Tag: statue

  • Redeeming features of Awo’s statue

    Redeeming features of Awo’s statue

    So much has been said about this statue of a man in a million. It is larger than life as it sits magisterially on a gigantic ornate seat befitting of a man of leadership mien. Here sits the most hallowed Yoruba person living or dead – the figure of the legendary sage himself: the veritable Chief Jeremiah Obafemi Awolowo.

    Awolowo, London-trained lawyer and economist, did very well as a political leader. He became the premier of the Western Region in the years immediately before and after the nation’s independence. It was during the same era the Sardauna of Sokoto, Sir Ahmadu Bello was premier of Northern Region and the Owelle of Onitsha, Dr. Benjamin Nnamdi Azikiwe was premier of Eastern Region.

    The man more popularly remembered by his sobriquet Awo, was highly knowledgeable, disciplined, strict and skilful. He worked with the best of heads and hands in his government and was adjudged by most Nigerians, including his political opponents to have performed meritoriously at his post.

    He built the first television station in Africa. He built the multi-storey Cocoa House and the giant state-of-the-art Liberty Stadium. He also built a labyrinth of tarred roads throughout the region. These stood the Western Region out as most developed among the regions in the First Republic before the invasion of the military in 1966.

    Pertinently, Awo built schools in every town and village, and declared free education throughout his region. Yours faithfully was a beneficiary between 1961 and 1962 at Iyanfoworogi, Ile-Ife in today’s Osun State.

    This declaration of free-education throughout Western Region placed most of the children and youth of the region in the school system when majority of their counterparts still remained as cow-drovers, palm-wine tappers, fisher-men and rustic farmers in other zones.

    Even Awo’s fellow-leaders from other regions of Nigeria have given the sage hi-falutin plaudits. The most famous of such praises came from no lesser a personality than the Ikemba of Nnewi, Dim Chukwuemeka Ojukwu who described Awo as “the best president Nigeria never had”.

    So great has Awo grown in the heart of Nigerians, especially those of the Yoruba stock that right now the current Lagos State government which wants to leave a legacy of great service to the people, like Awo, has decided to further honour Awo with a statue.

    This Akinwunmi Ambode government that has turned the Lagos metropolis into a giant construction site has rolled out the drums to celebrate the exemplary leadership that Awo gave in his time.

    The government thus decided to build a new statue to celebrate Awo. It has been erected at the junction of Lateef Jakande and Obafemi Awolowo ways at Alausa, the seat of Lagos power.

    This latest honour done Awolowo has been hailed by all and sundry, especially as it has placed the man strategically at the entry-way to the place of Lagos governance.

    But there have also been some critical voices, not against the creation or location of the statue but voices pointing out some inexactitudes in finishing details of the figure.

    Prominent scholar, diplomat and columnist, Professor Jide Osuntokun in his column in The Nation on November 9, in frowning at some questionable traits in the visage, says the statue does not sufficiently resemble Awo and demanded that it should be uprooted and discarded.

    In a recent interview with Vanguard, Awo’s son-in-law, Pa Soyode (father of Nigerian’s current deputy first lady, Mrs Dolapo Osinbajo) also mildly criticized the statue saying “Awo never wore a boot”. He also revealed that Awo went for the best of shoes and would buy three pairs of his favourite, keeping one in Ikenne, one in Ibadan and one in Apapa. He said the shoe worn for Awo’s statue does not reflect Papa Awo’s preferences.

    Government has answered all criticisms by saying the statue is a work of art that cannot be expected to come out exactly as God created Awo.

    Nevertheless, when yours faithfully went to see the statue on Saturday November 11, it was highly impressive, attention arresting at its post in the administrative heartland of the Centre of Excellence. It has become a tourist landmark, where the young and old visit to catch a glimpse of the famous sage. It is the object to which all eyes are fixed as the traffic light turn red arresting vehicular movement to give right of way to others at this major road junction.

    It is the spot where some pedestrians halt the trek to see and reverence the great leader. It is the place where phones, cameras are put to much use snapping images of the legend.

    In truth, more traits that didn’t quite recommend the statue were also observed. The shoes were not boots if by a boot is meant a footwear that covers the ankle and sometimes part of the feet. But it was definitely pachydermous and not related to the elegant shoes that Awo wore.

    Similarly the Yoruba native agbada, buba and soro in its pristine Yoruba culture that Awo symbolized are not worn with socks or shoes that have strings.

    All said and done, all inexactitudes of the Awo statue are not enough to warrant its dismantlement. That would amount to throwing away the baby with bathwater. A skilful artist can still make all amends with the statue on its seat.

    All these done, it will be easy for Nigerians to side with Awo’s daughter, Ambassador (Dr) Tokunbo Awolowo-Dosumu who in an interview in The Punch praised Lagos State that has generously honoured Chief Obafemi Awolowo by this statue.

