Category: Life – The Midweek Magazine

  • Agenda for growing filmmaking in Nigeria

    Agenda for growing filmmaking in Nigeria

    The  Plateau International Film Festival, which started six years ago in Jos, is fast becoming a major tourism event. Itsdirector, Mrs Debrah Jalmet-Ododo, speaks with Assistant Editor (Arts) OZOLUA UHAKHEME on the event.  

    Looking back, what are the challenges organising the annual film festival?

    Well, as usual every event and indeed each edition of the festival has its challenges. But then, these challenges have always opened new vistas for us to succeed. We have and are still dealing with issues of funding for the festival. We use this opportunity to thank our strategic partners and those who have supported us in several ways, too numerous to mention, for believing in what we have set out to achieve with this festival, which is in its sixth edition. We are very hopeful that in the coming years, film makers especially in and around Plateau State will beat their chest and there will possibly be no other film platform to promote creativity, employment and entertainment other than the Plateau International Film Festival (PIFF).

    Despite these challenges you kept faith with the festival, what is the staying power?.

    Yes, we have because film enthusiasts in and around Plateau State, Nigeria and the world over have keyed into what we are doing here. From the level of domestic and foreign participation in past editions, it is evidently clear that we have the endorsement and support of many. The level of foreign and domestic film entries have continued to grow with each edition of the festival. Our target is to develop principally young Nigerian youths who are either in the film making business or want to take to filmmaking as a career or profession. Consequently, we have leveraged on the existence of the National Film Institute (NFI), sited in Jos and hopefully we intend to access some of our participants to enroll at the NFI for further training in filmmaking. Above all, we are determined to sustain the film festival despite the daunting challenges, just as we  will count on the goodwill of our partners, hotel and hospitality providers, transportation companies and especially, the Plateau State Government and the Nigerian Film Corporation(NFC) in the hosting of this year’s, and future editions of the film festival.

    Specifically, what is the driving force or motivation that keeps you on?

    Participation has been the greatest force behind the successes of the festival. This includes film entries in the various categories of awards from domestic and foreign filmmakers, professional and upcoming. Apart from our determination, our team of resourceful management, resource persons and faculty, including diligent volunteers, have been instrumental to the sustenance of the festival.  We have, and are receiving commendations from around the world. These encourage us to forge ahead. Also, we are receiving notifications and advanced bookings for participation. And we are equally assessing and expanding the scope and content of the festival to meet modern day realities in contemporary film festival and markets. All of these and many more have made us to continue to drive the festival.

    What is the unique element of the festival that separates it from others?

    The uniqueness of the festival is hinged on the fact that we have targeted young and upcoming filmmakers, and we are succeeding. Above all, I think we have done more than even what we set to do in each of the festival editions. The participation levels of these categories of attendees have kept the festival going. And the support level is equally a factor. We shall continue to work on our strengths and develop strategies to deal with our challenges.

    Beyond entertainment, what socio-economic issues is the festival promoting?

    Beyond entertainment, our focus has been to empower attendees with the necessary skills and up-to-date information on filmmaking as a business venture. Consequently, we have always chosen themes in each edition  and aligned with the nation’s aspirations. In other words, we try to ensure that in all we do, the people and the nation Nigeria come first. For instance in 2011, the festival theme was ‘Art and Peace’, in recognition of film as a tool for peaceful co-existence. In 2013, it was ‘Building Relationship through Film’, in 2014 ‘Film, Tourism and Culture as a tool for education and entertainment and in 2015, ‘Film for the development of the society.

    What’s your dream for the festival?

    Our dream is to grow the festival into that which will make Jos, the Plateau State capital, the hub of filmmaking and entertainment. By this, the tourism potentials of the state will be enhanced. Employment will the generated and wealth created through the various trades associated with filmmaking, film festivals and market.

    When are you returning to the stage and screen as a specialist in cinematography?

    Even with the enormous task of mounting the festival each year, I am working on some productions and I intend to fully engage in active stage and screen appearance as well. In fact, preparation for the next edition of the festival begins from the closing ceremony of the out gone edition. Despite these, I do at times provide advisory roles and supervise some film projects, including the holding of technical sessions and briefs with international faculties on film matters.

    This year’s festival is around the corner what is the preparation level?

    Yeah, this year’s edition has since started. Call for entry has since opened, and as usual, filmmakers are responding. We are equally stepping up sponsorship; partnership and support drive to enable us achieve maximum success. We have also expanded the categories to now include, drama, animation, commercial/advertorial and music video. We obviously expect large turnout of participants. As usual, barring any circumstances we a hoping to live up to expectation and host a successful 2016 edition of PIFF.

  • NTDC signs MoU with Cote D’Ivoire Tourisme

    NTDC signs MoU with Cote D’Ivoire Tourisme

    Domestic tourism across the West African sub-region got a boost last week when the Nigerian Tourism Development Corporation (NTDC) led by Mrs Sally Uwechue-Mbanefo signed a Memorandum of Understanding (MoU) with Cote d’Ivoire Tourism Board.  The ceremony, which was witnessed by tourism stakeholders and officials from the Nigerian Investment Promotion Council (NIPC), its Cote D’Ivoire counterpart, Centre de Promotion des Investments En Cote D’Ivoire (CEPICI), held during the Nigeria-Cote D’Ivoire Economic Forum in Lagos.

    Also present at the forum were the Chief Executive Officer (CEO) of Skye Bank, Mr John Olatunde Ayeni; Ghana High Commissioner to Nigeria, Mr. William Azumah Awinadar-Kanyirige; Ambassador of the Republic of Cote D’Ivoire to Nigeria, Mrs Toures nee Kone Maman; Mr. Essis Esmel Emmanuel; Sergie Olivier Gaddah; Mr. Assoua Raymond and Wande Akinboboye, among others.

    The forum, which featured presentations on the investment climate and opportunities in both countries, urged nations of the West African sub-region to trade among themselves.

    Mrs Mbanefo said Nigeria needs to improve its production capacity and invest in labour intensive sectors such as tourism, agriculture and manufacturing. This, she said, was the only way to create jobs for the small and medium scale entrepreneurs, the youth and women.

    She disclosed that the corporation has been holding talks with Ghana Tourism Board and  the South African Tourism Board. “Two years ago, we signed an MoU with The Gambia Tourism Board and the first batch of NTDC staff were approved for training and best practice exchange. We will not stop until we achieve a West African Tourism Brand, so that when a tourist begins his trip in one African country, he or she can conclude it in Nigeria to get a holistic approach to tourism in West African,” she said.

    The Director-General said: “We want to encourage other African countries that have best practices for cocoa production, textile and fashion industries to collaborate with Nigeria to create jobs for the youth. If our manufacturing and agriculture industries are reawakened, tourism would have contributed to job creation through such synergies with Cote D’Ivoire and other African countries, where we can emulate their industry best practices.’

    Mrs Mbanefo explained that ‘Nigeria must encourage mechanised farming and industrialisation. “I’m happy associations like Manufacturers Associations of Nigeria (MAN), which I worked very closely with when I was in Lafarge Cement, are here. The Fashion industry is also a great opportunity to empower youth with skilled labour and grow small and medium scale enterprises,” she said.

    Skye Bank CEO Mr. John Olatunde Ayeni called on West African countries to continually provide information about investment opportunities in their countries and share same for overall development of the region. He said trade among West African countries should be encouraged, describing the signing of the MoU as the ‘beginning of good things to come. “Lets network and invest in ourselves,” he said.

