Author: The Nation

  • ‘Women can be all that they desire’

    By Chinyere Elizabeth Okoroafor (Reviewer) 

    AS the book cover states, People Just Like You…Hope for The Girl Child, is a pragmatically written book that tackles ideas of gender bias while providing hope for the girl child.

    The eight chapter’s book draws from the trajectory lives of few phenomenal women from different parts of the world to demystify the argument surrounding gender prejudice. These women, refused to remain in the closet and as the writer puts it, they are ‘people just like you’.

    The writer, a human capital analyst and pastor began by saying that it is disheartening that women have been lied to for generations to believe the axiom that says ‘It is a man’s world.’

    He affirms that it is also a woman’s world and goes on to show how applying the tenets of feminism to our society would radically improve the lives of people from all demographics.

    The first chapter expresses the essence of resilience of purpose and why it is good for women to aspire to be somebody. It draws its points using Golda Meir story. At the age of 14, her mother wanted her to get married but she refused, rather opting to get education. Meir would later become the first woman to become Prime Minister in Israel in 1969 after she has served as Minister of Labour and as a policy maker. She did all that while married and with children.  She didn’t conform to the view that a woman’s place is only in the kitchen.

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    The writer’s point is simple at the end of chapter one, prejudice thrives where dreams are absent. Just like Meir, women must not feel limited because they think it is a man’s world only. They must aspire to be somebody, embrace education which will contribute in building society as they build their homes.

    He also points out that a woman can be two things, a nation builder as well as a home making, adding that issues bordering gender prejudice would be irrelevant if the girl child is exposed and allowed to pursue her dreams and passion.

    Drawing from the layers of the famous Aba women’s riot of 1929, the second chapter notes that no man will easily subjugate a woman unless the woman keeps quiet; something which the author boldly suggests has had a part in sustaining the very social imbalances that lie behind gender inequality. A woman from the Oloko, a village in today’s Abia state had challenged the mandatory local revenue ordinance which meant that both women and all domestic animals within their households would be taxed. The woman named Nwanyereuwa, refused to allow Captain J. Cook, an Assistant District Officer count her household. This act lead to the resignation of no less that sixteen warrant chiefs and the annulling of the project of tax women and livestock.

    In his consideration of the Aba women’s riot, the writer notes that complacence is an advantage of the oppressor against the oppressed, maintaining that when a woman’s voice is loud in purpose, history will be altered.

    Both chapter 2 and 3 uses the life of two women from different background to records that no social pattern that prejudices any group of people is immutable.

    Chapter three is challenging to read, as it bares detailed story of Rosa Parks, who challenged the racial segregation laws that guided the operation of buses in Montgomery, Alabama, United States of America. During this period, Black Americans were subjected to sit at the back seats while the White Americans maintained the front spaces. But Parks, a woman after a few years, altered history by refusing to keep silent in a reign of anomaly.

    Chapter four begins with the clear reflection that been a female is not a limitation to what you can be or achieve. For the writer, sex is a mere biological description. Sense of purpose is a drive that can possess anyone, man and woman alike and those who base their acceptance on the gender role because of long held tradition have completely failed to understand what it means to have a purpose.

    To prove this point he gives, the story of the youngest Member of Parliament in Uganda, and on the African continent, Proscovia Alengot Oromait shows how success is gender blind. She became MP in Uganda at 19 in a country were men dominated the political landscape.

    In chapter five and six, the writer mentioned the youngest person in the world to be featured in Forbes Magazine at age 10 in 2013, Zuriel Oduwole and the 2014 co-recipient of Nobel Peace Prize, Malala Yousafzai to also expand the scope of sense of purpose as a girl child without feeling limited.

    The last two chapters drawing from the exemplary lives of Grace Alele-Wiliams and Aralolu Olamuyiwa, offers ideas on how the girl child can be anything from anywhere in the world. The main suggestion is that only through engaging with all forms of social inequality can the girl child hope to redress gender imbalances.

    People Just Like You…Hope for The Girl Child is a book for relaxed or sporadic reading. Its accounts are easy to follow or summarise, because of its simple use of words, straight to the point approach without requiring considerable patience and concentration.

    The chapters are always insightful and exciting, pointing that despite the reality of gender bias against the girl child, gender inequality can disappear if women began to see themselves as an individual who can achieve anything through resilience. And that indeed, whatever a woman accept (p.69) is what she has agreed to be her reality.

