Category: Life – The Midweek Magazine

  • 40 years on, MUSON soars

    40 years on, MUSON soars

    • Holds festival Friday

    Chairman, Musical Society of Nigeria (MUSON), Louis Mbanefo (SAN) has said that despite the vicissitudes of life in Nigeria, the Musical Society of Nigeria continues to thrive and progress from strength to strength as a shining example of what can be achieved by Nigerians. 

    He stated that the MUSON project is one that all Nigerians should be proud of, adding that it has ‘demonstrated what can be achieved by Nigerians when we pool our resources, talents and energies towards a common goal.’   MUSON was formed by a group of friends, including the late Mr. Akintola Williams, the late Chief Ayo Rosiji, the late Mrs. Francesca Emanuel, the late Chief Rasheed Gbadamosi and Louis Mbanefo in 1983 with the main objective of promoting the performance, understanding and enjoyment of serious music.

    Mbanefo who spoke in Lagos on this year’s edition of the MUSON Festival with the theme Resilience, and the 40th anniversary of the society, said: “The founding fathers and mothers deserve the gratitude of the Nigerian Society for the very considerable sacrifice of their time and skills for no personal reward or gain.  Whereas the arts are heavily subsidized by governments in other parts of the world, the MUSON project has been funded entirely through generous donations by individuals and the major companies in Nigeria.”

    He disclosed that the 10-day festival, which will flag off on October 20 to 29 will be an exciting pack featuring drama presentation, operatic performance, art exhibition, musical brunch-My Kind of Music, MUSON Day celebration concert, gala classical and contemporary concert and a closing gala concert. 

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    But, as MUSON prepares for the festival, it is mourning the loss of two centenarians, without whom there would not have been a Musical Society of Nigeria. ”Both men passed away during September 2023.  Mr. Akintola Williams who celebrated his 104th birthday on August 9 passed away on September 11 whilst Sir. Mervyn Brown who celebrated his 100th birthday on September 24 passed away two days later.  We pray that the souls of the two Titans rest in perfect peace,” Mbanefo said.

     Recalling the journey of the society these past 40 years, Mbanefo said the society tackled its objectives in two ways, which include holding regular concerts and the development of two Schools of Music; the Basic School and the Diploma School. According to him, there is no doubt that training in classical music is an important discipline for our youth and a source of spiritual fulfillment, not to mention employment, throughout their lives.

    Festival Planning Committee Chairman Mr. Kitoye-Ibare Akinsan said the opening event would be Chevron drama Efunsetan Iyalode Ibadan, by Akinwunmi Sesan holding at the Agip Recital Hall, on October 20 and 21. But on Sunday, October 22, there will be MUSON Brunch/Art exxhi9bition that will be anchored by Bruce Onobrakpeya Foundation and Folio Development Limited at the La Scala Restaurant. It will remain open till closing date of the festival.

    Unlike past editions, this year’s festival has an innovation that will serve as the intellectual part of the celebration. It is a Collabo- Music Meets Technology, a panel of technical giants and music experts such as former PMAN President Tee Mac, Intellectual Property lawyer and Google representative that will discuss how technology impacts music holding on Monday October 23.

    Other events lined up are TY Danjuma’s opera featuring Ruggero Leoncavallo’s Pagliacci, at the Agip Recital Hall on October 22, TotalEnergies EP Gala recital featuring Michael Volhardt on the cello, Mbanefo on piano. TotalEnergies EP concert is The Messiah by GF Handel to be conducted by Sir Emeka Nwokedi and features international guest soloist Francisca Chiejina, a Soprano.

  • Nigeria, U.S. partner to safeguard nation’s heritage

    Nigeria, U.S. partner to safeguard nation’s heritage

    Three successful workshops facilitated by US-based conservators have culminated in the exhibition of 10 artefacts from the collection of National Commission for Museums and Monuments (NCMM). Venue of the display was the National Museum, Onikan, Lagos. The Ambassador’s Fund for Cultural Preservation (AFCP) project, tagged Sustaining a Partnership in Conservation and Preservation, between National Museum, Lagos and the Yale University Art Gallery, was designed to build capacity and facilitate breakthroughs in sustainable conservation practices beneficial to museums and preservation of Nigerian cultural heritage, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    The management of the National Commission for Museums and Monuments (NCMM) has, in the last five years, collaborated with experts from Yale University, New Haven, Connecticut, US and Smithsonian National Museum of African Art, Washington DC, in the training of its conservators.

    The initiative was designed to safeguard its massive collection of some 50,000 wooden objects stored at the National Museum, Lagos. The third workshop in the series, under the partnership, was concluded recently in Lagos with eight conservators drawn from museums across the country in attendance. 

    The goal of these workshops is to build capacity and facilitate breakthroughs in sustainable conservation practices that are beneficial to museums and the preservation of cultural heritage in Nigeria. Penultimate Friday, ten objects that were restored during the second and third workshops were exhibited at the National Museum, Onikan Lagos. Among the 10 restored objects are Hand Fan, Kneeling female figure holding a bowl, Masks for Gelede festival, Headdress, Drum and Leather bag.

    In Mask for Gelede Festival made from wood and pigment, a 1980 piece, the conservators noted that ‘there was a significant amount of dirt and dust across the surface of the mask, obscuring the paint. A large crack had previously been repaired. During the conservation treatment, the surface was cleaned, removing the obscuring dirt and dust. Old repainting and repairs were stabilized but left to show the history of repair of the mask.’ 

    In his remark, Director-General National Commission for Museums and Monuments, Prof. Abba Isa Tijani lamented the dearth of skillful workers, especially specialists in museums across the country, saying many of the younger staffers in these areas of specialisations, have not been retrained enough because of lack of opportunities. He said that the ongoing partnerships are very beneficial to the conservators, as they afford them opportunities to up their skill.

