Category: Life – The Midweek Magazine

  • Dissecting Boko Haram in Nigeria

    Dissecting Boko Haram in Nigeria

    The Boko Haram Phenomenon and Terrorism in Nigeria, a masterpiece by retired Air Commodore Darlington Egbunu Abdullahi, is the most recent and assertive deep-thinking book on the activities of the dreaded Boko Haram sect in Nigeria.  It is, of course, an open-secret that the insurgency that befell Nigeria took the country’s leaders unawares, and since its inception, the solutions to it have been proffered but none seems efficacious; rather they have been more of conjectures.

    Abdullahi’s book is a thought-provoking security, incisive and intelligence write-up that reveals, educates, and tells point-blank all about the Boko Haram sect and why the activities of the sect have been sustained despite various efforts by the government and the international community in combating the trend. The book at the same time indicts Nigeria’s political, religious and social leaders for remaining learners of the procedures of the sect despite its recurring decimal.

    Boko Haram Paradoxes

    Paradox in the literary context is equivalent to irony. It simply means doing the opposite of what one says, or one’s ignorance of one’s Unconscious. The sect, whose main agenda is to wipe out western education, at the same time uses products of the same western education in its operations. The internet, of course, is one of them. Again if the agenda of the sect is to Islamise Nigeria, the puzzle is: why does it irrationally attack Islamic clerics and adherents as well as non-Muslims? Why does it attack mosques? Abdullahi writes that “At the beginning, it was an Islamic agenda with a call for the Islamisation of Nigeria and (former) President Jonathan converting to Islam’ (56). The terrorist group however contradicts its agenda by being the agent of destruction of the same institution that it tends to recreate. At the same time, Islamic clerics, including President Muhammadu Buhari, have openly stated that the group’s agenda is anti-Islam. It has also been established that no religion preaches violence; after all it is the creation of the Almighty. Then the activities of the Boko Haram sect need re-defining before a permanent solution could be found. And that is the main focus of the book under review.

    Before Boko Haram, Islam was in Nigeria, courtesy of Othman dan Fodio. Abdullahi’s account shows that Boko Haram is evolutionary. Incidentally, Nigeria’s political and security structures failed to read the writings on the wall early enough until the monster became an institution. The journey began with pockets of militant groups bearing various names and their clandestine agenda. They were treated with kids’ gloves by the Nigerian authorities until the kids matured to face their father. The conglomeration of these underlying groups provided the platform for the formation of the first official terrorist group in Nigeria by outlawed Cameroonian Mohammed Marwa. He founded Maitasine in Nigeria around 1945, and groomed it until around 1980’s when the sect began to manifest its deadly agenda. Mr Marwa, whose ideologies couldn’t thrive in Cameroon, found Nigeria a potent ground to actualise them and those of his cohorts. His goal, according to Abdullahi, was the proclamation Jihad as enthroned by Othman dan Fodio. He was allowed naively to inculcate his ideologies into the consciousness of susceptible Nigerians, mostly from the Northeast, before the Nigerian institution became aware that a cancerous growth had overwhelmed its immune system. Subsequent efforts by the country in combating this became belated. Unlike the mission of Othman dan Fodio, whose descendants preached and proclaimed peace, Marwa’s own was radicalised and systemic as if a mysterious being was playing the music.

    The Boko Haram Phenomenon and Terrorism in Nigeria brings many issues to the fore. All of them are germane to Nigeria’s peaceful co-existence, although it requires a superman, according to philosopher Nietzsche, to execute them. The issues include terrorism and global insecurity where he outlines the impact of terrorism in the society, the earth-breaking battle between Al-Qaeda and the US, and various terror attacks in the US, the UK, France, Australia, Canada, Syria, Indonesia, Middle East and Africa, and then narrows it down to Nigeria. By so doing he is able to establish the fact that terrorism is a global phenomenon but peculiar to societies and individuals. The didactic aspect of the book is the need to adopt a system that can checkmate the excesses of terrorism depending on the setting. By implication, although terrorism is a global phenomenon, the approach in tackling it depends on the geopolitical location. The type the US uses, for instance, may not work in Nigeria because of Nigeria’s peculiarities.

    Other aspects the book discussed are the concept of terrorism and its growth in Nigeria, the Boko Haram strategies, kidnap and killing cases in the country, fate of refugees as a result of the activities of the insurgency, legal perspectives, and the international dimensions in combating terrorism. The book also identifies some solutions to ending the activities of the insurgents in Nigeria. Specifically identifying its peculiarities is a rudimentary way of tackling it.

    Evolution of terrorism in Nigeria

    According to Abdullahi, “Unchecked proliferation of small arms and light weapons in the country made it easier for these groups to achieve their objectives…” It is therefore the unchecked proliferations of pockets of covert terrorist groups that built the consciousness of insurgency in Nigeria. The journey of the group began with the Maitasine through the Nigerian Taliban before it graduated into Boko Haram. Maitasine’s leader Mohammed Marwa was not taken seriously when he began the teachings of his doctrines. He was arrested many a time but always found his way out of detention. When he was eventually killed, Mohammed had had an avalanche of followers. At worst, the report of the committee set up by the Shagari regime to unravel the mystery of the sect was not implemented, which has become a generational flaw in Nigeria.

    Maitasine metamorphosed into the Nigerian Taliban, and was led by one Mohammed Ali. His agenda was a total implementation of a purer form of Sharia in Nigeria, which invariably is a continuum of its mother sect. The group, initially described as peaceful by some Islamic scholars, in disguise continued rebuilding the Maitaine network both locally and internationally until it went into a total confrontation with the Nigerian society. That was when the government realised that once again its security nonchalance had taken it unawares. Many lives and property were destroyed in the fight and reprisals. Abdullahi writes that the surviving members of the Nigerian Taliban, after the clampdown, in 2004, relocated to Borno where they sustained their fight against security operatives. It is the Taliban members who survived the government onslaught that later joined a movement founded by Mohammed Yusuf in Maiduguri, and succeeded in launching Boko Haram into a full force. Similarly the same non-proactive approach was used on Yusuf’s Boko Haram until it became an institution with international networks.

