Category: Life – The Midweek Magazine

  • ITAN mounts Muson stage at Easter

    ITAN mounts Muson stage at Easter

    After a thrilling performance at the University of Lagos Auditorium at this year’s Lagos Theatre Festival, Ayo Jaiyesimi’s ÌTÀN (The Story) will return to Agip Hall, Muson Centre in Onikan, Lagos on Saturday and Sunday.

    The production is led by Jaiyesimi as executive producer, theatre veteran and journalist Ben Tomoloju as artistic director and Lookman Sanusi as productions director.

       ÌTÀN, which is another amazing 90-minute production from THESPIAN Family Theatre & Productions, features a talented 60-man cast and crew, which include Norbert Young; Wazobia FM’s ‘LOLO 1’- Omotunde David; Sam Uquah; Nissi George and Segun Dada, amongst others.

    ÌTÀN is a rich blend of cultural and contemporary drama, music and dance. It captures the modern day relational tension that crops up between the different age -generations as Àsìkò (‘Time’ personified) intervenes by taking ‘old school’ – die-hard -village-elder, Pa Latinwo and his newly discovered city, roller-coaster grandson, Dee-Kay, on a journey into the past and future. They discover dark secrets shrouded by the veil of time and come to terms with the fact that they need each other to make the best of the present.

    With ÌTÀN, (The Story), Jaiyesimi believes that many families and work teams are frustrated because of the lack of generational understanding. Beyond the visible youth culture – dress, music and dance that the older generation and corporate bodies exploit to their advantage, how tangible are the investments that are being made in youth issues? How well are young people engaged and being involved in crafting corporate and national strategy in a world that they would form majority of the population? On the other hand, how have young people tapped into the experience and structure that older ones have to offer? These are some of the contentious issues that the play subtly throws up. It calls on all of us to question and fashion a way to bridge this gap before it leads to further disintegration in our society.

    Jaiyesimi disclosed that THESPIAN Family Theatre & Productions intends to undertake a foreign tour with the play and that there are moves to form alliance with other partners. She noted that her outfit has produced plays that are tremendously good and those that could be better. “In fact, some have been quite profitable,” she added.

    The playwright, who has produced and staged plays, such as The Five Maids of Fadaka and Mad King of Ijudiya, is very passionate in trying to minimise the challenges that multi-generational relationships pose in families and the workplace, and the disharmony it causes in families or teams within corporate organisations or communities.

    “Historically, the generations consist of the old-timers and the young hotshots. But today, one can identify five different generations of people influenced by major historical events, social trends, and cultural phenomena of its time.”

    Tomoloju said the intellectual bend of the play remains one big attraction that sets the play apart. He said ITAN has the profundity and philosophy that many cannot ignore as it takes from the tradition and the past for projection into the future.

    On why he accepted to direct the play, Tomoloju said: “This is my first time of directing a play with the Thespian Family or a new theatre outfit. It has to worth the while to accept directing a play. People invite me to direct most of the time. And ITAN is not just a play for today, but for tomorrow.”  One thing that must be allowed to flourish according to him, is the new enterprise in the theatre business because theatre is not getting enough boosts apart from media efforts.

     

  • Like Niger Delta, like Northeast

    Like Niger Delta, like Northeast

    After a tour of Abuja, Port Harcourt and Benin City, Prof Ahmed Yerima’s Little Drops berthed at the Transcorp Hotel, Calabar to round off the traveling command performance. At the grand finale that also witnessed cultural performance as well as signing and pledging for parity, the Niger Delta Development Commission (NDDC reaffirmed its call for all to ‘work and create a region of our dreams.’ And the message was unequivocally passed across in words and drama presentation that was attended by distinguished guests. Among them were Wife of Cross River State Governor Mrs. Linda Ukwuye Ayade, wife of the Deputy Governor, Mrs. Omotunde Ivara Esu, Cross River Commissioner for Women Affairs, Mrs. Stella Orem Odey, some local council chairmen, women leaders and activists.

    Mrs Ayade who was special guest enjoined every woman to be goal- oriented adding that ‘whatever you think of, follow it.’ She said that everybody is created for a purpose, but that failure does not mean limitation. She however assured that though the road is rough, ‘we will be the voices of those who have not risen. Get your goal right and don’t follow the crowd.’

    Acting Managing Director NNDC Mrs Ibim Semenitari described the Calabar leg of the event as the most exciting and fulfilling noting that it was worth the grand finale. “Calabar is the fourth stop, and it is the brightest and best,” she said.  Semenitari said the race is by no means ending in Calabar because the campaign to gender equity is a continuum.

    “As we rebuild every facet of our national life, especially the Niger Delta and the Northeast regions, as we set Nigeria on the path to change, under the leadership of President Muhammadu Buhari, the marginalisation of women must change. Women, all over Nigeria have shown great capacity to drive the course of development. In more and more homes of the Niger Delta, they have assumed roles of bread-winner, holding society by the scruff of neck and demanding to be taken seriously,” she added.

  • ‘Artists’ work should speak for them’

    ‘Artists’ work should speak for them’

    Former  Ondo State Commissioner for Culture and Tourism  Chief Tola Wewe is a man of many parts. He is an artist, a farmer and politician. His works are an inspiration to the youth. In this interview with Udemma Chukwuma, he speaks on his life and why he studied Fine Art. 