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    “One key advantage of the partnership is to have the training here in Nigeria. This kind of partnership will afford our conservators the opportunities to up their skill. But, how practical is the skill back home? That’s why the practical aspect of the training is localised.  So, to that extent, we will learn more from it even for the US partners. Don’t always assume it is better to go to US for training. As a professional, we must try to attract others to Nigeria for this programme. I hope the support will continue to be there,” he added.

    U.S. Consul General, Mr. Will Stevens stated that the workshop periods afforded them the opportunity to meet people that no one in the political sector or the ambassador could ever meet, saying it is however, more than that. According to him, ‘we’re not doing this to do something nice for Nigeria. We’re doing this to be meeting each other. We can’t do it on our own.’

    “We always used to talk about African solutions to African problems, and it’s true, right? But I also think we need African solutions to global problems. The problems we face are so big. We can’t do it on our own, and sometimes, they’re so small, we can’t do it on our own. We need to learn from each other and the kind of respect I heard from the conservators.

    “And we have to learn together and we have to work together. I’m so grateful for the opportunity to work with people in Nigeria. I love this country, and I love working here. I’m so inspired by Nigerians every day, and it is absolutely wonderful to be with you today. I came here on the opening of this project and I got a great tour and I’m happy to be back to see some of the objects that were conserved and restored,” he said. 

    Continuing, he said: “One of the things I’ll also say that I think it is really quite important is that I’m a huge fan of the uptake of Nigerian culture around the world right now.

    “We are living in a renaissance of African culture. At least the 2nd half of the 21st century will be the African century, and right now, we are seeing the first wave of that. Afrobeat has just taken over the world. The number one song in America is by a Nigerian rapper, singer and songwriter, Divine Ikubor, aka Rema. Nigerian film festivals are attracting world-class artists from around the world to work and open their movies in Lagos, globally. Last year, Disney opened Wakanda Forever right here. That kind of huge cultural dynamic, I think allows Nigerians and to a broader aspect, Africa to tell their own story. I’m really proud that the United States of America is part of that and is helping to support and learn from you,” Stevens said.

    Associate Curator, Yale University Art Gallery, Dr. James Green, who was part of the team, described the collaboration and experiment as the best way forward in safeguarding Nigeria’s cultural heritage. He said the collaborations have been a tremendous success and a learning experience as it was a knowledge sharing exercise.

    “Participants gained knowledge and experience in the field of wood conservation, including best practice methods for cleaning and restoring objects. I want this to be on going as knowledge has moved in both directions, and we’ve learnt so much about the climatic conditions here, which are very different from New Haven. Objects are different and we need different methods and techniques too,” he added. 

    Commending the hard work of the conservators, Dr. Green said the conservators complete their works so that the objects will live more generations, but that they are never celebrated. A conservator, he said, is the unseen hero of the museum. “So, this is a very rare opportunity to celebrate conservators. Your dedication to the field of conservation and hard work over these three workshops has made this a success, and I hope that you’ll take this knowledge and share and that we’ll continue to learn together,” he added.

    Speaking on behalf of the participants, Chief Conservator, National Museum, Dr. Ogechukwu Okpalanozie observed that sustainability was a unique factor considered during the workshop, saying that they had to compare the materials brought by the visitors with the local materials.

    “We compared both based on sustainability because if it is not sustainable, it will be of no use to us here in Nigeria. Another thing that was unique during our training was that we all learnt, new knowledge was acquired, new skills acquired, new methodologies learnt, and we shared experiences, not just among us the trainees but also among our resource persons. We learnt from them, they learnt from us. It was a two-way traffic,” she noted. The conservation workshops were supported by a grant from the US Embassy and Consulate in Nigeria.

  • Unending disputes over land in Cross River

    Unending disputes over land in Cross River

    In Cross River State, where diversity thrives in language and culture, a shadow looms over communities. Amidst the rich tapestry of languages spoken in the state, conflicts have erupted, casting a pall of violence and fear. The escalating communal tensions over the strife between communities and inter-state boundaries have led to bloodshed and displacement. NSA GILL reports that the state stands at a crossroad, where dialogue and understanding might pave the way for lasting peace. but the journey ahead is fraught with challenges and calls for urgent intervention.

    Nigeria is one of the most-linguistically diverse countries in the world, with over 500 languages and dialects being spoken among its population of over 200 million, according to experts. Of the languages, Cross River State has four – English, Efik, Bekwarra, and Ejagham. The most spoken of these languages is Ibibio, which, together with its written cousin, Efik, according to linguistic gatekeepers, has some 3,500,000 speakers.

    This makes the state one with the highest number of dialects, totalling 60, most of them spoken within the Central and Northern Senatorial districts of the state.

    However, as there are numerous numbers of languages spoken or dialects recorded, so also are quite a few communal conflicts; most of which are often caused by land disputes. The conflicts are sometimes inter-communal, other times intra-communal and at the border communities.

    There are also records of inter-state boundary conflicts. The State Government has handled conflicts with its Ebonyi State, Benue State and Akwa Ibom state counterparts. The communal crisis between the Tiv people of Benue State and the Yache community of Yala Local Government Area of Cross River State has claimed up to seven lives.

    According to our correspondent, the conflict began over farmlands and boundaries between the two communities. Some source who spoke to our correspondent in confidence said: “The incident happened on Sunday. Apart from those who were confirmed dead, other victims, including women and children from both sides, were seriously injured, some with serious machete cuts on foreheads and legs.”

    Augustine Odey Adula, who is a community leader in Yache told The Nation that they were in a church service on Sunday when the mayhem began. He said: “A few of our youths went to ask the Tiv settlers why they have refused to pay royalties as usual for settling on our lands. The Tiv people seized one of our youth; and beat him mercilessly so much so that he died immediately. That was the cause of the reprisal. But they were prepared. They attacked and killed seven of our people and burnt 15 houses.”

    Our source further stated that the Tiv people had actually been paying royalties on the land but decided to stop for no reasonable reason. The Secretary of Yala and Cross River North Elders’ Forum, Leonard Anyogo, a lawyer who is indigenous to Yache, also confirmed the killing in a chat, even as he added that security agencies have stepped into the matter. He also said the Deputy Governors from Benue and Cross River states had earlier met in the same community where they appealed for calm as they worked hard to find solutions to the crisis.

