Category: Life – The Midweek Magazine

  • What African leaders must learn from Mbeki, by scholars

    What African leaders must learn from Mbeki, by scholars

    Diplomats and political scientists re-examined the state of politics, policy-making and diplomacy on the continent when Dr Adekeye Adebajo, Executive Director of the Centre for Conflict Resolution in Cape Town, South Africa, presented his book, Thabo Mbeki: Africa’s Philosopher-King at the Nigerian Institute of International Affairs (NIIA), Lagos.

    If Nigeria  is to take its place at  its leading place in the continent’s advancement, political scientists say, active the development of the human capital should be in front-burner of this administration. While urging leaders to borrow from the Mbeki’s example, the experts called for an enabling political, social and business environment, along with a better policy implementation.

    Ambassador Oladapo Fafowora, who chaired the event, decried the challenge posed by bad leadership on the continent. He, however, noted that African political scientists are too critical about the political class, observing that the problem facing the continent is complex.

    “The problem in Africa is leadership. However, the problems facing African leaders are enormous.  Where are our leaders coming from? How do we train and mature our leaders? The leaders are  not connecting with the people. They leaders are very impatient and want to grab what the whites had in a century. These are issues we must address if we are to resolve the  socio-political crisis, we are faced with. When a transition is too rapid, it can lead to chaos,” he said.

    While praising the author’s effort at writing a biography on South Africa’s Thambo Mbeki, Fafowora lamented that it is unfortunate that “most of the well-trained political scientists have gone into politics, working for politicians”. He said: “I urge you to come home and partner with like minds to solve the socio-political crisis in the country. My only regret is that instead of coming home to Nigeria where his expertise is needed, Adebajo is in South Africa where there are better facilities, better pay and motivation for scholars than what they’d get in Nigeria. South Africa is our great rival. They have better structure, higher per capital income and they take leadership seriously.”

    Adebajo has served on United Nations missions in South Africa, Western Sahara and Iraq. He was formerly the director of the Africa Programme of the New York-based International Peace Institute when he was also an adjunct professor at Columbia University’s School of International and Public Affairs (SIPA). Along with the biography on Mbeki, the author has written five books: Building Peace in West Africa; Liberia’s Civil War; The Curse of Berlin: Africa After the Cold Warand UN Peacekeeping in Africa.

    At the book presentation were ambassador-turned-monarch, Oba Christopher Ariyo; the book reviewer, Prof Adele  Jinadu; President, Oxford and Cambridge Club in Nigeria Mr Akinfela Akoni and Chief Information Officer Roland Kayange.

    Although he did not have an interview with Mbeki, the author, Adebajo, who is a political-economist,  said he was inspired by his leadership strength and foreign policy. He bemoaned the country lacks maintenance culture, while citing Nigeria’s political and economic structure as reason for his choice of working in South Africa.

    “No prophet is honoured in his own land. That is the story of Mbeki.He will be remembered as a Pan-African. His foreign policy is his most successful legacy. He was the most prominent philosopher king of his generation. Though Nkrumah and Mbeki held international conference but Nkrumah had a federalist vision, while Mbeki sole self-confidence and sense of African identity into the black South Africans.

    “South Africa may have white dominated economy but they have infrastructure. Ajaokuta was commissioned in 1971 yet we have not been able to produce steel till today: we cannot generate electricity either. If you want  me to come home, you’d have to fix most of this these things. It is important we have leaders that rule by examples, not allow reckless politicians to mess the country,”Adebajo said.

    The book reviewer observed that the mutual relationship between South Africa and Nigeria should be re-examined. “However, given the size of Nigeria’s economy and its population, the potential “Thabo Mbeki: Africa’s Philosopher-King, the book under review, is a pocket-sized but thoughtful and closely argued political biography of Thabo Mbeki, the former President of the Republic of South Africa, whose presidency of his country served more or less as the denouement of his apprenticeship and later frontline role in the anti-apartheid and the broader liberation movement in Southern Africa. A major objective of the book, we are told, is ‘to rescue Mbeki from the parochialism of South African perspectives and restore him to his rightful stature as an important pan-African political figure.’

    “But ‘rescuing Mbeki from the parochialism of South African perspectives,’ by painting him ‘as an important pan-African political figure,’ and casting him in the role of ‘Africa’s philosopher king,’ sets this political biography in the broader canvass of the recent intellectual and political history of Africa in its engagement with democracy, development, globalisation and resurgent, if subtle racism as a global phenomenon…

    Briefly put, we need to theorise Pan-Africanism or the African Renaissance as a social and political field of action, distinguishing between it as an idea or theory and as practice or movement,” Jinadu said.

     

  • ‘Prayer is backbone of my existence’

    ‘Prayer is backbone of my existence’

    On August 23, Archbishop of the Ecclesiastical Province of Lagos and Bishop, Diocese of Lagos Mainland, Church of Nigeria (Anglican Communion), the Most. Rev Adebayo Dada Akinde, will turn 70 and  hand over to his successor. In this interview with NNEKA NWANERI, Prof Akinde speaks about how it all started 35 years ago and his retirement plans.