  • INAC 2019: Biggest art and Craft Expo commences in Abuja

    By Okorie UGURU

    The much awaited International Art and Crafts Expo(INAC) holding at the FCT Exhibition Pavilion will light up Abuja on November 20th and will last till 24th.

    The Director-General, National ouncil for Arts and Culture, Otunba Segun Runsewe assures on a special outing with the provision of free BMI, free eye testing/glasses, free dental services, free skill acquisition and Waste to Wealth initiative.

    According to the NCAC chief who is leaving no stone unturned in ensuring a successful outing, this year’s INAC has been carefully packaged to empower Nigerians by providing free skills for small and medium startups.

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    Runsewe encourages Nigerians and indeed foreign nationals to take full advantage of the components of INAC.

    He confirmed that renowned event management outfit, Innate Arts and Media(I Am) will take control of logistics just as he revealed that fast rising Urban Afro musician, Yega has also been booked to perform at the closing on the 24th of November.

    Out of 30 countries from around the world that are billed to exhibit during the event, 4 have expressed commitment to take special days to thrill Guests and participants.

    China will take centre stage on the 21th to showcase its oriental endowments as a unique cultural destination of sorts.

    On the 22nd, India will be on hand to entertain guests with breathtaking music and dance routines, in a fantastic showing reminiscent of Bollywood.

    Venezuela and Bangladesh will combine on the 23rd for a double dose of excitement in what has become a much anticipated aspect of INAC since Runsewe expanded the Expo to a fanfare of global repute in 2017.

  • Carnival dry run gives foretaste of excitement

    By Okorie UGURU

    Calabar, Nigerian number one leisure destination, is gradually getting in the mood for the season. The yuletide  is around the corner.  In Calabar, everybody is preparing for the season.  The city has made it a duty to put up a show for everybody. This it has been doing in the last 15 years. It has become a culture to host  people from all parts of the country, and inbound tourists at the end of every year.

    Although residents of Lagos would say ‘ain’t no party like the Lagos party,’  everybody has accepted that ‘Calabar rocks’ thanks to Carnival Calabar. The carnival is a street show which everybody loves and looks forward to. Those who cannot watch it live, follow the fiesta through the television. The viewership through cable television and via the social media runs into millions.

    To put up this carnival, like the organisers say, takes a year’s planning.


    Some members of one of the bands during the dry run

    The final stage of this planning is the carnival dry run, a kind of rehearsal used to test every aspect of the show to make it prime for the D-day, December 27.

    There are three dry runs that ushers in the main event. Two are held in the month of November and the final dry run is in the month of December, about two weeks before the main show.

    Last Sunday, the second dry run was held. Almost all the participating groups in Carnival Calabar were part of it excluding international groups.

    On hand to flag off the second dry run was the deputy governor of the state, Professor Evarah Esu, who represented Governor Ben Ayade. Former first lady of the state, Pastor Onari Duke, the speaker of the state house of assembly Mr. Eteng Jonah-William were part of the dry run.

    Just like the revelers would do, at the main carnival, the dry run involved dancing on the 12 kilometer stretch.

    Professor Esu who did led the carnival train enthusiastically showed off some trending dance moves that would leave some youths envious.

    Read Also: ‘Carnival Calabar will foster ethnic, religious tolerance’

     

    The theme for this year’s carnival is ‘Humanity.’ Speaking on the theme in an earlier message, Professor Esu said: “”This year’s theme is humanity; I hope that the band leaders are doing their best to give full interpretation to the theme.

    “For us, the theme is about humanity and kindness to people. We should be tolerant of one other and also treat every human being as a human being irrespective of any affiliation.

    “If you decide to treat people badly, you too will be treated badly; so, what we are emphasising on is the need for everyone to be treated equally.

    “As we come out for every celebration of the Carnival, we will continue to play our path in ensuring that the Carnival continues to grow bigger, better and bolder.”

    Earlier, Mr Gabe Onah, Chairman of Calabar Carnival Commission, said that the theme was also designed to reach out and touch the people towards kindness and unity.

    Onah said that the Bikers’ Carnival was also flagged off earlier with a view to excite tourists along the 12 kilometres Carnival route.