    When not engaged in art, what do you do?

    I am a farmer and a politician. I do part-time politics. I have 20 fish ponds. I have oil palm plantation covering over 50 hectares of land. If I am not painting or drawing, I go to the farm and produce some palm oil and fish. Another aspect of my life is politics. Although I did not go into politics formally or intentionally, I crept into it. Olusegun Mimiko, the Governor of Ondo State, who has been my friend for years appointed me Commissioner for Culture and Tourism. This drew me into politics. Besides, as an artist, I think it’s our primary concern to comment on socio-political issues in our country. Beyond these, I socialise; I drink with friends in the evening and attend parties.

    Do you tend your farms or you have people who handle it for you?

    I have people who work for me. My main attraction was to create jobs for people. The easiest way to create jobs in Nigeria is through farming. And if you have the land or buy the land and employ people, then you can produce. I produce some kegs of oil frequently and the people I employ do this work. I make little profit but these people are fully engaged.

    Did growing up in the village influence your interest in farming?

    Probably so. My father was also a famer. In my community where I grew up, my father had the biggest farm. Up till date, the farm is still there and his children are still sharing the money from his farm every year. He has a huge oil plantation. My father’s experience was my inspiration too.  And with the present day situation, I think farming is the way to go.

    What was life like growing up?

    Life was fun for me. I grew up in a village called Shabomi in Okitipupa Local Government Area of Ondo State. It is a riverine area. My people were amphibious; we worked on land and in water, meaning that we were farmers and fishermen. Growing up and schooling in the village, there were lots of adventures for me as a kid, such as hunting for birds with catapults. I also schooled in the village and was involved in lots of sports. I was a footballer too. I enjoyed my childhood; it was really adventurous.

    What were the challenges you encountered when you chose to be an artist?

    I don’t think I encountered any major challenge because I started art as a kid.  Let me take you through. My father had many children. We are close to 30 and at every stage, we had some peers among the children. We were about five who were of the same age growing up in the same house. In those days, we acted drama with slices of bread my father usually bought whenever he travelled. We created holes in the bread to make it look like a camera. The camera we had in those days was not like what we have today. So, when the photographers visited, everybody would announce to each other that the photographer was around and we all got ready to take photographs. Then you don’t just take action photo, you sit down, you take your time to dress and arrange yourself before your photo is taken. We were always imitating that, and when I ‘took their photographs,’ I would go to the dark to draw the pictures. I was doing this constantly as a kid and I remember that most of the time, I had a psychological remembrance of the person I was drawing.  And most times, people were able to identify the people I drew.

    I remember too that after the rain, I used to draw on the ground. My father’s house had a flat frontage. When the rain stopped, the ground would be easy to draw on and I would take a broomstick and draw whatever caught my fancy. I was always drawing prominent people in my community, though the drawings were more of caricatures. This made people to gather around me and laugh at my exaggerated caricature drawings. Many times I got beaten in school for drawing on the back of my exercise books.

    I was formally introduced to art as a subject when I went to college. Thereafter, my ambition to study art was never shaken.

    Did your parents oppose your choice of study?

    No, the only advice I got against it was since I was good in Mathematics, why going to study Fine Art that didn’t require Mathematics? My father asked why I wanted to go and waste my Mathematics talent. But I was determined to study Fine Art. So, I was not really persuaded not to study Fine Art.

    When did you have your breakthrough as an artist?

    It was not easy to break through. When I was still a student at the University of Ife, I started selling my artworks at my department. I was producing artworks for survival in school. If you gave me any amount to produce a painting for you, I produced the painting that is worth your money.  I was selling works to fellow students. I sold my works to some people in Lagos for 50 kobo. If you look at it, how much did I spend to produce the work of 50 kobo anyway? Probably 10 kobo. So, it was still profitable.

    I was among those they called ‘Pee Peecians’ in school (Private Practice people). The real thing is hard work and going extra mile to do more. Even when others were producing maybe six works for assignment, I could produce up to 40 works. So, hard work was very essential.Chike Nwagbogu of Nimbus Gallery, Lagos was my main broker. When I met Chike, he just opened a gallery and he was still a student while I was a graduate and practising art. He was a determined and promising art broker, who went from studio to studio to collect artworks from artists to sell. I met him as he was about travelling to London on a long vacation. He was collecting artworks but had exhausted his money when he met me. He was, however, attracted to two of my works and I think I gave him one.  I got introduced to him by Felix Asare. This was in the early 90’s before he opened a gallery. Chike came back and my work was the only piece he was able to sell. He got encouraged to get more works from me.