    According to Mbanefo, the corporation has been collaborating with Cote D’Ivoire Tourism Board for the past three years. “They have been coming to the corporation for collaboration between the two countries, but the MoU signed today will unite us and help achieve the ECOWAS Tourism Brand Regional Alliance, which NTDC has been working on with other African countries,” she added.

    She described tourism as a value chain that touches every sector in the economy because “tourism is leaving your house to seek business, leisure, sports, cultural or religious adventure and the vehicle you use is either a car, bus, plane or train that are manufacturers’ benefits, fuelling it benefits oil and gas sector and going to a bukka or restaurant to eat, benefits the agricultural sector”.

    The Director-General reiterated NTDC’s mandate as the apex tourism promotion and marketing agency in Nigeria to include marketing and promoting the beautiful products of Nigeria such as cultural festivals, arts, Nollywood, musicians and numerous eco-tourism products and link them up to the rest of Africa.

    Ambassador of the Republic of Cote D’Ivoire to Nigeria, Mrs Toures, thanked  all the participants for honouring her invitation, saying: “We will co-operate and partner Nigeria in many areas such as Tourism, textiles, telecommunication, power, health and  education.”

    Mrs Toures added that “the Forum is a platform for Cote D’Ivoire to form an alliance with Nigeria to enable the two countries strengthen the existing areas and explore new fields of co-operation on a win-win situation and reduce poverty in Africa”.

     

  • A boardroom chief’s odyssey

    A boardroom chief’s odyssey

    At 80, Felix Mathew Ogbeyewebor Osifo has every reason to thank God. From a modest beginning, he rose to the peak of his career at the United African Company (UAC). His odyssey is captured in a biography titled: From Machine Boy to Managing Director, written by Prof Hope Eghagha of the Department of English, University of Lagos (UNILAG). Pa Osifo, who  turned 80 on  April 19, grew up in the village; he had no secondary and university education. He joined the UAC at 20 and by 26, he had become a manager. Osifo spoke to NNEKA NWANERI on his life and the journey to the top.

    Growing up

    I was born on April 19, 1936, but was the second child and first son of my father, John Osifo, who died during the civil war. At seven, I enrolled at St Andrew School, Warri. I read till elementary level in 1952.

    “At the end of 1951, during the Feast of Tabernacles in the God’s Kingdom Society, where I worship, there was this great man, Kay Amachree, who was introduced as one of the delegates and was a doctor of machines. At that point, it struck me that I wanted to do machines. Moreover, I was quite good at using my hand to do technical things. The chord was struck and I decided that this was the way to go.

    “So, in 1952, while I was about preparing for my examinations, I had decided I will be a doctor of machines. That was how I settled for the repairs, maintenance and refurbishing of office equipment.

    “I learnt the trade as an apprentice at Kay Amachree and Co. from February 1953 till February 1956. The company was at 95, Broad Street, Lagos. While I was on the training, I stayed with the owner and proprietor of the company, who was a member of God’s Kingdom Society before moving to Sub-Bethel home of the church in Okesuna, Lagos.

     

    Why he chose machines

     

    “I chose machines because of the inspiration I got from the owner and founder of Kay Amachree and Co, who I neither never met before, until that feast at the church nor repaired machines before. It is motivational to have someone you can look up to for your profession. After that, I joined a UAC affiliate company called G Gottschalk and Company in March 1956 and got employed by an expatriate during the pre-independent times.

    “Somehow, they identified some latent qualities in me that made me to move fast. I was on the list of those the company had a lot of time for and subsequently was given a scholarship to the United Kingdom to further my knowledge of machines. I left in March to December 1958. I covered much grounds and I excelled. I also attended Imperial Typewriter College in Leicester. There were also expatriates there as well and many from different countries, who came there for the same training. When I came back in January 1959, I was seen as a high-flier and I was transferred to the North. I was based in Kaduna and oversaw the northern branches of Zaria, Jos and Kano to ensure that operations were up to the standard.

    “At about Independence time, I was called to Lagos for an interview. I was informed in writing that I have been transferred back to Lagos and that was in December 1960. I was moving up the ladder stage by stage and I made my mark with God blessing my efforts.

    “At that time after independence, the country was very stable. I was again asked to go back to the UK in 1961. I had to make sure that I got married so that I could have some reason to come back to Nigeria.  I didn’t abuse the confidence imposed in me. So, I met Beatrice and after much discussions, she initially didn’t want to have anything to do with me. She was under pressure from her friends to refuse me. But I persisted until she gave in to me. I was convinced that she felf the same way about me. She eventually accepted my hand in marriage. I left with  my late mother in Warri and in March 1961, I left for the UK and stayed there for six months.

     

    Whether he expected to rise to the top of his career as a machine boy

    “I joined as a technician, but I never knew I would rise to the height of service manager. I was less than 26 years old. I was in the UK and coming back, my superiors saw certain qualities in me that needed to be harnessed. So, it wasn’t that I set out, to be an MD.

     

    What inspired his

    phenomenal growth

     

    “One of my inspirations was my abiding faith in God. I believed that God’s creation must be dynamic and that confidence made me not to fall back on the level I had achieved, but to excel. For instance, while I was an apprentice, I was in touch with a corresponding firm where I was doing distant theoretical learning on office machines.

    I was also an avid reader of books, publications and the Holy Bible. Even at school, I saw every given assignment as an opportunity to excel.

     

    Reflecting on his career development vis a vis today’s reality

     

    “One of the things UAC did for me was exposing me to very vast areas of life. Not just me alone, it had a policy of human capital development that the company was reputed for. They were good at identifying individuals to various facets, depending on their area of specialisation. They helped them improve their knowledge and made the best of it.

    “Those sent to learn should have a sense of purpose to know why they were there as expected by their employer. They must acknowledge the effort of their employers and be focused. For me, I took advantage of the opportunity that I was given and excelled. That was why I moved to the next level because I was also exposed to the rudimentary aspects of management of people and resources.

    “The UAC had regular assessments of competence, capacity, talent and the field was open for those who wanted to succeed. The evaluators then were expatriates and after independence, Nigerians began occupying positions. But because these expatriates based their assessments on merit, they operated without ethnicity, tribe or religion or gender. All was done openly and without bias.

     

    Comparing the UAC

    then and now

     

    “They are two different dispensations. UAC began as a trading company and metamorphosed into an octopus-engaging in everything. The UAC today is different and is into manufacturing, property and convenience products. It is not the same. Why should it be? When life is dynamic and the only thing that is constant in life is change itself.

    “But in terms of ethics, culture of competence and continuous assessment of people’s performance and encouragement of its workers, it is still there from what I have observed as the President of the UAC Pensioners’ Union during the annual meetings. This way, they plan well by looking ahead of time and are not reactive, but proactive.

     

    On whether his not having a university degree affected his dreams

     

    “I never saw university education as the end of life. I saw it as an opportunity to further develop in latent talents. I call it an expanse base of knowledge. What is important is having the foundation basic knowledge and teaching. Learning is infinite, but I never saw that gap as a setback. I attended same management courses with those who were graduates. I went to Ashley College, Henley College in Switzerland and other colleges.

    My seven children are graduates, and that is the best legacy any parent can leave for his children. University education is important. Even those who went to elementary school with me saw that I was rising in my career. They were envious and wondered how I could cope when I never went to the university like them. In all, it was the Lord’s doing, that at the age of 26, I was a manager.

