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Tag: Wole Soyinka

  • ‘Tighten security in schools to avert crimes’

    ‘Tighten security in schools to avert crimes’

    Nobel laureate, Prof. Wole Soyinka, has urged the Federal Government and its relevant agencies to tighten security around schools nationwide to prevent killings, kidnapping, and other acts of criminality.

    He also advised the government at all levels to adopt policies that spread and strengthen security awareness across the country, particularly within the education sector.

    The Nobel laureate said the call became imperative in view of the rising wave of insecurity, especially attacks and kidnapping of school pupils across the country.

    Soyinka spoke at the weekend during his visit to his Alma Mater, the Government College, Ibadan, Oyo State.

    The global literary icon said the recent developments demanded a fundamental change in how security is perceived and taught in society.

    He said: “We need policies that instill security consciousness in our citizens. Security should be treated with such seriousness that it becomes a discipline taught in schools.”

    Soyinka noted that security issues should not be left in the hands of the government and its agencies alone but treated as collaborative efforts among the citizenry.

    The Nobel laureate noted that the current crisis has cut across social classes and professions, affecting farmers, students, teachers, health workers, and even traditional rulers.

    He said the situation has reached a critical point, adding: “Kidnappings now affect every sector. When insecurity reaches this level, urgent and drastic steps are necessary to prevent future occurrences.”

    Soyinka expressed concern about the psychological impact of insecurity on young learners, stressing that constant fear disrupts learning, weakens creativity, and undermines national development.

    The global literary icon urged policymakers, educators, and civil society organisations (CSOs) to collaborate on a framework that integrates security education into the school curriculum, combines theory with practical safety drills and accommodates emergency response training.

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    The President of the Government College Ibadan Old Boys Association, Dr. Wale Babalakin (SAN), praised Oyo State Governor Seyi Makinde for concessioning the school to its alumni association.

    He said the decision has enabled the old boys to invest in modern infrastructure, improve academic resources, and restore the institution to a standard that once produced some of Nigeria’s most notable achievers.

    Babalakin said: “The concession has allowed us to manage and upgrade this institution to the standards that once produced exceptional students.”

    The eminent lawyer and businessman noted that the school’s revival demonstrated what is possible when government, alumni networks, and the private sector work together in the interest of education.

    Babalakin urged the students to take full advantage of the improved environment and commit themselves to achieving excellence.

    The alumni president also urged the youth not to lose sight of the transformative power of education, saying: “Young people must take their education seriously, and stakeholders should create more platforms that inspire and support students to become better individuals in society.”

    The visit, which attracted several dignitaries and old students of the school, also featured discussions on strengthening alumni engagement, sustaining infrastructural development, and promoting a safer learning environment.

  • Soyinka to govt: beef up security around schools nationwide to prevent killings, kidnapping

    Soyinka to govt: beef up security around schools nationwide to prevent killings, kidnapping

    Nobel Laureate, Prof. Wole Soyinka has called on the federal government and its relevant agencies to beef up security around schools nationwide to prevent killings, kidnapping and other vices.

    This is, as he called on government at all levels to adopt policies that strengthen security awareness across the country, particularly within the education

    He said the call became imperative in view of the rising wave of insecurity, especially attacks and kidnapping of school pupils across the country.

    Soyinka made the call in a remark when he visited his Alma Mater, Government College Ibadan at the weekend.

    He said the recent development demanded a fundamental change in how security is perceived and taught in society.

    Soyinka said, “We need policies that instil security consciousness in our citizens. Security should be treated with such seriousness that it becomes a discipline taught in schools.”

    He added that the issue of security should not be left in the hands of the government and its agencies, rather it calls for collaborative efforts.

    He noted that the current crisis has cut across social classes and professions, affecting farmers, students, teachers, health workers, and even traditional rulers.

    He warned that the situation has reached a critical point, saying, “Kidnappings now affect every sector. When insecurity reaches this level, urgent and drastic steps are necessary to prevent future occurrences.”

    He also expressed concern about the psychological impact of insecurity on young learners, explaining that constant fear disrupts learning, weakens creativity, and undermines national development.

    He, therefore, called on policymakers, educators, and civil society organisations to collaborate on a framework that integrates security education into the school curriculum, combining theory with practical safety drills and emergency response training.

    Read Also: Nigerians must build Nigeria, says Rev. Omobude

    In his address, the President of the Government College Ibadan Old Boys Association, Dr. Wale Babalakin, praised Oyo State Governor Seyi Makinde for concessioning the school to its alumni association.