    On his academic sojourn

    I earned a B.Sc. in Electronics from the then University of Ife (now Obafemi Awolowo University), at Ile-Ife, in the present Osun State. I then went on to obtain an M.Sc and Ph.d in Electrical Engineering and Computer Science (Hardware) from the University College, London, and University of Sussex, Brighton, United Kingdom (UK). While at the faculty at Obafemi  Awolowo University, Ile-Ife, I pursued an academic career, first in the Department of Electronics and Electrical Engineering, and then in the Department of Computer Science and Engineering. At different times between 1983 and 1993, I was Head of Department of Computer  Science and Engineering for 11 years. I also served as External Examiner at both undergraduate and postgraduate levels to many universities in Nigeria, Africa and Europe.

     

    Career life

     

    Having served as Postgraduate Research Engineer, Radio and Space Research Station, Dutton Park, Slough UK, I lectured at the University of Ife at different times from 1973-1994. I worked as a Professor from October 1994 to April 2002. As a fellow of the Computer Association of Nigeria, I served as President from 1997 to 1999 and the Computer Professionals Registration Council of Nigeria. I was on the Federal Government Committee on Computer Policy from 1987-1988, from where I became Chairman, Federal Government Computer Training Committee, Kaduna, 1988 to 1989. From 1999 to 2000, I was an IT Consultant to the Ministry of Defence, Abuja and Chairman of the Board of Directors of CHAMS Plc.  I was one of the foundation members of the Computer Association of Nigeria (COAN) now Nigerian Computer Society (NCS).

     

    Ministerial odyssey

     

    It all began on December 23, 1979, when I was made a Deacon in the Anglican Church by the late pioneer Bishop of the Diocese of Egba-Egbado, Rev Jonathan Soremi Adeniyi. I became a priest on December 20, 1981 at the Cathedral of St. Peter, Ake Abeokuta. And since then, there’s been no going back on the scriptures. So, while I practised my profession, I was active and effective in the church. After that, I was a Canon in the Diocese of Ilesa under the then Rt. Rev Adebola Ademowo and was made Provost of the Cathedral of St. Peters between 2000 and 2006.

     

    How the journey has been

     

    Working in the church and for God has been my bedrock. Service to God started way back. No engagement of mine precluded servicing the church. So, all the while I was working as a teacher, a computer engineer and a public servant, I was also involved in working in the church of God.

    Since I became Archbishop in the episcopate in 2006, it has been a learning curve for me, having to take superintendence of many churches and clergies. Most importantly, I am grateful to God for the opportunity to have learnt lessons, which I could never have learnt anywhere else, coming into full time service in the Church of God, Anglican Communion.

    On the whole, in such challenging period, it gave me an opportunity to live more by faith and less by sight. Having to provide the necessary infrastructure is a challenge on its own; having to manage the diversity in the membership and dealing with human problems in a more practical way.

    I have been involved in advocacy, justice and social issues more than ever before. In everything, we have been kept steady and we have every cause to thank God.

     

    Blending science with religion

     

    Being a scientist has not precluded my belief in God. I have never depended on my ability, wisdom or competence. Working in this position is a highly spiritual matter. It is different from attainment, intellect, financial, academic but more of openness, dependence and obedience to God.

    Coming into the episcopacy has taught me to be more prayerful and our prayer life has increased since then. Prayer has been the backbone of my very existence. Coming into the office has deepened my prayer life and communion with God.

    Many believe that with my Ph.D, I will want to rationalise and submit everything including religion to scientific interpretation. That is not so. My conviction is that religion is one thing, and intellectual pursuit is a completely different ball game with no meeting grounds, but it has made me to fear God the more.

    When it comes to spiritual matters, I always have to start from the basics. Having a Ph.D has not hindered my spiritual life and exposure to God.

    For instance, one Sunday I was in a service and ideas of a new dimension came in and I just gave God glory because it is unusual and can only be from the Holy Spirit, who ministered to me. And that was how I made a breakthrough. My belief in God has aided a great deal in my scientific exploits.

     

     

    Challenges-high and low moments in the vineyard

     

    I had never ministered in Lagos until I came in as Bishop. I have worshiped and preached in a number of churches in Lagos. Before now, the bulk of my ministry has been in the rural areas, in the villages in Abeokuta. It was a preparation ground for me because going from Abeokuta to Lagos, I saw things being done at a completely different level. Everything here was exotic and elaborate, whereas in the native city, we watched and counted the kobos.

    But in cosmopolitan Lagos with enormous wealth and resources, things are done at a much bigger scale. So, I had to quickly adjust to look like someone from the Atlantic.

    Secondly, I never knew, until I came to Lagos, that there was rumbling and tribal slangs in the church of God. I found these rumblings strange and quickly sought the aid of God to handle these situations. Since inception, this diocese has had peace because serving God is independent of our tribe or parochial thinking or gender or social status.

     

    Division in the church

     

    Such divisions around us are indicative of carnality entailing worshipping God and carrying out our Christianity in the flesh.

     

    On his retirement

     

    It is the constitution’s provision of our church to retire at 70. I really have to and want to go because God is leading me to serve him in other ways. I can never do without His work. Being a minister is not the only way one can serve God. In my professional field, God can use me for this country and beyond.

     

    What he will be retiring to

     

    I will be getting back to my first love, specifically science and technology advocacy. No nation and society can make any meaningful development without any meaningful foundation in science and technology.