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    Anyogo further said there has not been a clear-cut boundary demarcation, adding that Tiv people had settled on said land for so many years.

    According to Anyogo, the land in dispute is where the boundary of the then Southern and Northern Protectorates was, adding that it was a Yache land.

    When our correspondent contacted the Police Public Relations Officer of the State Command, Irene Ugbo, she said a report on the matter was yet to be received, even as she assured the people that the Command would have a meeting on the issue shortly.

    Another source, who pleaded anonymity, said: “The Tiv settler is alleged to have breached a decades-old land agreement that brought about violent conflicts that have claimed several lives and caused wanton destruction.”

    Five people had reportedly been beheaded as reprisal killings resumed last week between the Tiv people of Benue State and the Ijiegu-Yache of the Yala Local Government Area of the state. A Tiv leader in the community, Chief Jacob Uswa claimed in a phone interview that many others have been maimed. According to him, the Yache boys beheaded theirs when they went to their farms to harvest cassava.

    “On Sunday, October 8, they attacked and beheaded three of our boys in their farms where they had gone to harvest cassava. Two others were also killed on another farm. They displayed the heads before their Yache people. The Yache boys are all over the bushes to attack us,” he said.

    Augustine Adula, a youth leader in the Ijiegu-Yache community, said they had to defend themselves when the Tiv militia attacked them on their farms. He alleged that the Tiv boys go to their farms to harvest their yields and attack their women and farmers.

    “We have suffered incessant attacks from those Tiv settlers. They invaded our community; wearing military camouflage and sometimes they would ambush us. As a result, our boys no longer go about their businesses and schools and have taken positions in the bushes to defend our land and people, so that they can block the Tivs when they come surreptitiously,” Adula said.

    According to him, the situation has made life very difficult for them, adding that markets and schools have not opened due to deep-seated fears for their lives. The cause of the hostilities is said to be the refusal by the Tivs to continue to pay royalties on the land they settled on. This led to killings and destruction of houses on both sides. On their part, the Tivs alleged that having settled in the community for over 100 years, they are more indigenous to Cross River than Benue State.

    Besides the conflict with the Tivs, other disturbing conflicts broke out in the Central Senatorial District of Cross River State. It is an inter-communal conflict between two  Ovonum and Ofatura in the Obubra Local Government Area. Many have been killed and no fewer than 35 houses have been destroyed.

    Adaga Asel, a concerned analyst, said: “In the past 10 years, there is hardly any Obubra community that has not engaged in hostilities with its neighbours where lives were lost, properties destroyed and many became refugees.”

    He said further: “For example, Owakande against Obubra Urban, Ababene against Nyametet, Ochon against Alessi, Ofatura against Apiapum, Ovonum against Ofatura. Onyadama against Nko and the list goes on. One is not suggesting here that one should remain silent in the face of provocation but, most times, dialogue solves disagreements and misunderstandings far faster and better than resorting to violence.”

    The Ovonum and Ofatura current conflict is caused by a dispute over a parcel of land at the farming area called Plantation. The conflict has left thousands of people homeless following the destruction of residential houses and farmlands. The Nation gathered that in April this year, there was a conflict between the two communities which left many dead and countless houses destroyed. On October 1, just two weeks ago, the misunderstanding arose again at the plantation and a fight began between youths of both communities. “The crisis got to the climax when youths from both sides got home and narrated their experience at the Plantation to their elders and at about midnight, there was violence between the two communities,” a resident of the area, Elom Obongha said.

    He said throughout the night, there was hostility between the two communities and, by the time soldiers were dispatched to the area by dawn, a lot of havoc had been inflicted on both sides. “By the time the soldiers arrived, a lot of damage had been done and now thousands of people are now taking refuge at Matter Misericordia Catholic Church.”

    A member representing the area in the Cross River State House of Assembly, Egbe Abeng, said he had no hand in the conflict. “I tell you that the recent peace enjoyed in the community is because of my intervention. When I got a call about the outbreak of the recent problem, I moved quickly from Yala Local Government Area where I was on an oversight function down to my community and tried to mobilise the security to intervene. The destruction is on both communities and with the help of Governor Bassey Out, a detachment of soldiers are stationed there to restore peace.

    “Therefore, I call on the government to interrogate the leadership of both Ofatura and Ovonum because they need to find lasting peace to this problem. I am a peacemaker and Ovonum people voted for me and contributed to my emergence. So, why should I sponsor a war against them?”

    In an emotion-laden tone, an Ovonum man, Enang lamented: “My community has been decimated and our property destroyed. Over 3,000 Ovonum people are now refugees in their own land. We are now hibernating at a Catholic Church with no food and no water to even drink. We call on the government and non-government organisations (NGO) to come to our aid before we suffer an outbreak of epidemic. We have not witnessed this kind of destruction in our community before.”

    Mr. Justine Ovat, who is indigenous of Ofatura said: “The recent crisis is unfortunate. The Adon Kingdom made peace after the conflict in April and while we were still trying to settle down, another crisis occurred, which culminated in the destruction of houses in both communities. I call on all leaders to come to a roundtable to find lasting solutions to these conflicts.”

  • A woman is more than a superhero

    A woman is more than a superhero

    Jennifer Daniel, a product designer/founder, UX Resource Hub, is a firm believer that gender can never stop women from doing exploits or succeeding. Her expertise cuts across the information technology and finance sectors. Daniel, who used to own a fashion brand called ‘Jennifer Daniel’, designed beginner-friendly UX courses for aspiring UIUX/product designers. It is accessible for free. In this interview with EVELYN OSAGIE, she shares her fashion, passion and foray into product design.

    It’s been a decisive journey to be honest. When I was younger, I thought I was going to be a doctor. I was all medical and stuff until I found myself in Mass Communications. I worked in a media company then I realised I wasn’t really doing what I truly enjoyed. Then product design came and I instantly fell in love.

