Author: The Nation

  • Seyi Tinubu and his critics

    Seyi Tinubu and his critics

    It is unfortunate that former Vice President Atiku Abubakar has decided to drag the name of an innocent and industrious young man, Seyi Tinubu, son of President Bola Ahmed Tinubu, into his ever increasingly desperate politics occasioned by  his serial losses in his bid to become Nigeria’s President. To Atiku, Seyi’s crime now is that he has been on the board since 2018 of a company owned by the Chagoury family that won the bid of a portion of the transformational Lagos-Calabar Coastal road project. As Mr Bayo Onanuga, Special Adviser to President Tinubu has rightly said, Seyi cannot be denied his right to chart his own path in life all because he is the President’s son.

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    Seyi is an adult, 38 years old. Those who know him readily acknowledge that he is respectful and restrained, a true Omoluabi. He is a qualified lawyer who, through hard work and dynamism is establishing himself as a frontline accomplished businessman. His business interests as an innovator in several aspects of outdoor advertising, for instance, justified his presence at the last Climate Change summit, which some ignorantly criticized. Seyi was with his father throughout the last campaigns both within and outside the country. On his own, he created a platform that played a significant role in mobilizing youth support for Tinubu’s candidacy. It is certainly no crime for him to be interested in and working in his own way at ensuring its success.     

    Every administration has its style. Donald Trump gave his daughter and son-in-law prominent roles to play in his White House. President Bill Clinton tapped his wife, Hillary’s cerebral resources to formulate and push his ambitious healthcare plan. President Kennedy appointed his brother as Attorney-General. Many children born into high profile political families understandably develop an interest in public life and service. It is well within their rights. Seyi Tinubu surely has committed no crime. His critics should let him be.

  • Nigeria: Economic crisis or crisis of underdevelopment? (1)

    Nigeria: Economic crisis or crisis of underdevelopment? (1)

    The duo of Mr. Wale Edun, Minister of Finance and Coordinating Minister of the Economy and Mr. Olayemi Cardoso, Governor of the Central Bank of Nigeria (CBN) along with other key stakeholders in the management of the economy in the administration of President Bola Tinubu have been doing a yeoman’s job trying to rescue what is essentially a trapped economy and seeking to retrieve it from the brink of insolvency and bankruptcy to the path of accelerated growth, recovery and sustainable development. Happily, only a few voices in the administration have resorted to the easy blame game of heaping the challenges confronting the economy on the polices and excesses of the preceding President Muhammadu Buhari administration. The key economic actors in the Tinubu administration have rolled up their sleeves and are toiling day and night to confront inherited dysfunctions largely through painful economic reforms – removal of fuel subsidy and merger of parallel exchange rate markets – that have regrettably but unavoidably brought pain to the majority of the populace.

    The most serious problem the administration has had to confront just like its predecessor is the challenge of safeguarding the lives and property of Nigerians from the ravages particularly of kidnapping, banditry and terrorism in volatile states of the North. This in turn has had negative repercussions on the economy especially with thousands of farmers abandoning their farms and communities in fertile, arable belts of the country due to insecurity.

    The administration does not have the luxury of confronting and seeking to transcend these twin challenges sequentially but is having to do so simultaneously with a not insignificant number of citizens hoping it makes no headway in finding solutions all because of their grievances over the outcome of the last elections. The concern of this column this week is with the economy since it is logical to conclude that with increased economic growth, stability, enhanced generation of jobs, improvement in power supply and growing prosperity, for instance, there is also likely to be a marked decline in the rate of criminal activity across the country. And with the tentative steps being made towards the decentralization of power supply through laws empowering states and private entities to generate, distribute and transmit electricity within their jurisdictions as well as the new national consensus on decentralizing policing functions, the structural imperatives for multisectoral development are being addressed.

    As the administration continues with the arduous task of systematically strengthening the value of the Naira, detecting and plugging sources of resource hemorrhage, aggressively combatting industrial scale  oil theft and motivating states and local government councils to offer meaningful palliative succor to the vast majority of Nigerians particularly as a result of enhanced Naira revenues accruing to the three tiers of government following the removal of fuel subsidy, it becomes critical once again for the administration’s brain trust to seriously consider if the transient economic crisis is synonymous with the more fundamental and trenchant crisis of underdevelopment. I do not think so. The economic crisis will most likely respond relatively positively to the neoliberal economist’s policy toolkit such as anti-inflationary measures, interest rate manipulations or greater dexterity in the management of foreign exchange rates with hardly a dent made on the more deeply rooted problem of underdevelopment.

