Category: Life – The Midweek Magazine

  • UK-based Nigerian promotes African arts

    The House of African Art Limited (HAART), a UK-based platform exclusively dedicated to promoting contemporary African art to international markets, will be launched in March in London.

    In addition to visual arts, HAART will also feature music, talks, poetry and performance arts.

    Founder, HAART, Maryam Lawal, said HAART aims to provide greater exposure to artworks by emerging and established artists from Africa and the diaspora by supporting the emergence of modern, forward-thinking art. She added that African artists were unique, bold and their works had the ability to challenge the status quo.

    “We believe that art has the power to stimulate positive change. It engages communities, promotes social dialogue and modifies the viewer’s perception of the world around them,” she stated.

    The event, which will hold at Hoxton Arches, will showcase artworks produced by three Nigerians, Asiko, Emmanuel Unaji, John Madu and other non- Nigerian artists such as KojoMarfo, Ayesha Feisal and Aurelia Durand. Each artist has produced new and un-exhibited art works specifically for the launch.

    The exhibition with the theme The Next Wavewill explore a pivotal shift in the perception of works made by artists of African descent and to encourage fresh, new perspectives,

    “HARRT launch will be a celebration of progress. We aim to take the first major step in the shift away from outdated perceptions of art in all its forms coming from the continent, and to begin to help spearhead a new movement,” she said.

    John Madu is a multidisciplinary artist whose practice includes painting, collage and design. He has carried out solo exhibits with the theme Identity Tones at Artyrama gallery, Lagos, 2018, it’s not furniture, Omenka gallery, Lagos, 2017, An obscure fashion for affection, Terra Kulture gallery, Lagos, 2016 and Morphogenesis, Didi Museum, Lagos, 2015.

    Emmanuel Unaji is a multimedia artist based in London. Combining painting, drawing, collage and fashion design, Unaji’s style is rebellious and bold. He has also featured in international exhibitions.

    Àsìkò is a visual artist who expresses his ideas through photography and mixed media. He was born in London, England and spent his formative years in Lagos, and adolescence in London. Àsìkò’s work is constructed in the narrative that straddles between fantasy and reality as a response to his experiences of identity, culture and heritage. He has featured in a group exhibition with the theme Woman ReleGallery, Lagos, Mar 2015 and Retrospect Temple Muse Gallery, Lagos, Nov 2014 and so several others in London and other parts of the world.

  • Foundations partner to promote leadership skills among youths

    A United States of America-based organisation, The Made Man Foundation, in partnership with Prince Harrison Ehimiyen Foundation (PHEF), has concluded plans to create mentorship and leadership training platforms to build  socially responsible males in Nigeria.The Founder and Chief Executive Officer of the  foundation, Dr. Ky Dele, made this known at a forum organised for development experts and local based organisations held recently at the George Hotel, Lagos.

    Dele said that The Made Man Foundation advocates for community development through transformation and accountable male leaders in community service engagement for the betterment of man, woman and child.

    She noted that the foundation addresses challenges that affect men who have many roles including father, son, husband, and mentor, which in turn has the breadth and depth to affect every member of the society with societal challenges  including educational crisis, absentee fathers, poverty, value of woman and negative imagery of male leaders.

    “We will feature leaders invested in being involved and evolved to address issues that impact societal stability and empower men to actualise optimisation in the home, family, professional and personal development for community advancement of all, to include men, woman and youth respectively.

    “We will not be dealing directly with the boys but we will be working with youth service providers; we will provide them with tools and support system to help local based organisations enhance their development services to the boys”, she said.

    Dele added that we will also form a locally based host leadership council to include the Woman influencer Network and Male Influencer Network to asst with programming, nominations and execution of its programmes.

    Executive Director  PHEF, Gabriel Benjamin expressed delight over the partnership and the support offered by The Made Man Foundation, for the purpose of creating a new generation of accountable, enterprise and responsible male in Nigeria.

    Benjamin said that “We are dedicated to facilitating innovations for the youth, underprivileged and vulnerable through its various innovative social services, skills acquisition & empowerment programme, leadership trainings and advocacy campaign

    He noted that the Made Man Foundation in partnership with PHEF will be sponsoring selected youths on a fellowship in the US and the purpose is to strengthen and develop the Fellows’ leadership potential, sharpening and expanding their leadership skills, and to promote cross-national findings, create networks and innovations with practical leadership applications”.