    The book reveals some thought-provoking and indicting rhetoric. First the leaders of Maitasine, Nigerian Taliban and Boko Haram have a homogenous relationship. Nigeria’s government has always approached the movements with the same stereotyped attitudes. Reports of committees to tackle the insurgency have never been fully implemented. The Nigerian legal system has its defect in prosecuting the suspects.

    The book is multifaceted and deserves a serious attention if Nigeria is to get the fight against Boko Haram and other insurgencies right. The book calls on Nigerian leaders, security operatives, and relevant institutions to sit up. The demands of the evolving sects are treasonable, and still nothing tangible has been done in the fight. It has been a case of ‘sit down dey look’.

    Abdullahi in this book succeeds in creating the enigmatic posture of Boko Haram because the book is speculative on its funders, membership and the real agenda. However the book should be given the credit for stating the best approaches to solving the problem through the author’s system called: Darlington National Crisi Loop. That the sect has found its best conducive base in the North-East, that its followers are mainly deranged members of society and so on are pointers that Abdullahi is sending a message to Nigeria’s political class.

  • Olatubosun: Trail blazer in Yoruba language

    Olatubosun: Trail blazer in Yoruba language

    Kolawole Olatubosun is a man of many parts – creative writer, blogger, and researcher – and a known czar in Yoruba language, linguistics and translation.Beyond academic qualifications, Kola (as popularly known) is offering real-life solutions in Yoruba language by adapting the language to technology – Yorubatech you may wish to call it.

    Kola has a bachelor’s degree in Linguistics from the University of Ibadan (UI), and a master’s in Linguistics/TESL (Teaching English as a Second Language) from the Southern Illinois University, Edwardsville. As a Fulbright scholar, Kola taught beginner and intermediate Yoruba courses at Southern Illinois University Edwardsville in August 2009 to May 2010. Upon the completion of the Fulbright programme, Kola’s skills earned him more years and different positions at the university as graduate assistant, director of Foreign Language Teaching Centre (FLTC), language lab director, research assistant to Ronald P. Schaefer (PhD) on Emai tonology and lexicography, and about a year at The International Institute of St. Louis as English teacher/volunteer to immigrants.

    As a sought-after linguist, Kola has consulted for major language service providers (LSPs) across continents like Afrolingo in South Africa, Avant Assessment in US and thebigword in UK. In his bid to make Yoruba sub-dots and tones computer-aided on Windows and Macintosh operating systems, Kola and his team released free-tone-marking keyboard software layout on yorubaname.com.

    Kola’s ground-breaking language strides are Twitter Yoruba Movement and The web-based Multimedia Dictionary of Yoruba Names.  Twitter Yoruba Movement, which culminated in annual ‘Tweet Yoruba Day’, remains a tip of the iceberg of having Twitter Yoruba interface on the platform. On the completion of the interface in Yoruba (writing Yoruba with its sub-dots and tone marks I mean), the language would become the second African language to be supported by Twitter. The web-based Multimedia Dictionary of Yoruba Names, currently on yorubaname.com, is the extended version of Kola’s miniature final year project on the same subject at UI. The multimedia dictionary benefited immensely from Adeboye Babalola and Olugboyega Alaba’s A Dictionary of Yoruba Personal Names. The site, yorubaname.com, is fully operational and would be useful for those who want to know the meanings of their names, for those seeking nice Yoruba names for newborns and for you to add your name if it is not in the word list.

    The symbiosis between Kola and Yoruba language has earned him international appointment, recognition and award. In 2015, Google Nigeria appointed him as Speech Linguistic Project Manager and CNN Culture Award Nominee the same year. He has since been announced as the first Nigerian and African to win the Premio Ostana International Award for Scriptures in the Mother Tongue 2016 (Il Premio Ostana Internazionale Scritture in Lingua Madre 2016). The annual prize, which is organised by Culture of the Chambra D’Oc in Ostana (Cuneo, Italy), is in recognition of an invaluable contribution to the defense of an indigenous language, and the use of the language for education and information activities by the recipient. Past winners of the prize include Witi Tame, Ihimaera Harkaitz, Cano Mehmet, Altun Lance, David Henson, and Jaques Thiers.

    Today, everyone can identify with Kola’s success, but not without societal prejudices and claims label as the lot of an undergraduate studying a Nigerian language in the university. For many, you dare not tell your peers you are studying any of Yoruba, Igbo or Hausa. If you do, their crystal balls see only but a failure, at best, a potential teacher. And you know teaching could really be undignified in modern-day Nigeria for obvious reasons. Identity crisis is a major problem of an average undergraduate studying any of the Nigerian languages in the university. During my undergraduate days at the University of Lagos, at an event comprising all students at the Main Auditorium of the institution, a 200-level language student sheepishly announced that he was a law student. And that was how he earned himself a rather uncomplimentary remark of “the law” among his colleagues. To the best of my knowledge, he is nowhere to be found in the linguistic or law circle today. Kola has redefined the Yoruba language landscape, broken barriers and shattered prejudices to corroborate Oliver Wendell Holmes’s (Jr.) apothegm that “Every calling is great when greatly pursued.”

    As Kolawole travels to Cuneo in Italy on June 2 to 5, bring the prestigious award home, of what significance is the award to me, and the fraternity of the language stock. Kola is the figure of the potential inherent in the language and translation industry in Nigeria. The onus of real and tangible commercial and economic value to Nigerian languages is on Kola. He has what it takes to turn Nigerian languages into products of esteemed value for Nigerians to buy and in turn provide jobs for graduates who studied any of the Nigerian languages.

