The Nation Newspaper

Author: The Nation

  • Radio Lagos hosts empowerment program

    Radio Lagos hosts empowerment program

    Radio Lagos has hosted an empowerment ceremony designed to significantly broaden career development prospects for young Nigerians. The forum, themed “From Interns to Industry Leaders: Building Capacity for the Future of Nigeria,” gathered both current interns and serving youth corps members for a high-impact session focused on essential skill development and career growth.

    The initiative is designed to assist young corpers and university students in gaining work experience and effectively navigating their career paths amidst Nigeria’s challenging employment landscape.

    Speaking at the Oconnect Symposium & Trade Fair Season 4, the General Manager, Radio Lagos / Eko FM, Olajide Isiaka Lawal, highlighted the profound value of the program. He stated, “What the internship programme provides to the students are opportunities to learn about the actual operations of the industry, accumulate their work experience, and grasp a fuller picture of their life-planning paths.”

    Lawal praised the programme as an “excellent example of enhancing resource integration” to offer young people a greater range of quality internships, noting that the effort is consistent with the station’s workforce development strategy. He also explained the need for “strengthening youth’s sense of national awareness.”

    READ ALSO; Shettima returns after G20, AU–EU summits

    The General Manager then shared an inspiring quote from a speaker at the event, which he made his focal point: “How much you want your stars to shine depends on you.”

    Addressing the attendees, Lawal urged them to take ownership of their professional journeys, saying: “How you want to shine depends on you in so many ways. It depends on how you want your life to be.” He emphasized the need for dedication, especially in academics: For some of you that are still going back to school, when you go back to school, you take your studies seriously.”

    Lawal encouraged the audience to envision a proud future self. “I want you to start to shine the lens of your future self. I implore you as a father, as a spirit, that you need to start shining your light. And if you shine your light in the right place, I will be very proud of you,” he implored them.

    He confirmed the station’s ongoing commitment, adding, “We will continue to expand participation opportunities and strengthen the program’s expertise to become a solid foundation for the growth of local youth.”

    Bisi Omidire of the EKO FM Lagos O’CONNECT Radio Talk Show affirmed that the program offered “real-world experience and strengthening their job competencies.” She highlighted that it provides interns with a unique chance not only to deepen their understanding of critical local issues but also to “cultivate invaluable practical skills.”

    Omidire stressed that the program could lead to genuine career development and employment linkage. She encouraged participants with an inspiring call to action regarding youth forums:

    “Internship is a pathway to success… I encourage you not to just hear, or to listen, not to listen alone, or to take notes, not to take notes, but to ask questions, to network, to feel, to draw, and of course, to act.”

    Executive Assistant to the Lagos State Governor and Head of the Lagos State Office of Diaspora Affairs (LASDA), Jermaine Sanwoolu urged the youths to leverage technology and think innovatively to optimize communication and achieve great goals.

    Sanwoolu commended the organizers for their efforts in knowledge transfer: “This programme has been very, very insightful. Commendations to the GM of LGB, commendations to the GM of Eko FM Radio Lagos, and most especially, high praise to Double O, for doing such a great job, gathering people together, interns, and transferring knowledge to them, but also practical skills during the internship experience that they have with the station.”

    He stressed that the current era demands a new mindset focused on innovation and optimization. “This is a new age, a new era, and it’s marked with tremendous insights, information, and innovation. We need to be able to leverage technology to optimise communication, either in business, in work, in life, generally,” Sanwoolu advised.

    Concluding his remarks, the LASDA Head offered a stirring challenge: “I’ll encourage you to dream big about your goals, to dream big about the visions that you have. Do not think small. Now is the time to optimise technology, optimise all the resources around, to achieve great goals.”

  • Exhibitors seek trade partners at Lagos expo

    Exhibitors seek trade partners at Lagos expo

    Exhibitors from over 55 countries across the globe in the beauty, cosmetic and hair extension value chain are wrapping up marketing strategies to consolidate market access into Nigeria, Africa’s biggest trading bloc on the continent.

    At the eight edition of Beauty West Africa,  the largest beauty and cosmetics show  on the African continent opened in Lagos yesterday, exhibitors and  leading global brands as well as  industry professionals utilized the window to   showcase  their  products seek  business opportunities including search for trade partners, distributors, manufacturers representatives and Nigerian companies looking forward to franchise opportunities.

    The global cosmetic industry’s market value was approximately $419.8 billion in 2024 and is projected to reach $629.7 billion by 2033.

    With a projected market value surpassing €3.2 billion, Nigeria stands as Africa’s leading cosmetics hub and a strategic entry point for international brands seeking expansion into the wider African market.