    The abnormal pattern we have seen since the inception of this civilian dispensation in 1999, to cite an example, of impressive growth during periods of heavy accruals to the nation’s coffers in terms of abundant oil revenues without any concomitant concrete improvements in terms of measurable and specific development indices aptly captures the point I am trying to make here. In my recent piece in this space titled ‘Is Nigeria Developing’? I had referred to the political economist, Professor Okwudiba Nnoli’s irrefutable contention that the mere acquisition of the artifacts of modernization such as modern road networks, airports, fast track trains, sports stadia, large scale industries all predicated on foreign investment, partnerships or expertise without any accompanying transfer of knowledge and skills to local or domestic productive forces can hardly be described as development. In his classic, ‘How Europe Underdeveloped Africa’, the great Walter Rodney defines development as one, mastery by man of the laws of nature (science) and two, the application of such knowledge to create the necessary tools and mechanisms to master, subdue and manipulate the environment (technology).

    This implies even if Rodney does not explicitly say so, that all meaningful development must, first and foremost be local. The most fascinating and expansive projects and facilities built for us by Chinese, American, European, Japanese or other external financial or technological expertise cannot rightly be described as development – at least for us. This is why, in many cases, long after such projects have been completed and handed over, further maintenance contracts are signed for their supervision and management still by the same external forces. Thus, Nigeria lacks the capacity, for instance, to get the massive Ajaokuta steel complex to work or even carry out what has become the unending Turn Around Maintenance of our comatose petroleum refineries.

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    With a Bachelor of Commerce (Hons) degree obtained as an external student from the University of London before he went on to study law at the same institution in 1944, Chief Obafemi Awolowo tutored himself to become a brilliant Keynesian economist and first- class manager of financial resources. His unrivaled distinction in this regard was demonstrated when as Minister of Finance and Vice-Chairman of the Federal Executive Council in the Gowon administration, he helped in managing the nation’s finances so dexterously that the federal government prosecuted the war with no external borrowings. In a lecture in Ibadan on 16th May, 1967, on the financing of the Nigerian civil war and its implication for the future economy of the nation, Awo did not resort to esoteric economic jargon. Rather, he identified strict and unflinching fiscal discipline as the most critical factor in handling a country’s economy in times of grave national crisis.

    Noting the three principles that guided the military regime’s financial management during the duration of the war, Awolowo identified these as (1) to economize our financial resources; (2) to raise additional revenue; and (3) to save our foreign exchange reserves from being run down to a dangerous level, thereby avoiding balance of payments difficulties and preserving the strength of the Nigerian pound. Continuing, he cautioned that “In any situation similar to the one in which we found ourselves, where recurrent revenue trails behind fleet-footed expenditure, the obvious first line of attack is to economize and maximize available resources. Unless this was done, and done with Draconic firmness, it would be futile to raise additional revenue; and any claim to prudent financial management would be sheer reference”. Firm and unwavering national discipline anchored on a strong national ideology to mobilize the citizenry to cooperate towards the attainment of set national objectives was thus for Awo a minimum desideratum for economic recovery and national development.

    He believed seriously that at the time he spoke in the early 1970s, it was within the power of Nigeria within two decades, to raise the agricultural, industrial and commercial competence of the country to make her not only able to feed her teeming populace but to contribute effectively to finding solutions to the problems of international hunger and liquidity. But to achieve this, Awo returned once again to the theme of discipline stressing that “But in order to succeed in attaining these ends, we need a strong national motivation generated by enlightened patriotism and sustained by an intense, absorbing and unflagging desire to advance our own economic interests, backed by clear-headed forward planning, hard work, and the constant application of acute and disciplined minds dedicated to the accomplishment of our declared objectives”.

    There is certainly much of importance for President Tinubu and his economic policy advisers to chew on in these words of wisdom. How much are our political office holders at all levels willing to curtail their appetites and cut down drastically on avoidable wastages as necessary sacrifices to return the country back to the path of economic sanity and growth? Only if the leaders set the requisite examples will the majority of the citizenry be persuaded to adopt discipline, restraint, self-control and self-reliance as habitual philosophies of life. Let us never forget the example of Pandhit Nehru who was said to have declared at his country’s independence in 1947 that “What India does not produce, she will not consume” and that “if India cannot clothe herself, let her go naked”. It is no surprise that India is today a global economic power.

