Category: Life – The Midweek Magazine

  • Fundraiser to end women’s pain

    Fundraiser to end women’s pain

    Health and medical specialists gathered in Lagos to discuss Endometriosis and raise fund to support its enlightenment campaign. OYEYEMI GBENGA-MUSTAPHA was there.

    It is common in some homes girls to see women writhe in pains, especially during their menstrual period. Such condition needs to be investigated. It may not be an ordinary menstrual pain, but Endometriosis. So, men have been urged to pay close attention to women in their lives that experience pains, especially during their menstrual period, and bring them to the hospital, to determine if such pain is Endometriosis.

    Endometriosis is a condition whereby the lining of the uterus, called endometrium is found outside the uterus and causes intense pain in women, especially during the monthly menstrual cycle and during intercourse. The condition can cause premature menopause, as well as a broken home when the woman refuses intercourse due to the pain she undergoes during the act.

    The Medical Director of Duro Soleye Hospitals, Dr Duro Soleye, made this appeal at the Gala Night/Fund Raising ceremony of the Endometriosis Support Group Nigeria, ESGN. Dr Soleye said he lived with about two women who have the condition- his ex-wife, Chief Nike Oshinowo and his immediate senior sister; but because he had known about the condition, he was able to offer assistance to the two. “I am advocating for early diagnosis of the ailment, as this would help in the treatment and management process,” he said.

    Dr Soleye said about 30 to 40 per cent of Nigerian women and girls suffer from endometriosis, while over 176 million women suffer from the condition globally.

    He said a recent study also revealed that about 11 per cent of women and girls with no symptoms or complaints suggestive of endometriosis were actually living with the disorder in the country, as the women were often unaware of the ailment for years before it is diagnosed by a medical practitioner.

    According to him several women and girls across the country have been silently battling with the disease, even as it causes them so much pain and other discomforts that affect both health and the social lifestyle of the sufferers.

    “Symptoms of endometriosis could be severe pain during menstruation, which may lead to temporary incapacitation. Most times the pain is also intense when the woman is having intercourse,’ said Dr Soleye.

    Wife of the Vice President, Mrs Dolapo Osinbajo, who was the special guest of honour, equally challenged Nigerian medical experts and researchers to rise up to the challenge  of finding solution to the problem posed by endometriosis as a chronic, inflammatory disorder and a leading cause of infertility and other gynecological complications that affect women and girls of reproductive age.

    Mrs Osinbajo said the reality of women that suffer from endometriosis, their carers and their loved ones demands response from all Nigerians. “Endometriosis cause infertility, and women and girls are precious. Let’s keep it that way. I enjoin our medical experts and indeed all of us to help improve the quality of life of women and girls suffering from endometriosis. It is scary and disturbing to me that millions of women and girls are living with this condition without diagnosis and more sad that several are misdiagnosed and heartbreaking to think that as we speak, so many are suffering because of the condition.”

    Osinbajo said endometriosis is one more threat and obstacle for women and girls to contend with at a time violence against women and girls is higher than ever before. “What does a woman represent to you? What do you think when you see little girls, young girls, mothers, laughing and playing? Can we stand to see them suffer? I cannot imagine the pain of surgeries, but one thing I can imagine is the inner strength of those living with the disorder. As I appreciate all the work done by the ESGN, I must salute the courage of Chief Nike Oshinowo, our beauty queen and world ambassador for this cause. I salute her courage for speaking out about her personal experiences in a society like ours that judges so quickly, and speaks so definitively about her opinions. I believe this is indeed a great personal sacrifice. Today, her personal experience is bare for the sake of ensuring there is awareness about endometriosis. Our clinical practitioners are encouraged to watch out for it and treat it to help sufferers and hopefully, find a cure,” she stated

    Narrating her experience with endometriosis, former Miss Nigeria and ESGN Global Ambassador, Chief Nike Oshinowo, who has lived with the condition since the age of 11, called for policies that would stimulate research into the causes and possible cures for the condition. “No doctor has told me why I suffer so much because of endometriosis. Why me, I keep asking. I turned 50 recently and I’m looking forward to menopause. However in spite of endometriosis, I have had an amazing life,” she said.

  • How not  to preserve museums, cultural landscapes (II)

    How not to preserve museums, cultural landscapes (II)

    To this end, Part II section 18 of the legal instrument “forbids any person to willfully destroy, deface, alter, remove or excavate any monument else, the offender shall be guilty of an offence and shall be liable on conviction to fine of  N1000.00 or twice the value of such monument (whichever is higher) or to imprisonment for 12 months or to both fine and imprisonment”.

    Without mincing words, the statutory institution for the protection and preservation of monument in Nigeria whether as Federal Department of Antiquities or its metamorphosis; the National Commission for Museums and Monuments, have not fared well in this direction. Granted that the provisions of the legal instrument is fraught with glaring short comings because of the kid blow penalties for offenders, there is no       gainsaying that the Federal Department of Antiquities and its successor, the National Commission for Museums and Monuments have not performed creditably well in the preservation and protection of the Benin City Walls and Moats. It may be argued that the limitation on the part of the Federal Department of Antiquities stems from lack of trained personnel and funding. But the same cannot be said of the National Commission for Museums and Monuments whose funding can be considered as adequate and has the trained personnel at its disposal.

    Having pointed out the ineffectiveness of the agencies responsible for the protection and preservation of cultural landscapes in Nigeria, it must be recorded also for objectivity sake that the residents of Benin City living close to the moats as well as successive governments of the day from the Midwestern Region through Bendel and Edo  states have not helped matters in the protection and preservation issue. Against the sign – post caution and stern warning of the agents responsible for the protection and preservation of cultural landscapes, the recalcitrant residents turned the moats to building sites, burrow pits or rubbish dumps while the successive governments in the name of urban renewal bulldozed  the moats to serve as burrow pits or sewage for flood control. The state government approving agency for building plans is equally guilty as they approved building plans cited near the moats. In an ideal situation, as obtainable in developed countries, it is for government and the preservation agency to collaborate and forestall encroachment on cultural landscape.

