiquita Ezenwa, Nengi Adoki , Chidi Okeke, Gbolahan Gibbs, Mandu Okpako, Helen Omideyi and Vincent Zakari

    No More Lies is an adaptation of Private Lies by Tyrone Terrence. The play captures ones man quest for vengeance and revenge till the lies are fractured and the truth is revealed. It is a story of love, lies, betrayal, forgiveness and redemption.

    Speaking about the play, Awoba revealed her excitement with the cast and crew. “This play is something every regular theatre goer and first-timer wants to experience and connect with. Our production team have been working on this for months now and I can tell you that this be will be a rich experience for we the cast and the audience alike,” she stated.

     

  • Ajagun Nla stirs the stage

    Ajagun Nla stirs the stage

    Ajagun Nla, a play written by Ladepo Duro-Ladipo is on the 19th century Yoruba wars fought between Ibadan and the combined forces of Oyo and Ile-Ife.  It was staged during the Easter period to draw attention to the numerous problems bedeviling the nation at the moment, writes Edozie Udeze

    The scenes created by the 19th century Yoruba wars can never cease to amaze the world.  The wars have generated lots of drama and theatre pieces that each time they are shown on stage, there are usually new things to learn and glimpse from them.  The play Ajagun Nla written by Ladepo Duro-Ladipo which was shown during the Easter holiday is also one of those striking features of what theatre can do to make a historical event register in the minds of thespians.

    Even though the play opened with the actors and actresses appearing from different angles of the stage, pouring encomiums on some Nigerian and African people who did their best to make the society better, the play itself essentially dwelt on the role of Ibadan warriors in the 19th century Yoruba wars.  Oyo Empire was under siege.  The people were daily being tormented by Ibadan warlords.  The market places had been shut down.  People were being strangled to death on their ways to their farms, to the streams.  Even at home, most of the people were not safe.  Fear; great fear of the unknown that ruptured the community became a greater albatross.  What then could they do?

    At this point, Oranmiyan, the Alaafin of Oyo summoned his chiefs and soldiers.  “What is the option now?”  he asked them all.  With one voice, they all agreed to send for Ajagunla, one of Oranmiyan’s brothers in Ile-Ife.  A brave warrior, tall and fearless, Ajagunla was known for his great exploits.  He was feared by his friends and foes alike.  He never embarked on an unfinished battle.

    His charms and war tactics spoke volumes.  And so on arrival, Oranmiyan did not waste time in telling him why he was summoned.  “But why did you allow the situation to get so bad, brother?” he asked Oranmiyan.  As he was handed over the staff of authority and power to prosecute the war, Ajagunla immediately became possessed.  He raised the staff and shouted; “here, death to our enemies; to the enemies of Ile-Ife and Oyo.  I will pursue them until there is no more life left in them,” he vowed.

    With intermittent sounds of drumming and dances, the play showed the combined forces of Ile-Ife and Oyo routing Ibadan forces.  The fierce battle produced death on both sides, but in the end Ajagunla triumphed.  As he did so, he also created enemies within.  Some of his trusted chiefs began to plot his downfall.  One of them gave his daughter to him as wife.  It was the same woman who attempted to ruin Ajagunla.  Even though she did not succeed, she was nonetheless able to usher in moments of fear, mistrust, doubts, suspicion and loss of moral amongst the ranks and files of Ajagunla’s soldiers.

    In the meantime, Ibadan devised a more dubious style to torment Ajagunla.  By now, Ajagunla’s war prowess, his strong charms and so on had begun to lose their potency.  With assortment of masquerade spirits placed in uncouth forms in the warfront, Ibadan people were able to demystify Ajagunla.  As he made to pass, they stabbed him in the back.  Even though he finished them all, the poison in the spear penetrated his system.  He struggled in vain to overcome the pain.  As he did so, his wives appeared on the stage to beg him not to die.

    “A hero, a warlord, does not die in the warfront,” he echoed.  “Neither does he go back home.  He only disappears to join his ancestors”.  As he moved out into the inner part of the stage, he raised his staff to disappear into the world of the unknown.

    Done in English and Yoruba languages, Ajagunla demonstrates the story of one man who loves his people; a man who volunteers to abandon his own cozy lifestyle in a settled kingdom to save others.  The zeal with which he fought the war showed that a leader can always emerge in the midst of confusion and crisis to liberate his people.

    In order to make the play more engrossing on stage, the director, Sina Ayodele used dances and drumming to embellish it.  The drumming zeroed into the nuances of the people.  The dances also showed a Yorubaland of the 19th century when people were not as civilized as they are today.  More so, the costumes depicted typical rural people of the period in question.  From very rudimental designed fabrics, the costumes were done to suit the exigencies of the show.  Each artiste was made to fit into an old scene where and when people hardly left their domains.  As they sang and danced, people’s minds flashed back into time when fear ruled the lives of many.