    All my learning life, I have trained in that sphere of life. We must promote science and technology if we want to develop. We must generate wealth because we are too much of a consuming nation and we should produce and create our own products. We import almost 95 percent of our needs and our citizens are idling away without jobs, despite we having competent Nigerians in all body of knowledge.

     

    If he wished for more time

    in the vineyard

     

    I have never had an agenda of my own. All I sought to do was to run God’s agenda and as much as God reveals to me, I put in the best of my endeavour to accomplish it.

    Usually, the first three days of December yearly, I try to be alone with God to seek God’s mind for me in the coming year. God reveals, directs and I follow it and that is the reason why I have never levied any church for projects in the diocese because God always provided me with resources to accomplish them.

     

    State of the nation

     

    The president and his deputy came to power on the manifesto of change. The team has promised us change. But since I do not know the challenges they are facing, I appeal to Nigerians to be patient. One year in the history of a nation is a very brief period due to the enormous challenges if they are to provide enduring solutions. They are men of integrity and they are proven tested men and in another year or two, we will begin to see the dividends of their governance.

    But the way we are getting on is frightening. Who is marginalising who? Let us work towards making Nigeria a united true federation. Let us talk and see ourselves more as Nigerians.

     

     Family life

     

    Married to Mrs. Bassey Ekong Akinde, a pharmacist and former university don from Calabar, the Cross River State capital and have three sons. None of my sons have taken over from me in the ministry, but all three of them are actively involved in Christianity.

     

     On same sex marriage

     

    It is an abomination unto the Lord. Same sex marriage is a no go area. The Church of Nigeria (Anglican Communion) stands by the Holy Bible on human sexuality. The church remains resolute and we are winning the war. We have not changed and we are providing muscle to other churches on the same issue.

     

    Will his priestly and academic work be compiled?

     

    Yes, I am thinking of one or two writings to share the experiences God has given me so that anyone can learn, if there is anything to learn from it. It will be available in two to three months.

  • CORA at 25:  Reassessing the past for the future

    CORA at 25: Reassessing the past for the future

    The Committee for Relevant Arts (CORA) has held its 25th anniversary with members of the culture, literary and theatre sectors in attendance. They gathered, with journalists, to discuss art and take stock of CORA’s accomplishments in 25 years.

    The ‘stampede’, which holds quarterly, has   ‘25 Years of Culture Advocacy: What gains? What prospects?”, as theme. There was a panel, and a moderator. The audience members were allowed to contribute and also to express  their grievances.

    Moderating this panel, which comprised Tony Kan (author), Tunji Azeez (dramatist), Victor Nwokocha (dramatist), and Dr Reuben Abati (writer and journalist), was author Molara Wood, who asked the panellists to speak on the relevance of CORA to the sector.

    Nwokocha, who spoke first, said: “CORA provided a platform for people to show what they have, regardless of who they are. I think that they have achieved a lot in that regard because there are some persons who will always owe all their achievements in the Arts to CORA. CORA has also been a pain in the neck for those that have been afraid of the truth. Whenever CORA convenes an art stampede, some people really get stampeded because their works get reviewed.”

    On CORA’s successes, Azeez said: “One of CORA’s major accomplishments is that it has been able to bring together people from different backgrounds. Akinosho (CORA secretary-general) and I used to talk a lot about different ideas that we had.”

    He, however, urged CORA to establish a ‘CORA House’ where such people should gather and discuss about whatever ideas they had.

    Kan said: “CORA has been a gift that keeps on giving. When I was much younger, I heard, once when I was in Lagos on holidays, about an event for writers. That hot Sunday afternoon, without eating, I rushed to the venue and over the course of four hours, I saw everybody that was anybody in the cultural landscape, even Reuben Abati. It was one of CORA’s ‘art stampedes’ and there was no Facebook then. That platform made me meet many people who I would otherwise not have had the opportunity to meet. But CORA needs to be a bit more official and try to project into the future with business.

    Meanwhile, Abati, who joked of the dangers of being the last speaker, noted: “The dangers of being the last speaker is that everything may have been said, but I am lucky that not all the issues have been exhausted. First, let me thank God that I am back from sabbatical.”

    He made the latter statement in response to friendly banter that his previous appointment in the Goodluck Jonathan administration had served him well.

    Recalling the earlier years of CORA, he  said CORA provided opportunities for many young artistes then who eventually became popular musicians in Nigeria.

    He praised the CORA executives over the years. “I congratulate those who have been with CORA during their 25-year journey. When Kan talked about giving, I concur that CORA has been giving back to the society and their example should be a source of inspiration to younger people,”he said.

    This also seemed to echo a previous statement by Jahman Anikulapo, a trustee of CORA’s board and prominent culture advocate.

    Jahman, a former editor of The Guardian on Sunday, said: “One of the successes of this body is that we have people who joined us when they were students, but they are now successful.”

    Akinosho noted that it was nice for friends to get together and reminisce about old long since. “It is also good to know what it is that they have not been saying,” he said.

    The geologist added: “I am a self-critic and I worry about whether what we are doing is sustainable, whether what we are doing will provide a good foundation for the future.”

    Projects that have been spawned by CORA include publishing the quarterly Lagos – The City Arts Guide; staging the monthly The Great Highlife Party; the yearly Lagos Book and Art Festival, among others.

