Category: Life – The Midweek Magazine

  • Akinleye preserves each passing day

    Akinleye preserves each passing day

    Photography is life and you cannot do without life” said iconic photojournalist, Akintunde Akinleye, at the opening reception of his second solo photo exhibition which opened over the weekend at Red Door Gallery in Victoria Island, Lagos.

    In this ongoing show, Akinleye captured the daily activities of a common Nigerian man including some unpleasant events such as petrol pipeline explosion in 2006 at Abule-Egba, which killed many people; titled Hell from Heaven. This very piece got him a World Press Photo award in 2007. The images Akinleye took at the scene of crashed Arik plane sight in Iju Ishaga, 2012, were also presented to the viewer in large frames.  You could see the firemen trying to put out the fire from the crashed plane. The exhibition runs till May 3.

    He went further to document the people who work so hard for their daily bread but are unnoticed; this he titled: Lagos Sand Merchants; focusing Jonas James who scoops sand from Lagos Lagoon on daily bases.“I began documenting this set of Nigerian residents in 2007 but would not go deeper than the on-shore for obvious reasons. At a ripe-time, in September, 2011, I sailed deep into the Lagoon with the Lagos sand merchants to satisfy my curiosity,” he said.

    The exhibition covered important aspect of life: youth, women empowerment, educational, street economics and rapidly transforming landscape.

    Each Passing Day he said “is a selected work. It is not like a full story of a particular theme. It comes from many documentary projects, a selection of few works I have done in the past. This is something I am showcasing in this exhibition, instead of showing one straight jacket story; I want to show something, more stories. The titled was also inspired by a man passing through a bridge.”

    Akinleye ability to recorded decisive moments, frame within frame, patterns, high and low angle shots, shades and colours, is very impressive. “I work like a hunter. A hunter has to be at alert all the time. You have to be very observant. Decisive moment is also part of the story each passing day, as time passes you cannot recover it. So you have to be at alert for that moment, to capture them so that people can relate with them because everybody cannot go to the field to get it, but I can go to the field to get the story, then share it with people, with my society, about what is going on, what has cured and what needs to be put in place.”

    The exhibition hall witnessed ocean of people who came to view the interesting images which took Akinleye fifteen years of hard work to gather. Entitled: Each Passing Day. “There are all sorts of activities going on in each passing day. That is the reason I titled the exhibition Each Passing Day, so that people can relate with virtually some of the works,” he explained.

    However, he said he never planned to be a photojournalist. “I had loved broadcasting, and nurtured dreams since childhood of being a radio or TV correspondent, but by some unpleasant arrangements, I started learning the rudiment of photography at the age of 11,” he revealed.

    Akinleye can boast of thousand of works including awards such as National Geographic Society. Photography to him “is not just about the financial value. What is more paramount to me is the vision, I want to write my name in history because history is everything you live for. I want to put my own positive impact on the society so that people can say there was a young man, a photographer, that just pass through this phase and that is just my mission.

    Today his works have gone far and far from but the story was different eight years ago. “Galleries were not willing to accept my works. I was not known and nobody was will to corroborate with me, I felt I have to force in myself and I was able to pull the first show through based on that determination. I am more experienced now and my archive is bigger.”

     

  • Road to Sambisa is here

    Road to Sambisa is here

    Until a year ago, the name Sambisa was relatively unknown among Nigerians, especially the youths of the Southern extraction. Today, Sambisa is as popular as a telephone handset in and outside Nigeria, no thanks to the unfortunate kidnap of 276 students of Government Secondary School, Chibok, near Maiduguri in Borno State by Islamic terrorist group, Boko Haram, and were taken to Sambisa forest.

    In spite of the outcry from local and international human rights activists, the hope of rescuing the kidnapped Chibok girls dwindles by the day as the joint military operation in the troubled zone of Northeast is not giving enough convincing message on the recovery of the girls. Even the President-Elect Gen Muhammadu Buhari said last week that he could not promise finding the girls. “We do not know if the Chibok girls can be rescued. Their whereabouts remain unknown. As much as I wish to, I cannot promise that we can find them,” he said.

    But in Lagos, 33 children from some schools in Lagos State under The Vision of the Child segment at the on-going Lagos Black Heritage Festival are expressing themselves in words and visuals what they understand by the phrase The Road to Sambisa.

    Mindful of the entitlement of the young generation and to remind the adult world of the brimful of talent that ensures artistic continuity and innovation, the festival brought in an innovation-to allow the children to capture their thoughts about Sambisa in words and in images.

    Last Saturday, 33 paintings and drawings by these children were displayed at an exhibition titled: The Road to Sambisa opened by Governor Babatunde Fashola represented by Lagos State Commissioner for Tourism and Inter-Government Relations, Mr. Disun Holloway. Venue was the Kongi’s Harvest Art Gallery, Freedom Park, Lagos.

    In all the selected exhibits, the children capture the reality of the kidnapped girls by depicting the agony, pain, torture, loneliness and trauma the girls could be going through in the hands of the Islamic sect in Sambisa forest. The children use effective colours and imageries to reflect how they feel about their fellow students as well as imagine the intimidating and scaring masks of the armed militants. Others such as dark cloud, birds, chains, forest arms and ammunitions are what the children play on to form the content of their works.

    Commentaries such as the followings speak volume of the outpouring of the 33 exhibiting children. In painting 27, the child artist says: “I have drawn a picture of a child dying in his mother’s hands. Boko Haram has killed many children. Poisoned the child when he was sleeping, but his mother woke up and Boko Haram was out of sight. It was the deadliest night ever.”

    In painting 9, the child uses trees to represent the girls, who he feels may not be found. The red paint rushing out of the trees represent the agony and pains of the missing girls. On the foreground are skulls that represent the dead among the girls.

    But painting 13 is very instructive. The painting depicts a lost girl sitting and crying in the forest though escaped from Boko Haram. Sitting lonely the girl recalls all the bad things she went through in the hands of Boko Haram- a pitiable sight, indeed.

