Category: Life – The Midweek Magazine

  • Culture advocates call for reorientation

    Culture advocates call for reorientation

    By Kehinde Abayomi and Roqeebat Lawal

    Culture advocates in Delta State have urged the government to improve cultural reawakening/reorientation and tourism promotion.

    They stressed that culture heritage preservation and tourism promotion holds lots of potential for the economy.

      They made the call at the maiden edition of the cultural celebration organised by Forest Indigenous Arts and Craft Market, (FIACM), Delta State Film Village, Asaba, the Delta State capital.

    The event, which hosted scores of culture enthusiasts, featured cultural rebirth and a convergence of cultural enthusiasts, scholars, students and art lovers where they spent the day seeking various ways to rekindle the African tradition and revive the cultural heritage. 

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    Guests were treated to the traditional flute and musical performances from an all-male dance group known as the Okanga Cultural dance group and documentary presentations. 

    With the theme, ‘Heritage Changes’, FIACM’s culture feast also featured a roundtable essentially, on the preservation of African tradition to commemorate this year’s event with the rest of the world. 

    According to FIACM founder/Project Coordinator, Washington Uba, culture heritage preservation and promotion is not just about maintaining traditions and customs from the past, but rather about recognising the role these traditions play in shaping our future.

    Uba, who is also an environmentalist and climate change awareness advocate, said their effort in building bridges and fostering a sense of shared identity and purpose to promote the arts and culture is the way to go.

    “By embracing and promoting African culture and heritage, we can help to create a strong sense of identity and pride among African people, and inspire future generations to build upon the achievements of the past.

    “In addition to celebrating and preserving our cultural heritage, we can also share it with the world. By promoting African art, music, literature, and other cultural expressions, we can help to increase awareness and appreciation of the richness and diversity of our traditions”, he stated.

    The keynote address, entitled: ‘How do Local and Traditional Knowledge Systems Contribute to Developing Viable Climate Adaptation Measures’, was delivered by Dr. Ndudi Francis of the Denis Osadebe University, Asaba; while Falcorp Mangrove Park boss, Warri, Mr. Henry Erikowa, did justice to the ‘SDGs Goal Number Six’.

    The event, which had as special guest the founder of the Organisation for the Advancement of Anioma Culture (OFAAC), Mr. Kesta Ifeadi, also featured a students’ cultural group.

    Their spectacular cultural dance added spice to the event; while a 12-year-old traditional flutist, Okwa Akpele, who came in company of the Oganga Dance Group was the icing on the cake. The young flutist held the audience spell-bound with his creative ingenuity.

    The celebrations came to the climax with a Town and Gown session featuring students of Theatre Arts Department, Dennis Osadebe University, Asaba alongside their lecturers and Head of Department in a conversation. In addition, there was a review of the new entitled: “My Ancestors’ Shrine” written by author and journalist Ikenna Emewu, who is also Executive Director of AfriChina Media Centre.

  • Stars behind the bars: Insight to integration of inmates

    Stars behind the bars: Insight to integration of inmates

    Stakeholders in the criminal justice sector converged on Lagos recently for the unveiling of a book, Stars Behind Bars.  

    The event, which held at Okota, Isolo, Lagos attracted, among others, serving and retired senior members of the Nigeria Correctional Service (NCS) and civil society groups.

    They included  a businessman, Mr. James Iweh; Controller of Corrections (rtd), Dr. Dora Ofobrukweta;  Controller of Corrections,  Dr Seye Oduntun (rtd); A. A. Mohammed of the Federal Road Safety Commission (FRSC); Deputy Controller-General, Corrections, DCG Aremu Tajudeen(rtd); Deputy Controller of Correction (DCC), Ezendu Nkem; Assistant Controller-General (ACG), Noel Ailewon (rtd); Deputy Controller of Correction (DCC), Obiosio Comfort; Officer in-Charge of Prisons, Redeemed Christian Church of God (RCCG), Pastor Ariyo Popoola and representative  of founder/Executive Director, Prisoners’Rehabilitation and Welfare Action (PRAWA, Dr. Uju Agomoh), Ifunanya Igbokwe and husband of the author, Umoh Nsikan Gabriel, among others.

    They urged members of the society to partner the government to ensure the integration of inmates of the Nigerian Correctional Centres after they have regained their freedom.

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    Deputy Superintendent of Corrections, Mrs Gabriel implored Nigerians to join hands with the government and the Correctional Service and be a part of “Reformation, Rehabilitation and the Reintegration” of inmates back to a safe community. 

    “I want you to know that if you ignore inmates reintegration, they will return to be your neighbours, friends, business partners, church members, clients, our children friends, and even spous,’’ she said. 

    She urged the judiciary to look into long adjournment of cases while suggesting that minor cases should be settled out of court while making a case for more adoption of Restorative Justice and for the justice system to embrace more of non-custodian measures to reduce prison congestion.

    Mrs. Gabriel also made a case for married women serving various terms of imprisonment in various correction centres across the country.

    According to her, “There should be an intervention for married female inmates in as such that their marriages will be saved by making the men realise that if the tables were turned, the women will wait for them . 

    “Most of these women suffer from the fear of losing their homes because everyone deserves a second chance”, she noted.