    He said the decision has enabled the Old boys to invest in modern infrastructure, improve academic resources, and restore the institution to a standard that once produced some of Nigeria’s most notable achievers.

    Babalakin said, “The concession has allowed us to manage and upgrade this institution to the standards that once produced exceptional students.”

    He added that the school’s revival demonstrated what is possible when government, alumni networks, and the private sector work together in the interest of education.

    Babalakin further encouraged students to take full advantage of the improved environment and commit themselves to excellence.

    He urged youths not to lose sight of the transformative power of education, stating that “young people must take their education seriously, and stakeholders should create more platforms that inspire and support students to become better individuals in society.”

    The visit, which attracted several dignitaries and old students of the institution, also featured discussions on strengthening alumni engagement, sustaining infrastructural development, and promoting a safer learning environment.

  • Revocation of my U.S. visa won’t deter me, says Soyinka

    Revocation of my U.S. visa won’t deter me, says Soyinka

    The United States has revoked the B1/B2 visa of Nobel laureate, Prof. Wole Soyinka.

    A B1/B2 visa is a temporary non-immigrant visa for business or tourism purposes.

    Soyinka revealed the development during a news conference themed: “Unending Saga: Idi Amin in Whiteface!” held at Kongi’s Harvest Gallery, Freedom Park, Lagos yesterday.

    He explained that no reason was given for the action by the U.S.

    The revocation, he told reporters, appeared to be a form of witch-hunt, which he linked to his long-standing criticism of the policies of U.S. President Donald Trump.

    “I have no visa; I am banned, obviously, from the United States. And if you want to see me, you know where to find me,” the playwright said.

    The  Nobel Laureate said he received official notification of the visa revocation six days ago through a letter from the Non-Immigrant Visa Section of the U.S. Consulate General in Lagos.

    Part of the letter reads: “This letter serves as official notification by the United States Consulate General in Lagos that the non-immigrant visa listed below has been revoked pursuant to the authority contained in U.S. Department of State regulations… Additional information became available after the visa below was issued.”

    The 91-year-old Soyinka, who appeared calm during the session, said he could not decipher the reason for the revocation because at no point did he violate any laws. 

    “I’m still looking into my past history… I don’t have any past criminal record or even a misdemeanour to qualify for the revocation. Have I ever misbehaved toward the United States of America? Do I have a history? Have I gone against the law anywhere?” he questioned.

    The playwright, however, clarified that he bore no resentment toward the US and its citizens. 

     He maintained that his advocacy for justice and equality remained intact.

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    “I will continue to welcome any American to my home if they have anything legitimate to do with me,” he said, adding that he would keep speaking against racism and policies he considered unjust, including those of President Trump.

    Soyinka said that the news conference was to notify people in the US who might be expecting him for engagements not to waste their time, as he could no longer travel to the country.

      Soyinka had declined an invitation from the U.S. Consulate for a visa re-interview scheduled for   September 11, 2025, saying he felt it was a scam. 

    “I thought it came from scammers who prey on those eager to get visas elsewhere, promising to deliver them for a certain amount… It was very strange because I had never received that kind of letter from that or any other embassy,” he said.

    Upon discovering its authenticity, he stated that attending such an interview was out of the question.

    “The question of going to such an interview is totally out of consideration,” he said, adding that holding the re-interview on September 11, a date he described as one for “deep, sober reflection” in the U.S., was inappropriate.

    Soyinka referred to the American government at the time as being led by a “white Idi Amin,” in apparent reference to Trump.

    The   Nobel laureate had, in December 2016,  publicly torn his U.S. Green Card following Trump’s victory in the presidential election, fulfilling a promise he made before the polls.

  • National Troupe renews hope at Wole Soyinka Centre

    National Troupe renews hope at Wole Soyinka Centre

    Last week, October 1, being the 65th Independence anniversary of the nation, President Bola Ahmed Tinubu and other notable political leaders gathered at the National Theatre, Iganmu, Lagos, now known as the Wole Soyinka Centre for Creative Art for the reopening of the Centre.  It was an apt moment for the National Troupe of Nigeria, the nation’s dance ambassadors to prove their mettle.  The dances and cultural displays by the Troupe put everybody on their toes as reported by Edozie Udeze.