  • Satchmo’s Jazzfest honours Armstrong

    Satchmo’s Jazzfest honours Armstrong

    For four days (music enthusiasts in Lagos especially Jazz, will savour the exciting package of this year’s SATHCMO’s Jazzfest, a UNESCO International Jazz Day celebration opening tomorrow April 30 till May3, at about 20 venues across the city. Among the venues for the festival are Oceanview Marque, Victoria Island, Lagos, Oriental Hotel, German Consulate-General, AERA GQ, Queens Drive, Ikoyi and Miliki. Other venues are Four Points Sheraton, Wine House, Ikoyi, Banana Island Café, Angle Villa, Lekki Phase I.

    The festival which will feature jazz film screening and talk by Sunara Begum will also feature over 50 performances by international and local jazz musicians such as Jonathan Butler, Somi, Tunde Jegede and Nomadic Mystics,   HKB FiNN Trio, Kasse Mady and ACM Ensemble, Cleveland Watkiss. Others are Trio Ivoire, Yemi Sax, Kwitee and the Hot Seven. The works to be screened include Blue Note, Last song before the war and Play your own thing.

    In November 2011, UNESCO General Conference proclaimed April 30 as International Jazz Day to celebrate the virtues of Jazz as an educational tool and a powerful force for peace, unity, dialogue and enhanced cooperation among people.

    According to the organisers, the SATCHMO’s Jazzfest (an annual four-day musical phenomenon) is a collaborative celebration of the unifying and uplifting spirit of Jazz, a response to UNESCO’s initiative while celebrating Nigeria’s jazz legacy as well as (Louis Armstrong) Satchmo’s tireless efforts to promote jazz throughout Africa. Armstrong was a legendary jazz musician, world renowned trumpeter, bandleader singer and soloist. His name was synonymous with Jazz music globally.

    “Throughout the year, the festival will sponsor and support the community with free musical educational programmes implemented by the Satchmo Residence in Lagos Island and at the MUSON Centre in collaboration with the Thelonius Monk Institute of Jazz. These programmes will enrich the lives of hundreds of children and their families. Your support will help young people access musical learning, particularly supporting undeserved students and young people and adults with special needs,” the organisers said. SATCHMO’s Jazzfest philosophy is to engage with the city of Lagos and do much more than hold great performances at main venues.

    At a lecture titled: 70 Years of Jazz in Nigeria by jazz historian Emeka Keazor at the Goethe Institut, Lagos the pioneering efforts of some leading jazz musicians were highlighted as well as the evolution of the genre into several brands of mix-bag music such as highlife and Afrobeat.

    Keazor took the select audience down memory lane in his presentation that highlighted major contributions of some leading Nigerian jazz artists to the growth of the music genre. He recalled the great works of artistes such as Maud Meyer, Ambrose Campbell, Mike Falana, Fela Kuti, Solomon Ilori, Bayo Martins, Bala Miller, Gboyega Adelaja, Aleke Kanonu and Mary Ali Usuah.

    Renowned music critic, Mr. Benson Idonije said Nigeria’s romance with jazz music began as far back as the 1940s after the Second World War with the home-coming from overseas of such names such as Bobby Benson, Tunde Amuwo, Bob Edwards and Willy Payne among others. He noted that they started by mimicking the big band sounds of Glen Miller and Benny Goodman, the guitar virtuosity of Charlie Christian, the saxophone sounds of Coleman Hawkins and Earl Bostic-who seemed to have influenced them.

    He however noted that jazz was not the bands’ main preoccupation as they played a mixed bag that also included calypso, Latin-American stuff, jive, dance music of the ball room type such as waltz, quickstep, tango, fox trot and even highlife.

    “However, to underscore the fascination they had for jazz, almost all these early bands adopted jazz tunes for self identification: Bobby Benson Jam Session had the standard, Soft Winds as its signature tune while Tunde Amuwo adopted the classic Seven Eleven. Even E.T Mensah’s Tempos Band which was the model settled for the classic, Tiger Rag,” he said.

    Idonije said two groups created an ideal atmosphere for jazz in Lagos on account of the alternative they provided jazz aficionados, noting that while the Fela Ransome-Kuti Quintet, in its modern jazz setting, played such tunes as Bags groove, Billy Bounce, But not for me and Errol Garner’s Misty which were identified with contemporary times, The Preachers, a ‘Mainstream’ jazz outfit entertained its audience with such tunes of the swing era as Pedido, C.Jam Blues.

    According to Idonije, the Fela Ransome Kuti Quintet transformed to the Koola Lobitos in April 1965 while the reformed Preachers carried on actively under the leadership of Art Alade. He said many thought that Fela’s jazz music would give way to free-wheeling, conventional highlife but they were disappointed.

  • Akalaka: A refreshing menu from East

    Akalaka: A refreshing menu from East

    For the first time in a long while, a joint exhibition of works that dwell on the rich heritage of Igbo culture especially the Uli, is being held in Lagos as a post-elections menu for Lagos arts connoisseurs. Interestingly, the two renowned artists-Tayo Adenaike and Obiora Anidi, are no strangers to Lagos exhibition circuit, but it is a home-coming of a sort for the duo. In fact, for over 20 years neither of the two has held any art exhibition in Lagos. So, it was ‘destined’ for the duo to be in Lagos this season in tandem with the title of the exhibition, Akalaka: Lines of destiny.

    Last Monday, Akalaka…opened at the Wheatbaker Hotel, Ikoyi Lagos featuring 20 works from each  artists, who are Enugu-based. Expectedly, the two artists are presenting works in their area of strength-water colour and sculpture, to express their minds among others on issues of national interest and humanity in general. While Adenaike presented water colour paintings Anidi presented black and white sculptural mix of metal, cement and marble.

    The exhibition, which will run till July 15, is co-sponsored by Global Energy Company Ltd and Ruinart.

    Adenaike and Anidi are part of the Uli art movement, which originated at the famous Nsukka Art School of the 1970s and 1980s, spearheaded by internationally acclaimed Prof Uche Okeke of the University of Nigeria, Nsukka. Akalaka, literally means ‘the lines on the palm of your hand” connoting destiny in Igbo, is showing works, which draw inspiration from  ‘a repertoire of Uli motifs found largely in Igbo land, which is a dying art form; it was solely the preserve of women, who either used it for body adornment or wall decorations of sacred shrines,’ Adenaike explained.