    Because I came to Lagos then with an unusual style of painting, my paintings to some people were scary. They were not used to it. I was one of the pioneers of those who produced works that were having African characters. When I brought these paintings with these decorative patterns of deities, tattoos on the bodies of my works; some people were scared but they were accepted by the expatriates. So, Chike was emboldened to get more from me. Every week, we sold about five paintings. And so every week, I was churning out works. But how much was I getting? N10, 000 for each work; but I didn’t bother my head with how much Chike was selling the works because N10, 000 was more than any salary I could collect anywhere then. I worked with the Daily Times and my salary was N2, 000 per month. I worked with Signatures Gallery and I was its pioneer manager earning N4, 000 per month. And then I started making N50, 000 in a week from five works – he was selling the works and I was working really hard to produce more than the five. At a stage, I was able to move out of Lagos so that I could have space and time to work because I was squatting with a friend somewhere in Akoka in Lagos then. I relocated to Ondo and came to Lagos on weekends with the works.

    It was when I wanted to have my first solo exhibition with the Russian Cultural Centre in Ikoyi that I invited Chike. I told him I wanted to have an exhibition and I asked him how much he had been selling the works, so that I wouldn’t sell below or above the market price.

    What is your advice to younger artists who complain that galleries are making huge profits from their works while paying them peanuts?

    They should not bother about the amount someone is making from their works. The advantage is this: My artwork was able to go into many homes. Some people would want your work because the MD of a certain bank has your work.  A certain ambassador from Europe to Nigeria bought some paintings from me. The works were in my usual style. The man was so mad about the paintings and there was a Nigerian collector who was his friend. He went to the ambassador’s house, saw the painting and was looking for me. If I had not sold those paintings cheap, if I had placed high price tags on them, maybe my work wouldn’t have got to that place. After the exhibition, I was then gradually selling at the prices Chike was selling.That is how to move on. They should produce as many works as they can produce as growing artists. If they work hard and produce lots of works, there is no way they won’t have breakthrough.

    What is your advice to younger artists who want to sell their works at the same rate as established masters?

    They should try it, if it works for them, good. There is no good art and there is no bad art and there is nothing like experience in art. You can have a young artist that is extremely good, much better than the oldest of us all. What differentiates art from other profession is freedom. For example, Wizkid came out and he is charging more than what Sunny Ade was charging. But my only advice is that the artist must work very hard to sustain the level of income he wants to make.

    How do you relax?

    I relax mostly in the evenings. Every day, I wake up by 2: 00 am and go to the studio to sketch. I try to do some work till about 5:00 am. Then I go back to bed or read newspapers, or go on the internet until I sleep off. I go back to the studio when I wake up around 9: 00 am. Then I work till 5:00 in the evening. I hang out with friends after this time and no one or work will disturb me.  In the process I cool off with a bottle of beer or two with friends. I do this every day.

  • ‘Change in value system bane of medical practice’

    ‘Change in value system bane of medical practice’

    Former University College  Hospital’s (UCH’s) Chief Medical Director Prof Olajide Ajayi is 80. His dedication to work and philanthropy stands him out among his peers. He spoke with OYEYEMI GBENGA-MUSTAPHA on his career, health foundation and the health sector’s challenges.  

    It has been Prof Jide Ajayi’s lifelong dream to provide quality healthcare in Africa, particularly, in West Africa and ensure that it is at par with what obtains in developed countries. Seated in his garden at his Ijebu Ode, Ogun State country home, Prof Ajayi explained why he granted this interview by quoting Theodore Roosevelt: “No one cares how much you know until they know how much you care”.

    He said as a doctor, a no-nonsense teacher and a compassionate academic, comparing the past medically with the present might be prejudicial. And to believe that there is no change between the past and the present is again not fair, he added. But, according to him, there is room to uphold medical ethics.

    He, however, said the circumstances under which he grew and practised medicine many years ago have changed hence, the challenges would be different. According to him, a straight forward comparison between then and now would be unfair. “What obtained then is different from what we have now,” he said.

    Prof Ajayi, who got to the peak of his career in medicine as a world renowned surgeon and  president of the International Federation of Surgical Colleges in 1993, the first blackman to be so honoured, said things were really good then, adding that what regrettably has changed is the value system.

    He said: “The orientation has changed. It was a matter of pride then to be a doctor. In those days, surgical consultants were really next to God as they were feared and respected. They walked tall on the corridors of the hospital and they were not just doctors, but super-doctors. You are highly regarded. You go to an event and you are highly welcomed and there was honour, and dignity. But now, nobody cares until he says he has N10 billion. Doctors are working, but still looking for another source of income to make ends meet. They aren’t available 24 hours to think about their patients anymore.”

    Recalling his childhood, he said:“During my time, as a child, all I wanted was to be a doctor because I wanted to be like the big names of those times. The regard people had for doctors in a community was that of great respect that boosted self esteem. It then invoked compassion. Each time I went out with my mother she would tell me who looked after who when my father was ill. The fact that my father was a chemist and druggist, and my mother a midwife put me very close to the health sector. To me, the place to serve the people, be compassionate and be highly regarded in the society was to be a doctor.”

    Prof Ajayi said the significant differences that have reshaped the practice of medicine in the country can be traced to change in value system.

    According to him, the most fundamental change should be the change in values. “For instance, strike action is a labour strategy for getting concessions, but in our time people would come to ask questions if there was something they could do for you, rather than what you could do for them. I don’t think I want to enter into labour issue. I was once the chief executive of a premier hospital in the country and was involved in lots of labour issues, which related to the values of my time. If you want to fight for a cause why should somebody die? We need to have a society that doesn’t look at your success as a measure of financial gains and acquisitions,” he said.

