Veesax gains international recognition

Victor Opeyemi Olatunji, who is now known as Thebrandveesax, is steadily making a name for himself on the international music scene.

The Nigerian saxophonist, whose musical journey began in church and evolved through his university years at Obafemi Awolowo University (OAU), continued to build his craft after gaining attention during the Ojaja Musical Talent Hunt.

Through persistence and strategic performances, he steadily carved a space for himself beyond campus stages, eventually catching the eye of international music circles.

Victor’s break into the music scene came in 2016, when he emerged as one of the top seven finalists at the inaugural Ojaja Musical Talent Hunt in Ile-Ife, Osun State.

The event, sponsored by the Ooni of Ife, Oba Adeyeye Enitan Ogunwunsi, marked his official entry into the Nigerian music spotlight.

His unique use of the saxophone, a rarity among contestants, earned him wide acclaim and opened the door to paid performances both within and outside the university campus.

“I wanted greatness,” he said in a previous interview. “I was willing to do the work.”

By 2017, Olatunji had become a sought-after performer at campus events and special occasions.

His growing popularity enabled him to sustain himself financially through music while completing his studies, a rare feat among young creatives.

However, it was his relocation to Qatar that took his artistry to new heights.

The turning point came in 2023 after the 2022 FIFA World Cup, when the global football event turned Doha into a hub of cultural and creative activity.

Thebrandveesax became affiliated with Music Lab, a creative music community under Qatar Museums, directed by prominent Qatari musician Dana Almeer.

The music community contributed to the composition and production of soundtracks and live musical content during the World Cup festivities.

He went on to perform with Music Lab at several high-profile events, including the Ajyal Tunes concert series.

The three-night show featured thematic performances like Geekdom Night and a 2000s nostalgia set, both of which showcased Olatunji’s versatility and stage presence.

He opened and closed the performances with powerful instrumental renditions, working seamlessly with a multicultural band.

His standout contributions did not go unnoticed.

He received a certificate of appreciation from the Doha Film Institute in recognition of his role in Geekdom 3000.

Music Lab later honoured him with the title “The Groove Master,” applauding his creativity, energy, and consistent delivery during rehearsals and live shows.

Perhaps one of the most defining moments of his international journey was meeting Brent Birckhead, an award-winning American jazz saxophonist who featured at the Spring of Jazz concert series, launched by the U.S. Embassy in Doha. Meeting Brent created an avenue for the two musicians to have a private jam session.

“Jamming with Brent was surreal. It felt like a full-circle moment,” he recalled.

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