    Benjamin said that whilst all our programmes are evidence based, youth driven and sustainable results oriented, PHEF is also poised to fostering public dialogue among youths that will bring about social changes in the area of youth development.

    “There will be many ups and downs but through it all, PHEF will remain strong as a pioneer NGO handling the nation’s most priced asset and pressing challenges amidst the full glare of all and sundry. It is a task that must be accomplished. The possibility is bright. The partnership is brilliant. The potential is boundless”, he said.

  • US promotes gender equality in Africa

    The United States Consul General, John Bray, has said that his country has invested millions of dollars to advance gender equality across sub-Saharan Africa.

    He stated that this was done through sponsorship of activities that promote political and economic opportunities for women, access to health and education services and prevention or response to gender-based violence.

    He spoke on Monday at the Silverbird Galleria, Lagos during the commemoration of this year’s International Day of Women and Girls in Science organised by Public Affairs  Section United States Consulate-General in partnership with Vision 2020 Youth Empowerment and Restoration Initiative. The event with the tag Girls in STEM Day Out attracted about 150 students and leading female technology leaders.

    A movie, Hidden Figures,which tells the story of three female African-American mathematicians who successfully broke racial and gender barriers to contribute to America’s race to the moon was screened in order to inspire the girls and encourage them.

    Bray who spoke on the need to promote access and participation of women and girls in science, technology, engineering and mathematics (STEM) education, training and research, noted that mastering technologies such as these will be key to many for job opportunities in the future.

    Citing the United Nations Educational, Scientific and Cultural Organisation report, he said that only about 30 per cent of female students around the world choose science, technology, engineering, and mathematics-related fields in higher education.

    Bray, who said that the world is rapidly changing, charged the girls to be confident in their intelligence and demonstrate the determination and drive to succeed in any career path that they choose adding that they should be challenged themselves, learn more about successful women in STEM fields, and draw inspiration from them. “The world is rapidly changing, thanks to technology and innovations that were unimaginable not long ago.  I think you have heard of many of them: driverless vehicles, drones, lasers, artificial intelligence, robotics, and nanotechnology.  If you haven’t heard of them, I recommend that you start reading about them,” he added.

    Applauding the girls interests in science and technology, Bray said that today’s achievement in STEM-related fields is a key building block for any country’s economic success. He called on friends and allies of Nigeria to assist Nigeria to succeed in these areas.

    He maintained that U.S. government is convinced that when barriers to the participation of women and girls in the STEM fields are removed, women do better, families do better, countries do better, and the world does better. “Whether at home or abroad, promoting women in the STEM fields is a priority of the U.S. government, he added

  • Empowering women for national development

    THE need for government to create enabling environment for economic and political empowerment of women was the thrust of a two-day art exhibition organised by the National Gallery of Art (NGA) at Abuja. The group exhibition is aimed at providing socio-economic empowerment of women in the visual arts sector.

    With the theme: No Woman Left Behind: Nigerian Women Bridging the Gap in Governance and Politics, the event was well attended by female visual artists, most of who participated in the exhibition. The two-day event, held between February 1 and 2, began with a roadshow to sensitise women on the need to participate fully in the 2019 general election.

    According to Director Educational Services, National Gallery of Art, Evelyn Ikuenobe-Otaigbe, initiator of the programme, Women in Visual Art (WIVA) is an empowerment and enlightenment platform for women in visual arts to be part of current issues in governance.

    She stated that the artworks on display showed that women have historically played roles in governance.She, however, believed that there was need for increased women participation in governance.

    Minister of Information and Culture, Alhaji Lai Mohammed, was represented by the Permanent Secretary in the ministry, Grace Gepke.She admonished women to take greater interest in governance and politics.

    In her keynote address titled: No Woman Left Behind: Nigerian Women Bridging the Gap in Governance and Politics, Chairman, Guarantee Trust Bank (GTB), Mrs. Osaretin Demuren, advised that as the country approaches another general elections, there is the need for leaders to remember the Late Nelson Mandela’s statement that ‘Freedom cannot be achieved unless the women have been emancipated from all forms of oppression’

    Listing some of the obstacles militating against women’s desired involvement in governance, Demuren blamed the situation on institutional, historical, socio-economic as well as cultural factors.