    The duo, who last held a joint show at the Italian Cultural Centre, Lagos over 30 years ago, have created an unforgettable, powerful visual language that though expressed in different media, shared a deep congruity even in messages.

    Anidi expressed himself through the sculptures with which he deftly intertwined with thin strips of metal to create unusual and powerful sculptures reminiscent of the ancient Egyptian renaissance while clearly drawing on important Uli and Nsibidi traditions. He literarily used these motifs as carriers of his conceptual thinking in his works. Similarly, Adenaike’s water colour paintings have over the years transformed into a commune of Uli, Nsibidi motifs and Yoruba oral traditions though without concern for their spiritual or cult interpretations.

    In Ekwu Ito…trinity of the extended family, a three-legged sculpture, Anidi demonstrated his profound simplicity. The work clearly showed a strong external family structure harbouring deft internal politics and alignment.

    Also, in Our Hope Lies in the Begotten Son, there was an incredible, beautiful interplay of thoughts and expressions across starkly different media, but showed the poetry and symbolic significance of Adenaike’s layered visual echoes.

    In fact, his layered human forms with their intense expressions reminded viewers of the complex tension between emotion and the spirit, which coud be seen in perfect alignment with Anidi’s concave spaces and solid marble planes representing symbiotic relationships, beautifully intertwined with metal accents; both artists echoed the interplay between existential perceptions vis-a-vis physical form and energy, and the traditions as well as the restrictions of culture and society.

    Adenaike who runs a successful advertising business in Enugu, said he paints mostly at night and on weekends as he does not live on his paintings. “I paint for the joy of painting, just like a dancer would dance for the joy of dancing.  If in the process of painting I have enough work to display for public viewing and I get applauded or chastised, neither response would make me to stop painting. Painting to me is like writing, you keep writing because of the joy you derive from writing,” he said.

    On what he paints, he said: “I will be a happier person if my paintings are actually not titled. I do not like the idea of people thinking along with me. I want people to feel free and think for themselves. I want people to see themselves and judge themselves in my work.”

    Sandra Mbanefo Obiago, who curated the show, noted that it was important that ‘we celebrate the works of artists who have had a major influence on Nigerian art, and don’t enjoy the same local exposure as Lagos or Abuja based artists. Akalaka presents two master artists, amongst the best of contemporary Nigerian art, to a new generation of local art enthusiasts and collectors,’ she said at a preview session last week.

    Adenaike has lived in Eastern Nigeria for over 41 years and speaks Igbo fluently. He presented intricate works which reflected his dual ethnic heritage. He has taken part in over 62 exhibitions, mostly in the United States (US) and Germany, and his works are in the permanent collection of the Smithsonian Institute’s National Museum of African Art as well as in the “Museum der Weltkulturen” in Frankfurt Germany.

    Anidi, who is currently a Chief Lecturer at the Art Department, Enugu State College of Education (ESUT), graduated from the Institute of Management & Technology (IMT) Enugu in 1982, before pursuing graduate and post-graduate degrees in Educational Technology at the University of Nigeria, Nsukka and Enugu State University of Technology, respectively. Apart from showing in numerous exhibitions in the United States, Jamaica, Germany and Italy, Anidi co-founded the famous AKA Circle of Exhibiting Artists, along with Adenaike and other great artists from the Nsukka Art movement.

  • 360 Art Studio opens at Isolo

    360 Art Studio opens at Isolo

    Arts and photography studio, 360 Arts Shop has been opened at Block 118, Suite 3, Jakande Estate, Oke-Afa, Isolo Lagos. The official launch and opening ceremony which witnessed a gathering of art lovers was held penultimate Sunday and boasts of large format printing with its HD printing machine which is capable of printing life size photographs, photo shots and art collection.

    Aside from the large format print, there is an on-line arts shop, www.360artshop.com.  360 Art Shop is the first online art shop in Nigeria, solely dedicated to the sales of art works ranging from, painting, sculpture, photography, ceramics among others.

    The photography studio is a one stop shop for corporate and social events in and outside the studio environments. It is poised to revolutionize the marketing landscape of artworks in Nigeria and sub-Saharan Africa in general plus offering modern and affordable (creative + photography) studio space with multi-functionality in mind. The studio welcomes art collectors, photographers and creative minds alike.

    According to Washington Uba, 360 Arts Shop is to ‘help you search, appreciate and buy limited-edition prints in the pop and urban aesthetics at prices you can afford. 360 online gallery features a curated collection of works from prominent and upcoming artists. It’s for lovers of art, or those who simply want to taste the thrill of collecting.’

    360 Art Shop is also focused on the development of unique editions, supporting traditional techniques alongside modern mediums. Striking and affordable artworks is just a click away.

    Its vision statement is to become the largest online art hub in sub-Saharan Africa.

    Uba, an artist/photographer, the brain behind the new project had some of his works also exhibited during the event. Among the dignitaries in attendance during the occasion were Director, Corporate Communications, Daily Sun Newspapers Steve Nwosu and Mr Johnson Oladesu  and his wife, a lecturer at the Olabisi Onabanjo University, Ago Iwoye, Ogun State and a PhD student  of painting in ABU Zaria.

  • 2015 elections: How women became change agents

    2015 elections: How women became change agents

    If the just-concluded elections could be likened to a drama crafted by an invincible wordsmith, then the participants would be actors interpreting the ‘2015 election script’. In the many tales characterising the period, the role of womenfolk was grossly under-reported. Evelyn Osagie writes on the inputs of some women in Lagos in the making of the ‘2015 elections script’.

    Children with toys in hand scampered everywhere as movement and business activities were halted. The middle of streets/roads became makeshift playgrounds for football and other sports. The pin-drop silence in certain areas was torn to shreds by the sirens of police vans driving pass at intervals. It was holiday like no other. It was the 2015 election.

    The curtain may have fallen on yet another electoral process, but the many spectacles and side shows it paraded would be remembered by all.

