Tag: Terra Kulture

  • League of Lagos Artistes endorses Ambode with ‘Erinlakatabu’

    As the world celebrated the World Theatre Day recently, the League of Lagos Artistes marked the day with a stage play titled ‘Erinlakatabu’ (The Indisputable) at Terra Kulture, Victoria Island, Lagos.

    The drama revolves around a city called Orita Aje which was in need of a ruler. In the contest of picking a reputable God-fearing man, the  Alakoso told the chiefs and the people that there’s a man that is pure in heart and will do the will of the people in the city that will bring about transformation in the city and the man is called Ambode.

    The drama however took a turn by endorsing Governor Akinwunmi Ambode for second term as the artistes pledge loyalty to the incumbent governor.

    Notable names in Nollywood like Jide Kosoko, Adebayo Salami, Femi Adebayo, Yinka Quadri, Taiwo Hassan, Ronke Ojo and Olaiya Igwe were among the artistes who presented the stage play.

    The artistes also said that World Theatre Day showcases different cultures all over the world.

    At the end of the drama performance, the League of Lagos Artistes presented Governor Ambode with an award.

  • “Our Son The Minister” to show at Terra Kulture

    Our Son The Minister”, a stage play by the winner of Beeta Playwright competition will be showing on 9, 10 and 11 of February by 3pm and 4pm daily at Terra Kulture, Lagos.

    “This play is so special to me because from nothing my team and I created Beeta Playwright Competition and this was birthed. Paul Ugbede has written a masterpiece and I’m honored to be producing it, said Bikiya Graham Douglas, an actress and founder of Beeta Playwright competition.

    “Please come out with your friends and family to be educated and thoroughly entertained. I look forward to seeing you there.”

  • AFRIFF: Our challenges as female entrepreneurs, by panelists

    AFRIFF: Our challenges as female entrepreneurs, by panelists

    …As French embassy leads funding opportunities session for Nollywood

    For the women and entrepreneurship panel which took place at Terra Kulture, Victoria Island, Lagos, Thursday morning, at the ongoing Africa International Film Festival (AFRIFF), it was sisters doing it all for themselves.
    The event commenced with the screening of ‘She Started It’, a rousing feature length documentary film, exploring the cultural roots of female under-representation in entrepreneurship. ‘She Started It’, making use of intimate, action-driven storytelling prowess, highlights the challenges and triumphs of female tech entrepreneurs working in Silicon Valley.
    The film screening was immediately followed by a panel discussion comprising a star-heavy lineup of female entrepreneurs.
    Moderated by Afie Braimoh, CEO of Sacfruits and Operations Director of AFRIFF, the speakers were filmmakers, Uche Jombo and Blessing Effiom Egbe (The Women, Lekki Wives), Damilola Sobowale, Creative Director, SMIDS animation studio, and Joycee Awosika, Founder, Oriki, a skincare brand.

    Afie Braimoh, left, with the panelists

    The panelists all spoke on the challenges they face as females doing business in Nigeria, stressing their own individual experiences. While some of these drawbacks were a recurring element in the narratives, the women were united in their resolve to keep pushing as they pursued their passions single-mindedly. The event was presented in collaboration with the United States embassy and had selected students in attendance.
    At the Genesis Deluxe Cinemas, Lekki, Canon hosted a teaching session on how to livestream on different social media platforms (Youtube, Facebook) with simple software and inexpensive cameras. Some of the participants were allowed a practical feel of what was taught and demonstrated livestream setups.
    The Omotola Jalade-Ekeinde headlined ‘Alter Ego’, one of the three Nigerian films in competition for the festival’s biggest prize was screened, as well as the OC Ukeje/Joselyn Dumas reunion vehicle, ‘Potato Potahto’, playing out of competition. The French Embassy showcase of French films kicked off with showings of the Luc Besson blockbuster, Valerian, and the race relations comedy, He Even Has Your Eyes.
    At the Silverbird Galleria, the Institut Francais/Embassy of France presented a workshop on funding opportunities for Nollywood in terms of scripting and production funds headlined by Julien Ezanno, head of bilateral relations at the National Centre for Cinema and The Moving Image, France and featuring representatives from the Norwegian film industry.
    A session on the role of cinema in diplomacy followed shortly after with heavyweights such as Obi Asika who presents the annual Social Media Week, and Charles Novia (Alan Poza) join the panel to speak on their perception of the industry.