    This was why also the stage was designed to synchronize with the play.  Done by Biodun Abe, the artistic director of Abuja Carnival and one of Nigeria’s foremost stage designers, the stage was rolled back into the 19th century rural environment.  The rocks were made prominent.  In the deep background, were footpaths leading to the farms and to the streams.  They were also footpaths used by soldiers to trace their enemies and consequently made the wars possible.

    Indeed the beauty of the stage design helped to drive home the message.  On the elevated platform sat the Kabiyeisi (Oranmiyan).  On both sides of him were his trusted chiefs.  The rest of the stage was made available for the main body of the play.  On no account did any artiste invade or interfere with the platform meant for the Oba.  This is usually how it goes with a traditional stage setting done by someone who is truly at home with his people and what they stand for.  Abe is gifted in this manner and so as always, he sticks to this traditional style to give his stage designs that aura and euphoria that distinguishes him from the rest.

    The play showed the sense in presenting a story that harps on the need to have committed leaders in present-day Nigeria.  Ladepo, son of the legendary Duro Ladipo who wrote the play was careful in selecting scenes that represent some on-going events in the society.  The wars or the reasons for the crisis of yester year, can also be the reason for the confusion or the mistrust of today.

    In making it a two-hour piece, Ayodele, the director of the play, opined that it was necessary in order to make the message more elaborate.  “The message has to stick so that the audience would have something to go home with.”  Also the large cast was to show the total symbolism of the story itself and what ought to be done to eliminate wastes and build on the foundation of trust and commitment and love.

    Held at the National Theatre, Lagos, Ajagunla attracted theatre lovers from far and near.  The play brought out the roles Obatala, Orunmila, Sango, Ogun and Esu play in the lives of the people.  Even when the Ifa priest warned that the people should remain united in love to avoid the role of Esu, he was not taken serious.  And it was the same Esu that put a knife in the midst of the people and divided them into different camps and groups.  As he did so, hatred and undue rivalry became permanent in the lives of the people.  The lesson to be learnt here is enormous.  Even now, Esu still goes to where there is peace to sow seeds of disharmony, mistrust and death.  Some of the artistes in the play include Tunji Sotimirin, Yemi Solade, Seyi Fasuyi and others.

  • OMOWUNMI DADA DAZZLES ON STAGE

    OMOWUNMI DADA DAZZLES ON STAGE

    NOLLYWOOD actress, Omowunmi Dada has been having the best of times. With movies like King Invincible, Stormy Hearts, Omugwo and host of others, in which she plays lead role, it’s safe to say that the actress is making her mark in the industry.

    However, the thespian showed how versatile she can be when she featured in the critically acclaimed stage play Isale Eko.

    The play, which was recently picked as the official play for the Lagos@50 celebrations, was staged last weekend at MUSON Centre, Lagos.

    Isale Eko follows the life and times of the people of Lagos, their lifestyle, struggle for power, love and deceit.

    In the 1800s, Eko Kingdom has prospered and is a commercial hub. However, the ruling monarch just died. An internal wrangling over kingship and trade set Kosoko and his elder brother, Idewu at loggerheads.

    However, Kosoko’s heart lies with a Benin slave, Osarehia, a princess from the Benin Kingdom to who Eko owe fealty.

    Tension mounts as Osarehia’s owner, Eletu the kingmaker, plays a fast one on Kosoko, played by Femi Branch.

    Eletu sells off Osarehia but Kosoko is quick to buy her off her new owners and flouts tradition by bringing her into the palace to make her his queen.

    However, Eletu plays a mischievous one on the Eko kingdom by sending a false message to the Oba of Benin that his daughter is being held captive in Eko. This places both Kingdoms on a warpath.

    In the words of the actress, being on stage felt like going back to a big family. “And of course, it was something that I did alongside veterans. It was great being on stage again. I had the opportunity to dance and sing gain. Also I had to learn a whole lot about the history and culture of Lagos, the place of my birth. So it was a beautiful experience for me,” she said.

  • Tunmigbe thrills stage lovers

    Tunmigbe, of indigenous Family TV series Mr & Mrs Kogberegbe, which took place at the LTV 8 Blue roof arena, Ikeja, Lagos, is one of the memories for stage lovers to linger forever.

    The screen-to-stage performance tagged Tunmigbe was from the stable of Creative Village  production and had people gazing as the lead acts; Oladunni Badru took turns to drop their Jaws  with every of the script performance.

    The crème de la crème in the entertainment industry were not left out too as they rocked the red carpet sizzling and rocking stunning outfits that speaks volume beyond what words can describe.

    Celebrities like Pasuma Wonder, Damola Olatunji and his adorable wife, Lateef Adedimeji, Olajumoke Orisajuna, Morayo Oluwaseun Joseph, Wale Akorede Okunnu, Olatayo Amokade and many more.