    Apart from the Imperial Benin City Walls and Moats, there are other cultural landscapes and sites that have not received fair treatment from the statutory institution responsible for their maintenance. The most spectacular is the Museum of Traditional Nigerian Architecture popularly referred to as MOTNA in Jos Museum, first in Africa. MOTNA was a Mecca of a sort to tourists, local and international, who came to catch a glimpse of the finest examples of a painstaking and time consuming project of traditional architecture from different parts of Nigeria replicated by the indefatigable Polish landscape architect, Professor Zbigniew Dmochowski of blessed memory and documented in three volumes of publication. It was a pride to be part of the management of these cultural landscapes because of the complementing remarks on the lips of the numerous visitors and tourists who visited the site. But a close look today at a couple of some of the MOTNA photographs featured here tells the whole story of reckless abandonment by the successive leadership of the National Commission for Museums and Monuments which will cause Prof. Dmochowski’s body to roll in his grave over what he had spent a life – time to build.

    Other examples which are legion exist but cannot be chronicled here for want of space except for a selected few important ones spread across the country. These include, but not in order of importance, the Obu house, Elu Ohafia (Abia State), Rabeh’s house/fort, Dikwa (Borno State), Shira rock paintings, Shira (Bauchi State), Shadawanka rock paintings (Bauchi State), First mining beacon, Tilden (Bauchi State), Gobirau minaret, Katsina (Katsina State), Habe mosque, Bebeji (Kano State), Imperial Kano city walls, Kano (Kano State), Gidan Makama, Kano (Kano State), Lord Lugard bridge, Kaduna (Kaduna State), Zaria city walls, Zaria (Kaduna State), Kufena hills near Zaria (Kaduna State), Stone causeway at Batura, Tading and Forof in Bokkos (Plateau State), Old Residency, Calabar (Cross River State), Ilojo bar, Lagos Island (Lagos State), Old  Secretariat, Marina (Lagos State), Water House, Lagos Island (Lagos State), Ita Yemoo, Ile Ife (Osun State), Iwo Eleru cave near Owo (Ondo State), Sugbon Shrine (Ogun State) etc

    In conclusion, the theme of this year’s International Museum Day celebration is a big knock on the heads of those defaulting ICOM member states’ statutory organisations responsible for cultural landscapes. It is equally a wake – up call aimed at awakening  the sleeping cultural heritage power houses of ICOM member states to pay attention to intangible cultural heritage outside the museum walls. But as it relates to Nigeria, it is an indictment of the National Commission for Museums and Monuments now known for its knack for abdication and dereliction of responsibilities. This unfortunate situation puts a question mark on the leadership and composition of the boards appointed to govern purely professional parastatals in Nigeria as they appear to be square pegs in round holes and meant to satisfy political whims and caprices. If that is not the case, supervision of the various aspects of the museum is supposed to be one of the oversight functions of the governing board aside from acting as check and balance. This ineptitude which has brought the system to comatose is unacceptable and therefore, for the umpteenth time, make this  Macedonian call on the supervising ministry for proactive measure before we find ourselves clothed in shame in the court of posterity.

     

  • How to stimulate rural development, by Alaafin

    How to stimulate rural development, by Alaafin

    The Alaafin of Oyo, Oba Lamidi Olayiwola Adeyemi 111, has demanded the inclusion of Nigerian arts and culture in schools curricula. Their inclusion of arts in the curricula of primary, secondary and tertiary institutions, he said, would go a long way in ensuring cultural reorientation of youngsters.

    The Alaafin said since the major index of development is high living standard of the people, cultural heritage promotion should be part of the country’s development efforts.

    He stated this at a town hall meeting held with people in the ancient town.

    Alaafin pointed out that there is a critical need to find solutions to problems of cultural destitution and destruction in the name of modernisation.

    He added that what Nigerians must first do as a nation is to protect, cherish and nurture their cultural heritage through the pursuit of sustainable development policies that will marry culture and development.

    This, he said, is because any development that destroys our culture is counter-productive, so also is any culture that does not allow for development.

    According to Oba Adeyemi, “the graduation of the Asian Tigers, particularly China, from underdeveloped countries to developed countries was culture-driven. The root of Chinese development success was in the 1965-1968 cultural revolution that was meant to restore the cultural principles of the Chinese people and revolutionise political opinion and behaviour. Today, China is one of the strongest economies in the world courtesy of its development efforts driven by cultural rejuvenation and revolution. The foundation of our efforts at development must be the rejuvenation, protection and appreciation of our cultural heritage, which will be the bedrock of selling it to outsiders. If we do not appreciate our own cultural values, there is no way we can harness it for our development.”

    He said: “We must strive to maximise economic opportunities of our cultural artefacts and festivals for our development. All these can be developed to meeting international tourist standard and thus yield enormous foreign earnings to our governments at various levels. In the first instance, there would be a stimulation of rural development since most of the tourist attraction areas are located in the rural areas. Second, it would also lead to drastic reduction in rural-urban migration and human congestion in the urban centres which is one of the major economic problems of the contemporary Nigerian state because of employment opportunities and income generation that will be opened up for rural dwellers.”

    Alaafin cited the instance of the Yoruba which possessed famous traditions of art, precisely because they had productive economies and vibrant commercial systems, which allowed artists and craft workers freedom from scarcity and provided access to metals, woods and clay sculpture.