    READ ALSO; ‘How alleged terrorists’ negotiator, Mamu got N50million for his efforts,’ DSS official tells court 

    Speaking in an interview, Sales Director , Tradeshow Organisers Nigeria, Mr Brad Smith said the platform  offers opportunity for over 350 exhibitors from around the world and 6,000 beauty professionals to explore new products, meet potential partners, and connect with the people driving growth across the industry.

    Smith said the expo in the many years of its existence has created a huge platform for businesses in Africa to converge and exchange ideas bordering on trends, innovation and the place of technology in the fast evolving beauty and cosmetic value chain.

    He said : “We have through this exhibition created  powerful connections  that make a huge  impact – shaping industries, supporting communities and driving business.”

    He said Nigeria has been a strong rallying point for the biggest expo on the continent, bringing together players in the value chain from all part of the continent to showcase the challenges in the industry as well as provide a platform for business owners and regulators to tackle the hurdles that needs to be surmounted to drive the growth of the business.

    Smith said the Beauty West Africa, has also paid off for exhibitors , as it has given them direct access to the market, opportunity to offer competitive pricing , and engage with potential partners, investors and those looking forward to tapping into evolving trends that would make them the leaders of the market.

    He said the prevailing economic conditions in Nigeria, has not had any negative impact on the expo as the number of exhibitors continue to spike year on year.

    Smith said the expo also afforded professionals in the sector to examine issues bordering on : “Breaking Silos: Fostering Collaboration Across The Haircare Industry “. Professionals also examined : “Quality, Safety & Transparency: Raising Consumer Trust in African Beauty Brands”, as well as  “ Deep Trade: Cracking Distribution & Retail in Nigeria’s Multi-Billion Naira Market and  “ Strengthening Regulation and Innovation: Advancing Nigeria’s Beauty and Cosmetics Industry.”

    Speaking in an interview, an indigenous manufacturer and Chief Executive of Sora Cosmetics Nigeria, Mr Alex Okoronkwo commended the organisers for providing a platform to leverage access to the market.

    He said some manufacturers are exploring opportunities to set up factories in the country.

    On his part, Chief Executive Officer of Aziza Cosmetics, Ahmed Sarwana said the expo continues to serve as a platform for companies to explore market opportunities in Nigeria , seek for distributors and other benefits.

    He said the company will be excited to expand its footprints in Nigeria by deepening competition , offering better pricing and other incentives.

    He , however, called on the Federal Government to review the proliferation of agencies regulating its operations in the country.

    Doing that, he said will encourage more investors / manufacturers seeking to establish manufacturing plants in Nigeria.

    Also speaking, Marketing Manager, Whiz Laboratories, Zubir Ahmed , described the exhibition as a strategic window for market penetration and fostering of good partnership.

    The Nigerian beauty and personal care industry was valued at approximately $7.8 billion in 2023, with projections indicating a strong growth rate of around 17.7 per cent  per year between 2023 and 2027. This significant market value positions Nigeria as Africa’s top consumer in this sector.

     The Nigerian market showcased a robust appetite for beauty and personal care products in 2023, importing a substantial sum exceeding $1.1 billion in cosmetics, perfumes, essential oils, and toiletries.

    This data stems from a comprehensive report by Beauty West Africa, organisers of Africa’s annual largest beauty show exhibition held at the Landmark Centre, which attracted over 4000 visitors from 47 countries.

    The report forecasts a remarkable trajectory for Nigeria’s cosmetic and beauty industry, projecting a compelling annual growth rate of “17.7 per cent  between 2023 and 2027.” This growth surpasses that of any other African market, indicating a significant upswing in consumer demand.

  • MTN Nigeria gives sixth car in campus activation

    MTN Nigeria gives sixth car in campus activation

    A 300-level student at Bayero University, Kano, has become the sixth university student to win a car worth N35 million in MTN Nigeria’s ongoing campus activation series.

    Ramatu Yakubu of the Faculty of Agriculture won the grand prize at the conclusion of a three-day event that also distributed millions of naira in laptops, tablets, and cash to students.

    This focus on both giving big prizes and helping student careers is part of a larger plan.

    MTN’s Manager for the Youth section, Femi Adesina, stressed the company’s commitment, saying: “No amount is too much to build a well-rounded Nigerian youth.”

    To help students with their studies, MTN also offered special, very low-cost data deals, including night plans starting at just seventy-five naira.

    READ ALSO; Shettima returns after G20, AU–EU summits

    These were specifically designed for students who need to stay up late doing research or creating online content.

    Yakubu’s win came at the end of the three-day event featuring live performances, gaming competitions, and entrepreneurship exhibitions. She joins five other students from universities across Nigeria who have won similar prizes during the nationwide campus tour this year, including recent winners at the University of Abuja, FUTO, UNIBEN, MOAUM, and FUNAAB.