     

    Secret of his good looks

     

    “It is God. Ten years back, I didn’t know I was going to live this long. Yet, people embarrass me and say I don’t look 80. I can’t falsify my age. In all, one has to structure his activities to make room for various demands. Give family time and with a good wife, it is a valuable treasure.

    “I am also a member of the Institute of Management, Institute of Directors and I once served in the Chamber of Commerce. Then also, the church is a platform for serving God, where I am committed and active as the Chairman of the Laity.

    “I am very committed to community affairs. And I used to play Badminton at Ikoyi Club until I had an accident on my left leg in 1991. So, it is a multifaceted approach to life: having moderation in all things and having trusted friends.

     

    His philosophy of life

     

    “Summary of my philosophy is encompassed in the fear of God and the strive to do His will. Seeing the other person as an extension of one’s self. Balance the various demands of time in life. Be honest because integrity is paramount in whatever you do. Therefore, one may realise that wealth is just as transit as life, but a good name  is better than quick riches and is determined by the quality of life one  lives and not by the naira and kobo he has and the type of friends he keeps.

    “Belief  in the fear of God as the beginning of wisdom, and with the fear of God, one can elude all evil things. Mistakes are a learning curve in life, and don’t dwell too much on the past, but make it a reference point. I believe life is transient and we should not be afraid of death. Be content and be happy with what God has done for you. Too much worry will make one not to be contented.

    “I believe in integrity and I try to practice it. My church, Church of the living God, has helped me a lot in imbibing the teachings of God and the Prophets and tries as much as possible to practice those ways and practices about Christ.

     

    Any regret for not staying back for greener pastures in the UK? 

     

    “I remember the challenges I had in the UK. There were a lot of attractions. One mind kept telling me to stay back after the training. One or two young ladies said they loved me. But I was determined to come back to Nigeria and ensure that the confidence  my employers had in me was maintained. I thank God I took that decision.

    “After my training in the United Kingdom I was 22, but I still came back. But some of my friends, who went with me stayed back.

    “I thank God I came back. I have no regrets. This is my country. I have nowhere else to go even with all the amenities of the western world, I still believe that one day, we will get it right. Those older than me are still there till now. Funny as life is, if they don’t identify with their people someday, they will when they eventually die.

    “Nigeria is still relatively young, but we are one country and in the nearest future, we will get it right; devoid of militant youth and herdsmen and all, which began in recent years. Compare today’s primordial mentality with the days when we were winning medals at the Olympics; biases without tribal or ethical claims to have a share in the national cake no one baked.”

     

    Anything he would

    have done differently

     

    “Change is the only permanent thing in life. One would have done better in some areas.  I gave a lot of time to my work; would have given more time to my family, especially my wife, who has been wonderfully supportive. I hope to someday take her on a cruise. I hope other Nigerian women will be like her. If you have a virtuous woman, you don’t know what God has done for you. In all, God has been merciful to me. I don’t have more than two cars, so far as I can move from point A-B. I am not perfect, but others see me better than I see myself.”

  • The maze of karmic reverberations

    The maze of karmic reverberations

    In three acts and nine scenes, Dr. Chukwunyere Chukwu sets out on a journey that is common to men, where the vicissitudes of our everyday lives are bare before us, while each person wades through the murky waters of differing challenges. As much as many would prefer to talk about what is bad in coated words, Aru, by Dr. Chukwunyere, tells it the way it is.

    This is a dramatic piece in which an action never ceases to be sustained as it builds into another. There are questions asked and answers given, while there are actions with meanings that the reader will grapple with for a long time. It is because of the seeming impermeability of the incidence and its surrounding antecedents. At the height of the interrogated issues in this dramatic piece is the death of someone, whose identity becomes inconsequential because the living seem only always to have certain iorta of attention, unlike the dead, which after the verdict of breathlessness may not find a place of remembrance.

    There are several themes explored in this work, and as each unfolds one finds the stark nature of the human mind at its utmost intertwines, while the conflicting stances of frailty and strength continue at its parallel, consistently revealing the truths on both sides of a divide. Ultimately, Aru does not only emphasise retribution, but explores certain Karmic intricacies, in which what is source for the goose is without flinch source for the gander.

    It needs be made clear, that this work is truly characterised by Nigerians, but with far-reaching relevance; afterall the emotions and actions of man are to a great extent one and same across the world- wake, work and abound in the wonders of the world in which one finds oneself- and in the midst of ensuring ‘survival’, several vicissitudes are encountered and more importantly, conquered.

    Death and its many unwanted devastations takes its toll. Snuffing life out of the young and old, caring less about the bereaved as it leaves in its trail skirmishes amongst mere mortals. The sudden disappearance of a little boy and the discovery of his severed head days later indicate the unequal cadence in human experiences. The hope of the young succeeding the old suffers irredeemably, when the young departs in the most heinous of manners and his death is alleged to have occurred in the hands of the old, who have responsibility to protect the young. The denotation by death can be a reference to the periphery of the impermanence of human lives, but at the level of non-literal meaning, death signifies every kind of doom that one does not wish for, particularly the non-functional structures of governance and state institutions.

    Dr. Chukwunyere Chukwu flays the ills of ill-gotten wealth, marital infidelity, dishonesty, disrespect, debauchery and every named vice which prevents the attainment of laudable life goals. Besides the simple choice of words in the dialogue, the author employs proverbs at appropriate junctures to buttress the points being made. He heralds the discovery of the dead boy with the words from Adda in Act One,

    “The death of a bird is not questioned by any one because it belongs to no one when it flies, then the land it falls matter to no one who hardly cares”

    These words are the deprecatory verdicts on the actions of man. It is such that even after an alleged killer has been apprehended, one still finds out that a thousand and one questions remain unanswered regarding the real criminal and a smudge splashed on one who is perceived culpable. Without much ado, Dr. Chukwunyere writes for one to read the denotative, but essentially has a great interest in the reader warming up to the underlying meaning of the work.

    In Act Two, the clash of cultures is revealed amongst the persons of Agbala, Agala, Asaka and Amako. The assonance in their names does not in any way represent any unity of thought as each person’s identity and disposition is at best on cause of collision as issues unfold. Culture clash is thrown up for examination and each person holds a position about, not just religious faith but the rightness or otherwise of an embraced norm or a discountenanced practice.

    This can also draw a lot of allusions in real life where many persons appear to have a lot in common, but unknown to many others what divides them transcends what unites them. Divisions along ideological lines are common amongst human beings and it is always sensible to address these issues before it escalates. In Aru, there are inter-locking challenges, which appear not to get a resolution in good time and as such could not be wished away in a hurry.

    The third part of the work unveils something that is rather shocking. Having thought at the outset that only a death was recorded, even more snuffing out of human lives continue. Death seems a leitmotif in this piece to the point that one sees the ephemeral nature of human life from a clear point of view. A collapsed building resulting in death; a careless driver running into somebody and attempt to escape infidelity resulting in the loss of other lives thus indicate results from what has been triggered. It is at this juncture that ‘The law of Karma’ takes its chunk of flesh.

    Ultimately, the writer treats every aspect of human concerns; although his work strongly suggests a cause and reaction line of happening, there are some others whose experiences are unconnected to their fate, equally alluding to the many questions about why certain persons suffer incommensurately.

    The irreplaceable fact of life resonates, but when a ‘dog claps its hand that is not seen, then the outcome would leave too many questions unanswered.

     

  • Young photographer with a mission

    Young photographer with a mission

    Emily Nkanga, 21, is one of the few young Nigerians with a strong passion to excel using photography as a launch pad. Nkanga, who studied TV and Film at the American University of Nigeria, Yola, Adamawa State capital, urged Nigerian youths to engage in meaningful enterprise instead of waiting for the elusive white collar jobs. She also tasked the youths to use the social media positively and make good money from it.