    The messages thereby will not be lost that Lagos State is advocating that we as a nation should have a new beginning of building Nigeria a-right. A task that is possible as Awo has shown how – more than 50 years ago – before the advent of petro-dollars

     

    • Amupitan writes from Isolo – Lagos State.  
  • My take on the Awolowo statue

    I have followed with keen interest the debate on the new Awolowo statue in Ikeja. On one hand, some people have dismissed the new statue on the grounds that it does not bear any resemblance or image of Chief Awolowo that they knew. On the other hand some have said the artist has a right and artistic license to bring his imagination to bear on his work.

    May I commend the Lagos State government for commissioning the work in the first place. I have always said our country must honour those who deserve to be honoured. Those who deserve to be honoured should be those who have made great contributions and impact on our lives. We have mythical figures like Oduduwa, Oranmiyan, Bayijiddah of Daura whose visages nobody knows. We have recent leaders of the 19th and 20th centuries that we can easily identify. They should not be politicians alone they should include leaders in commerce and industry, education and science, sports and entertainment.

    It is of course easy to identify our past political leaders without whom we would not have had our independence at the time we had it. And for those of us who are historically minded, there are leaders of the Nigerian area going back to as far back as the 9th century who deserve to be honoured. The only problem with the men of antiquity is that we do not know how they look. But we have pictures of some of our leaders of the 19th century like Usman Dan Fodiye, founder of the Sokoto caliphate, Alaafin Ladigbolu 1 of Oyo and Ooni Ademiluyi of Ile – Ife who were on their thrones when the white man came for example. We also have photos of Sarkin Mohammad Abbas, of Kano and king Jaja of Opobo and so on.

    In relatively recent times we have photos of Bishop Ajayi Crowther and later on, the photos of Sir Ibikunle Alakija, Herbert Macaulay,  Dr Adeniyi Jones, Ernest Ikoli,  Samuel Akisanya, H. O. Davies, Nnamdi  Azikiwe, Obafemi Awolowo, Kashim Ibrahim, Ahmadu Bello,  Samuel Ladoke Akintola, Michael Okpara, Ibrahim Imam, Anthony Enahoro, Joseph Sanwuan Tarka, Samuel Festus Okotie-Eboh, Aminu Kano, Saadu Zungur, and Adegoke Adelabu to mention a few.  I know the religion of Islam frowns at making representational image of God’s creation including man, but Turkey with its old and exceptional civilization permits this. There is no religious tradition in Christianity that is opposed to all kinds of art including imagining what God and our Lord Jesus Christ may have looked like to the artist.

    Now to the Awolowo statue. Some two or so years ago, some primary school children in Ikenne the home town of Chief Awolowo were asked who Obafemi Awolowo was and none of the children could hazard a guess except one intrepid little boy who put up his hand to answer the question. The teacher was relieved and asked the boy to educate his class of dullards only for him to say Obafemi Awolowo was a footballer. The teacher was surprised and was told by the boy that Obafemi played centre forward for Nigeria. This was how the teacher knew the young child’s Obafemi was Obafemi Martins. The little boy should not be blamed. Many of our university students do not know who the founding fathers of Nigeria are. We have spent most of our post-independence life under the military who apparently to keep our people disconnected from their past, banned the teaching of history in our schools. It is heartening to hear that the present government is trying to return historical pedagogy to our schools.

    This is where monuments come in. A visit to nearby Ghana will show us how this is done. The slave castles used by the Dutch slavers in the 16th to the 18th centuries are well kept and are visited by fee paying Black American tourists in their hundreds of thousands every year thus contributing to the Ghanaian economy. The residences of their colonial governors are still maintained and put to official use. The Race Course where Kwame Nkrumah proclaimed independence in 1957 still has the busts of Nkrumah, Ako  Adjei, Krobo Edusei and  Komla Agbedi Gbedemah standing there with correct-visages not as idealized by an artist. The Ghana government went all the way to Lincoln Pennsylvania to bring home the bed used by Nkrumah at the Lincoln University where he was a student in the 1930s having been predated by our own Nnamdi Azikiwe by almost a decade. His body and that of his wife Fatimah are preserved in a mausoleum in the Race Course.

    I remember visiting New Delhi sometimes ago and being shown the small bed Jawaharlal Nehru, the first Indian Prime Minister was sleeping on when he led a country of one billion people. It was not a golden bed but simple wooden bed without mattresses. Of course the bust of Nehru was the realistic image of the man as we see in his photographs. Any visit to the United States and either to the Lincoln column or the Kennedy centre would see the correct facial image of these two iconic presidents. Recently I was in the House of Commons in England and I saw the standing busts of British prime ministers from Walpole to John Major. I noticed the giant sizes of Winston Churchill and Margaret Thatcher which illustrates the bias of the officials of parliament to the Conservative Party. I was particularly impressed by the figures of Benjamin Disraeli and William Gladstone whose rivalry and competition dominated British politics for most of the 19th century. What you see in any public square in England is not the imagination of artists but the way their heroes looked not necessarily in sizes but certainly in their faces. There  is no doubt about the  likeness of these figures to the real people being celebrated at least for those from the 18th century to the present  when photos were available and those before that time were copied from painted images of their heroes.