    She said: “Traditionally, women were raised to focus on homemaking, supporting their husbands and rearing children. In that capacity, the formal education of girls was deemed to be of less consequence.

    “Basic literacy and numeracy were only important for training the children. Also, the woman’s other goal was to support her husband and assist in building his career and eventual success, thus the saying ‘Behind every successful man there is a woman’.

    “These activities and responsibilities deter her from focusing on her development and education as well.”

    She noted that while the society focused on ensuring that the girl child is fully equipped to handle her socio-cultural roles, it forgot almost completely to instill the right moral and upbringing in the male child.

    Consequently, the male child grows to relate with the female counterpart based on the already established structured roles for the women.

    Demuren, therefore, urged women to continuously seek to develop skills for a better living standard rather than undervalue their capacity to take challenges, particularly, leadership roles.

    “Whilst our male counterparts request and sometimes fight to be given leadership roles and do so with little or no remorse, we as women, maybe due to cultural indoctrination, play a passive role in positioning ourselves for leadership positions even when we possess the required capacity.

    “When asked to take up higher positions, we question our capability to take charge. We need to speak up for ourselves and when the opportunity arises to take up a leadership role or a new challenge; we should not shy away from this but take the bull by the horn.”

    The speaker expressed worries that politically, it has been difficult for women to break the glass ceiling.

    “In terms of appointments, each government has tried to increase the number of female representation in its cabinet whilst in terms of elective positions; the number of women has continued to decrease.We have never achieved up to 10 per cent in number of women representatives in the National Assembly.

    “My charge today is for us to know that it is important we participate in governance and politics. It is no mean feat to be part of decision making in Nigeria and to achieve this, we need to be educated, we need to build capacity, we need to put ourselves forward when the opportunity arises and we need to develop a solution mindset for the challenges that will definitely come with it”, she stated.

    Director, Diaspora Centre, University of Abuja, Prof Mabel I. E. Evwierhoma admitted that one major development index affecting women in the 21st century is the political gap separating women from their goals and aspiration in politics.

    “In Africa, politics and governance have witnessed the near to zero participation for women. This situation has created enduring political dependence on former colonial masters in Europe, donor agencies and global economies all over the world.

    “Thus, most economies in Africa including that of Nigeria witness the inaccessibility of women into core governance”, she added.

    Evwierhoma added that access to education and economic power are equally necessary to bridge the space between women and political activity.

    “This would enable their participation in electoral politics, run for elective and even appointive posts.  They can also be encouraged to form pressure/lobbying groups.

    “This will discourage marginalisation, ignorance of and about women’s role in politics and governance.   It should, however, be noted that it is at this level that culture and tradition hemline women to positions of invisibility, certain projects are necessary to release women from political doldrums and their disadvantaged positions and facilitate their pursuit of development,” she said.

    According to her, factors that have continued to thwart women’s quest for political parity include tradition and culture, gender inequality arising from sex profiling or stereotypes, feminisation of poverty as well as nature versus nature.

    Others are apathy of women due to spousal influence, vacuum in leadership, identity politics, low self-worth and patriarchy.

    She insisted that education and political empowerment remained crucial for women to make it as leaders or even participants in governance.

    “Women must not be like the seams of our garments, hemmed and restricted. Rather, it behoves women to be like the elastic in our inner garments that stretches to allow more vista for relational associations across religion, class, ethnic makeup,” she said.

    She added that the aim of her paper was to conscientise participants to be willing to work towards bridging the gap that has often curtailed women’s participation in politics and governance.

    “Women can no longer be inhibited from their formal political roles, because they are citizens too. I expect participants to return to their desks in their various spheres of endeavour and be better advocate of building bridges for women. Women have to soar in politics. No other bargain is worth our time,” she added.

    The exhibition was declared open  by  Gekpe. The guests were entertained with a drama presentation by staff of NGA, titled Hatched.

    Written by Mrs. Otaigbe, the drama depicts women coming together from the six geo-political zones of the country and centres on the birth of a new Nigeria by six different mothers representing the six geo-political zones of Nigeria. The drama mirrors the hurdles women face in every aspect of their lives.

    Earlier, the Director-General, National Council for Arts and Culture (NCAC), Otunba Segun Runsewe, reiterated the crucial role women play in their individual families and the nation at large.