    The play at Terra Kulture

    Terra Kulture, and Bolanle Austen Peters Production played host to filmmakers, government officials and the diplomatic community for the French Embassy facilitated Cultural Night. The highly entertaining event involved a sneak peak of the upcoming stage musical, Fela and the Kalakuta Queens, which premieres in December, plus a rousing rendition of the classic South African staple, The Gumboot Dance (isicathulo). There was also a musical excerpt from Saro the Musical and live rendition of popular hit songs from a duo of talented vocalists. A cocktail and networking session followed.

    Scene in the play at Terra Kulture

    AFRIFF is an annual weeklong, all-encompassing world class showcase running, this year, from October 29, to November 4, 2017.
    About 200 carefully curated feature lengths, shorts, documentaries and student films are being screened this year. The festival also encompasses talent development classes, industry workshops and inspiring creative discussions.

  • ‘Shift Lemme Faint’ is Terra Kulture’s next bet

    ‘Shift Lemme Faint’ is Terra Kulture’s next bet

    If you have witnessed plays like ‘Wakaa the Musical’ or ‘Saro the Musical’ at the Terra Kulture, Lagos or during the plays’ tours of the United Kingdom, this new one titled ‘Shift Lemme Faint’ might interest you.

    Owner of Terra Kulture, Bolanle Austen-Peters have engendered renewed interest for stage plays among art and entertainment lovers, earning local and international accolade, a progression which gave birth to the new Terra Kulture ultra-modern theatre.

    This weekend, Gbagyichild Entertainment [organisers of Taruwa] will be staging the hilarious stage play, ‘Shift Lemme Faint!’ in Lagos and Abuja with Beverly Naya, Akah Nnani, Najite Dede, Omoye Uzamere, and Daniel Effiong!

    ‘Shift Lemme Faint!’  is a set of witty monologues written by some of Nigeria’s finest writers depicting life in Nigeria, adapted into a stage production, and brought to life by the stellar actors.

    Here’s a snippet:

    Some Nigerian tailors are wonderful people I swear! You’ll give a Nigerian tailor your fabric in 1967 and say to him/her, ‘Abeg oh I go use am for 2015, shey e go don ready by then?’

    To which they’ll reply, ‘Ah ah Oga! Why you dey talk like this. 2015 still far na. Me? Tailor swift? Oga, come by 12 midnight for 1970 e go don ready. I go do correct throwback Thursday for you. No worry.’

    And you know how the story goes. It is 2017 and you’re yet to get that cloth, generations after generations…

    These monologues and conversations are about the peculiarities of being Nigerian, in other words… our ridiculousness as Nigerians, because as we like to say, “We Nigerians are special!” The play is hilarious and explores subjects like religion, the police, parenting, food, our culture and lifestyle and of course going down memory lane.

    ‘Shift Lemme Faint’ is curated and produced by Lydia Idakula Sobogun and directed by Kenneth Uphopho (the ‘P’ is silent)… because being Nigerian is not a beans something!

  • Nigeria is advancing in theatre, stage performance – Lai Mohammed

    Nigeria is advancing in theatre, stage performance – Lai Mohammed

    The Minister of Information and Culture, Alhaji Lai Mohammed, has said that the Nigeria entertainment industry is advancing in the areas of theatre and stage performances.

    The Minister stated this  on Monday night in Lagos at the stage performances organised on the sideline of the on-going two-day Summit on Creative Industry with the theme “Financing the Film, Television and Music Industries”.

    The News Agency of Nigeria (NAN) reports that the stage performances were organised by Terra Kulture Arena, the  first privately owned theatre in Nigeria by Ms. Bolanle Austen-Peters.

    Mohammed noted that it is imperative for stakeholders to know that the creative industry is not just about films and music but also about theatre and other genres.

    The minister said he was thrilled by the richness and quality of delivery of the stage plays which indicates that the theatre is going places in the country.

    He commended Austen-Peters for erecting the magnificent Terra Kulture Arena to promote theatre in the country.