    Onah said that Carnival Calabar has become a platform to taste how cultural events are planned in Nigeria.

    “Calabar Carnival has become the best platform for cultural diplomacy. The first dry run witnessed the attendance of Bangladesh and Belize diplomats, offering partnership in power production and distribution and support for our cocoa processing.

    “For the next dry run, we are expecting Vietnam to come and partner with the state rice seedlings to see how they can bring farmers to promote the next level for our farming.

    “The dancing and display we see in the streets is a means to an end. The job behind Calabar Carnival is huge and that is why we are saying that we must begin to change as we move,” he said.

    Speaker of the State House of Assembly, Mr Eteng Jonah-Williams, said that the assembly will make adequate budgetary provision for the Carnival Commission to enable them organised a colourful event.

    Jonah-Williams said that the assembly was suggesting on having “The Cross River House of Assembly Band” to add colour to the event.

    The participants were colourfully dressed in their various bands costumes, while security was mounted along the routes to ensure a hitch free event.

     

  • Tope Alabi, Efe Nathan gears up for ‘Real Worship’ concert

     

    THE 8th edition of the Real Worship, a gospel music concert that promotes home-grown gospel artistes will hold on November 29 at FHA field, Festac, Lagos.

    This year’s concert, theme, ‘Set Time,’ is promised to raise an altar of worship that creates an atmosphere of where signs and wonders.

    Artistes billed to captivate souls at the night include award winning singer, Tope Alabi, Efe Nathan, David G, Bukola Beekes,  Perfect Praise and many others, including several upcoming gospel ministers.

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    According to the organisers, Real Worship is aimed at harnessing, raising and promoting the ministry of young, gifted and diligent music ministers who will lead the audience in moments of worship to God.

    Speaking at a press conference, Pastor Alex Edosa Igbineweka said the platform to nurture, promote and showcase rising gospel artistes’ gift to the world.

    “Since we started in 2012, Real Worship has become a landmark transforming worship experience in Festac Town and its environs. We have continued to grow in leaps and bounds, people come from Ajegunle, Ojo Barracks, Badagry, Lekki and other part of Lagos to worship with us.”

  • Showdemcamp, Alpha P to host ‘Mainland Block Party’

    By Sampson Unamka

    RAPPERS Ghost and Tec, collectively known as Show Dem Camp alongside New Universal Music Signing Alpha P and Chidokeyz among others will host fans at the Mainland Block Party tomorrow.

    Tagged ‘Palmwine November’, the event holds at the Secret Garden, Ikeja, Lagos.

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    “Guests will have an amzing night with loads of surprises,” said co-founder of the event, Bizzle Osikoya.

    Mainland Block Party is a monthly event that celebrates millennials, youth party culture, great music and encourages networking opportunities with celebrities.

  • Emotan to lights up Lagos

    By Victor Akande

    A historical play, Emotan, is set to go on stage again at the Agip Hall, MUSON Centre, Lagos

    Written and directed by William Benson, the play which is produced by Joseph Edgar of Duke of Shomolu Productions, will run from December 22 through to December 25, 2019.

    The play features notable thespians like Elvina Ibru, Yemi Shodimu, Olu Okekanye, Aisha Sanni-Shittu, Queeneth Ejezie and Williams Ekpo. Others are Amos Olutokun, Eferhogene Awusa, Amaka Onuoha, Chantal Edgar, Edgarl Saba and David Aisekhalaye.

    The play, Emotan, tries to retell the wonderful story of the deity, Emotan, and the role she played in stabilizing the Benin Monarchy. She was also credited with setting up the very first Kindergarten in the city. Emotan was the custodian of Bini children as their mothers went to the markets. The values she instilled in the wards under her care is said to have gone a long way in building the Ancient Benin Kingdom into the power house it was.

    “Bini traditional dirges adding more than enough spice making the production a must-watch,” Elvina said.

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    “Emotan is geared to deliver breath taking dance and song sequences that will take audiences into the exotic and rich Benin Ancestry driving them through the drama, suspense and intrigues that remain essential to nation-building while not forgetting the powerfully entrancing romance and love affairs that wafted through the tensions of the era.”

    Speaking ahead of the Lagos show, the Executive producer, Joseph Edgar said this is coming after the successful showing of the play at the just concluded National Festival for Arts and Culture which held in Benin, Edo State. Edgar said that the play was the highlight of the festival which saw over 500,000 people descend on the ancient city.