  • Affordable art auction opens Feb 23

    The fourth annual Affordable art auction organised by Arthouse Contemporary will hold on February 23, by 6pm at Kia Showroom, 308 Adeola Odeku Street, Victoria Island, Lagos. The auction preview, Art night out, will hold on February 21, between 6 and 10 pm at the same venue featuring art, music and live performances.

    The auction aims to engage new collectors with all works of art estimated below one million naira. As the sister edition to the May and November auctions, the Affordable art auction features artworks that are scaled to an accessible price point.

    This edition of the auction will feature 97 lots by leading modern and contemporary artists such as Bruce Onobrakpeya, David Dale, Kolade Oshinowo, Jacob Afolabi, Jimoh Buraimoh, Abiodun Olaku, Alex Shyngle and Twins Seven-Seven. Others are Rom Isichei, Victor Ehikhamenor, Angela Isiuewe, Lemi Ghariokwu, Diseye Tantua, Victor Ekpuk, Dele Jegede, Tola Wewe,Jerry Buhari, Nike Okundaye, Duke Asidere and Ben Osaghae.

    The Affordable art auction will also feature many rising artists, including TynaAdebowale, Yadichinma Ukoha-Kalu, Johnson Uwadinma, OlufemiOyewole, Yasser Claud-Ennin, Deborah Segun, John Madu, Dare Adenuga, Habeeb Andu and Femi Morakinyo, many of whom are participating for the first time.

    The auction places a special focus on contemporary photography, featuring image-based work by Leonce Raphael Agbdojelou, Kadara Enyeasi, Logo Oluwamuyiwa, Jenevieve Aken, Dandelion Eghosa and Oladapo Ogunjobi.

    The auction will also feature charity lots to support the Arthouse Foundation, a nonprofit artist residency programme in Lagos, with artworks by Chibuike Uzoma,Nwachukwu Ike, Akande and George Edozie. The proceeds from these charity lots will go directly to supporting the programmes of the Arthouse Foundation, including itsresidencies, workshops, talks and exhibitions.

     

  • 14 contestants arrive for Hymnodia reality show

    It was an evening of fun as the final 14 contestants for Hymnodia reality TV show Season One were heralded to the show’s house at Ikeja Lagos on Sunday. They thrilled the audience with classical and contemporary hymns, showcasing their talents and demonstrating the art of worship, which Hymnodia represents.

    Last Sunday was also the commencement of the 13-week contest, which will reward the winner with the Asaph (a specially designed award named after David’s chief musician), N5million and a brand-new car.

    Hymns rendered at the ceremony includedOld Rugged Cross,Great is Thy Faithfulness,It is Well with my SoulandHow Great Thou Art. Others were Saviour Blessed Saviour, Until Then,among others. With beautiful performances, the contestants were very excited, commending Hymnodia for reviving the almost forgotten hymn culture among young Nigerians.

    The 14 contestants– six women and eight men – were selected through a painstaking two-day audition held at the Lagos Television (LTV8) that pruned the thousands of entries to 200, followed by post audition evaluations by the Hymnodia faculty.

    The finalists were revealed through the Hymnodia social media handle: @hymnodiahq on Instagram, Twitter and Facebook.

    A twist was however introduced into the “Arrival Show” ceremony when a 15thcontestant, Casey Edema, a tenor singer, who was the 15thhymntestant, was given the opportunity to battle to enter the Hymnstitute at the expense of one of the 14.

    The Dean of the Hymnstitute, BennethOgbeiwi invited all the male contestants to the stage as he announced that their names would be put in a ballot for Edema to pick who to challenge. Edema dipped his hand into the bag and the name of Kenneth Ekhuemelo, a baritone singer, emerged.

    Urging Edema and Ekhuemelo to demonstrate their talent as an evictee would only be part of the Hymnodia Choir if it suits him, Ogbeiwi stated: “this is a battle for success. May the best contestant win.”

    With high spirit, both contestants put up classic performances. Edema who sang Great is Thy Faithfulness, was evicted while Ekwemelo, who performed Old Rugged Cross,going by the response of the audience and the verdict of the faculty, joined the other 13 into the institute.

    The contestants praised Hymnodia, saying that it was the first of its kind in the country. They said the institute would enhance their talent in the art of writing and singing of hymns.

    Managing Director of Philosoville Limited and project initiator, Kufre Ekanem charged the contestants to be of good conduct and to put into practice what they would be taught by the Hymnodia Faculty,who have hands-on knowledge in writing, singing and teaching of hymns and music.