    “We are not just here to talk to them, but to walk with them, support them, and empower them to be their best selves,” said Femi Adesina, MTN Nigeria’s Youth Segment Manager.

    The company declined to disclose total investment in the programme but stated that substantial resources have been committed since its relaunch in 2022 after a pandemic-induced suspension.

    MTN has partnered with TECNO for device financing plans, LG for electronic prizes, and its fintech subsidiary MoMo for mobile financial solutions.

    The campus tour continues with more universities scheduled for activation before year-end.

  • Firm launches bank transfer in Nigeria

    Firm launches bank transfer in Nigeria

    Bitget Wallet, the leading everyday finance app, has launched a Bank Transfer feature in Nigeria and Mexico, allowing users to instantly convert USDT and USDC into naira and peso and send funds directly to local bank accounts. The feature turns stablecoins into a practical payment method, enabling users to pay merchants, send money to friends and family, or settle bills straight from their wallet. The rollout marks the first time a global crypto wallet has enabled direct stablecoin-to-bank transfers at scale in these regions, making crypto more usable in daily transactions.

    The new Bank Transfer feature enables users to pay and transfer seamlessly from crypto to local currency, without relying on peer-to-peer (P2P) platforms or centralized exchanges. It works much like a mobile banking app — users simply choose a cryptocurrency, enter the amount and bank account, then confirm. Behind the scenes, Bitget Wallet’s network of licensed partners manages fiat conversion and settlement through regulated payment channels, ensuring instant processing, compliance, and reliability. The service currently supports over 45 banks in Nigeria and more than 35 banks in Mexico, offering users wide coverage and instant settlement within minutes. The feature supports USDT and USDC across BNB Chain, Ethereum, Solana, Tron, and Base networks.

    By merging crypto payments with traditional banking rails, Bitget Wallet bridges onchain assets with real-world spending. The launch comes as stablecoins play a growing role in emerging-market finance, where crypto is increasingly used to store, move and spend value amid inflation and currency volatility. According to Chainalysis, Nigeria remains Africa’s largest crypto market, accounting for most of the region’s onchain activity with over $90 billion in annual transaction value. In Latin America, Mexico recorded more than $70 billion in onchain volume over the same period. Through Bank Transfers, Bitget Wallet enables users to use crypto as easily as local money — whether sending, spending, or saving.

    READ ALSO; ‘How alleged terrorists’ negotiator, Mamu got N50million for his efforts,’ DSS official tells court 

    The feature addresses long-standing challenges in these markets, where turning crypto into usable local money has often been slow, risky, and costly. In Nigeria, users typically rely on P2P platforms subject to liquidity gaps and exchange-rate volatility, while in Mexico, limited infrastructure and regulatory friction constrain access. Bitget Wallet’s Bank Transfer automates the process, reducing risk and enabling instant, compliant one-tap conversions.

    “Stablecoins are quickly becoming a new layer of everyday payments in emerging markets, and connecting them to local banking rails is the next step in that evolution,” said Jamie Elkaleh, CMO of Bitget Wallet. “Nigeria and Mexico together process more than $160 billion in annual onchain volume. Bringing instant stablecoin payments directly into their banking systems makes self-custody more practical, more usable, and increasingly aligned with how people pay today.”

    “The new feature will expand to additional emerging markets in the coming months, complementing Bitget Wallet’s suite of payment tools, including its crypto card, QR code payments, and in-app lifestyle shop, allowing users to pay globally in local ways across shopping, rent, remittances, and everyday expenses. To mark the launch, Bitget Wallet is offering a zero-fee promotion. For more information, visit Bitget Wallet’s blog.” Jamie Elkaleh explained.

  • Investor woos real estate investment in Canada

    Investor woos real estate investment in Canada

    Canada based Nigerian investor in real estate wants Nigerian investors to explore existing opportunities in Canada’s real estate market to boost their investment without losing any money to other countries.

    Speaking with journalists in Abuja, the Nigerian investor and founder of Golden Gate Investment, Andrew Enofe said there are several opportunities for Nigerian investors to diversify their portfolios, especially at a time when Nigeria’s inflation rate stands at about 18 per cent.

    He explained that Canada’s more stable economic climate and significantly lower inflation rate offer stronger prospects for consistent returns.

    Enofe said Golden Gate is working closely with Nigeria’s financial regulators to ensure strict verification of all funds, stressing that transparency and compliance are central to the firm’s operations.

    “We are here to open doors of opportunity for investors. Our message is simple—diversify. Don’t put all your funds in one place. At Golden Gate, investments are backed by Canadian real estate, and the returns are reliable.