    The show pulled in the first lady of Edo State, Mrs Betsy Obaseki, the Director General National Council for Arts and Culture, Otunba Segun Runsewe, legendary music maestro, Sir Victor Uwaifo and other Edo State officials.

  • TORONTO FILM SCHOOL’S NEW SHOWCASE

    By Victor Akande

    TORONTO Film School recently celebrated the grand opening of its “magnificent” new showcase location.

    It boasts 17,387-square-foot space at 460 Yonge St.

    Located in the heart of downtown, the newly opened fourth location in Toronto Film School’s College-Dundas Campus features four classrooms, spacious student and faculty lounges, a sound room and vocal booth, a fully stocked equipment room, and five studios – including three dedicated Film Production studios, one dedicated Acting studio, and a motion capture studio for Video Game students.


    From the beginning when we relaunched the Toronto Film School in 2010, we had a vision to create a learning space and situation for students where they could understand the value of working hard and developing their skills, of creativity, and, most of all, of an understanding that this business is about collaboration and team building


    Mayor John Tory attested to this new pride when he said: “This is a magnificent new facility. Congratulations on getting to this stage.”

    He was at the event alongside local film industry representatives, members of the media and area business owners.

    “I know from my own experience in business and in government that it’s easy to announce that you’re going to have a new campus, but hard to actually get to the day we’ve arrived at today,” he added.

    But perhaps the most impressive stop on Tory’s tour, he said, was 460 Yonge’s Hall of Fame, which showcases the best and brightest amongst Toronto Film School’s recent grads – including up-and-coming Netflix star Gabriel Darku, Bollywood actress Reeth Mazumder, award-winning director Kyle Reaume, and the Metal Monster Productions team, just to name a few.

    “I’ve had a chance to go around to classrooms where people were learning about screenwriting, where people were learning how to operate cameras, and to the sound room and the Hall of Fame,” he said.

    “I think maybe your Hall of Fame is the most important thing I saw today, and I’ll tell you why – it has posters up of local film and television productions that Toronto Film School graduates took part in. And that’s really what you’re all about here – giving people the skills they need to participate in an industry that is so successful in our city.”

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    Lauding Toronto Film School for playing a key role in the training of some of the 30,000-strong local workforce that fuels Toronto’s $2-billion film industry, Tory said it’s educational institutions like TFS that continue to help solidify Toronto’s place as one of – if not the – best place in North America for film and television productions to shoot.

    “When I go to Los Angeles to promote Toronto as a place to make films and television…I go as much to listen as to sell; to say ‘What is it we can do to make the city better?’” Tory said.

    “And what they’ve said to us consistently over the last five years is ‘Make sure that you deepen and broaden the talent pool that you have in the city…because if we’re going to produce more movies and TV shows there, then we need more skilled people.’ And that’s what the Toronto Film School is all about.”

    Toronto Film School’s President, Dr. Rick Davey, was likewise glowing in his assessment of the city’s impact on his school’s achievements over the years.

    “Toronto Film School has been tremendously successful, and a big part of that success is the first word in our school name – Toronto. We have benefitted a great deal from the reputation of Toronto’s film industry,” he said, similarly praising Tory as ‘one of Toronto’s greatest advocates’ and a ‘great advocate for the local film industry.’

    With the opening of the 460 Yonge St. location, Davey said Toronto Film School is strengthening its commitment to provide its students with spaces to congregate, to collaborate, and to create.

  • AFRIFF founder launches movie streaming app

    ENTERTAINMENT and content distribution in Nigerian is set to witness a major transformation following the official launch of Envivo TV as part of the activities of the just concluded 9th Africa International Film Festival (AFRIFF), which held at the Landmark Event Centre, Lagos.

    The new Envivo app is a free video on demand platform offering diverse short format content from some of the world’s best content providers, as well as locally created original production. According to the streaming service providers, it comprises a large bouquet of different kinds of television shows, mostly in short films from Nollywood that are original.

    Co-founder of Envivo and organiser of AFRIFF, Chioma Ude, noted that AFRIFF would attract a large group of people in the industry and thus a better platform to reach out to them.