    The Yoruba, Oba Adeyemi said, have also created sophisticated institutions of government.

    “The Yoruba cultural impact is so great not only in Nigeria but also in modern Brazil, Cuba and the Americas where their religion and culture have remained pervasive. This remarkable cultural triumph makes the Yoruba experience one of the most fascinating subjects of historical study in the world. This rich history has placed a significant onus on the Yoruba people and their leaders in the contemporary society given particularly the developmental challenges confronting the Nigerian nation.”

    He continued: “the Yoruba are heirs to an ancient, rich and cultured civilisation. This culture is known for its artistic triumphs,extraordinary oral literature, complex pantheon of gods and an urban lifestyle. Yoruba cultures are rooted in excellence, hard work, dedication, determination, sincerity, frankness, truthfulness, ingenuity, industry, and resourcefulness. This is the main reason why

    “Yoruba people are the engine of growth of the development of this great country. They are at the fore front of the various sectors of the national economy such as health, education, agriculture and so on”.

    Oba Adeyemi also elaborated on Ifa divination, which he referred to an ancient Yoruba knowledge system that “reveals to us the coherence, logicality, precision and profundity of thoughts, philosophy, mathematics and computer science as known and practised by the Yoruba before the 11th century A.D.”

    He described Ifa as the greatest unwritten Holy Book on earth, a perennial fountain of esoteric knowledge from which all prophets derive their inspiration.

    To the Alaafin, “science, especially computer science is ‘Ifa compatible’. The computer like Ifa is based on the binary system.

    Implicit in this development is the ease with which national unity could be forged if these unifying cultural strands are carefully studied and emphasised.

  • ‘I’m an accidental journalist’

    ‘I’m an accidental journalist’

    Last Sunday, Sunday Dare, journalist, ace communicator,  Chief of Staff and Special Adviser (Media) to former Governor of Lagos State and All Progressives Congress (APC) National Leader Asiwaju Bola Ahmed Tinubu,  clocked 50. He relives his practice in an encounter with ROBERT EGBE.

    You were 50 on Sunday. Would you say you’ve achieved your goals for this age?

    No one ever achieves everything in life, even if you live beyond 50; and 50 is regarded as a milestone, at least, that’s the general perception. In 50 years of your life on earth you should be able to thank God for being alive for that long. But also at that point in your life you should be able to look back and say: “Wow! I’ve achieved this much.”

    I thank God that I’ve not achieved all I set out to do, but I’ve achieved appreciably much, whether in my family life, career-wise or in academic growth and development.

    But, beyond that, on the lessons of life and the experiences I’ve gained from interactions beyond the walls of the institutions I attended, I hold extremely valuable the relationships I’ve had and interactions with people in my political life and professional life. They’ve added so much value to my life and I thank God for those I’ve met on my journey. I thank God for the experiences I’ve had: some pleasant, some unpleasant. It’s been a medley, and here I am, 50 years down the road.

    In other words, you have no regrets?

    There are regrets, but I don’t dwell on my failures or my expectations that were dashed. I use each setback as a launch pad to propel myself to achieve my goal. I see every delay, every unmet expectation as a challenge to my intellect to try and find another way to turn things around. So, are there regrets? Yes. Have I dealt with those regrets effectively? Yes.

    You look barely 40. How do you maintain your youthfulness?

    I run a very busy schedule. My genes could also have something to do with it.

    Your first degree wasn’t directly related to the media. How did your journalism career begin?

    I think I’ve been lucky. I didn’t set out to be a journalist; I set out to be a diplomat. In the course of studying to be a diplomat I saw that I had a talent for writing. So, I’m an accidental journalist. From International Relations – International Studies was my first degree – I moved on to International Law and Diplomacy. So, my first two degrees were not even in journalism, but I was always writing until I went to the New York University and the other university.

    Flowing from this, I’ve had opportunities, you know people from international organisations, media organisations and groups, saying, ‘there’s this opportunity, take it.’ I’ve applied for so many.  I’ve won virtually all I’ve applied for. I was able to get a job in America, right out of the Harvard University, to work with The Voice of America in Washington D.C. for nine years.

    During the period of military dictatorship, we were in the vanguard of really investigative and radical journalism and the European Union, DFID and other groups brought in money for media development and that’s how some of us, as activists and journalists, were able to work under the EU to produce a magazine that promotes democracy and human rights.

    You were born and lived your early years in Jos, a city that has been in the news for tragic events in recent years. What are your memories of that city?

    I have very fond memories of Jos until the early 2000 to 2003, when it was seized by religious convulsions that destroyed and shattered the peace of the city. That convulsion affected my family and that changed my love for Jos. The fond memories now became sad ones.

    The family house we had in Jos was burnt down. My only elder brother was attacked in the house; he was basically butchered on a Sunday morning and burnt with the house. My immediate younger sister’s husband, while scaling the fence to escape the attack, was stopped and hacked to death. My childhood friend while running away was stopped on the street and butchered to death on the spot.

    I can go on and on; and this went on for four to five years. Just terrible memories. I did write a piece when my brother was killed, titled ‘From peace home to killing field,’ because Jos for me had moved from a home of peace and tourism.

    There are many stories out there, of bloodletting, killings, and I wrote critical articles about them and the government of that day that never did enough to stop the carnage. We don’t know the body count, but what happened in Jos was a near genocide and the government of that day let it go on. So, Jos? I have mixed emotions. The early part, I have the good memories and the latter part I have the bad memories.

       You’ve held very high profile positions outside the country, why did you leave all of that to work with Asiwaju?