     My thought on beauty

     Beauty is a definition from various perspectives. Very subjective. Maybe physical, mental, depending on what angle. Basically, the simplicity of life.

     My fashion style

     I’m more of an elegant fashion person. I’d describe myself as a fashionista. I used to own a fashion brand called Jennifer Daniel which I will resuscitate in the future. I have days I wear a whole lot of black and days I wear a lot of colour bust. My go-to outfit will be a body con or a black on black on black pant and jacket shirt.

     Fashion item you cannot do without

     Jewelry just adds a lot bust to my outfit. Love it!

     My special interest in product design

     I’ve always loved design. I went from fashion design to doing social media posters and stuff. Then I heard about UIUX and what it entails and I knew that’s what I was supposed to be doing. Design is my core focus. It frames the way we think and approach life in an empathetic form. I have a couple of designs to my credit from my previous works. Right now, I’m working with an amazing team at one of the payment card establishments in Nigeria to rebirth their app to further make payments and services seamless for millions of global users. I now have over three years of valuable experience.

     Challenges on my tech journey

     One of the major challenges I face often is balancing users and business goals. I have to always put a balance between creating an intuitive user experience and meeting the business objectives. I don’t want to delve right into this because we will sleep here.

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    Inspiration behind my designs

     Being able to solve complex problems into digital solutions users can interact with is what inspires me a lot. The part of product design I enjoy most is the brainstorming and iteration part. It makes me learn from diverse perspectives and gain new insights into solving user experience (UX) problems.

    Gender should never stop a woman from succeeding

    I really don’t have any preference working with men or women. They are both unique in their ways. I don’t look at gender differences. I work with a balance of both genders and it’s been the best team ever. In the world we are in, being a woman is more like being a superhero to be honest. In fact, most employers now are seeking female talents because our creativity, strategic thinking level combined with empathy approach is amazing. A whole lot of women are doing amazing things; some have either founded or built some of the best products globally and helped companies gain traction both women in my field and outside of my field. I think 80 per cent of women now have a strong mindset and are goal getters. I can’t wait to see more women do exploits.

     My foray into product design

     My foray into the world of product design led to my building the first of its kind UX resource hub that allows aspiring UIUX/Product designers learn the field step by step for free. At the beginning, my life was framed by empathy. I have passion for helping others like me because I knew my struggles while I was about to delve into the field. My story should encourage young ones that you can train yourself to become an expert in any field and your age does not matter. Today, my expertise cuts across sectors such as information technology, E-commerce and finance sectors, etc. But it was not always so. I had to research and study widely. For instance, I watched a lot of YouTube videos, took online courses and practiced with real life research to be able to become an expert in design. Currently, I work as a product designer at Interswitch Group, one of Nigeria’s leading Fintech corporations. I actively contribute to the cross-functional collaborative efforts aimed at enhancing the Quickteller app to further make payments and services seamlessly for millions of global users. This is not to brag but to encourage women and young ones that nothing should stop their dreams. And I am happy that I am giving back to the community through the hub.

    Inspiration behind building your free UX resource hub

     As I’ve said, setting up the UX resource hub was inspired by my passion for humanity. A lot of people have reached out to me about how they struggled. The number of messages I got was already growing high and I thought this was the best way to give back because if I’m being honest, nobody really helped me while I was learning. If I had someone that did what I did, I’d be more than grateful to them. To fully set it up, in two months, I learnt how to use a software called ‘webflow’ on Udemy and kept practicing to build the website; so I can build a website that stands as a learning platform for aspiring and existing UX designers in tech. Today, designers can learn product/UIUX design; find inspiration and guidance in the field for free. I also took an initiative to create a self-study planner that helps them plan their learnings while using my website. The turnover was massive and I knew that I had done something very unique. Our UIUX or products Design give users several options to explore. We made sure to put out all the information and learnings that will help them. Some people might decide they want to specialise in their career as an UX writer, UX Researcher, Ui designer, Product designer, UX designer, Information architect, and so it’s broad. But I gathered them into one.

     My escape place

     Outside of work, I enjoy exploring new activities and own an online art gallery called Subway Africa. I enjoy watching movies a lot. And definitely having a beach time.

     Next place to conquer

     Definitely more to conquer. Not just in Nigeria alone but Africa, the UK, a lot of other countries in diaspora. Building and shaping their economies to create products that push wealth and innovation.

  • A monument to memory

    A monument to memory

    Book Title: Connecting With My Past: A Midlife Memoirs

    Author: Usman Oladipo Akanbi

    Pagination: 125

    Publisher: Rextun Publishing Company Ltd

    Reviewer: Sima Essien

    2020 was an unforgettable year. And yet, it is a period of time in human history that many might prefer not to remember. For more bad reasons than good, it had an overwhelming impact on life itself: masks covered faces, streets became deserts, and houses imprisoned their very owners. There was fear, a lot of fear. People were afraid to die, afraid to breathe, afraid of the news. And of course, there was death: day-by-day, we lost lives to that grim, invisible virus. The effect which the global pandemic had on our planet could be likened to a most vigorous shaking of a tree by stormy winds.

    One of the fruits which fell in the midst of that storm was the beginning of Usman Oladipo Akanbiʼs memoir, Connecting With My Past. Written and incredibly published during that turbulent year, the memoirʼs pages jointly convey a confessional sense, particularly one that has had enough time to ripen, enriched by the stretch of a lifetime and laden with much wisdom.

    The memoir begins in the sunnied era of the author’s childhood, the 70s, placing us in the centre of his stubborn will as a child, even as his growing awareness is orbited by parental forces, traditional values and the presence of military rule. Certain historical moments are relayed from the perspective of this budding consciousness, such as the assassination of Gen. Muritala Muhammed and the slate of social, economic and political upheavals which would come to define and distort Nigeria’s trajectory as a nation. And here is where Akanbiʼs recollective powers shine the brightest, enabling him to paint a vivid portrait of life in the years leading up to eventual adulthood. From the aroma of fried mutton during festivities, to the rich display of culture and even the gracious insertion of lyrics to folkloric songs, this part of the memoir establishes a background to the past which the author alludes to in the title.