    As men thronged out to vote, the women were also prepared for the occasion. They came decked in different attires. There was no room for merrymaking. It was a day Nigerian women chose who became leaders in the next political dispensation. And so, to the polling centres, each and everyone marched to cast their votes. And loud on the streets was “Change”.

     

    Voting percentage of women

     

    The percentage of women participating in election whether as voters or as politicians are usually relatively small compared to the men, according to the Gender In Nigeria (GIN) Report by the British Council, Lagos.

    This year’s was no different, but women rights activist Dr. Joe Okei-Odumakin decried this trend, adding that: “In recent times the roles of women have been reduced drastically to just voting in elections.”

    She said: “Although during the last elections, women voted massively in both the presidential and gubernatorial elections, generally, women’s participation in politics and electoral processes is still very poor in Nigeria. Although there are few increases here and there, compared to what we had in 1999, 2003 and 2007, there was a drop in 2011. And 2015 wasn’t that good too either.”

    Odumakin, who is the President Women Arise for Change Initiative,named maginalisation as a key factor behind the drop. “Unfortunately women seemed not prepared enough for the 2015 elections, although there might be slight victories compared to the representations in 2011. The reasons for this forecast is simple, women are still faced with the numerous challenges that have contributed to their being marginalised from mainstream politics. Though there is a growing awareness and resolve by women to influence the decisions that affect their lives and their families, the political, economy, social environment and the structure of the nation still define women’s political participation and representation,” she said.

     

    Why women vote

     

    In the just-concluded elections, some women in Ifako, a Lagos suburb, were undaunted by the challenges they face and their small population. They were determined to make their votes count.

    Mrs Ayeni was part of that percentage of women, who registered and were determined to make their votes count in 2015 elections. But what could have made her and other women  leave their homes and children very early on a sit-at-home holiday morning to queue up at a voting centre?

    “Change is the reason we, women, vote,” said Mrs Ayeni, a self-acclaimed women’s right advocate, who wanted her first name off the prints.

    “The election,” she said, “gave us the power to choose our next leaders and call them to accountability. We want leaders, who can understand our needs as women and make laws that would help us harness our potentials. We are very talented and need leaders to brush us up and use our talents to the fullest.”

    For Mrs Busola Ladipo, a businesswoman, 2015 election meant hope for her and her family. “Electing the right person would bring about change that would affect me and my family positively,” she said, adding: “We need a lot of changes in Nigeria. Election is not only a time to decide who would pilot the country, but the future of my children. That is why I have come out today to vote.”

     

    Fears before elections and effects on business

     

    Before the elections there were fears of violence because of provocative statements and hate messages by some politicians. This trend, Mrs Busola Ladipo said, affected her business negatively. “I am happy the elections went well. Before the elections, people were afraid because of past experiences of violence during elections. But in my area, a day before, people went about their businesses. However, market was dull because lots of people were uncertain and didn’t want to spend much,” she said.

    Speaking to Mrs Ladipo after the elections, she said, she was elated that some of those she voted for emerged winners. “I think the card reader made the election more credible. We hope they will not disappoint us,” she remarked.

     

    Centre where women received special treatment

     

    Women’s participation in political processes, gender experts say, is of strategic importance, “not only for women’s empowerment, but because it has wider benefits and impacts”.

    Dr Odumakin said: “Women in Nigeria played significant roles in the making of Nigeria’s democracy. During the pro-democracy struggle a good number of women, most especially, those in various higher institutions as at that time played active roles; they later graduated and worked closely with notable activists to achieve Nigeria’s democracy. They marched, protested and deployed their God-given talents and education to achieve what we have today.”

    In a joint agreement and to increase the participation of women in the area, the men and INEC officials of Ward 004 on Mojisola Street in Ifako-Ijaye Lagos, allowed women to be accredited and vote without having to join the long queue during the elections.

    Describing the gesture as “strategic”, Mrs Badmus, who also did not want her first name in print, observed: “I did not spend more than 10 minutes during my accreditation. Our men understood the importance of women in an election process and nation-building. Our role doesn’t only stop in making sure our families are properly taken care of, we must join hands to make our country better for our children’s sake.”

    On Mrs Ayeni’s part, the move showed that “Nigeria is moving forward”. She said: “The work of women, mothers, is never done. The centre made it very easy for us. They eased our work a lot. As I came to the centre, I was told to go to the front that women have been given special privilege today to do their accreditation and vote. We are grateful to the men in this area for such initiative; the gesture encouraged lots of women to come out as you can see today. We were able to quickly return to children, and prepare food for our husbands, who may not be returning home until after the election in the evening. Others should learn from this example,” .

     

    Business twist to civic duty

     

    Big Show, as she is popularly known in the area, perhaps, because of her size, had a different story. Located in front of a light brown three-storey building, Big Show’s open-air eatery spot, Temmy’s Corner, served as relief spot for voters, who arrived early to perform their civic duties.

    Queuing up to vote under the scourging sun can be dehydrating and energy-sapping. Temmy’s Corner, specialist in boiled noodles, was a big relief from hunger and thirst.

    Although that was not her usual spot on normal days, she took advantage of the long wait involved in the process to make some quick money, saying:  “I was moved by their plights and felt I should save the situation by providing them food.”

    Her real name is Temilade Olasunkanmi. She has a dream of owning one of the biggest eateries in the country someday. Temilade was one of many business-savvy folks, especially women, who used the period to make some quick money. So, while the country gained a new government, she also joined others like her to exploit the situation.

    Depending on each customer’s needs and for the right price, she provided quick noodle snack garnished with fried egg or boiled one.

    But providing food for customers was not the only item on Big Show’s list that morning. “I have my PVC. I am also here to vote. I have already been accredited and would vote later. This is not my usual spot, I just felt that if nothing is done to help the situation, our people would be very hungry today.  Some have left their homes – from far away Lekki – early to come here to vote and would not be returning until evening. That is why I chose to provide food,” she said.