    The minister also applauded the efforts put in a play titled : “Waka”, which he said had been successfully staged in London.

    NAN reports that a presentation of “Saro, Land of Freedom”, a fusion of dance and music drama preceded the minister’s remarks.

    The performance depicted the splendour, opportunities and freedom that abound in Lagos, including the bustling life and criminality side of the ever-bubbling city.

    It also dramatised the effectiveness of the police to curb crimes in the city without leaving out the corrupt tendencies of the law enforcement body.

    The performance momentarily transformed the audience into a church service displayed in dance and gospel tunes’ rendition.

    NAN reports there were also performances of South African “Oza Oza” music and dance, clips from “Waka” play as well as “The Lion King – the story of a wicked uncle”.

    The climax was the presentation of two didactic music of legendary musician Fela Anikulapo-Kuti on “bleaching” and “Ladies” which were rendered with the fusion of raving Hip Hop music.

    NAN reports that the Minister of Information and Communication from the Republic of Niger, Hadjia Koubra Sani and other stakeholders attended the event.

  • Austen-Peters lauds BoI, as  new Terra Kulture theatre opens

    Austen-Peters lauds BoI, as new Terra Kulture theatre opens

    IT was a memorable day for the art and entertainment industry, last Sunday, when lawyer-turned arts entrepreneur, Bolanle Austen-Peters unveiled the new Terra Kulture theatre, called the Arena.

    The unveiling of the purpose-built 400 state-of-the-art theatre which was supported by the Bank of Industry’s scheme for the creative non-oil sector, played host to politicians, corporate Nigeria, artistes and entertainment promoters in a potpourri of exciting shows that hint of what to expect of the Arena, going forward.

    Guests at the two-show event include, Minister of Information and Culture, Alhaji Lai Mohammed, Lagos State Commissioner for Information and Strategy, Mr. Steve Ayorinde, Prof. Pat Utomi, Atedo Peterside, Femi Gbajabiamila, Olu Jacob and Joke Silva, Prof. Ademola Abass, Mrs. Cynthia Nwuka, Group Head, Creative Industry Desk at BoI, Tade Ogidan, Mahmood Ali-Balogun, AMAA Founder, Peace Anyiam-Osigwe, Yinka Davies, Jahman Anikulapo, Teju Kareem, Kunle Afolayan and evicted Big Brother Naija housemate, Tony Offiong among others.

    Speaking to journalists at the event, Austen-Peters recalled that she delved in theatre business 15 years ago, and was inspired to take it to the next level by beating infrastructure challenges of stage, lighting, sound etc, as a way of extending the Terra Kulture space to accommodate the theatre Arena.

    “To showcase talent, you have to deal with the right infrastructures, otherwise we’ll keep saying our people are not talented, but in reality they are. So, it was important for us to increase our space so we can do it at the best level,” she said.

    She noted that the Arena has brought more jobs for the youths, saying that, “For each production, we have over a hundred people. We have cast, the light guys, the sound guys, costume people are about 15, we have three sets; the dancers, the artistes and the technicians.”

    The Terra Kulture boss praised Bank of Industry for their support of her projects. “When we went to London with ‘Waka-The Musical’, they sponsored us, and then when we wanted a loan facility as well, they gave it to us. They have an incredible team of professionals. They keep to the letter. And operate in a very friendly atmosphere. I do admire them, very professional efficient.”

    On why the bank is supporting arts and entertainment, Mr. Waheed Olagunju, Acting managing Director of Bank of Industry, said his institution is created to support any potentially viable initiative that would contribute to Nigeria’s GDP. “In 2013, the creative economy accounted for 1.6 percent of our GDP which is a vindication of Bank of Industry’s optimism in terms of the potentials of Nigeria and Nigerians in the creative economy. And that was why we set up the creative economic desk some 10 years ago to support our talents, our artistes to realise their potentials, and then of course to be able to convert their talents into good business models and then, hopefully, coming up with potentially viable business plans that we can support – ones that can attract both debt and equity. We play in the debt space as a lending institution and we’ve lent to a number of them in recent times and they’ve done quite well.”