  • Benjay: Tributes as the phenom clocks 80

    Benjay: Tributes as the phenom clocks 80

    There was jazz, there was eloquence, and there were friends and well-wishers as the Committee for Relevant Arts (CORA), Copyright Society of Nigeria (COSON), Goethe Institut, and other culture-inclined bodies appositely celebrated the 80th birthday of Benson Idonije. It was a kindred ambience of respect that pervaded the celebrations as people gathered to celebrate the former broadcaster, teacher, and writer whose nom de guerre, Benjay, once was a household name.

    The celebration lasted for four days across multiple venues including Muson Centre at Onikan, Ojez Restaurant at National Stadium, and Freedom Park, all in Lagos. The first day featured a plethora of tributes to Benjay as his former colleagues and friends in the media paid homage to him at the Muson Centre.

    Secretary General of CORA, Toyin Akinosho, delivering the opening remarks, mentioned that ‘Uncle Ben” and Cora go a long way. He narrated how Benjay, still brimming with energy after he left broadcasting, wanted to bond with young people.

    “We met at an event,” he said, adding that: “he gave us tips so we started a highlife programme, which has been a source of inspiration to many young people.”

    This comment proved to be just a tip of the iceberg as the chairman for the day, Dr. Christopher Kolade expressed his delight at being invited to chair the occasion. Of the importance of Benjay to the broadcasting community, and indeed to the country as a whole, he said: “We tend to think from all the rhetoric going around that there is much room for improvement. Benson Idonije represents a very important facet of our history – where we are coming from.”

    He also recalled that when Benjay started his career in broadcasting, his activities perplexed people who wondered who it was that troubled them with his knowledge of music. He was, Kolade said, regaling them with things which they already knew. Alas, there were many things which they did not know, and which are contained in Benjay’s books and works.

    Taking a nimble jab at administration in the country, he praised the excellence of Benjay and his colleagues while he was their boss, declaiming that if the country still had people with such commitment at the helm of affairs, then things would be better.

    In a similar manner, Dele Adetiba, another former colleague of Idonije said: “No two people could have done it like Benson Idonije. I knew he was very good, but I never knew he was that good until I started reading him in the papers. He was usually quiet, but he would become a tiger with so much firepower behind the mic.”

    Meanwhile, the celebrations continued on the second day with a number of discussions on the subject of Highlife, especially as this was an area which Benjay focused on immensely. It was chaired by Professor John Collins from the University of Ghana, Legon, who has published about 50 books, including 32 on highlife.

    He lectured extensively on the origins of highlife music as well as the growth of the musical careers of such icons as E.T. Mensah and Bobby Benson. He also noted that Afrobeat and Fela’s music were influenced by highlife. He thrilled the attendants with musical illustrations as he ambidextrously played both the mouth organ and the guitar simultaneously.

    In the same vein, another speaker and friend of Benjay, Ray Mike Nwachukwu excited the audience even further with a prepared recording which explained the deep passion and magic of highlife music with accompanying narratives, and musical clips transcending Africa.

    Chairman of Evergreen Music Studios, Femi Esho then capped the lectures on the growth of Highlife by speaking to the topic; ‘Highlife must not die’. He exemplified evergreen music as a major fighter for the cause of immortalising highlife music, while ruing the sad reality that during the celebration of Nigeria clocking a half century of independence, none of the old music maestros were invited.

    By the fourth day, the discourse had escalated to its climax. A panel consisting Femi Akintunde-Johnson, Molara Wood, Ayeni Adekunle, Osagie Alonge, and Chris Ihidero (the latter being the moderator) examined the music industry in the country and agreed to an extent that credible criticism of the music industry is now an extinct practise. This, they concluded, accounts for some of the underdevelopment in the industry.

    Rounding up the four-day celebration was a concert themed ‘A toast to grand-dad’ in which Damini Ogulu, popularly known as Burna Boy, performed alongside others to celebrate the good health of Benjay.

  • Book reading against depression

    Book reading against depression

    Nigerians were sensitised to the dangers of the scourge of depression recently as an author, Vivian Ikem, blew the whistle on it. She raised this awareness recently at a special reading from her book, Shadows in the Mirror: The many Faces of Depression, at the Quintessence Gallery in Ikoyi, Lagos.

    Having experienced a bout of depression herself, Ikem said that depression is so deadly that one in five people are likely to suffer from it without knowing. She also urged against intolerant conduct towards people who complain about depression because it is as well a medical condition as malaria or typhoid.

    She said: “Ignorance is killing way too many people. Everyone is prone to depression. All it takes is a little trigger. We need to speak out now, without having to wait for it to get bad. We should enlighten people before they end up in the psychiatric ward.”

    While the book reading took on a congenial and jovial bearing, nuggets of informative material prevalently seeped forth from the speakers, including a psychiatric doctor, Ayomide Adebayo, who declaimed extensively on where and how help can be rendered to people suffering from depression at all levels.

    Adebayo rued the reality that people tend to keep mum about issues of suicide instead of tackling the issue and campaigning against depression. He said: “How come people don’t talk about depression? In a statistical situation where one in five people are suffering from depression in one form or the other, it is almost certain that you know at least one person suffering from it. How come you don’t know who they are?”

    He also noted that depression is currently rated as the second most widespread burden disease and is pitched to top that ignominious list by 2020. He explained further that burden diseases are those which impede maximum functionality of individuals in whatever endeavours they pursue.