    One of her customers, Mr Yemi Fashiku, in his 30s, came from Lekki that morning to vote. He said: “Thank God for her O. I had registered here, but relocated to Lekki. So, by 6am I left Lekki to come here to vote. The men in this area believe women have a great role to play in election. I praise INEC for the card readers. It is better, safer, easier and gives no room for rigging. But in the future INEC should ensure that no matter where we register, we can vote anywhere in the country as long as we have our PVCs.”

    “Big Show is helping to provide for the community. My sister, where would we have gone to find food today? And a lot of us came from very far away. I have come from Obawole far away since morning. Now, it is about noon. In fact, she should be praised for helping the election process go smoothly,” Sunday Anibire said.

    This reporter was unable to engage women from other polling centres in the area because her election monitoring programme was cut short due to a police arrest.

     

    Gender friendly environment needed

     

    The elections have ended with a record of progresses made since 2011. However, experts say, more needs to be done by INEC and the government to increase the percentage of women registering to vote. They advised that the newly elected administration should pay attention to the assertions of the GIN report. Although published in 2012, they say, it remains apt and valid to achieving gender parity in all spheres of the nationhood.

    With 49 per cent of Nigeria’s population as female (about 80.2 million girls and women), Dr Odumakin argued that any discussion about Nigeria’s future must entail consideration of girls and women, the role they play and the barriers they face. While the GIN report suggests that “a rethink is required with a two-pronged approach, which should combine building the capacity of women’s candidates and reform of the general political environment (violence, corruption, registration conditions”, Odumakin insisted that “the National Gender Policy remains the only persuasive document that can translate into a good negotiating instrument for concession for women”.

    Odumakin added: “Women in political parties must negotiate gender parity through the party system as a temporary measure. Women activists in Nigeria can mobilise around the policy, create awareness particularly, regarding the provisions relating to 35 per cent affirmative action and through this demand electoral accountability from political parties. Women activists and women politicians should explore the opportunities created by some gender friendly provisions in political parties’ manifestoes and constitutions to demand accountability for women.

    “There is need for a proactive identification and recruitment of women members with political potential for future elections. Another door of opportunity is for women activists to engage INEC. Besides campaigns for balanced gender representation in political decision-making positions, an integral part of the core of strategies for women’s political participation is building women’s agenda for change.”

  • ‘Early detection key to renal disease cure’

    ‘Early detection key to renal disease cure’

    Dr. Olugbenga Awobusuyi is a nephrologists and kidney specialist. A pioneer graduate of the University of Ilorin, Dr. Awobusuyi got his Fellowship at the National Post-Graduate Medical College, Ijanikin, Lagos and currently works as an associate professor at the Lagos State University Teaching Hospital, LASUTH. He speaks with Bukola Aroloye on the need for constant health checks and why Nigerians should adopt healthier lifestyles. 

    What would you say to people who say renal failure is a rich man’s disease? That is rather unfortunate because renal failure is not a big man’s disease. It affects the rich, the poor, the young and the old, regardless of your position and status in society. It is a disease that has a very high prevalence in our society. The only reason people are not aware of it is because most times, individuals suffering from renal failure don’t have symptoms until late in the course of the disease. Someone could be harbouring renal disease and never become symptomatic until after about 10 to 15. At the very early stage, most people are not aware of it until very late and this is a major issue. By the time most people begin to show symptoms, treatment becomes very expensive. The issue therefore is, of what help will screening and early detection be? This is why we continue to have occasions like the World Kidney Day, the MTNF Screening Exercise and many of such screening programmes. The emphasis right now on doctors, nurses, technicians and all those who take care of renal failure patients, to detect kidney failure and begin early treatment.

    From your experience, will you say renal failure is on the rise or has it always been this bad?

    We must take into cognisance that there are different stages of kidney failure. The very early stage is common but the very severe stage is what we don’t see. As to whether it is increasing, yes, it is on the rise all over the world because the major factors that are causing kidney diseases are increasing.

    Tell us of these factors?

    Chief among them is hypertension. It is becoming a lot more rampant and one of the tissues in the body that hypertension damage is the kidney, and it is the commonest cause of kidney failure in Nigeria. Another one is diabetes, which is also getting a lot more prevalent in the society. Most people visit fast food eateries and ingest a lot of calories that are not needed in the body and at the end of the day, quite a number of them become diabetic. Meat also has a major role to play in kidney disease. We can also talk about infections and HIV predominantly in this environment. Although many HIV victims are living longer with the drugs they are taking, some of those drugs also cause kidney failure and we have quite a number of HIV-related kidney diseases.

     Other infections such as the Hepatitis B and C could also cause kidney damage. There is something called the Auto Immune Disease, in which the body produces some substances that are meant to wade off infection or invasion that could damage some part of the tissue. Ordinarily these substances don’t attack the organs but with people with Synthetic Lupus Erythematosus (SLE), it tends to have effects on their organs and kidney damage is noted to be one of the problems they encounter. In elderly patients, especially men who have prostate enlargement that causes obstruction to the flow of urine, that could lead to back pressure on the kidney and ultimately kidney damage.

    You can also have kidney damage from common infections like typhoid and malaria. These diseases however cause acute kidney injury which the kidney can recover from but an acute damage may lead to chronic kidney disease.

    Also there are some pregnancy-related issues, like women who have hypertension during pregnancy and very high blood pressure during pregnancy, which could lead to chronic kidney disease. Patients who have sickle-cell disease are also liable to developing chronic kidney disease as part of the complications of the disease. Some patients have a lot of cyst, which are like tiny holes, but the holes can grow to become really big in some of the cystic diseases, and so many other causes.

    You have mentioned a lot of non-communicable disease that could cause renal failure. Would you say drug abuse or misuse is a major challenge with younger sufferers?

    Certainly, misuse of the right medication can cause kidney failure. A good example is the combination of pain killers that people take. It is not unusual to see people take paracetamol, profane, while some even add steroids. When you combine these drugs, they tend to cause kidney damage; we call them Analgesic Nephropathy. An analgesic is a drug you use to kill pain and when people consume them in large quantity over a long period of time, it can certainly cause damage to the kidney. The other aspect is that of native medications, the herbs that people take. People say herbs are natural, that they come from plants which God has made for the human race and so shouldn’t cause any harm. We are sure that herbs certainly cause kidney failure. We have seen many people coming down with kidney failure after taking those herbs. Some religious practices encourage the use of alternative medicines. Some encourage their flock to take what they refer to as Holy Water, which is greenish in colour because it has been made with perfume and all sorts and a number of people came down with renal failure after consuming the water.