    The author also urged inmates of the correctional centres not to give up as there is hope for them. “My message to these stars behind bar is that they should not be idle while at the correctional service. Idleness brings depression and most times suicidal thoughts but if they are engaged with the different programs that are available, they will be out before they know what is happening.

    On why she wrote the book, she said it is to ensure that the inmates availed themselves of the opportunities that are available and have been provided by the Nigerian Correctional Service Centres. 

    “We have educational and skill acquisition programmes for those who are not too learned. I believe if they have education or skills, it will go along way to help them out of poverty.”

    The Controller-General of Corrections, (CGC), Haliru Nababa, represented by DCC Ezendu Nkem, described the book as a laudable achievement by a staff member of the Nigerian Correction Service.

    She expressed confidence that the book would help the staff members and the public to know what the Correctional Service is doing to curb crimes by reforming the inmates so that when they come out, they are like stars shining in the society.

  • Artist’s imagination manifests in début

    Artist’s imagination manifests in début

    A solo exhibition entitled: See What Your Thoughts Manifest, by Naomi Oyeniyi, a multiple award-winning artist, is a manifestation of her love to express her emotions and inner self on canvas, by delving into the intricate and transformative exploration of personal identity.

      Held recently at the Tribe XX Lab, Ikoyi, Lagos, the exhibition, which was presented by The Abele Art Foundation, featured 18 works of art. 

    Oyeniyi, who obtained her B.A. Honours degree in Fine and Applied Art at the Obafemi Awolowo University (OAU) Ile Ife, is a painter. She loves to express her emotions and inner self on canvas by delving into the intricate and transformative exploration of personal identity. Through the works at the exhibition, she illuminate the profound and challenging process of self-discovery, the journey through understanding and improving herself. 

    “With the use of vibrant colours, dynamic compositions, expressive brush strokes and pallet knife strokes, I aim to evoke a range of emotions and create an immersive experience. So, each painting that I create was a unique visual representation of introspection, growth and self-reflection,” she said.

    Through the theme of the exhibition, she captures the essence of thoughts manifested into reality.

    “I believe that our thoughts have the potential to shape our world, influence the course of our lives and create the reality we experience. 

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    “In this maiden edition of my solo exhibition, there are three series of works on display. The first one is entitled: In My Thoughts. This is followed by Unspoken Words, and lastly Within My Candy. In My Thoughts is a series of paintings reflecting the thoughts of a soul. It shows the loved ones we hold dear to our hearts, which keep us going even in the tough times. We carry their thoughts everywhere we go and this gives us hope not to give up on our journey to delivering our dreams as the race isn’t for ourselves alone but for all those who pertain to us and look up to us. 

    “The Unspoken Words, is a series of paintings whereby what is seen on the outside is beautiful, and one’s perceived achievements by the way one looks, dresses, and what one possesses.  It is represented in the imagery through the use of flowers and fruits but the work put into achieving all the glamour is unknown. The battles one has faced and/or is facing to achieving one’s life accomplishments is only known to the soul. After all, life is bought again, and we have to keep playing and winning through challenges and struggles to be what we want to be and always celebrated. 

    “The third series is Within My Candy. It is a series of works representing the goodies of life that we enjoy after scaling through the hurdles of life. Everyday comes with it own challenges which we have to conquer to move to the next level. We sit down to enjoy fruits of our labour. And if you look at the works of In My Candy series, we have the fruits, honey and other goodies and  it keeps getting better at every stage of our lives.”

    On what drives her as an artist, in spite of the challenges, she said: “I’m driven by my own personal stories, and immediate environment. I draw my inspiration from the spiritual, physical and metaphysical forces.”

    She said her technique and medium of painting revolves around the use of oil colour and pallet knife, which is her major in terms of showing the textures, lines, and strokes. “I also use brush strokes to create flat surfaces while the pallet knife is to show the textures through the use of vivid colours and strokes to evoke emotion and ideas on canvas.”

    The opening ceremony of the exhibition attracted artists, administrators and lovers of art from across the country that came to savour Oyeniyi’s collection. Luke Osaro, an artist who was at the opening, commended the artist. ”Naomi Oyeniyi has got lovely paintings.  Her pattern interests me the most and what I found most intriguing in “In My Thoughts,” series is how she was able to manipulate several paintings in one canvas. For example, having human figure, and the mind speaking at the background of that human figure with so many thoughts flowing in and out of the minimal space being used by the artist is intriguing. 

    “The works like a friend will say are “wonderments.” I didn’t know that she was a product of Obafemi Awolowo University, (OAU).  I was surprised to hear that because such magnitude of works is usually attributed to artists who graduated from Yaba College of Technology and Auchi Polytechnics but coming from the ‘Great Ife,” like myself, I’m very amazed,” Osaro said.

    Also on the row call of artists that graced the opening ceremony is Toromade Tosin, a painter and school mate of the artist.

    He said “Naomi is a great friend and talented artist. I have known her since her undergraduate days. She is relentless in her style of work and she has evolved with the contemporary times. I’m just seeing this début Solo exhibition as wonderful. I’m not disappointed with the works she has shown on this exhibition. In fact I’m impressed seeing that from the time as a student to when we were together in a studio, to what she has right now, there is so much growth in her style and depths of philosophy.”

    Also another artist, Wale Oyeniyi said: “I’m here to observe and support one of our own and to  project our people through art so they can get to know more about us especially when you have the market space in Lagos. 