    “While inflation in Nigeria is high, Canada’s rate is around two per cent. You can grow your funds in a stable economy and still bring them back home for your needs. You’re not losing money to another country; you’re strengthening it,” he said.

    READ ALSO; Shettima returns after G20, AU–EU summits

    Addressing concerns about the possibility of the platform being used to launder illicit funds, Enofe maintained that the company adheres to strict compliance procedures.

    “We are not here to support money laundering. We have legal teams that conduct thorough checks. We verify every investor’s source of income. Our integrity is important to us, and we are accountable to the Canadian government,” he said.

    He added that with the unveiling of the fund, Golden Gate is “strategically positioned to navigate current market realities—including rising housing demand, interest rate shifts and evolving economic conditions—while prioritizing sustainable growth and risk-adjusted returns.”

    Golden Gate Investment currently offers services through private mortgage funds, home purchase support in Canada, real estate investment options and pathways to Canadian permanent residency.

    The event drew participation from government officials, including representatives from the Federal Ministries of Environment, Housing and Urban Development; the Corporate Affairs Commission; the Nigerian Communications Commission; as well as leading figures in Nigeria’s housing and real estate sector.

  • International Men’s Day: STI honours its men for excellence

    International Men’s Day: STI honours its men for excellence

    As the world marks the International Men’s Day, Sovereign Trust Insurance Plc, has described the male employees of the underwriting firm as the very rudder responsible for steering the ship of the organisation to greatness in the quest for achieving excellence in every area of the company’s operations.

    The Managing Director/CEO, STI, Mr. Olaotan Soyinka, eulogised his male at a special session organised for them in commemoration of the International Men’s Day.

    He said: “It has been a very elating experience for me having worked with you colleagues over the span of two decades that you have all stood the test of time even in the midst of those turbulent periods that one would have thought would consume us but alas, we have on every occasion come out unscathed.

    “No doubt, we have been so blessed as an organisation to have the crop of men like you running the affairs of our great companies in the last 30 years. You have all proven that you are men of valour and grit in the most professional manner that anyone can think of”, he stated.

    The Executive Director, Finance and Corporate Services, Kayode Adigun, expressed appreciation on behalf of the male employees in the organization and particularly to the MD for providing instructive leadership worthy of emulation. “From the day I joined the organization, I have never had any reason to doubt the capabilities and enormous potentials that my male colleagues have in their arsenal. The teamwork and cooperation have been quite phenomenal both from the male and female counterparts of the organization.”

    READ ALSO; Shettima returns after G20, AU–EU summits

    He equally enjoined his colleagues to also respect and honour their female counterparts as they are also a formidable force in the journey to attaining service excellence in the comity of insurance companies in the country.

    He expounded on one of the core values of the organization which borders on Teamwork and reiterated that what the company has been able to achieve till date despite all the seeming challenges in the Nigerian business landscape and the insurance industry in particular, can only be attributable to that very germane core value of teamwork and respect for one another within the organization.

  • Ill-fated NAFEST 2025: Like Bayelsa, like Enugu

    Ill-fated NAFEST 2025: Like Bayelsa, like Enugu

    What befell Bayelsa state 19 years ago, repeated itself last Friday night. Enugu state lost the chance of hosting this year’s National Festival of Arts and Culture (NAFEST), Nigeria’s flagship cultural festival. The glittering lights and burgeoning economic activities in Coal City, that characterised its preparation for the hosting of this year’s NAFEST, suddenly lost their verves. No thanks to last minute postponement of the festival by the Federal Ministry of Art, Culture, Tourism and the Creative Economy due to state of insecurity in the country, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    Few days to the opening of this year’s NAFEST, preparations and expectations were quite high. Enugu, the host state, reassured participating states of its readiness to host a memorable cultural festival like no other. NAFEST was scheduled to hold between November 22 and 29.

    Like Bayelsa state, the notice of postponement of this year’s festival was not only sudden and shocking, but also destabilising to the organising agency, the National Council for Arts and Culture (NCAC), the participating states as well as Enugu artists’ community.  

    As at Friday November 21, no fewer than 26 states contingents were on ground in Enugu including a trailer load of horses by Katsina state delegates who had arrived much earlier. Katsina was to hold a mini-Durbar at the festival. The 84-member team of the organising agency, NCAC, was also in Enugu by Friday evening to put finishing touches to the colourful opening ceremony on Saturday that never was. They had to return to Abuja on Sunday after a briefing by Enugu State Commissioner for Culture and Tourism, Mrs Ugochi Madueke on Saturday morning.  