    The moment was a good moment.  At once the whole complex stood still.  It stood still not only for the President of the Federal Republic of Nigeria Bola Ahmed Tinubu, but for the whole nation, Nigeria.  The National Theatre, now christened The Wole Soyinka Centre for Creative Art, came alive to its fullest bloom.  It was a day to remember, a day to witness that the Theatre has resurrected from its slumber.  The mainbowl was packed to full capacity.  The house and stage lights glittered on endlessly.  The airconditioners seemed to have gone crazy, tearing deep into the skins and bloods of all as people shivered and begged for mercy.

    The hall came on in full swing.  Artists were in their best moods, in glittering attires that suited the occasion.  Visitors and stakeholders held on to the dictates of the night.  It was time to dance, time to display cultures.  It was time when artists, young, old, male, female, painters, dancers, singers, comedians, creators, writers, journalists, all, came together to jolly in the beautiful euphoria of a recreated centre for the creative art.

    The President, Bola Ahmed Tinubu sat quietly in company of his wife, Senator Oluremi.  His face glowed with joy.  His countenance could not hide his amazement at the new looks of the National Theatre.  Also in place was Godswill Akpabio, the Senate President.  With them were Tajudeen Abass, Speaker of the Federal House of Representatives who also came in company of his deputy, Benjamin Kalu.  In the house was Governor Babajide Sanwo-olu of Lagos State.  And with the Minister of Culture, Tourism and Creative Economy, Hannatu Musawa, the roll call was almost complete.  Also present was Olayemi Cardoso, the Governor of Central Bank of Nigeria.

    But then there was Professor Wole Soyinka, the epitome of the creative world, first African Nobel Laureate in Literature.  The  man whose name has come to dominate the National Theatre and occupied the night to the full.  All the big artists were present to witness this new rebirth of a national monument that almost went into extinction if not for the prompt intervention of Buhari and Bola Tinubu who ensured that the Bankers Committee went into action with dispatch.  So for close to four years, the Centre went under heavy renovation, with series of patch ups and innovations here and there.  As the works were going on, the entire arts community, the creative nerves of Nigeria waited with unbridled patience.  The National Troupe of Nigeria, indeed the apex dance hub of the nation expected the turn-around maintenance to come through in a jiffy.  And that was why on the night of this epoch-making reopening the Troupe dazzled to precision.  The National Troupe under the able  leadership of Hajja Kaltume Bulama Gana thrilled as if dance would never end.  It was good.  It was glamourous, quite spectacular.  The whole edifice stood still as soon as their entrance was announced.

    The level of acclaim as soon as Dr. Nzekwu, one of the anchors of the programme mentioned the name of the Troupe showed that in the corridors of power, the Troupe rings a bell.  Stage by stage, the Troupe presented different dances, cultural displays that stunned and impressed the people. The hall suddenly came alive.  The stage lights came on fully to shine on the fleeting feet of the dancers, the sonorous voices of the singers and the heavy hands of the drummers who pelted away in joyous mood, with accurate precision and rendition.

    Bulama sat up front, eyes happily glued onto the stage as she smiled and exchanged pleasantries with fellow directors and artists.  In truth, the Troupe opened with dances from the south south parts of Nigeria.  The rhythms of the songs flowed easily with the colours of Nigerian flag.  Remember this show was on October 1, Nigeria’s 65th Independent anniversary and the whole nation was agog with happiness.  So, the boldness of the dancers, the deliberate displays of colours, the masquerading nature of the masquerades, the glowing of the different colourful costumes, all made up to show a Troupe that was well prepared to dazzle to no end.

    The dance of elegance from Edo State depicted the rich culture of the Benin kingdom.  The grace was deliberate, the ease and measured dance steps with red beads on their necks and hand fans made of woods, brought to light, once more, the historic nature of the Benin cultural ensemble.  Trust the Troupe.  They danced with renewed hope and reinvigorated aplomb; after all they had waited for close to four years for that moment.

    From Edo State, the Troupe moved to the more interiors of the Niger Delta, this time recapturing the elegant dance style of the Itshekiri people.  The dance came with songs in the Itshekiri dialect, showing the magnificent nature of the palace dance where tradition is upheld.  The Itshekiri are naturally rooted in idioms and wise sayings that the dances dwelt on all that.  Then came dances from the core Efik and Ibibio domains.  The Ekpe tradition which is sacrosanct quickly resurfaced.  This thrilled the audience to no end.  The Ekpe is synonymous with the Ibibio and the Efik of Akwa Ibom and Cross River States of Nigeria respectively.