    I’ve known Asiwaju Bola Tinubu for over 15 years. I’ve not just admired him from a distance, I’ve also studied him up-close. I’ve worked with him in between time; and even though I left the country for 10 to 11 years, I was still in touch. The relationship dates back to almost my advent into mainstream journalism. By the time he came on the scene as a senator from Lagos in charge of the Appropriation and Finance Committee in the Senate, he was one of those that gave us a lot of materials and documents that enhanced our coverage of the political economy of this country. I’ve known him that far back. And then, when June 12 happened, we were all there; when the National Democratic Coalition (NADECO) was formed, we were all there. I was part of the founding team of The News and Tempo magazines, and if you go back in history you will know what The News and Tempo were in this country. We stood at the barricade; we practised what was known as guerrilla journalism at that time, because we were operating from unusual places. We couldn’t stay in the newsroom. We were meeting in beer parlours, stadiums, and a couple of other places. But we made sure we got the stories out. It was courageous journalism, radical to the core, but with a people focus.

    During that time, while we led the journalistic advocacy front, he led the pro-democracy wing of that era. He went on exile. He took many people along that joined him in exile. He led meetings; he was organising, arranging, and we were also here doing our work. So, we formed a solid synergy and we learnt so much from him in terms of his fierce commitment to democratic principles, refusal to compromise. His boldness to confront the authorities. He convened a sitting of the Senate outside Abuja. Babangida declared that government illegal and he was arrested and charged with treason.

    What effect did he have on you?

    For us, he was our kind of hero. So, we said if this man can take that risk, as journalists and editors, we would also not compromise our stories, we would not be bought. When I joined him five years ago, I was just ready for another phase, it was a transition. I’d been a journalist for long. I’d worked in the pro-democracy movement, I’d partnered with top political activists like him. So, working with him brought together all of those experiences. Much of what I do is a lot of writing, speeches, press statements but also a lot of brainstorming, sitting together looking at developments in the country, looking at resources that can be used to make policies, develop political strategies. But I can tell you that working with him has brought together, brought meaning to all of my academic and professional skills. I’ve had the opportunity to operate in a political environment of opportunity, of creativity and inquisitiveness that have enhanced my skills as a thinker and writer, deepened the depths of my intellectualism, expanded my network within the professional group and political class. But, above all, it has also put me in a vantage position to see the government and how it operates; to see how the operators of government operate.

    Asiwaju Jagaban’s title appears to have mass appeal, especially among young people, with R&B artistes even singing about it and some adopting the title. How do you manage to keep the Asiwaju brand socially relevant?

    If anyone lays claim to building the Asiwaju brand, they would just be lying. The person that owns the key and the patent to the brand is Asiwaju himself because of the way he has conducted his politics, because of the way he has also developed people, teamed up with people. Those are part of the composites that built this brand and he alone deserves the credit for that. People like me come along to help that brand flourish and to add what is necessary to make the brand continue to remain virile and impactful. When he got the Jagaban, I’m not even sure I was in the country. The timing was just perfect. He had achieved so much up to that point and he needed a title. People were just expectant to see one, it is a title that resonate, the way it sounds, its meaning captures the very essence of the man. Since then, Jagaban has almost overrode the Asiwaju title. But then the only person that has the patent to that brand is the man himself. He is the very essence of that brand.

    You’re obviously a very busy man, how does your family cope with your lifestyle, especially since they live so far away from you?

    My wife and kids live in the United States of America, I moved back about five years ago, not willingly, but Asiwaju said, ‘Sunday, you have to come back.’ And I said, okay, I’ll come for one year, but he said ‘No, it’s a long distance journey. Just come home. Why are you putting a time limit on it? Why do you think you can’t work for this country? Why do you want to sit there in America? You don’t want to develop your country? He didn’t give me an option, I had no option. So, without even checking in with my family, I started work here. I look back five years and I thank him for leaving me with no option than to return home and work here — to learn at the feet of one of the greatest and articulate minds I have ever known. And I’m not patronising here. At 50, I can look back and say how many people have really impacted me this strongly? If I were to name just three of them, he would be one of them. Of course, my father comes first. I’ve had editors, I’ve had managers and the rest, but he comes second. I’ve learnt so much, even in the silent moments when I just watch him talk on the phone or take decisions, or when I’m writing and he says ‘No, you don’t write it that way, do it this way’, or I make mistakes and he gets angry and says ‘No, you don’t that, much is expected of you.” Or when he challenges me and asks, “Do you know something about this?” And when I say no, he asks me to go and read it up and get back to him. So, under him I’ve been able to develop some potential that were latent, I was able to bring them to the fore. I do miss my family and I know they miss me too, but I know so many professionals who left Europe and America and left their families behind so they can concentrate on doing something for this country. That’s the way it is for me. I go back as often as I can to see them and they come around once in a while to see me.

     What are your plans for your future?

    The future is in God’s hands. We’re allowed to dream, pray about it and then leave it in God’s hands.

    What do I want to do in future? Nothing different from what I’ve been doing. I want to remain relevant in the affairs of this country. I want to have a voice in what happens globally that affects this country, my family, my community. I want to become a better communicator, I love words, and I derive a lot of joy when I write something and it hits home. The future is in God’s hands, but, eventually, I want to be able to have more time to read, and also to have more time for God and my family. I know that during the struggle my family suffered the most, so, to have more time for my family would be invaluable.

  • OAU Art conference organisers call for papers

    OAU Art conference organisers call for papers

    The Dean, Faculty of Arts, Obafemi  Awolowo University, Ile Ife, Osun State, has called for papers from intending participants at the institution’ Annual International Faculty of Arts Conference billed for  September 25 to 28 at the Oduduwa Hall. The theme of the conference is: Humanities and the Discourse of Poverty in Developing Countries.