    There are sections detailing historical events, culturally significant customs and family lineages; all of this particularly glorifies Ilorin, the “cosmopolitan” city (which the author describes as a “melting pot of many cultural influences”) that inspires much awe, inquisitiveness, fear and even humour within the author’s psyche.

    The next parts of this memoir gradually take us through the “sweet-bitter experience” of Akanbiʼs “ever-flowing” drift of a life. What remains constant throughout is the sense of his persevering spirit and constantly developing intellect, both impressed upon by a deluge of ordinary and outstanding moments. The “torturous years of being a junior student” swiftly lead the young Akanbi through encounters with a multitude of people, ideologies and beliefs. The rigors of academic excellence are clearly expressed, but so is the complicatedness of his relationship with his father — the late Hon. Justice Mohammed Mustapha Adebayo Akanbi — this “incorruptible” legal icon of whom the author says: “Over the years, I formed the habit of hiding my connection to my late Dad; as a matter of fact, few during my secondary school days knew that my father was a judge.”

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    The vicissitudes of life often bring a man to contend with the larger forces which seek to batter him relentlessly, upending best-laid plans and testing one’s mettle more than anything else. Student activist, professional banker, agriculturist, academician, husband, father, writer, conscientious citizen: in each of these roles that the author fully assumed, we become acquainted with his distinct worldview, his humility of character, his integrity in the face of general malfeasance, and even his perceptions of people and relationships. We relate with the grief expressed in his poetry, especially when they honour a loved one lost in tragic circumstances. When he remembers the “diligent and truthful fellow” that was Danjuma Mohammed, we can glean the lessons from that remarkable life. And when he says that one should not, in a position of authority, hope to find more than fair-weather friends, we can grasp even this “irony of life” as he puts it.

    It is hard for a man as principled as Akanbi to not bemoan the depressing backwardness of what should be a “dream country”, but then, even foreigners have had a lot of gripe with the workings of Nigeria from nothing but a modest string of unpalatable incidents. As such, we are treated to the familiar criticisms of monetary inducements which taint everything from politics to public service and street-level dealings. There is also commentary that exposes the degenerative stagnation of Nigeria’s youthful demographic, a carefree generation which is seemingly the last hope for redeeming the soul of the nation. But in all of this, Akanbi retains a flickering hope for the betterment of his fatherland, a hope that all right-thinking Nigerians should not only share, but continuously strive to preserve.

    Not all of Connecting With My Past is concerned with the weight of thankless citizenry however, as there are sections within the latter which bring to the fore the true essence of the author’s connections in life, the very things which fuel the aforementioned sense of hope. There is the devotion to family which has Akanbi expressing deeply personal feelings about his beloved parents, even as he shows love for the family he has raised. There is also the love for literature and acknowledgement of its usefulness to “the enhancement of society.” Akanbi frequently uses succinctly relevant quotes from great writers and their works, almost as much as he convincingly communicates an expert understanding of all things agriculture. Even his itinerancy provides enlightenment in the form of candid observations of life in the cities of Nairobi, Addis Ababa, Accra, Songhai and the holy Mecca.

    Ultimately, Connecting With My Past is a testament to things endured, moments cherished, people loved and lost but never forgotten, and above all, a life well-lived in service of the self, family, nation, society and the world at large. It does morph into the feel of a classic scholarly text towards the end, but even this can be tolerated as Akanbi dishes out nuggets of wisdom concerning salient issues within Nigeria and beyond its borders. This lends the memoir a cosmopolitan significance, and as such, it is recommendable for anyone who appreciates good writing first and foremost, as well as those who would love insights into the greatness of Ilorin, or views of Nigerian life. It is for the avid reader, the lover of non-fiction, the student, the critic, the cerebral-minded and the socially conscious.

    As a writer and author, Akanbi has published remarkable works of prose — Tales Across the Plains (2001); poetry — Weevils On Grains (2001), Suppletunes In Tightangles (2003), Verdant Verses; and drama — Labake Isale Eko & Other Plays (2018). But it is Connecting With My Past that will most likely delight and impact generations of readers the most, for its endearingly honest and moving account of one life and the countless others it has touched and been touched by: without a doubt, Akanbi has delivered a sublime work of literature, a veritable monument to memory and humanity.

    Sima Essien, an award-winning writer, writes from the University of Nigeria, Nsukka.

  • Yomibas eyes global relevance through arts

    Yomibas eyes global relevance through arts

    Nigerian artists are striving to make their mark on the global stage.

    One artist, Abbas Yomi Segun, popularly known as Yomibas, exemplifies the journey of branding oneself for success.

    Through his experiences, Yomibas sheds light on the transformative power of self-branding and its role in propelling Nigerian artists to international recognition.

    Born in Kaduna State, Nigeria, Yomibas embarked on an artistic journey that has evolved into a distinctive hyper-realistic style.

    His early works, a compilation of random photographs reflecting personal experiences, gradually transformed into captivating masterpieces that speak volumes.

    Yomibas found his voice through portraiture, using the medium to connect viewers with his subjects on a profound level.

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    As Yomibas eloquently puts it, “Art is an important communicator of power, depicting aspirations and societal shifts.”

    He recognises that artists possess a unique ability to sense changes in collective consciousness, and he employs his craft to prepare and inspire for the future.

    With this vision, Yomibas emerged as a prominent Nigerian artist whose visual commentary resonates deeply with his generation.

    The journey to global relevance is marked by challenges, and Yomibas’ path was no exception. He emphasizes the importance of quieting distractions and maintaining authenticity amidst external influences.

    In a society where traditional professions often take precedence, carving a niche as an artist demands unwavering commitment to one’s passion.

    However, Yomibas’ journey also underscores the power of branding. His brand, Yomi bas, which started in a humble space, has evolved into a massive studio known for its exquisitely designed interior works.