    The young photographer, filmmaker and Chief Executive of Emily Nkanga Photography, said she drew much inspiration from everyday activities and fine art. Last year, she undertook the documentation of the plight of the internally displaced persons (IDPs) in the northeast.  She also initiated a concept titled: “Keep Hope Alive” – which gave back to the community a percentage of cost of her photographs sold.

    But her recently published book entitled: The caged and the free spirited, revealed her story telling talent, using images to pass strong messages. The book, a product of her personal experiences in relationship, contains mainly photographs of a model and quotations that reflect two extreme sides- a soul in bondage and a freed one. But, it is also spiced with darkness, tears, pain, colourful ambience and smiles.

    She said as a photographer her aim is to  to convey messages apart from knowing the technicalities of taking pictures. She said people should not just see images and scroll, but should be able to relate to them. “It wasn’t just enough to connect with people on a personal level I needed something that would actually connect to people. So, there was a time when I had a personal experience. This book was done from a personal experience,” she added.

    She continued: “The book also reveals that lots of people go through challenges, but because they smile, one is tempted to believe such persons  and do not have deep stories to share.”

    Speaking during a chat with The Nation in Lagos, she said choosing photography as a career is very challenging because you don’t want to repeat the same creative idea all over again. “If not, it will get boring and people will get tired of it. So, if you have about 10 clients, you need to create 10 different ideas for them. Interestingly, my major clients are in the music industry maybe because that is where I started off,” she said.

    Though she wanted to be a cinematographer, she believed that a good photographer is capable of being a great cinematographer. So, instead of going into films, she chose to start with photography. According to her, when she eventually becomes a cinematographer, she would have great experience from photography.

    Nkanga is not a stranger to the entertainment industry. At an early age, her mother introduced her to the church choir where she played the clarinet.

    “I was actually in an orchestra. But it was more of an all-women gospel orchestra in a Redeemed Christian Church. It was mostly elderly women, but my mother drafted me in,” she recalled.

    When asked what attracted her to movies or films, she said: “It is an art. Basically, my foundation is to tell stories. If you check most of my projects, there has to be a story. I can’t just say I am putting out images; there has to be a story behind it. So, for me it is just like storytelling and the ability to tell the stories is what inspires me towards filmmaking.”

    Undaunted by the teething challenges of the Nollywood, Nkanga described Nollywood as a success story, although she agreed that it could be better. “In fact, Nollywood has improved. I watched some of the new age movies and I told myself that there is hope. In fact, hope is here. But, I think apart from proper technology, it also has to do with proper training. People feel they can go ahead with something without wanting to go the extra mile. But modern filmmakers know their onions and are seeking to improve,” she added.

     

  • Old people: At home away from home?

    Old people: At home away from home?

    More Nigerians sending their elderly to old peoples’ homes

    Following an increasingly changing lifestyle and a gradual departure from a culture that systematically took care of its elderly ones, there seems to be a growing need for care homes for the elderly in the country. Gboyega Alaka explores the realities.

    The 70-something year-old Mrs. Tricia Adebanji is a mother of five and should ordinarily be having fun, having successfully trained all her children to university level. In her hey days,  she worked with the Nigerian Immigration Service, as well as engaged in other legal businesses including contract bidding and execution and food canteen. It was also the beginning of the great recession in the middle to late 1980s, when the economy plummeted and unemployment rose sharply. So like many who were well-placed at the time, she literally flung her children to developed countries of Europe and America, to forage for greener pastures.

    Having lost her husband along the line, she was left with the baby of the house, her only daughter, Toyosi,  as her companion. But it was all for the best and things went well at the time. The children prospered, got reasonably good jobs, got married and regularly sent money home to her. She also regularly went on tour, visiting them in their respective countries of residence and generally having fun.  Life was good and even as she retired from active work, money was the least of her problems.

    But the baby of the house soon came of age. Toyosi graduated and got a job with a bank, and  as a result, Mrs. Adebanji was forced to spend more time alone at home. But that’s no reason to worry, she was still the well-loved ‘mummy’ and ‘grandma’ to everybody and still went out quite well to socialise.

    More recently however, old age has set in. Her bones are becoming weaker, her movement, slower and her ability to socialise, reducing drastically. Worst of all, her sight has began to fail – a result of poorly treated cataract. The thousands of distance between her and her children who live abroad have also ensured that they only come home to see her once a year, and sometimes, once in a leap year. Even Toyosi recently got married and has had to go live with her husband. She only checks on her mother when she could squeeze time from her busy bank job.  So now, Mrs. Adebanji is really lonely. Her sight problem also means she has become more dependent and in need of help.

    Unfortunately, her impatience with the different house-helps contracted for her also means that they hardly stay with her longer than a week, at most a month; compounding the frustration of the children, who wouldn’t want the public to think they has abandoned their beloved mother when she needs them most. Pitiably, virtually all the pressure have fallen on Toyosi, who lives in Nigeria, as if she were her mum’s only child. Today, it is not unlikely to hear her nag and complain out loud what burden their mother has become on her, “as if I’m her only child. I wish I could get somewhere to put her or some reputable care-giver to come in everyday to be with her like we have in the US.”

    Mrs. Adebanji’s story above is just one of a typical situation many Nigerian families are confronted with today.

    Recently, a lady Chinasa (not real name) went on the social media to request for information regarding a specialised home for the care of the elderly. She wrote: “I really need this information right now. Apart from Catholic homes, where the poor live, I don’t know of any other thing close. I have a great-grandmother, who is over a hundred years old staying with my family. She can’t walk; pees and poos on herself, although she uses adult diapers most of the time. … Caring for her has been extremely hellish! We’ve employed people to clean her up and take care of her but they usually end up running off. Sometimes, we’ve had to lock her up at home, when everyone has a place to be. If we had the option of a home, where we can pay for her care, it’d be great relief for everyone, including herself.”

    Note the desperation in Chinasa’s voice and note the line where she said “Sometimes, we’ve had to lock her up at home, when everyone has a place to be.” But at least, she and the other members of the family have not labelled her a witch and thrown her into the streets as witches.

    In Calabar, Cross Rivers State, that is the unfortunate situation. Not long ago, 13 elderly persons were rescued from the streets after being thrown out by their families on the excuses of being witches. These people were eventually taken in by the Pope John Paul II Good Samaritan Home, which have been caring for them ever since. Rev. Sister Yvonne Nwankwo, who is in charge of the home was quoted to have implored children to stop maltreating or neglecting their aged parents.

    A growing need

    Increasingly, the need for homes for the elderly, or what is generally known as ‘old people’s home’ is growing in the country. Evidently, because of changing lifestyles, a suddenly fast-paced world, where people are becoming too busy to take care of themselves, let alone loved ones, the elderly are now suffering. Consequently, what people in this part of the world used to view as a misnomer and a ‘wicked culture’ of abandoning ones aged parents’ has crept into our society. A quick check online would reveal a good number of these homes and care-givers, especially in metropolitan cities like Lagos, Ibadan, Port Harcourt, Calabar and Abuja. Although still a handful and grossly inadequate, the fact that they have even surfaced and are in business shows a marked paradigm shift.