    Among the states contingents that arrived Enugu on Friday were Lagos (100 delegates) Benue (120 delegates), Ebonyi (80 delegates), Oyo (120 delegates), Sokoto (70 delegates) Jigawa (120 delegates), and Delta (150 delegates). Others were Nasarawa (150 delegates), Niger (120 delegates), Plateau (110 delegates), FCT (60 delegates), Adamawa (70 delegates), Kwara (78 delegates), Ondo (50 delegates), Imo (100 delegates), Yobe (220 delegates), Osun (60 delegates), Abia (110 delegates), Cross River (80 delegates), Rivers (235), Ekiti (103) and Katsina (171 delegates).

    Unfortunately, many of the contingents returned to their home states without a single appearance on stage leaving a trail of losses and frustrations. Some had to turn back on the way to Enugu. Michael Okpara Square and the International Conference Centre, Enugu, which wore new looks as venues of the cultural festival lost the opportunity of adding the festival to its A-list events. 

    The rhythmic dance steps of the various states contingents that would have flagged off the festival turned cold and still. The vibrant, energetic and acrobatic dance of Atilogwu dancers and its vigorous but seemingly effortless movements were missed. Mmanwu masquerade from host state, Enugu, couldn’t showcase its elaborate costumes and performances. And from Benue state, the popular Swange, a lively and rhythmic dance of the Tiv people, couldn’t find its rhythm and so for all the cultural events lined up for the festival.

    The Federal Ministry of Art, Culture, Tourism and the Creative Economy on Friday night announced the postponement of the festival due to state of insecurity in the country. The decision, according to the Ministry followed a careful assessment of the national mood amid rising insecurity across various parts of the country.t

    “In solidarity with affected families and communities, and out of deep respect for lives lost, the Minister, Hannatu Musawa, in consultation with stakeholders, has approved postponing the festival to a later date.

    READ ALSO; ‘How alleged terrorists’ negotiator, Mamu got N50million for his efforts,’ DSS official tells court 

    “NAFEST has always played a powerful role in nation-building by bringing Nigerians together, strengthening social cohesion and offering a platform for cultural diplomacy and soft power.

     “As one of the few national events capable of projecting a positive and inclusive image of Nigeria, showcasing unity, hospitality and national confidence, this year’s edition, with over 28 states preparing to participate, was poised to send a strong message of resilience and unity.

    “However, given the current national mood, the Federal Government believes it is more respectful and responsible to postpone the festival rather than proceed while many citizens are grieving,” the statement added.

    The Minister emphasised that the decision reflects values of empathy, national unity, and collective sensitivity. A new date for NAFEST 2025 will be announced following further consultations with stakeholders, including security agencies.

    “The Ministry appreciates the understanding and support of participating states, cultural troupes, partners, and the Nigerian public. Our commitment to showcasing Nigeria’s rich cultural diversity remains unwavering and we look forward to delivering an even stronger, more unifying NAFEST at the appropriate time,” she added.

    Reacting to the postponement of the festival, Enugu state government expressed disappointment and understanding. According to a statement issued on Saturday, Enugu State Commissioner for Culture and Tourism, Mrs Ugochi Madueke, said the decision was painful, especially when Enugu had concluded preparations to host thousands of delegates from across Nigeria. She stated that cultural troupes, support staff and officials had already arrived in the city in anticipation of the festival’s opening activities.

    Madueke noted that although the postponement came at a time when the state was fully ready to showcase what she described as “one of the most anticipated cultural festivals in recent years,” the government understood why the Federal Ministry had taken the step. According to her, the escalating security concerns nationwide made it necessary for authorities to prioritise the safety of participants, visitors and residents.

    While urging delegates, partners and the cultural community to remain calm while awaiting further communication from the Federal Government on the next steps, she assured that Enugu’s readiness had not diminished. She noted that the state would continue to work with all relevant agencies to ensure that NAFEST takes place under conditions that guarantee the safety and enjoyment of everyone involvement. She commended the efforts of Minister of Art, Culture, Tourism and the Creative Economy and the Director General National Council for Arts and Culture, noting that their leadership reflected a responsible approach in a period of heightened national concern.

    She also commended the Governor of Enugu State for his support throughout the preparations and assured stakeholders that the state remains committed to hosting the festival once a new date is announced.

    Recall that in September 2006 NAFEST was cancelled in honour of the military personnel that died in a plane crash in Benue state. Then acting Governor Goodluck Jonathan did the opening and closing of the national festival same day.

    The plane crash involved military officers comprising 10 army generals, a lieutenant-colonel, and two wing commanders who were on a Dornier 228-212 aircraft. The officers were heading to the Obudu Cattle Ranch in Cross River state for a retreat.

    Nineteen years after, the same fate has befallen Enugu NAFEST 2025 due to insecurity in the country, particularly the recent attack of the CAC Church at Eruku, in Kwara state and abduction of school girls in Maga, Kebbi state last Monday.  Fortunately, 38 of the Kwara abductees and 51 Niger pupils were rescued by security forces on Sunday and have since returned home.