     

    • Adebanjo is Lead Translator at XML Language Services Ltd, Lagos
  • Aso Igba: Interrogating social fabric

    Aso Igba: Interrogating social fabric

    Abass Kelani’s solo art exhibition – Aso Igba; Social fabric  – held between January 30 and February 29 at Art Clip Gallery, Radison Blu Anchorage Hotel, Victoria Island, Lagos was an assemblage of a rare collection of pastel drawings that reflect the lifestyle of the people, their ethnic nationality and heritage, especially dress culture, which has evolved over the years.

    Again, the event, which is Art Clip Gallery’s second outing at the highbrow hotel, featured works in pastel, a medium that is not every artist’s choice to work on unlike oil.

    Apart from preserving the heritage of the people through such drawings, the artist interrogates the politics of inequalities and the aesthetic values of designs using different social classes.

    With 21 paintings, Kelani took viewers on a voyage through time and space highlighting some iconic elements in the peoples’ social life such as special dresses for celebrations including head gears.

    One thing that makes the collection unique is the rendition of the works. They were layered on a toned background of paisley leaves with different designs and motifs. Interestingly, the images and the background harmoniously complement each other.

    Social fabric (1-6) shows two old drummers, one with a talking drum and another with a sekere. Standing exhausted in a party setting, they looked far into the crowd with disbelief of what they are seeing.

    In contrast to their clients’ outfits, their simple Ankara buba and sokoto native dress and a cap to match is symbolic of their life style and social status in the society. Yet, it also shows the passion with which these drummers perform their trade of entertaining guests at parties.

    Fila odun is another piece that reminds viewers of their childhood days when headgears or caps remain outstanding in every child’s dressing during celebrations, such as Christmas, Easter or Ramadan. Fila odun shows kids admiring their headgears made from damask though oversize.  Unlike Fila odun, which is a focus on headgear, The Bourgeois mirrors the total attire of most Yoruba elites in a celebration mood. It flaunts the colourful dresses and the pose too.

    Ore meji and Two yards are paintings that capture daily experiences in fashion industry, especially the relationship between a tailor and client on one hand and two jolly friends on the other.

    Other works include Iya Agba, Fulani woman, Charlie and Adisa.

    According to Kelani, paisley is originally from Iran and has been a major influence on varied textile patterns, especially damask, lace and some ankara, batik and wallpaper designs.

    Art Clip is a contemporary space that promotes perceptive art across a variety of traditional and experimental media. Located at the Radisson BLU Anchorage Hotel, Lagos, Art Clip displays both established and up and coming talents. It aims to amplify leading new voices in contemporary art from African scenes with initial reference to social, economic, and political contexts in Lagos and Nigeria.

    Yearly, Art Clip Africa invites six contemporary artists, who have proven their commitment to creating art, to each undertake residencies at the Art Clip studio. The Art Clip Residency is dedicated to supporting and advancing the works of African visual artists by providing them the facilities to create art while surrounded by inspiration in a location in the heart of Lagos City.

    Kelani studied at the Yaba College of Technology, Lagos, graduating with a distinction in Painting. Before Aso Igba, he has had three solo exhibitions, Paradigm Shift (2009), Man and Machine (2011) and Asiko (2013). He has taken part in several group exhibitions in and outside Nigeria.

    Kelani has won many awards and prizes, including first place in the Caterina De Medici/Third Black Heritage Prize (2010). He has taken part in some residences and workshops.

    A member of the Society of Nigerian Artists, Kelani’s recent works probe the shared history and character of man and machines through a wide range of media, including sound. In addition to acrylics, oils, pastels and charcoal, Kelani also explores the possibilities in painting, photography and printing to highlight stories against the background of social and political events which engage time and memory.

  • Pyrates not a secret cult,  says Soyinka

    Pyrates not a secret cult, says Soyinka

    Sixty-four years ago, seven students, among them Wole Soyinka, the 1986 Nobel laureate in Literature, founded the first confraternity on a Nigerian university campus. Last February 25, an ex-member of the confraternity and United Kingdom (UK)-based psychiatrist, Dr. Dolapo Sikuade, launched a book: The Theatrical Aesthetics of Wole Soyinka and the Pyrates Confraternity (a critical work on a unique African cultural paradigm) dwelling on  the intricacies of the Pyrates Confraternity and theatre aesthetics, among others. Paul Ade-Adeleye and Oluwatoyin Ajibola   report.

    SIXTY-four years after the National Association of Seadogs (aka Pyrates Confraternity) was founded, one of its founders, Nobel laureate Prof Wole Soyinka, is worried about its misconceptions by Nigerians.

    He is worried because of what he called their ignorance about the association’s objectives. Soyinka chastised the public, which has given the confraternity a bad name and hanged it.  Soyinka wondered why intelligent and knowledgeable Nigerians chose to equate secret cult with the confraternity.

    He said he would continue to bear with pride the ‘’guilt of’’ being a Pyrates, noting that such “guilt is the guilt of the ignorance and the stubbornness of the outer society”.

    “Who wants to rehabilitate the image of what? There is no image that I know of the Pyrates Confraternity, which needs rehabilitating with anybody. If people choose to be ignorant and yet to pronounce on the object of their ignorance, well, who is to blame for that? If a public as intelligent and knowledgeable as we have in Nigeria chooses to equate the description secret cult with the word confraternity, well, whose fault is that? Go back to school and go and learn the difference between secret cult and confraternity. I am saying that many comments that I have heard and read make it very clear that 99 per cent of those who read or speak in public simply do not understand that there is a world of difference between a secret cult and a confraternity or a fraternity. There is a veneer of the cultic in the Pyrates Confraternity but that does not make the Pyrates a secret cult, and even less an evil secret cult,” Soyinka said.