  • Felabration unveils Look and Laughas 2024 edition theme

    Felabration unveils Look and Laughas 2024 edition theme

    The Felabration Organising Committee has unveiled ‘Look and Laugh’ as the theme for the 2024 edition of Felabration.

    Yeni Kuti, Head of the Felabration Organising Committee, expressed her excitement for this year’s theme, saying: “With ‘Look and Laugh,’ we honour Fela’s legacy by embracing his message of resilience and expression. In a country grappling with record levels of inflation, currency devaluation, and rising food and fuel prices, this year’s theme takes on renewed significance. Felabration 2024 aims to ignite conversations, provoke reflection, and  inspire action, carrying forward Fela’s legacy of social consciousness and innovation through entertainment.”

    Felabration, the annual celebration of Fela Anikulapo Kuti’s life, music, and legacy, has long been a cultural touchpoint for music enthusiasts, activists, artists, and fans worldwide. Each year, the festival serves as a rallying point to commemorate Fela’s enduring impact on music, politics, and culture.

    The unveiling of the logo and theme marks the beginning of the journey towards October’s festival, promising an enriching experience for attendees.

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    Drawing from the success of the Festival’s expanded format in recent years, Felabration 2024 will feature staple activities like ‘The Fela Debates’, Afrobics Dance Competition, Secondary School Debate, Art Competition, the Dress Fela Fashion Competition, and the 7-day Music concert.

    The festival is slated to run from Monday, 14 October to Sunday, 20 October 2024.

    ‘Look and Laugh,’ originally released by Fela Kuti in 1980 as part of his album ‘Coffin for Head of State,’ holds a special place in the hearts of many fans, as it remains a true and derisive reflection of the various faces of modern-day corruption.

  • Ice K stages grand 90th birthday celebration for mum

    Ice K stages grand 90th birthday celebration for mum

    Ice K, one half of defunct music group Artquake known for hit track ‘Alanta,’ along with his siblings threw a scintillating 90th birthday bash for their mother, Madam Janet Wura Tomomemo, at the De Orange Event Hall in Lagos.

    Music stars like Munique 9ja, Klever Jay, Daddy Showkey, and Tony Tetuila were spotted at the birthday party.

    The event, akin to a carnival, featured captivating performances from Ice K, Daddy Showkey, Tony Tetuila, Klever Jay, Sam Oluwabiyi, and the Impressive Band.

    The highlight of the evening was Munique 9ja’s soulful performance, which had the audience in awe, including the celebrant, who danced like a teenager.

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    Woli Agba (Ayo Ajewole) served as the master compere, and Fujicologist also graced the stage, entertaining the remaining guests.

    Ice K, expressing gratitude to his mother, stated, “If I have more grace, I will celebrate my mother better than this. But this is the little way I am saying thank you mum for being there for me and the family at large.”

    He emphasised the importance of celebrating his mother’s milestone and encouraged others to join him in honouring her.

    Ice K’s siblings, Gabriel Tomomewo, Rotimi Tomomewo, Mike Tomomewo, Adebo Tomomewo, Kayode Tomomewo, Tosin Tomomewo, and Olakunle Tomomewo, came out in full support of their mother, highlighting her strength and resilience, especially after the death of her husband 50 years ago.

    Despite the challenges, Madam Wura raised her children with remarkable grace and determination.

  • Tiwa Savage’s film Water & Garri debuts on Prime Video

    Tiwa Savage’s film Water & Garri debuts on Prime Video

    Afrobeats singer, Tiwa Savage has added a new feather to her headgear as she released her debut film titled, ‘Water & Garri.’

    The full-length feature movie was launched on streaming platform, Prime Video.

     Directed by Meji Alabi, the drama starring the vocalist as the lead character alongside a constellation of talented cast and crew, including Mike Afolarin, Andrew Bunting, Jemima Osunde amongst others.

    The project, which was accompanied by a 10-track soundtrack, was produced by Everything Savage and Unbound Studios.

    The flick tells the story of Aisha (Tiwa Savage), an ambitious fashion designer who has spent the last 10 years in the U.S. and returns to her native country following a family bereavement.