    Nigeria with the largest number of elderly people in Africa, boasts of just over a dozen such homes, but that they have even found a footing at all is commendable, since Nigerians have never found it culturally agreeable or commendable to ‘dump’ their old ones in homes, preferring to take care of them the best way they can, until they pass on. At the last count, some of these homes or care agencies include the Regina Mundi Holy Family Family Home for the Elderly (Lagos), the Pope John Paul II Good Samaritan Home (Calabar), Winiseph Care Home (Lagos), Regal Care Nigeria, Bluegate Healthcare, Family Ark Mission, to mention a few.

    This reporter also paid a visit to some of these homes and agencies, to have a first-hand assessment of the facilities and interact with the operators.

    Adekunle Somefun, who is supervisor and admin manager at Winiseph Care Home says the home is the brainchild of Prof & Mrs. Odusote, both of whom are medical personnel, with long-standing years of practice. He said it was borne out of the founder’s desire to create a conducive abode for the elderly, following a personal experience. “From what the MD, Mrs. Kofoworola Odusote told me,  the establishment of this home was inspired by a personal experience of how her aunt, who at that time was in the twilight of her life, constantly complained of poor care from the house-help contracted to take care of her and of how her meals were constantly delayed, while the house-help went about her personal ‘business’. She said it was after her demise that she decided she’d love to be taking care of the elderly, especially since she was about retiring at the time.”

    Somefun said the home is seven years old and that it runs a 24-hour service, with care-givers, medical team, non-medical team alike on ground to render quality service to the residents. He also says the home runs day care and full residents.

    Somefun said the oldest resident at Winiseph has been there for four years. “He used to live in his hometown in Ijebu, Ogun State but became lonely at a point because all his children are grown up and away from home. He has six children, two live and work in Lagos while four live and work abroad.”

    He debunked the opinion that people who live in old people’s home are those who have been abandoned by their children or ‘dumped’ as many prefer to call it. “It is because their people care for them that they have brought them here, and they pay for the services. So in the real sense, it is because the children don’t have time, yet they want the best for their parents that they bring them here.”

    He spoke of how this particular elder “didn’t want to move an inch from his home, thinking that they were taking him to some horrible place, but now he is actually nearing five years here, and obviously enjoying it.”

    He said “The oldest person here is 96, but she’s still very sound. what happened in her case is that the daughter on account of her business travels a lot and rather than leave her at the mercy of house-helps, she thought it best to bring her here, where she was sure of total care.

    On the price range, Somefun said he may not be able to disclose that on the go, but that depends on the age and state of health of the elder.

    About the fear that sane people may be mixed with people who are mentally sound, Somefun shook his head in disagreement, but explains that “Dementia in the real sense is a medical state that cannot be corrected or reversed but which can be managed. And it’s not all of them that are violent like many people think. So I always tell the children that life is in stages and that we are here to manage their parents for them, since they cannot spare the time. In truth, there are some things that we may not be able to do, but the human care, medical care and pampering that they need, we will give them.”

    Somefun enthused that the children also come in regularly to check in on their parents and reunite with them as much as possible.

    He said social clubs and organisations also visit the home from time to time to celebrate birthdays and other important festive occasions with them. This, he said, is to remind them that they are still part of us and are not abandoned.

    Mama Saro (not real name)

    One of the residents of the home whom we shall call ‘Mama Saro’ for the sake of confidentiality and because she once lived and worked in Sierra Leone, spoke of how she came to live in Winiseph Care Home.

    She said, “It’s not that I’m sick or anything, but my daughter travels a lot. Sometimes, she may be gone for a whole week, sometimes more; that’s why she thought it wise to bring me here, where she said she can trust that they will take good care of me.”

    She explained that she is an Urhobo, “What you Yoruba people call Isobo, but I grew up in Lagos. My parents had a house on Idi Street in Ajegunle. I also lived in Surulere and at a point travelled to Sierra Leone, where I lived for many years and even worked as Confidential Secretary to the Chairman of Sierra Leones Electricity Corporation. I was in Saro for many years before coming back to Nigeria. My mother was a big textile dealer in the old Balogun Market on Lagos Island. I also lived on Anfani Street, Ibadan with my husband.”

    Of the level of care she is receiving in the home, Mama Saro said “Oh, if it is about that one, they take care of us very well. I would even say that their service is excellent, only that anywhere you have a group of people numbering up to five or ten, you always find some people whose habit or character you may not be agreeable with.”

    Asked how old she is, Mama Saro paused for a moment, looked to the ceiling and then said “Calculate it, I was born in 1943”

    So much for someone who had earlier told this reporter that “My only problem is that I forget a lot.”

    Regina Mundi

    At the Regina Mundi Catholic Church Holy Family Home for the Elderly, it is an atmosphere of conviviality.  No complain, no nagging or bickering on the part of the elders – at least for the hour or so that this reporter spent in the home on his two visits. He also did not notice any haughtiness on the part of the staff. In fact, one of the elders, Mrs. Margaret Babalola, while commending one of the staff said “She is very pleasant woman. She must have been born of good parents.”

    On the morning of this reporter’s visit, the elders, numbering about ten – three of them male, were having breakfast of custard and akara and everyone seemed to be enjoying themselves. The staff were all over them, making sure they lacked nothing and administering their drugs as they rounded off their meals.

    The living room is spacious, highly ventilated with ceiling fans an air-conditioner, and a flat screen television for entertainment. Here, it also seems electricity supply is 24-hours non-stop. Aside the big generating plant humming quietly in the background, the home also enjoys the luxury of Inverters, which according to Rev. Mother in charge, Sister Anthonia Adebowale, was donated to the home by an international organisation called Small World.

    The home was founded in 1982 and the “cardinal principle is to help the elderly poor. That was our objective in the past and it still is our objective in the present.” To ensure that maximum care is given to the residence, she said, it is a policy of the home not to take more than 14 elders at a go. She said the home started as a bungalow and was later upgraded to a storey building, to accommodate more people.

    The sister also informed that the home is  totally charity organisation and so the residents don’t pay. “If they have to pay, maybe if they are sick and have family members who are able to foot the bill.”

    She said funds for the home come from well-meaning Nigerians who come in to donate in cash and kind. As the sister in charge, Rev. Mother Adebowale says she solicits funds for the home and even goes to the different parishes to solicit for fund. “So it’s pure charity, not as if we get any subvention from government or anywhere.”

    Unlike most other homes visited, this reporter was also given a free hand to interview the residents, while the Rev Mother wondered why he hadn’t gone ahead to take the pictures of the elders at breakfast.

    Though a catholic church initiative, the reverend mother said the home is not discriminatory and in fact has a Muslim in their midst, who has been with them for quite a while.

    Bless the Reverend Mother!

    The first resident this reporter interviewed was Iya Jos, a Yoruba woman. She said she goes by the name because she lived a long time in Jos, before coming over to Lagos. She had just finished her meals and from the look of things, she may be approaching her centenary birthday or well past it. The sight of her Muslim rosary in front of her also gave her away as the Muslim Sister Adebowale was referring to. It also testifies to the fact that she still practises her religion and that the church has no qualms about it.

    She revealed that she’s been in the home for sometime but cannot really recall how long. As for the care, she said they take care of her very well. She would not tell the number of her children but said the reason she’s in the home is because her children are too busy to take care of her and their children are attending school.

    As this reporter made to go for another resident, she called him back and said, “The reverend sister is good. She takes very good care of us.”

    Mrs. Cerena Onwuneli’s impeccable English accent already betrayed her background even before she revealed that she was a trained teacher. She cannot remember her age, but said she is in the home because her brother brought her there and because her only son died seven years before she came into the home. As for grandchildren, she said “he was married and I was told he had two children, but I’ve never seen them.”