    Prof Ajayi, a recipient of Honorary Fellowship award of American College of Surgeons, said part of the change in value system is how swiftly doctors stay in the proximity with the patients. He  recalled that medics occupy as much as 75  to 80 per cent of accommodation of any hospital premises. “But now non medics occupy a greater portion of the accommodation to the extent that when there is an emergency during our own time not only resident doctors will always come on Call Duty, but consultants as well will come from everywhere to rescue the situation. What obtains now is that medics are so scattered and by the time there is an emergence, the doctor might not be able to meet up.”

    According to him, it is like getting on a slippery slide, “but one can understand the rationales of modern developments,” he said. He continued: “It is the function of the individual that will determine the proximity for emergency call, there was never an argument as to why doctors should be living with their patients in the hospital, and then we moved on to have nursing hostels in the hospitals because they work late at night, awkward hours day and night and so on. But then unionism took over, values crumbled. The doctor is the same thing as the hospital administrator, same as a carpenter. We forget about the functions, the part they have to play and we all think in terms of we all need to be on the same scale of salary, and we should all have the same entitlement.”

    He added: “Again it is because we have thrown away the old values of giving service, of putting the patient’s interest first, otherwise no government will approve that kind of a thing. The most saddening thing is that some doctors don’t want to stay near the patients because they are the ones you will call and ask how bed five or six patient is doing.

    “So, he wants to stay as far away as possible, where he will be running his own hospital or clinic. When I was in UCH I lived inside the UCH, when a patient is very ill and they can’t immediately find the doctor, or probably the doctor is involved in another emergency, they will call me and I was available then. Technically you have put the interest of the patient first, but now that is not there.”

    He was a chief medical director of University College Hospital (UCH), Ibadan, from 1990 to 1998.

    Prof Ajayi relived how he dealt with the issue of remuneration and out-of-stock of consumables. He said there are always two issues in any hospital setting, one is remuneration, which is not important except when tied to value system. “When I was the CMD at UCH we had this out-of-stock syndrome, no cotton wool, no water and so on. And those were the issues that were inherited. But before I got the appointment, I had gone to assist in setting up the teaching hospital in Shagamu being run by Ogun State.  And the things we learnt there was that money is important, but there are other initiatives that are equally important.

    “What I did at that time was to use an existing World Health Organisation (WHO) philosophy that if I get a drug and sell it to the patient at the cost price then I will re-cycle the money and replace what I have sold. So, one will be assured that the service or drug will be available. It is called the Bamako initiative and if this Bamako initiative works for drugs, why can’t it work for laboratory consumables, food, plasters and so on.

    “So I set up committees- catering and laboratory committees. And these committees would be the ones to say this is what will be this month. They will buy in bulk from the manufacturer, use it and at the end of the month  take stock of how much money they have generated. The generated money does not belong to the hospital at all, but to the committee. If they were able to buy 10 types of drugs, and we need 15 types of drugs, they now have money to buy the 15 types of drugs.

    “It’s a revolving fund  and they became so prosperous. The consumables were readily available so much so I got greedy myself and taxed 17 per cent tax on gross intake and they agreed. You will have to turn your audit system into the consumer terminal. Of particular interest was the establishment and maintenance of revolving fund systems in the hospital- Drug Revolving Fund (DRF), Theatre Revolving Fund (TRF), Laboratory Revolving Fund (LRF), and Catering Fund (CRF) that led to the foundation stone of revolving quality health care delivery in the hospital,” he explained.

    He continued: “But, anytime you do these things certain interests are not happy. Any hospital management can adopt that. Even if the system is slow, the implementation mechanism may change with time, and you must adapt to situations and I am not comparing my period with anybody. I am saying within the circumstances I found myself at that time that is what I did.”

    Moved by plight of patients not being able to pay for services, Prof Ajayi said he ensured that those people were not shut out of the hospital. To him, the situation can be salvaged if the government can hand over the running of the National Health Insurance Scheme to professionals- Insurance professionals, instead of being handled by medics.

    “National Health Insurance Scheme (NHIS) is having hiccups because it is being managed by doctors. I will tell you my central philosophy as a doctor, insurance is not my profession. There are people, who acquire the skill in the insurance business, it is not a medical problem.  So, to go and create a medical health insurance scheme and put a doctor there does not make sense. The insurance companies work in other countries, they hire doctors as consultants, to know how to make sure certain things are well evaluated.

    “So, to say that doctors are to handle the health insurance will be a failure because there is no insurance in Anatomy, Physiology, Biochemistry, Surgery, Theatre and so on. Insurance is a skill, so go and ask an insurance man to take charge at the helm of affairs at NHIS. I once asked a professional insurer why is it they can insure cars, houses etc and why the difficulties in insuring health? And I was told the plain truth; doctors are not trained in Insurance, but medicine. As a person, I don’t believe doctors should primarily run an insurance scheme, let those who studied insurance as a discipline come and say what they have to say,” Prof Ajayi explained.