    Yomibas emphasizes the value of creating for both private spaces and international exhibitions, collaborating with galleries around the world.

    Yomibas’ journey also brings to light the significance of collaborations. He actively seeks partnerships with influential brands, including interior decorators, furniture designers, and galleries, as a means to extend his artistic reach.

    This strategic approach underscores the essence of leveraging one’s personal brand to forge impactful collaborations.

    Reflecting on his experiences, Yomibas encourages aspiring artists to play the “infinite game.” This concept, he explains, involves embracing a continuous journey of self-improvement and resilience.

    It’s not about the transient wins or loses but about enduring dedication, growth, and the relentless pursuit of excellence.

    In the world of art, Yomibas’ personal motto resonates powerfully: “Let me fall if I must fall. The one I am becoming will catch me.”

    This philosophy encapsulates the essence of embracing challenges and embracing growth as integral parts of the artistic journey.

    As Yomibas works on his next exhibition in France and collaborates with influential brands, his story serves as an inspiration to Nigerian artists seeking global relevance.

    The transformative power of self-branding, authenticity, and unwavering dedication to one’s craft stand as beacons guiding Nigerian artists toward international recognition and success.

  • Controversy trails proposed N19.6b Edo five-star hotel

    Controversy trails proposed N19.6b Edo five-star hotel

    The Edo State Government aims to transform the state into a hub for culture and tourism in West Africa. To realise this goal, the government has put forth the Radisson Hotel project as a strategic initiative to facilitate the development of the Benin cultural district. It will encompass museums, moat walks, research centres, and hotels. The proposition to build a N19.6 billion five-star hotel has stirred up controversy and debate in the state, reports, South south Bureau Chief BISI OLANIYI reports.

    In the 70s, there was a Benin-based billionaire industrialist, Chief Napoleon Odia who was into fishing and rubber farming. He was also involved in real estate business. His involvement in real estate enabled him to acquire houses and landed properties in almost all parts of Benin City, the Edo State capital and its environs.

    The entrepreneur registered his company as Napoleon Odia and Company (Nigeria) Limited, which was incorporated in Benin, Nigeria, on April 20, 1977, with registration number RC 21071. The company’s registered office address then was at No. 25, Oyenmwosa Street, Benin City with Chief Napoleon Odia and Igbinifa Odia, among others, as directors of the company. While Chief Napoleon Odia was getting old and sick, he surprisingly decided to sell some of his properties in Edo State and beyond. One such investment was a magnificent building on Golf Course Road, adjacent to the massive Golf Course in the Government Reservation Area (GRA), in Oredo Local Government Area of Edo State. It was very close to the private palatial mansions of the Secretary to Edo State Government (SSG), Osarodion Ogie, a lawyer; and the embattled Edo State Deputy Governor, Philip Shaibu, who are neighbours and one-time friends.

    One of those who approached the founder of Napoleon Odia and Company (Nigeria) Limited for the acquisition of the properties was the Esama of Benin Kingdom, Chief Gabriel Igbinedion, the founder of Igbinedion University. Igbinedion made a good offer, which informed Chief Odia’s decision to sell the imposing building to him. Chief Igbinedion, who is also an industrialist, decided to opt for the luxury hotel business in the newly-acquired building on an expanse of land, which could be further developed.

    In order to have a world-class hotel, Chief Igbinedion decided to invite the management of Sheraton Hotel as a partner in the investment, with top officials and structural engineers sent to assess the imposing building comprehensively and to do intensive soil analyses/tests. Unfortunately, the structural engineers gave an unpleasant report, declaring that the massive building had structural defects, and standing on soggy/waterlogged/swampy land, which could later collapse, in view of so much water underneath. As a result of the unpleasant report, Chief Igbinedion decided to abandon the property.

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    Recently, Edo State Governor, Godwin Obaseki, whose government is interested in the hospitality business, decided to approach Chief Igbinedion for the acquisition of the abandoned property for the proposed five-star Radisson Hotel. However, the defective hotel must first be demolished, the soil excavated, and heavily reinforced before the superstructure could be erected, and to be completed before the expiration of the Edo governor’s second term on November 12 next year.

    While receiving the final design of the N19.6 billion hotel last month, Governor Obaseki said the development of the four-star hotel in Benin would boost Edo’s tourism receipts and bolster the state’s chances at hosting sporting competitions and other international events, including film festivals and art exhibitions. The project, on completion, would redefine the space of the hospitality sector in Edo, creating employment opportunities and boosting economic growth, among other benefits, he enthused. “The reason we have not won the right to host international sporting events is because of lack of accommodation that will pass the standard test of the governing bodies for events like gymnastics, swimming, track, and others. The need for this project cannot be over-emphasised. Our goal as a government is to complete the project before leaving office in 2024. With the right team, procurement processes, and right partners, this is possible.”

    Edo State Commissioner for Communication and Orientation, Chris Nehikhare, declared that Obaseki was resetting the state for a better and brighter tomorrow, in his determination to make Edo great again. He insisted that the administration has a good story to tell, especially with the proposed Radisson Hotel. Nehikhare said: “In line with Edo State Government’s vision to reposition the state as West Africa’s culture and tourism hub, we are developing the Benin cultural district to host museums, moat walks, research centres and hotels. The Radisson Hotel is one of the pieces in the jigsaw.

    “Having a luxury hotel in a town that is trying to build on its tourism potential, host international sporting events and tournaments as well as attract investors can have several benefits. A luxury hotel such as the Radisson brand attracts high-spending tourists, who are willing to pay more for luxurious accommodations. This can significantly boost the town’s tourism revenue and create a positive economic impact.

    “Benin City, with a five-star hotel, becomes more appealing to domestic and international tourists. It will add to the overall appeal of our city as a tourist destination, making it stand out from other nearby locations. It will also improve infrastructure as the construction of a five-star hotel often leads to infrastructure development in the surrounding areas. This can include better roads, transport links, and other facilities required to support the hotel and its potential guests. Such infrastructure upgrades can benefit tourists and local residents.