    Once, she tried leaving the home to go and live with her brother, but she said she didn’t enjoy it much and it was even the reverend sister who noticed she wasn’t looking happy.

    Her reason, she said is that “At my brother’s place, they don’t like me going to Mass every Sunday, but here, I am free to go to Mass at anytime.”

    She hailed from Ezihinite Mbaise, Imo State, she said and was a trained teacher, with years of experience at elementary school.

    Margaret Babalola on her part says she’s been in the home for over a year, although one of the staff who overheard her corrected that she has been in the home for four years.

    Mrs. Babalola says she’s in the home because her “children are in London and don’t have time for me, but they have time for their wives. That is the way the world is now, but it is not good. We didn’t treat our parents like that. Besides, they have never been here to see me.”

    About Rev Mother Adebowale, she asked: “Pray what can we do for this woman, she was the one that saw me at a programme and brought me here? Then, I was ill and my legs were sore, but she took me to the hospital and they took care of it. Now I’m better.”

    Born in 1943, Mr. Raphael Oyelere was a mechanic and then a driver in his active days. He drove long distance passenger buses to Jos, Kaduna and Zaria until old age set in.

    He revealed that he used to live in Isale-Eko and came to the home at the instance of Reverend Father Charles.

    “I used to attend church regularly, but when my wife died, it became a bit difficult for me, so I stopped. They noticed, came to check on me and saw that I was lonely. That was how they brought me here. I don’t pay a kobo.”

    He said some of his children are dead and that the others are still young and with relatives.

    Regal Care Nigeria

    Regal Care Nigeria is a care home based in Lagos and run by a young man  and UK-trained nurse, Olufela Lapite. He says it was born out of the need to fill the gap being created by the fact that “less family members are willing to look after the older people in our society.”

    He explained that “In the past, there were younger children who were used as housemaids and left with aged parents to cook and do other house work,” but that Regalcare is averse to this pattern as it denies the young children their human rights to education and co. He also said the maids are not really trained in terms of health and safety, hygiene, manual handling and all, hence the need for an organisation like Regal Care.

    Another reason, he said is that “the children of these older people are now very busy to attend to the needs of their parents or grand-parents. Some work in private organisation where they leave home at 6am and do not return home until very late in the night.”

    He said Regal Care therefore came into existence to ensure that older people in the society are cared for through regular healthcare training.

    He said Regal care does not operate by care home at the moment but carries out services in the comfort of its clients home. “We believe it is better to leave older people to continue to live in their own homes, where they feel more comfortable with and also very used to. This is being practised in other parts of the world like UK,USA, Canada etc. Our carers are trust worthy and very diligent in the services we render.”

    He also said the organisation makes sure the carers are supervised by qualified nurses and that they work with other multi-disciplinary teams like doctors, physiotherapists and co.

  • DJ  IRAWO: My passion for the talking drum

    DJ IRAWO: My passion for the talking drum

    Talking drum sensation, Oluwakemi Famugbode aka DJ Irawo recently opened up on her love for drumming, early struggles and support from her other half. She spoke with Edozie Udeze.

    OLUWAKEMI Famugbode (aka DJ Irawo) is no doubt a committed drummer. She is one of the very few Nigerian ladies who have chosen drumming as a way of life.  She is not only a singer, song writer, music publisher, director, musician and entertainer; she is an ambassador of sort, as she has taken drumming to different parts of the world.  Every last Saturday of the month, she, alongside other professional drummers assembles at the Freedom Park, Lagos, to play the drums and entertain visitors and tourists.

    “It is a way for us to keep the groove on,” she told The Nation in an interview.  “We come here for the fun of it.  And this is why we call it the drum circle.  It is to show the world that this form of music is not only African; it is also one of the best ways to keep this venue warm and busy.

    “It is for us to enjoy the drumming, dance to the rhythm of it as you can see.  But apart from that, I perform at different venues for different occasions.  Performance is my life and wherever there is an occasion that involves drumming and I am invited to perform, I am usually delighted to do so.  This is so because this is my profession, this is what puts food on my table,” she said.

    While Famugbode played away on stage on the day of this interview, her whole body system synchronized with the gangan drum in her hands.  She pelted away as if she was possessed by unseen spirits.  Her whole body melted in it as she pranced round the arena, beating away with mad frenzy.  “Yes, this is why I am called DJ Irawo.  When I perform live, there is element of jazz infusion into my kind of drumming,” she said as she took her seat for this chat.

    The Lagos International Jazz Festival was going on in the background.  And soon it would be her turn to mount the stage.  Yet Irawo’s key concern was to put his colleagues in the right frame of mind to dazzle the audience.  “I have been playing this since my secondary school days and it has become part of my life; part of my whole existence.  I began to drum in JSS 1.  Then I continued until I became more perfect in it.  When it was time for me to go to a tertiary institution, my parents refused to allow me study Theatre Arts.”

    Having ended up studying Accounting to satisfy her folks, Famugbode, went on to seek employment in different establishments.  She indeed ended up as an internal auditor in a couple of the firms.  But this was for a brief moment, for music still took hold of her senses.  “Yes, I didn’t last long as an internal auditor,” she confessed with a note of finality.  “I worked in three different establishments as the head of internal audit.  But I left when I couldn’t find satisfaction there to do music full time.  So, in 2015, I finally bade goodbye to whatever profession that is not music.  Today, drumming gives me all the joy I need.  When I see little children like these ones here show interest in music, dance to the beatings of the drums as if they are born with it, I feel good.  I indeed realise that drumming as a profession is taking the world by storm,”

    When she discovered she couldn’t combine music with other profession due to family pressure, Famugbode decided to concentrate on music.  A mother of three, she confessed that the coming of her children helped in slowing her down professionally.  “But all that is over now, for my children are relatively big boys.  And my husband encourages me to do music.”

    At the beginning, her parents tried to hold her back.  “My father said to me one day, ‘oh look Kemi, it is those who do not have brain that go into the university to study Theatre Arts.’  My mum also supported my dad.  But they discovered with time that I could not run away from my drums.  Each time I felt depressed, I would play the drum; indeed my only companion would be the drum.  I couldn’t depart from it, even when I struggled to satisfy my parents in certain other professional areas.”

    When she began drumming, it seemed more of a therapy for depression.  It was catching on slowly with time.  “For me, drumming is a talent.  I did not learn it from anybody.  I started in primary school by drumming on table tops.  The sounds thrilled me endlessly and often made me forget other things.  Thereafter, I joined the Boys Brigade of Nigeria of the Anglican Church.  There, I played the drums for them.  From there I got a scholarship to study music at the Wale Adenuga’s School of Performing Arts.  After that I have been having some drumming sessions every now and then with not only other drummers but with children who show interest in it early enough.”

    For her, different sounds of the drums in Yoruba culture mimic the movement of the body.  Each body language is interpreted by the sound of the drum whether it is bata or gangan.  This is what thrills Famugbode most whenever the sounds are made.  “Even when the drum is played from a long distance and you hear the sound, you can interpret it immediately.  It makes your body to move, while at the same time alerting your senses.  If it is in the palace, it tells an Oba that someone has died or that something very important has happened or about to happen.”