    The organisers of Tunmigbe also used the medium to encourage Nigerians, especially Couples and lovers to develop the habit of watching stage drama, music and dance, live at the theatre and also spend some time together away from the everyday life hustle and bustle.

    Considering the present state of the economy as well as individuals, couples need to stick together and scale through the situation and this can work when they try as much as possible have fun and laugh away their sorrow from time to time thrugh casual dates in a relaxede laden atmosphere,” Oladunni said.

  • Lagos@50: Fela reawakens on stage

    Lagos@50: Fela reawakens on stage

    From April 13 to 15, Lagosians and Afrobeat music enthusiasts from all over the world will step into unforgettable nights of  dance and music by the late Afrobeat maestro, Fela Kuti. The event which is tagged,, ‘Fela! The Concert’, berths in Lagos, courtesy of Smooth FM the Easter weekend at the Eko Convention Centre, Victoria Island, Lagos.

    Conceived by iconic Bill T. Jones and using his pioneering music, a blend of jazz, funk, African rhythm and harmonies, the musical explores Fela’s controversial life as an artist, a political activist and revolutionary musician. Featuring many of Fela Kuti’s most captivating songs and imaginative staging, the show is a provocative hybrid of concert, dance and musical theatre unlike the last edition in April, 2011.

    As the pioneering forefather of Afrobeat, Fela Kuti’s musical legacy is as influential as the story of his extraordinary life. In a chaotic world burdened with non-stop reformation, many look to music as a means of escaping the problems of the world. Fela did the opposite. His music was borne of humanity and an overriding quest to influence the tide of the tempests tormenting civilisation.

    ‘Fela! The Concert,’ which stars cast members of the Tony Award winning Broadway musical welcome music lovers and audiences into the extravagant and rebellious world of the Afrobeat legend.

    Its patterning shapes history and emotions even as it proclaims an orderly universe. Thus it lives on after the last notes have fallen silent, on the lips of the proverbial music great. Fela Anikulapo- Kuti was indeed a music great; that is why his melodies experience persistent rebirth in several forms, every year.

    Tickets would be sold from February 13 at Eko hotel, Quickteller, Afritickets, Naija Ticket Shop, Terra Kulture , The Jazz Hole and Smooth FM Studios.

    Famed as the creator of Afrobeats music, Fela Kuti was born as Olufela Ransome-Kuti on October, 15, 1938 and died August 2, 1997. The controversial artiste and political activist who at one point married his 27 back-up singers later changed his name to Fela Anikulapo Kuti.

     

  • Davido has no right to send dancers off stage – Kaffy

    Davido has no right to send dancers off stage – Kaffy

    Following the scene at the 3Thrones concert, which was held recently; where Davido asked dancers to go off the stage, award winning dancer Kafayat  Oluwatoyin Shafau popularly known as Kaffy, speaking on behalf of dancers in Nigeria, noted that all dancers are professionals in their own field and deserve to be respected as any other person in the entertainment scene.

    According to the Kaffy, the dancers who have been practicing for weeks for the 3thrones, concert did not deserve the humiliation put on them by the artiste.

    Using profanities to address Davido in a video she posted on her Instagram page, she stated: “This message is for Omo Baba Olowo, it is unethical and unprofessional. I see up to 50 dancers practicing for the show that you have collected millions for, and they are being paid peanuts, only for you to tell them you don’t need them. They are human beings too.

    “And this goes out to all other artistes, where was your gut some years back on that same stage, when you were performing to people. Now that people are now screaming your name; Una don feel say, una no need dancers again.

    She added that Davido could have found a way of communicating with the dancers, “if u don’t want dancers, express it way before you agree to allow them dance, than when you are about to climb the stage and tell them you need them again or tell dancers not to come near you while u perform.”

    Following the outburst by the dancer, she later apologised for her choice of words.

    “I want to start by apologising profusely for my profanity,” Kaffy said.

    “It’s not how I roll. I am one person who promotes discipline and respect among dancers towards their clients and one another.

    “However this issue is real. We matter and deserve respect as we have become part of the building block of the entertainment world. We communicate with our bodies what words and sound can’t express. We paint a picture that defies laws of nature and produce masterpieces beyond mere imaginations. It requires a lot of brain power to begin to be a dancer not to talk of the ability to command muscles people can’t imagine using and that is still underrating the Power of the Art of Dance.

    Stating further, “So it is time we take control and have a voice. Create structure that will protect us from further disrespect and I will do all in my power to continue to protect dancers. I know great minds out there in our world that will rise up too. It’s been years and I have been quiet for too long.”

  • Oyo TAMPPAN set to revive stage drama

    AS part of the efforts to revive stage drama culture among Nigerian artistes, the Oyo State chapter of the Theatre Arts and Motion Pictures Producers Association of Nigeria (TAMPPAN) has concluded arrangements to commence a monthly stage performance in the state.