    Elimination from the show, called Hymnviction by the organisers, will be by audience voting once the performance shows start during the 13 weeks of wholesome fun, which the initiative would run.This will culminate into a grand finale of the show in April, where the ultimate winner will receive an Asaph, (a specially designed award named after David’s chief musician), a brand-new car and cash prize of N5 million.

    Hymnodia will be shown for one hour every Sunday on Lagos Television (Channel 256 on DSTv, Channel 90 on GOtv and Channel 118 on Startimes) with a magazine show on same channels on Thursday evening. Hymnodia is also streamed live online via the LTV App available on the app store and on the dedicated YouTube Channel Hymnodiahq.

  • N3.5b Shyllon Museum excites art community

    •Opening fixed for October1

    By May, the Yemisi Shyllon Museum of Art will be ready for operation. It will expand the learning space at the Pan-Atlantic University, Lekki, Lagos, and boost the promotion of Nigerian artists and art, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    The multibillion naira Yemisi Shyllon Museum of Art at the Pan Atlantic University, Lekki, Lagos is fast becoming a tourist attraction. With barely seven months to its official opening, art buffs and art enthusiasts have been visiting the complex under construction to have a feel of the shape and facilities it will offer the art community. In the last two months, no fewer than three sets of visitors have visited the project site located on the edge of a green lawn adjacent the main building of the university.

    The conception of the project, which is an extension of the university’s lofty educational goals, started in July 2015 when Omooba Yemisi Shyllon through his foundation, Omooba Yemisi Adedoyin Shyllon Art Foundation (OYASAF) signed a Memorandum of Understanding (MOU) with Pan Atlantic University to build a museum that will house most of the art collections of Omooba Yemisi Shyllon. Consequently, the foundation donated N100m as commitment to the project.

    Each of the visits was coordinated by Spanish-born architect, Jess Castellote, who designed the museum structure. In a chat with The Nation during a recent visit to the museum, Castellote disclosed the physical structures will be ready for use by May, while the official opening is October 1. He added that before the formal opening, the museum’s doors will be opened to not only students from all disciplines in the university, but also to those from nearby schools, especially those located in Lagos.

    Omooba Yemisi Shyllon confirmed that the October 1 formal opening date is realisable as work is ongoing on other aspects of the museum, which include documentation, design display of works, photography, design of website for virtual museum and the setting up of advisory board. “We are working towards October 1 date. And we hope we will be able to do it. I strongly hope that the fund I am expected to drop soon will come too,” he assured.

    Castellote, who also doubles as Director of the Museum, said that the museum will open with an exhibition on Materiality and Society featuring works donated by Omooba Yemisi Shyllon. The show is meant to highlight how artists have worked with materials and the society over the years in Nigeria. The museum has among others a gallery for temporary exhibition, lecture room, storage room, etc.

    Beyond the completion of the project, sourcing of qualified young men to man the facilities is one big challenge confronting the museum management. This, according to Castellote, is one task he will spend three months to resolve by first seeking training partners from within and outside the country. “We hope to finish construction of the museum by May, but it will not open till October 1. We have three months to train the staff that will work here. There are talks with institutions and universities outside for training of staff in order to get the expertise and experience.

    “After designing the museum, the university approached me to be the Director of the museum. Part of my assignment is to determine the objectives, strategic plans and put together a team for the running of the museum. So, I am trying to identify young people within the period of five years that will be trained by universities and museums outside Nigeria as partners. This is a challenge,” he said.

    On sustenance of the project, he confirmed that Shyllon has agreed to make money available for the running of the museum for15 years. With this, there is the guarantee that the museum will be sustainable.

    Speaking on the objectives of the museum, he said: “It is not a museum based on exhibition, not a museum as tourist attraction, not a museum as generator of economic activities. However, it could be a total of all these in the future. But at the moment, it is an educational museum that serves the university and the larger society. It is to serve as an educational tool. We will start by bringing secondary school students as well as design programmes for art teachers in secondary schools to engage them on arts. The success of the museum will be measured by how much we are able to engage and the impact we have on the people. We want people to take something away from their visit to the museum. For instance, we are going to develop object-based learning process for the students, how a piece of art work communicates to the viewers. We will also educate our professors who are not art inclined. The interaction can also interrogate areas like how the Benin artists got bronze to work in the early 18th century.” He hinted that the museum is independent of the university and not under any faculty as it is practised in other universities.