    It is clear that the drums convey essential messages to the initiated.  Most often, the sounds decode messages meant to keep a whole community on its toes.  This is why Famugbode’s primary concern is to keep this tradition ever afloat.  She said: “I can sing different songs with my drum in Igbo, Hausa and Yoruba and other languages to keep people informed of certain issues.  I do other alternatives to the talking drum.  For me, the message and the understanding of it is the most important.  As far as I am concerned, it is not only set in Yoruba or meant for the Yorubas alone.  All of us have the need to hearken to the voice of the drums.  It is a great tradition; it is good for us as Africans, as people who want to keep our heritage intact.”

    Even as she and others played, the underlying lyrics of jazz kept emanating from the sounds.  Some tourists who came around stood in clusters, gyrating to the deep rhythmic sounds of the drums.  This was even as some children who have mastered the messages of the drums took turns to demonstrate the imperativeness of the event.  Famugbode looked steadily at them for a while and said, “You can see the dance steps interpret each sound differently, but also in synergy with the beatings.  When I supervise my people, I also tell them to make drumming more meaningful.”

    As an artist, she equally directs music for films.  This is why she is a well-known figure in the Nollywood industry.  “When a film producer or director contacts me, all I do is get a copy of the film to be able to know what sounds to go with it.  I then organise the songs they want to sing.  I also do background sounds for films.  I do all these to go with the theme of the film and the message it has for the audience.  Generally, I am a sound designer.”

    Composing songs to rhyme with gangan which is her favourite drum is what gives Famugbode her greatest thrill.  “I compose songs on my own to suit my whims as well as the sounds of my drums.” This way, she uses talking drums which she infuses into hip-hop to produce her own peculiar sounds.  Some of these unique sounds are what her fans and followers yearn for whenever she appears on stage.

    “Yes, I equally infuse this drumming into afro to produce a deeper jazzy sound.  And whenever I perform on stage, these elements totally define my uniqueness.  Often, people are fascinated and wonder how I do it.  But it is my selling point; it is my forte.  Generally, the idea is for me to continue with it and then make people interested in it,” she concluded with unbridled satisfaction.

  • Knocks for NFC’s project

    Knocks for NFC’s project

    The Nigerian Film Corporation (NFC) came under critics’ hammer during a discussion session cum film screenings, an Archive-Based Project organised by the Lagos Film Society. The event took place at the NFC’s Lagos office in Ikoyi, penultimate Friday.

    The event attended by filmmakers and  enthusiasts, was meant to improve history and film archiving in Nigeria, especially in Lagos.Three films screening, two of which were documentaries and the third a movie were presented.

    The first film was a documentary on The Missing Picture by Rithy Panh. It was about the life of a young boy who narrated his ordeals in Kampuchea, Cambodia.The film is based on how the people of Pnom Penh were enslaved and relocated to Kampuchea by Pol Polt and his comrades, where they were being maltreated, dying one after the other. The 13-year-old boy survived but lost all his family members.

    The former Managing Director of Nigerian Film Corporation, Afolabi Adesanya said: “Nigerian filmmakers have refused to donate their films to NFC archives which is why there are not enough films in the archive, criticised the corporation’s inability to support filmmakers financially in their film productions.”

    Reacting to Adesanya’s comment, veteran filmmaker Ola Balogun said: “Government spends hundreds of millions on the scheme every year without producing a film or even giving filmmakers money to produce film, yet they want filmmakers to donate the films they produce with millions of naira free of charge.”

    He added that it was, however, unfortunate that $4million was spent on the film laboratory which did not produced even a film before the laboratory was moved to Jos when it was discovered that the water in Lagos was not good for film laboratory.

    Didi Cheeka, one of the panellist, pleaded with older generation filmmakers to release their film for archiving in order to enlighten youths on things that had happened in the past, which they do not experience, so that they can watch it and have an understanding of the events.

    He urged filmmakers to release their works in order to help improve the knowledge of new generation filmmakers in their process of filmmaking and broaden their understanding on past events, which could lead to a developing story.

    The second film was also a documentary by Balogun entitled: Gods of Africa in Brazil. The film, which was shot in Brazil, was centred on Africans who were captured and enslaved by Brazilians. They were taken to Brazil without any of their property, but one thing they took with them was their gods, customs and traditions.

    The Afro-Brazilians did not forsake their gods, they still serve them even in Brazil. This attracted the interest of filmmaker, Balogun, a traditionalist who also has strong beliefs in all these gods; Yemoja, Ogun, Sango, Esu, Oya, among others.

    The third film was a movie titled Black Goddess also by Balogun and was shot in Brazil. The story is based on Yemoja, the river goddess who is known as the most beautiful of all the goddesses.

    Sponsored by Federal Ministry of Information & Culture, Goethe institut, Nigerian Film Corporation and British Council, the event had in attendance Marc-Andre Schmatel, Goethe institut, Ore Disu, Nsibidi institute, Lisabona Rahman, Lab Labalaba (Indonesia/Italy), Jacqueline Nsiah, independent film curator, (Ghana), Tunde Kelani, Tam Fiofori, among others.

     

  • Royal bouquet for Ooni

    Royal bouquet for Ooni

    It was yet another evening of cultural renaissance at the reception hall of the Ooni of Ife’s palace. Theatre and media students of the Federal University in Oye Ekiti presented seven dance drama productions to an elite autience. Assistant Editor (Arts) OZOLUA UHAKHEME was there. 

    For two hours, students of Theatre and Media Arts of the Federal University in Oye-Ekiti kept the select audience on the edge of their seats. From presentation of six dance productions such as Obitun dance, Akotoi dance, Apepe dance, Drum evocation dance, Ugo dance and the Moremi drama performance, the student-thespians offered a special bouquet tagged An evening of culture with Oonirisa in honour of the Ooni of Ife, Oba Adeyeye Enitan Ogunwusi and his wife, Olori Wuraola.

    At the start, it was a handful of guests. But, midway into the performances, the reception hall of the Ooni’s Palace, venue of the event, which started by 8pm was half filled. The hall got enlivened when Olori Wuraola joined her husband Oba Adeyeye Enitan Ogunwusi, the Ooni of Ife who was the chief guest of honour at the presentations.

    Expectedly, the student thespians offered rich performances that traversed the nation’s cultural heritage dating back to pre-colonial Nigeria. Obitun dance, an adaptation for salutation of the guest of honour, was the first to hit the stage. It is a dance that originated from Ile-Oluji in Ondo State. But before the opening dance the Dean of Faculty, Federal University, Oye Ekiti, Prof Ojo Rasaki Bakare said the university wanted to be the intellectual spine of the Ooni’s message of peace and unity using culture. He noted that ‘we want you to find in us a profitable partner.’

    The university Vice Chancellor Prof Kayode Soremekun, who was represented by Prof Gbenga Amu, said the university was prepared to partner with Oba Ogunwusi in his pet project of turning Ile Ife into a tourism zone. He requested the Ooni to connect the university to the high and mighty in the country as well as have an Ooni’s zone or Arena in the university. Specifically, he requested the Ooni to start Oba Adeyeye Ogunwusi Centre for Cultural Research and Development within the Faculty of Arts, where ‘we will intellectually turn Oba Ogunwusi’s vision to another Singapore.’

    Akoto dance from Egun in Badagry area of Lagos State was next on stage and it documented the major human activities that characterised the slave trade across the Atlantic. Apete dance from Ogun and Drum evocation were other thrillers for the guests.  Coincidentally, Olori Wuraola walked into the hall at the start of the Ugo dance, a royal dance from Edo State her state of birth. This exciting performance was followed by Egwu dance from the Southeast of the country.

    The climax was the presentation of Moremi, a 30-minute abridged version of Moremi Ife, a popular Yoruba classic that celebrates the heroic role of Moremi who surrendered her life in order to avert the frequent invasions of Ile-Ife by the Igbos.