    It was not so much as the dances.  It was more of the vigour, the heavy energy that dancers brought into the displays that kept people endlessly enwrapped.  The songs brought hope to the people.  It was a way to use culture to entertain, to reunite a nation.  The songs hinged on hope; they emphasised the immediate need to celebrate peace and love as a people.  The presence of the masquerades in their best costumes brought beauty and nature and near innocence closer to the people.  The audience clapped, relaxed, laughed and showed acclaim, appreciation and respect.

    The dances from the West and the North proved to be the climax.  But not yet.  The dances of love, courtship, harvest and abundance depicted the richness in all spheres in Nigeria.  With the implements and props and costumes in place, the Troupe took the whole nation back in time.  Culture is a bridge, it brings back memories; it also rebuilds the nature of broken hopes.  Culture is not just dynamic, it gears up for a better tomorrow.  The dances elaborated these features so much so that Eugenia Abu and Henry Nzekwu, the two anchors of the programme could not old back their admiration.  As usual the sensational  movements occasioned by the Yoruba dancers evoked love, romance and appeasement.  The ones from the north hovered around crops and the dominance of the male over the female.  But all pointed to the family as the core of the society.

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    In all, the Igbo dance came with an accelerated energy, an energy long bottled up.  The whole arena became recharged as the flute (oja) went far into the air with the tone of vehemence.  The dancers gyrated, the flutist mesmerized as the stage lights flickered into full bloom.  Indeed the night was coming on with vigour reminding all that this is the centre of entertainment, the hub of the creative economy and the creative world, where drama, dance, all sorts of the art rule and predominate.

    The stages of dances were brought to a close with the stylish appearance of a masquerade.  An artiste sitting close to me in the hall just exclaimed – “this shows the fullness of Nigeria”.  Truly that masquerade did not only come with an arousing ancestral presence, it showed how deeply the night had impacted on the people.  As the stage gradually blossomed to see a new creative centre of the nation, Gerald Eze of the Nnamdi Azikiwe University, Awka, Anambra State, tore into the stage with his brand of stage craft of folkloric songs and demonstration that also stole the night.  In all, it was a night to remember and all guests – big, small, initiated and uninitiated got enough baptism of what artists can do with their creative mien and talents.  The National Troupe will, like someone whispered to me on our way out, always show itself even in the most uncomfortable environment or situation.  The Nigerian dance project runs in their blood.

    But it is all kudos to Bulama and her team.  Bulama loves what she does.  She has put herself into it.  Here is a visual artist who now loves masquerades more than masqueraders themselves.  An artist who loves to reinvent dance in the mold of Ogunde.  Bulama now has keen ears for all sorts of musical drums almost same way her brushes serenade strokes on the canvass.  In her we can see the total justification of why the National Troupe of Nigeria and the National Theatre are two in one, established for the same purpose for the creative economy.  Same edict, same act of faith for performances, the two establishments must always complement each other for the more profound need to prosper the creatives in Nigeria and beyond.

    And in the process ensure that the different cultural properties and elements of the larger society are kept ever afloat, active and functional.  Essentially National Troupe has made it clear and unambiguous that culture is a unifier and that the current leadership is in conformity with these positive tenets.

  • Wole Soyinka Centre reopens as Nigeria’s Creative Powerhouse

    Wole Soyinka Centre reopens as Nigeria’s Creative Powerhouse

    Nigeria’s creative scene witnessed a landmark moment on October 1 as President Bola Ahmed Tinubu officially inaugurated the newly refurbished National Theatre, now renamed the Wole Soyinka Centre for Culture and Creative Arts, during the country’s 65th Independence Anniversary celebrations.

    The event was a grand convergence of Nigeria’s political, financial, and cultural elite, as the curtains rose on an entertainment hub set to reshape the nation’s creative economy.

    A vision of cultural renewal

    Speaking at the ceremony, President Tinubu underscored the symbolic importance of rechristening the iconic building after Africa’s first Nobel Laureate in Literature.

    “You are one of the greatest assets of the world, the continent, and the country,” the President said, addressing Professor Wole Soyinka directly. “It couldn’t have been anything else. So I say it has to be Wole Soyinka Center… This has broken the monotony of military marching parades. Today is an evening well spent.” The President also used the occasion to call on Nigerians to believe in their country and change the narrative about the nation:

    “Stop talking about Nigeria in the negative tone. We are a country of proud people. If you had a bad dream, forget it. This country will succeed. Please, lift Nigeria. Believe in Nigeria. Put Nigeria first,” he urged.

    He pledged to contribute personally to an endowment fund to ensure the Centre remains vibrant:

    “It’s not a bad thing for us to use this opportunity to create jobs, maintenance, accessibility, and commitment. This place will not go derelict again.”