    Indeed, he has left his footprints in the sand of time. As President of West Africa College of Surgeons (WACS) in 1989, he, together with the late past President, Prof Toriola Solanke and Prof John Terblanche, a South African,  envisioned and embarked on the conveyance of a Pan African Conference for Surgeons (PAAS). Following its birth, the association, consisting surgeons from South, East and Central Africa, took off and till date, there is a strong ongoing collaboration among the respective Surgical Colleges.

    That would not have been possible without the commitment and persistence of Prof Ajayi. He became association’s president in 2009 when he was sworn-in at its annual conference in Guinea Conakry. His involvement has been a pillar in fostering and strengthening of links between the Sub-Saharan Surgical Colleges.

    Asked if he has any regrets? Prof Ajayi said he would have shouted less at people, because the term ‘Ajayi sparks’, which was what he was known for, was grossly misunderstood by many. “They missed my good intentions that I was ready to fly at any provocation of incompetence or irresponsibility,” he said. But he said he is because his passion for passing knowledge manifested  in hundreds of postgraduates, who owed their skills and sometimes their jobs to his personal and professional efforts.

    Till date, he still invests in people by setting up a charity organisation named after his wife- Beatrice. Known as Beatrice Olajide Ajayi Foundation, assisting bright and diligent, but indigent students in the pursuit of their education, assisting disabled children who are victims of natural disasters and epidemics such as poliomyelitis and cerebro-spinal meningitis and assisting charitable organisations such as homes for the handicapped, motherless babies, the deaf and dump, the blind have been the main focus of the foundation. The foundation also assists organisations that are registered for humanitarian purpose and supporting charitable evangelical church societies, especially those located in rural areas, in executing most of their programmes.

     Following in his footsteps is one of his sons,  Kunle, who is a colorectal surgeon and wife, Jenny Sung, a general surgeon.

  • Awosika urges women to live their dreams

    The Chairman, First Bank of Nigeria, Mrs. Ibukun Awosika, has charged women to strike a balance between their homes and workplace with godly wisdom.

    Awosika spoke at the 2016 inspiring change conference organised by Esobs Heroes in commemoration of the World Mother’s Day held at the Wisdom Arena, Agege, Lagos. The programme tagged Yes I can, brought together Christian faithful from across the country  and featured prayer, lecture and distribution of free sewing machines, deep freezers, scale and cash donation to indigent entrepreneurs in Nigeria.

    She said that women should know their roles as mothers in the home but understand that by operating within the order of the home as instructed by God there will be happiness in the home.

    “No matter what you think I am, in my house, my husband, in spite of my achievement is the head of the home. Whatever I am today, I can kneel down before my husband in front of 10 million people and it would mean nothing to me because he is my husband,” she said.

    She advised mothers to hold their home in very high esteem and should not put their home at risk in the course of serving God.

    She also advised mothers to do what they are passionate about, adding that if Mrs. Awosika could be a successful mother, wife and entrepreneur, every woman too could.

    The convener of the programme, Mrs. Adesumbo Adeoye, said that the aim of the programme is to encourage and reawaken the spirit of motherhood with a view to surmounting the challenges of parenthood through entrepreneurship and capacity building. Adeoye advised women, in their capacity as mothers, not to bottle their dreams.

  • Arthouse makes N31m at auction

    Arthouse makes N31m at auction

    About N31,050,000 was realised from 72 per cent of works sold at the Affordable Art Auction by the Arthouse Con temporary at the Kia Showroom on Victoria Island, Lagos.

    It featured 116 lots from leading artists. Top sales included Rom Isichei’s Rejuvenation (2011), oil on board that sold for N1,322,500  ($6,613); Ben Osawe’s Mask (1985), a gouache on paper that sold for N920,000 ($4,600) and Kolade Oshinowo’s The Family (2009), an oil on board that sold for N782,000 ($3,910).

    The auction also included three charity lots in support of the Society of Nigerian Artists, which raised N506,000 ($2,530) with all proceeds going to their fundraiser to expand their operations.

    The auction was the third, after the Arthouse Contemporary’s bi-yearly auctions of modern and contemporary art in May and November. Each work was priced  below N 500,000, casting a wider net to showcase a broader scope of contemporary artists. The auction aimed to engage emerging markets and the rise of a new collector base.

    Arthouse Contemporary displayed many artists in the auction for the first time, and it also included works by leading modern masters and Africa’s most prominent artists — all scaled to a more affordable and accessible price point.

    It was founded in 2007 as an international auction house that specialises in modern and contemporary art from West Africa. It aims to create awareness of the scope of contemporary art in the region, encourage international recognition towards its talented artists and strengthen the economy of its art market.

    Arthouse Contemporary has expanded with Arthouse – The Space – which organises exhibitions of contemporary art, as well as the Arthouse Foundation, a non-profit residency-based programme in Lagos.

    The auction was supported by Ecobank, Kia Motors and Luxeria.

  • Homage to Stephen Oyetade, Ashipa of Ife

    Homage to Stephen Oyetade, Ashipa of Ife

    When the sad news filtered into the public space on July 28, last year that Oba Okunade Sijuwade, Ooni of Ife has joined his ancestors, the social and mainstream media went to town without giving the palace ritualists the benefits of conventional official announcement. Thus, when it was eventually confirmed on August 12, of the same year, the apparent demystification of Oonirisa, Iku Baba Yeye in the estimation of Ife Traditional Royal Council; has taken its toll on many prominent traditional chiefs, including the influential Ashipa of Ife, Chief Stephen Obaloluwa Oyetade, aka Jabidan.