    Olagunju expressed optimism that “Terra Kulture would also do well because this initiative is one of the best in the world; not just in Nigeria or Africa. Because we watched her grow in Nigeria, we have also seen her perform on the international scene.”

    He recalled that Bolanle Austen-Peters Production, Waka-The Musical was successful the last time it was taken to London. “And we believe that she can do a lot more in the global space, and through her activities, she is helping to build positive image for Nigeria, which is a prerequisite for building confidence of domestic and foreign investors in Nigeria,” he said.

    Continuing, the BoL boss noted that Austen-Peters is also helping to mobilise foreign direct investments into Nigeria. “Because it is when investors have a positive perception of the market that they will venture to go into the market. When it’s negative, they would not. But through her activities, she is helping to enhance Nigeria’s image abroad. Which, like I said earlier, is a prerequisite for building confidence. Investors will come, not only into the creative economy but other sectors of the Nigerian economy because through her performances, she is able to tell a lot of positive stories about Nigeria, the people of the country, the culture and in the process she is also exposing other potentials of Nigeria. This is very crucial for taking investment decisions.”

    Anchored by IK Osakioduwa, the show opened with performances by Lagos Modern Orchestra, led by the in-house music director, Seun Owoaje.

    Guests were also treated to sense from Saro – The Musical, Wakaa – The Musical, a South African performance as well as skits from the London events. Popular Afro singer, Brymo who did some of the theme songs for the plays performed his hit song, “Waka Waka” to thunderous applause at the show.

    The Arena promises regular weekend and festive stage productions, with the behind-the-scene lifestyle of late Fela Anikulapo-Kuti, titled Fela and the Kalakuta Girls, billed for December.

  • More art theatres will provide employment opportunities – Terra Kulture boss

    More art theatres will provide employment opportunities – Terra Kulture boss

    Mrs Bolanle Austen-Peters, the Managing Director, Terra Kulture, an art firm, on Wednesday called for the building of  more modern art theatres to generate employment opportunities for Nigerians.

    Austen-Peters told the News Agency of Nigeria (NAN) in Lagos that more people were willing to patronize art theatres to relax from the hustling and bustling of the society.

    She said that the theatres would create employment opportunities for many who could be employed as ticket sellers, film operators, cleaners, food sellers, guards and security men.

    She said that they would also serve as veritable platforms for artists to showcase their talents and their creativity to the world.

    According to her, many budding artists can be discovered and be groomed, and thus reduced social vices in the country from there.

    They could also double as movie-screening venues, hosting of live comedies and entertainment shows, stage plays, art exhibitions and musical concerts, she said.

    Austen –Peters said that her organization recently inaugurated a 400- sitting capacity private art theatre in Lagos as part of its contributions to support government’s initiative to develop the sector.

    According to her, the multi-million naira private art theatre will be of use to artists, creative managers and producers to showcase their talents and handworks.

    “We have limited art theatre halls in the country. The facility will encourage stage productions by local and foreign producers which her organization had been popularized over the years.

    “This initiative will give the theatre industry a boost and reinforce the position of Lagos as the leading destination for premier entertainment in Nigeria.

    “The theatre will also double as a movie-screening venue, hosting of live comedy and entertainment shows, stage plays, art exhibitions and musical concert.

    “It will also provide Lagos, its environs, and the country a wide schedule of theatre, comedy, music and dance shows,’’ she said.

    They are essential facilities needed to boost activities in the art industry, she said.

    “It will be an avenue where up-and-coming artists can exhibit and showcase their creativity and talents to the world and learn from the outstanding ones.

    “It is also an avenue designed for art practitioners to meet, train and groom talented individuals in art, drama, culture, comedy and music,’’ she said.

    According to the Terra Kulture chief, her organization is consulting for the Lagos State Government in building theatre art halls across the state.

    She said with more art theatres in place, it would boost employment opportunities for youths.

    She said that other art theatres would complement Terra Kulture as training centres for people who wanted to learn more about African cultures and lifestyles.

    Austen-Peters lauded Gov. Akinwunmi Ambode of Lagos State’s efforts to develop the theatre industry in the state through the building of  art theatre arenas.

    NAN reports that Gov. Ambode in January expressed his administration’s commitment to build art theatre arenas across the state to boost activities in the sector.