    A statement by the faculty said papers may also be submitted on other issues of poverty, which include, but are not necessarily limited to the following sub-themes: conceptual and theoretical clarifications on the meaning of poverty, rethinking the causes and effect of poverty in developing countries, writing histories from the perspective of the poor: new methodological challenges to historians, poverty and development.

    Keynote speakers expected at the conference are Dean, Faculty of Arts, University of Jos, Prof. Tor Irakpu, and  Prof. Rufus Taiwo Akinyele Department of  History and Strategic Studies, University of Lagos, Akoka, Lagos while lead paper presenters are Dean, Faculty of Arts, University of Ibadan, Prof. Adebola Babatunde Ekanola, and Dr. Atinuke Adenike Olayade, Department of Music, Delta State University, Abraka, Delta State.

    Abstracts of about 250 words, which must address any one of the subthemes, should be sent to any of these email addresses: remiade@oauife.edu.ng;mykemusic90@gmail.com; akinmakande@yahoo.com;or motunji@gmail.com, before June 30. Acceptance/invitation letters will be issued on submission of abstracts by prospective participants. Participants will also be furnished with details of accommodation facilities, transportation, and any other relevant information.

     

  • Four writers for Ebedi residency

    Four writers for Ebedi residency

    Four writers have arrived at the Ebedi International Writers Residency in Iseyin, Oyo State, for the May/June 2016 edition of its programme.

    The all Nigerian writers are Muriola Awosemo, Abdullahi Lawan Kangala, Okwudili Nebeolisa and David Ishaya Osu.

    Born in Awosemo obtained the Bachelor of Arts degree in English Studies at Obafemi Awolowo University and later a Diploma in Journalism of the International Institute of Journalism, Abuja. His published works include a novel, The King Of Boys, two volumes of collections of short stories; Telling Tales and The Colour Of Love and children’s books; A RIDDLE FOR YOU, WHAT ABOUT AIDS,FOX JOE JUNIOR and SOMETHING HAPPENED. He also has two published memoirs titled An Eye Witness and The  Story  Of MY Eye.Muriola Awosemo has served the Association of Nigerian Authors (ANA) as an elected official at both the state and National levels. In addition to mentoring Iseyin students in the areas of fiction and short story writing, Muriola hopes to work on his forthcoming books; ADULT TREE and VILLAGE RADIO during his stay at Ebedi Residency.

    The second writer, Abdullahi Lawan Kangala, is a Kano-based writer who currently writes in Hausa and English. Born in 1986 in Makarfi Local Government of Kaduna State, Abdullahi is a full member of the Community Development Group at the American corner in Murtala Muhammed Library Complex, Kano. He is also the coordinator of the Hausa Forum of the Association of Nigerian Authors, Kano State branch. He has recently completed work on his yet-to-be published books: Komai ta Fanjama?, Ture ka ga Tsiya, Gwabnatin Yaudara, and Da Ruwan Ciki?.  During his stay at the residency, he will be at work on his new novel, Sakamakon Fade, and will be polishing his collection of five English short stories. In addition, he will teach Iseyin Students the rudiments of Hausa Poetry, Songs and Folklore.

    David Ishaya Osu, born in 1991, is a graduate of Urban and Regional Planning. A native of Nasarawa State, his works have appeared in: Eureka Street, Atlas Poetica: A Journal of World Tanka, Birmingham Arts Journal, Off the Coast, The Kalahari Review, Vinyl Poetry, Grey Sparrow Journal, RædLeaf Poetry: The African Diaspora Folio, A Thousand Voices Rising: An Anthology of Contemporary African Poetry, The Cadaverine, The Bombay Review, Ann Arbor Review,among other international publications. David is a board member of the Babishai Niwe Poetry Foundation. At the Ebedi Residency, Ishaya hopes to complete work on his debut poetry book; THE SECRETS OF UNDERWEARS as well as conduct workshops for Iseyin students on Spelling and Poetry.

    The fourth writer, Nebeolisa Okwudili, is a Nigerian writer whose works have featured in Ambit Magazine, Word Riot, Saraba magazine, RedLeaf Poetry, African Diaspora Poetry Folio, Yuan Yang Journal, Kalahari Review, and in national dailies.  A Chemical Engineering graduate of the Federal University of Technology, Minna, he won the inaugural Jalada Prize in poetry and also won third place in the 2011 ASiS International Writing Competition in the poetry category. In addition, he was also shortlisted for the 2014 Raedleaf Poetry Competition in the international category. Nebeolisa who hails from Anambra State, will also delight Iseyin students during his residency with a workshop on Poetry and Drama in addition to completing work on his debut Novel entitled; The Spirit House.

    In its 6th year of operation, the Ebedi International Writers Residency has hosted more than 60 writers from Nigeria, Ghana, Uganda, Cameroun, South Africa and Ivory Coast. It is a private initiative for Writers to complete their on-going works free of charge in a convenient environment. In return, the residents are expected to mentor Secondary School students in Iseyin and environs in any area of Creative Art convenient for them.

    The Residency currently enjoys the support of the Belgium based organization Arts Moves Africa (AMA) in the provision of free air tickets to its foreign applicants, the Lagos based Literamed Publishers for the publication of quality works from the Residency as well as the Wole Soyinka Writers Residency, Abeokuta, Ogun State in the co-hosting of Ebedi Residents.

     

     

  • How to stimulate rural development, by Alaafin

    How to stimulate rural development, by Alaafin

    The Alaafin of Oyo, Oba Lamidi Olayiwola Adeyemi 111, has demanded incorporation of Nigerian arts and culture in schools curricula. The incorporation of arts in the curricula of primary, secondary and tertiary institutions he said, would go a long way in creating cultural reorientation for youngsters.