    President Bola Tinubu reassured Nigerians of their safety anywhere in the country adding, “Let me be clear. I will not relent. Every Nigerian, in every state, has the right to safety. Under my watch, we will secure this nation and protect our people,” he said.

    Part of the fallout of the postponement is the economic loss incurred by many players in the creative sector. From travel to leisure operators, hoteliers, artists, arts and crafts dealers and food vendors in the Coal City. Their losses are better imagined.

    Hotels such as Utopia Hotel, which accommodated some of the NCAC team from Abuja, only provided two night services before they returned to Abuja, thereby losing about six days revenue from lodging. Others such as Universal Hotel, Bon Platinum and Carlton Swiss were expectant, but never got clients before the postponement of the festival. In particular, Bon Platinum and Carlton Swiss were contacted for reservations, but didn’t get any guest. 

  • Revving Edo creative hub

    Revving Edo creative hub

    From the red carpet leading to the entrance of the fair, the ambience did not only reflect the rhythm, symbolism and spirit of the Red City, but also the structure of Benin’s cultural identity. Inside the spacious booths, were contemporary artworks ranging from large size to miniatures, collectibles; knowledge and archives; and sound of Benin, which offers guests a feel of the kingdom’s traditional and contemporary musical heritage.

    Welcome to this year’s Benin Art Fair, which opened between November 11 to 16 at Abstract Backyard on 33 Aiguobasimwim Street, GRA, Benin City. These elements extend the experience of the Benin Art Fair beyond visual art, transforming it into an educational and sensorial journey through Benin’s evolving identity. Little wonder the huge turn-out of guests that thronged the fair for the four days.

    After a successful maiden edition last year, the second edition of The Benin Art Fair, with the theme Legacy and innovation: Celebrating the Past, Present, and Future of Benin Art drew thousands of visitors over four days marking historic moments for Benin’s vibrant art community. 

    The opening began with a welcome and guided tour led by the Fair Director, Olorogun Jeff Ajueshi for delegates from Edo State Government. In attendance were the Chief of Staff to the Governor of Edo State, Hon. Gani Audu, and the Commissioner of Lands and Housing, Hon. Yakubu Musa (Yakson) and the former Commissioner for Arts, Culture and Tourism, Dr. Uyi Oduwa-Malaka.

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    The Senior Special Assistant to the Governor on Tourism and Creative Economy, Anto Lecky applauded the vision and impact of the fair.

    The government delegation explored the curated booths that featured miniatures and collectibles, knowledge and archives, and the sound of Benin. They also engaged with the interactive Notes To Benin installation. The fair featured over a hundred artworks including sculptures and installations, which included master pieces by celebrated sculptor Ben Osawe, Oka Newton and other emerging and established Nigerian artists across the country.

    The event was declared open by Director of Media and Publicity The Benin Art Fair, Mr. Austin Asemota, while Azieyiosabo Cultural Troupe and two indigenous Benin musical groups thrilled the guests.

    Initiator and Director of the fair, Olorogun Jeff Ajueshi described the fair as an unparalel opportunity for artists, sponsors, and art lovers to engage with the rich artistic culture of Benin while embracing contemporary creativity.

    He said with a growing international reputation for its art and culture, Benin is the ideal location to elevate Nigeria’s art scene and showcase the diversity and innovation of Nigerian and African artists. To him, it is also an opportunity for many artists to expand their visibility and showcase new projects, noting that the fair is to position Benin City as a leading hub for global art and cultural exchange. According to him, the objectives of the Benin Art Fair include to showcase Benin’s art legacy, promote local artists, enhance international exposure and foster cultural dialogue.

    Curator of the fair, Mr. Oluwatosin Jekami said that beyond the celebrated bronzes and royal artistry lays an expansive terrain yet to be fully uncovered; a lane that spans intersections of contemporary art, entertainment, culture and indigenous traditions.

    “The Benin Art Fair was conceived to address this continuum: to document, interpret, and re-present the evolving narratives of Benin’s artistic journey,” he added.

    Jekami explained that this year’s fair advances this mission by emphasizing both legacy and innovation.

    “These are, obviously, two intertwined forces that have always defined Benin’s creative ethos. The Fair recognises that Benin’s past glories were not static achievements but dynamic engagements with creativity, spirituality, and societal order. This year, we extend that engagement into the present, examining how artists reinterpret heritage in dialogue with modernity and global artistic discourse,” he noted.