    The Nobel laureate was reacting to a comment by Prof Femi Osofisan on a book titled: The Theatrical Aesthetics of Wole Soyinka and the Pyrates Confraternity by Dolapo Sikuade during the launch of the book at the Nigerian Institute for International Affairs (NIIA), Victoria Island, Lagos.

    Other scholars at the event included renowned poet Prof J. P. Clark-Bekederemo; Prof Ayo Banjo, Prof Emasealu Dr. Olu Agunloye Dr. Tunde Awosanmi; Prince Ifeanyi Onochie, chairman, National Association of Seadogs; Rear Admiral A. Sode (rtd.) and High Chief Babatunde Rahman who represented Oba Adedotun Gbadebo, the Alake of Egbaland.

    According to Osofisan, Sikuade’s narrative is a lofty ambition indeed and his advocacy powerful, intense and warm. Perhaps, he would succeed at last in rehabilitating the image of this unique group in the history and development of not only the university protest tradition, but, indeed, of all radical socio-political movements in general.

    Be that as it may, if he knew what his and six others brainchild would eventually become, would Soyinka have hidden his light under the cover of for the greater good? Whatever the answer may be, he certainly bears, quite dauntlessly, the guilt of the Pyrates Confraternity.

    He said: “The apportioned guilt of the Pyrates Confraternity is permanent, and I should bear it with pride. That guilt is the guilt of the ignorance and the stubbornness of the outer society. So, even after the Pyrates had left the universities, there was still this commitment, this will, this obsession to fasten everything that was done on campus which was wrong to non-existent fraternities; that is, fraternities no longer on campuses.

    Banjo of the University of Ibadan described the author as a renaissance man, saying: “He has crossed the universe from the scientific field of study to humanistic studies of human beings.”

    On the book, he said: “The question of the important nexus between Wole Soyinka’s genius as a playwright and his experience with the Pyrates confraternity is one which intrigues the country as a whole. Unfortunately, there have been quite unnecessary arguments about the nature of this confraternity and one of the things which I think this book has done is to settle that argument finally by showing us the true nature of the Pyrates Confraternity. Dolapo has also brought to the examination of this work his insights from psychiatry, and from his tutelage under Femi Osofisan. He has shown very clearly that the Pyrates Confraternity has very benign orientation and intentions and is in fact a kind of idealistic organisation, which cares about the community.

    Reviewing the book, Prof Emasealu of the Department of Theatre and Film Studies, University of Port Harcourt, Rivers State, said: “This magnificent work, while acknowledging that a handful of controversial historical accounts of the pirates confraternity exists, chronicles the evolutionary process of the confraternity as well as establishes the socio-cultural, socio-political and intellectual professional limits that propelled the original seven to float the association against the backdrop of the politics of the Yoruba dominated Western region.”

    He noted that the book must not be made to stand trial for ethnic jingoism saying: “However, conscious of the unhealthy relationship among the diverse tribal leanings that constitute the Nigerian nation, the book is quick to exonerate the Pyrates Confraternity from any form of tribal identity even when it encompasses within its activities, the cultural nuance of many tribes.”

    He said the book draws parallels between the writings of such renowned authors, such as Daniel Defoe and Robert Louis Stevenson, and the semiotics of the confraternity. He noted ‘the huge influence, which such colonial narratives had on the holistic narrative and motif disposition of pyrates’.

    Awosanmi of the Department of Theatre Arts, University of Ibadan, noted that pirate literature is favoured for its rich exploration of imagination into the exotic islands of Europe and the Americas. After tracing the development of the sub-genre of pirate literature, as employed by Sikuade in his book as an introduction, he noted that there are more serious connotations to the book than the fascinating texts.

    He added that Sikuade has demonstrated his belief in the supremacy of art as a depository of history over recorded history. He has engaged the exercise of writing the book to demonstrate the task of philosophy in the provision of a critical explanation of not just a cultural representation but a cultural reality thereby emerging as a critical theory of the over 60 years work stand of the National Association of Seadogs, also known as the Pyrates Confraternity.

    Wittily declining to talk about the book, he commented: “I don’t want to talk too much about the book; there are about 376 pages there. I will leave it for critics to say anything about it. Already, they are criticising. The organisation (Pyrates Confraternity) is moving from one form to another. It’s only fitting to chronicle how we used to play in the past.”

  • Ex-ANA president hails Buhari’s anti-corruption war

    Ex-ANA president hails Buhari’s anti-corruption war

    Ex-president of the Association of Nigerian Authors (ANA), Prof Olu Obafemi, has drummed support for President Muhammadu Buhari in his war against corruption.

    The playwright said the president should extend the war to address the change of attitude of Nigerians.

    Obafemi told reporters in Ilorin, the Kwara State capital after the staging of his play titled: Night of mystical beast by 100 level students of the Department of English, University of Ilorin (UNILORIN).

    Said he: ”It is a good thing and I think every sane Nigerian will support the ongoing war against corruption. Corruption is a cankerworm that has eaten deep into the fabric of our society and any effort aimed at uprooting it is welcomed. But the problems of the Nigerian society now cannot be solved only by stopping corruption.

    “There is a rot image of our society now and the battle that is going on has not really touched the attitude of Nigerians. The policeman at the checkpoint is still taking his bribe; I heard that the firemen are talking of better fire. The academics, workers are still carrying on as if nothing has happened. There is a deep attitudinal change that needs to be addressed. There is need for fundamental reorientation of national psyche so that it does not get worst after the war against corruption.”

    The professor of Literature added that plays and theatre are veritable platforms for societal change and transformation.