    “There are other reasons of course now but my main purpose of starting Envivo was to find a home for short movies,” said Ude

    Read Also: Macron: AFRIFF announces Lagos campus for French film school

     

    “Being in the industry and being on the best of all end of it, I have always wondered what happened to the short films; brilliant, beautiful short films and its money spent and basically they end up on YouTube or nowhere.

    She noted that Envivo excites her because there is a new horizon in terms of distribution and monetising content in Nigeria and, of course, the rest of Africa.

    She added that Envivo television has teamed up with the best movie directors, producers and actors to provide quality, original and free content out of Nigeria for television and movie lovers who want a one stop-shop where they can watch their favourite shows, skits and movies.

    A co-founder of Envivo, Mr. Olu Obadina, further added to the narrative, saying “it brings a lot of efficiency to the things we do, particularly in a society like ours where we don’t have sufficient infrastructure. So, we are saying, like mobile data liberating us from the few amounts of lines that we can do, it’s time for mobile data to liberate us from the few amounts of television screens that we can build.

    Envivo is available for both android and IOS.

  • MultiChoice unveils reality TV show, Ultimate Love

    MULTICHOICE Nigeria has announced the launch of a brand-new reality TV show titled ‘Ultimate Love’ with online auditions opening from November 22nd to 30th.

    The show will air live, on all DStv and select GOtv packages starting February 2020.

    A first-of-its-kind reality TV show format, Ultimate Love is centered on single male and female strangers living together in an isolated location with the hopes of finding life-long love. They are paired based on their mutual attraction to one other as they compete to emerge the ultimate couple of the competition. The winning couple is rewarded with a lavish traditional wedding ceremony, a fully furnished home amongst other prizes. The couples, who are continuously monitored by live television cameras and personal audio microphones, will interact daily with a counsellor fondly referred to as ‘Auntie’ as they embark on their journey to love.

    For this first season, a total of 16 individuals comprising eight males and eight females will be selected through auditions and screenings to live together for eight weeks. They will engage in a series of locally inspired activities as couples with viewers voting off their least favourite couple on a weekly basis.

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    All intending participants are to log on to www.africamagic.tv, to fill out the registration form and upload a short introductory video. Ultimate Love is open to males and females aged 23 years and above, who are single and open to the adventure the show presents.

    “Reality TV shows are immensely popular because they showcase real people experiencing real life happenings and situations, thus connecting with viewers and fans on a personal and relatable level,” Chief Executive Officer, MultiChoice Nigeria, John Ugbe said.

    “There are fewer things realer than love, and Ultimate Love, our new and exciting reality show celebrates this.

    “We are excited to have developed this new reality TV format which further reiterates our position as Africa’s biggest storyteller and custodians of premium and quality entertainment in Africa. Our viewers can expect the very best production values and a show experience unlike anything ever seen on African television.”

  • The People’s Hero: Team Ofuobi leads with Tales by Moonlight

    With a perfect fusion of singing, dancing, spoken word and acting, audience were taken on a thrilling journey down the memory lane at the People’s Hero live show last weekend as different groups performed artistic piece centred around the origin of the Igbo market days namely Eke, Orio, Afor and Nkwo in a tales by moon light setting.

    The twenty finalists of The People’s Hero show had been divided into five groups of four persons comprising a dancer, singer, actor and spoken work artiste. The groups – Agwu, Obidike, Obinwanne, Ofuobi and Ichekwu – were all given a task to work with the theme “Egwu-Onwa” known in English as “Tales by Moonlight” to create stories around the Igbo market days with each art playing significant role.

    Each group performed to thrill the audience and impress the judges who were very demanding and expected nothing short of excellent performances. The judges expected rich delivery of Igbo culture creatively expressed in the four arts. At the end of the performances, two of the three judges rated the Ofuobi group the best for the night and urged other groups to work harder and improve their skills.

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    Two of the judges who were part of the audition process admitted the performance by each group was impressive as each person seemed to have worked hard to improve their skills. Rachael Okonkwo said there was a huge difference between the performance at the audition and the live shows noting that the contestants have become more confident and creative in their arts. She commended the coach Segun Adefila for a great job training these talents.

    No eviction happened at the show as all the groups were pardoned and urged to go back to drawing tables and improve on their performance. The show is getting fiercer as eviction may commence from next week. The People’s Hero continues this Saturday on MTV base by 9.00pm and a repeat broadcast happens every Wednesday by 9.00pm.