    “The building of art theatres will go a long way in re-positioning the face and image of the industry in the state and in Nigeria at large,’’ she said.

  • Terra Kulture to open world  class theatre in Lagos

    Terra Kulture to open world class theatre in Lagos

    Art and lifestyle centre, Terra Kulture, located in Victoria Island, Lagos, is set to launch the first privately owned technology equipped modern arts theatre in the whole of Nigeria.
    Over the years, Terra Kulture has developed and maintained its reputation as the hub for stage productions by both local and international companies. And the new 400-seater state-of-the-art theatre is to further seal its reputation as a one-stop premium hangout in the country.
    The theatre which also doubles as a movie screening venue will be set to host a range of shows, plays and musicals when it launches. It will also play the challenging role of providing Lagos, its environs, and Nigeria with a wide schedule of theatre, comedy, music and dance.
    Terra Kulture headed by CEO, Bolanle Austen-Peters, is also consulting for the Lagos State Government to build additional theatres across Lagos to boost the governor’s initiative to create employment for the youth.
    With its worldwide acclaimed productions, Bolanle Austen-Peters Productions, will be taking the renowned world class SARO THE MUSICAL 2 to London’s West end in August 2017 at Shaw theatre.

  • Sights and sounds of Tuodeinye’s Motion and Emotions

    Sights and sounds of Tuodeinye’s Motion and Emotions

    UdemmaChukwuma reviews Ogaga Tuodeinye’s ongoing art exhibition, Motion and Emotions at the Terra Kulture

    Every piece at Ogaga Tuodeinye’s art exhibition currently which opened over the weekend tells a story, even without words. The focus of the show which is to run for almost two weeks tallies with its title, Motion and Emotions.Viewers are confronted with his new distinctive creative vision, bursting variety, colour and remarkable new works and technique. The scale of works on display is imposing, yet it allows viewers to put themselves into the scene.

    Featuring over forty paintings and drawings, which Tuodeinye is delighted to show the public,the artist presents astonishing, thought-provoking works of unique sensibility that wonderfully combine a variety of different styles, technique and medium. The works give viewer insight into how the artist sees the current ways of man’s behaviour towards his situation. One fascinating thing about the exhibition is the new technique, which the artist introduced as dripping technique.

    “The dripping technique came as a result of the theme of the exhibition, which I started developing two years ago. I have always desired to paint without using brush or painting knife. The dripping effect allows me to express myself/attempt subject matters that are difficult to approach when using brush,” the artist explained.

    He played with colours, forms and moods. In some of the works, you see vibrant colours and some warm colours while some are like illusion. To him, “controlled extreme individual attitude in art is the drive that carves a niche for the creative mind, giving the artist an identity that makes him stand out in a cloud of other creative minds. All the concept from the show has to do with movement.”

    Exploring technique in works such as Attitude, Infinity, Colours of Courageetc, the artiste says;”The dripping technique lends itself to a wide range of none objective and abstract renditions.”

    Another intriguing aspect of the show is the artist’s works in different media.There is important connect between his dripping technique and his paintings.

    The exhibition runs till March14.He is offering collectors and viewers a variety of choices, ranging from mix media, oil on canvas and acrylic on canvas. Several narratives could be seen from the works as the theme depicts. Drawingson display,he hinted were done during his student days. The other thing worth mentioning is the beautiful mix media works created with waste materials. The oldest work was done in 2000.

    What inspired Motion and Emotions? The artist who hails from Bayelsa State said; “The entire universe is always undergoing endless movements, which results in continuous change. Our earth is also revolving around the sun in a continuous 365 days change which results in change in times and seasons, depending on what part of the world you are situated. Man is never stagnant, except if an individual is dead… From the day of conception to when a child is born, there is always a desire for movement. In the process of all the above, man exhibits different forms of emotion, either positive or negative. This, we see in a good number of the works which are on display.”

    Comparing his other solo exhibitions, what stands this third show out, he said, is the introduction of the dripping technique. The artist confessed that a lot of canvases went into the dustbin before he could perfect the technique. A technique where the artist doesn’t paint with brush, palate knife or impasto. “You create an abstract on canvas…it can be quite difficult. I have been experimenting this for a long time. It was last year that I started getting a good sense of direction on how to achieve what I really want.”