    “If we as playwrights don’t see how plays can influence a change, then there is no point writing plays. We have a fundamental believe that literature and theatre can serve as an instrument for social transformation but don’t let us misconstrue that play itself can change the society. Plays are to point alternatives to society. May be these students we are teaching would at the end of the day become change agents in the society.

    “When the Ogundes were here, they also suffered punishments. They were arrested and his plays banned, but he made his point. So, if a play is good it will have an enduring value and we don’t know who is going to learn from it. I believe that there is a positive dimension in play writing and literature,” he said

    On the play, he said: “It is an epic play which runs through the ages; from pre-colonial, the colonial, the independence and post independence eras. The whole essence is to see how in the process of history society develops, learns its lessons and it is meant to improve. As you know, the political nationalists fought for the independence, but you find out that the instruments of oppression did not disappear even when we took over government.

    “In fact, cultural nationalists and unionists became enemies of government and the gates of prisons began to open and close in on them, whereas the politicians became opulent, lascivious, corrupt both morally and physically and there was again the need for further change.There was cynicism and disillusionment in the community to the extent that the prostitutes did not trust the whole process of transformation because they suffered cynical pessimism because of government failure.

    “Society is ruled by all kinds of myths; religion capitalism and so on which are deplored for the exploitation of people. The book is calling for liberation of consciousness; for people to be aware of the need for social transformation based on an understanding of the problems of the society and how to free themselves.”

  • NCAC plans five  fiestas

    NCAC plans five fiestas

    The National Council for Arts and Culture (NCAC) is planning five new festivals to create jobs and attract investments.

    Speaking at a stakeholders’ forum in Abuja, NCAC’s Director-General, Mrs Dayo Keshi, listed the festivals as National Song Festival, National Masquerade Festival, National Boat Regatta, National Traditional Textile Exhibition and National Durbar Festival.

    She said apart from the festivals, the NCAC would also rejig its zonal offices and organise consultations and interactive sessions with arts and crafts and culture stakeholders.

    She added that the forum, which would be organised periodically, would give artists, investors and other stakeholders the opportunities to exchange ideas on how to reposition the sector for the better.

    Noting that no nation can boast of a sustainable development by relying mainly on technology transfer withou engaging indigenous skills, Mrs Keshi said such understanding gave impetus to the forum, adding that  it would dwell on ways of diversifying the economy away from oil.

    “With a population of over 170 million, Nigeria is one of the largest markets in the world. All that is required from the government and stakeholders in the creative industry is conscious and concerted efforts towards developing the capacity to undertake supply of large volume and high standard products to dominate local market, which she said, will be the outcome of the newly introduced festival,” she said.

    According to her, such development would further ‘drive home the economic importance of our cultural industries and the urgent need to encourage structured investments in the sector, lay solid foundation for the projection of cultural and creative industries as economic goldmine as well as challenge industry practitioners to strive towards acquiring the necessary skills and knowledge that would enhance the production of goods that are capable of competing favourably in the global market’’.

    The forum, Mrs Keshi said, would also help to develop the appropriate structures and the required capacity and skills needed by the sector to ensure its sustainability, provide a direction to the sector in such a way that it would empower and expand the nation’s cultural industry to reposition it as a major player in economic development.

    To achieve these goals, Mrs Keshi said the Council would encourage the display and sales of arts and crafts products at all major state events and conferences in Nigeria, encourage the imprinting of cultural motif in postcards and government invitation cards to events. She added that this would create awareness and appreciation for arts and culture; boost the school uniform project aimed at encouraging the use of local fabric.

    The Council also pledged to encourage more youths into other creative industries, especially in the crafts to a level that equals  youth participation that the nation have in the film, music and fashion industries.

    She said the Council was determined to engage stakeholders, such as corporate bodies, government agencies and parastatals, embassies and non-governmental organisations, to explore opportunities for collaborations, to identify where the challenges are and provide sustainable solutions to ensure value chain optimisation.

    “Through this forum, our stakeholders will be able to acquire knowledge about our cultural products, develop the right content and identify deliverables that can be marketed to the global world,” she said.

  • A Senator at 60

    A Senator at 60

    The Senator representing Bayelsa East Senatorial District and Chairman, Silverbird Group of Companies, Ben Murray Bruce, has clocked 60. To mark the milestone, he presented a book titled: “Common sense as the pathway for unleashing Nigeria’s greatness”, at the Eko Hotels and Suites on Victoria Island, Lagos. NNEKA NWANERI was there.

    Senator Ben Bruce, the Chairman of Silverbird Communications, stood tall when he joined the sexagenarian club.

    Friends, relatives and colleagues came around to celebrate with him and make the evening memorable.

    Socialites, celebrities, economists, politicians, ex-governors and serving ones, music and screen divas -all thronged the Convention Centre, Eko Hotels and Suites, Lagos to felicitate with him.

    The walkway red carpet, leading into the venue, was lined with a bevy of lovely ladies and gentlemen, well dressed in fashionable attires. The clicks and flashes from the lenses of ‘paparazzis’ cameras went on unabated, as they jostled for vantage shots of A list dignitaries and members of the red chamber, who strolled in one after the other.

    The fun that evening was endless as virtually all trendy hip-hop musicians took turns to serenade the senator.

    The crooner likes of Mr Incredible; MI; Abanga; Ice Prince; Olu Maintain; Tuface Idibia; Vector; Timaya; Jesse Jatt; Timi Dakolo; Fuji songstar Adewale Ayuba; Alariwo of Africa; The Mavins Crew; Wizkid and Phyno treated guests to their best tracks, making the evening unforgettable.

    One of the highlights of the evening was the reaction of the guests when Reggae star Raskimono treated them to two of his evergreen songs.

    Nigerian-American star Jeffery Daniels of Shalamar fame, in collaboration with Nigeria’s song star, Yinka Davies, thrilled the audience with Late Night Groove.