    “It is amazing this particular exhibition is about ‘thoughts’ because it is one thing every one of us must have gone through one way or another. You can have positive or negative thoughts. But It is quite amazing how people get to dwell on positive thoughts. Of course, the negative thoughts could be positive sometimes since we’ve all been there in one thought or another. Thoughts of good or evil. Whatever is the thoughts within, what matters is how well we resonate between what we have seen in this exhibition.

    An art lover and public administrator Mr Adebayo Alabi He described the works exhibited by Oyeniti as fantastic. “What I mean by this description is that her works are exceptional. Looking at the creativity and volume of work she puts into the making of those works on exhibition, one would notice that she has really done a lot of work putting the exhibition together. 

    “I’m so impressed particularly about the thoughts and imaginations that are behind all the artworks. It is fantastic! More so the works dwell on everyday life and what affects everybody. The artist has been able to put in art form some of the thoughts we have as individuals, which come as imagination in spite of our day to day activities. It is indeed commendable. And the way she combined oil on canvas has been fantastic. In most of her works I have seen so far, she was able to mix her oil very well which makes them look real. She really put a lot of thoughts into it.”

  • Kole Omotoso: The man, his muse and his friends

    Kole Omotoso: The man, his muse and his friends

    He was a man of many parts. Born Bankole Ajibabi Omotoso, but known as Kole Omotoso, he was a renowned writer, university teacher, actor, columnist, literary critic and known in South Africa as the Yebo Gogo man in adverts. Omotoso, who turned 80 on April 21, would forever be remembered for his trajectory as a writer. One week after, the Nigerian literati are still mourning his passing. In this report by Evelyn Osagie, the literary intelligentsia led by Professors Niyi Osundare, Biodun Jeyifo and Femi Osofisan, remember Omotoso and his muse.

    It was on June 27, 1981, at the University of Nigeria, Nsukka, that the nation’s writers first gathered in what became the maiden conference that birthed the over two decades’ fraternity of the literary intelligentsia under the auspices of the Association of Nigerian Authors (ANA).

      It was at this gathering that Prof. Kole Omotoso was elected the first general secretary of ANA, under the leadership of the late iconic Professor Chinua Achebe from 1981 to 1986.

      Omotoso went on to serve as president and one of the association’s trustees before his passing on last Wednesday.

    Omotoso, who turned 80 on April 21, would be remembered, particularly, for his contribution as a writer, among other spheres of influence, which his creative muse traversed. Nigerian writers are still mourning the passing of the distinguished writer and critic.

    Top writers recall their memorable moments with the late writer. 

    Among us, Kole was the freest of spirit – Jeyifo, Ogunbiyi, Ohiorhenuan and Osofisan

    The Positive Review Collective made up of Biodun Jeyifo, Yemi Ogunbiyi, John Ohiorhenuan and Femi Osofisan, described him as being of free spirit, in his departure, the free spirit has been true to form to which Omotoso belonged.

     They stated: “The death of our friend, compatriot and fellow writer, Kole Omotoso, came to us with a great shock. But, in our sadness we give thanks for his life and his work.

    “We” here refers to the moribund Positive Review-Ibadan Ife Collective. By a few years, Kole was the oldest among us. He also came to writing as a serious, committed and life-long project before all of us. But, among us, he was the freest spirit, the most maverick and unpredictable in his positions and actions! These facts are reflected powerfully and ineluctably in perhaps his two best known and most controversial works, the masterpiece of the hybrid genre of “faction”, “Just Before Dawn” and “Season of Migration to the South”, a searing political and intellectual reminiscence on the historic emergence of the Nigerian Diaspora in Africa and the rest of the world. There are, of course, his other works. And there is his family, the centering, sacramental core of his life: Akin, Pelayo and Yewande, words cannot express our solidarity with you in your loss.

    “Kole is the first in our group to go, absolutely without our permission and thus in his departure, the free spirit has been true to form. But you were here, Bankole Omotoso, you were here!”

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     Kole’s departure painful – Osundare

    Celebrated poet and scholar, Prof. Niyi Osundare, who wrote a poem to celebrate the late writer on his 80th birthday last April, was too sad to react when this reporter reached out to him for a tribute in Omotoso’s honour. Hear him: “Painful, really painful, Kole’s departure. I feel too disturbed and too incoherent to compose a fitting tribute for him right now. So, here, is the attached poem, which I wrote for him some weeks ago upon his attainment of the age of 80. 

    For Kole Omotoso at 80

    (With the world still learning how to borrow a wondering leaf)

    That number sounds so heavy

         I can hardly lift it with my tongue

    Its span springs a distance un-measurable

         By the stretch of any ruler

    The sun’s silent steps across

         The infinity of the sky

    The concourse of the clouds

         Which drill and drop the rains

    Night after night after night

         We sleep in the songs

    Which sleep in us, dance with the dawn

         Whose drum provokes our day

    We rise, unaware,

         As those songs sizzle into see-suns

    Stir into seasons when the tree’s green promise

         Yellows into edible consumations

    And the seeds which broke the sod

         Laugh soundlessly at harvestide

    Time always tells its story

         Even when our ears are usurped by jubilant echoes

    Unforgettable,

         Those dusky days in Akure Oloyemekun

    When Dawn lifted its delicate dust

         And a new and complex day was born

    We called ourselves KOMFESS Artistes’

    – Sowande

    A friend and colleague of the late scholar, Prof. Bode Sowande, who belongs to another collective together with Omotoso, said: “We were four and we called ourselves KOMFESS Artistes, individually named Kole Omotoso, Femi Osofisan, Sanmi Ogunjobi  and Bode Sowande. KOMFESS Artistes as a collective appellation summed up our dreams to be relevant and excel in our artistic creativity. Kole went to Kings College Lagos, Femi Osofisan, Sanmi Ogunjobi and I went to Government College, Ibadan. 