    He added that the irony was that treatment for depression was not as arduous as many people were given to assume, especially seeing as the drugs usually prescribed for the treatment of depression are cheap and easily affordable.

    The treatment begins with every individual, the practitioner explained. To complement this, Ikem urged individuals to be tolerant and approachable to their friends and anyone who they perceive is depressed. She said: “It takes us going out of our ways to help people. Often times, it is until the damage has been done that people start singing. The important question is what you do when you notice someone in that situation.”

  • CORA at 25: a reassessment of the past

    CORA at 25: a reassessment of the past

    The Committee of Relevant Arts (CORA) recently celebrated its 25th anniversary at the Freedom Park, Lagos. The event, which doubled as one of the body’s renowned Art Stampedes provided a platform for reassessment of its goals, Paul ADE-ADELEYE and AJIBOLA OLUWATOYIN write.

    The committee for relevant arts recently organised its 25th anniversary and had a host of members of the culture, literary, and theatre sectors in attendance. They all gathered, with a cavalry of journalists in tow, to discuss art and take stock of CORA’s accomplishments over the course of a quarter century.

    The stampede, which holds quarterly, has an unwavering modus operandi, and this edition, themed ‘25 Years of Culture Advocacy: What gains? What prospects?’, followed in its predecessors’ footsteps. There was a panel, consisting of panellists and a moderator. They steered the course of the discussions, and, the audience was also given room to vent their contributions as well as express whatever areas of the art sector they were disgruntled with. Hence, the term, stampede.

    Moderating this panel, which comprised Tony Kan (author), Tunji Azeez (dramatist), Victor Nwokocha (dramatist), and Dr Reuben Abati (writer and journalist), was author Omolara Wood, who asked the panellists to air their perspectives of the relevance thus far of CORA to the art sector.

    Speaking first was Nwokocha, who said that: “CORA provided a platform for people to show what they have, regardless of who they are. I think that they have achieved a lot in that regard because there are some persons who will always owe all their achievements in the Arts to CORA. CORA has also been a pain in the neck for those that have been afraid of the truth. Whenever CORA convenes an art stampede, some people really get stampeded because their works get reviewed.”

    Also talking about CORA’s successes was Azeez, who said “One of CORA’s major accomplishments is that it has been able to bring together people from different backgrounds. Akinosho (CORA secretary general) and I used to talk a lot about different ideas that we had.”

    He however urged CORA to establish a ‘CORA House’ where such people should gather and discuss about whatever ideas they had.

    Expressing his view of CORA, Kan said: “CORA for me has been a gift that keeps on giving. When I was much younger, I heard, once when I was in Lagos on holidays, about an event for writers. That hot Sunday afternoon, without eating, I rushed to the venue and over the course of four hours, I saw everybody that was anybody in the Nigerian cultural landscape, even Reuben Abati. It was one of CORA’s art stampedes and there was no Facebook then. That platform made me meet many people who I would otherwise not have had the opportunity to meet. But CORA needs to be a bit more official and try to project into the future with business.

    Meanwhile, Reuben Abati, jocularly ruing the dangers of being the last speaker, noted that: “The dangers of being the last speaker is that everything may have been said, but I am lucky that not all the issues have exhausted. First, let me thank God that I am back from sabbatical.” He made the latter statement in response to friendly banter that his previous appointment on board the Goodluck Jonathan administration had served him and his affairs well.

    Recalling the earlier years of CORA, he commented that CORA provided opportunities for many of the young artistes then who eventually became popular musicians in Nigeria.

    He also praised the courage of the CORA executives through the years. “I congratulate those who have been with CORA during their 25-year journey. When Tony Kan talked about giving, I concur that CORA has been giving back to the society and their example should be a source of inspiration to younger people.”

    This also seemed to echo a previous statement by Jahman Anikulapo, a trustee of CORA’s board and prominent culture advocate, who earlier mentioned that: “One of the successes of this body, CORA, is that we have people who joined us when they were students, but they are now successful.”

    Enthused about the 25th anniversary of CORA was Akinosho who noted that it was a nice thing for friends to get together again and reminisce about old long since. “It is also good to know what it is that they have not been saying,” he said.

    Continuing, the culture advocate added: “I am a self-critic and I worry about whether what we are doing is sustainable, whether what we are doing will provide a good foundation for the future.”

    Projects that have been spawned by CORA include; publishing the quarterly Lagos – The City Arts Guide; staging the monthly The Great Highlife Party; organising the yearly Lagos Book and Art Festival, among others.

     

     

     

     

     

     

  • Lagos_Live: a celebration of contemporary art

    Lagos_Live: a celebration of contemporary art

    The Goethe-Institut in Nigeria recently organised the Lagos_Live Festival to celebrate contemporary art in a series of performances and exhibitions, Paul Ade-Adeleye writes.

    Society evolves, faster and more dynamic, with each passing day. The present is the past of the future, but the present can oftentimes be misleading. The Goethe-Institut however, in what would be the last cultural event organised by its incumbent director, Marc-André Schmachtel, provided an exclusive avenue for artists to express contemporaneous art.

    Who would guess that electromagnetic waves could be deployed as art? Christina Kubisch did, and, armed with a special headphone that amplifies the perceptibility of electrical currents, and a map marked with local magnetic landmarks, she took visitors through a new dimension of art. Tagged Electrical Walks, participators listened as auditory substance was bestowed upon otherwise virtually imperceptible wavelengths and charges by these headphones.