    According to him, one of the programmes to kick start the museum operation includes training of secondary school art teachers in order to make the museum more beneficial to teachers and students. The exhibitions, he said, would not be static as they may be considered for tour of other countries.

    The museum has two floors for display of works, each of which revolves around two major themes. The ground floor will take care of works on Materiality and Civilisation in Nigerian art, while the upper floor is expected to host works on Tradition, Modernity and Society. With these, the museum would be filing a gap, thus making it a place for artistic innovation capable of attracting tourists. “Art can be a wonderful instrument to foster deeper understanding of what it means to be human and to promote creativity as a necessary feature in all disciplines, from economics to information technology, communication, among others,” he added. He stressed that the primary objective of the museum is audience engagement. Already, Shyllon, who is one of the most important collectors of modern African art, has donated 1,000 of the best artworks in his collection as well as 200 photographs depicting Nigeria’s people and cultures to the university.The collection includes traditional art, modern paintings and sculptures and photographs of Nigeria’s fast disappearing cultural festivals produced by Ariyo Oguntimehin. The modern paintings include works by such notable artists such as Aina Onabolu, Ben Enwonwu, Yussuf Grillo, El Anatsui, Simon Okeke, Uche Okeke, Okebulu, Akinola Lasekan and Bruce Onobrakpeya, among others. The contemporary paintings include works by Diseye Tantua, Segun Aiyesan, Kelani Abass and sculptural pieces by Adeola Balogun, Ben Enwonwu, Oladapo Afolayan, Isiaka Osunde, Okpu Eze, among others.

    But according to him, the museum space can only exhibit not more than 300 works at any given time. He added that most of the works in the museum’s collection will not be displayed.

    To run the museum, there will be a council and a board charged with the responsibility. “We will have a board and council made of nine members, some brought by the university and Shyllon. Also, we will have an advisory board on decisions on curatorial directions etc,” he said.

    On the cost implication of the project, Castellote said he has so far expended about 500,000 dollars, which many observers consider as economical compared to what obtains elsewhere.

    Omooba Shyllon explained earlier why he decided to donate such a museum to the university.

    “I don’t want a situation where I have devoted the greater percentage of my life to collecting artworks and my efforts go in vain and the only way I can do it is to ensure that I give my works to an institution that can manage it and use it to propagate our culture, our creativity and our heritage as a people,” he said.

    He noted that the museum project is his own way of contributing to Nigeria’s positive image in the world, adding that it is to show that ‘my people from this part of the world are not all about 419, condemning their environment, kidnapping, but there are people who have selflessly devoted their lives to making a positive difference in whatever area they have chosen.’

    Continuing he said: “Not only that, people would not have to go to Tate Gallery in London to see an Aina Onabolu, Akin Olasekan, Okebulu, Ugoji, Simon Okeke and the rest or to learn about our artists, our culture, our way of life vis-à-vis our creativity.”

  • NGO empowers 12 Badagry youths

    A non-profit, Centre for Youths Integrated Development (CYID), has empowered 12 youths in Badagry, Lagos.Under its Start-Up Badagry Project, the 12 youths were given funding worth over N5million to start their businesses at the maiden edition of its business pitch competition for promising youths held at Fams Embassy, Badagry.

    According to the organisers, the 12 beneficiaries were finalists drawn from 60 most promising who were trained and mentored by CYID for 10 months. The event was for them to pitch on their businesses.

    The 12 selected beneficiaries are Emmanuel Idigboya, Rasaq Dare, Samuel Sesi, Funmilayo Awoluyi, Precious Ani, David Olumide, Francis Chikamaka, Femi Shittu, Anuoluwapo Toyon, Akinwumi Segun and Joseph Agbonmenu.

    In the words of Shittu, one of the beneficiaries, “I have always wanted to venture into business since I graduated from the university and I have been confused about what to venture into, I picked several businesses at random, some worked out and some didn’t. At CYID, making a choice of business, how to go about it and come out successful was easy. I am grateful to every facilitator and sincerely appreciate this opportunity.”

    At the event were officers of the Nigerian Immigration. Head of Visa/Arrival, Zanu Hindi, praised the participants for choosing to stay and contribute their talents to the development of the country. He urged them to keep their entrepreneurial spirit, stating: “Don’t think that it’s better outside Nigeria”.