    The deification of Olofin Oduduwa through various rituals estimated at over 200 is believed to have been relegated as the media blitz persisted causing severe emotional distress and tragic heart conditions that assailed Ooni’s high chiefs and the ancient town. Unfortunately, it is in the light of performing the transition rituals while the conflict with the news media lasted that his bosom friend and illustrious Ife son, Chief Stephen Oyetade was transformed, sorry transited ‘’into great beyond”. Ashipa was quoted as saying moments after, “It can’t be true” That bombshell opened a wound in his heart and other traditional chiefs, but he never recovered from the rude shock. The patriarch of the Owafegun family, Fegun compound, Ogbon-Agbara, Ile-Ife, Osun State Chief Oyetade passed on gracefully on August 6, last year, a week after newshounds literally seized the jugulars and coronary blood vessels of many traditional chiefs including sons and daughters of Ile-Ife, who were shocked by the controversy that trailed Ooni’s death. For close to a decade that Ife Consultative Network (ICON) has been associated with the late Ashipa Oyetade, he was a frontline businessman whose passion, determination and ethical principles, inspired and encouraged our  youths, siblings and many top flight professionals on the daunting challenges and adventures of life. Armed with a Grade III Modem School Certificate, he obtained from The Apostolic Secondary Modem School, Ipetumodu in Ife North Local Government Area, Osun State, Chief Oyetade had brief working experience at Araromi Rubber Plantation Estate, Ijebu Ode as a farm hand. He, however, left the job for great adventures in Lagos in the early 70s through his mentor, the late Pastor A.A. Oyewole, who exposed him to gainful employment opportunity at Cadbury Nigeria, Ikeja, where he eventually sat for GCE’O’ Level. With a life of adventure and abiding faith, Oyetade who was born at Ogudu village, Ile-Ife curiously lived in Ogudu GRA, Lagos, where he established a solid base as a wealthy businessman by dint of hardwork and providence.

    Chief Ashipa eventually quit Cadbury to set up a flourishing textiles and supply channel distribution in Lagos Island, However, his financial break came in the late 70’s when he discovered huge business opportunity in Austria, Switzerland, Britain, Holland during the boom era of Swiss lace (Wonyosi) Hollandais fabric. This development heralded the growth of Jabidan Ventures Limited, a company specialised in textile distribution and freight forwarding business. Interestingly, Ashipa Oyetade had steadily taken a cue from his father, Pa Samuel Oyetade Elujoko, who was a successful textile dealer in Ile-Ife. This became the nucleus of Jabidan Group of Companies, which later included courier logistics, freight forwarding, building construction and a hotel business. As a result, Oyetade became a frontline businessman in Lagos and built his first house in 1979 at Parakin Obalufe Layout, Eleyele, Ile-Ife. The modern house was among the choice flats in Ile-Ife in the exclusive Eleyele neighborhood it was occupied by senior staff of Obafemi Awolowo University, including the Chairman of Oduduwa University Ipetumodu (OUI), Chief Ramon Adedoyin. With the support of his wife Mrs lyabo Oyetade, whom he married in 1974, Jabidan Ventures became a household name in United Kingdom and Nigeria, especially Ereko, Moshalasi and Balogun markets. Chief Oyetade took a second wife Mrs Yemisi Oyetade, ostensibly to complement the fast-growing endeavours at the homefront. By the time Oyetade was installed as Ashipa of Ile-Ife in 2005, he had become a prominent businessman with social, business and international connections across the globe. Those connections gave him high visibility, defining moments and was constantly on the entourage of Oba Okunade Sijuwade, who unveiled Ashipa’s ultra-modern hotel complex at Ogudu, Ojota, in 2007.

    He was a pioneer member of The Apostolic Church, Nigeria, Ilupeju and continued to be a blessing to all those who came in contact with him as an Elder in The Apostolic Church Ketu, Assembly where he served God until his last breath.

    Ashipa found great delight in open discussion with friends and family and will be remembered for the wisdom and clarity of judgment he brought to every interaction no matter how small. He was great example and inspiration to Ife youths as a former Treasurer of Ife Developmental Board (IDB) as he delved into every aspect of life-business, health, relationship, money, and happiness.

    Business and general discourse aside, Ashipa’s greatest passion was for peace, love, friendship and freedom to be the best and his greatest pleasure came from deep conversation with friends associates and children- compelling stories that were full of curiosity about how the world worked and moral fortitude about how it should work for us to make a difference. In my encounter with him, I found Ashipa to be genuinely good, faithfull, and motivated to make a difference in the lives of people around him. Nurtured in the strict Christain faith and spartan background, Oyetade was gracious in carriage, humble and articulate and often doled out financial support to politicians of stripes. He was revered by the Ife Traditional Royal Council as a constant donor with integrity, who preferred cash donations at public functions rather than giving frivolous pledges. By whatever measure, Ashipa Oyetade has lived a successful life and a significant modest lifestyle.