    In addition to the sound art, a series of performances, which took place at Freedom Park, Lagos, were also components of the Lagos_Live festival. One of such performances was ‘Silent no More’; a collaborative effort by Crown Troupe of Africa, Adolphus Opara, and Olusola Otori.

    The performance comprised a series of semi-abstract, semi-pantomimic dance sequences, punctuated with poetic renditions, and replete with orchestral accompaniment; the stylemark of the troupe. These dance sequences spoke to vices which underprivileged children in the society are exposed to; including rape, cultism, drug addiction, crime, and alcoholism.

    One salient point to note about Crown Troupe’s performances is the emphasis they place on aesthetic perfection. The dances are usually painstakingly choreographed, and sometimes, the players, are made to execute individual dance moves depending on their positions. If any mistake crept into the performance, the audience has no way of being savvy to it.

    The orchestra comprised of a band of male sirens whose mellifluent gimmicks appositely set the mood, tone, and pace of the performance as a whole. One salient component of theatre, spectacle, which is often overlooked, was also incorporated into the performance, such that it bore admirable semblance to an incarnation of what Aristotle would refer to as a complete dramatic performance.

    The uniform costumery, mostly a seamster’s craft with white material and transparent nylon, was indubitably semiotic. It’s symbolic connotations however, remain a dark horse to many, including the writer, at the hour of writing.

    The curation of Alafuro Sikoki-Coleman, which spawned an assemblage of works by Danielle Dean, Loza Maléombho, Odun Orimolade, Adeju Thompson, and Segun Adefila, constituted the exhibition aspect of the festival themed ‘The Long Road is Safer than the Shortcut’. Sikoki-Coleman said of her choice of artists that: “I realised that all their (the artists’) works related, in different ways, to the theme which I already had in mind. The theme itself is from a Bayelsa proverb which I encountered in my study of Nigerian proverbs.”

    She went further to reveal that their artworks deal with time, journey, and identity. Brazil-born Maléombho’s collection, a series of photographic self-portraits contemporaneously referred to as ‘selfies’, was tagged #AlienEdits.

    In each framed picture, Maléombho poses, with different objects balanced on her head; each object foregrounded to symbolise things she believes in. One is a sewing machine, another is a bunch of flowers, then a cockerel, and a host of other objects surrounding a projected animation of herself in multiple appearances.

    With these, she challenges society, which she believes refers to selfies as a narcissistic trend. With these images yet again, which she had edited to surreally emphasise her dark complexion, she projects the beauty of the African skin. She visually declaims that there is beauty to be appreciated in the darkness of the African skin.

    British-Nigerian Dean displayed a series of videos, which deal with the interrelationship between people and their society, as well as the society and people. This she does by creating advertorial videos; adapting either dialogue or plot from video advertisements.

    One striking video, ‘A Portrait of True Red’, more of an exposé actually, featured a single subject rendering an impassioned monologue which narrates how dehumanising conduct was being meted out to workers in a Nike shoe factory in China.

    The festival, which was backed by Ford Foundation Nigeria, Julius Berger Nigeria, Air France, Alliance Francaise, was rounded up by a concert which held at freedom Park.

  • ‘There’s nothing impossible for Nigerians’

    ‘There’s nothing impossible for Nigerians’

    For 27 years, Mrs. Dehab Ghebreab served in the Foreign Service of the United States (U.S.). She spent 15 years in Africa, serving as Public Affairs Officer of the U.S. Consulates in Nigeria, Ghana, Liberia and Zimbabwe. In this interview with WALE AJETUNMOBI, she relives her experience and the values she is taking away from the continent.

    You have served in the United States’ Foreign Service for 27 years. Would you say you are satisfied with your experience?

    Yes, I do feel that way. This is because we have an assessment and evaluation process in place. We get promoted based on our performance and I have benefited from this process. That is an indication that I served well and I have been rewarded for the work that I’ve done.

    During this period, how many years did you work in Africa?

    I worked in Africa for 15 years, but in different countries. I did two assignments in Nigeria. I served in Zambia, Ghana, Liberia and a short assignment in Zimbabwe. But, in the course of my job, I have travelled to almost every part of Africa.

    Why did you choose Africa as a destination for your diplomatic assignment?

    I would say that I am an Africanist and my focus has been Africa. Most of the diplomats have opportunities to choose different regions to serve. They prefer to choose two regions and that is part of recommendations that we get as we passed through professional development. The aim of this is to serve and have expertise of the two regions. My preference has been focused on Africa and it has worked really well for me.

    How would you describe the relationship between the U.S. and the African countries you have served?

    Obviously, the U.S. relationship with Africa is very important. The U.S. government has a very strong relationship with Nigeria. We have strong relationship with Ghana as well. I will say the same goes for Zambia and Liberia. I have been fortunate to work in African countries, that we have good relationship with.

    Do you think the objectives of the U.S. inter-faith programme in Africa are being achieved?

    I think so. In the United States, we have freedom of religion. The religious adherents come together for inter-faith dialogue to better understand one another and work together in communities. Our goal is to see the same initiative developed in other countries as well. With their different faiths, leaders can come together and build a relationship and understanding, so that there will not be conflict between the various communities. In Nigeria, we have seen religious conflict and it is important we advocate that freedom of faith should be respected. Religious leaders should come together to create peace and advocate for unity.