    Shagamu used to be known for its red suya and people have developed Haemolysis- fragments in the red blood cells after taking the suya. It is not exactly the suya that caused the damage but because the patient themselves are deficient in some enzymes. The red suya causes some sort of stress on their red blood cells and because they are deficient in one enzyme, it causes their red blood cells to fragment. When it fragments, it releases a lot of haemoglobin in the blood, which damages the kidney. We have not been seeing too much of that recently. When some people go for certain x-ray procedures, they are required to take some injections which can lead to the development of kidney failure, especially people who are diabetic and require certain medicines.

    Being a member of the National Association of Nephrology, what measures is the association taking to disseminate information, especially to people who have a tendency to get reckless with their lifestyle?

    We have been at the forefront of disseminating information to the community through various channels. One of them is the MTN partnership, which is over four years old now. Every year, we run community health screening programmes. In the programme, we have an education and interactive session where a member of NAN or somebody in the renal care profession talks to the common man in the language they understand. A member of NAN from Calabar, for instance, will render the session in Efik. We also take advantage of the World Kidney Day, which is celebrated all over the world to organise some activities to mark the day. We usually screen members of a select community. The screening is usually free but we solicit for support and get screening materials for people to get their blood and urine tested. We do their blood pressure and check for blood sugar and what we are trying to do basically is to screen and detect kidney diseases early in its course. Not only are we detecting it, we also refer them to hospitals where they can meet professionals, get assistance on the abnormalities detected and get treated.

    Can someone be treated and cured especially if discovered at early stages?

    Yes. We can treat and cure the patient if the kidney disease is detected early. One thing about kidney disease is that there are many aspects to it. One is diagnosis, you can treat the underline cause of that kidney disease. When the cause is treated, then it’s not likely that the patient will end up on dialysis. I must quickly say that with kidney disease irrespective of the cause, once you have substantial damage, the tendency is for progression of the disease.  What we can do is identify factors that lead to progression, treat those factors and more often than not, reduce the rate of its progression. If someone needs dialysis in six months time, we might be able to add four to five or even 10 more years to the time that person would need dialysis. There are times we actually stop the progression. It depends on so many factors.

    The other thing that is also crucial in patients who have renal disease is the heart-related problems they might have. Most of our patients could die of heart-related problems and cardio-vascular disease even before getting to any stage where they would require dialysis. The beauty of early detection is that we also screen them for those cardio-vascular regions and actually prevent death and deterioration.

    Has there been a decline in the number of cases recorded since you started the community service?

    The issue is that after we visit places for the community health screenings, the hospitals get overwhelmed with the number of people coming in to access their kidneys and those we found to have kidney diseases during the screening. We believe that the screening exercise has brought a lot of enlightenment to those people and communities. Another aspect of the MTN screening exercise is to create awareness about the dialysis units in those areas, so people get to know the dialysis centres.

    What is the current situation with respect to how patients now engage the MTN facilities? Have there been improvements?

    I believe so. There are some areas where these dialysis units have made dialysis cheaper. In most places, dialysis treatment is far more expensive than what the MTN Foundation dialysis unit charge. In many places, it is probably the only dialysis unit in which patients enjoy the subsidised rate. In all the centres it is 15,000 naira. On the average in Lagos, you need about 25,000 naira, so it is about 10,000 naira cheaper.

    What is the relationship between NAN and the MTN foundation?

    NAN gives MTNF professional advice. We tell them what the requirements are for those dialysis units and NAN members are usually the nurses, doctors in those units as well as the hospital staff. For community screenings, NAN provides the logistics in terms of project management or design of screening, while MTN provides the financial support for the project. The staff are actively involved in screening the people and communicating with the medical directors of the hospitals. Essentially, that is what NAN has been doing with MTN Foundation.

  • 109 authors for NLNG Literature Prize

    109 authors for NLNG Literature Prize

    No fewer than 109 writers from Nigeria and other countries have sentered for this year’s Nigeria Prize for Literature, sponsored by Nigeria LNG Limited. The focus is on Children’s Literature.

    Considered Africa’s most prestigious literary award because of its uncompromising insistence on excellence and the US$100,000 cash prize, the NLNG sponsored initiative rotates yearly among four literary categories of prose fiction, poetry, drama and children’s literature.

    Contestants  send in their works, which are assessed by a panel of judges, comprising eminent literary scholars. The judges’ decisions and reviews are overseen by an advisory committee of equally distinguished academics and literalists.

    On the panel for this year’s edition  are Prof Uwemedimo Enobong Iwoketok of the University of Jos, the chairperson, Prof Charles Bodunde of the University of Ilorin, and the University of Maiduguri’s Dr. Razinat Mohammed.

    Members of the Advisory Board for the Prize are Emeritus  Prof Ayo Banjo, Prof  Ben Elugbe and Prof Jerry Agada.

    Kimberly Reynolds, a Professor of Children’s Literature at Newcastle University in the United Kingdom  and  past President of the International Research Society for Children’s Literature,  is this year’s International Consultant to the Advisory Board.

    Submissions are examined and shortlisted based on a number of considerations including editorial excellence, creativity and story plot with the aim of selecting a final winner who will then be publicly announced in October each year, to coincide with the date NLNG shipped its first liquefied natural gas cargo.

    “We have received a hundred and nine books as submissions by Nigerian authors to compete for this year’s prize in children’s literature. I can only wish all the authors vying for the honour, every success and the best outcome possible in the exercise,” said Kudo Eresia-Eke, NLNG’s General Manager External Relations.

    The last winner of the literature prize in the children’s literature category was Adeleke Adeyemi in 2011, for The Missing Clock,while Mabel Segun and Professor Akachi Adimora-Ezeigbo were joint winners for the Reader’s Theatre and My Cousin Sammyin 2007.