    Lagos reclaims creative heartbeat

    For Governor Babajide Sanwo-Olu, the reopening marked more than the restoration of a building, it was the revival of a national icon with deep ties to Lagos’ cultural history.

    “We gather not only to witness the commissioning of a renovated edifice or to celebrate the rebirth of a national icon,” Sanwo-Olu declared. “This landmark is more than concrete and steel. It is the foundation upon which identity, unity, and progress are built.”

    He recalled the theatre’s pivotal role in FESTAC ’77, when Lagos hosted one of the most iconic gatherings of Black and African artists from across the world.

    “FESTAC 77 gave us the National Theatre, and the National Theatre in turn gave us FESTAC 77,” he said. “That spirit lives here today.

    The Governor noted Lagos State’s contribution to the renovation project, including a dedicated Blue Line Metro stop and additional land to develop a “world-class creative hub” around the Centre.

    Public-Private Partnership as a Creative Catalyst

    Central Bank Governor Olayemi Cardoso highlighted the project as proof of what can happen when the public and private sectors align behind a shared vision.

    “What began as an ambitious vision to reimagine an aging monument as a world-class creative hub has today become a stunning reality,” Cardoso said.

    He noted that the Bankers’ Committee committed approximately N68 billion to the project, not merely as corporate social responsibility but as a “deliberate investment in Nigeria’s cultural future.”

    “This project stands as proof that when the public and private sectors unite behind a shared national purpose, there is no limit to what Nigeria can achieve,” he added.

    Cardoso also lauded President Tinubu’s role in transforming the renovation into a “symbol of national renewal” by directing that the Centre be ready for this Independence Day celebration.

    Wole Soyinka’s mixed feelings and lasting legacy

    In a moving speech laced with humour and candour, Professor Wole Soyinka reflected on his initial reluctance to have his name attached to a public monument, having often criticized such practices in the past.

    “I accepted this honour with mixed feelings,” Soyinka admitted. “I’m notorious for having criticised so many appropriations of public monuments by past leaders. By the time I thought it over again, no, I mustn’t forget… somebody has to carry the can.”

    He also recalled the theatre’s decrepit state years earlier and how he once jokingly advised Lagos officials to “plant bombs and blow it up” because it was “irredeemable.”

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    “These bankers have got together to make me eat my words. If eating one’s words produces a morsel like this, then it’s a very tasty set of words,” he quipped to applause.

    Soyinka ended on a heartfelt note, thanking all involved in the project:

    “This building owes me… but today, I thank you for doing what I considered impossible. This Centre will inspire generations of artists to follow the example of truth, courage, and creativity.”

    A new era for Nigerian creativity

    With world-class audio-visual technology, upgraded performance spaces, rehearsal rooms, an African literature library, and seamless integration with the Lagos Blue Line Rail, the Wole Soyinka Centre positions itself as a premier destination for global-standard performances and cultural events.

    Mrs. Tola Akerele, the National Theatre’s General Manager/CEO, described the reopening as “a foundation for building a globally competitive creative economy” and emphasized the need for systems and programs to transform the facility into “sustainable opportunity” for young creatives.

    “When you build capacity in the creative sector, you create jobs, empower young people, and position Nigeria to compete globally,” she said.

    As Nigeria looks to diversify its economy, this revitalized landmark stands as both a tribute to the past and a bold bet on the future, a stage not just for performances, but for a national narrative of resilience, innovation, and cultural pride.

  • Brazil/Nigeria: Wole Soyinka, Tinubu, Lula renew ancestral bonds

    Brazil/Nigeria: Wole Soyinka, Tinubu, Lula renew ancestral bonds

    An historic encounter between President Bola Ahmed Tinubu and President Luiz Inácio Lula da Silva, and Professor Wole Soyinka has renewed the ancestral bonds that exist between Brazil and Nigeria.

    In a world often marked by division, this rare moment shine bright as timeless reminders of

    The two countries’ shared humanity, heritage, and destiny.

    In the last days of August Nigeria’s President Tinubu and Brazil’s President Lula welcomed the Nobel Laureate and the coordinators of the Heritage Voyage of Return (HVR) Project, Ajoyemi Osunleye and Carolina Morais, to a historic gathering that symbolized unity between Brazil and Nigeria.

    This visit marked President Tinubu’s third trip to Brazil in just nine months, underscoring the importance he places on strengthening cultural and ancestral ties between the two nations.