    There was no dull moment as the evening was laced with intermittent jokes from comedian Bovi and television presenter Ik Osadukwu, aka Wild Child.

    Former Cross River Governor Donald Duke, who represented ex-President Olusegun Obasanjo as the chairman of the event, said Ben, in his book, bared his mind on what Nigeria ought to be. He unveiled the book to the glory of the nation and its posterity, dedicating it to the next generation that “they may do better than our fathers did”.

    The book was reviewed by the founder and Chief Executive Officer of a London Advertising outfit, Michael Mosyski, who noted that the occasion marked his 47th trip to Nigeria. The trips, according to him, have made him to fall in love with the country.

    “The book tells of his personal growing story; his growing days, which form the bedrock of his philosophies and a clearly written story he shares that with perseverance, one can achieve whatever he wants,” Mosyski said.

    Responding, the author-cum politician thanked all for supporting him through his 60 years on earth and 35 years in business, calling on all to do what they could to make the country better.

    Present at the event were President, Dangote Group of Companies, Alhaji Aliko Dangote; Mr Jimi Agbaje; former Minister of Petroleum Odien Ajumogobia; former EFCC Chairman Nuhu Ribadu; former Anambra Governor Peter Obi; Deputy Senate President Ike Ekweremadu, who led other members of the red chamber to the event; Jim Ovia; Chairman, Honeywell Group, Oba Otudeko; former Cross River Governor Goodswill Akpabio; Professor Pat Utomi; former Ogun State Governor Otunba Gbenga Daniel; OPC co-ordinator Otunba Gani Adams; former Ekiti Governor Otunba Niyi Adebayo; Dino Melaye and the polyglot Bisi Olatilo.

  • Badagry Heritage Museum: A withering legacy (II)

    Badagry Heritage Museum: A withering legacy (II)

    The wooden first floor is becoming weaker,  posing great danger to visitors. The passage upstairs has been blocked to visitors. The structure already falling off with broken windows panes, chattered doors and broken wooden walls within the museum itself with some parts eaten up by termites or the elements.  The corrugated wrought-iron staircases are under severe corrosion. The museum staff obviously lack motivation. There are no good office accommodation for them. Generally, the building and everything about the museum appear forlorn, dingy and despondent. It is not deserving of the status of Lagos State!

    To many, it is not a project inaugurated by Asiwaju Bola Ahmed Tinubu in Lagos State that should be made to suffer such abandonment. Since the opening of the museum over a decade ago there has been practically nothing done to either preserve the building or upgrading the collections.  It portrays a pathetic state of general neglect under which Badagry perpetually groans in successive administration in the state. There is a history of spate of neglected and abandoned tourist infrastructural projects in Badagry. Classical examples are the Vlekete Slave Market Museum, the Badagry marina reclamation and the Slave Tunnel projects respectively. These were projects initiated by the Fashola’s administration but because of the disdain the immediate past Commissioner for Tourism has against Badagry the effort of the Governor to ensure the completion of these projects were grossly thwarted.

    Badagry is naturally, historically and topographically positioned as major tourist destination in Nigeria. One of those monuments that account for this is the Heritage Museum which has attracted visitors globally to Badagry apart from domestic visitors which include students from primary up to tertiary institution who throng the museum on daily basis. In 1991 members of the Bob Marley family announced through their spoke person then that they were coming to settle in Badagry because they believed that was where millions of Africans were taken to the diaspora as slaves. But because of the inactiveness of the authorities that be we lost the opportunity to Ghana.

    In 2007 the Michael Jackson family members were in Badagry to secure land space for the construction of Memorabilia in honour of the pop star at Badagry. In 2012, former world boxing champion Evandar Holyfield visited the museum. Rev. Jesse Jackson, the first African-American to contest for the Presidency of America, was also at the museum in 2013. Other international dignitaries that had visited the Heritage Museum included diplomats and the American Rap artist L. L. Cool J, Bishop of Liverpool, Rt. Rev. James Jones and former Canadian Ambassador to Nigeria among a host of others. One imagines the impression that these people would have taken home about the sorry condition of the museum!

    Museums, if well harnessed and given due attention, can be a place to help shape community identity, stimulate development and become a catalyst for regeneration through the creation of new venues and civic spaces and a resource for acquiring development skills in history, culture and tradition of a people including indigenous technology and at the same time inspire entrepreneurship in arts and other related economic activities that will boost local economy. Museums play important role in tourism development; develop pride in local tradition and customs; promote contact and cooperation across different cultures; develop contact across different age groups; develop community and social networks. The Badagry Heritage Museum should be to Africa and Nigeria in particular what the Holocaust Memorial Museums are to Israel and the rest of the Western World. Such is the importance of this museum to African History. It should be the cultural centre from where various cultural, art, and entertainment programmes are engineered.

    We are calling on Governor Akinwunmi Ambode to look in the direction of Badagry, especially for the renovation and upgrading of this historical monument and the completion of the abandoned tourism infrastructure projects highlighted above. The Commissioner for Tourism  Folarin Coker is not left out of this appeal though he has demonstrated his dispassionate and large-hearted stance with the hugely successful One Lagos Fiesta, which is the first of its kind in the history of the state. The programme is no doubt a practical good step in the right direction. Such programme stimulates tourism development.  We are appealing to the commissioner not to toe the line of his predecessor whose parochial view of tourism development stifled and killed all good intentions Fashola had for tourism development in Lagos State except for cultural programmes and carnivals being celebrated in Lagos central.

     

  • Edo community holds festival

    Edo community holds festival

    Nigerians have been urged to eschew cultural imperialism and embrace their heritage to restore the self-worth ofAfricans among the comity of nations.