    This year’s award for children’s literature will run concurrently with the prize for literary criticism, also sponsored by NLNG, and for which only one entry was received. Introduced in 2012, the literary criticism category is a yearly award and carries a monetary value of N1million.

    Elsewhere in education, Nigeria LNG in March 2014 publicly announced a N2 billion University Support Programme (USP). Under the corporate social responsibility initiative, Nigeria LNG is currently sponsoring the building and equipment of engineering laboratories in six universities across Nigeria’s geo political zones as part of its support to teaching, research and capacity building.

  • Buhari: patron or lover of arts?

    Buhari: patron or lover of arts?

    Going by his antecedent, President–Elect  Muhammadu Buhari may not be a frontline patron of the arts. But, some of his contributions qualify him as a lover of the arts. Former Deputy Editor of The Guardian  Mr Ben Tomoloju reflects on the cultural legacies Buhari left behind between December 1983 and August 1985 as Head of State.  

    Thank you. But I wish not to take the issue of discipline for granted in assessing a man of culture. Whether it is in terms of environment, society, a people’s spiritual engagement and world-view, or their creative and inventive capacities, discipline is paramount. So your admission concerning ‘his discipline’ presupposes, in the first place that he is a man of culture. A man of culture has the potential of being visionary, though his effort at making such vision a reality is a different kettle of fish. A man or woman of culture exudes great passion in pursuit whatever he or she considers a societal ideal. In the same vein, a man or woman of culture cherishes ideas and lives by them; which saying that he is a dynamic agent of enlightenment who applies his vast intellectual resources to the development of society.

     

    By these parameters, I believe that General Buhari can be described as a man of culture except for aspects of the last criterion where he had a terrible reputation in press censorship and the jailing of Fela Anikulapo-Kuti when he was a military Head-of-State.

     

    It is an established cultural imperative that a good statesman must be a patron of the arts. One cannot say precisely now that Buhari is a patron of the arts judging by his record nearly thirty years. Yet, for some who governed Nigeria for a year and seven months or so, he had a few points that qualified him to be referred to as a lover of the arts. But he must go beyond being a lover of the arts to that of a grand patron of the arts in his present, re-nascent presidential status.

     

    What were the cultural legacies of Buhari as Head-of-State between December 1983 and August, 1986?

     

    Yes, I believe it was General Buhari’s military administration that laid the foundation for an enhanced ministerial status for the cultural sector. And this is very very important. Before his administration, culture was lumped into one ministerial behemoth called Ministry of Information, Youth, Sports and Culture.

    But sometime in 1986, the Buhari administration appointed a Federal Sole-Administrator for Culture and Archives in the person of Colonel Tunde Akogun. The Federal Sole-Administrator, by that appointment was equivalent to the present-day Minister of State and he reported directly to the Supreme Military Council. This initiative of the Buhari administration, however shortlived, energised the cultural sector, although not without some sour experiences.

     

     Can you be specific in this regard?

     On the positive side, the Sole-Administrator restructured the sector. The Department of Culture and Archives was split. The two former divisions became autonomous departments in their own rights.

    But, beyond this, Buhari set up the panel on the review of Theatre and Film, chaired by seasoned University don and Artistic Director, Mr. Bayo Oduneye. Some of the members included, pioneering culture administrator and poet, Mr Frank Aig-Imoukhuede, Mr. Ben Murray-Bruce and representatives from other relevant ministries, including the police and armed forces. The recommendations of that Review Panel went a long way to open up the cultural sector and release its potentials as it made positive projections on the desirability of a National Troupe, the film industry, copyright matters and generally the promotion, propagation and preservation of culture among others.

    Part of the credit goes to the then Group Captain Sampson Emeka Omerua who was the Minister of Information, Youth, Sports and Culture.

    One of the problems culture stakeholders had with the Buhari administration of the military era was its side-lining of the National Festival of Arts and Culture (NAFEST). On record, the 1993 edition of the festival was the last before the Buhari administration came to power. In spite of its high quality in concept and implementation, it was squeezed out of the nation’s cultural calendar. I do agree with those who remark that such posturing by anybody or government against a national cultural heritage cripples the collective intelligence. This happened nearly thirty years ago. I believe the General has experience more than a simple measure of the the democratisation process to encourage creative and other forms of expression to flourish. But it has to be admitted that, it nowadays, culture sometimes appears as the senior partner in a ministerial arrangement, Buhari charted the course.

     

    Can you recall such moments he lent support to major cultural event.

     

    You see….I don’t know….It seemed fashionable in those days for soldiers to look tough, wear stony, unsmiling faces except when they were in the mess. Buhari wasn’t caught out attending shows. It was his Minister, Omeruah and Sole-Administrator, Akogun who frequent the arts beats and clubs like the theatre, Art Alade’s Arts Place, the Jazz Club of Nigeria events, Jazz 39, Bala Miller and NUTAF Port Harcourt among others. But, the General actually was the Special Guest-of-Honour at the Command Performance of Ori, a drama production of the Lagos State Council for Arts and Culture. It was written and directed by Funmi Odusolu and Produced by the State’s Director of Culture, (now Oba) Gbenga Sonuga. That was on February 5, 1985. As Command Performance, it meant that the Head-of-State ordered the presentation of the play, which went on to tour the United States a year later even before the establishment of a National Troupe. I don’t if it was just one-off thing, but it was significant.

     

    Any chance of him re-enacting such in this new dispensation?