    The highlight of the trip was Prof. Soyinka’s scheduled formal presentation before the Brazilian parliament in the Federal District. Yet, it was the quiet, unscripted moments before and after that event which became the true heartbeats of history.

    After a grueling 36-hour journey beset by travel complications, Prof. Soyinka arrived visibly weary for a presidential lunch hosted by Presidents Tinubu and Lula. Seated at his reserved table, the Nobel Laurette’s frailty did not go unnoticed.

    As Soyinka rose to greet the presidents before excusing himself, President Tinubu immediately stood up, offering his own seat to the literary icon with the warm Yoruba words: “Egbon, e jor e wa joko si ibi bayi” meaning ‘Elder brother, please come and sit here.’

    Though Prof. Soyinka politely declined, choosing instead to return to his hotel for rest, the gesture did not go unnoticed. President Tinubu’s act of humility, offering comfort to Nigeria’s cultural elder, left a lasting impression not only on those present but most especially on President Lula of Brazil.

    Barely an hour after Soyinka’s departure, President Lula requested a private audience with him and the HVR team. In a deeply moving exchange at Lula’s honorary office, the Brazilian leader reflected on the profound symbolism of Tinubu’s gesture. “I could not stop thinking about the respect your President showed you,” Lula confessed, emphasizing how rare and powerful it was to witness a head of state defer to a cultural elder in such a personal way. “I was fascinated. What an honor.”

    Lula then asked Soyinka his age. Upon hearing the confirmation that he was 91 years old, the Brazilian President leaned forward, gently touching foreheads with the Nobel Laureate, a symbolic act of reverence and spiritual communion. With visible emotion, Lula whispered: “The grace on you, I ask it upon myself.”

    This intimate gesture encapsulated not only a personal prayer for longevity, Lula expressed his dream to live to 120 years, but also a recognition that men like Soyinka embody blessings beyond their nations, radiating inspiration to humanity itself.

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    The encounter reawakened a deeper truth: that Brazil and Nigeria are bound not just by diplomacy but by ancestry.

    Millions of Afro-Brazilians trace their heritage to Nigeria and see its President as their leader too. The Heritage Voyage of Return (HVR) Project, championed by Ajoyemi Osunleye and Carolina Morais, Co-Founders at The African Pride, was conceived to leverage these ancestral ties, using culture, art, and shared history to build real bridges of understanding and spiritual reconnection with Africa. HVR involves a planned sea trip for Afro-descendants in Brazil, The

    Americas and Caribbeans back to Africa.

    “Brazil will support this.” President Lula, visibly moved, pledged his support to advancing the HVR Project, affirming his country’s commitment to celebrating the shared heritage that unites the two nations.

    Shortly after his private audience with Brazilian President Luiz Inácio Lula da Silva, Nobel Laureate Prof. Wole Soyinka joined Nigeria’s Central Bank Governor, Yemi Cardoso, who is an Afro-Brazilian descendant for a warm reception hosted by Gabriel Magna Pereira da Cruz, President of the Education and Culture Commission at the Legislative Chamber of the Federal District in Brasilia.

    Representing President Tinubu, Governor Cardoso formally presented the Heritage Voyage of Return (HVR) Project to the Brazilian Parliament. In his address, Cardoso highlighted the shared heritage of both nations and the unique opportunity for renewed collaboration.

    “The commitment between the leadership of President Lula and President Tinubu is unprecedented,” Cardoso declared. “Both leaders are aligned in vision, and we can already see the immense possibilities for cooperation between our countries.”

    He went further to reflect on the enduring historical and cultural bonds between Nigeria and Brazil, particularly through Lagos, which hosts a strong Brazilian-descendant community.

    “In Lagos, we have vibrant Brazilian communities made up of descendants of Africans who returned from Brazil after the era of slavery. These communities have preserved elements of Brazilian culture from cuisine like ‘akara’ to festivals, carnivals, and even architecture. The Brazilian Quarters on Lagos Island remain a living museum of cultural and architectural heritage.”

    Cardoso emphasized that such connections should form the foundation for a stronger bilateral relationship: “If we cannot seize this opportunity for collaboration now, then we have ourselves to blame. Our shared heritage must be transformed into pathways for cultural diplomacy, creative economy growth, heritage tourism, and education. This is not only an opportunity but a responsibility.”

    The session also highlighted the ongoing success of Yoruba studies in Brazil and the celebration of Afro-Brazilian festivals in Nigeria, as living examples of the cultural exchange that continues to bind the two nations.