    In the late 60s we were budding writers. Kole was the oldest and rallying point. He published short stories in magazines.

    “Sunday Times published my short story when I was in Form Five, Secondary School. Femi Osofisan won the T.M. Aluko Prize for creative writing, a year before I won the same prize. I won mine in 1966. Sanmi Ogunjobi was most omni- directional. Sanmi was a poet, visual artist mounting exhibitions and he designed clothes for men and women. 

    “Kole spoke French and would earn a Doctoral degree in Arabic. Sanmi taught French. I earned my first degree in French and taught French. Femi earned his first degree in French. 

    Kole became lecturer at University of Ibadan. I got my Doctorate in Dramatic Literature before age 30 and taught at UI. Femi earned his Doctorate and taught at UI. We were theatre artistes. Wole Soyinka was our brilliant beacon and his Orisun Theatre was the centre of our creative expression at one point.

    I established ‘Odu Themes’ in 1972.  Kole published his novel Combat and we celebrated this to no end. Femi Osofisan and I would soon follow with our published works. KOMFESS Artistes are friends bonded by artistic creativity and dreams. Flashback delights with relevance. Two gone! I am sure that Kole Omotoso’s Homecoming is a heavenly delight.”

    Omotoso was a dignified figure – Ajayi

    Former ANA Lagos Chair, Dr. Tolu Ajayi, said: “With the passing of Prof. Kole Omotoso, the Nigerian writing scene has suffered a very sad loss. He was a dignified figure, and an affable personality, who was a joy to interact with at the Writers’ Conferences. He’ll be sorely missed. My condolences go to his family, but they can take solace in the fact that their patriarch has come, seen, and conquered – and then passed on the baton, not only to them, but also to all those he had mentored and inspired. May his soul continue to Rest in Peace.”

     He introduced me to the great Ghanaian playwright, Ama Ata-Aidoo – Yerima

    Playwright and theatre director, former Director-General, National Theatre, Prof. Ahmed Yerima, who was a former student of the late Omotoso, spoke of his teacher-student relationship.

    “Prof. Kole Omotosho was a very quiet person, very reserved and often always thinking about a new play or novel. Or better still, an academic justification of a rumbling thought. As a student of his, I always watched out for his mood before starting a discussion with him. But when he liked you, he did. I will, like most of his students, miss him. I remember when we met after about twenty years. He had become a big face in South Africa and I had seen him in the TV series, Jacob’s Cross. I was very happy because the last time I saw him on stage was with me and many other great actors in Wole Soyinka’s, “Opera Wonyosi’’, when he played “Prof. Bamgbopa.”

    “The last time I spoke with him was after as Dean of the Faculty of Arts, Elizade University, he produced my play Igatibi and he forgot to inform me. I said you forgot to invite me, Sir. And he answered, “It was a good play. Kongi came to give the convocation lecture. The audience enjoyed it. After all, I taught you how to write good plays.” He hung up. Indeed he taught me “faction”. In a heated discussion on his mixture of facts and fiction in his book, Just Before Dawn. 

    “I am happy I sent him this at the last Teacher’s Day: ‘The father of a million theatre sons, including me. God bless you, Sir.’ As usual, he must have read it, a little smile between the white beard and switched off his phone. Not a word. The most important thing about my relationship with him as a teacher-student took place recently when I was trying to find a book, and his book, The Theatrical into Theatre fell off the shelf. I remembered he made me pay for it. But it was what he wrote on the cover page that made me shed a tear for him tonight. In his handwriting, he wrote. “To Ahmed (who paid for it) for a former student and a present colleague and a future great – with compliments from Kole. Ile-Ife. 25/1/85.

    “I saw this respect manifest itself when he introduced me to the recently passed great Ghanaian playwright, Ama Ata-Aidoo. I had never seen that excited about knowing me. No doubt, l will miss him for different reasons. Goodnight, Sir. African literature will miss you.”

     Omotoso was a mentor and seer – Okediran

    “General Secretary of Pan-African Writers Association (PAWA), Dr. Wale Okediran, described Omotoso as a “brilliant, kind and thoughtful man who went on to become a mentor as well as a great and loving friend”.

     ”More than 40 years have passed since I met Prof. Bankole Omotoso, a distinguished short story writer, novelist, dramatist, critic, actor, biographer, founding General Secretary and a former President of the Association of Nigerian Authors (ANA).

    “Throughout those years, I had the honour of attending several local and international literary events with this brilliant great friend. When I first met Omotoso in the early 1980’s, I was a young medical doctor/writer in the grips of some unforeseen forces which were intent on tearing me away from a relatively stable medical profession into the uncertain terrain of writing. Even though I did not find talent and tenacity of purpose in short supply, I could not have gone far in my long and lively literary career without the support and guidance of people like Prof Omotoso.