     

    Really, it’s not about General Buhari attending drama shows, art exhibitions and concerts, but to ensure that the democratisation process also guarantees the full democratisation of culture. If he had had the erroneous impression that the creative industry was on the fringe of the economy, developments in the movie, music and the popular arts in general today has proved otherwise. The good thing is that he laid the superstructure to some of these developments. You know, after the Oduneye Panel, enlarged group of culture stakeholders was constituted shortly before Buhari was overthrown on August 27, 1985. Papa Steve Rhodes, Mr Frank Aig-Imoukhuede, Bruce Onobrakpeya, Demas Nwoko, Bala Miller, Taiwo Okupe, Naiwu Osahon and Dan Awodoye were among the members. Permit me, I can’t remember all, but they were the leading lights. Ben Murray-Bruce and my humble self were the youngest. The Buhari administration gathered them from across Nigeria. Although he was overthrown in August, the brain-storming still held for two days in September, 1985 because the Federal Sole-Administrator whom Buhari appointed was retained by the successor. The group set a long term agenda for the cultural sector. And I think, Buhari should not find it difficult now to relate to the practical demands of the sector; for instance, job-creation and wealth-creation. Government should invest directly in culture. If it is possible for Governor Fashola to build mini-stadia across the Local Governments in Lagos, there is no reason why cottage theatres and art centres to accommodate the mass of artistic talents cannot be established in every Local Government Area in States where they are viable. This is our advocacy in Nigerian theatre today and one of the practical demands of the culture sector. And I think there is a chance of pulling this and other strategic agenda through because of the foundational role he played in the past. Government should encourage inputs into policy formulation and implementation from all interest groups, so that we can all claim the heritage and celebrate it as “Nigerian”.’

     

  • Foundation seeks more attention for women

    Foundation seeks more attention for women

    OVER 300 participants  converged on the Women’s Optimum Development Foundation (WODEF) for the celebration of the International Women’s Day (IWD), with the theme: Make it happen.

    They spoke of their commitment to national development.

    The event was held in partnership with the United Nations Information Centre (UNIC), Lagos.

    WODEF National Coordinator, Mrs Bimbo Oloyede, had drawn policymakers attention  and served as catalyst for change.

    She said some people had been asking what women have got to celebrate, noting that the answer given will depend on whether they are optimists or pessimists.

    Mrs Oloyede said: “Women have got lots to celebrate with a teenager like Malala becoming a global symbol for the education of girls, despite the fact that same remains unsafe in her own country of birth.

    “We are we celebrating when in India, over 90 women are being raped everyday amid a fierce debate as to whether or not the public should be allowed to watch a documentary film shot by the BBC, highlighting the issues surrounding a gang-rape which took place in New Delhi on a bus in 2012, from which the victim later died.

    “We are celebrating when instead of providing constructive and enlightening information, the internet and social media platforms are currently being used to promote a sophisticated on-line campaign to lure female recruits to Syria to perpetuate terrorist activities?

    “We are celebrating when over 200 girls, in their attempt to better themselves, acquire an education and liberate themselves from continued dependence are still at large, over one-and-a-half years after they were abducted in Chibok, in circumstances that are still not clear?

    “We are celebrating when because of Nigeria’s insurgency issues, hundreds of thousands of women, men and children have been internally displaced, forced to live from hand-to-mouth on paltry hand outs; so traumatised by the harsh realities of their present and the bleak uncertainty of their future that even if they had the opportunity, the last thing on their minds would be participating in the democratic process by coming out to vote. After all, we all know that the women and children are the hardest hit, don’t we?”

    These points, she said, make the question: ‘what are we celebrating salient whereas in our so-called democratic dispensation, are women more likely to reach reasonable levels of equal representation by appointment or through political Godfathers and less by the ballot box?

    “Our celebration will thus be more remarkable, if despite all the pictures painted above, each woman chooses to be an optimist which is why the IWD is not only recognise the global struggle of those working towards gender equality, but also to acknowledge the achievements of women who have made sacrifices in various ways to actualise development and improve the quality of life”.

    Mrs Oloyede noted: “Because of Malala and abducted Chibok Girls, girl-child education is now on the front burner of the development agenda of most countries. Also, because the taboo on discussing sexual violence has been broken, several new fast track courts have been created to hear rape cases in India.  Because of IDPs, INEC can now acknowledge the democratic rights and needs of other vulnerable groups like the visually impaired, the albinos and the physically challenged. Because of glaring inequality at the polls, women are now working in groups to train and support each other against the elections in 2019”.

    She called on  the forum not to be passive about the inequality and injustice being witnessed all around but to remain active, vocal and willing to be hands-on to ensure that each person makes a difference to realise the IWD theme and make it happen!

    Mrs Oloyede said this year’s theme is to show that women play vital roles as agents of development -from food security to the boardroom and from the theatre to infrastructure- adding: “Women are making it happen and contributing their quota towards socio-economic development, gender equality, women’s empowerment, women’ rights and the eradication of poverty. It is however important for us to carry the young ones along and encourage them to aspire to higher standards by exposing them to real heroes and heroines of development, whom they can emulate”.

    Highlight of the occasion was the presentation of ‘Rare Gems’ awards to 16 schools involved in WODEF projects since it started last June. The project is built around the Millennium Development Goals (MDGs).

    Mrs, Oloyede said eight schools researched a goal each to identify, actualising each goal, the others evaluates the Lagos State Government’s efforts to achieve the MDGs.

    The awardees, she said, “were nominated by the students and selected finally by our panel of judges”.

    She congratulated them on their determination to make an impact not because they are looking for applause, “but because they were determined to break out of the box of ordinary, therefore, they have become extraordinary because they thought no one was watching”.

    Her NGO, Mrs Oloyede said, remained grateful to UNIC, UNFPA and other supporters for their collaboration, encouragement and partnership related to the Rare Gems project.

    The  awardees are:

    • Eradication of extreme poverty and hunger received by Mrs Omowale Ogunride.

    • Achieving Universal Primary Education went to Hajia Maryam Garuba.

    • Promote Gender Equality & Empower Women was awarded to Her Excellency

    • Princess Adejoke Orelope-Adefulire was received by Dettol.

    • Improve maternal health/Reducing Child Mortality was given to Ms.Ifeyinwa Madu.

    • Combat HIV/AIDS, Malaria & other Diseases went to Late Dr Stella Adadevoh.

    • Goal 8 winner: Developing a global partnership for development by Mr Saheed Adepoju.

    Dignitaries in attendance  included the Deputy Governor of Lagos State, Mrs Adejoke Orelope-Adefulire, representative of Lagos State First Lady, Dame Emanuela Abimbola Fashola,  Mrs Rhoda Ayinde,  representatives of UNFPA, Dr. Amaka Haruna and UNAIDS, Dr O. Asa, who gave goodwill messages.