    With your experience, do you believe these programmes are worth sustaining?

    Yes. The programmes have been going on for years. There is no reason not to believe that the exchange programmes will continue. The most recent initiative of President Barack Obama is the Mandela Washington Fellowship Programme. That initiative will continue as far as we know. But, after President Obama leaves office, we will find out in what form it will continue with the State Department.

    What have been your challenges working in Nigeria?

    For me, the challenges have been minimal, because I have bad and great experience in Nigeria. I have been here for seven years. I feel privileged to have participated in many activities, including the general elections during which I worked with young people. The challenges are connected with the traffic congestion… going to different places and spending hours on the road. It is difficult managing my time as well. As much as Public Diplomacy means going out and cultivateing relationships, you need to go out and spend a lot of time on the road. When you go for events, most don’t start on time. Sometimes, you have to wait for one or two hours for the event to start. Those were the challenges that I faced.

    Do you have high and low moments in doing your job in Nigeria?

    I can talk about a lot of high moments. But, there is no particular low moment. I think there were times when one heard about loss of lives, because of conflict that goes on. That affects the way you feel about the country in which you are working. My hope is that the federal, state and local governments and Nigerians in general would come together and address the source of the conflict. They should come up with a solution that will include the input of the stakeholders, so that it would be sustainable. The U.S. Consulate has worked with Nigerian kids a lot through various projects. We have Dawn in the Creeks project that  we supported in the Niger Delta. There’s a lot of investment in that project. But, to see what is happening now in Niger Delta; it is really discomforting. So, there has to be lasting solution to the problems that have been in existence for many years.

    How would you describe your experience working with Nigerian journalists?

    I guess it is great. It is wonderful working with the Nigerian media. Without your support, we would not have been able to convey our messages; I mean everything the U.S. Mission is doing to support Nigeria. Compared to my first visit to Nigeria, I can say the Nigerian media has developed a lot and it is vibrant. There are some capacity-building issues that we see, but during the last general elections, Nigerian journalists demonstrated that they can be objective and really inform the public as to what is going on in the country. I believe journalists contributed to the peaceful outcome of the election. The bar of professionalism has been raised. The U.S. Consulate facilitated about 10 capacity training programmes since I have been here. We will continue to do that. We have been sending journalists to the U.S. for training programmes, because we believe the press plays a central role in terms of strengthening democratic principles. Also, they are educating the public on their role to hold the government accountable. The news media plays central role and we will look at capacity building in the future.

    What were your impressions about Nigeria before you came here and what are the impressions you are leaving with?

    When I came to Lagos in 2012, I knew it would be my last assignment in Foreign Service. I came with the thought that it would be a tough and difficult assignment. I said it’s okay and I won’t miss my work because I would be retiring after this assignment. But, it didn’t turn out to be that way. I really had a great time here. We have wonderful initiative that we supported. With the Mandela Washington Fellowship programme in the last three years; it gave us an opportunity to really travel to different locations to get to know this country. Nigeria has tremendous potential that we have seen, especially the young people. Without the government’s handouts, they really take steps to be creative, using technology to impact the communities and to create jobs in many cases. So, all of that potential that we have seen through various programmes; when they come back, they are touching other people’s lives. They are building networks; so that has to contribute to the development of the country and at some point, we are going to see dramatic change in Nigeria. I believe so. We will focus on the backbone of this country, which is the youth. I believe we will see changes.

    What are the lessons you are taking away from Nigeria?

    What I see in Nigeria are very creative and industrious people, who are struggling and finding their ways. We have people engaging in five or six different things simultaneously; going to school, working part-time, having non-governmental organisations to impact on the communities and advancing in their professional careers. Some enrol in degree programmes and at the same time pursuing two Master’s degrees. I have never seen anything like that before I came here. I will use this can-do-spirit of Nigerians to inspire young people in the rest of Africa by saying, ‘you can do it’. For me, I didn’t know it was possible to do all these things at the same time. But, I’m now convinced it is possible.

    What legacies are you leaving behind in the U.S. Consulate Public Affairs office?

    We have a very robust office here and it has been very productive. The work that we have done has been supported by the U.S. Mission and the State Department, but, more importantly, by the Nigerian people. The way Nigerians have responded, our activities would not have been successful without the support we got from the Nigerian people. These are things I will remember and I hope we will continue to have a strong office to continue with all the work we have done.

    What is your plan after retirement?

    There is so much going on my mind. I can’t focus on any particular thing until September. But I’m thinking that doing values that I picked up from here will be fine. That is, I want to be an author; I want to write a book. A lot of people, who have stories to tell here, write books. And that is what I want to do.

     

    What do you want to remember about Nigeria and Africa?

    There is so much. It can’t be one or two things. There are lots of things. But, my being here and witnessing the 2015 general elections to see how people peacefully decided they wanted to change the government in a very peaceful manner. They made their voices heard and brought about change. That’s remarkable. This kind of cooperation should happen regularly in Africa. We have seen that in Ghana, where there has been peaceful transition three or four times. We saw that happened in 2015 in Nigeria. This is historic. I will continue to remember those times.