    Other prominent members of the Nigerian delegation included Abike Dabiri-Erewa, Chairman of the Nigerians in Diaspora Commission (NIDCOM), and Otunba Ajiboye, head of the National Institute for Cultural Orientation (NICO). Their presence underscored the significance Nigeria attaches to cultural diplomacy and its determination to strengthen ties with Brazil at both governmental and community levels.

    The Honorable Monsoon of the Legislative Chamber of the Federal District” honors bestowed on Prof. Soyinka and Governor Cardoso, received in the name of President Tinubu, symbolized not just recognition of history, but also a bold step toward a future where shared heritage becomes the foundation of renewed global partnerships.

  • Wole Soyinka meets Brazilian president, presents translated copy of his book

    Wole Soyinka meets Brazilian president, presents translated copy of his book

    Nobel Laureate Prof Wole Soyinka has presented a translated copy of his book to Brazilian President Lula da Silva, Senior Special Assistant to President on Media and Publicity Temitope Ajayi confirmed the presentation in a post on his X handle yesterday.

    He said the literary giant met with the Brazilian leader as President Bola Ahmed Tinubu engaged in other activities.

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    The post reads: “Yesterday, while President Tinubu was carrying on with other activities of his state visit to Brazil, President Lula da Silva received Nobel laureate, Professor Wole Soyinka.

    “The global literary icon presented his translated book with the title: mito, literatura e o mundo africano (Myth, Literature and the African World) to Lula.”

  • President Lula hosts Wole Soyinka in Brazil

    President Lula hosts Wole Soyinka in Brazil

    Brazilian President Luiz Inácio Lula da Silva hosted Nigerian Nobel laureate Professor Wole Soyinka in a meeting on Monday, focusing on cultural diplomacy and celebrating Afro-Brazilian heritage.

    The discussion highlighted the shared history and cultural connections between Brazil and Africa, particularly through the African diaspora. President Lula and Soyinka explored the roles of literature, history, and education in bridging cultural divides and fostering mutual understanding.

    The meeting also underscored Brazil’s commitment to promoting racial equity and honouring African contributions to its national identity.

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    Soyinka’s visit coincided with Nigerian President Bola Tinubu’s diplomatic trip to Brazil, during which Tinubu presented Lula with a translated book on myth, literature, and the African world as part of efforts to renew diplomatic and economic ties.

    As Africa’s first Nobel laureate in literature, Soyinka continues to champion the preservation and global recognition of African culture and literature.

  • ‘I missed my parents when I won Nobel Prize’

    ‘I missed my parents when I won Nobel Prize’

    • Tinubu celebrates author at 91

    Nobel laureate, Prof. Wole Soyinka, has said he missed the presence of his late parents when he won the Nobel Prize in Literature in Stockholm, Sweden, in December 1986.

    Soyinka, who turned 91 on Sunday, averred that their absence was sorely missed, particularly his late mother, who would have been very joyous and taken photographs at the event.

    The Nobel laureate spoke in an online conversation: Talking Books Africa, organised by Rainbow Book Club, over the weekend.

    “That is one of the things I regret. I just imagined the two of them sitting there, witnessing the event. For my dad, he would have absorbed it and said: ‘Good, yes, yes. Let’s go for dinner.’ But my mother would have been insufferable. And I would have teased her because she used to tell me that I have ‘emi esu’. I would have asked her: Hope emi esu is not bad, after all?” he said.  

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    On his decision not to grant further interviews to the media, he said: “I was getting a little bit exhausted because I was being taken out of context. Despite my previous statements, the meaning should be clear, especially in today’s social media landscape, which has become problematic. It comes a time when you feel you are overexposed. I am being overexposed.” 

    Reacting to reading about his life through someone else, particularly his new biography by Koko Kalango of Rainbow Book Club, Soyinka noted that he could be objective about himself.

    The global literary icon said there were moments lately when he gave different answers to the same issues.

    “And I took some actions at certain times… And I find it difficult to believe certain actions I did,” he said.

    According to him, though the biography did not say everything about his childhood, it says enough, revealing that he had contradictory names as a child, which the book did not capture. 

    “My stepmother gave me the name Okunrin Jeje (gentleman)… Yet, while growing up, I was described as Onijongbon (troublemaker). Now, reconcile these two names. However, it is a marvel that I survived till now,” Soyinka stressed. 

    President Bola Ahmed Tinubu has celebrated Wole Soyinka, as the literary icon marked his 91st birthday on Sunday.

    The President described the Nobel laureate as an uncommon patriot and enduring inspiration to generations of Nigerians and global citizens.