    Speaking at the press conference in Lagos, Savage said the storyline will play a vital role in connecting people of African descent and non-Africans to our culture and heritage.

    “Although ‘Water and Garri’ tells an authentic African story, written by Africans, still has a global message that Africans, Americans, and people that are not of African descent can resonate with because life is never black-and-white. There are ups and downs.

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    “Water and Garri is a powerful movie in which we are able to tell our African story. It is about love, betrayal, bereavement, and other issues that people who are not African can relate to. So, I feel we should all be proud to tell our story by ourselves,” she said.

    On what she set out to accomplish with the two-in-one project, the 44-year-old entertainer said it is to inspire her generation and the next.

    “Acting was my first love even before music, so I hope to inspire people and just be an inspiration to many different talents out there. They don’t have to stick to one thing. We all can wear different hats, and we can do it and execute it excellently.”

    On his part, the producer and Unbound Studios executive, Jimi Adesanya stressed that the play was shot in the city of Cape Coast, Ghana to promote African unity.

    While the executive producer, Vanessa Amadi Ogbonna opined that the most fascinating part of the movie is the power of the women characters to navigate life.

    “When we were creating it (Water and Garri), we weren’t thinking about balance. We were thinking about telling the story in an exciting and relatable way,” said director Meji Alabi on the antithesis of the movie.

    In an address by the Special Assistant to the President on Digital and Creative Economy, Fegho Umunubo, he said the Federal Government’s support for the “Water and Garri” premiere is part of its show of support for the creative industry.

    Speaking of the government’s support of Savage’s debut movie, Umunubo said, “She has committed a lot to the creative industry. We saw the need to support her, knowing how much it takes to move from music to film.”

    Umunubo said the government had secured N5 billion in partnership with Providus Bank to support screened creatives in the movie industry who will receive the money without collateral.

    In his own submission, the Special Assistant to the President on Arts, Culture and Digital Economy, Ayo Adeagbo, said another area of the government’s support for the creative industry is in policy-making, including a task force tackling piracy.

    Adeagbo said the presidency was working with the Ministry of Justice to establish regulations to stem the loss of revenue from piracy.

  • Never give up on your music dream, says Shallipopi

    Never give up on your music dream, says Shallipopi

    Shallipopi, the latest addition to Spotify’s RADAR Africa has advised young and upcoming music acts never to give up their music dreams.

    Shallipopi aka Presido De La Pluto said nothing surprises him anymore on the Nigerian music scene saying, “Nothing surprises me about the music game – I’m enjoying it. The big lesson is not to give up. Just do what you’re doing and listen to the people close to you.”

    Expressing excitement as he looks into the future, Shallipopi said, “I’m excited about everything because this is my dream. Doing music back to back, I’ve been doing music since I was a child so everything about it is exciting.”

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    Shallipopi, who described his style of music as Afro-talk and experimental, gained popularity through viral freestyles, offering a fresh perspective on street culture and influencing street lingo through his music.

    Hailing from the culturally rich Benin City in Edo State, Nigeria, Shallipopi proudly showcases his roots on tracks like “Obapluto,” one of his top five most-listened to songs on Spotify, following “Ex Convict”.

    His track “Cast” holds the top spot as his most-streamed song, while his album “Shakespopi,” which has amassed over 13 million streams since its release, further highlights how he adeptly fuses tradition with modernity, and seamlessly blends his cultural heritage with contemporary elements.

    Shallipopi’s reach continues to grow, with over 1.9 million additions to playlists in the last 12 months and a global audience led by Nigeria, the United States, the United Kingdom, Ghana, and South Africa over the last 28 days. The street-loved artist is embraced by Gen Z’s with 52% of his listeners aged 18-27 and millennials with 19% at 28-34. He also commands a larger male following at 66% compared to female following at 31% over the last 28 days.

  • Kayode Adamolekun makes list of inspirational men of 2023

    Kayode Adamolekun makes list of inspirational men of 2023

    Top mining engineer and real estate investor, Engr. Kayode Adamolekun has made the list of top 100 Inspirational Men as curated by Kijani Media.

    One hundred personalities were listed and Adamolekun emerged as one of the prominent figures on the list.

    The farmer, businessman, and recycler’s name shone like a bright star in the list which featured other 99 successful dignitaries worthy of emulation.