    “In terms of job creation and economic growth, a luxury hotel requires a substantial workforce to manage its operations, including front desk staff, housekeeping, culinary teams, and maintenance staff. By building a five-star hotel, the town creates job opportunities for locals, leading to reduced unemployment rates and overall economic growth. A five-star hotel will increase investors’ interest. The presence of a five-star hotel can attract other investors such as developers, restaurateurs and retailers, who may want to capitalise on the growing tourism industry in the town. This can lead to further development and investment in the area, thereby boosting the local economy.

    “A five-star hotel will surely attract international sporting events. This is because international sporting teams, athletes, and officials often prefer five-star hotels. By having a luxury accommodation option, the town can increase its chances of being selected as a host for major sporting events or tournaments. This brings prestige, media coverage, and economic benefits to the town. The construction of a five-star hotel may lead to the improvement and development of local facilities and amenities such as restaurants, cafes, shopping centres, and recreational areas. These enhancements enrich the overall experience for tourists and residents alike. Building a five-star hotel in a town with tourism potential, international sporting ambitions, and a desire to attract investors can bring several benefits, including increased tourism revenue, job creation, enhanced destination attractiveness, improved infrastructure, and increased investor interest.”

    The Chief Press Secretary (CPS) to Governor Obaseki, Andrew Okungbowa, also stated that having a five-star hotel in Edo State would bring many economic benefits to the South-south state. Okungbowa said: “Some of the potential advantages of a five-star hotel include tourism and hospitality industry growth as it will attract tourists and visitors from within Nigeria and from abroad. This influx of tourists can lead to increased spending on accommodation, dining, shopping, and other services in the local economy. As the hospitality sector thrives, it creates job opportunities for the locals such as hotel staff, tour guides, drivers and more.

    “Building and operating a five-star hotel requires a significant workforce, ranging from construction workers during the building phase to hospitality professionals once the hotel is operational. This will help to reduce unemployment rates and contribute to the overall economic well-being of the people. The presence of a high-end hotel can boost demand for locally-produced goods and services. Local suppliers of food, beverages, furniture, linens, and other items may benefit from having a prestigious client like a five-star hotel.

    “To support the hotel’s operations, there may be a need for better infrastructure such as improved roads, transportation networks, and utilities. This will, in turn, lead to overall infrastructure development in the area, benefiting not only the hotel but also other businesses and residents. As the hotel generates revenue from its operations, the government can benefit from increased tax revenue. This additional income can be reinvested in public services, education, healthcare, and other areas which will further stimulate economic growth.

    “A five-star hotel, with ample conference and event facilities, can attract business conferences, exhibitions, and meetings. This brings in business travellers who are likely to spend on accommodation, dining, and local transportation, contributing to the local economy. Having a prestigious five-star hotel in Edo State will enhance its reputation and image on national and international levels. This, in turn, will attract more investors and businesses to the region, leading to additional economic growth. If Edo State’s economy is primarily reliant on specific industries, such as agriculture or natural resources, the establishment of a five-star hotel will diversify the economic base. A robust hospitality sector will act as a stabiliser during economic downturns in other industries.”

    However, Edo State Chairman of the All Progressives Congress (APC), Col. David Imuse (rtd), described the proposed five-star hotel as a misplacement of priority, with Obaseki’s second term set to expire on November 12, 2024.

    Imuse said: “Instead of prioritising crucial infrastructural developments, Obaseki has chosen to build supermarkets and hotels all over the state. These actions demonstrate a clear lack of vision, responsibility and a disregard for the well-being of the people of Edo State. It is unacceptable that the governor will prioritise personal interests over addressing the urgent needs of Edo residents’ infrastructure.”

    He also accused Obaseki’s administration of failures and mismanagement, while declaring that it was disheartening to see petty politics being played by the state’s governor when the lives and safety of innocent Edo residents were at stake.

    He said: “Over N16 billion was refunded to Edo State under the watch of Obaseki for the federal roads fixed by his predecessor, Senator Adams Oshiomhole, during his tenure as governor. An additional N21 billion was given to Edo State from the oil derivation funds, intended for oil-producing states such as ours for infrastructural development. What we know is that Obaseki presided over the (alleged) misappropriation of these monies; without recourse to the critical sectors of our living.”

    Imuse also accused Obaseki of abandoning his responsibilities, while playing dirty politics.

    “We urge the people of Edo State not to be deceived by the propaganda and political games of the Obaseki administration. The burning question Edo people should ask Obaseki is ‘what did he do with the N16 billion refunded to Edo State by the Federal Government, as money used by his predecessor to repair federal roads, coupled with the N21 billion derivation funds? We must see through these falsehoods and hold Obaseki accountable for his failures. His lamentation is the last kick of a dying horse. The APC-led Federal Government remains committed to working for the betterment of Edo State and its residents.”

  • NLNG, CORA showcase first 11

    NLNG, CORA showcase first 11

    Nigeria LNG Limited (NLNG) and the Committee for Relevant Arts (CORA) last weekend in Lagos held a book party in honour of the longlist of 11 playwrights for The Nigeria Prize for Literature (2023 edition).

    The party featured readings from the longlisted plays and a panel session with playwrights who participated in person or via Zoom.

    This is the first public gathering of the writers on the longlist released by the panel of judges led by Ameh Dennis Akoh, a Drama and Critical Theory professor at the Alex Ekwueme Federal University, Ebonyi State.

    Other panel members were Prof. Osita Catherine Ezenwanebe and Dr. Rasheedah Liman.

    Playwrights on the longlist, who attended the event, were Victor S. Dugga (Gidan Juju), Obari Gomba (Grit), Cheta Igbokwe (Home Coming), Christopher Anyokwu (The Boat People) and Abuchi Modilim (The Brigadiers of a Mad Tribe)

    Others were Olubunmi Familoni (When Big Masquerades Dance Naked), Olatunbosun Taofeek (Where Is Patient Zero) and Henry Akubuiro (Yamtarawala – The Warrior King).