    The Alaafin said since the major index of development is high living

    standard of the people, cultural heritage promotion should be part of the country’s development efforts.

    He stated this at a town hall meeting held with people in the ancient town.

    Alaafin pointed out that there is a critical need to find solutions to problems of cultural destitution and destruction in the name of modernisation.

    He added that what Nigerians must first do as a nation is to protect, cherish and nurture their cultural heritage through the pursuit of sustainable development policies that will marry culture and development.

    This, he said, is because any development that destroys our culture is counter-productive, so also is any culture that does not allow for development.

    According to Oba Adeyemi, “the graduation of the Asian Tigers, particularly China, from underdeveloped countries to developed countries was culture-driven. The root of Chinese development success was in the 1965-1968 cultural revolution that was meant to restore the cultural principles of the Chinese people and revolutionise political opinion and behaviour. Today, China is one of the strongest economies in the world courtesy of its development efforts driven by cultural rejuvenation and revolution. The foundation of our efforts at development must be the rejuvenation, protection and appreciation of our cultural heritage which will be the bedrock of selling it to outsiders. If we do not appreciate our own cultural values, there is no way we can harness it for our development.

    He said: “We must strive to maximise economic opportunities of our cultural artefacts and festivals for our development. All these can be developed to meeting international tourist standard and thus yield enormous foreign earnings to our governments at various levels. In the first instance, there would be a stimulation of rural development since most of the tourist attraction areas are located in the rural areas. Second, it would also lead to drastic reduction in rural-urban migration and human congestion in the urban centres which is one of the major economic problems of the contemporary Nigerian state because of employment opportunities and income generation that will be opened up for rural dwellers.”

    Alaafin cited the instance of the Yoruba which possessed famous traditions of art, precisely because they had productive economies and vibrant commercial systems, which allowed artists and craft workers freedom from scarcity and provided access to metals, woods and clay sculpture.

    The Yoruba, Oba Adeyemi said, have also created sophisticated institutions of government.

    “The Yoruba cultural impact is so great not only in Nigeria but also in modern Brazil, Cuba and the Americas where their religion and culture have remained pervasive. This remarkable cultural triumph makes the Yoruba experience one of the most fascinating subjects of historical study in the world. This rich history has placed a significant onus on the Yoruba people and their leaders in the contemporary society given particularly the developmental challenges confronting the Nigerian nation.”

    He continued: “the Yoruba are heirs to an ancient, rich and cultured civilisation. This culture is known for its artistic triumphs,extraordinary oral literature, complex pantheon of gods and an urban lifestyle. Yoruba cultures are rooted in excellence, hard work, dedication, determination, sincerity, frankness, truthfulness, ingenuity, industry, and resourcefulness. This is the main reason why

    “Yoruba people are the engine of growth of the development of this great country. They are at the fore front of the various sectors of

    the national economy such as health, education, agriculture and so on”.

    Oba Adeyemi also elaborated on Ifa divination, which he referred to an ancient Yoruba knowledge system that “reveals to us the coherence, logicality, precision and profundity of thoughts, philosophy, mathematics and computer science as known and practised by the Yoruba before the 11th century A.D.”

    He described Ifa as the greatest unwritten Holy Book on earth, a perennial fountain of esoteric knowledge from which all prophets derive their inspiration.

    To the Alaafin, “science, especially computer science is ‘Ifa compatible’. The computer like Ifa is based on the binary system.

    Implicit in this development is the ease with which national unity could be forged if these unifying cultural strands are carefully studied and emphasised.

  • Onitsha monarch  to build world-class museum

    Onitsha monarch to build world-class museum

    Obi of Onitsha Nnaemeka Alfred Achebe is building a world-class museum in his domain to promote African art as a key development resource. 

    Obi of Onitsha,  Nnaemeka Alfred Achebe has unveiled plans to build a world-class museum named after his direct royal ancestor – Chimedie. The groundbreaking of the project was performed penultimate Saturday by Anambra State Governor Willie Obiano in Onitsha.

    This brings to two world-class museums being built by the individuals. Last  June, Omooba Yemisi Adedoyin Shyllon Foundation founder Mr Yemisi Shyllon donated 1,200 artworks (at current valued) and seed money worth over N2.2 billion to the Pan Atlantic University (PAU) in Lagos for the establishment and running cost of Yemisi Shyllon Museum for 15 years.  Shyllon said the gesture was borne out of the family’s desire to leave lasting philanthropic legacies. He said he is majorly providing funding for the museum and running it for 15 years before the university will then solely fund the museum.

    The Chimedie Museum, Onitsha is to serve as a centre of excellence for the development and promotion of African art, and to help create a future in which African art achieves greater relevance and sustainability such that it becomes a key development resource.

    The monarch, who also marked his 75th birthday as well as 14th anniversary on the throne on the day, launched the museum as a private endowment for the benefit of the public.

    The museum, which was designed by Architect Theo Lawson, the creator of Freedom Park in Lagos, will start up with the monarch’s personal collection of modern African artworks numbering over 1200 at the present time, and amongst the finest collections of visual art in Nigeria; all his royal paraphernalia and those of his predecessors that may be available, including photographs, music and video recordings, apparels, jewellery and ornaments as well as historic documents and research materials, including the digital copies of the entire academic materials built up by Prof Richard and Dr. Mrs Helen Henderso, who devoted their entire academic life to the socio-anthropological study of Onitsha.

    Speaking at the launch, which had dignitaries including the Anambra State Governor, Willie Obiano in attendance, the Obi of Onitsha said the museum would make Onitsha and the entire Anambra State destinations of choice for business, tourism and leisure.