    Stating that the foundation’s mission is geared towards providing recovery and reintegration services to the youth and children through vocational skills training programmes. CYID Business Development Officer, Mr Simeon Egbe, called on well-meaning government and investors to support projects of young people with ideas to create wealth and employment such as the foundation has done.

    “While some of the beneficiaries just had very marketable ideas, others already had their businesses running, but both groups of individuals who needed financial assistance qualified for the financial empowerment given after undergoing months of training. Start-up Badagry 1 Project is an entrepreneurial and vocational skill development programme for young and aspiring entrepreneurs with leadership mindset, supported by Switzerland Embassy in Abuja.

    “It was meant to mould mind-sets, shape lives and give a helping hand to our participants’. It is a programme that has trained up to four different batches so far. 60 most promising youths drawn were trained and mentored for 10 months. For proper monitoring and concentration on modules, the beneficiaries were divided into three batches of 20 each, even as the three sessions for three months each batch. The final stage was the pitch involving the finalists.”

    The Director of CYID, Aihawu Victor, advised to the participants to stay focused and brace up for the challenges ahead, while urging other upcoming students currently undergoing their training under Startup Badagry 2, which is supported by GIZ, at the centre to learn from the pitchers and to also get prepared for theirs as well.

    According to the foundation, Idigboya, an Agricultural Science graduate, was empowered with N450,000 for his piggery business pitch; Dare, a graduate who wants to run a laundry service business, was given N733,000 for his start-up; Sesi, a graduate into fish farming business was empowered with N253,000; Awoluyi, HND holder received N407,000 for her  Fashion Designing pitch; Ani, an undergraduate, who also wants to own a poultry farm at Badagry, was empowered with N455,000. Others included Olumide: A young and Vibrant OND holder was empowered with N800,000 to kick start his web designer business, Francis: ND holder also was empowered with N633,000 to start up his electrical business; Shittu, an undergraduate received N900,000 to start his small chops and pizza business; SSCE holder, Toyon, was empowered with N266,000 to start her tomatoes farming business; Akinwumi  Segun: SSCE holder was also empowered with N277,000 to start up his phone repair business.; while Agbonmenu: a graduate who wants to venture into piggery business was empowered with 450,000 to start up his business.

  • Lagos seeks return of Lander stool from British Museum

    The Lagos State Government has formally made a request to the British Museum in London for the return of an extremely important sculptural woodcarving, known in the United Kingdom (UK) as the Lander Stool. The sculpture was believed to have been taken from Nigeria in 1830 by one of the earliest known explorers of the interior, Richard Lander, who was instrumental in pioneering the colonisation of Nigeria.

    Already,  Governor Akinwunmi Ambode, has commenced the building of a new cultural facility, the John K. Randle Centre for Yoruba Culture and History, in  Onikan, Lagos,  and appointed international exhibition designers Ralph Appelbaum Associates (RAA) and architects, SI.SA.

    Richard Lander was a celebrated figure in the UK, who was given the Royal Geographical Society Founder’s Medal in 1832, but died of a musket ball wound, shot by inhabitants defending their territory during his final trip through the Southwest region.

    The formal request by Lagos State was delivered to the British Museum over the weekend by Commissioner for Tourism, Arts and Culture, Mr. Steve Ayorinde, who represented Governor Ambode at a two-day symposium on emerging museum projects in Africa at the British Museum.

    Edo State Governor Godwin Obaseki, who also attended the event on Saturday, announced  his government’s intention to formally seek the return of some Benin bronze artefacts from various British museums once it completes its new Royal Museum project.

    Both Lagos and Edo states were joined by Ghana at the colloquium to outline plans for their various new museum projects. Of the three participating entities, only Lagos is ready with the J.K Randle Centre, which  has reached 85 per cent completion stage and is slated for unveiling in May before Governor Ambode leaves office. “The J.K Randle Centre”, according to Ayorinde, is a world-class cultural institution “that will enable the Yoruba people to reclaim their heritage from a colonial narrative, and present for the first time a high standard cultural and resource centre for millions of people in the state”.