    The drama mirrored the frequent inter-tribal wars during which many communities were invaded and children, women and the weak were taken as slaves. Following frequent invasions of Ile-Ife by the Igbos, Moremi volunteered to take up the challenge of finding out the source of the Igbo’s power. She sought the assistance of Esimiri River and pledged that if the river helps her she will donate her son Oluorogbo to the river.

    In one of the raids, the Igbos captured Moremi and three other women who they turned to slaves on their farms. But Moremi turned out to be the choice of the Igwe of the Igbos who wanted her as a wife. After a long while, Moremi returned to Ife with the secret of the Igbos which they later used to confront the invading soldiers of the Igbos. That was how Ife put a stop to the invasions.

    Oba Ogunwusi expressed satisfaction at the performances by the students, saying Moremi play had a strong significance not only to the Yoruba but also to the world. “I am happy with all your presentations but unfortunately, we don’t appreciate our culture and heritage. The statue of liberty in US is a spiritual piece and a gift from France to US. There is a goddess of liberty behind it. This is the same story of Moremi,” he said.

    He noted that Nigerian students must have other platforms within which to interact and socialise beyond the Nigerian University Games (NUGA). He hinted that he is considering initiating a cultural competition for university students to complement what the NUGA games is offering at the moment.

    Sponsor of the evening Mr. Tope Agbeyo said it was his little way of contributing to the rebirth of the nation’s rich cultural heritage, which the Ooni has been championing since he got to the throne.

    “Our policy makers should use culture to preach peace and unity. It is less costly compared with acquiring arms and ammunitions to maintain peace in the country. The proposed centre will surely come to pass and we need more of such partnership,” Agbeyo added.

    On why he chose to support the productions, Agbeyo said: “I am a fan of culture and there is no culture that embraces chaos. If we can propagate our cultural heritage very well there will be peace everywhere in the world. Our embrace of civilisation that is not ours and which is alien to our culture, especially through the social media, is responsible for the violence we are experiencing across the country. We must demonstrate to the world the values of our culture which can be exported to the globe. It is a product that can serve us better than oil because it will never get exhausted.”

    Agbeyo, who studied theatre art at the Obafemi Awolowo University, Ile-Ife, said his contribution to the production is his own way of giving back to the system. He said that the support has been his desire and that he is happy when he gives to others. He described An evening of culture with Oonirisa as therapeutic outing for the audience that watched the performances.

    The evening was attended by the university’s Registrar Mr. D.A. Adeyemo, Prof Wole Atere and some visitors from the US. The production was directed by Prof Ojo Rasaki Bakare while the executive producer was Prof Kayode Soremekun.

  • Two-force…one progressive

    Two-force…one progressive

    One Prediction, Two leaders…The Progressive ends, and the Means. Oluwaseun Okunnuga’s soon-to-be-released book, juxtaposes two Yoruba dramatis personae – Chief Obafemi Awolowo and Asiwaju Bola Ahmed Tinubu. He submits that the latter perfectly epitomises the former’s age-long  prediction of a figure who would rally progressives to wrench power from government at the centre. ADEGUNLE OLUGBAMILA writes.

    It is one of those rare predictions! It is the myth of two gladiators; one who began the project through dint of hard work and altruism; and the latter, accomplishing what the former once thought was impossible and could not achieve in his lifetime.

    Still, it is the story of two powerful and influential dramatis personae in Yorubaland who rose through hard work to become individuals to whom the world now genuflects like the prominent Orisha.

    They shone like a million stars, conquering territories, men and stamping their signatures anywhere they went. Today, with one dead and the other still living , the duo have become beacons of leadership, and shining light cascading through the length and breadth of the Yoruba race, Nigeria and beyond.

    Like the Biblical John the Baptist who once predicted that the person coming after him would do tenfold what he did, the book overview posits.

    During the First Republic when Action Group won all states in the Southwest but lost in other regions,“Chief Obafemi Awolowo, the first Premier of the defunct Western Region and the Leader of Action Group and Unity Party of Nigeria (UPN), foretold the emergence of a man (Tinubu) that would achieve what the opposition in the country could not achieve in 1959, 1960, 1964, 1979, 1983, 1999, 2003, 2007 and 2011, despite their intellectual capacity and vision for a better society”.

    Having failed to deliver the centre, Awolowo reportedly prophesied to the effect that “Progressive forces would float a formidable opposition platform that would conquer federal power in Nigeria.”

    According to the author, that prediction, however, took 54 years to realise via ‘common sense revolution’, and via a man who, in the nation’s political history today, has that single honour of championing the amalgam, ‘All Progressives Congress (APC), which eventually eclipsed a political party (the PDP) that has clung on to power over the last 16 years.

    Okunnuga said: “Asiwaju Bola Ahmed Tinubu is arguably the most celebrated leader of the Yoruba race”. But how valid is the author’s claim; and what are the basis for his convictions about Bola Tinubu?’’

    He recalled how, ahead of his project, he in 2015 stumbled on some newspaper headlines in The Nation that provoked his inspiration.

    He said: “I was ,going through a features interview titled: “Comparing Tinubu with Awo makes me sad” granted by one of the prominent members of Awo’s clan. And I asked myself: “How could he (Tinubu) make him sad?” The interviewee was talking about Tinubu, his background and ideology.

    “I later stumbled on another headline by another  frontline politician and former  Ogun State governor with the caption. ‘Yoruba has no leader for now’. The interviewee claimed that Awo became a leader because first, he was a students’ leader in his student days, and second, there must be a crisis before one could be made a Yoruba leader. So I was prompted to look at what Awo and Tinubu have achieved. “How has Tinubu fared with Awo’s welfarist ideaology?”

    Okunnuga continued: “So I decided to start looking at Tinubu’s achievements in comparison with Awo’s. In the end, I realised that though they were poles apart, the pair are same in spirit.

    “Like in the Bible where the lost glory of Adam in the Garden of Eden resurfaced in Jesus Christ on the cross of Calvary; the unfinished greatness of Awo resumed in Asiwaju Tinubu. Through pictorials, I discovered that virtually all what Awo agitated for, especially with respect to the ideology of welfarism, has been endured and sustained by Tinubu in different ways and beyond. For instance, Tinubu went beyond ‘regional politics’ with his APC controlling the very  centre Awolowo craved. He successfully had a  handshake across the Niger; and his visualisation, introspection/talent hunting resulted in installing Awolowo’s in-law as a vice-president.”

    The book, which is split into two volumes, is also garnished with nearly a thousand pictorials.

    According to him, lines portraying similarities between Tinubu and Awo are inscribed in purple colour, while dissimilarities are in black and red.

    Volume 1 of the book, Okunnuga said, expounds how Tinubu succeeded in blazing Awo’s trail, and by implication, stepping into his shoes. The first volume also features comparison through pictorials, between the duo in terms of achievements, gestures and ideologies.

    “Volume II deals with the transcendent 2015 general elections and how the APC championed by Asiwaju Tinubu was able to recruit people via the ‘change’ vision. This section mirrors activities in the pre election, election proper and post election exercises. Besides, it also shows how the shenanigans, profligacy, and campaigns of former President Goodluck Jonathan failed to stop Tinubu and his associates from claiming victory in an election considered the most prodigal in the nation’s history,” he added.

    The book, according to Okunnuga, would be ideal for researchers, students of political scientists, and History and secondary school who crave rich knowledge of the duo’s exploits in life.