    “In addition to a moderate literary production, I also followed the footsteps of my mentor by taking up some literary administrative positions such as the General Secretary and later the President of ANA. However, when in 2007, he proposed that I should relocate to Ghana to take up the position of Secretary-General of the PAWA, I thought it was a joke. I promptly rejected the proposal. It was our first major disagreement and it caused a little strain in our relationship. 

    “When in 2020, I finally found myself as the Secretary-General of the same PAWA, I called Prof Omotoso to announce my new position. He only gave his trademark chuckle and congratulated me. It is a thing of joy that his children have also built legacies of their own, some of them, especially Yewande following his literary footsteps.”

     Omotoso affected how my generation of writers saw the book, says Ipadeola

    For NLNG prize laureate, Tade Ipadeola, the late writer had an immense influence on writers of the poet’s generation.

    “Prof. Kole Omotoso profoundly affected how my generation of writers saw the book. He’d written “Just Before Dawn”, which at the time caused such a stir in places high and low that no literate Nigerian could fail to notice that there was something seismic happening.

    “He personified the idea of the author as a force that shapes the world a book at a time. At the peak of his writing powers, he brought us something of the old Russian respect for writing, which authors like Tolstoy, Pasternak and Solzhenitsyn, brought to their people. Getting to know him in person in the house of Odia Ofeimun in Lagos revealed a man of deep humour and humongous capacity for the joys of life…”

    My last encounter with him at the Oliver Tambo airport in South Africa is still fresh in my mind. He asked the folks back home in Nigeria by name, and in a few instances he was even the one who told me what was happening to some folks. He was always rooted even as he always travelled. I’m going to commend his body of works to younger African writers for their range and variety, their texture and their truthfulness to the African experience. I’m going to miss him”

    A dazzling star has fallen – Dafinone

    A Nigerian author of 10 books of poetry, based in the United States, Wisdom Dafinone, said: “Another dazzling star has fallen from our dwindling firmament of literary giants – Prof Bankole (Kole), Ajibabi Omotoso, quintessential intellectual, novelist and playwright who succumbed to the inevitable blows of mortality; thereby transcending to the pantheon of literary immortality. Our prayers are with his beloved family. Prof. Kole A. Omotoso, rest in perfect peace.”

  • Igbo Olodumare heralds Oke-Igbo’s renaissance

    Igbo Olodumare heralds Oke-Igbo’s renaissance

    Oke-Igbo, an Ondo State border town, has just lost its traditional ruler, Oba Lawrence Gbadewole Babajide. The monarch built an ultra-modern palace, pursued the elevation of Igbo Olodumare to a tourist centre, established a bank and invested in the education of young indigenes. Southwest Bureau Chief BISI OLADELE writes on how Oba Babajide, who was the sixth Oluoke of Oke-Igbo, reshaped the community through cultural, educational and economic renaissance as his final burial rites begin this week.  

    Oke-Igbo, a sleepy town in Ondo State, caught recognition through the popular romantic prose fiction ‘Ogboju Ode Ninu Igbo Irunmole, written by D. O. Fagunwa, the captivating mystical Yoruba novel has its setting in the forest (known as Igbo Olodumare as as named in the book).The forest houses a section of River Oni in Oke-Igbo, which divides Oke-Igbo and Ifetedo communities. While it divides Oke-Igbo to Ondo State, it places Ifetedo in Osun.

     The book, which is one of the first novels written in Yoruba language, tells the story of the adventures of the hunter character named Akara Oogun. It was later translated to English entitled: Forest of A Thousand Demons by Nobel laureate Prof. Wole Soyinka. The development further popularised Oke-Igbo. Readers of both books always look forward to seeing the forest, which was believed to be originally dominated by goblins, making its penetration difficult for hunters and farmers. Fagunwa’s book was published in 1938.

    On his ascension to the throne on September 14, 2018, the 17th ruler and the sixth Oluoke of Oke-Igbo, Oba Babajide, took the Igbo Olodumare project as a priority to draw attention of the world to the town and boost its economic development. He also built a multi-million Naira palace that elevates the status and glamour of the kingdom. As the monarch will be buried this week, indigenes and other stakeholders will remember the short but impactful reign of a king who rekindled the values of resilience, pride, and led a collective determination to create a better future for generations to come. He started the journey to make Oke Igbo kingdom a treasure to be cherished and a community that will attract attention to its rich cultural and natural beautiful landscape. 

    To achieve his goal of transforming the town to a modern city, the late monarch gathered indigenes who were a success in their careers and constituted them as members of various committees. He established committees for chieftaincy review, Igbo Olodumare Tourist Centre, security, infrastructure, health and education.

    Specifically, the monarch tasked the committee to ensure the transformation of Igbo Olodumare to a tourist center of international standard. The project is at an advanced stage of commencement after it was visited by the Federal Access and Mobility Project (RAMP). The site, whose forest covers River Oni, is projected to have facilities for recreation, historical and cultural monuments, and will hopefully change the place of Oke-Igbo on the world map. 