  • Choral fiesta targets the youth

    Choral fiesta targets the youth

    TO empower youths and diversify

    the nation’s revenue base, the National Council for Arts and Culture (NCAC) is partnering corporate spon-

    sors to host the first National Choralfest in Lagos this year.

    The event, designed to increase the frequency of festivals, demographic access to cultural events and level of stakeholders’ partnership, is one way the council is providing a platform for the private sector to support the thriving culture of festival in the country.

    The partners are Different Aesthetics ACM, B-Clef Music, Minstrelcraft and Quadrant Company.

    The festival will feature regional competition covering four geo-political zones in junior and senior categories. This will culminate into final competition to be held in Lagos and participants will be judged in classical, traditional and contemporary styles. The winning participants and choirs from the four zones will perform at an award concert in Lagos. It will be a week-long event and will feature exhibition of musical instruments, workshops and training sessions.

    NCAC’s Director-General, Mrs Dayo Keshi, who spoke in Lagos, said the festival was expected to attract participants from four geo-political zones, adding that it would feature the unique, rich and spectacular choral music of the various ethnic groups in the country.

    She said the potency of the festival as a tool for tourism lies in the Nigerianness of the product. She added that the festival would involve the youth and secondary school pupils ‘’as it would make them become professionals in choral music. It is to the youth we owe much’’.

    “While music is universal, the world is always thrilled to experience a people-specific use of that language. Riding on the crest of the many successes that Nigerian music has attained in recent times, the world is sure to eagerly await a Nigerian perspective on the Choral Music Art, enabling the festival to draw international attention at both the level of participation and visitors.

    “With regard to the domestic audience, this festival would not only celebrate our diversity, but also seek to unfold untapped potentials by discovering new talents,” she said.

    Keshi, who commended the efforts of Ogun State in its successful hosting of the recent National Drum Festival in Abeokuta, said going by the impact of the festival, it is a proof that there is room for many more festivals to be launched into the cultural space.

    Igwe Laz Ekwueme, who is Chairman Festival Organising Committee, described the feasta  as a good and wise start to promote the nation’s cultural heritage noting that when people sing together, they project their culture.

    Igwe Ekwueme, a University of Lagos retired professor of Music, said choral festivals across the globe are monumental gatherings of singers, praying that it would grow from strength to strength while citizens must sow seed for its growth.

    Aremo Tope Babayemi of Different Aesthetic ACM said the success of the festival is hinged on the strategic partnership driven by a political will of the government. “This partnership will mobilise resources – cash and expertise as well as identify persons who can contribute to the sustainability of the festival,” he added.

    Babafemi Ogundipe of B-Clef Music explained that the guidelines would be provided to participants across the zones from which the contest will kick off. He noted that there would be build up from the zones that would culminate to the festival in Lagos. He assured that the issue of tourist visa would be discussed with the relevant agencies to facilitate visitors’ easier access to visa.

    The aims of the festival include provision of opportunity and platform for composers, directors and singers to express themselves to local and international audience, promotion of tourism via choral performance, provision of a forum for a healthy conversation and dialogue on issues affecting musical heritage in Nigeria and to preserve, promote and develop indigenous language through traditional choral repertoire.

  • For mothers only

    For mothers only

    From grooming their children and maintaining the societal fabric, mothers’ role in nation-building was re-examined when an accountant-turned writer, Dr Sunny Oby Maduka, unveiled his new novel, A Mother – Her Heart.

    The author has written six books in three years, with two films titled: Blood Communion and Blood Butchers.

    At the event, critics, comprising religious leaders and counsellors, linked the increase in violence and fall in values to women, especially mothers. They said mothers have left their role as teachers and peacemakers, to housemaids and relations. They also expressed concern about the high rate of unemployed youths, stating that if not checked, it might endanger the nation’s future.

    Pastor Michael Baba Ogunbayode observed that mothers are the bedrock of every society,  urging women to take their role seriously. He also urged them to pay more attention to the upbringing of their wards.

    Pastor Moses Ulokwem, who chaired the event, said Nigeria’s problem is foundational. He noted that a child who is badly raised might become a menace to the society when he becomes an adult, saying that Maduka’s book, A Mother- Her Heart, is a good example of the kind of positive influence that mothers have on their wards.

    “A beautiful house does not make a beautiful home. It is good women that makes a make beautiful. And the pride of a family is the kind of children it produces. The foundation of every family – physically or spiritually – is an important factor that determines the essence and value of the home, and by extension, society. Unless we correct the foundation, we have not started. Mothers, honour God and talk to the heart of your children, like the title of today’s book, this will help in resolving the problem we are facing as a nation. I commend Maduka’s efforts: in writing this book, he is living a legacy and is challenge us to revisit our foundation,” he said.

    Moved by the focus of the book, Churchill Udo, who served as the event’s chief launcher, said he was sending seven of the 10 copies of the book he bought with an appreciable amount to the settlement of Internally Displaced Person (IDP) in Borno State.

    The book was reviewed by Mrs Bisi Ogunbayode. Using the story of a hardworking mother and her influence on the greatness of her son, Mrs Ogunbayode said Maduka’s book forces the reader to reexamine the relevance of parenthood on child’s development.

    Maduka said: “My journey to literary world started with God. While writing this book, I was taking only water. And the result is A Mother- Her Heart.”