    Despite the spiritual significance of Ashipa’s traditional title, Chief Oyetade kept faith with his Christian beliefs and manifested deep convictions on the transcendent dimension of propriety, through, ethical premise and good conscience. According to Ashipa, these convictions constitute the basis of all religions whether Christian, Muslim, or traditional worshiper. I personally will sorely miss his friendship, advice, insightful ideas and humors.

     

    • Mr Balogun is a journalist and co-ordinator of Ife Consultative Network (ICON)
  • Little Drops: Anguish, travails of Niger Delta women

    Little Drops: Anguish, travails of Niger Delta women

    As part of activities marking this year’s International Women’s Day, the Niger Delta Development Commission (NDDC) presented Prof. Ahmed Yerima’s Little Drops at the Presidential Hotel in Port Harcourt, Rivers State, last Thursday. The travelling drama, which kicked off in Abuja last Tuesday, is a campaign to bring to the national conscience the anguish of Niger Delta women and children, Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

    For the first 30 minutes, the red carpet was very busy.  Guests, who were mainly women, took turns to sign and endorse a board pledging parity between male and female genders, which is an offshoot of this year’s theme: Planet 50-50 by 2030: Step It Up for Gender Equality. Inscriptions such as “I love girl-child”, “I pledge to help and mentor girl-child,” and “Help a woman grow the community,” were some of the graffiti on the board.

    As the endorsement was going on, a dance troupe entertained guests at the entrance of the hall, setting the tone for the main drama presentation of Little Drops in the evening, featuring renowned actresses, such as Joke Silva; Tosan Edremoda-Ugbeye; Najite Dede; Zara Udofia-Ejoh; Toritseju Akiya Ejoh and Abiodun Kassim.

    The play was directed by Niji Akanni while Alhaji Teju Kareem was the Technical Director.

    Poetry performances of Through the eyes of the storm and We Thought it was oil also spiced the evening that attracted guests such as the wife of Rivers State Governor Nyesom Wike, Justice Eberechi Nyesom-Wike, renowned author Pa Gabriel Okara, top management staff of the commission and women leaders among others.

    Justice Nyesom-Wike, who arrived half an hour into the event, said women should be cared for in terms of their mental health because there are always cases of rape and violence against them.  She noted that when the childhood of a child is stolen, he or she cannot get it back. “I got married at 27. Yet, I am still facing challenges of maintaining a family. How can a girl of 16 years cope? I cannot think of any greater challenge than what the girl will face. When you marry off underage girls, they face many health challenges. The mental health of our women is what we must take serious because only a stable woman can manage a home,” she added.

    Justice Nyesom-Wike urged the government to do all it could in order not to destroy the womenfolk, saying ‘we need to love one another.  Men should give women a chance to grow and develop. When you build a woman, you are raising generations.’

    On the increasing spate of killings in the state, she said Rivers is big enough for all and do not see why ‘we should have issues.’

    Acting Managing Director/Chief Executive Officer, Niger Delta Development Commission (NDDC), Mrs Ibim Semenitari described the event as one of the activities of the commission to inspire and celebrate the courage, determination and achievements of ordinary women facing extraordinary circumstances every day. She said Pledging for Parity is a campaign everyone must support as it is in recognition of the importance of women in their capacity to positively impact the world.

    As part of efforts to raise awareness and improve human capacity in the region, she disclosed that the commission would begin the Girls in Engineering, Mathematics and Science (GEMS) programme and the Queen Kambasa awards for excellence. All these, she said, are to encourage young girls in the region embrace science and technology, and provide quality manpower.

    Beyond hosting Yerima’s play, Little Drops, which is a more compelling and urgent  anecdote, Semenitari disclosed that it is the objective of the commission to re-introduce through such engaging platform, issues confronting the Niger Delta to national consciousness, conscience and discourse through the voice of women, who are ‘the unscripted victims of our region’s continual struggle for development’.

    “Today, we want to reaffirm and consolidate on that goal. Today, in Port Harcourt, in the  heart of the Niger Delta, we want to remind ourselves again of the inequities that led to agitation and conflict and ask again that the Niger Delta region should not be forgotten, but her challenges resolved. Little Drops shows what the women of Niger Delta are faced with each day by great environment, political, social and economic challenges,” she said, adding that notwithstanding, women must continue to play the important role beyond the stage and the portrayals of drama, taking it to the communities and creeks of the Niger Delta.

    “Little Drops could not have been staged at a better time than now when the region is faced with increasing spate of violence. The on-going campaign by the commission should go beyond the elite to the grassroots –schools, communities where the unemployed youths are recruited for different crimes and criminalities,” she said.

  • ‘NICO a strategic partner to traditional institutions’

    ‘NICO a strategic partner to traditional institutions’

    The Ooni of Ife, Oba Adeyeye Enitan Ogunwusi (Ojaja II), has described the traditional institutions and the National Institute for Cultural Orientation (NICO) as significant partners in promoting Nigeria’s rich and diverse cultures. He said NICO was an important agency of the Federal Government because of its role in re-orienting and renewing the minds of Nigerians towards cultural renaissance.