    Adamolekun is the Founder and Chairman of the Hardams Group of Companies, a group that houses all the business activities of the Chairman.

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    The Ekiti-born inspirational man of 2023 is a philanthropist who has supported various charities and projects across the Southwestern region of Nigeria. He is a firm believer in human capital development and as such has a legion of followers and protégés understudying his works and personality. He is a conference speaker and writer and has positively impacted the lives of many Nigerians, both old and young.

    Alongside Adamolekun on the list are His Excellency, Asiwaju Bola Ahmed Tinubu, GCFR, the President and Commander-in-Chief, Federal Republic of Nigeria; Femi Otedola, Chairman, Geregu Power Company;  Ebose Augustine Osegha, Managing Director, Anchor Insurance; and superstars like Davido, Wizkid, Burna Boy, Rema, Alibaba, AY Makun, Basketmouth, Bovi, etc, to mention a few.

  • When Rotimi Ajanaku buried dad

    When Rotimi Ajanaku buried dad

    On Friday, May 3, cosmopolitan businessman and politician Otunba Rotimi Ajanaku and his siblings, accorded their late father, Pa Olusegun Samuel Ajanaku, JP, a grand farewell amidst pomp and glee.

    Activities leading to the farewell journey of the late Pa Ajanaku commenced on Tuesday, April 30, with the remains of the deceased paying a farewell visit to his hometown, Lagos State. He was received at his home in Okepopo, Lagos Island where he laid to state.

    On Wednesday, May 1, his body returned to his Ibadan abode for a Christian wake at Oluyole Estate, Ibadan, Oyo State. The late Pa Ajanaku’s earthly remains was interred on Thursday, May 2nd, 2024 after a funeral service at the Christ Apostolic Church, CAC, Odo-Ona, Ibadan, Oyo State.

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    The ceremony again moved back to Lagos for a grand finale where a classy reception was organised by his son, Chief Rotimi Ajanaku at the Harbour Point Event Center, Victoria Island, Lagos.

    King Wasiu Ayinde Marshal and Lanre Teriba Atorise thrilled guests with lovely tunes at the reception.

    It was an event attended by who-is-who in Nigeria’s political, business and societal scene. Ajanaku didn’t fail to treat his guests to royalty with a free flow of an array of continental and local dishes and drinks.

    Ajanaku spared no cost to ensure his father was given a commendable farewell according to his wish.

  • RITA DOMINIC: Female producers tell human stories more than men

    RITA DOMINIC: Female producers tell human stories more than men

    Nollywood diva, Rita Dominic has opined that female filmmakers capture the essence of humanity in stories more than their male counterparts.

    The 48-year-old role interpreter said the narrative of pushing women to act for the camera has changed as more women can now handle production gadgets.

    “When we started Nollywood, we didn’t have many females on the production crew, they put us in front of the camera because they felt we were not intelligent or brilliant enough to do those things,” she said.

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    Continuing, the Imo State indigene said, “I am happy to say that I just finished on a film set, a Netflix and Ebonylife production, and all the heads of the department were women. I was so impressed.”

    Reminiscing about her humble beginning, she said that years ago, men wrote storylines to soothe their folk, but that has begun to change now.

    “In my production company, Audrey Silva Company, we try to employ the services of women. So, the world has changed as more women are going behind the camera, they are writing scripts and when women write scripts, it is different, they capture the essence of humanity in the stories.”

    Dominic urged aspiring actors to ignore naysayers, believe in themselves, goals, and have a clear vision.

  • Between Ngozi Nwosu and old school songs

    Between Ngozi Nwosu and old school songs

    Veteran actress Ngozi Nwosu is always a smiling professional.

    She is very dedicated to her craft and very reliable, that is why she is after so many years in the industry, a dependable thespian.

    However, away from her art, Nwosu loves life. She loves to groove and she does it without any inhibition as the DJ kept dishing out old school classics after classics.

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    Nwosu, who was initially swaying in her seat to the rhythm of the songs, gradually began t sing along with each song that emanated from the speakers to the extent that she stood up and began to dance to the rhythm of various genres of old school tunes.

    At one point, she dragged Yemi Shodimu to the dance floor and sure had a swell time.

    When next you want to see Ngozi Nwosu dance, please, give her good old school songs.