    The Oyakhire of Ogwa Kingdom, Chief Sylvester Eronmhon Ogobor spoke at the palace of Victor Agbonmenre Ehizogie II, the Onogie of Ogwa in Esan West local government Area of Edo State at this year’s two-week  yearly festival held in commemoration of the ancestors of the community last week.

    Chief Ogobor, who highlighted the negative effects of cultural imperialism to include high rate of crime and social vices, said abandoning African culture and heritage is one of the factors militating against unity and growth of Africans.

    He urged Nigerians, especially the youth, to embrace hardwork, eschew tribal sectional sentiment and be God fearing in their relations with fellow human beings in order to ensure the growth of the nation.

    On leadership, Chief Ogobor who is a ‘born again’ Christian, said a leader should lead unmindful of personal costs, adding that eternal life is better than what people see as priority at the moment.

    The Onogie of Ogwa, His Royal Highness,Ehizogie II said he was impressed with the level of progress of the  celebration had attracted to the town, especially the employment opportunities that had come to the community, urging the people to do more by assisting each or other in the promotion and propagation of African culture.

    The monarch observed that the selection of February for the big Ogwa festival was based on the traditional rites of the town which cannot be amended.

    On the Ogwa Community’s development, the traditional ruler noted the take-off of the Samuel Adegboyega University, owned by The Apostolic Church, which has increased economic activities as well as the number of employed residents in the community.

    The  festival featured Ihuen, Iganede, New Yam, Age grade initiation ceremonies of Eha, Eguare, Izogen and Ukpogo that lasted between 18 and 24 hours.

  • ‘Be always ready to dance’

    ‘Be always ready to dance’

    As a young actress, she acted and danced on the world stage. Her art carved a niche for her. At 75, internationally-acclaimed thespian Taiwo Ajai-Lycett is still dancing. She celebrated her 75th birthday on February 3, with a book launch in Lagos. EVELYN OSAGIE writes.

    Ageless beauty at 75

    She was born for the spotlight. For decades, she dazzled the world with her talents. At 75, the elegant widely-acclaimed thespian Taiwo Ajai-Lycett exudes a show-stopping mien that typifies her ageless beauty and warmth.

    Little wonder that her 75th birthday stirred up emotions when dignitaries, consisting of family members, friends and fans flocked to the prestigious MUSON Centre in Lagos to celebrate the “birthday girl”.  The event was marked with the unveiling of her book titled: Just Sharing.

    “It is not every day that you’d see a beautiful woman at 75,” began former top executive of Mobil, Mr Pat Okpuzor, who chaired the event. “So Sister TAL, congratulations. And you are combining it with a book launch. The way you know a good writer is the spontaneity with which the writer writes.  I have read a thousand words from the book and I say TAL is a great and superlative writer. People don’t write book at 75, congratulations. That tells us that in you God has implanted something very unique. We pray that years from now, you would still be writing books and remain beautiful.”

    At the event were her son, Mr Debo Adefolaju, and her elder brother, Mr Akintola Ajai, who turned 80, last month. Also there were  Oba Gbenga Sonuga, represented by his wife, Olori Peju; former Ogun State Governor Aremo Segun Osoba; Chief Vincent Maduka; political economist, Prof Pat Utomi;  Helen Ovbiagele; Executive Editor/Director, The NEWS/PM NEWS, Kunle Ajibade; Princess Folake Marcus-Bello; Francesca Emanuel; veteran actor, Dejumo Lewis and ace filmmaker, Tunde Kelani. Desanya Sax and TK Okobia entertained guests with musical performances.

    Given her impeccable beauty at 75, guests dubbed her a variety of exotic names. Aremo Osoba described her as “elegant”. Utomi called her “a gift to the nation of such a time like this”. Olori Sonuga called an “inspiration”.

    Others called her “Idi ileke”, the “famed beauty of Idi-Odo” to ageless beauty”, “elegant queen” and “face of African beauty”, the list was inexhaustive. The secret of her beauty, she said, lies in making oneself happy and dance against the odds. While emphasising the virtue of positive thinking, she urged them to dare to play their music.

    “I am dancing through life. I am dancing to mine and the music is sweeter and sweeter with age. Life is a university. I am going from one class to another. And somebody asked me, “How I feel at being 75? How does a child feel? I am only just beginning. The best is yet to come,” the gaily dressed thespian said.

    Indeed, if life is music, given her achievements, Ajai-Lycett could be said to be dancing beautifully to its tune. Her contributions to the arts, music and development of theatre in Nigeria, in Africa and in the world, guests said were worthy of note. They also exchanged notes on the virtues that have earned her a place with the stars, spotting determination, consistence and integrity as the bedrocks of her lifelong achievements.

     

    Meet Ajai-Lycett

     

    Born in 1941, the renowned actress, whose creativity and contributions to the creative art has earned her several awards, has performed in many leading theatres in the United Kingdom (UK) and stage appearances in Nigeria and on Nigerian national television, including J.P Clark’s Song of a Goat and Wole Soyinka’s Death and the King’s Horseman and The Lion and the Jewel; Fred Agbeyegbe’s The King Must Dance Naked; Arnold Weskers’ Shylock and Laolu Ogunniyi’s television series, Winds Against My Soul.

    Her TV appearances include popular British sitcoms of the 1970s and comedy, such as For Better For Worse and Some Mothers Do Have ‘Em by Michael Crawford, who played Frank Spencer, which is on YouTube. Also, in the Hollywood film, A Warm December, she appeared alongside the iconic African American actor, Sidney Poitier.

    Ajai-Lycett, who holds the Order of the Niger (OON),  is a member of several professional bodies in Nigeria and abroad.

    Her list of her achievements goes on. But Ajai-Lycett told  guests, with humility that her feats are inspired by the support of family members, friends and fans.