    He said he would be glad to identify with the institute to sensitise Nigerians, especially the younger generation, about our unique culture, noting that the traditional institution’s synergy with the institute is very important because the Yoruba, Hausa, Igbo and other minor cultures in Nigeria are gradually fading away.

    The Ooni, who spoke in his palace in Ile Ife, Osun State, while receiving the Executive Secretary of the institute, Prof. Barclays Foubiri Ayakoroma who paid him a courtesy call, said there are a lot of rich traditions and unique cultures, particularly in Ife, and by extension, Nigeria, which the world has not heard of and which he intends to showcase to the entire world with the collaboration of culture organisations such as NICO.

    The Ife monarch reiterated that such partnership is pertinent because research has shown that Nigerian and indeed, African religion and traditions, are the fastest growing in the world and there is urgent need to promote more of them to the world.

    On the unique aspects of our cultures that are unknown to the rest of the world, the Ooni disclosed that his palace is the oldest traditional institution in the country, which many Nigerians are not aware of. “We need to do a lot together to project our culture to other parts of the world,” he added.

    Ayakoroma said his visit was to congratulate him on his well-deserved choice and installation as the Ooni, to pay homage and to pledge his allegiance to the Kabiyesi’s reign.

    Ayakoroma intimated the monarch on the major programmes of the NICO, informing him that the institute organises a national conference for traditional rulers in Nigeria annually with the theme: Culture, Peace and National Security: The Role of Traditional Rulers, which has been pivotal to sensitising royal fathers on their strategic importance as primary peace agents in sustaining Nigeria’s national security.

    According to him, plans are on to organise this year’s edition of the conference and it is the hope of the management and staff of NICO that ‘Kabiyesi is going to give NICO his royal blessing and sensitise royal fathers in Nigeria to massively give their support towards actualising this year’s national conference. “And when arrangements have been concluded we would want you, Kabiyesi, to grace the occasion as the Royal Father of the Day,” he said.

    The Executive Secretary, who was accompanied on the visit by the female talking drummer, Aralola Apeke Olamuyiwa; his Southwest Zonal Coordinator, Mr. James Imohiosen; Mr. Law Ikay Ezeh and the Head of Ibadan Office, Mr. Kenneth Odum, presented souvenirs and a collection of books to the Ooni.

     

  • Ogun unveils logo of maiden edition of Nigerian drums  festival

    Ogun unveils logo of maiden edition of Nigerian drums festival

    Ogun State Governor Senator  Ibikunle Amosun of  Ogun State has unveiled the logo and launched the raffle draw of the maiden edition of the Nigerian Drums Festival to be held between April 19 to 21, 2016 in Abeokuta, the state capital.

    Unveiling the logo and the raffle draw,  Amosun, represented by his Deputy,  Mrs  Yetunde Onanuga, said the event would foster development and unity of the country, being the first of its kind in Nigeria and Africa.

    Amosun said the festival would also promote the cultural heritage and tradition of the people as it would draw participants from the 36 states and Abuja, aside showcasing their talents and skills on drum beating, dancing and performances.

    He stated further that it would enhance tourism opportunities which, in turn, would create employment for unemployed youths.

    The Commissioner for Culture and Tourism, Otunba Muyiwa Oladipo, expressed optimism about the event, saying it would turn around the face of culture and tourism not only in Ogun State but in Nigeria and Africa, as it would promote cultural heritage of the country which other African countries would take a cue from.

    ”Drum is a common factor that binds tribe and ethic groups with different cultures and traditions in Nigeria and the Nigerian Drums Festival will be an avenue to bring the different types of drums together”, Oladipo stated.

    He said the unveiling of the logo has set the ball rolling and placed an official stamp on the organisation of the event which planning had begun in the Ministry of Culture and Tourism towards the successful staging of the event.

    He said: “The event is purely an initiative of the Ogun State Ministry of Culture and Tourism supported by the the Ogun State Government and some stakeholders, but more stakeholders and sponsors are welcome on board, the more the merrier”.

    The commissioner, however, said  the raffle draw was to create awareness and promote the festival amongst the people at the grassroots, adding that it would be an opportunity for buyers to win fascinating prizes to commemorate the Nigerian Drums Festival of 2016.

    ”This is part of the side attractions of the Festival, there are other side attractions and they will be unveiled as time goes on” the Commissioner said.

    The Permanent Secretary of the Ministry, Alhaja Salmotu Ottun, enjoined the intending participants to be steadfast and focus as the event would bring about the cultural and traditional promotion of their respective states, saying that the event was first of its kind in the entire Africa.

    She said that the event would be a soft landing one which other African countries would  emulate, as the Ogun State was known to be number one in cultural and traditional values across the country even in Africa.

    The event which had in attendance, Minister of Information and Culture, represented by Ms. Grace Gekpe, Senator Olorunmbe Memora, Secretary to the State Government, Mr. Taiwo Adeoluwa, Commissioner for Agriculture, Mrs. Ronke Shokefun, her counterpart in Commerce and Industry, Otunba Bimbo Ashiru, House of Assembly members, Head of Service, Elder Sola Adeyemi among other dignitaries.