    He said: “It is our intent to build an edifice, which will become a reference centre for our history and culture, relating the past with the present for the benefit of the future.  For instance, it is from the hundreds of museums around the world that we derive most of our knowledge about life in ancient Egypt, Greece, the Roman Empire, China, India, and Nigeria, among the world’s great civilisations.

    “The big difference with Nigeria is that we have not cared to preserve our heritage, the best of which now reside in foreign museums, where we and our future generations will painfully visit if we must know about our past. Today’s event is the beginning of a private journey to reverse that trend for Onitsha Ado N’Idu, Anambra State and, to some extent, Nigeria.

    “The museum that we are about to launch today is named after Obi Chimedie, my direct royal ancestor.  Chimedie was the son of Eze Aroli, who was the son of Obi Chimaevi, who was the son of Ezechima, the founding father of Onitsha Ado N’Idu. My more immediate ancestor, Orezeobi, was the first son of Chimedie. Having taken so many generations and a few hundreds of years for the descendant of Orezeobi to mount the throne of Ezechima, we thought it appropriate to name the museum after Chimedie, the father of Orezeobi”.

    The Obi of Onitsha noted that the Chimedie Museum Trust Foundation had been duly registered with the Corporate Affairs Commission as a not-for-profit independent trust and a board of trustees would soon be constituted.

    He also said the land for the museum had been allocated in his name by the state government and he had executed an irrevocable Deed of Gift conveying the land to the Chimedie Museum Trust Foundation.

    The monarch added that the museum will be a centre for education and enlightenment on the history and culture of Onitsha and Igboland.

    “The museum will in due course be linked with one of our universities and become a Centre for Onitsha and Igbo Studies. Our daughter and distinguished academic, Prof Nkiru Nzegwu, of the State University of New York in Binghamton, New York has painstakingly built up a bibliography of over 500 sources of published materials on Onitsha and related subjects. The museum will equally acquire such materials over time to become a research centre,” he said.

    Obiano, who performed the foundation-laying ceremony, was full of praise for the initiative and noted that the museum would help his administration in its bid to develop tourism in the state.

    Meanwhile, the Chimedie Museum Trust Foundation is engaged in discussion with the University of Nigeria, Nsukka to endow a prize for an annual award for creative excellence to a graduating student of the Department of Fine Arts. The Chimedie Museum will also continue to host the annual Oreze Art Exhibition during Ofala Onitsha Festival.

     

  • Glo gets another  brand ambassador

    Glo gets another brand ambassador

    RED Media co-founder Adebola Williams has been signed on as a brand ambassador by Nigeria’s next generation network, Globacom. Williams, who is among the new set of brand ambassadors signed on by Globacom, has begun work by taking part in a television commercial being aired in Nigeria and globally through CNN.

    William’s engagement signifies a new resolve by Globacom to widen its scope to include younger and hardworking Nigerian entrepreneurs whose exploits and allied endeavour are providing inspiration for the younger generation.

    Globacom, it was learnt, also plans to demonstrate to Nigerian youths that without being in sports and entertainment, they could still be rewarded and celebrated so long as they showed diligence in their chosen areas of endeavour, especially, entrepreneurship.

    A co-owner of highly successful brands, the Future Awards Africa, Y! Africa and YNaija.com, Williams played significant roles in the rebranding of President Muhammadu Buhari and contributed significantly to the President’s youth-oriented campaign events.

    Williams, an alumnus of the London School of Journalism, London School of Marketing and School of Media and Communications of the Pan African University, recently became an Obama Mandela Washington Fellow.

    In 2015, Glo added new stars to its brand endorsement portfolio and they included Korede Bello, Hadizah Blell (Di’ja), Ayo Makun (AY), Bovi Ugboma, Reekado Banks, Patience ‘Mama G’ Ozokwor, O.C. Ukeje and megastar Ayodeji Balogun (Wizkid).

  • Interpreting our unfolding times

    Interpreting our unfolding times

    Sam Omatseye’s A Chronicle Foretold is an illuminating collection of 77 pieces of his columns for The Nation newspaper. In this book, Omatseye is less of a prophet and more of an irate, lyrical and powerful describer and interpreter of political and social realities of our country. Like Roger Resenblatt of Time magazine, one of his role models in journalism, Omatseye believes that History and Literature are important ingredients of excellent writing. So his head is an archive of so many quotes from hundreds of fascinating books he has read. Give it to him: Omatseye has a good mind. His constant bellicosity, his unfailing punditry, even his moral righteousness may offend some delicate sensibilities but he says in ‘‘Feeding the Monster’’, one of the pieces in this book, that he will continue to state his point as his conscience propels him.

    Combining passion with anger, Omatseye wrote eloquently of the locust years in which Dr. Goodluck Ebele Jonathan was Nigeria’s president. Although he does not tell us whether it was General Muhammadu Buhari or Nuhu Ribadu that he voted for during the 2011 presidential election cycle, Omatseye certainly did not vote for Jonathan because he wanted a president of executive gallantry, a man of vision, a man of competence, a true transformational leader and someone who would sow the seeds for the wise men and women of the future. Jonathan, in his reckoning, possessed none of those virtues. When he was declared the winner of that election, Omatseye observed that Nigeria had voted in a killer by instalment in  Nigeria. He predicted that the value of the naira would depreciate in a few years, that the country would be more divided along ethnic, religious and class lines than ever before. As time unfolded those predictions came to pass.