    Tuodeinye said he decided to move out of the box to do things unusual and not his usual style. He had participated in twenty-three group shows and two solo exhibitions. Motion and Emotions, being the third. His works can be seen in numerous galleries in Nigeria.

    “The years of hiding in a box gave birth to the technique,” he said. He added that it is important for an artist to stage a show when he has something new to show the public. “I don’t want to come out with my usual style, I had to stay back a bit. Not until two years ago, I started doing the dripping technique.”

    The resulting image reflects the artist’s feelings about the works,which reveal a lot about social issues, predominantly by female subjects, which are worth discussing.Tuodeinye has been a professional artist for many years, and his paintings hang on the walls of many collectors and art lovers across the country, having exhibited widely throughout Nigeria.

    Explaining one of the pieces on display Priceless journey of a mother, he said”At the first glance of this painting, you see browns dripping on this woman’s face, she gets married at a certain period in her life, she gives birth and in this process,she needs to still look presentable.”

    On other works, Loud Silence I and II, the images have a profound effect on what goes on in contemporary families. Loud Silence I depicts a mouthless male while onLoud Silence II, the female face has its mouth. The artist said this represents the communication between a couple when they have misunderstanding at home. The woman can express her feelings and the man most times keeps to himself.

  • Ogakwu’s Illimite holds at Terra Kulture

    Ogakwu’s Illimite holds at Terra Kulture

    Illimite, a solo art exhibition by the Chief Executive Officer (CEO) of Tresor D’Afrique, Chinedu Ogakwu, has held at the Terra Kulture, Victoria Island, Lagos. It showcased his latest creative works.

    The subject of the exhibition is premised on the fact that the mind of an artist is  unrestricted in terms of ideas, media and styles of artistic expression.

    Ogakwu said the theme was informed by the notion that the arts, as forms of creative beauty, are really everywhere, and that there is art in whatever we find ourselves doing as humans.

    The 40-year-old mixed-media  painter and holder of a Higher National Diploma (HND) in painting from the Institute of Management and Technology (IMT), Enugu, started painting at six.

    Ogakwu’s Afrocentric art company, Tresor D’Afrique, which implies Treasures of Africa, is focused on producing artistic works that are mostly historical and cultural in nature. These works, according to him, convey strong messages as they relate to the primitive life of an African man. “My vision as an artist is to really remind Africans and the world at large of the former’s root and cultural heritage which should not be allowed to fade away,” he urges humanity.

    On the guiding philosophy of his style of artistic expression, he remarks: “The life we live is also an art … the exhibition explains the unlimitedness of our talents in a general perspective. We all think and live a common life, but in our own unique ways. This makes you different from the other person.”

    Professionally, the Tresor D’Afrique CEO, who discloses that his greatest influence in the arts are Messrs Segun Aiyesan and Olusegun Adejumo has continued to learn unconventional ways of using various materials while honing necessary skills to advance productivity in his trade. “My artistic process has continued to develop and undergo many transformations,” Ogakwu says with enthusiasm.

    Ogakwu,  a member of professional groups, including Pan-African Circle of Artists, Imago Mundi Artists, Society of Nigerian Artists and Port-Harcourt/Enugu Messenger Group of Artists, has participated in various solo group exhibitions in Nigeria and overseas. Such exhibitions include ‘Stone Age: As Old as Man’ at Sofas Furniture /Art gallery (2013); ‘Chronicles of Truth’ at My Drim Art Gallery; ‘Solidarity and Sharing’ at Total Village, Port-Harcourt; ‘Art in Minded’ at Bricklane Gallery, London, UK; ‘Africa and Post Coloniality 2’ at  Dakart Biennal, Senegal; ‘Lagos Art Auction’, in Lagos, all in 2014.

    His past exhibitions include those held at the Art Fusion Gallery, in Miami,Florida, United States; Monument de la RenaissanceAfricaine, Senegal;National Art Gallery, Lagos; National Museum of Unity, Enugu; Nike Art Gallery, Lagos; as well as The British Council, Alliance Francaise, Ofu Obi African Centre, in Enugu.