    Recognising the importance of accessible and quality healthcare for his people, the monarch renovated and upgraded the Okeigbo Community Health Care facility during his reign. During his reign, he strengthens security through renovation of the Oke-Igbo Police Headquarters. This was undertaken through a self-help programme, which costs about N10 million. The monarch also embarked on the reconstruction of a befitting office for the new Okeigbo division for Nigeria Security and Civil Defence Corps (NSCDC), established an Amotekun post next to the new palace and also installed solar-powered street lights in major areas of the town.

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    To uplift infrastructure, Oba Babajide facilitated the rehabilitation of Okeigbo township roads with drainage by the Niger Delta Development Commission (NDDC) and the Ondo State Government, revived the once moribund public water supply in the community and attracted donation of five electric transformers by some illustrious sons and NDDC. 

    The monarch established a microfinance bank, which is the first bank to operate in the town.The project has exposed commercial activities in the town to banking. Its two Automatic Teller Machines (ATMs) have  opened access to cash withdrawals, card and ATM transactions for residents.  

    The monarch facilitated the renovation of blocks of classrooms of Okeigbo Grammar School, a premier secondary school through means of self-help; instituted the Oba Olu Babajide Memorial Scholarship Foundation for students in secondary schools and tertiary institutions. Beneficiaries get N100,000 each per session. The scholarship for undergraduates is for those studying health sciences, Pharmacy, Nursing and related courses. His scholarship is complemented by the Frank and Louise Durret FLDI Scholarship Scheme, which is sponsored by Mr. Dan Durret, an African American who has traced his origin to Oke-Igbo.  Oba Babajide’s impact extended beyond the boundaries of Oke-Igbo Kingdom through his membership of professional bodies such as the West African College of Nursing and the Association of Nigeria Nurse Educators, which exemplified his commitment to the advancement of his profession.

    Having started his nursing education at the  Colindale School of Nursing in London, United Kingdom where he received honours and distinction, including the Queen’s gold medal, the late monarch proceeded to the Surrey University to specialise in nursing education and earned a qualification that allowed him to teach in the Commonwealth and other advanced countries worldwide. His impactful career culminated in his working as the principal of the School of Nursing at Wesley Guild Hospital in Ilesa and the Seventh Day Adventist Hospital, Ile-Ife until he later became the foundation head of the Nursing Education Department at the Obafemi Awolowo University Teaching Hospital Complex, Ile-Ife, where he served until his retirement in April 1996.

    All this was his career trajectory and professional impact before being presented with the traditional staff of office as the sixth Olu Oke of Oke Igbo by the Ondo State Governor Arakunrin Oluwarotimi Akeredolu (SAN) six years ago. Before his ascension, his involvement in the leadership of Oke-Igbo was already felt by the town as he held the titles Bobajiro and later Basorun of Oke Igbo. In addition to his numerous accomplishments, the late Oba Babajide left profound impact on individuals who interacted with him personally. His qualities of love, wisdom and guidance left an enduring impression on their minds. He will be remembered as a humble, tolerant, and honest leader who led by example.

    His wife of many years, Olori Oluremi Babajide, described the late monarch as a peaceful, patient, and disciplinarian leader who approached life with kindness and a strong desire for progress. She said she cherished every moment spent by his side. 

    As an acquaintance of the late monarch since the early 1980s, the Olubosin of Ifetedo,  Oba Akinola Oyetade Akinrera, Latiri 1,  regarded Oba Babajide as a great leader and an administrator par excellence, who loved his people. According to Oba Akinola, what impressed him the most was the late monarch’s democratic rule and his inclusive approach to governance. 

    Also, the late king’s childhood friend of over 80 years, High Chief Oyewole Elusiyan, noted that Oba Babajide’s journey was not without challenges. He recalled that the late monarch, however, faced them with resilience and always emerged victorious.

  • Terra firma: Flipside of COVID-19

    Terra firma: Flipside of COVID-19

    For over one year, the world was ravaged by COVID-19 pandemic. This resulted in facility closures, unprecedented death tolls, social isolation and quarantine, which caused losses of jobs, social connections with teachers, friends, and peers.

      Also, there were decreased physical activities, loss of tutor time and increased virtual learning and conferences. However, it was not all about gloomy situations.

      To Dr. Bolaji Ogunwo, there are indeed bountiful harvests of goodies from the pandemic. With his sixth solo exhibition tagged Terra Firma featuring 20 recent paintings in oil and acrylic, Ogunwo chronicles the flipside of the global health challenge, shifting emphasis to numerous opportunities and new ways of doing old things, which were never contemplated by man.

      The show, which opened last Sunday at the National Museum, Onikan, Lagos is also a travelling exhibition that will tour Chicago, Ontario, UK and France. The Lagos leg will run till July 22.

     Ogunwo, a Senior Lecturer, Creative Arts Department, University of Lagos, recalled that there were tales of pains of the pandemic, resulting in the loss of loved ones, and jobs, among others.

     “The pandemic year, was a big tragedy. We went through the furnace of the pandemic, but we gained more capacity when we go through the furnace of adversity,” he said at a preview.

      The artist noted: “COVID-19 worked against everything we worked for. It shut doors, messed things up, and locked everything down. People were losing money – the airports, railways, etc. It was a period of inactivity, but we snapped out of it. And I think what we have left now is a higher version of mankind. Having gone through all of those adversities, that furnace has forged the capacity we have discovered.”