    This book is called A Chronicle Foretold because of the accuracy of his predictions. As he said in ‘‘Northern Mob, Southern Bias’’, it did not take extraordinary perception to see this coming. The consequence is a nation gasping for breath. If Nigeria is a living dead, it is largely because of the shameless looting of its kitty by Jonathan and all the thieves around him. The author railed against these people. He went after Diezanni Alison- Madueke and Ngozi Okonjo-Iweala whom he described as dames of subsidy. He punctured their arguments on subsidy removal with facts and stinging words. He took us through the ways and means of fuel importation and how the country was ripped off by Jonathan, Alison-Madueke and their thieving gang. He observed that if forensic auditors had done their job properly, they would have discovered fake bank receipts, fake bills of lading for products.

    Since the NNPC had become a cesspool of corruption, why should it not be dissolved as Mallam Nasir El-Rufai one suggested? In a debate with El-Rufai which is one of the side comments in one of the essays in this book, Omatseye contended that the problem was not NNPC but us. If we scrapped the NNPC and formed another corporation, he said, we ran the risk of reincarnating the scam. His words: ‘‘NNPC did not materialise out of MARS. The leeches in its entrails are Nigerians. We need to purge Nigerians of our greed and impunity and set a standard for transparency before deciding on what step to take on NNPC’’. In other words, great institutions make a great country.

    Which is why Omatseye argued for the need to have an independent and virile judiciary, an army free of the manipulation of the politicians, a police force imbued with respectability, massive investments in human capital through high-ranking schools. The debasement of judiciary under General Olusegun Obasanjo and Dr. Jonathan could only happen in a sick country, he said. Using the open fight between the Chief Justice of Nigeria, Aloysius Katsina-Alu and Justice Ayo Salami, President of the Court of Appeal, as a good example, Omatseye observed that a hallowed chamber of law should always have dignity. He quoted William Shakespeare to support himself: ‘‘If correction lies in the hand that committed wrong to whom shall we complain?’’

    You cannot have a good society when judges are hands in glove with looters, election riggers and other criminals. Under Jonathan, the Army and the Police became tools of tyranny. Omatseye, after his reportage of the shabby treatments of the opposition figures like Governors Rotimi Amaechi, Adams Oshiomhole, Lai Mahammed etc by the Army and the Police, then asked: ‘‘ The question for us to ponder is whether we have an army with a state or a state with an army? An Army with a state is one where the soldiers are in charge but could not act as though they run a civil society. A state without an army refers to a system where civilians are in charge with soldiers as tools. In a society where soldiers have been part of our lives for over a generation, we find it difficult to distinguish between the civilian politicians with martial virtues or a soldier with civilian bona fides. So, we have the modern day version of indirect rule. Jonathan is taking full advantage, and capsizing our democratic virtues. The civilians are in power but they allow the police and soldiers to take charge on their behalf’’.

    The soldiers and the police took charge on behalf of many politicians in PDP who were described by Sam Omatseye in intemperate language. He condemned Jonathan’s Azonto dancing at a time that the country was lamenting the kidnapping of the Chibok girls. He called Chief Tony Anenih an impostor, Governor Olusegun Mimiko he described as witlow of the West, Chief Segun Oni as the apostate with the phony Awo cap. Chief Edwin Kiagbodo Clark, Sambo Dasuki, and Doyin Okupe he labelled as three unwise men. Ayo Oritsejafor, Gbenga Daniel, D.S.P Alamieyeseigha, Bukola Saraki, Godsday Orubebe, Patience Jonathan, E.N. Wike, Sullivan Chime and a few others did not escape his barbs.

    Any time Sam Omatseye was in his partisan, abusive mode, and this was quite often, he poured on his political enemies acidic comments. His best descriptions, his loud praise – songs were of Chief Obafemi Awolowo, M.K.O. Abiola, Asiwaju Bola Ahmed Tinubu, Ogbeni Rauf Aregbesola,  Kayode Fayemi, Adams Oshiomhole, Babatunde Raji Fashola, Kashim Shettima, Aminu Tambuwa, Rotimi Amaechi, Godwill Akpabio, Emmanuel Uduaghan, Abraham Lincoln, Nelson Mandela, Winston Churchill, Wole Soyinka, Chinua Achebe and, of course, many other writers whose works he quoted from approvingly.

    The book is not only about Nigeria. It is also about the author – there are stories here of his life and career. It is about other places too. I’ve just mentioned Nelson Mandela among the notable people he wrote about. Indeed, he treated Mandela unfairly in one of the two essays on him as he found him guilty of divorcing his unfaithful wife: Winnie.Omatseye’s logic astounds me in the light of Mandela’s story of the incident in his enchanting memoir, Long Walk to Freedom.

    He celebrated the Arab Spring which swept dictators like Ben Ali, Hosni Mubarak and Muammar Gaddafi out of power.  He then observed: ‘‘I looked at our firmament and our immediate future and I did not see the crowd in Tahrir Square in Tafawa Balewa Square, or in Eagle Square. Rather, I see a nation full of dreamers who prefer dream to change. Nigeria is not Egypt, and we cannot have any such ferment, any such civil rage in the near future. Revolutions are good, but the people must want it first’’.

    Sam Omatseye’s concern for the masses of our people was well articulated in his essays. He was an advocate of the poor in our schools. He was sympathetic to the weak and the vulnerable in the hospital where they were too wretched to pay. He wrote feelingly about helpless Zaharau Babangida whose father turned into an enemy because of poverty. He wrote sympathetically about Fahat Fahat, one of the soldiers fighting the Boko Haram insurgents without weapons. He wrote passionately about villagers who were displaced from their homes. He wrote with sadness about victims of bomb blast. By and large, Sam Omatseye’s higher purpose in his essays was to fight an egalitarian society. It is in this fight that part of the integrity of his writing lies. The necessity for creative, ennobling imagination, in the way we run our economy, the way we run our politics, to build a great future is at the heart of  A Chronicle Foretold.