    She said: “You affirm me. Your presence here tells me that, perchance, I’m walking the right path. I’m not there yet, of course. You are helping me navigate this world, gloriously, tenderly, courageously, sometimes arrogantly. But that is because you gave me power to feel that I can be what I want to be. You me the focus you give me the joy. You make me dance. And I am dancing through life. And to me, this world is all about music. May your life be more musical; be more stable; happier full of joy. Thank you for coming here today and making my 75th birthday a dream.

    “Mahatma Ghandi said: “The change begins with you”. We tend here to blame everything on the government or somebody else but we make our world. And it is our responsibility to make this country remain great because it is a blessed country. We can do better. It has got all the resources anybody needs to live a successful national life. I am 75.  I am looking at what I am going to be doing and being when I am 80. I am beginning to work.”

     

    Ajai-Lycett’s book on life

     

    Her book, Just Sharing, which the reviewer, Ms Samantha Iwowo, called “a nourishing food for the soul”, is a compendium of 57 essays, containing her thoughts and ideas. Published by CGN Books, Ajai-Lycett’s book focuses on diverse issues, ranging from love, music, health, aging, fitness, beauty tips and dance, among others. In it, the thespian urges her reader to rise up to the challenges of life with a positive outlook to things.

    Some dignitaries read excerpts from the book. The first was Mr Akin Fatunke, who read from the first essay, titled: Controlling your Body. In it, Ajai-Lycett advises folks to play, have fun, laugh and enjoy, urging them to “Find the playful inner child and allow it to come to the surface…”

    Mrs Iretiola Doyle read from the piece that asserts that “gratitude is the best attitude”, while Mr Dele Atiba read on the piece on positive thinking.

    The Publishing Consultant of CGN Books, Dr Omolola Omoteso said her company is out to celebrate Ajai-Lycett in diverse ways, saying she is a project that goes beyond the book’s unveiling. She said: “At a time when the country is going through a lot, her person spells wisdom, ethics, good process, beauty, national development. She is a bundle of beauty. I call her ‘Elegant Mama TAL’.  At 75, a lot of people retired and long forgotten; to still be going at 75, is amazing. What inspires me to want to go all the way for mama is she is my mentor. She came into my life at a mentorship programme Aspiring Entrepreneurs programme by Fate Foundation. We cliqued and this was the genesis of the marriage of minds and a lifelong friendship. At the end of that programme, she threw a party for me. I have been touched greatly by her, so this is me giving back.

    “Mrs Ajai-Lycett is beyond description, so much so that her son refers to her as deity. The TAL vision is not about rebranding her. She stands tall as a brand, worthy household name. to fully tap into this bundle of talent, we intend to celebrate this icon of inestimable value and her journey into the septuagenarian fame through the publishing of her works in book form, launching of the work and exhibition of photos and stories about her, Touch (a planned cruise where people who have been touched by her would have a an opportunity to step on stage with her), publishing of her biography, establishing of an office and museum to house her works and photos to serve as tourist spot, among others.”

     

    All hail Ajai-Lycett at 75

     

    Like Dr Omoteso, guests and family had kind words for the birthday girl. They also included Executive Director of iREP, Femi Odugbemi; founder of Omenka Gallery, Oliver Enwonwu; Founder, Terra Kulture, Mrs Bolanle Austen-Peters; Taiwo Odugbesan and Uche Obaseki of Radio One. Excerpts.

     

    Aremo Osoba:

    The celebrant of today, our own respected, beautiful and ever elegant, is very dear to my wife. She says is one lady who is not only the most beautiful but one living a good example that “black is beautiful”. She is a lady who has contributed so much to art, music and development of theatre, not only in Nigeria, in Africa and in the world. We are very proud of Ajai-Lycett. And as her senior brother, because I was 77 this year, I welcome her to the club of 75.

    At 75, she is still looking so radiant and so young. We belong to a chat group and all the men there are struggling to be the boyfriends of Taiwo. At 75, you are still being chased; even abroad, people are still falling over each other. At the chat room we give ourselves all kinds of nicknames, such as Agrikpa I, Agrikpa II and Igrikpa I. and the day we met Ajai-Lycett, they couldn’t gripkpa her. I greet you warmly; I pray for longer life for her, in good health.

     

    Olori Sonuga:

     

    Aunty Taiwo is my paddy sister. She has been since 1979. She is an inspiration and I love her. The young ones should meet with her and discuss on what it means to be a better artiste. She is also so close to the Kabiyesi, my husband. We pray for her to live long.

     

    Emanuel:

     

    I admire her a lot. She is a trouper: when I want to congratulate you on your 75th birthday. I want to thank God for you and the contributions you are making to our society. From the excerpts, we have read today, that book is a must read book. I wish long life. She ever so graceful, caring and elegant. So I wasn’t surprise when Governor Osoba said she is still being chased.

     

    Culture Specialist, United States Consulate, Bene Uche

     

    May you continue to be an inspiration towards all.

     

    Adefolaju (Ajai-Lycett’s son):

    My secret is people not knowing I am mama’s son. I can be who I want to be without the spotlight. Ajai-Lycett telling us that there is a greatness in us, so we should appreciate ourselves more.

     

    Ajai (Ajai-Lycett’s brother):

     

    I have been privileged of having seen her from day Number One. From birth, everything about her had been dramatic. And I am delighted that all the rascalities she had in her earlier years have evolved to something worthwhile. Taiwo has always been very outspoken, very bold and very adventurous. She got into a number of troubles, especially during the days when Lagos was serviced, “waterwise”, by what they called “Idi Odo”, public taps. A number of children exercised their physical expertise at such junctures.

    I am not saying she is one of them, but at the end of the day, I am particularly delighted, what she has evolved into what has given pleasure to many people. On behalf of the Ajai family, we thank everybody for having given her all the support. She is 75, I congratulate her.