    Continuing, he said: “The artworks presented at the fair have been deliberately selected to showcase the chain between master and apprentice, heritage and experiment. They include works by renowned masters whose practices have defined the trajectory of Benin and Nigerian art, fast-rising Nigerian artists who bring fresh interpretations of tradition, and emerging Benin originated artists who are actively sustaining and redefining the expectations placed upon them by virtue of their cultural inheritance. “Through these dialogues, the Fair becomes not only a platform for exhibition but also a site of intergenerational exchange and critical reflection.”

    According to the curator, this year’s Benin Art Fair positions itself as both an archive and a laboratory, noting that the curatorial goal for this year is that it becomes a place where memory informs innovation, and tradition encounter transformation. “It is a demonstration of Benin’s enduring legacy and its boundless potential to inspire new forms of expression across time, geography, and imagination,” he said.

    Beyond visual exposition of works of art by different artists, the fair also featured discussion sessions featuring the President Society of Nigerian Artists, Mr. Muhammed Sulaimon, Imasuen Amowie Izoduwa, Princess Nosakhare-Igbinoba Eloghosa. Among dignitaries that visited the fair was Senator Neda Imasuen, law-maker representing Edo South senatorial district, who acknowledged the rich heritage of the Benin.

    Reacting to how to reposition Edo state creative economy, he said that when it comes to creative industry, or the art scene, Lagos don’t come before Edo. He however observed that there has been a neglect of some sort on the part of Edo people for not showcasing what they have.

    “And if you are to look at those who are showcasing their artworks in Lagos, they are mostly Edo artists. And so, it is how do we bring them home to do hold exhibition here? That is where private funding comes in. For some reasons, we don’t seem to be appreciating what we have. And until we begin to do so, the monopoly that we have over art will begin to elude us. I just believe that we must all, as art lovers, in our own little way, support art collections and exhibitions of this sort, so that we can give it publicity and let the whole world know,” he said on the sideline of the fair. 

    The fair was sponsored by The Osa Okunbo Foundation in partnership with Wiki Niger Delta, Heritage Collective, QPIC.NG, and KOPA360Network. 

  • Quintessence @ 50: sustaining quintessential quality services

    Quintessence @ 50: sustaining quintessential quality services

    What started as a medium size musical store five decades ago in high-brow Falomo area in Ikoyi Lagos, reputed for its hi-fi stereo sets and high-end furniture, has evolved into a one-stop Quintessence Gallery, a leading global brand in exotic African arts and crafts. In commemoration of its 50th anniversary, Quintessence hosted friends, relations, collectors, artists and enthusiasts to an exclusive celebration of artistry and cultural excellence featuring art exhibition, spoken word performance and music. 

    It was a gathering spiced with sweet memories of 50 years of Quintessence’s quality services and pep talks on how to sustain the legacy founded by the late Oni-Okpaku and wife, Aino.

    Keynote speaker, Managing Director and CEO Design Group Nigeria, Mr. Bayo Odunlami described the celebration as not just 50 years, but 50 years of quintessential quality services. He called on the management of Quintessence to sustain the quality and legacy of the centre while keeping their eyes on the ball as quality has no other definition, but quintessential. 

    “It is the ability to identify what makes you authentic. And I can see from what is on ground that your vision is still very strong. I was a little bit nervous when you talked to me about this project.  I thought many things will continue the next year.

    But, I’m very happy that what I see here takes me back to how it all began. And we will be with you.  The Lord shall be with you,” he said.

    Odunlami said the challenge before the management is not what it has achieved till date, but how well it sustains the legacy by passing it to next generation.

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    “It is not what you are doing now because this was handed over to you. What you will achieve in the next 15 years, the Lord will be with you. And you can be rest assured that a lot of us here will support you because there isn’t much of quality around. So, when we see one, we will latch on it. Congratulations for this. It shall grow big, and it shall grow stronger…You should think out of the box and think different. But, without losing sight of the legacy,” he added.

    Recalling the journey so far, he said: “But, I can say one thing for sure. When this talk started, we were very young, but we understood the quality. And I was into music and CDs.”

    CEO Quintessence, Mr. Jude Oni-Okpaku who was touched by the words of encouragement said that there is a lot of pressure involved in moving an institution like Quintessence forward, which is also very rewarding.

    “I have not only inherited a company that is an example of quality, but I have also inherited a company that is a community. And I feel it’s worth all the hard work and all the pressure. It makes it all worth it when you have the whole community with you. We haven’t gotten here by myself but by God and your supports,” he added.

    A close relation to the founders of Quintessence, Mr. Vincent Aruofor felt elated and fulfilled that the legacy started 50 years ago, has blossomed into a global quality brand. 

    He said Quintessence as a brand has transformed over the years, both in location, content and design, noting that the word Quintessence, speaks about excellence and the purest form, as well as beauty in its purest form.