      According to him, such capacity is a quicker way of doing things, like the introduction of virtual life into every aspect of activity. In particular, ‘for this exhibition, I am saying the more we look, the more we see. It used to be ‘the more you look, the less you see’. The pandemic has removed that veil. The more we look now, the more we see.”

      To appreciate his collection on display, each viewer needs to be focus and deep in viewing each work. Unlike most artworks, Ogunwo’s works won’t give any viewer its true message by just a glance. Each viewer must keep looking in order to make meaning of the artworks. 

    Read Also: FLIPSIDE OF NIGERIA’S FASTEST MAN: Favour Ashe recalls grass to grace journey 

     The collection includes Beatitudes, which depicts the new opportunities, new businesses, and various ways of doing old things. Others are Ground Prix, Solid Ground, Up and Running, Armoured, Songs of Freedom, New wave, Higher ground, In Christ alone, Common ground, The more we look, Joy in the morning, Momentum¸ Furnace, Fortress and Palliative

       The new works also represent a continuation of his exploration of similar subjects in the past, while also incorporating a new departure into the broad material technique that characterises the foundation of his compositions.

    In line with his concept, this results in a nuanced approach that draws from the intersection of the uniquely colorful to the hazily pixelated, and in canvases that oscillate between realms of blurred figuration and ‘abstractional’ surrealism.

       According to him, these somewhat formal descriptors are not meant to be a technical guardrail or aesthetic lens through which to view this collection. Rather, he said, they are terms that variously capture my preoccupation with the recent past, and the ‘tainted imagery I am trying to espouse through the everyday relatable subjects. These subjects underscore my response to the recent realities and convey a canon of meanings beyond what they may be ordinarily associated with.

      “If you set the camera of your phone to look at, it’s then you will now see. So, the more you look the more you see, the more we look around now the more opportunity we see.’

      Curator of the exhibition, Temitope Oladeji said the choice of colours and its application exudes contagious energy, which captures the viewers at a visceral level, while his style envelops the viewer in a therapeutic nature. “I encourage you to soak in the dexterity of the creation of this world-class artist, which has occasioned a remarkable style that distinguishes him,” he added.

  • LIMCAF entries surge, opens new centres

    LIMCAF entries surge, opens new centres

    Following impressive turn- out of entries for this year’s Life In My City Art Festival (LIMCAF), five more regional centres will be created in Kaduna, Taraba, Ogun, Imo and Anambra states.

      At the close of entries on May 31, this year, a total of 567 entries were received for this edition of the festival. Participants have been notified of the receipt of their entries.

    According to LIMCAF Art Director, Dr. Ayo Adewunmi, of this number, a total of 198 works or 35 per cent were submitted by female artists. He noted that the total 567 entries represent the highest number of entries ever received in any one year of LIMCAF’s 17 years of existence.

    Adewunmi said as a result of this increase in the number and spread of entries across the country, LIMCAF will have Regional Centres in 13 states, in addition to the Federal Capital Territory (FCT) this year. The 13 regional centres are in Lagos, Oyo, Ogun, Ondo, Ekiti, Edo, Rivers, Kaduna, Taraba, Owerri, Anambra, Akwa Ibom and Enugu states. As a result of this, he said there would be a total of 14 regional exhibitions this year.

    He explained that the regional exhibitions are the ‘main plank of our effort to bring art closer to the grassroots. LIMCAF’s ultimate aim is to reach every part of the country to identify and encourage young persons who have the potential and the interest in art.’ He added that beginning from this year, LIMCAF will be making effort to increase the number of female participants and reach and help young persons with disability.

    The regional exhibitions also set the stage for the second stage of the competition which is the selection of works that qualify for the grand finale exhibition in Enugu in October. The grand finale is the third and final stages during which the national jury panel will select the year’s prize winners. That exhibition will also be hybrid with the live exhibition in Enugu and a virtual gallery.

    Last Saturday, Thought Pyramid Art Centre, Ikoyi, Lagos hosted entries from the Lagos region featuring no fewer than 96 paintings, sculptures and mixed media works. The Lagos leg of the exhibition was well attended by collectors, artists, art enthusiasts and the media. The guests included the former Military Governor of Anambra and Imo states Rear Admiral Alison Amaechina Madueke, Director MTN Foundation, Mr. Dennis Okolo. Though the collection mirrors the theme of the festival, Fix It, it is as diverse as the interpretations and renditions brought to bear on the works by various artists.

    Kelvin Ijiko’s Decayed decades (pyrography) stood out among the lots as the artist presents a visual narrative of the state of the nation. The artwork depicts a seated Nigerian ruler or leader (without a crown yet) confronted with myriads of challenges ranging from sycophancy to corruption, poverty of the mind among others. It also shows the disunity among the people exemplified by the fleeing eagle, crown on the floor and noncommittal posture of the two horses that form the nation’s coat of arm.

  • FUJI: A OPERA premieres in London this summer

    FUJI: A OPERA premieres in London this summer

    For founder FUJI: A Opera, Bobo Omotayo, this is the  time to celebrate the phenomenal influence of fuji music.

    “With Nigerian artists, Rema, Asake and Davido providing songs of the summer in the United Kingdom in 2023, Burna Boy becoming the first African artist to headline a stadium in the United Kingdom this year and Wizkid set to follow, now is a fitting time to look back on the country’s musical history and witness its evolution and the international impact it has made on the music industry today,” according to him.