    The Centre, according to him, will be a befitting and conducive gallery space that can host on a permanent basis some of the Nigerian artefacts expected to be returned from Europe and America.  The Lander stool, one of the very first works taken from Nigeria, will form a fitting centre-piece to the opening exhibition that is expected to take place at the Centre, as it represents the very beginning of the colonial story that led to the formation of the Royal Niger Company and ultimately the colonial state of Nigeria.

    The Lander Stool is currently in storage in the British Museum and is an important element of the restitution debate.

    Prominent academics from around the world have expressed support for the initiative by the Lagos State government. Prof. Rowland Abiodun, a prominent Nigerian academic at Amherst College in the US and adviser to the J.K Randle project, described the Lander Stool as “highly significant in the colonial story” and of the new Centre. He said: “The John K. Randle Centre of Yoruba History and Culture will not just be a monument. Rather, it will also serve as a living realisation for posterity, of the fountainhead of the arts, history, thought, philosophy, religion, politics, language, and indeed, the essence of the intellectual tradition of Yoruba people and their descendants globally.”

    Similarly, one of the architects of the project, Mr. SeunOduwole of SI.S, said, “Reclaiming artefacts from the British Museum for the Centre will be a significant achievement. This will give Nigerians the opportunity to see their lost history.”

    Also, Dr. Will Rea of the University of Leeds commented: “The Lander Stool is a material representation of the earliest contacts between Britain and the Yoruba. It is highly appropriate that it should be displayed in this new heritage space that the Lagos State Government has made possible.”

    Ralph Appelbaum Associates Director working in the UK and Nigeria, Mr. Philip Hughes, said that “Africans are reclaiming their stories, and the Richard Lander pieces are at the very beginning. No doubt, the success of the early explorers and the taking of artefacts led to a thirst for more expeditions. It is a privilege to work with Nigerians to narrate that fascinating story.”

  • Corona pupils top arts, sports fiesta

    The importance of extracurricular activities was highlighted at an Art and Sports competition, involving nine primary schools in Lagos.

    The event, which was organised by the Neander International Schools, was held at its premises in Epe. It had pupils participating in a still-life art drawing for arts and various field and track events in sports.

    The schools were Corona Schools; Kiddie Quest School; Smiley Kids International School; White Horse Montessori School; Loban Genius School; Standard Bearers Schools; Delphi International Schools; Bowine Schools and Maria Breed Schools.

    The art competition had judges, who are established artists, Aisha Idris and Bolaji Ogunwo. The pupils, who exhibited high level of creativity both in the art and sports were a cynosure as parents, guardians, teachers and spectators  applauded them. For those who participated in the drawing competition, a still-life composition was set with a few minutes given to test their artistic acumen; while the track and field event, 100m, 200m and relay race for both boys and girls held.

    The judges observed that the children have bundles of talents lurking inside them that need expression. “The pupils are between the age bracket of 6 to 11 year-old and what I saw in them are willingness and ability to interpret art at young age.

    “Some of them may not be artists in the long run, but I saw upcoming creative potentials that can be brewed to stardom,” Ogunwo said.

    At the end of the competition, pupils from Corona Schools emerged first and second best in drawings; while third position went to a pupil from Smiley Kids International School. In the sport segment, Corona School also won the first position, followed by Kidddie Quest, while the third position went to White Horse Montessori School.

    Mr. Charles Okafor, art teacher with one of the participating schools, said: “What the children displayed here today is good and will give room for more grooming. The spontaneity of the occasion gives the children some extra challenge from doing their normal best at school.”

    While Ufoma Usivwe, art teacher with Neander International Schools simply sums up the competition as “fantastic.”

    Holding the competition in his school, according to Neander International Schools, Principal, Mr Idris Agbaje, to take children out of their comfort zone to appreciate competition beyond the normal common entrance examination which is only what they know.

    “We organised this event for primary schools basically to help these young ones exhibit their talents. Schooling should not just be about academics alone. Children should not be hooked up in the four walls of the classroom all the time. It was to show good neighbourliness among schools within us and those we partner. The outcome of the competition shows that the country has a wealth of talent that requires tapping into,” he said.

    He urged parents to release their wards for competitive events outside school curriculum, saying that it is the only way children can adapt fast and express their hidden talents with other children in the society.

    Speaking further, he said: “Competition like this allow them to express their hidden talent and imbibe the spirit of competition and also the spirit of sportsmanship.” According to him, “it is not everyone of them won, but they have learnt to take loses in good faith, which the society needs most at this time of do or die affair in the polity.”