    “I think it has been upheld over the years. Wherever the location is, whoever is in control, it has always aspired to achieve that sort of beauty… And I believe, with what’s going on here, with the developments and new leadership here, that it will only get better,” Aruofor added.

    On the increasing value and impact of creative sector in Nigeria’s economy, Aruofor said: “I think we are in the phase where creativity is going to be the next oil in Nigeria. I’ve watched it since the early 2000s and late 1990s, where creativity has become the main thing. I believe the youths are using that soft power. And I believe it’s the next frontier for Nigeria. Other dignitaries at the celebration were Prof Ibironke Akinsete, Founder, Trinity House, Pastor Ituah Ighodalo, Dr. Adam of Rugby School, Eko Atlantic City, Lagos  among others. The Great Harmonious Band led by Joseph Akinrinade was on stage to entertain the guests.

  • Ecobank partners Yaba Art Museum to strengthen creative economy

    Ecobank partners Yaba Art Museum to strengthen creative economy

    Managing Director Ecobank Nigeria, Mr Bolaji Lawal has reaffirmed the bank’s commitment to pan-African heritage, youth development and inclusive cultural design. He said through exhibitions, photography, arts and cultural impact, Ecobank continues to nurture collaborations, entrepreneurship, and cross-cultural exchange. Lawal who was represented by Head of SMEs, Partnerships and Collaborations, Ecobank Nigeria, Mrs Omoboye Odu at the recent unveiling of Lagos Pop-Up Museum at the Ecobank Pan African Centre Victoria Island, Lagos, said the museum project bridges the gap between art and economic development. He identified talent as Africa’s biggest asset and not oil or gold. 

    “As a pan-African bank, we have always believed Africa’s biggest asset isn’t oil or gold. It’s its talent. It’s her talent…

    “So, our collaboration with the other collective partners is a natural fit. When art meets innovation, and banking provides the room, magic happens. This partnership also supports Yaba Museum’s, Gown to Town initiative, taking grassroots creativity into the real world where it can inspire and create opportunity,” he said.

    He noted that the Lagos Pop-Up Museum offers heightened visibility, deeper community impact, and innovative educational engagement, adding that it advocates for open access to cultural knowledge, creative opportunity, and direct educational support, while revitalising heritage and contemporary relevance.

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    The event, a collaboration between Ecobank, Yaba Art Museum, National Commission for Museums and Monuments, and Centre for Black and African Arts and Civilisation (CBAAC), which is ongoing and runs till February 10, 2026, combines exhibitions, workshops, performances, and innovation labs with community engagement initiatives. It is structured to connect creative expression with social impact, providing an avenue for education funding while celebrating African cultural heritage.

    According to him, the Lagos Pop-Up Museum is not the regular art show, as it’s a living, breathing, cultural experience designed to engage everyone from art lovers to curious minds.

    “It is a creative intervention that bridges institutional knowledge with civic consciousness, proving that art isn’t just for walls. It’s for life, for learning, and for transformation,” he said.

    Art Organising Coordinator Yaba Art Museum, Dr. Deola Balogun hinted that the museum project was informed by the College’s strong desire to collaborate with the Nigerian public, which is one of the cardinal points of Yaba College of Technology’s current administration. He said the Adoption Hall, where art meets micro-philanthropy, is designed to raise funds in support of indigent students in the College. The collection of artworks on display is a donation from artists, old students and collectors, which are adopted or sold to support students in need.  

    “And so far, the response has been wonderful because adoption is going on. Since the show opened on Saturday, a lot of the works have been adopted. And more works are still coming because this will run until February,” he added.

    Conducting journalists round the Deep Blue Hall, the Curatorial Director, Yaba Art Museum, Yaba College of Technology, Dr. Odun Orimolade, explained that the component of the Pop-Up Museum immerses audience in the fantasy, mystery, science, and environmental consciousness of water and waterways.

    She noted that the component flows through contemporary collections and collaborative interpretations that invite reflection on water not only as a resource but as a living, breathing force that sustains all species.

    “This consciousness and disposition from contemporary collections and collaborations is a marker for our collective planetary consciousness and individual environmental responsibilities concerning water that is a seminal sustaining element of our entire planetary species. In this, water becomes metaphor, memory, and message with its rhythms fueling individual responsibilities toward environmental stewardship. It reminds us that the story of water is the story of life itself in its boundless, cyclical, and ever responsive state that reacts to care or neglect. In this aquatic dialogue, water becomes both muse and mentor calling us to listen, feel, and act, as we navigate our shared currents in this aquatic dialogue between art, science, and imagination as it navigates between aesthetics and the realm of applied inquiry in a living ecosystem of knowledge,” she stressed. The exhibition section features archival materials and objects from CBAAC collection on FESTAC 77, some are being displayed in public for the first time.