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    Abideen Abolaji Ojomu (Ojuelegba Crossroads), Ade Adeniji (Dance of The Sacred Feet) and Bode Sowande (The Spellbinder) joined the panel session via Zoom.

    General Manager, External Relations and Sustainable Development at NLNG, Mr. Andy Odeh, said the yearly book party brings NLNG, the sponsor of the prize, and the literary community together to promote excellence and creativity, and to project outstanding books to Nigerians and the world.

    Odeh said: “Nineteen years of successful administration have produced 17 winning works, and over $1 million has been won. This prize stands out as the biggest and most prestigious literary prize in Africa, and one of the world’s biggest and most reputable. We are happy that today presents an opportunity to interact with these 11 playwrights. We are just two steps away from announcing the winner of the $100,000 prize in October.

    “We instituted The Nigeria Prize for Literature because we were concerned that standards of reading, writing, editing, proof-reading and publishing were drastically falling in Nigeria, a country that largely founded and dominated the African Writers Series; a country that is also known to have produced reputable writers and winning works.

    “We are glad that Nigeria can showcase great literary works published in Nigeria. Our library and bookshelves have been enriched with many great works by Nigerian writers. The Nigeria Prize for Literature alone has received over 2,400 entries in the four genres, many of which are top-quality entries.”

    A member of the CORA Board,  Ropo Ewenla, stated that the idea of a book party sprung from a review of the prize in 2010, when some argued that stakeholders should do more for the publishing industry.

    He said CORA came up with the book reading to create an opportunity for the authors to discuss their books with the audience, adding that nothing beats a book reading.

    He stated further that the prize of $100,000 makes the competition one of the most keenly contested literary prizes in the world. Still, he added that writers primarily want to distinguish themselves with their writing and be recognised.

    The 11 entries were selected out of 143 for this year’s prize round, which focuses on drama. The final verdict on the winning entry is expected to be announced in October.

    The Nigeria Prize for Literature rotates yearly, among four genres, prose fiction, poetry, drama and children’s literature.  

  • Museum trains the trainers

    Museum trains the trainers

    By Funmiluyi Olaitan

    A train the trainers programme organised by the Education Department, National Commission for Museums and Monuments (NCCM), Onikan, Lagos has held in Agbado community in Ogun State.

    The training, which featured teachers from Agbado and its environs, was held at Theo Petal Schools in Adiyan Gasline. School owners and teachers also attended the programme.

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    Facilitators were led by Mrs. Funmiluyi Olaitan C., an Assistant Director at the Museum. The skills taught included soap making, balm making, Izal, slippers and jotter back cover.

    The participants were excited about the programme because they gained a lot from the practical and were ready to practise what they were taught. They promised to invite the facilitators to teach them other crafts next time. 

  • Every story has the other side

    Every story has the other side

    Title:      Don’t Answer When They Call Your Name 

    Author:                 Ukamaka Olisakwe 

    Reviewer:            Olukorede Yishau

    Publisher:            Masobe Books 

    One of the concepts Chimamanda Ngozi Adichie is renowned for is ‘The danger of the single story’. Ukamaka Olisakwe’s young adult novel, ‘Don’t Answer When They Call Your Name’, deals, in a way, with this.

      Times are, many times indeed, that a story is told from one perspective and it assumes a life difficult to dispel. In such instances, the world glosses over the fact that “evil is an incomplete story”, which “tells the story from one point of view”. 

    The story at the heart of Olisakwe’s book is one that was told and told and told and told to the point that the possibility of there being another side to it was not given a chance. All that stopped when a girl, unaware of her powers, met the woman they had been told was responsible for their woes. 

    The novel follows Adanne, a 13-year-old girl, who knows suffering the way a mother knows her child. Her mother and others in their community are partakers of this damned existence. 

    They are all paying the price for the Original Sin committed by an ancestor known as Mother. 

    All through Adanne’s childhood, she heard the story of mother, whose ambition was to be the best possible and she sought no undue advantage to reach the zenith. But, her father felt she was asking for too much. He was all smiles as he sent her off to a man’s house as a wife when she was not ready.

    She was tricked into believing that in her husband’s house she could be whatever she wanted to be. It took just a little time for her to realise she had been scammed to become a wife. The fraud was just beginning. Her resolve to be who she wanted to be was the tonic her husband, Big Father, needed to set her on the path of motherhood when she was not ready.

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    He decided her into having not one, not two, not three but four boys for him. And she demanded the ultimate prize for this humongous stride, she was told it was not time. And when it dawned on her that the husband never intended to fulfill his promise, she wrought damages. 

    For causing chaos, she was banished into the “Forest of Iniquity”. But, she never stopped seeking revenge and she loomed large over the people in Ani mmadu.

    Adanne turns out the one who “can walk through worlds” without shedding her body.

    The novel is also about her dog, a worthy partner in a quest to change their community’s destiny. 

    The story is set in two worlds, the one we know and the one we will never truly understand, where geysers are needed for access, where marbled palaces exist under water, where anything is possible. The part of the setting that we know is clearly Igbo. 

    The fantasy  rooted in Igbo mythology highlights the suffering of women and how they escape these sufferings. Olisakwe is most insightful when she is exposing the shenanigans against women. She drills holes big enough to expose patriarchy and its bias against women. 

    In Do Not Answer When They Call Your Name, Olisakwe’s interest is not to paint women as saints.Though the author’s feminist roots glitter all through, she displays their flaws but you are also made to see that when you push them to the wall, they can turn at you and the results are usually brutal. The book also shows the need to avoid the perils of a single story.

    Olisakwe knows how to build tension. She takes us on a ride that leaves us gasping for breath. There is magic in the transition between one chapter and the next as most chapters end on a cliff-hanger and will force you to turn to the next page.

    The novel is easy to read. The language is simple but not simplistic with poetic prose here and there  that gives the storytelling a sizzling effect. 

    Don’t Answer When They Call Your Name is a feat worthy of a thousand salutations because it is a rich and unforgettable artistic triumph.