    In a statement in Abuja by his Special Adviser on Information and Strategy, Bayo Onanuga, President Tinubu extolled the celebrated literary icon for his unwavering service to Nigeria and humanity, noting that Soyinka’s life and works reflect a deep commitment to justice, freedom and cultural identity.

    “Professor Soyinka is an uncommon patriot who has continued to demonstrate his undying love for our country. Even at the grand old age, he continues to be a source of inspiration to fellow citizens and people around the world,” the President said.

    Celebrating the Nobel laureate’s lifetime of accomplishments, President Tinubu emphasised the influence of Soyinka’s creative genius and civic activism.

    He highlighted the playwright’s seminal impact on education, the pro-democracy and human rights movement, cultural diplomacy, and national development over the past several decades.

    “Professor Soyinka is a massive source of inspiration to Nigerians and, most especially, generations of younger writers worldwide. We are grateful for his long years of service to Nigeria and humanity,” the President said.

    Soyinka, the first African to win the Nobel Prize in Literature in 1986, is revered for his body of work spanning plays, poetry, essays, memoirs and social commentary.

    He has long been a towering voice in national and international discourses on freedom, identity and governance.

    President Tinubu also reflected on his connection with the cultural icon, recalling years of association and shared efforts in nation-building.

    “I value my association with Professor Soyinka and several collaborations to advance the progress and development of Nigeria,” he said.

    Marking what he called “the beginning of the journey into the last decade of his centennial,” the President extended warm wishes to Soyinka, praying for his continued strength and vitality.

    “On this special day… I wish Professor Wole Soyinka good health and more years in sound mind,” the statement concluded.

    Born on July 13, 1934, Wole Soyinka remains one of Africa’s most distinguished voices in literature and civil advocacy, a symbol of artistic excellence and moral courage whose legacy continues to shape global perceptions of Nigeria and its creative power.

  • Sanwo-Olu, Abiodun: Don’t let the Wole Soyinka Prize for Literature die

    Sanwo-Olu, Abiodun: Don’t let the Wole Soyinka Prize for Literature die

    • By Olabode Opeseitan

    Shock, then tears of joy gently rolled down my cheeks earlier today as I heard President Bola Ahmed Tinubu confer Nigeria’s highest civilian honour, the Grand Commander of the Order of the Niger (GCON), on Professor Wole Soyinka – Nigeria’s only Nobel Laureate to this day.

    That honour, which is primarily to celebrate his contributions to Nigeria’s democratic struggle, came 39 long years after WS made Nigeria proud by becoming the first African writer to win that globally acclaimed distinction.

    Yet, between 1986 and now, Nigeria failed to fittingly recognise and celebrate this epic moment of intellectual prowess. From the Federal Government to the states and the private sector, multiple actors neglected to seize the momentum and honour this iconic emblem of our nation’s cerebral depth.

    The only private entity that truly went all out to recognise the aura and significance of a Nobel Laureate was Globacom, lead sponsor of the Wole Soyinka Prize for Literature for three consecutive years.

    That equally iconic national brand spared no resources to make it remarkable. By next month, WS will be 91. For this exceptional man of letters, his most vital legacy—aligned with his life’s purpose—is the WS Prize for Literature. I recall him once asking Dr. Promise Ugochukwu and me, “Is this how Nigerians will allow the Prize to die?”

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    Sadly, the shame is not on WS; it rests on us all as a nation. Prof has access to the President, state governors, and captains of industry. But true to his principles, he restrains himself from requesting personal favours—even though asking institutions to support the Prize isn’t personal; it’s a national call to service. He expects leaders to recognise the Prize’s significance and rally behind it unprompted. We approached the Lagos and Ogun state governments in particular to sponsor the Prize, yet their focus seems geared more toward entertainment than this intellectual cornerstone. Today, we renew our call: Governors of his dwelling state (Lagos) and home state (Ogun) – step forward and sponsor this Prize. Governor Dapo Abiodun rightly celebrated WS at the recent Gateway Games. But sponsoring the WS Prize holds far greater value to Prof than inviting him to read a poem. Governor Sanwo-Olu is smart and intellectually inclined. Surely, Lagos State—a hub of culture—should champion a national treasure like this. Therefore, Governors Babajide Sanwo-Olu (Lagos) and Dapo Abiodun (Lagos), step forward, take up this mantle; don’t let this prize die. Honour the legacy of the man who brought enduring honour to our nation.

    • Opeseitan is a Digital Business Strategist and Marketing Communications Specialist