    With a robust heritage that spans over five decades, Fuji holds a privileged place in Nigeria’s music history.

    FUJI: A Opera will make its international premiere in the UK at the Africa Centre, which has been the home of African heritage and culture since it first opened its doors in 1964.

    From August 18 to 28, The Africa Centre will present FUJI: A Opera, a multi-dimensional exhibition, which tells the story of the fuji music genre. It was first staged three years ago in Nigeria, marking the longest showcase of the fuji subculture in modern times.

    FUJI: A Opera will include never seen before archive footage and artefacts, explore the belligerent past of fuji music, highlight its founding footprints, and celebrate its rich subculture from the early 1960s to the present day.

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     The story will be told through fascinating archival footage of previous performances, audio installations and incredible memorabilia across the 60-year history of fuji music. Going headfirst into the history of fuji, it looks at the origins in the Yoruba-Muslim communities of Nigeria’s Southwest and the vision of pioneer Ayinde Barrister, who dubbed his sound “fuji” after seeing an airport ad for the famous Japanese mountain.

     The exhibition begins with a soundscape homage to Ajiwere, folk music for Islamic worshippers at Ramadan and the roots of fuji music on Lagos Island. On show will be rare instruments from Nigeria that have been played since the beginning of fuji over 50 years ago. These have been donated by some iconic fuji artists, including musical pioneer Alhaji Sikiru Ayinde Barrister and King Wasiu Ayinde Marshall,who is credited with taking the genre to its highest heights from the early 1980s to today.

     The sheer energy of fuji music will be brought to life with a listening gallery of archive recordings, a photography wall of album covers and live performances, and a collection of fashion pieces worn by fuji artists across its history.

     Founder of FUJI: A Opera,Omotayo, said: Now feels like the perfect time to celebrate the phenomenal influence of fuji music, how it began and its lasting impact. Without fuji there would be no Afrobeats. Artists such as King Wasiu Ayinde Marshall have given so much to music – it’s time we celebrate their legacy. With London’s huge Nigerian community and close links with Lagos, I’m proud to be bringing FUJI: A Opera to the Africa Centre this summer.”

    The Africa Centre is a UK-registered charity that celebrates the diversity of Africa and its diaspora. It promotes social cohesion, education, thought leadership, and innovation in art, culture, and entrepreneurship.

  • Cyber Politics for presentation

    Cyber Politics for presentation

    A book entitled: Cyber Politics: Social Media, Social Demography and Voting Behaviour in Nigeria, written by the Head of Media Relations at the Nigerian Communications Commission (NCC), Dr Omoniyi Ibietan, will be  presented to the public at 10 am on July 25, his publishers, Premium Times Books, have said.

    In a statement, they said the unveiling would take place at the main auditorium of the Communications and Digital Economy Complex of the NCC, at Mbora District of Abuja.

     The 460-page book, which covers 12 chapters, gives expression to a critical phase within the distinct trajectory of  the nation’s democracy through its elections.

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    The presentation will be made by the Executive Vice Chairman/Chief Executive Officer, NCC, Prof.Umar Danbatta, Danbatta, who wrote the foreword in the book.

    At the event, there will also be a panel discussion to be moderated by Chido Onumah, an activist and Coordinator of the African Centre for Information and Media Literacy.

     Ibietan; a Professor of Mass Communication and Deputy Dean, School of Post Graduate Studies, Baze University, Abuja, Abiodun Adeniyi; and a writer and columnist, Mojeed Dahiru, would take part in the session.

    Prominent Nigerians in the political cycle and cyber/digital ecosystem are billed to be at the event.

  • Nigeria, China to collaborate on capacity building

    Nigeria, China to collaborate on capacity building

    No fewer than 3,000 Nigerian youths are to benefit from the capacity building programme midwifed by the National Council for Arts and Culture (NCAC), in collaboration with the People’s Republic of China later this year. 

    The Director-General, National Council for Arts and Culture, Otunba Segun Runsewe, stated this to reporters when he received the Chinese Cultural Attache to Nigeria Lee Xuda at the Nigerian Culture House, Abuja.

    Runsewe stated that his visit to China gave him an opportunity to understudy the creativeness of the Chinese in goods production. He noted that there was the need for youths to be  trained in such an environment to gain the needed skills in various areas of production. 

    He reiterated that the programme, when finalised, would involve youths from every state of the federation and the Federal Capital Territory (FCT), who will be sponsored to China by the state governments in Nigeria, including FCT. 

    Read Also: NCAC honours Oduoza, Okonjo-Iweala

    The NCAC will facilitate the training on various skills acquisition programmes.

    Runsewe maintained that at the end of the programme, the skills acquired by the youth will enhance growth and economic development in their various states and by extension Nigeria. 

    Xuda said Nigeria and the People’s Republic of China have a strong bilateral and economic relationship adding that Nigeria is one of the African countries attracting the most investment from China. 

     He said economic and trade cooperation is the main pillar of the China and Nigeria bilateral relations, noting that it has made tremendous efforts to help Nigeria, which has abundant human and natural resources to develop her economy. 

    The Cultural Attachee assured that the Chinese government would collaborate with Nigeria in areas that would ensure the growth of its economy.

    The Chinese delegation was later conducted round the Nigerian Culture House by the DG.