    The performance, according to the Publicity Secretary of TAMPPAN, Shola Popoola, is part of the strategy by the association to rekindle the interest of the people in theatre.

    “You know that Oyo State is the pace setter in the country. We are hoping to take the lead in the effort to revive the culture of stage performance, which is the pillar of theatre in the country.

    “The leadership of TAMPPAN in Oyo State is very serious with this project and is determined make stage drama attractive enough to draw the people to the theatres. It will also serve to impart practical knowledge into our members.”

    The performance will hold on the third Friday of every month at the popular D’Rovans hotel, Ibadan, Oyo State.

    It will be recalled that stage drama was very popular between the 60s and early 80s. It was made more popular by the travelling theatre groups, popularized by early artistes like the late Hubert Ogunde, Duro Ladipo and Moses Olaiya among others.

  • GALALA, ALANTA, SHAKITI ,TAKE CENTRE STAGE ON DANCE WITH PETER

    GALALA, ALANTA, SHAKITI ,TAKE CENTRE STAGE ON DANCE WITH PETER

    As familiar as fun lovers are to some of the dance steps on the Nigerian entertainment scene, having them in a competition came with a different feel and excitement, as shown during the on-going Dance with Peter reality TV show last Saturday.

    The show which is anchored by Gla ambassador, Peter Okoye, one half of the popular P-Square group, had ‘Afrobeat Street Challenge’ as its theme during the last edition of the show, and highlighted trending African music and dance such as Azonto, Alanta, Skelewu, Galala, Sekem, Shakiti and many others.

    The housemates performed the task using any African music of their choice.

    Judges of the Glo-sponsored show, comprising dance choreographer, Don Flexx, dance queen, Kaffy, and Peter Okoye coached the remaining 15 housemates. Team Flexx was made up of MX, Yemi, Kevin, T-Rubber, Nekky and G-Extreme; Team Kaffy had Paulette, Messiah, Julius Faktah and Amazing Amy, while Team Peter comprised C-Fly, Miracle, Tee Jay, Da Octopus and Bobby Blankson.

    Messiah did DJ Spinall’s Excuse me, T-Rubber performed Koffi Olomide’s Eta Major, Kelvin did DJ Arafat’s Chebele, Julius Faktah performed Toofan’s Orobo and Amazing Amy did Almok’s Gweta, while Miracle performed Toofan’s Gweta and May D’s Ibadi and MX performed JJC’s Motiwa.

    Other artistes who performed are Da Octopus who performed Konga’s Kabaka, Teejay who did Omawumi’s Somori, G-Extreme who performed Lil Keshi’s Gbese, C-Fly who did Cabo Snoop’s Prakatatumba and Nekky who performed PSquare and Awilo’s Enemy Solo.

    Stunned by the theatrics of the housemates who are in a battle for survival, Burna Boy, appearing as a guest judge on the show said MX’s dance skills was incredible, being able to switch dance steps and transit with ease. “That was really good MX, how did you do that. I’m really impressed, keep it up,” he enthused.

    Tee Jay was unable to impress Don Flexx who shook his head throughout her performance. He advised the budding dancer to pay more attention to her body movements and rhythm. “When you began your performance, I was enthusiastic that you would sail through, but you dropped your energy right at the middle and lost concentration. You also need to watch your movements,” he advised the contestant.

    Da Octopus’ performance was exceptional. He kept the judges in awe as they watched him with mouth agape throughout his time on stage. A standing ovation from the judges and audience greeted the lad as he rounded off. Peter who described his outing as mind-blowing advised him to sustain his energy up to the end.  “You blew my mind Da Octopus, but you need to maintain that energy with which you performed tonight,” he counseled.

    Paulette, Yemi and Bobby Blankson who were put on probation in the last edition were evicted from the academy having scored the lowest votes from the audience. While Peter Okoye expressed enthusiasm that the evicted housemates had the potentials of becoming great dancers and living out their dreams, Kaffy encouraged them to remain focused, dogged and pursue their dreams as she had been greatly inspired by their determination to succeed.

    Prizes such as iPhone, Glo Mifi, Modems, recharge cards and cash were presented to viewers and members of the audience who won in the voting and Trivia games. Those who missed the interesting episode last night can watch the repeat on African Independent Television (AIT) on Sunday at 5 p.m.

    Dance with Peter also runs on MTV Base on Wednesdays from 7 p.m. to 8 p.m. The company advised the public to vote for their preferred contestant by sending his or her code to 55518 at the cost of N50 per SMS. Those up for eviction are MX, Miracle, Messiah, Tee Jay and Nekky.

    Oraganisers say voting lines are open from 8 p.m. on Saturday to 12 midnight on Monday.