    In Nigeria, we have no idea of how to preserve the past especially the recent past.  What have we done to our First Republic parliament? Our Prime Minister’s official residence is now an army officers’ mess!  The official residence of our Governor -General/ president was abandoned for years until it was recently handed over to the Lagos State government. The Premier’s Lodge in Ibadan has been converted to a High Court. The one in Kaduna is housing, I believe, the Gamji Foundation. The premier’s house in Enugu may have been put to other usage. The governors of the south-western states could have approached the estate of Chief Awolowo to buy his private residence which he used when he was premier of the West and convert it to Awolowo centre, open to the public to hold his library and memorabilia and to keep the flame of his memory burning.

    I acknowledge the fact that governments at various levels have honoured our past heroes. We have universities named after Obafemi Awolowo, Nnamdi Azikiwe, Ahmadu Bello, Abubakar Balewa, Ladoke Akintola, Michael Okpara, Michael Ajasin, Olabisi Onabanjo. None is yet named after Kashim Ibrahim, first central minister of education and governor of the whole of northern Nigeria. There are also roads and avenues named after some of them in Lagos and Abuja and other cities. In essence, their families cannot complain. Whatever is worth doing at all is worth doing well. A statue should look like the one it is made to replicate. It should not be left to the imagination of any artist to tell us what Awolowo looks like whether sitting or standing. It is my considered opinion that this Awolowo statue should be removed and somebody who knows how to make a look-alike statue of Obafemi Awolowo be contacted and contracted to do it.

  • Ambode unveils Fela’s statue in Ikeja

    Ambode unveils Fela’s statue in Ikeja

    As part of activities marking the 79th posthumous birthday of the Late Afrobeat Legend, Fela Anikulapo Kuti, the Lagos State Governor, Akinwunmi Ambode on Sunday unveiled the Liberation Statue erected his honour at Allen Roundabout in Ikeja

    Eulogizing the virtues of the late musician and freedom fighter, Governor Ambode described him as an enigmatic artiste who used the platform of his art to agitate for social and human rights by challenging government and people to explore development through social and economic activities that are rooted in African values.

    Governor Ambode said aside from challenging people to free their minds of all inhibitions and actualise their true potentials, the late music icon also voluntarily turned his back on a life of comfort and privilege, and took up his saxophone as a weapon to fight for the liberation of the people from neo-colonialism and bad governance.

    While insisting that the spirit of Fela was still alive as a movement of social consciousness and justice against oppression, the Governor said the late legend made the world sit up and take notice of the energy of African art and music, adding that he will forever be accorded his position in the global hall of fame of artistes.

    “The phenomenon that the world knows as ‘Fela’ was deeply rooted in the evolution of Lagos State. The story of music, art, entertainment and tourism in Lagos and Nigeria cannot be told without an eloquent mention of the “Abami eda”.

    “On this day, October 15th, which would have been Fela’s 79th birthday, the government and people of Lagos State celebrate ”Fela” with the unveiling of this Liberation Statue.  It has been 20 years since he passed on but the memories he left us with remain evergreen. Today we celebrate a man who voluntarily turned his back on a life of comfort and privilege, and took up his saxophone as a weapon to fight for the liberation of our people from neo-colonialism and bad governance.

    “This “Liberation” statue is not an image of Fela but a symbol of Fela’s philosophy. This artwork was created as a form of respect and remembrance to this legend; what he stood for and fought for with his music; his mythology; struggle for freedom; fight for human dignity; social consciousness; courage and Pan-Africanism,” the Governor said.

    Responding on behalf of the family, Fela’s daughter and social commentator, Yeni Kuti commended Governor Ambode and the artist for coming up with such a monument to recognize and honour their father in a big way, saying that it was a good representation of their late patriarch.

    She specifically justified the design of the monument, saying it was the expression of how the artist felt about the late legend.

  • LUTH repaints statue

    LUTH repaints statue

    The Lagos University Teaching Hospital (LUTH) statue has been  repainted. Reacting to the publication of the condition of the statue as carried by The Nation on Tuesday, March 17,  the Head, Corporate Services Division, Hope Nwawolo, in a rejoinder on behalf of the Chief Medical Director, Prof Chris Bode,  said: “Our attention has been drawn to the publication in your esteemed newspaper of Tuesday, March 17, 2015, with the above caption.

    “This has caused great embarrassment to the Management of the Hospital. Management wishes to state that this is a misinformation to the public, as the said statue has been repainted for quite some time now and still portrays the excellence which the Hospital has always been known for. It will be appreciated if this misinformation is corrected immediately.”

    It is on record that the statue was repainted on the eve of the said publication.